Chapter XXVII.

The Solemnities of Bairam.

The Appearance of the New Moon--The Festival of Bairam--The Interior of

the Seraglio--The Pomp of the Sultan's Court--Rescind Pasha--The

Sultan's Dwarf--Arabian Stallions--The Imperial Guard--Appearance of the

Sultan--The Inner Court--Return of the Procession--The Sultan on his

Throne--The Homage of the Pashas--An Oriental Picture--Kissing the

Scarf--The Shekh el-Islàm--The Descendant of the Caliphs--Bairam

Commences.

Constantinople, _Monday_, _July_ 19, 1852.

Saturday was the last day of the fast-month of Ramazan, and yesterday the

celebration of the solemn festival of Bairam took place. The moon changed

on Friday morning at 11 o'clock, but as the Turks have no faith in

astronomy, and do not believe the moon has actually changed until they see

it, all good Mussulmen were obliged to fast an additional day. Had

Saturday been cloudy, and the new moon invisible, I am not sure but the

fast would have been still further prolonged. A good look-out was kept,

however, and about four o'clock on Saturday afternoon some sharp eyes saw

the young crescent above the sun. There is a hill near Gemlik, on the Gulf

of Moudania, about fifty miles from here, whence the Turks believe the new

moon can be first seen. The families who live on this hill are exempted

from taxation, in consideration of their keeping a watch for the moon, at

the close of Ramazan. A series of signals, from hill to hill, is in

readiness, and the news is transmitted to Constantinople in a very short

time Then, when the muezzin proclaims the _asser_, or prayer two hours

before sunset, he proclaims also the close of Ramazan. All the batteries

fire a salute, and the big guns along the water announce the joyful news

to all parts of the city. The forts on the Bosphorus take up the tale, and

both shores, from the Black Sea to the Propontis, shake with the burden of

their rejoicing. At night the mosques are illuminated for the last time,

for it is only during Ramazan that they are lighted, or open for night

service.

After Ramazan, comes the festival of Bairam, which lasts three days, and

is a season of unbounded rejoicing. The bazaars are closed, no Turk does

any work, but all, clothed in their best dresses, or in an entire new suit

if they can afford it, pass the time in feasting, in paying visits, or in

making excursions to the shores of the Bosphorus, or other favorite spots

around Constantinople. The festival is inaugurated by a solemn state

ceremony, at the Seraglio and the mosque of Sultan Achmed, whither the

Sultan goes in procession, accompanied by all the officers of the

Government. This is the last remaining pageant which has been spared to

the Ottoman monarchs by the rigorous reforming measures of Sultan Mahmoud,

and shorn as it is of much of its former splendor, it probably surpasses

in brilliant effect any spectacle which any other European Court can

present. The ceremonies which take place inside of the Seraglio were,

until within three or four years, prohibited to Frank eyes, and travellers

were obliged to content themselves with a view of the procession, as it

passed to the mosque. Through the kindness of Mr. Brown, of the American

Embassy, I was enabled to witness the entire solemnity, in all its

details.

As the procession leaves the Seraglio at sunrise, we rose with the first

streak of dawn, descended to Tophaneh, and crossed to Seraglio Point,

where the cavass of the Embassy was in waiting for us. He conducted us

through the guards, into the garden of the Seraglio, and up the hill to

the Palace. The Capudan Pasha, or Lord High Admiral, had just arrived in a

splendid caïque, and pranced up the hill before us on a magnificent

stallion, whose trappings blazed with jewels and gold lace. The rich

uniforms of the different officers of the army and marine glittered far

and near under the dense shadows of the cypress trees, and down the dark

alleys where the morning twilight had not penetrated. We were ushered into

the great outer court-yard of the Seraglio, leading to the Sublime Porte.

A double row of marines, in scarlet jackets and white trowsers, extended

from one gate to the other, and a very excellent brass band played "_Suoni

la tromba_" with much spirit. The groups of Pashas and other officers of

high rank, with their attendants, gave the scene a brilliant character of

festivity. The costumes, except those of the secretaries and servants,

were after the European model, but covered with a lavish profusion of gold

lace. The horses were all of the choicest Eastern breeds, and the broad

housings of their saddles of blue, green, purple, and crimson cloth, were

enriched with gold lace, rubies, emeralds and turquoises.

