Being Chinamen, they grow only Chinese produce, a peculiar kind of bean

and some sort of salad, and those large, artistic shaped melons, seen

only in China or Chinatown, which they call something that sounds like

"moncha," and which, one of them told me, bring two cents a pound from

the Chinese merchants and restaurateurs of Manhattan. For my part, I

was very glad to learn of these farms, for I had always been perplexed

to account for the fresh salads and green vegetables, of unmistakably

Chinese origin, that can be found in season in New York's Chinatown.

Under an old shed near by they have their market-wagon, in which,

looking inscrutable, they drive their stuff to market through Long

Island City, and by way of James Slip Ferry over to Chinatown; then back

to the farm again, looking inscrutable. And on Sundays, for all we know,

they leave the wagon behind and go to gamble their earnings away in Mott

Street, or perhaps away over in some of the well-known places of Jersey

City. Then back across the two ferries to farming on dreary Monday

mornings.

IV

Even up in Manhattan there are still places astonishingly unlike what

is expected of the crowded little island on which stands New York

proper. There is Fort Washington with tall trees growing out of the

Revolutionary breastworks, land, under their branches, a fine view up

the Hudson to the mountains--a quiet, sequestered bit of public park

which the public hasn't yet learned to treat as a park, though within

sight of the crowds crossing the viaduct from the Grant Monument on

Riverside. There are wild flowers up there every spring, and until quite

recently so few people visited this spot for days at a time that there

were sometimes woodcock and perhaps other game in the thickly wooded

ravine by the railroad. Soon, however, the grass on the breastworks will

be worn off entirely, and the aged deaf man who tends the river light on

Jeffreys Hook will become sophisticated, if he is still alive.

[Illustration: Cemetery Ridge, Near Richmond, Staten Island.]

It will take longer, however, for the regions to the north, beyond

Washington Heights, down through Inwood and past Tubby Hook, to look

like part of a city. And across the Spuyten Duyvil Creek from Manhattan

Island, up through the winding roads of Riverdale to Mount St. Vincent,

and so across the line to Yonkers, it is still wooded, comparatively

secluded and country-like, even though so many of the fine country

places thereabouts are being deserted. Over to the eastward, across

Broadway, a peaceful road which does not look like a part of the same

thoroughfare as the one with actors and sky-scrapers upon it, there are

the still wilder stretches of Mosholu and Van Cortlandt Park, where,

a year or two ago, large, well-painted signs on the trees used to say

"Beware of the Buffaloes."

[Illustration: A Peaceful Scene in New York.

In the distance is St. Andrew's Church, Borough of Richmond, Staten

Island.]

The open country sport of golf has had a good deal to do with making

this rural park more generally appreciated. Golf has done for Van

Cortlandt what the bicycle had done for the Bronx and Pelham Bay Parks.

There are still natural, wild enough looking bits, off from the beaten

paths, in all these parks, scenes that look delightfully dark and sylvan

in the yearly thousands of amateur photographs--the camera does not

show the German family approaching from the rear, or the egg-shells and

broken beer-bottles behind the bushes--but beware of the police if you

break a twig, or pick a blossom.

V

Those who enjoy the study of all the forms of nature except the highest

can find plenty to sigh over in the way the city thrusts itself upon

the country. But to those who think that the haunts and habits of the

Man are not less worthy of observation than those of the Beaver and

the Skunk, it is all rather interesting, and some of it not so deeply

deplorable.

[Illustration: A Relic of the Early Nineteenth Century, Borough of

Richmond.]

There are certain old country taverns, here and there, up toward

Westchester, and down beyond Brooklyn and over on Staten Island--not

only those which everybody knows, like the Hermitage in the Bronx and

Garrisons over by the fort at Willets Point, but remote ones which have

not yet been exploited in plays or books, and which still have a fine

old flavor, with faded prints of Dexter and Maud S. and much earlier

favorites in the bar-room. In some cases, to be sure, though still

situated at a country cross-roads, with green fields all about, they are

now used for Tammany head-quarters with pictures of the new candidate

for sheriff in the old-fashioned windows--but most of them would have

gone out of existence entirely after the death of the stage-coach, if it

had not been for the approach of the city, and the side-whiskered New

Yorkers of a previous generation who drove fast horses. If the ghosts

of these men ever drive back to lament the good old days together, they

must be somewhat surprised, possibly disappointed, to find these rural

road-houses doing a better business than even in their day. The bicycle

revived the road-house, and though the bicycle has since been abandoned

by those who prefer fashion to exercise, the places that the wheel

disclosed are not forgotten. They are visited now in automobiles.

