CHAPTER I

A CAMERA ACTRESS IN THE WILDS OF TOGOLAND

[Illustration:

_By permission of_ _Maj. H. Schomburgk, F.R.G.S._

KONKOMBWA WARRIOR IN FULL GALA DRESS

The helmet is a calabash, elaborately ornamented with cowrie shells,

and surmounted by a fine pair of roan antelope horns. Other less lucky

warriors, or less clever hunters, content themselves with the smaller

horns of the commoner puku antelope. Note the beautifully ornamented

quiver filled with poisoned arrows.]

A CAMERA ACTRESS

IN THE WILDS OF

TOGOLAND

THE ADVENTURES, OBSERVATIONS & EXPERIENCES OF A

CINEMATOGRAPH ACTRESS IN WEST AFRICAN FORESTS

WHILST COLLECTING FILMS DEPICTING NATIVE

LIFE AND WHEN POSING AS THE WHITE

WOMAN IN ANGLO-AFRICAN

CINEMATOGRAPH DRAMAS

BY

MISS M. GEHRTS

WITH AN INTRODUCTION BY MAJOR H. SCHOMBURGK

WITH 65 ILLUSTRATIONS & A MAP

PHILADELPHIA

J. B. LIPPINCOTT COMPANY

LONDON: SEELEY, SERVICE & CO. LTD.

1915

INTRODUCTION

BY MAJOR H. SCHOMBURGK, F.R.G.S.

It was after my return from my first West African cinema expedition,

in June 1913, that I made up my mind to try and film native dramas in

their true and proper settings.

My aim was to visualise, as it were, for the European public, scenes

from African native life as it once was all over the continent, and

as it is even now in the more remote and seldom-visited parts; and it

was further my object to so present the various incidents as to ensure

their being pleasing and interesting to all classes and conditions of

people.

To this end, then, it became necessary for me to find a white woman

capable of acting the principal parts, supported by native supers.

My thoughts at once reverted to Miss Gehrts, a lady with whom I have

been acquainted for some little while, and whom I knew to be a keen

sportswoman, a good rider, and possessed of histrionic ability of no

mean order.

It did not take me long to persuade her to accept the offer I made

her; but her parents raised many objections, based principally on the

supposed dangers and privations which they assumed--not altogether

wrongly--to be inseparable from the trip. These objections, however,

were eventually overcome, the enterprise was undertaken and brought to

a successful conclusion, and this book is one result of it.

Personally, I must confess to not being altogether favourably impressed

with the ordinary African "travel book" of the typical globe-trotting

woman writer: the kind of one, I mean, who either conscientiously and

carefully hugs the coast, or else ventures but a little way into the

hinterland along the ordinary caravan routes, and then puts upon record

a long string of facts and fancies which only serve to raise a smile on

the faces of those who really know their Africa, exemplifying, as they

almost invariably do, that, with regard to this vast and most wonderful

continent, more than perhaps anywhere else, a little knowledge is a

dangerous thing.

Miss Gehrts' book--and I say so frankly and freely without fear or

favour--is not of this sort. She quitted the beaten track altogether;

so much so that north of Sokode she was absolutely the first and only

white woman the natives had ever beheld. She had, therefore, the

satisfaction of seeing these interesting peoples--the Tschaudjo, the

Konkombwa, the Tschokossi, and many others--in their original unspoilt

state of free and proud savagedom.

I am pleased to say that she appreciated the opportunities afforded

her, using her powers of observation to very good purpose indeed, and

with results that were not a little surprising even to old dwellers

in the country. For instance, it was she who discovered the curious

industry of making beads from palm nuts, described in Chapter VII, as

also the unique fortified native village of which a plan and drawing,

as well as a full and most interesting description, will be found in

Chapter XII.

For these reasons I am inclined to dissent from the view, expressed by

her in her foreword, that the book possesses no scientific value. I

also disagree with most of what she has written in the opening chapter

concerning myself: it is far too flattering.

On the other hand I cannot praise too highly the work done by her

in connection with the expedition. I am only afraid that no reader

will either appreciate or understand, from her very self-restrained

narrative, what she really underwent while acting in the dramatic

pieces.

Miss Gehrts also took charge of the commissariat, and I am sure that

every member of the expedition will be only too pleased to certify

that a better could not have been evolved than the one that was run so

easily and beautifully by "our little mother," as the "boys" used to

call her.

Finally, I should like to say that this book possesses the distinction

of being the first published record of a journey through Togoland ever

written by anybody, man or woman, black or white. It is, therefore,

in a sense unique, and I wish it all the success that, in my humble

opinion, it deserves. I cannot say more: nor can I say less.

HANS SCHOMBURGK.

LONDON, _July 9, 1914_.

FOREWORD

In the beginning, when I first went out to West Africa, it had never

entered into my head for a single instant that my experiences there

might form the subject of a book. But I fell into the habit of keeping

a diary of my journeyings, and afterwards many of my friends, as also

other people in a position to judge, seemed to think it almost a pity

that the adventures and impressions of the first white woman to travel

through Togoland from the sea to the northern border and back again,

should go unrecorded. It was pointed out to me, too, that the fact of

my being the first cinema actress to perform in savage Africa, and with

savages as "supers," would most certainly add to the interest, even if

it did not enhance the value, of such a record.

