The Magic

When Sara had passed the house next door she had seen Ram Dass closing

the shutters, and caught her glimpse of this room also.

"It is a long time since I saw a nice place from the inside," was the

thought which crossed her mind.

There was the usual bright fire glowing in the grate, and the Indian

gentleman was sitting before it. His head was resting in his hand, and

he looked as lonely and unhappy as ever.

"Poor man!" said Sara. "I wonder what you are supposing."

And this was what he was "supposing" at that very moment.

"Suppose," he was thinking, "suppose--even if Carmichael traces the

people to Moscow--the little girl they took from Madame Pascal's school

in Paris is NOT the one we are in search of. Suppose she proves to be

quite a different child. What steps shall I take next?"

When Sara went into the house she met Miss Minchin, who had come

downstairs to scold the cook.

"Where have you wasted your time?" she demanded. "You have been out

for hours."

"It was so wet and muddy," Sara answered, "it was hard to walk, because

my shoes were so bad and slipped about."

"Make no excuses," said Miss Minchin, "and tell no falsehoods."

Sara went in to the cook. The cook had received a severe lecture and

was in a fearful temper as a result. She was only too rejoiced to have

someone to vent her rage on, and Sara was a convenience, as usual.

"Why didn't you stay all night?" she snapped.

Sara laid her purchases on the table.

"Here are the things," she said.

The cook looked them over, grumbling. She was in a very savage humor

indeed.

"May I have something to eat?" Sara asked rather faintly.

"Tea's over and done with," was the answer. "Did you expect me to keep

it hot for you?"

Sara stood silent for a second.

"I had no dinner," she said next, and her voice was quite low. She

made it low because she was afraid it would tremble.

"There's some bread in the pantry," said the cook. "That's all you'll

get at this time of day."

Sara went and found the bread. It was old and hard and dry. The cook

was in too vicious a humor to give her anything to eat with it. It was

always safe and easy to vent her spite on Sara. Really, it was hard

for the child to climb the three long flights of stairs leading to her

attic. She often found them long and steep when she was tired; but

tonight it seemed as if she would never reach the top. Several times

she was obliged to stop to rest. When she reached the top landing she

was glad to see the glimmer of a light coming from under her door.

That meant that Ermengarde had managed to creep up to pay her a visit.

There was some comfort in that. It was better than to go into the room

alone and find it empty and desolate. The mere presence of plump,

comfortable Ermengarde, wrapped in her red shawl, would warm it a

little.

Yes; there Ermengarde was when she opened the door. She was sitting in

the middle of the bed, with her feet tucked safely under her. She had

never become intimate with Melchisedec and his family, though they

rather fascinated her. When she found herself alone in the attic she

always preferred to sit on the bed until Sara arrived. She had, in

fact, on this occasion had time to become rather nervous, because

Melchisedec had appeared and sniffed about a good deal, and once had

made her utter a repressed squeal by sitting up on his hind legs and,

while he looked at her, sniffing pointedly in her direction.

"Oh, Sara," she cried out, "I am glad you have come. Melchy WOULD

sniff about so. I tried to coax him to go back, but he wouldn't for

such a long time. I like him, you know; but it does frighten me when

he sniffs right at me. Do you think he ever WOULD jump?"

"No," answered Sara.

Ermengarde crawled forward on the bed to look at her.

"You DO look tired, Sara," she said; "you are quite pale."

"I AM tired," said Sara, dropping on to the lopsided footstool. "Oh,

there's Melchisedec, poor thing. He's come to ask for his supper."

Melchisedec had come out of his hole as if he had been listening for

her footstep. Sara was quite sure he knew it. He came forward with an

affectionate, expectant expression as Sara put her hand in her pocket

and turned it inside out, shaking her head.

"I'm very sorry," she said. "I haven't one crumb left. Go home,

Melchisedec, and tell your wife there was nothing in my pocket. I'm

afraid I forgot because the cook and Miss Minchin were so cross."

Melchisedec seemed to understand. He shuffled resignedly, if not

contentedly, back to his home.

"I did not expect to see you tonight, Ermie," Sara said. Ermengarde

hugged herself in the red shawl.

"Miss Amelia has gone out to spend the night with her old aunt," she

explained. "No one else ever comes and looks into the bedrooms after

we are in bed. I could stay here until morning if I wanted to."

She pointed toward the table under the skylight. Sara had not looked

toward it as she came in. A number of books were piled upon it.

Ermengarde's gesture was a dejected one.

"Papa has sent me some more books, Sara," she said. "There they are."

Sara looked round and got up at once. She ran to the table, and

picking up the top volume, turned over its leaves quickly. For the

moment she forgot her discomforts.

