Samuel Clemens by this time was definitely engaged in the publishing
business. Webster had a complete office with assistants at 658
Broadway, and had acquired a pretty thorough and practical knowledge
of subscription publishing. He was a busy, industrious young man,
tirelessly energetic, and with a good deal of confidence, by no means
unnecessary to commercial success. He placed this mental and physical
capital against Mark Twain's inspiration and financial backing, and the
combination of Charles L. Webster & Co. seemed likely to be a strong
one.
Already, in the spring of 1884., Webster had the new Mark Twain book,
'The Adventures of Huckleberry Finn', well in hand, and was on the watch
for promising subscription books by other authors. Clemens, with his
usual business vision and eye for results, with a generous disregard of
detail, was supervising the larger preliminaries, and fulminating at the
petty distractions and difficulties as they came along. Certain plays
he was trying to place were enough to keep him pretty thoroughly upset
during this period, and proof-reading never added to his happiness. To
Howells he wrote:
My days are given up to cursings, both loud and deep, for I am
reading the 'Huck Finn' proofs. They don't make a very great many
mistakes, but those that do occur are of a nature that make a man
swear his teeth loose.
Whereupon Howells promptly wrote him that he would help him out with the
Huck Finn proofs for the pleasure of reading the story. Clemens, among
other things, was trying to place a patent grape-scissors, invented by
Howells's father, so that there was, in some degree, an equivalent for
the heavy obligation. That it was a heavy one we gather from his fervent
acknowledgment:
It took my breath away, and I haven't recovered it yet, entirely--I
mean the generosity of your proposal to read the proofs of Huck
Finn.
Now, if you mean it, old man--if you are in earnest-proceed, in
God's name, and be by me forever blessed. I can't conceive of a
rational man deliberately piling such an atrocious job upon himself.
But if there be such a man, and you be that man, pile it on. The
proof-reading of 'The Prince and the Pauper' cost me the last rags
of my religion.
Clemens decided to have the Huckleberry Finn book illustrated after his
own ideas. He looked through the various comic papers to see if he could
find the work of some new man that appealed to his fancy. In the pages
of Life he discovered some comic pictures illustrating the possibility
of applying electrical burners to messenger boys, waiters, etc. The
style and the spirit of these things amused him. He instructed Webster
to look up the artist, who proved to be a young man, E. W. Kemble by
name, later one of our foremost cartoonists. Webster engaged Kemble
and put the manuscript in his hands. Through the publication of certain
chapters of Huck Finn in the Century Magazine, Kemble was brought to
the notice of its editors, who wrote Clemens that they were profoundly
indebted to him for unearthing “such a gem of an illustrator.”
Clemens, encouraged and full of enthusiasm, now endeavored to interest
himself in the practical details of manufacture, but his stock of
patience was light and the details were many. His early business period
resembles, in some of its features, his mining experience in Esmeralda,
his letters to Webster being not unlike those to Orion in that former
day. They are much oftener gentle, considerate, even apologetic, but
they are occasionally terse, arbitrary, and profane. It required effort
for him to be entirely calm in his business correspondence. A criticism
of one of Webster's assistants will serve as an example of his less
quiet method:
Charley, your proof-reader, is an idiot; and not only an idiot, but
blind; and not only blind, but partly dead.
Of course, one must regard many of Mark Twain's business aspects
humorously. To consider them otherwise is to place him in a false light
altogether. He wore himself out with his anxieties and irritations; but
that even he, in the midst of his furies, saw the humor of it all is
sufficiently evidenced by the form of his savage phrasing. There were
few things that did not amuse him, and certainly nothing amused more, or
oftener, than himself.
It is proper to add a detail in evidence of a business soundness which
he sometimes manifested. He had observed the methods of Bliss and
Osgood, and had drawn his conclusions. In the beginning of the Huck Finn
canvass he wrote Webster:
Keep it diligently in mind that we don't issue till we have made a
big sale.
Get at your canvassing early and drive it with all your might, with
an intent and purpose of issuing on the 10th or 15th of next
December (the best time in the year to tumble a big pile into the
trade); but if we haven't 40,000 subscriptions we simply postpone
publication till we've got them. It is a plain, simple policy, and
would have saved both of my last books if it had been followed.
[That is to say, 'The Prince and the Pauper' and the Mississippi
book, neither of which had sold up to his expectations on the
initial canvass.]