In this way the present volume came into being: a creation born--to

be perfectly and absolutely frank--of egoism and flattered vanity.

I should like to say at the outset, however, that it does not make

any pretence to add to the sum of human knowledge in a scientific

sense; it is merely a plain and simple narrative of a girl's seeings

and doings amongst strange and primitive folk living in a remote and

little known land. Still, should there be found in it anything new

of anthropological or ethnological value, it will be to me an added

pleasure; for I particularly tried, to the best of my ability, to keep

my eyes and ears open for the reception of such. Likewise, I shall be

glad if this, my first attempt at authorship, helps to win friends for

the colonial cause, and tends to dispel the altogether erroneous idea

anent West Africa being, in the sense in which the phrase is usually

interpreted and understood, the "white man's grave."

Speaking for myself and on the whole, I was both healthy and happy out

there. I received nothing but kindness from white and black people

alike; so much so, indeed, that I have come to love and admire the

country into which I first adventured myself with feelings akin to fear

and repulsion. Africa, in short, has cast her spell over me, as she

does, I am told, over most others. Even as I write these few last lines

I can feel "the call of the wild" stirring my blood.

In concluding this brief foreword, I should wish to be permitted to

thank His Highness the Duke of Mecklenburg, Governor of Togoland, whose

personal interest in the welfare of the expedition, shown in many ways

and at divers times, made it possible for us to carry it out in its

entirety on the lines originally laid down.

My thanks are also due to Commander Triebe, of the S.S. _Henny

Woermamm_, for many kindnesses and courtesies received on the outward

voyage, as well as to his colleague, Captain Pankow, of the _Eleonore

Woermamm_, for other similar evidences of good-will on the voyage home;

to Lieutenant von Rentzel, who so kindly placed his house at our

disposal on our first arrival in Lome, the capital and port of Togo;

and to Mr. Kuepers, the head-master of the Government school in Sokode,

for welcome hospitality freely extended to us.

Especially, too, am I grateful to Captain von Hirschfeld, District

Commissioner of Mangu, who not only showed us personally every

hospitality and kindness during visits extending altogether to over

a month, but who also went out of his way, at considerable trouble

and inconvenience, to help us in filming many subjects, scenes, and

incidents of native life, which we should otherwise hardly have been

able to secure; his efforts in this latter direction being ably

seconded by his two European assistants, Messrs Sonntag and Gardin.

Mr. Muckè, of Bassari, also showed us many kindnesses for which I

am sincerely grateful; and my best thanks are likewise due to Herr

von Parpart, District Commissioner of Sokode, whose hospitality on

our return journey to the coast made our last evening in the African

bush an outstandingly pleasant recollection. Mr. James S. Hodgson,

our camera man, besides proving himself a first-rate and exceedingly

careful operator, kept us lively of an evening by his clever playing on

the mandoline, while his imperturbable good-humour, even in the most

trying circumstances, helped to make our trip a pleasant and agreeable

one.

Finally, I should wish to thank my friend, Mr. C. L. McCluer Stevens,

of "Ivydene," New Malden, Surrey, author and journalist, for the

skilful and painstaking manner in which he has edited my rough

manuscript and put it in trim for the publishers, as well as for

valuable advice and help regarding the treatment and scope of the

various chapters and the work as a whole.

M. GEHRTS.

LONDON, _July 1, 1914_.

CONTENTS

CHAPTER I

LONDON TO LOME

PAGES

I am "up against" a queer business proposition--Doubts and

difficulties--Assent--Major Schomburgk, F.R.G.S., the

leader of the expedition--His African experiences--

Filming cinema pictures in the tropics--The start from

England--Dover to Madeira--Life on board ship--Madeira

--Teneriffe--Las Palmas--Motoring under difficulties--

Arrival in Togo--"Yellow Jack"--Kindness of H.H. the Duke

of Mecklenburg, the Governor of Togoland--A jolly dinner

party--Rickshaw riding in Lome--Off to Atakpame 17-28

CHAPTER II

HOW WE FILMED "THE WHITE GODDESS OF THE WANGORA"

A tiresome railway journey--My hut in the forest--A trying

toilet--Native inquisitiveness--_Haute cuisine_ in the

heart of Africa--Mosquitoes--My first night in the bush

--A very primitive shower-bath--Rehearsing our first

cinema drama--Savages as "supers"--Irritating delays--

A false alarm--Filming the principal scene in the _White

Goddess_--I am knocked up--And laid up--Malarial fever

--"If you cough you'll die"--Convalescence--I try

cookery--A disconcerting experience--Eating 9863 chickens

--A little about lizards--Also about ants and beetles 29-39

CHAPTER III

LIFE AT KAMINA

Troubles of cinema playing in Central Africa--Enforced leisure

--Native girls and a gramophone--Women and work--Native

children--A negro philosopher--Native servants--

Learning to cycle--Improvising a studio--Wild monkeys--

Native dances--A perilous climb 40-48

CHAPTER IV

STARTING "ON TREK"