"Ah," she cried out, "how beautiful! Carlyle's French Revolution. I

have SO wanted to read that!"

"I haven't," said Ermengarde. "And papa will be so cross if I don't.

He'll expect me to know all about it when I go home for the holidays.

What SHALL I do?"

Sara stopped turning over the leaves and looked at her with an excited

flush on her cheeks.

"Look here," she cried, "if you'll lend me these books, _I'll_ read

them--and tell you everything that's in them afterward--and I'll tell

it so that you will remember it, too."

"Oh, goodness!" exclaimed Ermengarde. "Do you think you can?"

"I know I can," Sara answered. "The little ones always remember what I

tell them."

"Sara," said Ermengarde, hope gleaming in her round face, "if you'll do

that, and make me remember, I'll--I'll give you anything."

"I don't want you to give me anything," said Sara. "I want your

books--I want them!" And her eyes grew big, and her chest heaved.

"Take them, then," said Ermengarde. "I wish I wanted them--but I

don't. I'm not clever, and my father is, and he thinks I ought to be."

Sara was opening one book after the other. "What are you going to tell

your father?" she asked, a slight doubt dawning in her mind.

"Oh, he needn't know," answered Ermengarde. "He'll think I've read

them."

Sara put down her book and shook her head slowly. "That's almost like

telling lies," she said. "And lies--well, you see, they are not only

wicked--they're VULGAR. Sometimes"--reflectively--"I've thought perhaps

I might do something wicked--I might suddenly fly into a rage and kill

Miss Minchin, you know, when she was ill-treating me--but I COULDN'T be

vulgar. Why can't you tell your father _I_ read them?"

"He wants me to read them," said Ermengarde, a little discouraged by

this unexpected turn of affairs.

"He wants you to know what is in them," said Sara. "And if I can tell

it to you in an easy way and make you remember it, I should think he

would like that."

"He'll like it if I learn anything in ANY way," said rueful Ermengarde.

"You would if you were my father."

"It's not your fault that--" began Sara. She pulled herself up and

stopped rather suddenly. She had been going to say, "It's not your

fault that you are stupid."

"That what?" Ermengarde asked.

"That you can't learn things quickly," amended Sara. "If you can't,

you can't. If I can--why, I can; that's all."

She always felt very tender of Ermengarde, and tried not to let her

feel too strongly the difference between being able to learn anything

at once, and not being able to learn anything at all. As she looked at

her plump face, one of her wise, old-fashioned thoughts came to her.

"Perhaps," she said, "to be able to learn things quickly isn't

everything. To be kind is worth a great deal to other people. If Miss

Minchin knew everything on earth and was like what she is now, she'd

still be a detestable thing, and everybody would hate her. Lots of

clever people have done harm and have been wicked. Look at

Robespierre--"

She stopped and examined Ermengarde's countenance, which was beginning

to look bewildered. "Don't you remember?" she demanded. "I told you

about him not long ago. I believe you've forgotten."

"Well, I don't remember ALL of it," admitted Ermengarde.

"Well, you wait a minute," said Sara, "and I'll take off my wet things

and wrap myself in the coverlet and tell you over again."

She took off her hat and coat and hung them on a nail against the wall,

and she changed her wet shoes for an old pair of slippers. Then she

jumped on the bed, and drawing the coverlet about her shoulders, sat

with her arms round her knees. "Now, listen," she said.

She plunged into the gory records of the French Revolution, and told

such stories of it that Ermengarde's eyes grew round with alarm and she

held her breath. But though she was rather terrified, there was a

delightful thrill in listening, and she was not likely to forget

Robespierre again, or to have any doubts about the Princesse de

Lamballe.

"You know they put her head on a pike and danced round it," Sara

explained. "And she had beautiful floating blonde hair; and when I

think of her, I never see her head on her body, but always on a pike,

with those furious people dancing and howling."

It was agreed that Mr. St. John was to be told the plan they had made,

and for the present the books were to be left in the attic.

"Now let's tell each other things," said Sara. "How are you getting on

with your French lessons?"

"Ever so much better since the last time I came up here and you

explained the conjugations. Miss Minchin could not understand why I

did my exercises so well that first morning."

Sara laughed a little and hugged her knees.

"She doesn't understand why Lottie is doing her sums so well," she

said; "but it is because she creeps up here, too, and I help her." She

glanced round the room. "The attic would be rather nice--if it wasn't

so dreadful," she said, laughing again. "It's a good place to pretend

in."

