CHAPTER IV.

"Well, how I am to get up this hill again, Heaven knows!" said Lady

Diana Chillingworth, who had been prevailed upon to walk down Clifton

Hill to the Wells. "Heigho! that sister of mine, Lady Frances, walks,

and talks, and laughs, and admires the beauties of nature till I'm half

dead."

"Why, indeed, Lady Frances Somerset, I must allow," said Miss Burrage,

"is not the fittest companion in the world for a person of your

ladyship's nerves; but then it is to be hoped that the glass of water

which you have just taken fresh at the pump will be of service, provided

the racketing to Bristol to the play don't counteract it, and undo all

again."

"How I dread going into that Bristol playhouse!" said Miss Burrage to

herself--"some of my precious relations may be there to claim me. My

aunt Dinah--God bless her for a starched quaker--wouldn't be seen at a

play, I'm sure--so she's safe;--but the odious sugar-baker's daughters

might be there, dizened out; and between the acts, their great tall

figures might rise in judgment against me--spy me out--stare and

curtsy--pop--pop--pop at me without mercy, or bawl out across the

benches, 'Cousin Burrage! Cousin Burrage!' And Lady Diana Chillingworth

to hear it!--oh, I should sink into the earth."

"What amusement," continued Miss Burrage, addressing herself to Lady

Di., "what amusement Lady Frances Somerset can find at a Bristol

playhouse, and at this time of the year too, is to me really

unaccountable."

"I do suppose," replied Lady Diana, "that my sister goes only to please

that child--(Clara Hope, I think they call her)--not to please me, I'm

sure;--but what is she doing all this time in the pump-room? does she

know we are waiting for her?--oh, here she comes.--Frances, I am half

dead."

"Half dead, my dear! well, here is something to bring you to life

again," said Lady Frances: "I do believe I have found out Miss Warwick."

"I am sure, my dear, _that_ does not revive me--I've been almost plagued

to death with her already," said Lady Diana.

"There's no living in this world without plagues of some sort or

other--but the pleasure of doing good makes one forget them all: here,

look at this advertisement, my dear," said Lady Frances: "a gentleman,

whom I have just met with in the pump-room, was reading it in the

newspaper when I came in, and a whole knot of scandal-mongers were

settling who it could possibly be. One snug little man, a Welsh curate,

I believe, was certain it was the bar-maid of an inn at Bath, who is

said to have inveigled a young nobleman into matrimony. I left the

Welshman in the midst of a long story, about his father and a young

lady, who lost her shoe on the Welsh mountains, and I ran away with the

paper to bring it to you."

Lady Diana received the paper with an air of reluctance.

"Was not I very fortunate to meet with it?" said Lady Frances.

"I protest I see no good fortune in the business, from beginning to

end."

"Ah, because you are not come to the end yet--look--'tis from Mrs. Hoel,

of the inn at Cardiffe, and by the date, she must have been there last

week."

"Who--Mrs. Hoel?"

"Miss Warwick, my dear--I beg pardon for my pronoun--but do read

this--eyes--hair--complexion--age--size--it certainly must be Miss

Warwick."

"And what then?" said Lady Di, with provoking coldness, walking on

towards home.

"Why, then, my dear, you know we can go to Cardiffe to-morrow morning,

find the poor girl, and, before any body knows any thing of the matter,

before her reputation is hurt, or you blamed, before any harm can

happen, convince the girl of her folly and imprudence, and bring her

back to you and common sense."

"To common sense, and welcome, if you can; but not to me."

"Not to you!--Nay; but, my dear, what will become of her?"

"Nay; but, my dear Frances, what will the world say?"

"Of her?"

"Of me."

"My dear Di., shall I tell you what the world would say?"

"No, Lady Frances, I'll tell _you_ what the world would say--that Lady

Diana Chillingworth's house was an asylum for runaways."

"An asylum for nonsense!--I beg your pardon, sister--but it always

provokes me to see a person afraid to do what they think right, because,

truly, 'the world will say it is wrong.' What signifies the uneasiness

we may suffer from the idle blame or tittle-tattle of the day, compared

with the happiness of a young girl's whole life, which is at stake?"

"Oh, Lady Frances, that is spoken like yourself--I love you in my

heart--that's right! that's right!" thought Clara Hope.

Lady Diana fell back a few paces, that she might consult one whose

advice she always found agreeable to her own opinions.