On the march into "the back of beyond"--Packing our "chop

boxes"--Quinine--"I didn't want to do it"--The starting

of the caravan--Good-bye to Kamina--Kindly forethought

of the Duke of Mecklenburg--Our first day's march--

Sleeping out in the bush--Rest-houses--Our operator goes

astray--Dish-washing extraordinary--Our cook disappears

--To return with a wife--I try my hand at bush cooking--

"Feed the brute"--A native belle 49-56

CHAPTER V

ATAKPAME TO SOKODE

Our friend the doctor--A new way with natives--Laughable

results--And to Njamassila--Travelling by hammock

--A rash resolve--Njamassila to Agbandi--Sleeping

on the march--A native giant--Agbandi to Djabotaure

--Depressing effects of the West African climate--An

adventure at Djabotaure--Native festivities on the eve of

Ramadam--Djabotaure to Audasi--Incompetent hammock boys

--"Sea-sickness" on land--A moonlight night in the bush

--Nearing Sokode--Our horses waiting for us in charge of

a European--A bush toilet--Arrival in Sokode--Kindly

hospitality 57-68

CHAPTER VI

IN THE CAPITAL OF TSCHAUDJOLAND

In camp at Paratau--Uro Djabo, paramount chief of the

Tschaudjo--A courtly savage--The Tschaudjo a conquering

tribe who came riding on horses from the north--Djabo's

palace--His wives--A much-married monarch--His prime

minister and attendants--He comes to afternoon tea--A

democratic king--Tschaudjo horsemen--An accident--

I nearly lose my life--A nervous breakdown--We leave

Paratau in a hurry--Kindness of the German Government

officials at Sokode--They lend us one hundred carriers

--On the road to Aledjo-Kadara, "the Switzerland of

Togo" 69-79

CHAPTER VII

ALEDJO-KADARA--THE SWITZERLAND OF TOGO

On the march from Paratau to Aledjo-Kadara--A terrible stage

--Doubt and depression--An uphill journey--I feel my

health improving--An accident--Native sympathy--Our

cook annexes our dining-table--A lovely camp--A thousand

yards up and surrounded by mountains--The Switzerland of

Togo--Beautiful rest-houses--The harmattan--Grass

fires--Filming a drama--Another accident--Nebel and I

nearly fall over a precipice--Nebel homesick--He leaves

for Europe--Filming the final scene of _Odd Man Out_--We

visit Bafilo, near Aledjo--Great reception by natives for

the first white woman--The Uro (king) of Bafilo meets us

in state--Torch play to celebrate the finish of Ramadam--

More filming--An astonished native--Industrial films--

The cotton industry--Trade guilds--Primitive looms and

spindles--Making beads from palm nuts--Baboons like dogs

and rabbits with feet like elephants 80-96

CHAPTER VIII

AMONG THE BAFILO FOLK

The native market at Bafilo--Native sweetmeats--Cowries as

currency--A native barber shaving a baby's head--Togo

boys playing at the West African equivalent of pitch and

toss--A woman's dance that out-tangos the tango--Native

baskets at a farthing apiece--Hyenas--I am nearly bitten

by a puff-adder--A leopard--Early stables--Filming

again--A glut of supers--A "woman palaver"--One of our

people abducts a native girl--His punishment--I read the

girl a lecture--But make little impression--"He gave me

these"--A drunken native--I intercede for him with his

chief--Wild tribes from the Kabre Mountains--Nude but

modest--The shy girl and her bag of salt--A native falls

in love with me--Beautiful native work--I buy a cloak of

native manufacture--Good-bye to Bafilo 97-107

CHAPTER IX

ON THE MARCH ONCE MORE

On trek once more--A disquieting discovery--I am very angry

--A long day's journey--I narrowly escape sunstroke--

"Wholesome anger a good tonic"--I taste native beer for

the first time--And find it both refreshing and sustaining

--Antelope spoor--Exchange carriers--First meeting

with the Konkombwa--The finest race of savages in Togo--

Native dandies--Trouble with our horse boys--They are

punished--In the heart of the wilds--European and native

rest-houses--Paying our carriers with salt--Schomburgk

gets "bushed"--Resents my anxiety--We quarrel--Elephant

spoor--I am given my first lesson in wood-craft--

Mosquitoes--The yellow-fever breeding anophele--We cross

the Kara River--First sight of hippopotami--We strike the

Oti, the principal river of Northern Togo 108-124

CHAPTER X

CHRISTMAS AT SANSANE-MANGU

At Mangu--Captain von Hirschfeld--I make an "impression"--

Though not the kind I should have liked to have made--"The

Place where Warriors Meet"--A brush with the Tschokossi

--Captain von Hirschfeld's splendid hospitality--Tamberma

Fort--The head tax---The Mangu plantations--Mangu in

the rainy season--Great heat--Terrific thunderstorms--

Our Christmas dinner at Mangu--New Year's Eve festivities

--We burn three thousand feet of film--Game birds round

Mangu--A fishing carnival--Queer native methods--

Canoeing on the Oti River--A marvellous shot--Filming in

the tropics--More difficulties--The new station at Mangu,

and the old one--A striking contrast--The big Mangu

"songu"--A gathering of the clans--Trapping a hyena--

A plague of bats--Fresh milk and native butter--Ancient

records at Mangu 125-140

CHAPTER XI

OUR "FARTHEST NORTH"