The cavass took us into a chamber near the gate, and commanding a view of

the whole court. There we found Mr. Brown and his lady, with several

officers from the U.S. steamer San Jacinto. At this moment the sun,

appearing above the hill of Bulgaria, behind Scutari, threw his earliest

rays upon the gilded pinnacles of the Seraglio. The commotion in the long

court-yard below increased. The marines were formed into exact line, the

horses of the officers clattered on the rough pavement as they dashed

about to expedite the arrangements, the crowd pressed closer to the line

of the procession, and in five minutes the grand pageant was set in

motion. As the first Pasha made his appearance under the dark archway of

the interior gate, the band struck up the _Marseillaise_ (which is a

favorite air among the Turks), and the soldiers presented arms. The

court-yard was near two hundred yards long, and the line of Pashas, each

surrounded with the officers of his staff, made a most dazzling show. The

lowest in rank came first. I cannot recollect the precise order, nor the

names of all of them, which, in fact, are of little consequence, while

power and place are such uncertain matters in Turkey.

Each Pasha wore the red fez on his head, a frock-coat of blue cloth, the

breast of which was entirely covered with gold lace, while a broad band of

the same decorated the skirts, and white pantaloons. One of the Ministers,

Mehemet Ali Pasha, the brother-in-law of the Sultan, was formerly a

cooper's apprentice, but taken, when a boy, by the late Sultan Mahmoud, to

be a playmate for his son, on account of his extraordinary beauty. Rescind

Pasha, the Grand Vizier, is a man of about sixty years of age. He is

frequently called Giaour, or Infidel, by the Turks, on account of his

liberal policy, which has made him many enemies. The expression of his

face denotes intelligence, but lacks the energy necessary to accomplish

great reforms. His son, a boy of about seventeen, already possesses the

rank of Pasha, and is affianced to the Sultan's daughter, a child of ten,

or twelve years old. He is a fat, handsome youth, with a sprightly face,

and acted his part in the ceremonies with a nonchalance which made him

appear graceful beside his stiff, dignified elders.

After the Pashas came the entire household of the Sultan, including even

his eunuchs, cooks, and constables. The Kislar Aga, or Chief Eunuch, a

tall African in resplendent costume, is one of the most important

personages connected with the Court. The Sultan's favorite dwarf, a little

man about forty years old and three feet high, bestrode his horse with as

consequential an air as any of them. A few years ago, this man took a

notion to marry, and applied to the Sultan for a wife. The latter gave him

permission to go into his harem and take the one whom he could kiss. The

dwarf, like all short men, was ambitious to have a long wife. While the

Sultan's five hundred women, who knew the terms according to which the

dwarf was permitted to choose, were laughing at the amorous mannikin, he

went up to one of the tallest and handsomest of them, and struck her a

sudden blow on the stomach. She collapsed with the pain, and before she

could recover he caught her by the neck and gave her the dreaded kiss. The

Sultan kept his word, and the tall beauty is now the mother of the dwarfs

children.

The procession grows more brilliant as it advances, and the profound

inclination made by the soldiers at the further end of the court,

announces the approach of the Sultan himself. First come three led horses,

of the noblest Arabian blood--glorious creatures, worthy to represent

"The horse that guide the golden eye of heaven,

And snort the morning from their nostrils,

Making their fiery gait above the glades."

Their eyes were more keen and lustrous than the diamonds which studded

their head-stalls, and the wealth of emeralds, rubies, and sapphires that

gleamed on their trappings would have bought the possessions of a German

Prince. After them came the Sultan's body-guard, a company of tall, strong

men, in crimson tunics and white trousers, with lofty plumes of peacock

feathers in their hats. Some of them carried crests of green feathers,

fastened upon long staves. These superb horses and showy guards are the

only relics of that barbaric pomp which characterized all State

processions during the time of the Janissaries. In the centre of a hollow

square of plume-bearing guards rode Abdul-Medjid himself, on a snow-white

steed. Every one bowed profoundly as he passed along, but he neither

looked to the right or left, nor made the slightest acknowledgment of the

salutations. Turkish etiquette exacts the most rigid indifference on the

part of the Sovereign, who, on all public occasions, never makes a

greeting. Formerly, before the change of costume, the Sultan's turbans

were carried before him in the processions, and the servants who bore them

inclined them to one side and the other, in answer to the salutations of

the crowd.