"In my opinion," whispered Miss Burrage to Lady Diana, "you are right,

quite right, to have nothing more to do with the _happiness_ of a young

lady who has taken such a step."

They were just leaving St. Vincent's parade, when they heard the sound

of music upon the walk by the river side, and they saw a little

boy there, seated at the foot of a tree, playing on the guitar, and

singing--

"J'ai quitté mon pays et mes amis, Pour jouer de la guitare, Qui va

clin, clin, qui va clin, clin, Qui va clin, clin, clin, clin."

"Ha! my wee wee friend," said Clara Hope, "are you here?--I was just

thinking of you, just wishing for you. By gude luck, have you the weeny

locket about you that the young lady gave you this morning?--the weeny

locket, my bonny boy?"

"Plait-il?" said little Louis.

"He _don't_ understand one word," said Miss Burrage, laughing

sarcastically, "he don't understand one word of all your _bonnys_, and

_wee wees_ and _weenies_, Miss Hope; he, unfortunately, don't understand

broad Scotch, and maybe he mayn't be so great a proficient as you are

in _boarding-school_ French; but I'll try if he can understand _me_, if

you'll tell me what you want."

"Such a trinket as this," said Clara, showing a locket which hung from

her neck.

"Ah oui--yes, I comprehend now," cried the boy, taking from his

coat-pocket a small case of trinkets--"la voilà!--here is vat de young

lady did give me--good young lady!" said Louis, and he produced the

locket.

"I declare," exclaimed Miss Burrage, catching hold of it, "'tis Miss

Warwick's locket! I'm sure of it--here's the motto--I've read it, and

laughed at it twenty times--L'Amie Inconnue."

"When I heard you all talking just now about that description of the

young lady in the newspaper, I cude not but fancy," said Clara Hope,

"that the lady whom I saw this morning must be Miss Warwick."

"Saw--where?" cried Lady Frances, eagerly.

"At Bristol--at our academy--at Mrs. Porett's," said Clara; "but mark

me, she is not there now--I do not ken where she may be now."

"Moi je sais!--I do know de demoiselle did stop in a coach at one house;

I was in de street--I can show you de house."

"Can you so, my good little fellow? then let us begone directly," said

Lady Frances.

"You'll excuse me, sister," said Lady Di.

"Excuse you!--_I_ will, but _the world_ will not. You'll be abused,

sister, shockingly abused."

This assertion made more impression upon Lady Di. Chillingworth than

could have been made either by argument or entreaty.

"One really does not know how to act--people take so much notice of

every thing that is said and done by persons of a certain rank: if you

think that I shall be so much abused--I absolutely do not know what to

say."

"But I thought," interposed Miss Burrage, "that Lady Frances was going

to take you to the play to-night, Miss Hope?"

"Oh, never heed the play--never heed the play, or Clara Hope--never heed

taking me to the play: Lady Frances is going to do a better thing.--Come

on, my bonny boy," said she to the little French boy, who was following

them.

We must now return to our heroine, whom we left on her way to Mrs.

Bertrand's. Mrs. Bertrand kept a large confectionary and fruit shop in

Bristol.

"Please to walk through this way, ma'am--Miss Hodges is above

stairs--she shall be apprized directly--Jenny! run up stairs," said

Mrs. Bertrand to her maid--"run up stairs, and tell Miss Hodges here's

a young lady wants to see her in a great hurry--You'd best sit down,

ma'am," continued Mrs. Bertrand to Angelina, "till the girl has been up

with the message."

"Oh, my Araminta! how my heart beats!" exclaimed Miss Warwick.

"How my mouth waters!" cried Betty Williams, looking round at the fruit

and confectionaries.

"Would you, ma'am, be pleased," said Mrs. Bertrand, "to take a glass

of ice this warm evening? cream-ice, or water-ice, ma'am? pine-apple or

strawberry ice?" As she spoke, Mrs. Bertrand held a salver, covered with

ices, toward Miss Warwick: but, apparently, she thought that it was

not consistent with the delicacy of friendship to think of eating or

drinking when she was thus upon the eve of her first interview with

her Araminta. Betty Williams, who was of a different _nature_ from our

heroine, saw the salver recede with excessive surprise and regret; she

stretched out her hand after it, and seized a glass of raspberry-ice;

but no sooner had she tasted it than she made a frightful face, and let

the glass fall, exclaiming--

"Pless us! 'tis not as good as cooseherry fool."