Northward from Mangu--Wild savages and poisoned arrows--A

treacherous attack and a lucky escape--Different arrow

poisons--Grass fires and their drawbacks--Mosquitoes and

some yarns about them--Wild natives--The wild Tschokossi

women--A new dress every day--Our boys go swimming in

a crocodile-infested pool--Our pet monkey gets loose--

Searching for hippos--An unreliable guide--Sullen natives

--A too-early call--A wonderful game country--In God's

big "zoo"--Gorgeous plumaged birds--I want Schomburgk

to shoot some for me--He objects--Sun birds and blue

jays--Across a yam-field country--A bird sanctuary--

Discovery of a flock of marabou--I regret having no gun--

The costliest feathers on earth--Our guide loses his way

again--Fulani herdsmen--They supply us with fresh milk--

Arrival at Sumbu 141-158

CHAPTER XII

AMONG THE SUMBU SAVAGES

At Sumbu--Wild savages--Our boys afraid--Tschokossi

refuse to sell us provisions--I enter a village and buy a

chicken--Astonishment of the people at their first sight

of coined money--I make friends with the children--Lumps

of sugar--A new delicacy--The "white honey rock"--I

become "chummy" with the chief--He invites me to go over

his village with him--I accept the invitation--A unique

village--Elaborate precautions against attack--Where did

the Tschokossi learn to build these remarkable villages?--

"Every village a fortress and every house a fort"--Messa

gets scared--And Alfred follows suit--Cleanliness and

the "classes"--I try my hand at cheese-making--Our too

energetic "washerwoman"--A novel theory of wages--The

ugliest chief in Togo--Marriage among the wild Tschokossi

--Men's view--A primitive form of eugenics--"Can white

women laugh?"--Our boys are boycotted--Native women

refuse to cook for them--Salt the only currency--Sleeping

"rough"--My boys' anxiety for the safety of their "little

white mother"--Messa makes himself putties--His anxiety

about his wife--A case of filaria--Dangerous symptoms 159-182

CHAPTER XIII

BACK TO MANGU

An adventure with a puff-adder--Welcome news--"Chief's

mail"--Out after hippo--Inexperienced hammock boys--

My first sight of hippopotami--I am not impressed--

Crocodile island--An extraordinary sight--Birds that

pick crocodiles' teeth--Panscheli--Hodgson shoots two

hippos--Our boys fetch them from the pool--Cutting up the

carcases--A loathsome sight--We break camp--Homeward

bound--Huge oyster "middens"--Stalked by savages--A

_nuit blanche_--A leopard--and other things--Bad news

--Back in Mangu 183-197

CHAPTER XIV

THROUGH THE KONKOMBWA COUNTRY

At Mangu--The harmattan--A meteorological mystery--Filming

ethnological pictures--Building the new Mangu station--

Drilling native soldiers--Marriage in the native army--

Buying wives--Their market value--Polygamy _v._ monogamy

--Filming Togo history--We reconstruct a big battle--

Celebrating the Kaiser's Birthday--We buy a wild ostrich--

It escapes--An ostrich hunt on the veldt--Packing up for

the downward journey--Horrible discovery--No cigarettes

--"Battle-axe" brand _v._ best Egyptians--Quitting

Mangu--On the march to Unyogo--No water--Hodgson has

an extraordinary "adventure"--A woman palaver--On to

Djereponi--Chameleons--Nambiri--Nothing to eat--A

glorious feed--An egg-laying story--In the heart of the

Konkombwa country 198-212

CHAPTER XV

NAMBIRI TO TSCHOPOWA

The chief of Nambiri--One of Nature's gentlemen--Killing the

fatted calf--Pretty Konkombwa villages--The Konkombwa

and the Dagomba--Elaborate head-dresses of the Konkombwa

men--Konkombwa women--A domestic row--Wonderful

recuperative powers of savages--Konkombwa dances--A

wonderful performance--Studies in facial expression--

Distributing kola-nuts to the dancers--A native delicacy--

On to Tschopowa--Voluntary carriers--A "royal" progress

--Marabou feathers--A welcome surprise--I secure a

wonderful bargain--The rest-house at Tschopowa--A huge

baobab tree--Bow and arrow competitions--We secure

pictures of hippo--Remarkable corn bins--Roast bats as

native luxuries--I decline a share in the "banquet"--A

live alarum clock 213-226

CHAPTER XVI

THE WOMEN MINERS OF BANJELI

Tschopowa to Kugnau--No roads--A careless guide--Schomburgk

loses his way--Crossing the Oti River--Mosquitoes at

Kugnau--Asmani and his "mosquito slaps"--A disconcerting

mistake--Messa and Asmani fall out--The Konkombwa and