Sultan Abdul-Medjid is a man of about thirty, though he looks older. He

has a mild, amiable, weak face, dark eyes, a prominent nose, and short,

dark brown mustaches and beard. His face is thin, and wrinkles are already

making their appearance about the corners of his mouth and eyes. But for a

certain vacancy of expression, he would be called a handsome man. He sits

on his horse with much ease and grace, though there is a slight stoop in

his shoulders. His legs are crooked, owing to which cause he appears

awkward when on his feet, though he wears a long cloak to conceal the

deformity. Sensual indulgence has weakened a constitution not naturally

strong, and increased that mildness which has now become a defect in his

character. He is not stern enough to be just, and his subjects are less

fortunate under his easy rule than under the rod of his savage father,

Mahmoud. He was dressed in a style of the utmost richness and elegance. He

wore a red Turkish fez, with an immense rosette of brilliants, and a long,

floating plume of bird-of-paradise feathers. The diamond in the centre of

the rosette is of unusual size; it was picked up some years ago in the

Hippodrome, and probably belonged to the treasury of the Greek Emperors.

The breast and collar of his coat were one mass of diamonds, and sparkled

in the early sun with a thousand rainbow gleams. His mantle of dark-blue

cloth hung to his knees, concealing the deformity of his legs. He wore

white pantaloons, white kid gloves, and patent leather boots, thrust into

his golden stirrups.

A few officers of the Imperial household followed behind the Sultan, and

the procession then terminated. Including the soldiers, it contained from

two to three thousand persons. The marines lined the way to the mosque of

Sultan Achmed, and a great crowd of spectators filled up the streets and

the square of the Hippodrome. Coffee was served to us, after which we were

all conducted into the inner court of the Seraglio, to await the return of

the cortège. This court is not more than half the size of the outer one,

but is shaded with large sycamores, embellished with fountains, and

surrounded with light and elegant galleries, in pure Saracenic style. The

picture which it presented was therefore far richer and more

characteristic of the Orient than the outer court, where the architecture

is almost wholly after Italian models. The portals at either end rested

on slender pillars, over which projected broad eaves, decorated with

elaborate carved and gilded work, and above all rose a dome, surmounted by

the Crescent. On the right, the tall chimneys of the Imperial kitchens

towered above the walls. The sycamores threw their broad, cool shadows

over the court, and groups of servants, in gala dresses, loitered about

the corridors.

After waiting nearly half an hour, the sound of music and the appearance

of the Sultan's body-guard proclaimed the return of the procession. It

came in reversed order, headed by the Sultan, after whom followed the

Grand Vizier and other Ministers of the Imperial Council, and the Pashas,

each surrounded by his staff of officers. The Sultan dismounted at the

entrance to the Seraglio, and disappeared through the door. He was absent

for more than half an hour, during which time he received the

congratulations of his family, his wives, and the principal personages of

his household, all of whom came to kiss his feet. Meanwhile, the Pashas

ranged themselves in a semicircle around the arched and gilded portico.

The servants of the Seraglio brought out a large Persian carpet, which

they spread on the marble pavement. The throne, a large square seat,

richly carved and covered with gilding, was placed in the centre, and a

dazzling piece of cloth-of-gold thrown over the back of it. When the

Sultan re-appeared, he took his seat thereon, placing his feet on a small

footstool. The ceremony of kissing his feet now commenced. The first who

had this honor was the Chief of the Emirs, an old man in a green robe,

embroidered with pearls. He advanced to the throne, knelt, kissed the

Sultan's patent-leather boot, and retired backward from the presence.

The Ministers and Pashas followed in single file, and, after they had

made the salutation, took their stations on the right hand of the throne.