The truth was that Ermengarde did not know anything of the sometimes

almost unbearable side of life in the attic and she had not a

sufficiently vivid imagination to depict it for herself. On the rare

occasions that she could reach Sara's room she only saw the side of it

which was made exciting by things which were "pretended" and stories

which were told. Her visits partook of the character of adventures;

and though sometimes Sara looked rather pale, and it was not to be

denied that she had grown very thin, her proud little spirit would not

admit of complaints. She had never confessed that at times she was

almost ravenous with hunger, as she was tonight. She was growing

rapidly, and her constant walking and running about would have given

her a keen appetite even if she had had abundant and regular meals of a

much more nourishing nature than the unappetizing, inferior food

snatched at such odd times as suited the kitchen convenience. She was

growing used to a certain gnawing feeling in her young stomach.

"I suppose soldiers feel like this when they are on a long and weary

march," she often said to herself. She liked the sound of the phrase,

"long and weary march." It made her feel rather like a soldier. She

had also a quaint sense of being a hostess in the attic.

"If I lived in a castle," she argued, "and Ermengarde was the lady of

another castle, and came to see me, with knights and squires and

vassals riding with her, and pennons flying, when I heard the clarions

sounding outside the drawbridge I should go down to receive her, and I

should spread feasts in the banquet hall and call in minstrels to sing

and play and relate romances. When she comes into the attic I can't

spread feasts, but I can tell stories, and not let her know

disagreeable things. I dare say poor chatelaines had to do that in

time of famine, when their lands had been pillaged." She was a proud,

brave little chatelaine, and dispensed generously the one hospitality

she could offer--the dreams she dreamed--the visions she saw--the

imaginings which were her joy and comfort.

So, as they sat together, Ermengarde did not know that she was faint as

well as ravenous, and that while she talked she now and then wondered

if her hunger would let her sleep when she was left alone. She felt as

if she had never been quite so hungry before.

"I wish I was as thin as you, Sara," Ermengarde said suddenly. "I

believe you are thinner than you used to be. Your eyes look so big,

and look at the sharp little bones sticking out of your elbow!"

Sara pulled down her sleeve, which had pushed itself up.

"I always was a thin child," she said bravely, "and I always had big

green eyes."

"I love your queer eyes," said Ermengarde, looking into them with

affectionate admiration. "They always look as if they saw such a long

way. I love them--and I love them to be green--though they look black

generally."

"They are cat's eyes," laughed Sara; "but I can't see in the dark with

them--because I have tried, and I couldn't--I wish I could."

It was just at this minute that something happened at the skylight

which neither of them saw. If either of them had chanced to turn and

look, she would have been startled by the sight of a dark face which

peered cautiously into the room and disappeared as quickly and almost

as silently as it had appeared. Not QUITE as silently, however. Sara,

who had keen ears, suddenly turned a little and looked up at the roof.

"That didn't sound like Melchisedec," she said. "It wasn't scratchy

enough."

"What?" said Ermengarde, a little startled.

"Didn't you think you heard something?" asked Sara.

"N-no," Ermengarde faltered. "Did you?" {another ed. has "No-no,"}

"Perhaps I didn't," said Sara; "but I thought I did. It sounded as if

something was on the slates--something that dragged softly."

"What could it be?" said Ermengarde. "Could it be--robbers?"

"No," Sara began cheerfully. "There is nothing to steal--"

She broke off in the middle of her words. They both heard the sound

that checked her. It was not on the slates, but on the stairs below,

and it was Miss Minchin's angry voice. Sara sprang off the bed, and

put out the candle.

"She is scolding Becky," she whispered, as she stood in the darkness.

"She is making her cry."

"Will she come in here?" Ermengarde whispered back, panic-stricken.

"No. She will think I am in bed. Don't stir."

It was very seldom that Miss Minchin mounted the last flight of stairs.

Sara could only remember that she had done it once before. But now she

was angry enough to be coming at least part of the way up, and it

sounded as if she was driving Becky before her.

"You impudent, dishonest child!" they heard her say. "Cook tells me

she has missed things repeatedly."

"'T warn't me, mum," said Becky sobbing. "I was 'ungry enough, but 't

warn't me--never!"

"You deserve to be sent to prison," said Miss Minchin's voice.

"Picking and stealing! Half a meat pie, indeed!"

"'T warn't me," wept Becky. "I could 'ave eat a whole un--but I never

laid a finger on it."

Miss Minchin was out of breath between temper and mounting the stairs.

The meat pie had been intended for her special late supper. It became

apparent that she boxed Becky's ears.

"Don't tell falsehoods," she said. "Go to your room this instant."

Both Sara and Ermengarde heard the slap, and then heard Becky run in

her slipshod shoes up the stairs and into her attic. They heard her

door shut, and knew that she threw herself upon her bed.

"I could 'ave e't two of 'em," they heard her cry into her pillow. "An'

I never took a bite. 'Twas cook give it to her policeman."