their helmets--A too officious soldier--Anecdote about

the Duke of Mecklenburg--Crossing the Oti for the last

time--Arrival at Ibubu--A "Roman Fort"--In the Sokode

district--Small food rations--Truculent natives--We buy

a second ostrich--Lack of carriers--A serious dilemma--

The chief of Ibubu is impertinent--"I can't make carriers

out of mealie cobs"--I go on ahead with the few carriers

available, leaving Schomburgk to follow--The disappearing

women--On the road to Banjeli--Beautiful scenery--

Schomburgk orders the chief of Ibubu to be arrested and

brought a prisoner to Bassari--Women carriers--A glut

of green and gold beetles--Our mail arrives at Banjeli

from Bassari--News from home--I buy a pig--And am

disappointed--A native "cooler"--Our personal boys imbibe

not wisely but too well--A model punishment--Filming the

native iron industry at Banjeli--Slave women miners--A

pitiful sight--We obtain some most interesting pictures 227-248

CHAPTER XVII

IN A MOUNTAIN COUNTRY

Banjeli to Bassari--In a mountain country--Crossing the

Katscha River--Bush riding--Arrival at Beapabe--An

avenue of mango trees--We reach Bassari--Hospitality of

Mr. Muckè, the Sub-District Commissioner--He places the

"Massow House" at our disposal--Sleeping in a dwelling with

windows--Scarcity of water--The "King of Bassari"--

An Arab stallion--Native smiths at Bassari--The Mallam

Mohammed, a local Pooh-Bah--An open-air school--The

Mallam's eight wives--Their house and its treasures--They

pay me a return visit--A Jack-in-the-box baby--Native

jewellery--The District Commissioner from Sokode passes

through Bassari 249-262

CHAPTER XVIII

A WOMAN "PALAVER"

Native marriages--A matter of sale and exchange--Infant

betrothals--Native weddings--A Tschaudjo ceremony--

A trying ordeal--Polygamy--Childbirth--Infant diet

and infant mortality--Baby girls--A bush ordeal--The

"Women's Queen"--Fetish women--Secret rites--Status of

native wives--Widows--African death customs--Caravan

cookery--Native cooks--Monkey-nut soup--Potatoes a

coveted luxury--Bush delicacies 263-279

CHAPTER XIX

BACK IN SOKODE

Bassari to Malfakasa--Crossing the Kamaa River--A fearful

climb--Mountain scenery--Uro-Ganede-Bo--A royal

sanctuary--The last of our provisions--The outlaw of

the "Long Gun" mountain--On the road from Malfakasa to

Sokode--The Tim plains--Arrival in Sokode--In touch

with civilisation once more--A telegraphic orgie--We

say good-bye to our horses--Sending them down through

the tsetse-fly belt--Precautions--Sleeping sickness--

The Mallam of Dedaure--A splendid native--The native

Government school at Sokode--Mr. Kuepers, the schoolmaster

--Native scholars--Good manners of the children--Native

children apter to learn than white up to a certain age--

Herr von Parpart gives a farewell dinner--We meet Mr. and

Mrs. Dehn--The choir invisible--By motor car to Atakpame

--A breakdown on the road--Arrival at Atakpame--Kamina 280-295

CHAPTER XX

KAMINA--LOME--HOME

Warm welcome to Kamina--I am introduced to the Baroness Codelli

von Fahnenfeld--Good news--A faithful black "boy"--

The great wireless station at Kamina--Feminine vanity

--Camping out _v._ living in--A tornado--Good-bye to

Kamina--By rail to the coast--At Lome--Filming the

first scene of our principal drama--We want a white baby

--Difficulties of the quest--Shall we paint a black

baby white?--A compromise--Social life in Lome--Herr

Vollbehr paints my portrait in the gardens of the Duke of

Mecklenburg's palace--The great pier at Lome--Coast

natives--We part with our "boys"--Good-bye to Africa--

Vain regrets--Las Palmas--I try a mild gamble--And win

£7--We are nearly sunk when nearing Southampton 296-311

INDEX 313-316

ILLUSTRATIONS

KONKOMBWA WARRIOR IN FULL GALA DRESS _Frontispiece_

_To face page_

PORTRAIT OF THE AUTHOR 32

REHEARSING FOR THE CINEMA 36

PLAYING AN "INTERIOR" SCENE IN A NATIVE DRAMA 36

CINEMA ACTING IN THE WILDS 42

AUTHORESS AND BODYGUARD OF TSCHAUDJO HORSEMEN 46

MAJOR HANS SCHOMBURGK 50

EUROPEAN REST-HOUSE AT TSCHOPOWA 52

CINEMA FILMS:--(1) A KONKOMBWA GIANT;

(2) PAYING CARRIERS IN SALT;

(3) THE OLD URO DJABO OF PARATAU;

(4) A LIVE ALARUM CLOCK;

(5) BOY SCOUTS 62

MARKET SCENE IN PARATAU 72

NATIVE BOYS AT PARATAU 74

CINEMA FILMS:--(1) WOMEN HAIRDRESSING;

(2), (3) BABY'S BATH;

(4) BETTER THAN THE TANGO;

