XXXVII. THE NEW ESTATE

It was the afternoon of a hot, dusty August day when a worn,

travel-stained pilgrim drifted laggingly into the office of the Virginia

City Enterprise, then in its new building on C Street, and, loosening a

heavy roll of blankets from his shoulders, dropped wearily into a chair.

He wore a rusty slouch hat, no coat, a faded blue flannel shirt, a

Navy revolver; his trousers were hanging on his boot tops. A tangle of

reddish-brown hair fell on his shoulders, and a mass of tawny beard,

dingy with alkali dust, dropped half-way to his waist.

Aurora lay one hundred and thirty miles from Virginia. He had walked

that distance, carrying his heavy load. Editor Goodman was absent at the

moment, but the other proprietor, Denis E. McCarthy, signified that the

caller might state his errand. The wanderer regarded him with a far-away

look and said, absently and with deliberation:

“My starboard leg seems to be unshipped. I'd like about one hundred

yards of line; I think I am falling to pieces.” Then he added: “I want

to see Mr. Barstow, or Mr. Goodman. My name is Clemens, and I've come to

write for the paper.”

It was the master of the world's widest estate come to claim his

kingdom:

William Wright, who had won a wide celebrity on the Coast as Dan de

Quille, was in the editorial chair and took charge of the new arrival.

He was going on a trip to the States soon; it was mainly on this account

that the new man had been engaged. The “Josh” letters were very good,

in Dan's opinion; he gave their author a cordial welcome, and took him

around to his boarding-place. It was the beginning of an association

that continued during Samuel Clemens's stay in Virginia City and of a

friendship that lasted many years.

The Territorial Enterprise was one of the most remarkable frontier

papers ever published. Its editor-in-chief, Joseph Goodman, was a man

with rare appreciation, wide human understanding, and a comprehensive

newspaper policy. Being a young man, he had no policy, in fact, beyond

the general purpose that his paper should be a forum for absolutely

free speech, provided any serious statement it contained was based upon

knowledge. His instructions to the new reporter were about as follows:

“Never say we learn so and so, or it is rumored, or we understand so and

so; but go to headquarters and get the absolute facts; then speak out

and say it is so and so. In the one case you are likely to be shot, and

in the other you are pretty certain to be; but you will preserve the

public confidence.”

Goodman was not new to the West. He had come to California as a boy and

had been a miner, explorer, printer, and contributor by turns. Early

in '61, when the Comstock Lode--[Named for its discoverer, Henry T.

P. Comstock, a half-crazy miner, who realized very little from his

stupendous find.]--was new and Virginia in the first flush of its

monster boom, he and Denis McCarthy had scraped together a few dollars

and bought the paper. It had been a hand-to-hand struggle for a

while, but in a brief two years, from a starving sheet in a shanty

the Enterprise, with new building, new presses, and a corps of swift

compositors brought up from San Francisco, had become altogether

metropolitan, as well as the most widely considered paper on the Coast.

It had been borne upward by the Comstock tide, though its fearless,

picturesque utterance would have given it distinction anywhere. Goodman

himself was a fine, forceful writer, and Dan de Quille and R. M. Daggett

(afterward United States minister to Hawaii) were representative

of Enterprise men.--[The Comstock of that day became famous for its

journalism. Associated with the Virginia papers then or soon afterward

were such men as Tom Fitch (the silver-tongued orator), Alf Doten, W.

J. Forbes, C. C. Goodwin, H. R. Mighels, Clement T. Rice, Arthur McEwen,

and Sam Davis--a great array indeed for a new Territory.]--Samuel

Clemens fitted precisely into this group. He added the fresh, rugged

vigor of thought and expression that was the very essence of the

Comstock, which was like every other frontier mining-camp, only on a

more lavish, more overwhelming scale.

There was no uncertainty about the Comstock; the silver and gold were

there. Flanking the foot of Mount Davidson, the towns of Gold Hill

and Virginia and the long street between were fairly underburrowed and

underpinned by the gigantic mining construction of that opulent lode

whose treasures were actually glutting the mineral markets of the world.

The streets overhead seethed and swarmed with miners, mine owners, and

adventurers--riotous, rollicking children of fortune, always ready to

drink and make merry, as eager in their pursuit of pleasure as of gold.

Comstockers would always laugh at a joke; the rougher the better. The

town of Virginia itself was just a huge joke to most of them. Everybody

had, money; everybody wanted to laugh and have a good time. The

Enterprise, “Comstock to the backbone,” did what it could to help things

along.

It was a sort of free ring, with every one for himself. Goodman let the

boys write and print in accordance with their own ideas and upon any

subject. Often they wrote of each other--squibs and burlesques, which

gratified the Comstock far more than mere news.--[The indifference

to 'news' was noble--none the less so because it was so blissfully

unconscious. Editors Mark or Dan would dismiss a murder with a couple

of inches and sit down and fill up a column with a fancy sketch: “Arthur

McEwen”]--It was the proper class-room for Mark Twain, an encouraging

audience and free utterance: fortune could have devised nothing better

for him than that.

He was peculiarly fitted for the position. Unspoiled humanity appealed

to him, and the Comstock presented human nature in its earliest

landscape forms. Furthermore, the Comstock was essentially

optimistic--so was he; any hole in the ground to him held a possible,

even a probable, fortune.

His pilot memory became a valuable asset in news-gathering. Remembering

marks, banks, sounding, and other river detail belonged apparently in

the same category of attainments as remembering items and localities of

news. He could travel all day without a note-book and at night reproduce

the day's budget or at least the picturesqueness of it, without

error. He was presently accounted a good reporter, except where

statistics--measurements and figures--were concerned. These he gave

“a lick and a promise,” according to De Quille, who wrote afterward of

their associations. De Quille says further:

Mark and I agreed well in our work, which we divided when there was

a rush of events; but we often cruised in company, he taking the

items of news he could handle best, and I such as I felt competent

to work up. However, we wrote at the same table and frequently

helped each other with such suggestions as occurred to us during the

brief consultations we held in regard to the handling of any matters

of importance. Never was there an angry word between us in all the

time we worked together.

De Quille tells how Clemens clipped items with a knife when there were

no scissors handy, and slashed through on the top of his desk, which

in time took on the semblance “of a huge polar star, spiritedly dashing

forth a thousand rays.”

The author of 'Roughing It' has given us a better picture of the

Virginia City of those days and his work there than any one else will

ever write. He has made us feel the general spirit of affluence that

prevailed; how the problem was not to get money, but to spend it; how

“feet” in any one of a hundred mines could be had for the asking; how

such shares were offered like apples or cigars or bonbons, as a natural

matter of courtesy when one happened to have his supply in view; how any

one connected with a newspaper would have stocks thrust upon him, and

how in a brief time he had acquired a trunk ful of such riches and

usually had something to sell when any of the claims made a stir on the

market. He has told us of the desperadoes and their trifling regard for

human life, and preserved other elemental characters of these prodigal

days. The funeral of Buck Fanshaw that amazing masterpiece--is a

complete epitome of the social frontier.

It would not be the part of wisdom to attempt another inclusive

presentation of Comstock conditions. We may only hope to add a few

details of history, justified now by time and circumstances, to

supplement the picture with certain data of personality preserved from

the drift of years.

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