Mrs. Bertrand next offered her a cheesecake, which Betty ate

voraciously.

"She's actually a female Sancho Panza!" thought Angelina: her own

more striking resemblance to the female Quixote never occurred to our

heroine--so blind are we to our own failings.

"Who is the young lady?" whispered the mistress of the fruit shop

to Betty Williams, whilst Miss Warwick was walking--we should say

_pacing_--up and down the room, in _anxious solicitude, and evident

agitation_.

"Hur's a young lady," replied Betty, stopping to take a mouthful of

cheesecake between every member of her sentence, "a young lady--that

has--lost hur--"

"Her heart--so I thought."

"Hur purse!" said Betty, with an accent, which showed that she thought

this the more serious loss of the two.

"Her purse!--that's bad indeed:--you pay for your own cheesecake and

raspberry-ice, and for the glass that you broke," said Mrs. Bertrand.

"Put hur has a great deal of money in hur trunk, I pelieve, at

Llanwaetur," said Betty.

"Surely Miss Hodges does not know I am here," cried Miss Warwick--"her

Angelina!"

"Ma'am, she'll be down immediately, I do suppose," said Mrs. Bertrand.

"What was it you pleased called for--angelica, ma'am, did you say? At

present we are quite out, I'm ashamed to say, of angelica, ma'am--Well,

child," continued Mrs. Bertrand to her maid, who was at this moment seen

passing by the back door of the shop in great haste.

"Ma'am--anan," said the maid, turning back her cap from off her ear.

"Anan! deaf doll! didn't you hear me tell you to tell Miss Hodges a lady

wanted to speak to her in a great hurry?"

"No, mam," replied the girl, who spoke in the broad Somersetshire

dialect: "I heard you zay, _up to Miss Hodges_; zoo I thought it was the

bottle o'brandy, and zoo I took alung with the tea-kettle--but I'll go

up again now, and zay miss bes in a hurry, az she zays."

"Brandy!" repeated Miss Warwick, on whom the word seemed to make a great

impression.

"Pranty, ay, pranty," repeated Betty Williams--"our Miss Hodges always

takes pranty in her teas at Llanwaetur."

"Brandy!--then she can't be my Araminta."

"Oh, the very same, and no other; you are quite right, ma'am," said

Mrs. Bertrand, "if you mean the same that is publishing the novel,

ma'am,--'The Sorrows of Araminta'--for the reason I know so much

about it is, that I take in the subscriptions, and distributed the

_pur_posals."

Angelina had scarcely time to believe or disbelieve what she heard,

before the maid returned, with "Mam, Mizz Hodges haz hur best love to

you, mizz--and please to walk up--There be two steps; please to have a

care, or you'll break your neck."

Before we introduce Angelina to her "unknown friend," we must relate the

conversation which was actually passing between the amiable Araminta

and her Orlando, whilst Miss Warwick was waiting in the fruit shop. Our

readers will be so good as to picture to themselves a woman, with a face

and figure which seemed to have been intended for a man, with a

voice and gesture capable of setting even man, "imperial man," at

defiance--such was Araminta. She was, at this time, sitting cross-legged

in an arm-chair at a tea-table, on which, beside the tea equipage, was

a medley of things of which no prudent tongue or pen would undertake to

give a correct inventory. At the feet of this fair lady, kneeling on

one knee, was a thin, subdued, simple-looking quaker, of the name of

Nathaniel Gazabo.

"But now, Natty," said Miss Hodges, in a voice more masculine than her

looks, "you understand the conditions--If I give you my hand, and make

you my husband, it is upon condition that you never contradict any of my

opinions: do you promise me that?"

"Yea, verily," replied Nat.

"And you promise to leave me entirely at liberty to act, as well as to

think, in all things as my own independent understanding shall suggest?"

"Yea, verily," was the man's response.

"And you will be guided by me in all things?"

"Yea, verily."

"And you will love and admire me all your life, as much as you do now?"

"Yea, verily."

"Swear," said the unconscionable woman.

"Nay, verily," replied the meekest of men, "I cannot swear, my Rachel,

being a quaker; but I will affirm."

"Swear, swear," cried the lady, in an imperious tone, "or I will never

be your Araminta."

"I swear," said Nat Gazabo, in a timid voice.

"Then, Natty, I consent to be Mrs. Hodges Gazabo. Only remember always

to call me your dear Araminta."

