In England, Lady Jane Grey had great fame as a scholar. She was found

poring over Plato with delight, while other members of her family were

engaged in diversions; and the night before the blameless creature

was executed for the fault of her ambitious parents, she wrote to her

sister in Greek, exhorting her to live and die in the true faith of the

reformers.

Roger Ascham said of his royal pupil, Elizabeth, “Yea, I believe that,

besides her perfect readiness in Latin, Italian, French, and Spanish,

she readeth more Greek every day than some prebendary of this church

doth Latin in a whole week.”

The eldest daughter of Sir Thomas More had learning equalled only by

her virtues. She corresponded with the celebrated Erasmus, who styled

her “the ornament of Britain.”

Mary, queen of Scots, could write and speak six languages. She made

graceful verses in French; and, when very young, delivered a Latin

oration to the court of France, to prove that there was nothing

unfeminine in the pursuit of letters.

The spirit of chivalry blazed forth anew in the literature of

that period. Many pens were employed in framing the panegyrics of

illustrious women; and Italy was peculiarly distinguished for these

performances. Boccacio set the example in his Panegyric de Claris

Mulieribus. After this, innumerable writers published eulogies on the

celebrated women of all nations. These volumes paved the way for the

discussion of the merits of women in general; and the pre-eminence

of female character over that of men, was proposed for a question in

public debate. In this discussion, Cornelius Agrippa boldly asserted

the superiority of women.

Peter Paul de Ribera, an Italian, published a work entitled, “The

immortal Triumphs and heroic Enterprises of eight hundred and

forty-five Women.” But even this ample panegyric is less singular than

a publication at Venice, in 1555, called “The Temple of the divine

Signora Joan of Arragon; erected in her honor by all the greatest wits,

and in all the principal languages of the world.” The society which

conceived this method of deification, disputed upon one point only;

viz. whether Joan of Arragon should possess the honors of the temple

alone, or share them with her celebrated sister, the marchioness de

Gaust. After mature deliberation, it was decided that two sovereigns

ought not to sit on the same throne; it was therefore resolved by the

academy, “that the marchioness have separate worship, and Joan of

Arragon remain in the sole and exclusive possession of her altars.”

Latin, Greek, Italian, French, Spanish, Sclavonian, Hebrew, Chaldaic,

and many other languages, were combined in this singular monument to

woman’s fame.

In the midst of all this adulation, women were not backward in

vindicating their own claims. Several Italian ladies wrote books to

prove the comparative inferiority of men; and the French women espoused

the cause with equal zeal. The most conspicuous among them was Margaret

of Navarre, the first wife of Henry the Fourth, who undertook to prove

that “woman is much superior to man.” This princess, like Elizabeth of

England, made use of expressions so gross, that we in modern times can

hardly realize they came from a woman.

About the commencement of the sixteenth century, witches began to be

persecuted, abused, and despised, instead of being treated with the

reverence of more ancient times. Either from association with the

idea of the wrinkled sibyl of Cumæ, or from some other less obvious

cause, every woman who was old and haggard was in great danger of being

considered a witch. Every unaccountable event in the neighborhood

was charged to her; and any explanations she attempted to make were

regarded as the cunning instigations of the devil. If a new disease

appeared among cattle, or a blight rested on the fields, or a child

had a singular kind of fit, or a neighbor had the nightmare, it was

immediately attributed to the influence of some old dame, who at

midnight, when honest folks were sleeping, left her mortal body and

went careering through the air on a broomstick, accompanied by a train

of imps. If any person afflicted with fits, or other grievances, swore

that any particular individual was the cause, their oath was deemed

sufficient, and the poor victim of superstition was forthwith committed

to jail, there to await a cruel death. In many parts of the north of

Europe, it was for several years a very remarkable thing for any old

woman to die peaceably in her bed; and the same kind of excitement

prevailed to a considerable extent in England, Germany, and France.