Sara stood in the middle of the room in the darkness. She was

clenching her little teeth and opening and shutting fiercely her

outstretched hands. She could scarcely stand still, but she dared not

move until Miss Minchin had gone down the stairs and all was still.

"The wicked, cruel thing!" she burst forth. "The cook takes things

herself and then says Becky steals them. She DOESN'T! She DOESN'T!

She's so hungry sometimes that she eats crusts out of the ash barrel!"

She pressed her hands hard against her face and burst into passionate

little sobs, and Ermengarde, hearing this unusual thing, was overawed

by it. Sara was crying! The unconquerable Sara! It seemed to denote

something new--some mood she had never known. Suppose--suppose--a new

dread possibility presented itself to her kind, slow, little mind all

at once. She crept off the bed in the dark and found her way to the

table where the candle stood. She struck a match and lit the candle.

When she had lighted it, she bent forward and looked at Sara, with her

new thought growing to definite fear in her eyes.

"Sara," she said in a timid, almost awe-stricken voice, "are--are--you

never told me--I don't want to be rude, but--are YOU ever hungry?"

It was too much just at that moment. The barrier broke down. Sara

lifted her face from her hands.

"Yes," she said in a new passionate way. "Yes, I am. I'm so hungry

now that I could almost eat you. And it makes it worse to hear poor

Becky. She's hungrier than I am."

Ermengarde gasped.

"Oh, oh!" she cried woefully. "And I never knew!"

"I didn't want you to know," Sara said. "It would have made me feel

like a street beggar. I know I look like a street beggar."

"No, you don't--you don't!" Ermengarde broke in. "Your clothes are a

little queer--but you couldn't look like a street beggar. You haven't

a street-beggar face."

"A little boy once gave me a sixpence for charity," said Sara, with a

short little laugh in spite of herself. "Here it is." And she pulled

out the thin ribbon from her neck. "He wouldn't have given me his

Christmas sixpence if I hadn't looked as if I needed it."

Somehow the sight of the dear little sixpence was good for both of

them. It made them laugh a little, though they both had tears in their

eyes.

"Who was he?" asked Ermengarde, looking at it quite as if it had not

been a mere ordinary silver sixpence.

"He was a darling little thing going to a party," said Sara. "He was

one of the Large Family, the little one with the round legs--the one I

call Guy Clarence. I suppose his nursery was crammed with Christmas

presents and hampers full of cakes and things, and he could see I had

nothing."

Ermengarde gave a little jump backward. The last sentences had

recalled something to her troubled mind and given her a sudden

inspiration.

"Oh, Sara!" she cried. "What a silly thing I am not to have thought of

it!"

"Of what?"

"Something splendid!" said Ermengarde, in an excited hurry. "This very

afternoon my nicest aunt sent me a box. It is full of good things. I

never touched it, I had so much pudding at dinner, and I was so

bothered about papa's books." Her words began to tumble over each

other. "It's got cake in it, and little meat pies, and jam tarts and

buns, and oranges and red-currant wine, and figs and chocolate. I'll

creep back to my room and get it this minute, and we'll eat it now."

Sara almost reeled. When one is faint with hunger the mention of food

has sometimes a curious effect. She clutched Ermengarde's arm.

"Do you think--you COULD?" she ejaculated.

"I know I could," answered Ermengarde, and she ran to the door--opened

it softly--put her head out into the darkness, and listened. Then she

went back to Sara. "The lights are out. Everybody's in bed. I can

creep--and creep--and no one will hear."

It was so delightful that they caught each other's hands and a sudden

light sprang into Sara's eyes.

"Ermie!" she said. "Let us PRETEND! Let us pretend it's a party! And

oh, won't you invite the prisoner in the next cell?"

"Yes! Yes! Let us knock on the wall now. The jailer won't hear."

Sara went to the wall. Through it she could hear poor Becky crying

more softly. She knocked four times.

"That means, 'Come to me through the secret passage under the wall,'

she explained. 'I have something to communicate.'"

Five quick knocks answered her.

"She is coming," she said.

Almost immediately the door of the attic opened and Becky appeared. Her

eyes were red and her cap was sliding off, and when she caught sight of

Ermengarde she began to rub her face nervously with her apron.

"Don't mind me a bit, Becky!" cried Ermengarde.

"Miss Ermengarde has asked you to come in," said Sara, "because she is

going to bring a box of good things up here to us."

Becky's cap almost fell off entirely, she broke in with such excitement.

"To eat, miss?" she said. "Things that's good to eat?"

"Yes," answered Sara, "and we are going to pretend a party."

"And you shall have as much as you WANT to eat," put in Ermengarde.

"I'll go this minute!"