"My dear Araminta! thus," said he, embracing her, "thus let me thank

thee, my dear Araminta!"

It was in the midst of these thanks that the maid interrupted the

well-matched pair, with the news that a young lady was below, who was in

a great hurry to see Miss Hodges.

"Let her come," said Miss Hodges; "I suppose it is only one of the

Miss Carvers--Don't stir, Nat; it will vex her to see you kneeling to

me--don't stir, I say--"

"Where is she? Where is my Araminta?" cried Miss Warwick, as the maid

was trying to open the outer passage-door for her, which had a bad lock.

"Get up, get up, Natty; and get some fresh water in the

tea-kettle--quick!" cried Miss Hodges, and she began to clear away some

of the varieties of literature, &c., which lay scattered about the room.

Nat, in obedience to her commands, was making his exit with all possible

speed, when Angelina entered, exclaiming--

"My amiable Araminta!--My unknown friend!"

"My Angelina!--My charming Angelina!" cried Miss Hodges.

Miss Hodges was not the sort of person our heroine expected to see;--and

to conceal the panic, with which the first sight of her unknown friend

struck her disappointed imagination, she turned back to listen to the

apologies which Nat Gazabo was pouring forth about his awkwardness and

the tea-kettle.

"Turn, Angelina, ever dear!" cried Miss Hodges, with the tone and action

of a bad actress who is rehearsing an embrace--"Turn, Angelina, ever

dear!--thus, thus let us meet, to part no more."

"But her voice is so loud," said Angelina to herself, "and her looks

so vulgar, and there is such a smell of brandy!--How unlike the

elegant delicacy I had expected in my unknown friend!" Miss Warwick

involuntarily shrunk from the stifling embrace.

"You are overpowered, my Angelina--lean on me," said her Araminta.

Nat Gazabo re-entered with the tea-kettle--

"Here's _boiling_ water, and we'll have fresh tea in a trice--the young

lady's over-tired, seemingly--Here's a chair, miss, here's a chair,"

cried Nat. Miss Warwick _sunk_ upon the chair: Miss Hodges seated

herself beside her, continuing to address her in a theatrical tone.

"This moment is bliss unutterable! my kind, my noble-minded Angelina,

thus to leave all your friends for your Araminta!"--Suddenly changing

her voice--"Set the tea-kettle, Nat!"

"Who is this Nat, I wonder?" thought Miss Warwick.

"Well, and tell me," said Miss Hodges, whose attention was awkwardly

divided between the ceremonies of making tea and making speeches--"and

tell me, my Angelina--That's water enough, Nat--and tell me, my

Angelina, how did you find me out?"

"With some difficulty, indeed, _my Araminta_." Miss Warwick could hardly

pronounce the words.

"So kind, so noble-minded," continued Miss Hodges--"and did you receive

my last letter--three sheets?--And how did you contrive--Stoop the

kettle, _do_, Nat."

"Oh, this odious Nat! how I wish she would send him away!" thought Miss

Warwick.

"And tell me, my Araminta--my Angelina I mean--how did you contrive

your elopement--and how did you escape from the eye of your aristocratic

Argus--how did you escape from all your unfeeling persecutors?--Tell me,

tell me all your adventures, my Angelina!--Butter the toast, Nat," said

Miss Hodges who was cutting bread and butter, which she did not do with

the celebrated grace of Charlotte, in the Sorrows of Werter.

"I'll tell you all, my Araminta," whispered Miss Warwick, "when we are

by ourselves."

"Oh, never mind Nat," whispered Miss Hodges.

"Couldn't you tell him," rejoined Miss Warwick, "that he need not wait

any longer?"

"_Wait_, my dear! why, what do you take him for?"

"Why, is not he your footman?" whispered Angelina.

"My footman!--Nat!" exclaimed Miss Hodges, bursting out a laughing, "my

Angelina took you for my footman."

"Good heavens! what is he?" said Angelina, in a low voice.

"Verily," said Nat Gazabo, with a sort of bashful simple laugh, "verily,

I am the humblest of her servants."

"And does my Angelina--spare my delicacy," said Miss Hodges--"does

my Angelina not remember, in any of my long letters, the name

of--Orlando!--There he stands."

"Orlando!--Is this gentleman your Orlando, of whom I have heard so

much?"