The description of witches and their accompaniments are nearly the same

all the world over. Even in remote Hindostan, an old woman appeared

many years ago, of whom it was reported that she used to cook owls,

bats, snakes, lizards, and human flesh, in the skull of an enemy, by

which means she was able to render men invisible, and strike terror

into their adversaries. If the Hindoos had read Shakspeare, they could

not have pictured more exactly the English ideas of a witch. A cat, and

generally a black one, is usually described as one of the appendages of

these enchantresses; and it was supposed that they very often assumed

the form of that animal.

But it was not merely the aged who fell victims to this strange

superstition: the young and the beautiful were sometimes burned at the

stake, upon the charge of having dealt in magic. Such was the fate

of the high-souled maid of Orleans. The duchess de Conchini, being

summoned before the judges, and asked by what arts she had bewitched

the queen of France, calmly replied, “Merely by that ascendency which

great minds must have over little ones.” In England, the duchess of

Gloster was accused of making a wax figure of Henry the Sixth, and

causing it to melt before the fire with certain incantations, intended

to produce his death. For this offence, charged upon her by political

enemies of her husband, she was condemned to walk through the streets

barefoot, dressed in a white sheet, with papers pinned on her back, and

a burning taper in her hand; and after performing this humiliating

penance three days, followed by an insulting rabble, she was banished

from the realm. Richard the Third pretended that his withered arm was

produced by the sorcery of his brother’s widow and Jane Shore.

Fortune-telling was a power supposed to be universally possessed by

witches; and the most common method was by studying the lines of the

hand. A cup containing tea or coffee grounds was sometimes chosen in

preference; the person whirled it round three times toward herself,

accompanying each motion with a wish; then the sorceress examined the

cup, and pretended to find destiny inscribed there.

On the evening of the thirty-first of October, called Allhallow Even,

or Hallow E’en, witches, devils, and fairies were supposed to be

peculiarly busy. On this occasion it was common for young girls to

try tricks to ascertain whom they were to marry. The burning of nuts

or apple-seeds in a shovel was a favorite charm; the nuts were named,

and accordingly as they burned quietly together, or bounced away from

each other, it was supposed the issue of the courtship would be. Burns

describes this ceremony:

“Jean slips in twa wi tentie e’e;

Wha ’twas she wadna tell:

But this is _Jock_, and this is _me_,

She says in to hersel:

He bleezed owre her, an she owre him,

As they wad never mair part!

Till luff! he started up the lum,

And Jean had e’en a sair heart

To see ’t that night.”

It was likewise customary to go out blindfolded and pull the first

plant of kail they met; its being big or little, crooked or straight,

indicated the size and shape of the future husband or wife; the

quantity of earth that clung to the root was prophetic of the degree

of wealth; and the taste of the stem indicated the natural temper and

disposition. Another trick was to go partly down cellar in the dark,

and throw a ball of thread down stairs, keeping hold of one end to

wind it; if any thing impeded it, they called out, “Who holds?” and it

was believed that a voice from the cellar would answer the name of the

future spouse. Sometimes an individual stole out unperceived and sowed

a handful of hemp-seed, repeating now and then, “Hemp-seed, I sow thee;

hemp-seed, I sow thee; and he that is to be my true love come after me

and pull thee.” Then looking over the left shoulder, the appearance of

the invoked person was supposed to be seen in the attitude of pulling

hemp: and no doubt it often was seen; for roguish lovers did not always

neglect such opportunities to advance their suit.

A volume might be filled with the “tricks” tried by young people to

ascertain who would be their future husband, or wife; but these few

specimens must suffice. Egyptian women were the most famous sorcerers

of the ancient world; and Gipseys have been most famed for magical

skill in modern times.

The fourteenth of February is called St. Valentine’s day. On the

evening previous, it was customary in many parts of the world for

people to write valentines, or love-letters in verse, to any lady

who pleased their fancy; and sometimes ladies were gracious enough to

address their lovers in rhyme. The outer door was usually slyly opened,

and the verses, tied to an apple or an orange, thrown in. A loud rap

then announced the event to the inmates of the house. Sometimes the

boys, for the sake of sport, would chalk the size of a letter on the

door-step, and then have fine fun when some person attempted to pick

it up. There was a superstition that whoever was first seen on the

morning of St. Valentine’s day, would assuredly be the future spouse.