(5), (6) SCENES FROM "THE WHITE GODDESS" 88

CINEMA FILMS: BEAD-MAKING 94

A HAUSA WOMAN 104

TSCHAUDJO GIRL FROM BAFILO 104

KONKOMBWA WARRIOR 112

CAMPING OUT IN THE BUSH 112

KONKOMBWA DANDY 116

YOUNG KONKOMBWA WARRIOR 116

CINEMA FILMS: A WOMAN'S WORK 120

TAMBERMA FORT 128

CANOEING ON THE OTI RIVER 134

CHIEFS' COMPOUND 138

NATIVE PIG IRON 138

UNFORTIFIED TSCHOKOSSI VILLAGE 144

NATIVES GAMBLING 154

SKETCH OF A FORTIFIED TSCHOKOSSI VILLAGE 166

PLAN OF THE SAME VILLAGE 167

BASKET-MAKING 170

AUTHORESS AND DEAD "HIPPO" 188

A FINE HEAD OF HAIR 208

NATIVE HAIRDRESSING 208

YOUNG KONKOMBWA WARRIOR 214

A HUGE COMMUNAL CORN-BIN 224

"ROMAN" FORT AT IBUBU 232

BANJELI THE CENTRE OF THE NATIVE IRON INDUSTRY 240

SECTION OF OLD NATIVE IRON FURNACE 244

A COUPLE OF YOUNG SUPERS 260

A STUDY IN WHITE AND BLACK 260

NATIVE VILLAGE IN NORTHERN TOGO 280

CINEMA FILMS: KONKOMBWA AT ARCHERY PRACTICE 290

A CAMERA ACTRESS IN THE WILDS OF TOGOLAND

CHAPTER I

LONDON TO LOME

Actresses who, like myself, specialise in cinema productions,

frequently find themselves "up against" all sorts of queer propositions

of a business character; and we are not, therefore, easily surprised

out of that orthodox professional calm, which we all try, more or less

successfully, to cultivate.

When, however, it was suggested to me, early last summer, that I should

take a trip into the far interior of Africa, in a district where no

white woman had ever been before, in order to play "leading lady" in

a series of dramas of native life, I confess to having been for once

completely taken aback.

Nor did even the fact that the proposed expedition was being financed

and personally conducted by Major Hans Schomburgk, F.R.G.S., the

well-known African explorer and hunter, completely reassure me. I

hesitated long. But eventually the prospect of shaking the dust of

cities from my feet for awhile, and living the (very much) simple life

amongst unspoilt children of nature in altogether novel surroundings,

tempted me into acquiescence; and--greatly against the advice of my

relatives and friends--I "took on" the job.

Largely I was influenced in my decision by the fact of my having known

Major Schomburgk for some time previously, for we are both natives of

Hamburg.

Although not perhaps so well known in England--outside of scientific

circles--as he is in Germany, he can nevertheless, if he wishes to,

truthfully lay claim to be one of the most successful African explorers

and big-game hunters now living; and as his name will figure pretty

prominently in the pages of this book, a brief description of him and

his work may not be out of place.

Thirty-three years of age, of medium stature and somewhat slim build,

he is nevertheless endowed with great physical strength. The last

sixteen years of his life--since he was a lad of seventeen, that is to

say--have been spent almost entirely in Africa, hunting, fighting, and

exploring.

Speaking English like a native, he served in the Natal Mounted Police,

and in the last Boer War, for which he has the medal, with four clasps.

As a hunter, it is no exaggeration to say that his prowess is famed

throughout Africa. No fewer than sixty-three full-grown elephants

have fallen to his rifle, and he once bagged four big tuskers in four

shots--two rights and two lefts.

Twice he has crossed Africa. His most adventurous trip--one of five

years' duration--was from the Victoria Falls to Angola, Portuguese West

Africa, thence back through the Congo Free State, Northern Rhodesia,

and German East Africa, coming out eventually at Dar es Salam, near

Zanzibar. During the whole of that time he never saw a railway, or

slept in a stone house. For an entire year he was exploring the source

of the Zambesi, in the Walunde country, which had not been previously

visited by white people; and it was during this expedition that he

trapped, and brought to Europe alive, a specimen of the East African

elephant, a feat that had been frequently attempted before, but never

successfully performed.

He was, too, the first white man to secure alive specimens of the

rare pygmy hippopotamus, an animal that in its native state is so

exceedingly scarce and shy that its very existence even was denied up

till comparatively recently by most African hunters and explorers.

Major Schomburgk knew better, however, for he had actually seen one

of the miniature creatures during an early trip into the West African

hinterland; and in 1911, after infinite difficulty, and some danger, he

succeeded in trapping no fewer than five living specimens, and, what

is more to the point, conveying them from the interior down to the

sea-coast, whence they were safely shipped to Europe.

Two of these are now in the London "Zoo"--one specimen having been

presented by the Duke of Bedford, who bought it from Mr. Carl

Hagenbeck, for whom Major Schomburgk was acting; the other three are in

the New York Zoological Gardens. All five "pygmys," I may mention, were

shown to the Kaiser, who was greatly interested in the curious little

beasts, and warmly congratulated their captor on his success.

In addition to those mentioned above, Major Schomburgk has also

discovered and named many hitherto unknown species of African fauna,

including a rare new buffalo, the _Bubalus Schomburgki_.

Nor was this the first cinema expedition that he had organised and led

into the West African hinterland. Scarcely three weeks prior to the

date when he first approached me with an offer to go out to Togo as

leading (and only) lady, he had returned home from conducting a similar

enterprise into the hinterlands of Liberia and Togo. But that one was

not a success; one reason being, he informed me, that the negative

stock he took out was not the right kind for the tropics. Then, too,

his camera man proved a failure.

The net result was that the money invested in financing the expedition

was practically all lost. This time he hoped, profiting by experience,

to attain to far better results, and, after I had signed my contract,

he infected me with his enthusiasm, so that I grew quite learned--in

theory--about celluloid ribbon, reels, and so forth.

I may say at once that we succeeded even beyond our expectations. In

fact, it has been admitted since by experts, that the collection of

films we brought back, dramatic, ethnographic, and anthropologic, were

the finest that ever came out of the tropics. I can say this without

egotism, and even without appearing unduly to flatter Major Schomburgk,

since the pictures were not taken by either of us, but by his camera

man, Mr. James Hodgson. Of course, we both of us acted in the dramatic

films, but that is another matter.