She was in such haste that as she tiptoed out of the attic she dropped

her red shawl and did not know it had fallen. No one saw it for a

minute or so. Becky was too much overpowered by the good luck which

had befallen her.

"Oh, miss! oh, miss!" she gasped; "I know it was you that asked her to

let me come. It--it makes me cry to think of it." And she went to

Sara's side and stood and looked at her worshipingly.

But in Sara's hungry eyes the old light had begun to glow and transform

her world for her. Here in the attic--with the cold night

outside--with the afternoon in the sloppy streets barely passed--with

the memory of the awful unfed look in the beggar child's eyes not yet

faded--this simple, cheerful thing had happened like a thing of magic.

She caught her breath.

"Somehow, something always happens," she cried, "just before things get

to the very worst. It is as if the Magic did it. If I could only just

remember that always. The worst thing never QUITE comes."

She gave Becky a little cheerful shake.

"No, no! You mustn't cry!" she said. "We must make haste and set the

table."

"Set the table, miss?" said Becky, gazing round the room. "What'll we

set it with?"

Sara looked round the attic, too.

"There doesn't seem to be much," she answered, half laughing.

That moment she saw something and pounced upon it. It was Ermengarde's

red shawl which lay upon the floor.

"Here's the shawl," she cried. "I know she won't mind it. It will make

such a nice red tablecloth."

They pulled the old table forward, and threw the shawl over it. Red is

a wonderfully kind and comfortable color. It began to make the room

look furnished directly.

"How nice a red rug would look on the floor!" exclaimed Sara. "We must

pretend there is one!"

Her eye swept the bare boards with a swift glance of admiration. The

rug was laid down already.

"How soft and thick it is!" she said, with the little laugh which Becky

knew the meaning of; and she raised and set her foot down again

delicately, as if she felt something under it.

"Yes, miss," answered Becky, watching her with serious rapture. She

was always quite serious.

"What next, now?" said Sara, and she stood still and put her hands over

her eyes. "Something will come if I think and wait a little"--in a

soft, expectant voice. "The Magic will tell me."

One of her favorite fancies was that on "the outside," as she called

it, thoughts were waiting for people to call them. Becky had seen her

stand and wait many a time before, and knew that in a few seconds she

would uncover an enlightened, laughing face.

In a moment she did.

"There!" she cried. "It has come! I know now! I must look among the

things in the old trunk I had when I was a princess."

She flew to its corner and kneeled down. It had not been put in the

attic for her benefit, but because there was no room for it elsewhere.

Nothing had been left in it but rubbish. But she knew she should find

something. The Magic always arranged that kind of thing in one way or

another.

In a corner lay a package so insignificant-looking that it had been

overlooked, and when she herself had found it she had kept it as a

relic. It contained a dozen small white handkerchiefs. She seized

them joyfully and ran to the table. She began to arrange them upon the

red table-cover, patting and coaxing them into shape with the narrow

lace edge curling outward, her Magic working its spells for her as she

did it.

"These are the plates," she said. "They are golden plates. These are

the richly embroidered napkins. Nuns worked them in convents in Spain."

"Did they, miss?" breathed Becky, her very soul uplifted by the

information.

"You must pretend it," said Sara. "If you pretend it enough, you will

see them."

"Yes, miss," said Becky; and as Sara returned to the trunk she devoted

herself to the effort of accomplishing an end so much to be desired.

Sara turned suddenly to find her standing by the table, looking very

queer indeed. She had shut her eyes, and was twisting her face in

strange convulsive contortions, her hands hanging stiffly clenched at

her sides. She looked as if she was trying to lift some enormous

weight.

"What is the matter, Becky?" Sara cried. "What are you doing?"

Becky opened her eyes with a start.

"I was a-'pretendin',' miss," she answered a little sheepishly; "I was

tryin' to see it like you do. I almost did," with a hopeful grin. "But

it takes a lot o' stren'th."

"Perhaps it does if you are not used to it," said Sara, with friendly

sympathy; "but you don't know how easy it is when you've done it often.

I wouldn't try so hard just at first. It will come to you after a

while. I'll just tell you what things are. Look at these."

She held an old summer hat in her hand which she had fished out of the

bottom of the trunk. There was a wreath of flowers on it. She pulled

the wreath off.

"These are garlands for the feast," she said grandly. "They fill all

the air with perfume. There's a mug on the wash-stand, Becky. Oh--and

bring the soap dish for a centerpiece."

Becky handed them to her reverently.

"What are they now, miss?" she inquired. "You'd think they was made of

crockery--but I know they ain't."

"This is a carven flagon," said Sara, arranging tendrils of the wreath

about the mug. "And this"--bending tenderly over the soap dish and

heaping it with roses--"is purest alabaster encrusted with gems."