On that day it was customary for a young lady to choose from among the

gentlemen of her acquaintance one to be her gallant; he presented her

with a bunch of flowers, or other trifling present, and thus bound

himself to attend upon her with the most obsequious gallantry for the

space of one year; before the service was completed a more serious

partnership was often resolved on.

On St. Valentine’s day, it is still usual for the common people of

England to draw names by lot. The man whose name is drawn makes the

fair one some trifling present, and is her partner in the dance. She

considers him her beau until he is engaged to some one else, or till

St. Valentine’s day returns.

These customs, together with the superstitious observances of Hallow

E’en, continued in full force during the seventeenth century, and

fragments of them are now found in various parts of the world.

It may be necessary to say a few words concerning the dress worn at

the remote periods of which we have been speaking. The Saxon ladies

wore a bodice and short petticoat, with a kind of mantle over the head

and shoulders. Buskins, laced in front, were worn on the feet. The

custom of combing the hair all back from the face, surmounted with a

black coif and steeple hat, continued from the Norman conquest till

near the seventeenth century. Queen Elizabeth was the first woman in

England that wore silk stockings; embroidered gloves and perfumes were

likewise first introduced into England from Italy, for her use. This

magnanimous queen was extremely offended if any of the ladies of her

court wore garments approaching to her own in magnificence. She had a

new dress for every day in the year, and was much attracted by rich

apparel in gentlemen. Sir Walter Raleigh had even his shoes embroidered

with pearls, and the court dresses of her favorite Leicester were

literally covered with jewels. Elizabeth enacted sumptuary laws, which

defined with great precision what sort of bonnet might be worn by a

gentlewoman, what by an esquire’s wife, what by a baron’s wife, &c.

Aldermen’s wives were permitted by an express law to wear the royal

color of scarlet. Every alderman who failed to supply his wife with a

scarlet gown before the ensuing Christmas, was fined ten pounds; and

every lady, who failed to appear in these dresses at Christmas and

Easter, forfeited twenty shillings for every default.

During Cromwell’s time, ornaments were thought sinful. Women wore their

hair plain and smooth, and muffled their persons from head to foot,

as if beauty were a gift to be ashamed of. This unnatural restraint

produced a violent reaction in the time of Charles the Second. Ladies

began to copy the elegant drapery of Vandyke’s pictures, which

gradually degenerated into extreme immodesty.

The emperor Paul of Russia made very minute regulations concerning

the dress both of men and women; and his laws were so capricious that

it required the most vigilant attention to comply with them. He once

ordered a lady of his court to be imprisoned and kept on bread and

water, because she had been guilty of wearing her hair rather lower in

the neck than was consistent with his decrees.

During the middle ages, the French women wore gowns quite high in the

neck, and fitted closely to the shape. The right side was embroidered

with their husbands’ coat of arms, and the left with their own. The

custom of displaying the shoulders was unknown before the time of

Charles the Sixth. Widows were closely muffled, and wore caps and

veils very much like nuns. Henry the Fourth found himself obliged to

restrain extravagance by sumptuary laws; yet his mistress, Gabriella,

was sometimes so loaded with pearls and diamonds, that she could not

support her own weight.

A taste for rich and elegant dress displayed itself first and most

conspicuously in Italy and France, and thence spread into more northern

nations. Petrarch’s Laura is described as wearing gloves brocaded with

gold, and dressed magnificently in silk, though a pound of silk at

that period was valued at four pounds sterling in money.

Spanish ladies wore necklaces of steel, to which thin iron rods were

fastened, curving upward to expand the veil when thrown over the head.

Caps more than a foot high were likewise much in vogue; they were

dressed in the form of a toupee on the top of the head, and covered

with a black veil. These caps may still be seen in some of the Spanish

provinces. Both in Scotland and Spain it was customary for a widow

to wear mourning till she died, or married again. The first year was

passed in a chamber hung with black, from which the sunlight was

excluded; the second it was hung with gray, and jewels and mirrors

prohibited.

