_London, Published by Charles Knight & C^o. Ludgate Street._

]

[Illustration]

JOHNSON.

Samuel Johnson was born September 18, 1709, in the city of Lichfield,

where his father, a man well respected for sense and learning, carried

on the trade of a bookseller, and realized an independence, which he

afterwards lost by an unsuccessful speculation. His mother also

possessed a strong understanding. From these parents Johnson derived a

powerful body, and a mind of uncommon force and compass. Unfortunately

both mind and body were tainted by disease: the former by a melancholy,

of which he said that it had “made him mad all his life—at least not

sober;” the latter by that scrofulous disorder called the king’s evil,

for which, in compliance with a popular superstition, recommended by the

Jacobite principles of his family, he was _touched_ by Queen Anne. By

this disease he lost the sight of one eye, and the other was

considerably injured: a calamity which combined with constitutional

indolence to prevent his joining in the active sports of his

school-fellows. Tardy in the performance of his appointed tasks, he

mastered them with rapidity at last, and he early displayed great

fondness for miscellaneous reading, and a remarkably retentive memory.

After passing through several country schools, and spending near two

years in a sort of busy idleness at home, he went to Pembroke College,

Oxford, about the age of sixteen. There he made himself more remarkable

by wit and humour, and negligence of college discipline, than by his

labours for University distinction: his translation of Pope’s Messiah

into Latin hexameters was the only exercise on which he bestowed much

pains, or by which he obtained much credit. But his high spirits, unless

the recollections of his earlier years were tinctured by his habitual

despondency, were but the cloak of a troubled mind. “Ah! Sir,” he said

to Boswell, “I was mad and violent. It was bitterness which they mistook

for frolic. I was miserably poor, and I thought to fight my way by my

literature and my wit, so I disregarded all power and all authority.”

His poverty during this period was indeed extreme: and the scanty

remittances by which he was supported, in much humiliation and

inconvenience, were altogether stopped at last by his father’s

insolvency. He had the mortification to be compelled to quit Oxford in

the autumn of 1731, after three years’ residence, without taking a

degree; and his father’s death in the December following threw him on

the world, with twenty pounds in his pocket.

He first attempted to gain a livelihood in the capacity of usher to a

school at Market-Bosworth, in Leicestershire. For that laborious and

dreary task he was eminently unfit, except by talent and learning, and

he soon quitted a situation which he ever remembered with a degree of

aversion amounting to horror. After his marriage he tried the experiment

of keeping a boarding-house, near Lichfield, as principal, with little

better success. From Bosworth he went to Birmingham, in 1733, where he

composed his first work, a translation of the Jesuit Lobo’s Voyage to

Abyssinia. He gained several kind and useful acquaintance in the latter

town, among whom was Mr. Porter, a mercer, whose widow he married in

1735. She was double his age, and possessed neither beauty, fortune, nor

attractive manners, yet she inspired him with an affection which

endured, unchilled by the trials of poverty, unchanged by her death,

even to the end of his own life, as his private records fully testify.

She died in 1752.

In March, 1737, Johnson set out for the metropolis, in hopes of mending

his fortunes, as a man of letters, and especially of bringing on the

stage his tragedy of Irene. It was long before his desires were

gratified in either respect. Irene was not performed till 1749, when his

friend and former pupil, Garrick, had the management of Drury-Lane.

Garrick’s zeal carried it through nine nights, so that the author, in

addition to one hundred pounds from Dodsley for the copyright, had the

profit of three nights’ performance, according to the mode of payment

then in use. The play however, though bearing the stamp of a vigorous

and elevated mind, and by no means wanting in poetical merit, was unfit

for acting, through its want of pathos and dramatic effect: and Johnson

perhaps perceived his deficiency in these qualities, for he never again

wrote for the stage. Garrick said of his friend, that he had neither the

faculty to produce, nor the sensibility to receive the impressions of

tragedy: and his annotations upon Shakspeare confirm this judgment.

His first employment after his arrival in London, was as a frequent

contributor to the Gentleman’s Magazine, from which, during some years,

he derived his chief support. This was a period of labour, poverty, and

often of urgent want. Sometimes without a lodging, sometimes without a

dinner, he became acquainted with the darker phases of a London life;

and among other singular characters, a similarity of fortunes made him

acquainted with the notorious Richard Savage, whom he regarded with

affection, and whose life is one of the most powerful productions of

Johnson’s pen.