She touched the things gently, a happy smile hovering about her lips

which made her look as if she were a creature in a dream.

"My, ain't it lovely!" whispered Becky.

"If we just had something for bonbon dishes," Sara murmured.

"There!"--darting to the trunk again. "I remember I saw something this

minute."

It was only a bundle of wool wrapped in red and white tissue paper, but

the tissue paper was soon twisted into the form of little dishes, and

was combined with the remaining flowers to ornament the candlestick

which was to light the feast. Only the Magic could have made it more

than an old table covered with a red shawl and set with rubbish from a

long-unopened trunk. But Sara drew back and gazed at it, seeing

wonders; and Becky, after staring in delight, spoke with bated breath.

"This 'ere," she suggested, with a glance round the attic--"is it the

Bastille now--or has it turned into somethin' different?"

"Oh, yes, yes!" said Sara. "Quite different. It is a banquet hall!"

"My eye, miss!" ejaculated Becky. "A blanket 'all!" and she turned to

view the splendors about her with awed bewilderment.

"A banquet hall," said Sara. "A vast chamber where feasts are given.

It has a vaulted roof, and a minstrels' gallery, and a huge chimney

filled with blazing oaken logs, and it is brilliant with waxen tapers

twinkling on every side."

"My eye, Miss Sara!" gasped Becky again.

Then the door opened, and Ermengarde came in, rather staggering under

the weight of her hamper. She started back with an exclamation of joy.

To enter from the chill darkness outside, and find one's self

confronted by a totally unanticipated festal board, draped with red,

adorned with white napery, and wreathed with flowers, was to feel that

the preparations were brilliant indeed.

"Oh, Sara!" she cried out. "You are the cleverest girl I ever saw!"

"Isn't it nice?" said Sara. "They are things out of my old trunk. I

asked my Magic, and it told me to go and look."

"But oh, miss," cried Becky, "wait till she's told you what they are!

They ain't just--oh, miss, please tell her," appealing to Sara.

So Sara told her, and because her Magic helped her she made her ALMOST

see it all: the golden platters--the vaulted spaces--the blazing

logs--the twinkling waxen tapers. As the things were taken out of the

hamper--the frosted cakes--the fruits--the bonbons and the wine--the

feast became a splendid thing.

"It's like a real party!" cried Ermengarde.

"It's like a queen's table," sighed Becky.

Then Ermengarde had a sudden brilliant thought.

"I'll tell you what, Sara," she said. "Pretend you are a princess now

and this is a royal feast."

"But it's your feast," said Sara; "you must be the princess, and we

will be your maids of honor."

"Oh, I can't," said Ermengarde. "I'm too fat, and I don't know how.

YOU be her."

"Well, if you want me to," said Sara.

But suddenly she thought of something else and ran to the rusty grate.

"There is a lot of paper and rubbish stuffed in here!" she exclaimed.

"If we light it, there will be a bright blaze for a few minutes, and we

shall feel as if it was a real fire." She struck a match and lighted

it up with a great specious glow which illuminated the room.

"By the time it stops blazing," Sara said, "we shall forget about its

not being real."

She stood in the dancing glow and smiled.

"Doesn't it LOOK real?" she said. "Now we will begin the party."

She led the way to the table. She waved her hand graciously to

Ermengarde and Becky. She was in the midst of her dream.

"Advance, fair damsels," she said in her happy dream-voice, "and be

seated at the banquet table. My noble father, the king, who is absent

on a long journey, has commanded me to feast you." She turned her head

slightly toward the corner of the room. "What, ho, there, minstrels!

Strike up with your viols and bassoons. Princesses," she explained

rapidly to Ermengarde and Becky, "always had minstrels to play at their

feasts. Pretend there is a minstrel gallery up there in the corner.

Now we will begin."

They had barely had time to take their pieces of cake into their

hands--not one of them had time to do more, when--they all three sprang

to their feet and turned pale faces toward the

door--listening--listening.

Someone was coming up the stairs. There was no mistake about it. Each

of them recognized the angry, mounting tread and knew that the end of

all things had come.

"It's--the missus!" choked Becky, and dropped her piece of cake upon

the floor.

"Yes," said Sara, her eyes growing shocked and large in her small white

face. "Miss Minchin has found us out."

Miss Minchin struck the door open with a blow of her hand. She was pale

herself, but it was with rage. She looked from the frightened faces to

the banquet table, and from the banquet table to the last flicker of

the burnt paper in the grate.

"I have been suspecting something of this sort," she exclaimed; "but I

did not dream of such audacity. Lavinia was telling the truth."