All nations prided themselves on long and beautiful hair. Among the

Saxons and Danes, married women only covered it with a head-dress;

girls wore their tresses loose and flowing. A faithless wife had her

head shaven, and the church sometimes ordered it as a penance for other

sins. The Spanish and Italian ladies retained the Roman predilection

for golden hair. In order to obtain the desired hue, they made use of

sulphur and aquafortis, and exposed their heads to the sun during the

hottest hours of the day.

During the middle ages, dwellings were vast, and in some respects

magnificent, but remarkably comfortless. The wife of the proudest

baron, though she wore

“A mantle of rich degree,

Purple pall and ermine fre,”

was obliged to live without many things, which the least wealthy

citizen of the United States would consider it absolutely necessary

to provide for his household. Coffee and tea were unknown. Coaches

were not used in England until 1680. Before that time ladies rode on

horseback or on palfreys; and sometimes double, with another on the

pillion. A fondness for perfumes was universal; they were usually kept

burning in censers.

The word lady is supposed to have been derived from the Saxon word

_hlaf-dig_, meaning a _loaf-giver_, from the custom of distributing

bread among retainers, after a feast in baronial halls. It was

customary to bind the tender limbs of infants in tight bandages.

After the sixteenth century, books or verses in praise of women

gradually diminished; tournaments were abolished; and manners became

less reserved and respectful. Ladies of rank began to throw aside the

pedantry of learned languages, and acquire what the French call “the

talent of society.” The French were the first to set the example of

graceful accomplishments, and fascinating vivacity of manners; and they

soon became, what they have ever since remained, “the glass of fashion”

for other nations.

The beautiful Mary Stuart carried the gay and graceful refinements of

Paris into the bleak atmosphere of Scotland, and Henrietta Maria, with

her brilliant eyes, lively manners, and ever-changing caprices, made

them fashionable in old England.

Under the commonwealth, society assumed a new and stern aspect. The

theatres were shut; games shows, and amusements of every kind, were

prohibited. Women were in disgrace, and love considered a sin to be

expiated by fasting and prayer. It was everywhere reiterated from the

pulpits that woman caused man’s expulsion from paradise, and ought to

be shunned by Christians, as one of the greatest temptations of Satan.

“Man,” said they, “is conceived in sin and brought forth in iniquity;

it was his complacency in woman that wrought his first abasement;

let him not therefore glory in his shame; let him not worship the

fountain of his corruption.” Learning and accomplishments were alike

discouraged; and women confined themselves to a knowledge of cookery,

family medicines, and unintelligible theological disputes of the day.

The reign of Charles the Second was an era of shameless profligacy.

Ladies of the court paid little regard to decorum, either in dress

or manners; and men covered their selfish sensuality with just gloss

enough not to defeat their own purposes. There never was a time when

women were so much caressed and so little respected. It was then

customary, when a gentleman drank a lady’s health, to throw some

article of dress into the flames in her honor; and all his companions

were obliged to sacrifice a similar article, whatever it might be.

One of Sir Charles Sedley’s friends, perceiving that he wore a very

rich lace cravat, drank to the health of a certain lady, and threw

his own cravat in the fire. Sir Charles followed the example very

good-naturedly, but observed that he too would have a joke sometime.

Afterward, when he dined with the same party, he filled a bumper to

some reigning beauty, and called a dentist to extract a decaying tooth,

which had long pained him. Etiquette demanded that every one of the

party should throw a tooth in the fire; and they yielded to necessity,

after unavailing remonstrances against this cruel test of their

gallantry. The practice of drinking in honor of ladies is said to have

originated at the concerts of St. Cecilia. When the concert ended, the

gentlemen retired to a tavern; and he, who could drink the most wine,

acquired the right of naming the reigning toast for the ensuing year.

During the reign of the second Charles, women, instead of being

approached with the respect paid to superior beings, became the objects

of contemptuous satire. The despicable earl of Rochester set the

example of this species of writing; and in succeeding reigns, it was

followed by Pope, Swift, Young, and a multitude of ordinary writers.