It was on August 26th, following the necessary preliminary preparations

in London, that we sailed from Dover in the "good ship"--I believe that

is the accepted nautical term--_Henny Woermamm_, bound for Lome, which

is the capital and port of Togo, a tiny German protectorate wedged in

between the Gold Coast Colony on the west and Dahomey on the east.

The coast-line is only thirty-two miles long, but inland the country

widens out a lot, and it was for this "hinterland"--largely unknown and

uncharted--that we were bound.

I must confess to a certain feeling of pleasurable excitement--what

girl would not experience such?--on the occasion of this first start on

what will in all probability always stand out in memory's record as the

longest and most adventurous journey of my life.

Our prime business was, of course, to film pictures, and we set to

work promptly. Directly we got on board the tender, we commenced

photographing the first scene in a drama entitled _Odd Man Out_,

the scenario of which had already been put together in London, and

concerning the plot of which I shall have more to say presently.

Naturally our business excited the curiosity of the other passengers,

and as the tug drew near to the great liner, I could see that the rails

of the decks nearest to us were lined with row on row of the passengers

who had joined the vessel at Hamburg, all eagerly intent on watching us

and our doings; and as we stepped on board, all eyes were directed at

us, and many smiled a kindly greeting. As for me, however, during those

first few hours my one wish was to be alone, to arrange my cabin,

unpack my belongings, and generally make my surroundings as comfortable

and homelike as possible.

It is the fashion of old West African travellers to protest that the

pleasures and amenities of the voyage do not really begin until Madeira

is passed, but as far as I was concerned I had quite settled down to

life on board after our first day at sea. We played the usual ship's

games, sang, talked, and I am afraid that most of us, old as well as

young, married and single, flirted a little bit. I soon gathered round

me quite a small circle of friends. They were mostly men friends,

but this was not exactly my fault. An actress is an actress. _Que

voulez-vous?_

And here I feel that I must say how greatly I appreciated the kindness

and attention I received during the voyage from the ship's officers.

The captain, a most fatherly old gentleman, the oldest officer and the

commodore of the fleet of mail steamers to which the _Henny Woermamm_

belongs, was unceasing in his efforts to do all he could for my

comfort and convenience. The food, too, was excellent, and the whole

surroundings most comfortable, not to say luxurious; equal, in fact, to

those of any first-class hotel.

Curious how one gets used to the throbbing of the engines on board

ship, and the vibration of the propeller. When they suddenly ceased,

very early one morning, I was wide awake immediately. For a few

moments I lay quite still, wondering lazily what was the matter. Then

it suddenly flashed upon my mind that we must be at Madeira, and all

desire for further sleep promptly vanished. I jumped up, peeped out of

my port-hole, saw at once that it was even as I had surmised, and at

once I proceeded to dress and hurry on deck.

It was Sunday morning. Before my eyes lay Madeira. Never in all my life

had I seen anything one-half so beautiful. I was quite taken aback by

the ethereal loveliness of the picture, and could only stand still and

gaze at it in speechless admiration.

I was almost the first on deck, and so I had it all to myself for

a while, and I could drink in the beauty of it, and enjoy it at my

leisure. But soon the other passengers came pouring up from below in

ever increasing numbers, and all became bustle, noise, and animation.

Native boys swam out and round the ship in shoals, shouting, jabbering,

and gesticulating, and diving for pennies which were thrown to them by

the passengers.

After breakfast we went ashore, hired a motor-car, and drove up the

mountain side to a spot whence a magnificent view is obtained of the

whole of the bay, harbour, and town. The road up is exceedingly steep,

and it was, take it altogether, the most exciting motor ride I ever

experienced. I was, in fact, afraid at times that the car would slip

backwards.

But if the ride up was exciting, it was nothing by comparison with the

ride down. This return journey is made by means of queer-looking native

sleighs over a smooth cobble-paved, but exceedingly steep road. Each of

these sleighs will accommodate two passengers, and is manipulated by

a couple of natives, who stand bolt upright on the elongated runners

that project behind, and guide its course with their feet.

It is very like tobogganing, minus the snow and ice, and most of the

passengers made light of it, but to my mind it was a rather terrifying

and not altogether pleasant experience; for the road is inclined in

places at an angle of something like ninety degrees, there are many

sharp curves, and the crazy little vehicles fly downwards with the

rapidity of lightning. Nevertheless, so skilful are the natives that I

was assured that accidents are practically unknown.

After our ride our party went together into the town, and I found it

very interesting to watch the passengers busily engaged in buying

curios, and specimens of native work, to take home to their friends.

Everybody haggled to get the price as low as possible; and yet

afterwards, when they got back on board ship, everybody came to the

conclusion that they had been "had."

We utilised, too, our short stay on shore to film yet another scene

in the _Odd Man Out_ drama, this being taken in the gardens amidst

beautiful tropical vegetation; and one of the curious island sledges,

drawn by oxen, was also introduced. In fact, I may say here that we

hardly ever missed a suitable opportunity throughout the voyage to

get local colour for this our first cinema play, the early scenes in

which are concerned with a young white woman going out to join her

husband in the wilds of Central Africa. When later on, for instance,

we passed a mail steamer in mid-ocean, the camera was got ready, and I

was set to pose and act on deck, with the big ship flitting past in the

background as a setting. We had some gorgeous sunsets, too, and these

also we pressed into our service, so to speak.

