III

Meyer Lanich came down from his table and drew down the wide yellow

shade and shut out the night. No more stray customers to enter. He

turned the key of the door. He had his back to the door, seeing his work

and his child who now sat vacant upon the floor and grimed her eyes with

her fists too sleepy to hunt play--seeing his wife. He sought to see

this woman who was his wife. To this end came his words, old words, old

words he had tried often, often failed with, words that would come again

since they were the words of his seeking to find the woman his wife.

"Esther," he said, "it is nine o'clock and I have much work to do--a

couple of hours of work.--"--I could work faster alone, it will be

midnight so with this pain for ever in my eyes. "Esther won't you go

home and put Florchen to bed?"

She looked at him with her full lovely eyes. Why since he saw them

lovely could he not see them loving? He had said these words before, so

often before. She looked at him.

"Esther," he said, "it is bad for a baby of four to be up so late. It is

bad for her to sit around on the floor under the gas--smelling the gas

and the gasoline and the steam of the clothes. Can't you consider

Flora?"

"I am afraid."

"What is there to be afraid of? Can't you see? Why aren't you afraid of

what will happen to Flora? Eh--that don't frighten you, does it? She's a

baby. If my Mother could see--"

"Meyer, I can't. Meyer, I can't. You know that I can't."

He waved his hands. She was stiff. They came no nearer one to the other.

About them each, two poles, swirled thoughts and feeling--a world that

did not touch the other.

He clambered back to his work. The room was hot. The gaslight burned.

Against his temples it beat harsh air, harsh light, the acrid smells of

his work--against her temples.

Esther sat. The words of her man seeking the woman she was had not found

for him but had stirred her. Her breast moved fast, but all else of her

was stiff. Stiff, all she moved like a thick river drawn against its

flow, drawn mounting to its head.--I cannot go home alone, to the empty

hall alone, into the black rooms alone. Against their black the flicker

of a match that may go out, the dare of a gas-light that is all white

and shrieking with its fear of the black world it is in. She could not

go home alone.--For, Esther, in your loneliness you will find your life.

I am afraid of my life.

She was caught, she was trapped.--I am miserable. Let me only not

move.--Since to move was to break against walls of a trap. Here in the

heart of movelessness a little space. Let her not stir where the walls

and the roof of the black small trap will smite her!

The best short stories of 1921, and the yearbook of the American short story · 第 45 / 167 题