CHAPTER IX

I am not getting on at all; it is days since Delia was here and I wrote

about her. There is certainly this advantage in the walls of a house,

they make a fold for your mind, which must browse inside, picking up

what it can. But existence in a garden was not meant to be interfered

with by a pen; we have the best reason for believing that Adam never

wrote for publication, much less Eve, who of course, when one thinks of

it, was absorbed at that time in the first principles of dress-making.

I envy her that original seam; sewing is an ideal occupation in a

garden. You can be for ever looking up and the hand goes on of itself;

everything rhymes with your needle, and your mind seems stimulated by

its perfunctory superintendence to spin and weave other things, often

lovely and interesting things which it is a pain to have forgotten by

dinner-time. I should very much prefer fine stitching to composition

out here if I could choose. One might then look at the sun on the

leaves without the itch and necessity to explain just what it is like.

Moreover, there is always this worry: you cannot make a whole chapter

out of the sun on the leaves, even at different angles, and yet before

that happy circumstance what else is there to say? But how little

use there is in crying for what one was not meant to have. The fairy

godmother who put this unwilling instrument into my hand and denied

me a needle will have something to answer for if ever I meet her.

Meanwhile I might as well confess that my finest stitching only makes

mirth for Thisbe, and “lay a violence,” as Stevenson advises, upon my

will to other ends.

It is the very height of the season in the garden. The roses have held

several drawing-rooms and practically everybody is here. Sweet-peas

flutter up two of the verandah pillars, the rest are dark with

honeysuckle and heavy with Maréchal Niels. The pansies are thicker

than ever, and a very elegant double wisteria, a lady from Japan,

trails her purple skirts over the trellis under which the rickshaws go

to their abode. The corn-bottles have come up exactly where I asked

them to, scattered thick among the leaves of the chrysanthemums which

are already tall and bushy. They are exactly the right blue in exactly

the right green and they give a little air, not at all a disagreeable

little air, of discernment and sophistication to their corner of the

garden. I would like to venture to say that they resemble blue stars

in a green sky, if I were sure of offending nobody’s sense of humour.

It is natural enough to observe this and pass on, but why should one

find a subtle pleasure in the comparison, and linger over it? It must

be the same throb of joyful activity with which the evolved human

intelligence first detected a likeness between any two of the phenomena

about it, and triumphed in the perception, attracted to wisdom and

stirred to art. Those indeed were days to live in, when everything was

mysteriously to copy and inherit and nothing was exploited, explained,

laid bare, when the great sweet thoughts were all to think and heroism

had not yet received its molecular analysis, and babies equipped with

an instinctive perception of the fundamental weakness of socialistic

communism were neither born nor thought of. These seem violent

reflections to make in a garden, and they may well be obscured behind

the long bed of poppies and field-daisies and more bluets that runs

along the side of the house under the windows that support the roses.

If you can tell me for what primitive reason poppies and field-daisies

and corn-flowers go well together I had rather you didn’t.

I have clumps and clumps of hollyhocks, and a balustrade of them,

pink and white ones, on each side of the steps that run down from the

verandah in front of the drawing-room door. It is an unsophisticated

thing, the single hollyhock, like a bashful school child in a

sun-bonnet. Do what you will you cannot make it feel at home among the

beaux and belles of high life in the garden; it never looks really

happy except just inside a cottage paling with a bunch of rhubarb on

one side and a tangle of “old man” on the other. Still it is a good

and grateful flower in whatever station it pleases the sun to call it.

It gets along on the merest necessities of life when times are bad and

water scarce, and flowers, with anything like a chance, twice in the

season. One cannot, after all, encourage class feeling in the garden;

there every one must stand on his own roots, and take his share of

salts and carbon dioxide without precedence, and the hollyhocks in my

garden receive as much consideration as anybody.

Petunias are up all over the place, purple and white and striped. I

knew by experience that we could have too many petunias on this shelf,

so whenever a vague, young pushing thing disclosed itself to be a

petunia, as it nearly always did, I requested Atma to pull it up.