So they knew that it was Lavinia who had somehow guessed their secret

and had betrayed them. Miss Minchin strode over to Becky and boxed her

ears for a second time.

"You impudent creature!" she said. "You leave the house in the

morning!"

Sara stood quite still, her eyes growing larger, her face paler.

Ermengarde burst into tears.

"Oh, don't send her away," she sobbed. "My aunt sent me the hamper.

We're--only--having a party."

"So I see," said Miss Minchin, witheringly. "With the Princess Sara at

the head of the table." She turned fiercely on Sara. "It is your

doing, I know," she cried. "Ermengarde would never have thought of

such a thing. You decorated the table, I suppose--with this rubbish."

She stamped her foot at Becky. "Go to your attic!" she commanded, and

Becky stole away, her face hidden in her apron, her shoulders shaking.

Then it was Sara's turn again.

"I will attend to you tomorrow. You shall have neither breakfast,

dinner, nor supper!"

"I have not had either dinner or supper today, Miss Minchin," said

Sara, rather faintly.

"Then all the better. You will have something to remember. Don't

stand there. Put those things into the hamper again."

She began to sweep them off the table into the hamper herself, and

caught sight of Ermengarde's new books.

"And you"--to Ermengarde--"have brought your beautiful new books into

this dirty attic. Take them up and go back to bed. You will stay

there all day tomorrow, and I shall write to your papa. What would HE

say if he knew where you are tonight?"

Something she saw in Sara's grave, fixed gaze at this moment made her

turn on her fiercely.

"What are you thinking of?" she demanded. "Why do you look at me like

that?"

"I was wondering," answered Sara, as she had answered that notable day

in the schoolroom.

"What were you wondering?"

It was very like the scene in the schoolroom. There was no pertness in

Sara's manner. It was only sad and quiet.

"I was wondering," she said in a low voice, "what MY papa would say if

he knew where I am tonight."

Miss Minchin was infuriated just as she had been before and her anger

expressed itself, as before, in an intemperate fashion. She flew at

her and shook her.

"You insolent, unmanageable child!" she cried. "How dare you! How

dare you!"

She picked up the books, swept the rest of the feast back into the

hamper in a jumbled heap, thrust it into Ermengarde's arms, and pushed

her before her toward the door.

"I will leave you to wonder," she said. "Go to bed this instant." And

she shut the door behind herself and poor stumbling Ermengarde, and

left Sara standing quite alone.

The dream was quite at an end. The last spark had died out of the

paper in the grate and left only black tinder; the table was left bare,

the golden plates and richly embroidered napkins, and the garlands were

transformed again into old handkerchiefs, scraps of red and white

paper, and discarded artificial flowers all scattered on the floor; the

minstrels in the minstrel gallery had stolen away, and the viols and

bassoons were still. Emily was sitting with her back against the wall,

staring very hard. Sara saw her, and went and picked her up with

trembling hands.

"There isn't any banquet left, Emily," she said. "And there isn't any

princess. There is nothing left but the prisoners in the Bastille."

And she sat down and hid her face.

What would have happened if she had not hidden it just then, and if she

had chanced to look up at the skylight at the wrong moment, I do not

know--perhaps the end of this chapter might have been quite

different--because if she had glanced at the skylight she would

certainly have been startled by what she would have seen. She would

have seen exactly the same face pressed against the glass and peering

in at her as it had peered in earlier in the evening when she had been

talking to Ermengarde.

But she did not look up. She sat with her little black head in her

arms for some time. She always sat like that when she was trying to

bear something in silence. Then she got up and went slowly to the bed.

"I can't pretend anything else--while I am awake," she said. "There

wouldn't be any use in trying. If I go to sleep, perhaps a dream will

come and pretend for me."

She suddenly felt so tired--perhaps through want of food--that she sat

down on the edge of the bed quite weakly.

"Suppose there was a bright fire in the grate, with lots of little

dancing flames," she murmured. "Suppose there was a comfortable chair

before it--and suppose there was a small table near, with a little

hot--hot supper on it. And suppose"--as she drew the thin coverings

over her--"suppose this was a beautiful soft bed, with fleecy blankets

and large downy pillows. Suppose--suppose--" And her very weariness

was good to her, for her eyes closed and she fell fast asleep.

She did not know how long she slept. But she had been tired enough to

sleep deeply and profoundly--too deeply and soundly to be disturbed by

anything, even by the squeaks and scamperings of Melchisedec's entire

family, if all his sons and daughters had chosen to come out of their

hole to fight and tumble and play.

When she awakened it was rather suddenly, and she did not know that any

particular thing had called her out of her sleep. The truth was,

however, that it was a sound which had called her back--a real

sound--the click of the skylight as it fell in closing after a lithe

white figure which slipped through it and crouched down close by upon

the slates of the roof--just near enough to see what happened in the

attic, but not near enough to be seen.

