IODO-CHLORIDE OF SILVER EMULSION.

By V. SCHUMANN.

In a recent paper in the _Wochenblatt_, says the _Photographic

News_, this investigator relates his experience of gelatine emulsion

containing chloride and iodide of silver. Gelatine films containing

pure chloride of silver can only be used in the camera in exceptional

cases; if, however, iodide be added, the resulting iodo-chloride

films answer most of the purposes of a gelatino-bromide plate. It may

be remarked that with gelatino-chloride emulsion an image is easily

developed with pyro or oxalate; but unfortunately, fogging is very

liable to set in. On strongly diluting the developing solution and

adding a large proportion of bromide, it is possible to obtain a

clear deposit, but the image is so thin that it is quite useless for

practical purposes.

Gelatino-iodide films possess totally different properties. The

development is extremely slow, without any tendency to fog; thus the

addition of a restrainer should be avoided. Iodo-chloride emulsion can

be prepared either by dissolving the chloride and iodide salts in the

gelatine solution, and then adding by degrees the silver nitrate; or

by making two separate emulsions of chloride and iodide of silver, and

then mixing the two after the washing process. It should be noted that

the properties of a compound or a mixture of the two haloids are very

different. A negative of the spectrum impressed on an iodo-chloride

film, prepared by mixing the two emulsions, shows two colored deposits.

The red end of the spectrum as far as the G line is reproduced in

the negative as a red tone, while that part of the spectrum from G

extending to the violet appears as a grayish violet deposit. When using

Stolze's potash developer, the difference of the two tones on the

negative appears even more marked.

Experiments were instituted to determine the most suitable proportion

of the silver haloids to be suspended in the emulsion. For this purpose

three emulsions were prepared according to the following formulæ:

No. 1.--IODO-CHLORIDE EMULSION.

A.--Ammonium chloride 0.64 gramme.

Potassium iodide 0.05 "

Gelatine 1.5 "

Water 15 c. c.

B.--Silver nitrate 1.55 gramme.

Water 15 c. c.

No. 2.--Same as No. 1. but with 0.15 potassium iodide instead of 0.05;

and 1.65 silver nitrate instead of 1.55.

No. 3.--Same as No. 1, but with 0.64 potassium iodide instead of 0.05;

and 2.14 silver nitrate instead of 1.55.

To prepare the emulsion, A and B were heated in a water bath and then

mixed slowly, with thorough shaking. The mixture, after an hour's

cooking, was allowed to stand over night; the emulsion was next washed

for seventy-two hours, and after slightly diluting, at once poured

over the plates. The emulsions prepared according to formulæ 1 and

2 transmit blue light, which, however, is much brighter than that

exhibited by gelatino-bromide emulsion. No. 3 emulsion transmits an

orange light.

Previous to cooking the emulsion, a small quantity from each sample

was spread on a glass plate, and, with the films prepared from the

fully digested emulsion, were placed in sunlight. The unripe emulsion

darkened much more quickly than that which had been digested. The

colors of the exposed films prepared according to Nos. 1 and 2 were

chocolate, and there was very little difference between the tones of

the ripe and unripe emulsion. With the plates made by No. 3 formula

there was, however, a great difference of color noticeable; thus, while

the unripe emulsion yielded a deposit not unlike that of Nos. 1 and

2, the films prepared from the ripe emulsion assumed a grayish green

color, which did not alter even after some weeks' exposure to daylight.

Scientific American Supplement, No. 467, December 13, 1884 · 第 32 / 76 题