EXERCISE - Discords

1. Study the editorial in Appendix 1 for unforewarned changes in mood and

assemblages of mutually uncongenial words. Rewrite the worst two

paragraphs to remove all blemishes of these kinds.

2. Compare Burke's speech (Appendix 2) with Defoe's narrative (Appendix 5)

for the difference in tone between them. Does each keep the tone it adopts

(that is, except for desirable changes)?

3. Note the changes in tone in the Seven Ages of Man (Appendix 4). Do the

changes in substance make these changes in tone desirable?

4. In the following passages, make such changes and omissions as are

necessary to unify the tone:

How I loved to stroll, on those long Indian summer afternoons, into the

quiet meadows where the mild-breathed kine were grazing! An old cow that

switches her tail at flies and puts her foot in the bucket when you milk

her, I absolutely loathe. How I loved to hear the birds sing, to listen to

the fall of ripe autumnal apples!

It wasn't the girl yclept Sally. This girl was not so vivacious as Sally,

but she had a mug on her that was a lot less ugly to look at. Gee, when

she stood there in front of me with those mute, ineffable, sympathetic

eyes of hers, I was ready to throw a duck-fit.

Old Grimes is dead, that dear old soul;

We'll never see him more;

He wore a great long overcoat,

All buttoned down before.

<I. Abstract vs. Concrete Terms; General vs. Specific Terms>

Abstract terms convey ideas; concrete terms call up pictures. If we say

"Honesty is the best policy," we speak abstractly. Nobody can see or hear

or touch the thing _honesty_ or the thing _policy_; the

apprehension of them must be purely intellectual. But if we say "The

rat began to gnaw the rope," we speak concretely. _Rat_, _gnaw_,

and _rope_ are tangible, perceptible things; the words bring to us

visions of particular objects and actions.

Now when we engage in explanations and discussions of principles,

theories, broad social topics, and the like--when we expound, moralize, or

philosophize,--our subject matter is general. We approach our readers or

hearers on the thinking, the rational side of their natures. Our

phraseology is therefore normally abstract. But when, on the other hand,

we narrate an event or depict an appearance, our subject matter is

specific. We approach our readers or hearers on the sensory or emotional

side of their natures. Our phraseology is therefore normally concrete.

You should be able to express yourself according to either method. You

should be able to choose the words best suited to make people understand;

also to choose the words best suited to make people realize vividly and

feel. Now to some extent you will adopt the right method by intuition. But

if you do not reinforce your intuition with a careful study of words, you

will vacillate from one method to the other and strike crude discords of

phrasing. Of course if you switch methods intelligently and of purpose,

that is quite another matter. An abstract discussion may be enlivened by a

concrete illustration. A concrete narrative or portrayal may be given

weight and rationalized by generalization. Moreover many things lie on the

borderland between the two domains and may properly be attached to either.

Thus the abstraction is legitimate when you say or write: "A man wishes to

acquire the comforts and luxuries, as well as the necessaries, of life."

The concreteness is likewise legitimate when you say or write: "John Smith

wishes to earn cake as well as bread and butter."

In most instances general terms are the same as abstract, and specific the

same as concrete. Some subtle discriminations may, however, be made. Of

these the only one that need concern us here is that the wording of a

passage may not be abstract and yet be general. Suppose, for example, you

were telling the story of the prodigal son and should say: "He was very

hungry, and could not obtain food anywhere. When he had come to his

senses, he thought, 'I should be better off at home.'" This language is

not abstract, but it is general rather than specific. When Jesus told the

story, he wished to put the situation as poignantly as possible and

therefore avoided both abstract and general terms: "And he would fain have

filled his belly with the husks that the swine did eat: and no man gave

unto him. And when he came to himself, he said, How many hired servants of

my father's have bread enough and to spare, and I perish with hunger!"

Many a person who shuns abstractions and talks altogether of the concrete

things of life, yet traps out circumstance in general rather than specific

terms. To do this is always to sacrifice force.

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