Most of them were fat, and their glittering frock-coats were buttoned so

tightly that they seemed ready to burst. It required a great effort for

them to rise from their knees. During all this time, the band was playing

operatic airs, and as each Pasha knelt, a marshal, or master of

ceremonies, with a silver wand, gave the signal to the Imperial Guard, who

shouted at the top of their voices: "Prosperity to our Sovereign! May he

live a thousand years!" This part of the ceremony was really grand and

imposing. All the adjuncts were in keeping: the portico, wrought in rich

arabesque designs; the swelling domes and sunlit crescents above; the

sycamores and cypresses shading the court; the red tunics and peacock

plumes of the guard; the monarch himself, radiant with jewels, as he sat

in his chair of gold--all these features combined to form a stately

picture of the lost Orient, and for the time Abdul-Medjid seemed the true

representative of Caliph Haroun Al-Raschid.

After the Pashas had finished, the inferior officers of the Army, Navy,

and Civil Service followed, to the number of at least a thousand. They

were not considered worthy to touch the Sultan's person, but kissed his

golden scarf, which was held out to them by a Pasha, who stood on the left

of the throne. The Grand Vizier had his place on the right, and the Chief

of the Eunuchs stood behind him. The kissing of the scarf occupied an

hour. The Sultan sat quietly during all this time, his face expressing a

total indifference to all that was going on. The most skilful

physiognomist could not have found in it the shadow of an expression. If

this was the etiquette prescribed for him, he certainly acted it with

marvellous skill and success.

The long line of officers at length came to an end, and I fancied that the

solemnities were now over; but after a pause appeared the _Shekh

el-Islàm,_ or High Priest of the Mahometan religion. His authority in

religious matters transcends that of the Sultan, and is final and

irrevocable. He was a very venerable man, of perhaps seventy-five years of

age, and his tottering steps were supported by two mollahs. He was dressed

in a long green robe, embroidered with gold and pearls, over which his

white beard flowed below his waist. In his turban of white cambric was

twisted a scarf of cloth-of-gold. He kissed the border of the Sultan's

mantle, which salutation was also made by a long line of the chief priests

of the mosques of Constantinople, who followed him. These priests were

dressed in long robes of white, green, blue, and violet, many of them with

collars of pearls and golden scarfs wound about their turbans, the rich

fringes falling on their shoulders. They were grave, stately men, with

long gray beards, and the wisdom of age and study in their deep-set eyes.

Among the last who came was the most important personage of all. This was

the Governor of Mecca (as I believe he is called), the nearest descendant

of the Prophet, and the successor to the Caliphate, in case the family of

Othman becomes extinct. Sultan Mahmoud, on his accession to the throne,

was the last descendant of Orchan, the founder of the Ottoman Dynasty, the

throne being inherited only by the male heirs. He left two sons, who are

both living, Abdul-Medjid having departed from the practice of his

predecessors, each of whom slew his brothers, in order to make his own

sovereignty secure. He has one son, Muzad, who is about ten years old, so

that there are now three males of the family of Orchan. In case of their

death, the Governor of Mecca would become Caliph, and the sovereignty

would be established in his family. He is a swarthy Arab, of about fifty,

with a bold, fierce face. He wore a superb dress of green, the sacred

color, and was followed by his two sons, young men of twenty and

twenty-two. As he advanced to the throne, and was about to kneel and kiss

the Sultan's robe, the latter prevented him, and asked politely after his

health--the highest mark of respect in his power to show. The old Arab's

face gleamed with such a sudden gush of pride and satisfaction, that no

flash of lightning could have illumined it more vividly.

The sacred writers, or transcribers of the Koran, closed the procession,

after which the Sultan rose and entered the Seraglio. The crowd slowly

dispersed, and in a few minutes the grand reports of the cannon on

Seraglio Point announced the departure of the Sultan for his palace on the

Bosphorus. The festival of Bairam was now fairly inaugurated, and all

Stamboul was given up to festivity. There was no Turk so poor that he did

not in some sort share in the rejoicing. Our Fourth could scarcely show

more flags, let off more big guns or send forth greater crowds of

excursionists than this Moslem holiday.

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