"He! he! he!" simpered Nat. "I am Orlando, of whom you have heard so

much; and she--(pointing to Miss Hodges)--she is, to-morrow morning, God

willing, to be Mistress Hodges Gazabo."

"Mrs. Hodges Gazabo, my Araminta!" said Angelina, with astonishment,

which she could not suppress.

"Yes, my Angelina: so end 'The Sorrows of Araminta'--Another cup?--do I

make the tea too sweet?" said Miss Hodges, whilst Nat handed the bread

and butter to the ladies officiously.

"The man looks like a fool," thought Miss Warwick.

"Set down the bread and butter, and be quiet, Nat--Then, as soon as

the wedding is over, we fly, my Angelina, to our charming cottage in

Wales:--there may we bid defiance to the storms of fate--

"'The world forgetting, by the world forgot.'"

"That," said Angelina, "'is the blameless vestal's lot:'--but you forget

that you are to be married, my Araminta; and you forget that, in your

letter of three folio sheets, you said not one word to me of this

intended marriage."

"Nay, my dear, blame me not for a want of confidence, that my heart

disclaims," said Miss Hodges: "from the context of my letters, you must

have suspected the progress my Orlando had made in my affections;

but, indeed, I should not have brought myself to decide apparently so

precipitately, had it not been for the opposition, the persecution of my

friends--I was determined to show them that I know, and can assert, my

right to think and act, upon all occasions, for myself."

Longer, much longer, Miss Hodges, spoke in the most peremptory voice;

but whilst she was declaiming on her favourite topic, her Angelina was

"revolving in her altered mind" the strange things which she had seen

and heard in the course of the last half-hour; every thing appeared to

her in a new light; when she compared the conversation and conduct

of Miss Hodges with the sentimental letters of her Araminta; when

she compared Orlando in description to Orlando in reality, she could

scarcely believe her senses: accustomed as she had been to elegance

of manners, the vulgarity and awkwardness of Miss Hodges shocked and

disgusted her beyond measure. The disorder, and--for the words must be

said--slatternly dirty appearance of her Araminta's dress, and of every

thing in her apartment, were such as would have made a hell of heaven;

and the idea of spending her life in a cottage with Mrs. Hodges Gazabo

and Nat overwhelmed our heroine with the double fear of wretchedness and

ridicule.

"Another cup of tea, my Angelina?" said Miss Hodges, when she had

finished her tirade against her persecutors, that is to say, her

friends, "another cup, my Angelina?--do, after your journey and fatigue,

take another cup."

"No more, I thank you."

"Then reach me that tragedy, Nat--you know--"

"Your own tragedy, is it, my dear?" said he.

"Ah, Nat, now! you never can keep a secret," said Miss Hodges. "I wanted

to have surprised my Angelina."

"I am surprised!" thought Angelina--"oh, how much surprised!"

"I have a motto for our cottage here somewhere," said Miss Hodges,

turning over the leaves of her tragedy--"but I'll keep that till

to-morrow--since to-morrow's the day sacred to love and friendship."

Nat, by way of showing his joy in a becoming manner, rubbed his hands,

and hummed a tune. His mistress frowned, and bit her lips; but the

signals were lost upon him, and he sung out, in an exulting tone--

"When the lads of the village so merrily, ah! Sound their tabours, I'll

hand thee along."

"Fool! Dolt! Idiot!" cried his Araminta, rising furious--"out of my

sight!" Then, sinking down upon the chair, she burst into tears, and

threw herself into the arms of her pale, astonished Angelina. "Oh, my

Angelina!" she exclaimed, "I am the most ill-matched! most unfortunate!

most wretched of women!"

"Don't be _frighted_, miss," said Nat; "she'll come _to_ again

presently--'tis only _her way_." As he spoke, he poured out a bumper of

brandy, and kneeling, presented it to his mistress. "'Tis the only thing

in life does her good," continued he, "in this sort of fits."

"Heavens, what a scene!" said Miss Warwick to herself--"and the woman

so heavy, I can scarce support her weight--and is this _my unknown

friend?_"

How long Miss Hodges would willingly have continued to sob upon Miss

Warwick's shoulder, or how long that shoulder could possibly have

sustained her weight, is a mixed problem in physics and metaphysics,

which must for ever remain unsolved: but suddenly a loud scream was

heard. Miss Hodges started up--the door was thrown open, and Betty

Williams rushed in, crying loudly--"Oh, shave me! shave me! for the

love of Cot, shave me, miss!" and, pushing by the swain, who held the

unfinished glass of brandy in his hand, she threw herself on her knees

at the feet of Angelina.