Nevertheless they survive surprisingly everywhere, looking out among

the feet of the roses, flaunting over the forget-me-nots, unexpected

in a box of seedling asters. Now if I were going to recognize

social distinctions in the garden, which I am not, I should call the

good petunia a person unmistakably middle-class. Whether it is this

incapacity of hers to see a snub, or her very full skirt, or her very

high colour, the petunia always seems to me a bourgeoise little lady

in her Sunday best, with her hair smooth and her temper well kept

under for the occasion. I think she leads her family a nagging life,

and goes to church regularly. One should always mass them; a single

petunia here and there among the community of flowers is more desolate

and ineffective than most maiden ladies. Rather late this spring we

discovered a corner of the bed in front of the dining-room window

to be quite empty, and what to put in we couldn’t think, and were

considering, when Atma told us that he knew of a thousand petunias

homeless and roaming the shelf. I quite believed him, and bade him

gather them in, with such a resultant blaze of purple as I shall never

in future be without. The border just beyond them is simply shouting

with yellow coreopsis, and behind that rise the dark branches of the

firs on the khud-side, and between these, very often in broken pictures

sharp against the blue, the jagged points and peaks of the far snows.

All this every morning the person has with her eggs and bacon who

sits opposite the dining-room window. I am glad to say that the other

members of my family object to the glare.

Atma has a liberal and progressive mind toward the garden; he is always

trying to smuggle some new thing into it. In out-of-the-way corners I

constantly come upon perfect strangers, well-rooted and entirely at

home, and when I ask him by whose order they were admitted, he smiles

apologetically and says that without doubt they will be very beautiful,

and that his brother gave them to him. He can never tell me the name.

“It will be so high,” he shows me with his hand, stooping, “and the

flower will be red, simply red it will arrive.” I look at it without

enthusiasm, and weakly let it stay. Generally it “arrives” a common

little disappointment, but once a great leggy thing turned out an

evening primrose, and I knew, before it was too late, that I had been

entertaining an angel unawares.

“To grow a little catholic,” writes Stevenson, “is the compensation of

years.” Dear shade, is it so? In the spiritual outlook, perhaps, in the

moral retrospect,--but in matters of taste, in likes and dislikes? You

who wrote nothing lightly must have proved this dispensation, poorer

spirits can only wish it more general. I remember youth as curious and

enterprising, hospitable to everything, and I begin to find the middle

years jealously content with what they have. Who, when he has reached

the age of all the world, looks with instinctive favour upon anything

new? An acquaintance, who may create the common debt of friendship;

you are long since heavily involved. An author, who may insist upon

intimately engaging your intelligence,--a thing you feel, after a

time, to be a liberty in a new-comer. Or even a flower, offering

another sentiment to the little store that holds some pain already.

Now this godetia. I suppose it argues a depth of ignorance, but until

Mr. Johnson recommended it to me in the spring, I had never heard of

godetia. Mr. Johnson is the source of seeds and bulbs for Simla, we

all go to him; but I, for one, always come away a little ruffled by

his habit of referring to everything by its Latin name, and plainly

showing that his respect for you depends upon your understanding him. I

have wished to preserve Mr. Johnson’s respect, and things have come up

afterward that I did not think I had ordered. However, this is by the

way. Mr. Johnson assured me that godetia had a fine fleshy flower of

variegated colours, would be an abundant bloomer, and with reasonable

care should make a good appearance. I planted it with misgivings, and

watched its advent with aloofness, I knew I shouldn’t recognize it, and

I didn’t. I had never seen it before, I very nearly said so; and at my

time of life, with so many old claims pressing, I could not attempt a

new affection. And I have taken the present opportunity, when Atma’s

back is turned, and pulled it all up. Besides it may have been fleshy,

but it wasn’t pretty, and the slugs ate it till its appearance was

disgraceful.

I suppose our love of flowers is impregnated with our love of life and

our immense appreciation of each other. We hand our characteristics

up to God to figure in; we look for them in animals with delight and

laughter, and it is even our pleasure to find them out here in the

garden. Who cares much for lupins, for example; they are dull fellows,

they have no faces; yet who does not care for every flower with a heart

and eyes, that gives back your glance to you and holds up its head

bravely to any day’s luck, as you would like to do.

But it is growing late. I can still see a splendid crimson cactus

glooming at me from his tub in the verandah; the rest of the garden has

drawn away into the twilight. Only the honeysuckle, that nobody notices

when the sun is bright and the flowers all talk at once, sends out a

timid sweetness to the night and murmurs, “I am here.” If I might have

had a seam to do, it would have been finished; but instead there has

been this vexatious chapter, which only announces, when all is said

and done, that another human being has spent a day in the garden. I

intended to write about the applied affections.

But it is too late even for the misapplied affections, generally

thought, I believe, the more interesting presentment. Happy Thisbe on

the verandah, conscious of another bud to her tapestry, glances at the

fading west and makes ready to put all away. I will lay down my pen, as

she does her needle, and gather up my sheets and scraps, as she does

her silks and wools; and humbly, if I can get no one else to do it for

me, carry my poor pattern into the house.

The crow's-nest · 第 9 / 20 章