The "Blue Peter" flying from the masthead is the signal for everybody

to hurry on board, and soon the anchor is up, the screw starts to

revolve, and we resume our journey. Between Madeira and Las Palmas we

enjoyed two of the lovely sunsets mentioned above. I never saw anything

to equal them, and certainly I could never have imagined anything

half so beautiful. If a painter could have painted them exactly true

to nature, I am quite sure that he would have been laughed at as a

futurist, or something artistically as dreadful; because no one, who

had not seen the original, would have believed in the reality of his

vivid colour effects.

On the morning of September 1st we passed Teneriffe, but only stopped

there for quite a short while to put off a few passengers. At noon we

anchored at Las Palmas, where we had a long wait. A party of us went

ashore, and visited the cathedral and the few other "sights" that the

place boasts of.

Then we hired a motor-car for a drive up to the Hotel Monte. At least,

the chauffeur who drove us called his conveyance a motor-car, but it

was the awfullest type of its kind I ever came across. The bumping was

terrific, but looking over and under to try to ascertain the reason

I discovered to my amazement that one of the wheels was practically

destitute of any vestige of a tyre. About every ten minutes, too, we

had to stop dead, because the motor got hot, and there was no water

available to cool it.

At last, after a thorough shaking-up, the worst I think I ever had

in my life, we arrived at the hotel, and had our tea. The view from

the summit made amends in part for the disagreeableness of the drive.

It was superb. It struck me as being very strange, however, that the

one side of the mountain is quite bleak and bare, whilst the other is

beautifully green and wooded.

In Las Palmas I saw for the first time women washing the family linen

at the sides of the roads in the streams that flow downwards through

pebble and shingle. The Las Palmas roads, by the way, are atrocious;

but the strongly built mail-coaches, each drawn by six mules, make

light of their unevennesses.

At five o'clock we paid a visit to S.M.S. _Bremen_, which lay in the

harbour near the _Henny Woermamm_. Three officers belonging to her had

accompanied us as far as Las Palmas, and we had been great friends

with them, and now they invited us to come on board their vessel for a

farewell visit. Champagne was produced, and I took a couple of glasses

and found they did me good, the heat being very great, and the ride up

to the Hotel Monte and back dreadfully dry and dusty.

Our captain had fixed six o'clock as the hour of departure, but we did

not actually start until eleven. The ship seemed almost unnaturally

quiet now that the naval officers had left her, for they were always

bright and jolly, and I must confess that I had got to like "my little

boys in blue," as I had christened them, very much indeed. However, I

am naturally light-hearted, so I quickly banished sadness, consoling

myself with the reflection that there are, after all, heaps of nice

men in the world.

At length Lome hove in sight, and while I was being lowered, together

with three other passengers, into the boat that was to take us

ashore, the band struck up a song that was pretty popular amongst the

passengers on board, "Do you think that I love you because I have

danced with you?" and on deck stood an army lieutenant who was going to

join his regiment in Kamerun, and with whom I had often danced. I was

convulsed with laughter, because I knew that it was all his work. After

this ditty came "The Girl I Left Behind Me," and looking back from the

boat I saw my dear old captain, and an elderly civilian gentleman who

had paid me a good deal of attention, standing on deck with a huge bath

towel between them, on which they were pretending to dry their tears.

It was exceedingly comical.

Landing at Lome is not at all a simple matter. First one has to be

lowered into the boat from the deck of the steamer in what is called

a "mammy chair"--mammy being a coast term for woman. It is a sort of

wooden skip, something like one of the old-fashioned swing-boats one

sees at village fairs.

The passage from ship to shore is exciting, and in bad weather it

is even considered dangerous, and there is considerable surf; but

the sea happened fortunately to be calm when we got there. Otherwise

our arrival was inopportune. On the day before a member of the tiny

European colony there had died of yellow fever, and all the flags were

at half-mast.

This rather cast a damper over our spirits, although nothing could

exceed the kindness and courtesy shown us by the Togo officials, from

the highest to the lowest. The custom-house officers hurried over

the necessary formalities as quickly as possible; and although the

governor, H.H. the Duke of Mecklenburg, was unable to receive us, being

engaged with Sir Hugh Clifford, Governor of the Gold Coast Colony, who

had come to pay him an official visit, he had kindly arranged quarters

for us, and done everything in his power to welcome us and make us

comfortable.

His adjutant, Lieutenant von Rentzel, who was in hospital at the time,

put his house and servants at the disposal of our party, and we had

a jolly dinner party there that night, at which I played the part of

hostess. He also lent me personally a rickshaw, and a boy to draw it,

so that I might be able to see what there was to see in and about the

town with the minimum of fatigue and inconvenience.

However, I had not much time to devote to sight-seeing, for very early

on the morning after our arrival we set out to journey up country to

a place called Atakpame, distant about 110 miles from Lome. A railway

runs so far; and at the rail-head civilisation may be said to come

abruptly to an end.

A Camera Actress in the Wilds of Togoland The adventures, observations & experiences of a cinematograph actress in West African forests whilst collecting films depicting native life and when posing as the white woman in Anglo-African cinematograph dramas · 第 1 / 20 章