"Gracious me!" exclaimed Nat, "whatever you are, you need not push one

so."

"What now, Betty Williams? is the wench mad or drunk?" cried Miss

Hodges.

"We are to have a mad scene next, I suppose," said Miss Warwick,

calmly--"I am prepared for every thing, after what I have seen."

Betty Williams continued crying bitterly, and wringing her hands--"Oh,

shave me this once, miss! 'tis the first thing of the kind I ever tid,

inteet, inteet! Oh, shave me this once--I tid not know it was worth so

much as a shilling, and that I could be hanged, inteet--and I--"

Here Betty was interrupted by the entrance of Mrs. Puffit, the milliner,

the printer's devil, and a stern-looking man, to whom Mrs. Puffit, as

she came in, said, pointing to Betty Williams and Miss Warwick, "There

they are--do your duty, Mr. Constable: I'll swear to my lace."

"And I'll swear to my black thumbs," said the printer's devil.

"I saw the lace hanging out of her pocket, and there's the marks of my

fingers upon it, Mr. Constable."

"Fellow!" cried Miss Hodges, taking the constable by the arm, "this is

my apartment, into which no minion of the law has a right to enter; for,

in England, every man's house is his castle."

"I know that as well as you do, _madam!_" said the constable; "but I

make it a principle to do nothing without a warrant: here's my warrant."

"Oh, shave me! the lace is hers inteet!" cried Betty Williams, pointing

to Miss Warwick. "Oh, miss is my mistress inteet--"

"Come, mistress or miss, then, you'll be pleased to come along with

me," said the constable, seizing hold of Angelina--"like mistress, like

maid."

"Villain! unfeeling villain! oh, unhand my Angelina, or I shall die! I

shall die!" exclaimed Araminta, falling into the arms of Nat Gazabo, who

immediately held the replenished glass of brandy to her lips--"Oh, my

Angelina, my Angelina!"

Struck with horror at her situation, Miss Warwick shrunk from the grasp

of the constable, and leaned motionless on the back of a chair.

"Come, my angel, as they call you, I think--the lady there has brandy

enough, if you want spirits--all the fits and faintings in Christendom

won't serve you now. I'm used to the tricks o' the trade.--The law must

take its course; and if you can't walk, I must carry you."

"Touch me at your peril! I am innocent," said Angelina.

"Innocent--innocence itself! pure, spotless, injured innocence!"

cried Miss Hodges. "I shall die! I shall die! I shall die on the spot!

barbarous, barbarous villain!"

Whilst Miss Hodges spoke, the ready Nat poured out a fresh glass of that

restorative, which he always had ready for cases of life and death; and

she screamed and sipped, and sipped and screamed, as the constable took

up Angelina in his arms, and carried her towards the door.

"Mrs. Innocence," said the man, "you shall see whom you shall see."

Mrs. Puffit opened the door; and, to the utter astonishment of every

body present, Lady Diana Chillingworth entered the room, followed

by Lady Frances Somerset and Mrs. Bertrand. The constable set down

Angelina. Miss Hodges set down the glass of brandy. Mrs. Puffit

curtsied. Betty Williams stretched out her arms to Lady Diana, crying,

"Shave me! shave me this once!" Miss Warwick hid her face with her

hands.

"Only my Valenciennes lace, that has been found in that girl's pocket,

and--" said Mrs. Puffit.

Lady Diana Chillingworth turned away with indescribable haughtiness,

and, addressing herself to her sister, said, "Lady Frances Somerset, you

would not, I presume, have Lady Diana Chillingworth lend her countenance

to such a scene as this--I hope, sister, that you are satisfied now." As

she said these words, her ladyship walked out of the room.

"Never was further from being satisfied in my life," said Lady Frances.

"If you look at this, my lady," said the constable, holding out the

lace, "you'll soon be satisfied as to what sort of a young lady _that_

is."

"Oh, you mistake the young lady," said Mrs. Bertrand, and she whispered

to the constable. "Come away: you may be sure you'll be satisfied--we

shall all be satisfied, handsomely, all in good time. Don't let the

_delinquency_ there on her knees," added she aloud, pointing to Betty

Williams--"don't let the _delinquency_ there on her knees escape."