[Illustration: An Old-fashioned Stone-arched Bridge. (Richmond, Staten

Island.)]

There are all those historic country-houses within the city limits, well

known, and in some cases restored, chiefly by reason of being within

the city, like the Van Cortlandt house, now a part of the park, and the

Jumel mansion standing over Manhattan Field, a house which gets into

most historical novels of New York. Similarly Claremont Park has adopted

the impressive Zabriskie mansion; and the old Lorillard house in the

Bronx might have been torn down by this time but that it has been made

into a park house and restaurant. Nearly all these are tableted by the

"patriotic" societies, and made to feel their importance. The Bowne

place in Flushing, a very old type of Long Island farm-house, was turned

into a museum by the Bowne family itself--an excellent idea. The Quaker

Meeting-house in Flushing, though not so old by twenty-five years as

it is painted in the sign which says "Built in 1695," will probably be

preserved as a museum too.

[Illustration: An Old House in Flatbush.]

Another relic in that locality well worth keeping is the Duryea place,

a striking old stone farm-house with a wide window on the second floor,

now shut in with a wooden cover supported by a long brace-pole reaching

to the ground. Out of this window, it is said, a cannon used to point.

This was while the house was head-quarters for Hessian officers, during

the long monotonous months when "the main army of the British army lay

at Flushing from Whitestone to Jamaica;" and upon Flushing Heights

there stood one of the tar-barrel beacons that reached from New York to

Norwich Hill, near Oyster Bay. The British officers used to kill time

by playing at Fives against the blank wall of the Quaker Meeting-house,

or by riding over to Hempstead Plains to the fox-hunts--where the

Meadowbrook Hunt Club rides to the hounds to-day. The common soldiers

meanwhile stayed in Flushing and amused themselves, according to the

same historian, by rolling cannon-balls about a course of nine holes.

That was probably the nearest approach to the great game at that time

in America, and it may have been played on the site of the present

Flushing Golf Club.

These same soldiers also amused themselves in less innocent ways, so

that the Quakers and other non-combatants in and about this notorious

Tory centre used to hide their live stock indoors over night, to keep

it from being made into meals by the British. That may account for the

habit of the family occupying the Duryea place referred to; they keep

their cow in a room at one end of the house. At any rate it is not

necessary for New Yorkers to go to Ireland to see sights of that sort.

Those are a few of the historic country places that have come to town.

There is a surprisingly large number of them, and even when they are not

adopted and tableted by the D. A. R. or D. R., or S. R. or S. A. R.,

they are at least known to local fame, and are pointed out and made much

of.

But the many abandoned country houses which are not especially historic

or significant--except to certain old persons to whom they once meant

home--goodly old places, no longer even near the country, but caught

by the tide well within the city, that is the kind to be sorry for.

Nobody pays much attention to them. A forlorn For Sale sign hangs out

in front, weather-beaten and discouraged. The tall Colonial columns

still try to stand up straight and to appear unconscious of the faded

paint and broken windows, hoping that no one notices the tangle of

weeds in the old-fashioned garden, where old-fashioned children used to

play hide-and-seek among the box-paths, now overgrown or buried under

tin cans.... Across the way, perhaps, there has already squatted an

unabashed row of cheap, vulgar houses, impudent, staring little city

homes, vividly painted, and all exactly alike, with highly ornamented

wooden stoops below and zinc cornices above, like false-hair fronts.

They look at times as though they were putting their heads together to

gossip and smile about their odd, old neighbor that has such out-of-date

fan-lights, that has no electric bell, no folding-beds, and not a bit of

zinc cornicing.

Meanwhile the old house turns its gaze the other way, thinking of days

gone by, patiently waiting the end--which will come soon enough.

[Illustration]

Transcriber's Notes:

Simple typographical errors were corrected.

Punctuation and spelling were made consistent when a predominant

preference was found in this book; otherwise they were not changed.

Page 8, first line: "manifestations of the spirit" could be "or".

End of Project Gutenberg's New York Sketches, by Jesse Lynch Williams

New York Sketches · 第 5 / 5 段