THE PAINTER AND THE WOOD-CARVER.

When the Son of the Chan had, as on all the former occasions, spoken

the words of threatening, placed the dead one in the sack, and

journeyed forth with him, Ssidi spake this time also as follows:--"The

day is long, and the distant journey will tire us: do you relate a

tale unto me, or I will relate one unto you." But the Son of the Chan

shook his head without saying a word, and Ssidi began as follows:--

"Many years ago there lived in the land of Gujassmunn a Chan, whose

name was Gunisschang. This Chan, however, died, and his son Chamuk

Sakiktschi was elected Chan in his place. Now there lived among the

people of that country a painter and a wood-carver, who bore similar

names, and were evilly disposed towards each other.

"Once upon a time the painter, Gunga, drew nigh unto the Chan, and

said unto him, 'Thy father hath been borne into the kingdom of the

Tangari, and hath said unto me, "Come unto me!" Thither I went, and

found thy father in great power and splendour; and I have brought for

you this letter from him.' With these words the painter delivered unto

the Chan a forged letter, the contents of which were as follows:--

"'This letter is addressed to my son Chamuk Sakiktschi.

"'When I departed this life, I was borne to the kingdom of the

Tangari. An abundance of all things reigns in this land; but since I

am desirous of erecting a pagoda, and there are no wood-carvers to be

found here, do you despatch unto me Cunga, the wood-carver. The means

by which he is to reach this place he may learn from the painter.'

"After he had perused this letter, the Chan of Gujassmunn said, 'If my

father has really been carried into the realms of the Tangari, that

would indeed be a good thing. Call hither the wood-carver.' The

wood-carver was called, and appeared before the Chan, and the Chan

said unto him, 'My father has been carried into the realms of the

Tangari. He is desirous of erecting a pagoda, and because there are no

wood-carvers there he is desirous that you should be despatched unto

him.'

"With these words the Chan displayed the forged letter, and when he

had read it, the wood-carver said unto himself, 'Of a surety Gunga,

the painter, has played me this trick; but I will try if I cannot

overreach him.'

"Thus thinking, he inquired of the painter, 'By what means can I

reach the kingdom of the Tangari?'

"To these words, the painter replied, 'When thou hast prepared all thy

tools and implements of trade, then place thyself upon a pile of

fagots, and when thou hast sung songs of rejoicing and set light to

the pile of fagots, thus wilt thou be able to reach the kingdom of the

Tangari.' Thus spake he, and the seventh night from that time was

appointed for the carver's setting forth on his journey.

"When the wood-carver returned home unto his wife, he spake unto her

these words:--'The painter hath conceived wickedness in his mind

against me; yet I shall try means to overreach him.'

"Accordingly he secretly contrived a subterranean passage, which

reached from his own house into the middle of his field. Over the

aperture in the field he placed a large stone, covered the stone with

earth, and when the seventh night was come, the Chan said, 'This night

let the wood-carver draw nigh unto the Chan, my father.' Thereupon,

agreeably to the commands of the Chan, every one of the people brought

out a handful of the fat of the Gunsa (a beast). A huge fire was

kindled, and the wood-cutter, when he had sung the songs of rejoicing,

escaped by the covered way he had made back to his own house.

"Meanwhile the painter was greatly rejoiced, and pointed upwards with

his finger, and said, 'There rideth the wood-carver up to heaven.'

All who had been present, too, betook themselves home, thinking in

their hearts, 'The wood-carver is dead, and gone up above to the

Chan.'

"The wood-carver remained concealed at home a whole month, and allowed

no man to set eyes upon him, but washed his head in milk every day,

and kept himself always in the shade. After that he put on a garment

of white silk, and wrote a letter, in which stood the following

words:--

"'This letter is addressed to my son Chamuk Sakiktschi. That thou

rulest the kingdom in peace; it is very good. Since thy wood-carver

has completed his work, it is needful that he should be rewarded

according to his deserts. Since, moreover, for the decoration of the

pagoda, many coloured paintings are necessary, send unto me the

painter, as thou hast already sent this man.'

"The wood-carver then drew nigh unto the Chan with this letter.

'What!' cried the Chan, 'art thou returned from the kingdom of the

Tangari?' The wood-carver handed the letter unto him, and said, 'I

have, indeed, been in the kingdom of the Tangari, and from it I am

returned home again.'

"The Chan was greatly rejoiced when he heard this, and rewarded the

wood-carver with costly presents. 'Because the painter is now

required,' said the Chan, 'for the painting of the pagoda, let him now

be called before me.'

"The painter drew nigh accordingly, and when he saw the wood-carver,

fair, and in white-shining robes, and decorated with gifts, he said

unto himself, 'Then he is not dead!' And the Chan handed over to the

painter the forged letter, with the seal thereto, and said, 'Thou must

go now.'

"And when the seventh night from that time arrived, the people came

forward as before with a contribution of the fat of the Gunsa; and in

the midst of the field a pile of fagots was kindled. The painter

seated himself in the midst of the fire, with his materials for

painting, and a letter and gifts of honour for the Chan Gunisschang,

and sang songs of rejoicing; and as the fire kept growing more and

more intolerable, he lifted up his voice and uttered piercing cries;

but the noise of the instruments overpowered his voice, and at length

the fire consumed him."

"He was properly rewarded!" exclaimed the Son of the Chan.

"Ruler of Destiny, thou hast spoken words! Ssarwala missdood jakzang!"

Thus spake Ssidi, and burst from the sack through the air.

Thus Ssidi's eighth relation treats of the Painter and the

Wood-carver.

Folk-Lore and Legends: Oriental · 第 30 / 43 题