SECTION XIII.

Parāçara said:—Sakra having departed, the cow-herds, on seeing him

uplift the mountain Govardhana, said to Krishna of wonderous deeds,

delightedly:—"O thou of mighty arms, thou hast saved us from a great

fear; by holding up the mountain thou hast protected the cows. Wonderful

are thy childish sports and insignificant is the condition of a herdsman

and all thy actions are those of a god. Tell us what is the meanings of

all this. Kaliya has been vanquished in the water; Pralamba has been

killed; Govardhana has been lifted up; our minds are filled with

surprise. We can swear by the feet of Hari, O thou of unbounded might,

that beholding thy powers we do not consider thee as man. O Kesava, the

woman, the children and the old of Vraja are all pleased with thee—even

all the celestials cannot perform the deeds thou hast done. Thy boyhood

and thy prowess; thy humiliating birth amongst us, are contradictions

that fill us with surprise whenever we think of them. Be thou a god, or

a demon or a Yaksha or a Gandharva, or whatever, we may consider thee,

we should respect thee for thou art our friend".

When they had finished, Krishna remained silent for some time as if hurt

and wounded and then said to them, "Herdsmen, if you are not ashamed of

my relationship, if I have deserved your praise, then what necessity

have you to discuss thus concerning me? If you have any love for me, if

I merit your praise, then consider me as your friend. I am neither a

god, nor a Gandharva nor a Yaksha nor a demon—I am born as thy friend

and you should not think otherwise of me".

Parāçara said Being addressed thus, O great Muni the cow-herds remained

silent and went into the woods leaving Krishna apparently displeased.

Beholding the clear sky with the autumnal moon, and the air perfumed

with the fragrance of the wild water-lily in whose buds the clustering

bees were murmuring their songs, he felt inclined to join with the

females of cow-herds in sport. Thereupon with Rāma he began singing

sweet low strains in various measures such as the woman loved; and they,

as soon as they heard the music, left their homes and hastened to meet

the Slayer of Madhu. One damsel gently sang an accompaniment to his

song, another attentively listened to his music: one called him by the

name and then shrank in bashfulness: whilst another, more bold and

prompted by love, pressed close to his side; one, as she came out, saw

some of the seniors of her family and dared not venture satisfying

herself with meditating on Krishna with closed eyes and whole-minded

devotion by which immediately all acts of merit were effaced by rapture

and all sin was expiated by regret at not seeing him: and others again,

reflecting upon the cause of the world, in the form of the Supreme

Brahma, obtained, by their sighing, final emancipation. Thus encircled

by the females of cow-herds Krishna thought the lovely moon-light night

of autumn suited to the Rāsa[259] dance. Many of them so imitated the

different actions of Krishna that in his absence they wandered through

Vrindavana representing his person. "I am Krishna" exclaims one "behold

the beauty of my movements". "I am Krishna" cries another "Listen to my

song". "Wait! wicked Kāliya, I am Krishna" cries out another striking

her arms defiantly. A fourth cries out: "Herdsmen, fear nothing, be

steady, there is no danger of the storm any more for I uplift the

Govardhana for your protection," and a fifth exclaims—"Now let the

cattle graze wherever they will, for I have slain Dhenuka". In this wise

the females of the cow-herds imitated the various actions of Krishna,

and in his absence removed their sorrow by mimicking his sports. One

damsel, looking on the earth with the down of her person erect and

expanded eyes, exclaims "See here are the impressions of Krishna's feet

and as he has gone, he has left those marks of the banner, the

thunder-bolt and the goad. What fortunate damsel is going with him

inebriate with her passion as her irregular footmarks prove? Here

Damodara has called flowers from on high, for we see alone the marks of

the tips of his feet. Here a nymph has sat down with him be-decked with

flowers, fortunate in having propitiated Vishnu in a pristine birth.

Having left her in a haughty mood because he had adored her with

flowers, the son of Nanda has gone by this road; for see, unable to

follow him with equal steps his companion has here tripped along upon

her toes; and that holding his hand, the damsel has passed on is evident

from the uneven and intermingled footsteps. The wicked Krishna merely

took her by the hand and then left her. The damsel, being disappointed,

is returning in faltering steps—for such her foot-marks indicate.

Forsooth he proposed to her that he would come back soon, for here are

his own footsteps returning with speed. Here he has entered the thick

forest but as the rays of the moon do not enter here his footsteps can

be traced no farther". Being hopeless of beholding Krishna, the females

of the cow-herds came back and arriving at the banks of the Yamuna, they

began to sing his songs. They immediately saw the protector of the three

worlds, with a smiling countenance, coming speedily towards them, on

which one cried out "Krishna, Krishna" being unable to utter any thing

else. One liked to contract her forehead with frowns as drinking with

the bees of her eyes the lotus of the face of Hari: another, shutting

her eyes, meditated, in her mind, upon his form as if being engaged in

an act of devotion. Thereupon coming amongst them Mādhaba conciliated

some with soft words some with gentle looks and some he took by the hand

and the illustrious deity sported with them in the stations of the

dance, after all the damsels had been propitiated. As each of the

damsels attempted to remain in one place close to the side of Krishna,

the circle of the dance could not be constructed. Thereupon taking each

by the hand and when their eyelids were closed by the effects of such

touch Hari formed the circle. Then began the dance in accompaniment with

the music of their clashing bracelets and songs that celebrated in sweet

melody the beauty of the autumnal season. Krishna sang the moon of

autumn, a mine of gentle rays but the damsels chanted the praise of

Krishna only. At times, one of them exhausted by the revolving dance,

threw her arms, adorned with the tinkling bracelets round the neck of

the Slayer of Madhu: another proficient in the art of singing his

praises embraced him. The drops of perspiration from the arms of Hari

were like fertilizing rain which produced a drop of dew upon the temples

of the damsels of cow-herds. Krishna sang the melody that was suited to

the dance. The damsels again and again repeated—"Bravo, Krishna," to his

song. When leading, they followed him, when coming back, they met him

and whether he went forwards or backwards they always followed his

footsteps. Whilst sporting thus with the females of the cow-herds, they

regarded one moment in his absence as a myriad of years. And although

prohibited in vain by their husbands and brothers, they went out in

night to sport with Krishna, the idol of their affection. Thus the deity

of unbounded prowess, the remover of all imperfections, assumed the

character of a youth amongst the damsels of Vraja, pervading their

natures and that of their lords, by his own essence all diffusive like

the wind, for even as in all creatures the elements of ether, fire,

water, and air are comprehended, so also is he everywhere present and in

all.

A Prose English Translation of Vishnupuranam (Based on Professor H. H. Wilson's translation.) · 第 13 / 37 章