In the thoughts suggested, and the knowledge taught, by this rough

collision with the world, we may conjecture his imitation of the third

satire of Juvenal, entitled London, to have originated. To the majority

of the nation it was recommended by its strong invectives against the

then unpopular ministry of Sir Robert Walpole, as well as by the energy

of thought and style, the knowledge of his subject, and the lively

painting in which it abounds: it reached a second edition in the course

of a week, and Boswell tells us, on contemporary authority, that “the

first buz of the literary circles was, ‘here is an unknown poet, greater

even than Pope.’” Yet this admired poem produced only ten guineas to its

author, and appears to have done nothing towards improving his

prospects, or giving a commercial value to his name: his chief

employment was still furnished by the Gentleman’s Magazine; and in

November, 1740, he undertook to report, or rather to write, the

Parliamentary debates for that publication. At that time the privileges

of Parliament were very strictly interpreted, and the avowed publication

of debates would have been rigorously suppressed. Such a summary however

as could be preserved in the memory, was carried away by persons

employed for the purpose, and the task which Johnson undertook was to

expand and adorn their imperfect hints from the stores of his own

eloquence: in doing which he took care, as he afterwards acknowledged,

that “the Whig dogs should not have the best of it.” The speeches of

course were referred to fictitious names, and were published under the

title, Debates of the Senate of Lilliput: but in February, 1743,

Johnson, on finding that they were esteemed genuine, desisted from the

employment, declaring that he would not be accessary to the propagation

of falsehood. So scrupulous was he on this score, that forty years

after, not long before his death, he expressed his regret at having been

the author of fictions that had passed for realities.

For a detailed account of this early portion of Johnson’s literary

history, we refer the reader to Boswell’s Life, and the list of

Johnson’s works thereto prefixed, and pass on at once to those greater

performances, to which he owes his eminent rank among British writers.

Of these the earliest and most celebrated is his Dictionary of the

English Language. How long the plan of this work had been meditated,

before it was actually commenced, is uncertain: he told Boswell, that

his knowledge of our language was not the effect of particular study,

but had grown up insensibly in his mind. That he under-rated the time

and labour requisite for such a work, is evident from his promising in

his prospectus, issued in 1747, to complete it in three years: he

probably had also under-rated the needful knowledge, and amount of

preparatory study. In fact it was not published till 1755. He received

for it 1575_l._, of which however a very considerable portion was spent

in expenses. The prospectus was addressed to Lord Chesterfield; who

expressed himself warmly in favour of the design, and from that time

forward treated the author with neglect until the time of publication

drew nigh, when he again assumed the character of a patron. Fired at

this, Johnson repudiated his assistance in a dignified but sarcastic

letter, which is printed by Boswell. The transaction merits notice, for

it is characteristic of Johnson’s independent spirit, and excited at the

time much curiosity and comment.

The Dictionary was justly esteemed a wonderful work: it established at

once the author’s reputation among his contemporaries, and was long

regarded as the supreme standard by which disputed points in the English

language were to be tried. Johnson’s chief qualification for the task

lay in the accuracy of his definitions, and the extent of his various

and well-remembered reading; his chief disqualification lay in his

ignorance of the cognate Teutonic languages, the stock from which the

bulk and strength of our own is derived: and in proportion as the

history and philosophy of the English language have been more

extensively studied, has the need of a more learned and philosophical

work of reference been felt. The verbose style of his definitions is

rather a fruitful theme of ridicule than an important fault. Shortly

before its publication he received from the University of Oxford, which

through life he regarded with great affection and veneration, the

honorary degree of M.A., a mark of respect by which he was highly

gratified.

That his labour in composing this work was not severe, may be inferred

from the variety of literary employments in which, during its progress,

he found time and inclination to engage: among which we may select for

mention the imitation of Juvenal’s tenth satire, entitled Vanity of

Human Wishes, and the periodical paper called the Rambler, which was

published twice a week, from March 20, 1750, to March 17, 1752. Of the

whole series, according to Boswell, only four papers, and a part of a

fifth, were contributed by other pens: and it is remarkable, considering

the general gravity of the subjects, and the elaboration of the style,

that most of them were struck off at a heat, when constitutional

indolence could procrastinate no longer, without even being read over

before they were printed. The circulation of the work was small; for its

merits, which lie chiefly in moral instruction and literary criticism,

were of too grave a cast to ensure favour: the lighter parts, and the

attempts at humour, are the least successful. But its popularity

increased as the author’s fame rose, and fashion recommended his

grandiloquent style; and before his death it went through numerous

editions in a collected form.