"Come along, mistress," said the constable, pulling up Betty Williams

from her knees. "But I say the law must have its course, if I am not

satisfied."

"Oh, I am confident," said Mrs. Puffit, the milliner, "we shall all be

satisfied, no doubt; but Lady Di. Chillingworth knows my Valenciennes

lace, and Miss Burrage too, for they did me this morning the honour--"

"Will you do me the favour," interrupted Lady Frances Somerset, "to

leave us, good Mrs. Puffit, for the present? Here is some mistake--the

less noise we make about it the better. You shall be satisfied."

"Oh, your ladyship--I'm sure, I'm confident--I shan't utter another

syllable--nor never would have articulated a syllable about the lace

(though Valenciennes, and worth thirty guineas, if it is worth a

farthing), had I had the least intimacy or suspicion the young lady was

your la'ship's protégée. I shan't, at any rate, utter another syllable."

Mrs. Puffit, having glibly run off this speech, left the room, and

carried in her train the constable and Betty Williams, the printer's

devil, and Mrs. Bertrand, the woman of the house.

Miss Warwick, whose confusion during this whole scene was excessive,

stood without power to speak or move.

"Thank God, they are gone!" said Lady Frances; and she went to Angelina,

and taking her hands gently from before her face, said, in a soothing

tone, "Miss Warwick, your friend, Lady Frances Somerset, you cannot

think that she suspects--"

"La, dear, no!" cried Nat Gazabo, who had now sufficiently recovered

from his fright and amazement to be able to speak: "Dear heart! who

could go for to suspect such a thing? but they made such a bustle and

noise, they quite flabbergasted me, so _many_ on them in this small

room. Please to sit down, my lady.--Is there any thing I can do?"

"If you could have the goodness, sir, to leave us for a few minutes,"

said Lady Frances, in a polite, persuasive manner--"you could have the

goodness, sir, to leave us for a few minutes."

Nat, who was not _always_ spoken to by so gentle a voice, smiled, bowed,

and was retiring, when Miss Hodges came forward with an air of defiance:

"Aristocratic insolence!" exclaimed she: "Stop, Nat--stir not a foot, at

your peril, at the word of command of any of the privileged orders upon

earth--stir not a foot, at your peril, at the behest of any titled _She_

in the universe!--Madam, or my lady--or by whatever other name more

high, more low, you choose to be addressed--this is my husband."

"Very probably, madam," said Lady Frances, with an easy calmness, which

provoked Miss Hodges to a louder tone of indignation.

"Stir not a foot, at your peril, Nat," cried she. "I will defend him,

I say, madam, against every shadow, every penumbra of aristocratic

insolence."

"As you and he think proper, madam," replied Lady Frances. "'Tis easy to

defend the gentleman against shadows."

Miss Hodges marched up and down the room with her arms folded. Nat stood

stock still.

"The woman," whispered Lady Frances to Miss Warwick, "is either mad or

drunk--or both; at all events we shall be better in another room." As

she spoke, she drew Miss Warwick's arm within hers.--"Will you allow

aristocratic insolence to pass by you, sir?" said she to Nat Gazabo, who

stood like a statue in the doorway--he edged himself aside.

"And is this your independence of soul, my Angelina?" cried Araminta,

setting her back to the door, so as effectually to prevent her from

passing--"and is this your independence of soul, my Angelina--thus, thus

tamely to submit, to resign yourself again to your unfeeling, proud,

prejudiced, intellect-lacking persecutors?"

"This lady is my _friend_, madam," said Angelina, in as firm and

tranquil a tone as she could command, for she was quite terrified by her

Araminta's violence.

"Take your choice, my dear; stay or follow me, as you think best," said

Lady Frances.

"Your friend!" pursued the oratorical lady, detaining Miss Warwick with

a heavy hand: "Do you feel the force of the word? _Can_ you feel it, as

I once thought you could? Your friend! am not _I_ your friend, your

best friend, my Angelina? your own Araminta, your amiable Araminta, your

_unknown friend?_"

"My _unknown_ friend, indeed!" said Angelina. Miss Hodges let go her

struggling hand, and Miss Warwick that instant followed Lady Frances,

who, having effected her retreat, had by this time gained the staircase.

"Gone!" cried Miss Hodges; "then never will I see or speak to her more.

Thus I whistle her off, and let her down the wind to prey at fortune."