Pope says:

“Men some to pleasure, some to business take,

But every woman is at heart a rake.”

The objects of this wholesale bitterness have been disposed to palliate

it, in consideration of the personal deformity of the poet, which made

him magnanimously hate those whom he could not please.

Swift speaks of his unacknowledged and heart-broken wife as follows:

“Her hearers are amazed from whence

Proceeds that fund of wit and sense,

Which, though her modesty would shroud,

Breaks like the sun behind a cloud.

Ten thousand oaths upon record

Are not so sacred as her word!

She tends me like an humble slave,

And when indecently I rave,

She with soft speech my anguish cheers,

Or melts my passion down with tears:

Although ’tis easy to descry

She needs assistance more than I,

She seems to feel my pains alone,

And is a stoic to her own.

Where among scholars can you find

So soft, and yet so firm a mind?”

And yet, when poor Stella had died, a victim to his unkindness, he

reviled all womankind in terms of brutal grossness. He even started the

opinion that women were a connecting link between men and monkeys; and

ladies will no doubt be disposed to thank him for any classification,

that does not place them in the same species with himself.

But panegyrists cannot raise women above their level, or satirists

force them below it. Their character and condition is always in

correspondence with that of men; and both sexes have always furnished

about an equal number of exceptions to the general character of the age

in which they lived. There were liberal-minded women, as well as men,

during the bigoted times of Cromwell, and many an English matron, of

stainless character, educated her pure-minded daughters far from the

corrupting court of Charles the Second. The excellent lady Russell, who

was perhaps the very best woman in the world, lived in these profligate

times.

Mary, the wife of William the Third, made industry, domestic virtue,

and modest apparel, fashionable by her own example; and during Anne’s

reign the social intercourse of the sexes was polite and pleasant

without being profligate. It is true that literature was not the order

of the day; for the women of that period were as ignorant of their

own language, as they had formerly been learned in the classics; Dr.

Johnson declares that even the gifted Stella could not spell correctly.

Needlework became the all-absorbing occupation among women of the

higher classes. Whole churches were hung with tapestry embroidered by

devout dames; and notable housewives prided themselves on covering

their floors, chairs, and footstools, with the workmanship of their own

hands.

In queen Anne’s reign, it was considered vulgar to speak or move like a

person in good health. Complete helplessness was considered peculiarly

feminine and becoming. The duchess of Marlborough carried this fashion

so far, that when she travelled, she ordered the drums of garrisons to

be muffled, and straw laid before her hotels, lest her delicate nerves

should be offended with rude noises. About this time was introduced

from France the fashion of wearing shoes with heels five or six inches

high, top-knots of extraordinary height on the head, and hooped

petticoats measuring six or seven yards in circumference.

The custom of powdering the hair with flour was introduced by ballad

singers, in 1641. In the beginning of the reign of George the First,

only two ladies wore their hair powdered, and they were pointed at

for their singularity. The women of that period likewise wore a great

quantity of artificial hair, in imitation of periwigs worn by men.

About this time, lady Mary Wortley Montagu conferred a great blessing

upon England, and the civilized world, by introducing inoculation for

the small pox, after her return from Turkey. The custom was opposed

with the utmost violence of ignorance and prejudice; but lady Mary

persevered in her generous purpose, and to prove her sincerity, she

first tried it upon her own son, about three years old. In Litchfield

cathedral stands a cenotaph raised to her memory by a lady, who had

herself derived benefit from this salutary practice. The monument

represents Beauty weeping for the loss of her preserver.

Some of the best English writers appeared during the latter part of

the seventeenth century; but the romances of the day were exceedingly

prosaic, love-sick, and sentimental. The hero and heroine always fell

in love at first sight, and always had innumerable difficulties to

contend with, in consequence of the cruelty of relations and the plots

of libertines. Love, instead of being acted upon and developed by

circumstances, was represented as the chief end and aim of life, and

all the events of this busy world were merely its accessories.

The history of the condition of women, in various ages and nations (vol. 2 of 2) · 第 8 / 18 段