In 1756 he issued proposals for an edition of Shakspeare, a scheme which

he had contemplated as long back as 1745, when he published

Miscellaneous Observations on the Tragedy of Macbeth. He promised to

complete it before Christmas, 1757, but it did not appear until October,

1765. Imperfectly versed in the antiquities, literature, and language of

the Elizabethan era, the source from which almost all valuable comment

on our early dramatists has been drawn, he has done little to elucidate

difficulties or correct errors. His preface has been esteemed among the

most valuable of his critical essays. But the perusal of his notes, and

especially of his summary criticisms on the several plays, will confirm

Garrick’s judgment as to his sensibility, and show that he wanted that

delicate perception and deep knowledge of the workings of the passions

which were necessary to the adequate fulfilment of his most difficult

task.

From April 15, 1758, to April 5, 1760, Johnson wrote a second periodical

paper, called the Idler. Twelve only, out of one hundred and three

essays, were contributed by his friends; the rest were generally written

with as much haste, and are of slighter texture, than those of the

Rambler. Rasselas, Prince of Abyssinia, he wrote in the beginning of

1759, to defray the expenses of his mother’s funeral, and pay some

trifling debts which she had left. He told Sir Joshua Reynolds, that it

was composed in the evenings of one week, and sent to the press in

portions as it was written. This anecdote affords a good instance of

Johnson’s facility and power, when an adequate stimulus was applied:

from the rich imagery, and the varied, powerful strain of reflection

which pervade it, and the elaborated pomp of its style, it would

assuredly be taken for the product of mature consideration, labour, and

frequent revision. For this he received one hundred pounds, and

twenty-five pounds more at a second edition. It has been translated into

most European languages.

In 1762 Johnson accepted a pension of 300_l._, for which he underwent

considerable obloquy. This was entirely undeserved, though in some sort

he had brought it on himself by indulging his satirical bias and

political predilections in a wayward definition of the words _pension_

and _pensioner_, in his Dictionary; where other instances occur of his

indulging the humour of the moment, whether it prompted him to spleen or

merriment. Why he should not have accepted the pension, no sound reason

can be given: his Jacobitical predilections, never probably so strong as

he used to represent them in the heat of argument, were lost, like those

of others, in the hopelessness of the cause; and his Toryism naturally

led him to transfer his full respect and allegiance to the reigning

king, who never was suspected of an undue bias towards Whiggism. The sum

bestowed was no more than an honourable testimony to his literary

eminence, and a comfortable provision for his declining age: and as far

as it is possible to form an opinion on such matters, the gift was

unstained by any compact, expressed or understood, for political

support.

Among the more important events of Johnson’s life, we are bound to

mention his acquaintance with Mr. Boswell, which commenced in 1763, not

only because it formed an important article among the pleasures of the

philosopher’s declining years, but because it led to the composition and

publication of the most lively and vivid picture ever given by one man

of another, the Life of Johnson. By Boswell, Johnson was induced, in

compliance with a wish that he had long before entertained, to undertake

a journey to the Scottish Highlands and the Hebrides: and it is

remarkable that the first English book of travels (as we believe,) into

what to the English was then almost a _terra incognita_, should have

been composed by a man so careless of natural beauty, and so little

disposed to sacrifice his ease and habits to the cravings of curiosity,

as Johnson. His desire to visit that country seems to have arisen rather

from a wish to study society in a simple form, than from any taste for

the wild beauties of our Northern regions, of which he saw not the most

favourable specimen, and has given not a flattering account. His Journey

to the Western Islands will be read with pleasure, abounding in acute

observation, passages of lofty eloquence, and grateful acknowledgment of

the kindness and hospitality which he received; kindness which his

snappish railings against the Scotch in general never led him to

undervalue or forget. His companion and disciple’s account of their

expedition will, however, be read with more amusement, from presenting

such vivid pictures of the author himself, as well as of the subject

which he painted, and of the varied characters to which they were

introduced, and scenes in which they intermingled. We may here add that

Johnson was a resolute unbeliever in the authenticity of Macpherson’s

Ossian, against which, in his book, he pronounced a decided judgment. He

thus gave considerable offence to national vanity. To the claims of

second-sight he was more favourable. Throughout life he was influenced

by a belief, not only in the possibility, but in the occasional exertion

of supernatural agencies, beyond the regular operation of the laws of

nature.

In 1775, Johnson received from the University of Oxford the honorary

degree of D.C.L. The same degree had been conferred on him some time

before by the University of Dublin; but he did not then assume the title

of doctor. His only subsequent work which requires notice is the Lives

of the English Poets, written for a collective edition of them, which

the booksellers were about to publish. To the selection of the authors,

praise cannot be given: many ornaments to our literature are omitted,

and many obscure persons have found a place in the collection: this

however, probably, was not Johnson’s fault. The publication began in

1779, and was not completed till 1781: the lives have gone through many

editions by themselves. Though strongly coloured by personal and

political predilections, they contain much sound criticism, and form a

valuable article in British biography.