"Gracious heart! what quarrels," said Nat, "and doings, the night before

our wedding-day!"

We leave this well-matched pair to their happy prospects of conjugal

union and equality.

Lady Frances, who perceived that Miss Warwick was scarcely able to

support herself, led her to a sofa, which she luckily saw through the

half-open door of a drawing-room, at the head of the staircase.

"To be taken for a thief!--Oh, to what have I exposed myself!" said Miss

Warwick.

"Sit down, my dear, now we are in a room where we need not fear

interruption--sit down, and don't tremble like an aspen leaf," said Lady

Frances Somerset, who saw that at this moment, reproaches would have

been equally unnecessary and cruel.

Unused to be treated with judicious kindness, Angelina's heart was

deeply touched by it, and she opened her whole mind to Lady Frances,

with the frankness of a young person conscious of her own folly, not

desirous to apologize or extenuate, but anxious to regain the esteem of

a friend.

"To be sure, my dear, it was, as you say, rather foolish to set out in

quest of an _unknown friend_," said Lady Frances, after listening to the

confessions of Angelina. "And why, after all, was it necessary to have

an elopement?"

"Oh, madam, I am sensible of my folly--I had long formed a project of

living in a cottage in Wales--and Miss Burrage described Wales to me as

a terrestrial paradise."

"Miss Burrage! then why did she not go to paradise along with you?" said

Lady Frances.

"I don't know--she was was so much attached to Lady Di. Chillingworth,

she said, she could never think of leaving her: she charged me never

to mention the cottage scheme to Lady Di., who would only laugh at it.

Indeed, Lady Di. was almost always out whilst we were in London, or

dressing, or at cards, and I could seldom speak to her, especially

about cottages; and I wished for a friend, to whom I could open my whole

heart, and whom I could love and esteem, and who should have the same

tastes and notions with myself."

"I am sorry that last condition is part of your definition of a friend,"

said Lady Frances, smiling; "for I will not swear that my notions are

the same as yours, but yet I think you would have found me as good a

friend as this Araminta of yours. Was it necessary to perfect felicity

to have an _unknown friend_?"

"Ah! there was my mistake," said Miss Warwick. "I had read Araminta's

writings, and they speak so charmingly of friendship and felicity, that

I thought

'Those best can paint them who can feel them most.'"

"No uncommon mistake," said Lady Frances.

"But I am fully sensible of my folly," said Angelina.

"Then there is no occasion to say any more about it at

present--to-morrow, as you like romances, we'll read Arabella, or the

Female Quixote; and you shall tell me which, of all your acquaintance,

the heroine resembles most. And in the mean time, as you seem to have

satisfied your curiosity about your _unknown friend_, will you come home

with me?"

"Oh, madam," said Angelina, with emotion, "your goodness--"

"But we have not time to talk of my goodness yet--stay--let me see--yes,

it will be best that it should be known that you are with us as soon as

possible--for there is a thing, my dear, of which, perhaps, you are not

fully sensible--of which you are too young to be fully sensible--that,

to people who have nothing to do or to say, scandal is a necessary

luxury of life; and that, by such a step as you have taken, you have

given room enough for scandal-mongers to make you and your friends

completely miserable."

Angelina burst into tears--though a sentimental lady, she had not yet

acquired the art of _bursting into tears_ upon every trifling occasion.

Hers were tears of real feeling. Lady Frances was glad to see that she

had made a sufficient impression upon her mind; but she assured Angelina

that she did not intend to torment her with useless lectures and

reproaches. Lady Frances Somerset understood the art of giving advice

rather better than Lady Diana Chillingworth.

"_I_ do not mean, my dear," said Lady Frances, "to make you miserable

for life--but I mean to make an impression upon you that may make you

prudent and happy for life. So don't cry till you make your eyes so

red as not to be fit to be seen at the play to-night, where they

must--positively--be seen."

"But Lady Diana is below," said Miss Warwick: "I am ashamed and afraid

to see her again."

"It will be difficult, but I hope not impossible, to convince my

sister," said Lady Frances, "that you clearly understand that you have

been a simpleton; but that a simpleton of sixteen is more an object

of mercy than a simpleton of sixty--so my verdict is--Guilty;--but

recommended to mercy."

By this mercy Angelina was more touched than she could have been by the

most severe reproaches.

Tales and Novels — Volume 01 Moral Tales · 第 4 / 7 章