At first she did not open her eyes. She felt too sleepy and--curiously

enough--too warm and comfortable. She was so warm and comfortable,

indeed, that she did not believe she was really awake. She never was as

warm and cozy as this except in some lovely vision.

"What a nice dream!" she murmured. "I feel quite warm.

I--don't--want--to--wake--up."

Of course it was a dream. She felt as if warm, delightful bedclothes

were heaped upon her. She could actually FEEL blankets, and when she

put out her hand it touched something exactly like a satin-covered

eider-down quilt. She must not awaken from this delight--she must be

quite still and make it last.

But she could not--even though she kept her eyes closed tightly, she

could not. Something was forcing her to awaken--something in the room.

It was a sense of light, and a sound--the sound of a crackling, roaring

little fire.

"Oh, I am awakening," she said mournfully. "I can't help it--I can't."

Her eyes opened in spite of herself. And then she actually smiled--for

what she saw she had never seen in the attic before, and knew she never

should see.

"Oh, I HAVEN'T awakened," she whispered, daring to rise on her elbow

and look all about her. "I am dreaming yet." She knew it MUST be a

dream, for if she were awake such things could not--could not be.

Do you wonder that she felt sure she had not come back to earth? This

is what she saw. In the grate there was a glowing, blazing fire; on

the hob was a little brass kettle hissing and boiling; spread upon the

floor was a thick, warm crimson rug; before the fire a folding-chair,

unfolded, and with cushions on it; by the chair a small folding-table,

unfolded, covered with a white cloth, and upon it spread small covered

dishes, a cup, a saucer, a teapot; on the bed were new warm coverings

and a satin-covered down quilt; at the foot a curious wadded silk robe,

a pair of quilted slippers, and some books. The room of her dream

seemed changed into fairyland--and it was flooded with warm light, for

a bright lamp stood on the table covered with a rosy shade.

She sat up, resting on her elbow, and her breathing came short and fast.

"It does not--melt away," she panted. "Oh, I never had such a dream

before." She scarcely dared to stir; but at last she pushed the

bedclothes aside, and put her feet on the floor with a rapturous smile.

"I am dreaming--I am getting out of bed," she heard her own voice say;

and then, as she stood up in the midst of it all, turning slowly from

side to side--"I am dreaming it stays--real! I'm dreaming it FEELS

real. It's bewitched--or I'm bewitched. I only THINK I see it all."

Her words began to hurry themselves. "If I can only keep on thinking

it," she cried, "I don't care! I don't care!"

She stood panting a moment longer, and then cried out again.

"Oh, it isn't true!" she said. "It CAN'T be true! But oh, how true it

seems!"

The blazing fire drew her to it, and she knelt down and held out her

hands close to it--so close that the heat made her start back.

"A fire I only dreamed wouldn't be HOT," she cried.

She sprang up, touched the table, the dishes, the rug; she went to the

bed and touched the blankets. She took up the soft wadded

dressing-gown, and suddenly clutched it to her breast and held it to

her cheek.

"It's warm. It's soft!" she almost sobbed. "It's real. It must be!"

She threw it over her shoulders, and put her feet into the slippers.

"They are real, too. It's all real!" she cried. "I am NOT--I am NOT

dreaming!"

She almost staggered to the books and opened the one which lay upon the

top. Something was written on the flyleaf--just a few words, and they

were these:

"To the little girl in the attic. From a friend."

When she saw that--wasn't it a strange thing for her to do--she put her

face down upon the page and burst into tears.

"I don't know who it is," she said; "but somebody cares for me a

little. I have a friend."

She took her candle and stole out of her own room and into Becky's, and

stood by her bedside.

"Becky, Becky!" she whispered as loudly as she dared. "Wake up!"

When Becky wakened, and she sat upright staring aghast, her face still

smudged with traces of tears, beside her stood a little figure in a

luxurious wadded robe of crimson silk. The face she saw was a shining,

wonderful thing. The Princess Sara--as she remembered her--stood at

her very bedside, holding a candle in her hand.

"Come," she said. "Oh, Becky, come!"

Becky was too frightened to speak. She simply got up and followed her,

with her mouth and eyes open, and without a word.

And when they crossed the threshold, Sara shut the door gently and drew

her into the warm, glowing midst of things which made her brain reel

and her hungry senses faint. "It's true! It's true!" she cried.

"I've touched them all. They are as real as we are. The Magic has come

and done it, Becky, while we were asleep--the Magic that won't let

those worst things EVER quite happen."

16

A Little Princess Being the whole story of Sara Crewe now told for the first time · 第 21 / 25 题