Many incidents connected with Johnson’s life, his places of residence,

his domestication in Mr. Thrale’s family, his connexion with The Club,

and the like, have been made generally known by the amusing works of

Boswell, Mrs. Piozzi, and others. Perhaps public curiosity was never so

strongly directed towards the person, habits, and conversation of any

man known only as an author; and certainly it never has been so amply

gratified. Boswell’s Life of Johnson is unique in its kind.

His powers of conversation were very great, and not only commanded the

admiration and deference of his contemporaries, but have contributed in

a principal degree to the upholding of his traditionary fame. They were

deformed by an assumption of superiority, and an intolerance of

contradiction or opposition, which often betrayed him into offensive

rudeness. Yet his temper was at bottom affectionate and humane, his

attachments strong, and his charity only bounded, and scarcely bounded,

by his means.

The latter years of Dr. Johnson’s life were overshadowed by much gloom.

Many of his old and most valued friends sank into the grave before him;

his bodily frame was much shattered by disease; his spirits became more

liable to depression; and his sincere and ardent piety was too deeply

tinged by constitutional despondency to afford him steady comfort and

support under his sufferings. He was struck by palsy in 1783, but

recovered to the use both of his bodily and mental faculties. A

complication of asthma and dropsy put an end to his existence, December

13, 1785. During his illness, his anxiety for a protracted life was

painfully intense: but his last hours are described by the bystanders to

have been calm, happy, and confident. He was buried in Westminster

Abbey. A statue to his memory is erected in St. Paul’s Cathedral.

[Illustration: [Monument to Dr. Johnson in St. Paul’s Cathedral.]]

[Illustration:

_Engraved by W. Holl._

JEFFERSON.

_From a Print engraved by A. Desnoyers._

Under the Superintendence of the Society for the Diffusion of Useful

Knowledge.

_London, Published by Charles Knight & C^o. Ludgate Street._

]

[Illustration]

JEFFERSON.

From the American Revolution of 1776 we may date the commencement of

that struggle which has agitated and still agitates Europe and the two

Americas. By whatever words the character of this struggle may be

expressed,—whether under the name of popular rights against exclusive

privileges, or self-government or the government of the people, against

absolute government or the government of a few, or by any other terms

more or less appropriate,—the contest is still going on, openly and

actively in those called free governments, silently and languidly in

those where the sovereign power is opposed to the extension or

introduction of the new doctrines. The contest is between progress (not

here considered whether as right or wrong) and standing still; between

change, without which there cannot be improvement, and a desire to

resist all change, which can hardly end in keeping things stationary,

but almost necessarily leads to a backward movement. The contest is not

only for the practical application of principles in government, which

are vigorously maintained by the one party, and either not denied or

faintly opposed by the arguments of the other; but also for the free

expression and publication of all opinions on all subjects affecting the

moral and political condition of society.

There is no individual, either in America or in Europe, who by his

actions and opinions has had a greater influence on this contest than

THOMAS JEFFERSON. During a long and laborious life, both in official

situations which gave him opportunities that his activity never let

slip, and in private life in his extensive correspondence and

intercourse with persons of all countries, he constantly, perseveringly,

and honestly maintained what he conceived to be the principle of pure

republican institutions. In the ardour of youth, his zeal and energy

mainly contributed to animate his countrymen to declare their

independence on a foreign power. In his maturer age, when a member of

the General Administration, he struggled, and he struggled at one time

almost alone, against a monarchical and aristocratical faction, to

maintain the great principles of the Revolution, and develop the

doctrines of a pure unmixed popular government. His influence gave to

these doctrines a consistency, and a form, and a distinctness, which the

mass of the nation could easily seize and retain. He thus became the

head of a party in the United States, which, whether always rightly

appealing to his doctrines or not for the vindication of their acts,

still regards him as the father of their school and the expounder of

their principles. By his plain and unaffected manners, and the freedom

with which he expressed his opinions on all subjects, he gave a

practical example of that republican simplicity which he cultivated, and

of that free inquiry which he urged upon all. Such a man must always

have many friends and many enemies. From his friends and admirers he has

received, perhaps, not more praise than those who believe in the truth

of his doctrines and the purity of his conduct are bound to bestow; by

his enemies, both at home and abroad, he has been blackened by every

term of abuse that bigotry, malice, and falsehood can invent.

The Gallery of Portraits: with Memoirs. Volume 7 (of 7) · 第 15 / 20 段