CHAPTER I.

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COLLECTION

OF

BRITISH AUTHORS

TAUCHNITZ EDITION.

VOL. 1809.

VIXEN BY M. E. BRADDON

IN THREE VOLUMES.

VOL. I.

TAUCHNITZ EDITION.

VIXEN

A NOVEL

BY

M. E. BRADDON,

AUTHOR OF "LADY AUDLEY'S SECRET," ETC. ETC.

_COPYRIGHT EDITION_.

IN THREE VOLUMES.

VOL. I.

By the same Author,

LADY AUDLEY'S SECRET 2 vols.

AURORA FLOYD 2 vols.

ELEANOR'S VICTORY 2 vols.

JOHN MARCHMONT'S LEGACY 2 vols.

HENRY DUNBAR 2 vols.

THE DOCTOR'S WIFE 2 vols.

ONLY A CLOD 2 vols.

SIR JASPER'S TENANT 2 vols.

THE LADY'S MILE 2 vols.

RUPERT GODWIN 2 vols.

DEAD-SEA FRUIT 2 vols.

RUN TO EARTH 2 vols.

FENTON'S QUEST 2 vols.

THE LOVELS OF ARDEN 2 vols.

STRANGERS AND PILGRIMS 2 vols.

LUCIUS DAVOREN 3 vols.

TAKEN AT THE FLOOD 3 vols.

LOST FOR LOVE 2 vols.

A STRANGE WORLD 2 vols.

HOSTAGES TO FORTUNE 2 vols.

DEAD MEN'S SHOES 2 vols.

JOSHUA HAGGARD'S DAUGHTER 2 vols.

WEAVERS AND WEFT 1 vol.

IN GREAT WATERS & OTHER TALES 1 vol.

AN OPEN VERDICT 3 vols.

LEIPZIG

BERNHARD TAUCHNITZ

1879.

_The Right of Translation is reserved_.

CONTENTS OF VOLUME I.

CHAPTER I. A Pretty Horsebreaker

CHAPTER II. Lady Jane Vawdrey

CHAPTER III. "I Want a Little Serious Talk with You"

CHAPTER IV. Rorie comes of Age

CHAPTER V. Rorie makes a Speech

CHAPTER VI. How She took the News

CHAPTER VII. Rorie has Plans of his own

CHAPTER VIII. Glas ist der Erde Stolz und Glück

CHAPTER IX. A House of Mourning

CHAPTER X. Captain Winstanley

CHAPTER XI. "It shall be Measure for Measure"

CHAPTER XII. "I have no Wrong, where I can claim no Right"

CHAPTER XIII. "He belongs to the Tame-Cat Species"

CHAPTER XIV. "He was worthy to be loved a Lifetime"

CHAPTER XV. Lady Southminster's Ball

CHAPTER XVI. Rorie asks a Question

CHAPTER XVII. Where the Red King was slain

VIXEN.

CHAPTER I.

A Pretty Horsebreaker.

The moon had newly risen, a late October moon, a pale almost

imperceptible crescent, above the dark pine spires in the thicket

through which Roderick Vawdrey came, gun in hand, after a long day's

rabbit-shooting. It was not his nearest way home, but he liked the

broad clearing in the pine wood, which had a ghostly look at dusk, and

was so still and lonely that the dart of a squirrel through the fallen

leaves was a startling event. Here and there a sturdy young oak that

had been newly stripped of its bark lay among the fern, like the naked

corpse of a giant. Here and there a tree had been cut down and slung

across the track, ready for barking. The ground was soft and spongy,

slippery with damp dead leaves, and inclined in a general way to

bogginess; but it was ground that Roderick Vawdrey had known all his

life, and it seemed more natural to him than any other spot upon mother

earth.

On the edge of this thicket there was a broad ditch, with more mud and

dead fern in it than water, a ditch strongly suspected of snakes, and

beyond the ditch the fence that enclosed Squire Tempest's domain--an

old manor house in the heart of the New Forest. It had been an abbey

before the Reformation, and was still best known as the Abbey House.

"I wonder whether I'm too late to catch her," speculated Roderick,

shifting his bag from one shoulder to the other; "she's no end of fun."

In front of the clearing there was a broad five-barred gate, and

beside the gate a keeper's cottage. The flame of a newly-lighted candle

flashed out suddenly upon the autumn dusk, while Roderick stood

looking at the gate.

"I'll ask at the lodge," he said; "I should like to say good-bye to the

little thing before I go back to Oxford."

He walked quickly on to the gate. The keeper's children were playing at

nothing particular just inside it.

"Has Miss Tempest gone for her ride this afternoon?" he asked.

"Ya-ase," drawled the eldest shock-headed youngster.

"And not come back yet?"

"Noa. If she doant take care her'll be bogged."

Roderick hitched his bag on to the top of the gate, and stood at ease

waiting. It was late for the little lady of Tempest Manor to be out on

her pony; but then it was an understood thing within a radius of ten

miles or so that she was a self-willed young person, and even at

fifteen years of age she had a knack of following her own inclination

with that noble disregard of consequences which characterises the

heaven-born ruler.

Mr. Vawdrey had not waited more than ten minutes when there came the

thud of hoofs upon the soft track, a flash of gray in the distance,

something flying over those forky branches sprawling across the way,

then a half-sweet, half-shrill call, like a bird's, at which the

keeper's children scattered themselves like a brood of scared chickens,

and now a rush, and a gray pony shooting suddenly into the air and

coming down on the other side of the gate, as if he were a new kind of

skyrocket.

"What do you think of that, Rorie?" cried the shrill sweet voice of the

gray pony's rider!

"I'm ashamed of you, Vixen," said Roderick, "you'll come to a bad end

some of these days."

"I don't care if I do, as long as I get my fling first," replied Vixen,

tossing her tawny mane.

She was a slim young thing, in a short Lincoln-green habit. She had a

small pale face, brown eyes that sparkled with life and mischief, and a

rippling mass of reddish-auburn hair falling down her back under a

coquettish little felt hat.

"Hasn't your mamma forbidden jumping, Vixen?" remonstrated Roderick,

opening the gate and coming in.

"Yes, that she has, sir," said the old groom, riding up at a jog-trot

on his thickset brown cob. "It's quite against Mrs. Tempest's orders,

and it's a great responsibility to go out with Miss Violet. She will do

it."

"You mean the pony will do it, Bates," cried Vixen. "I don't jump. How

can I help it if papa has given me a jumping pony? If I didn't let

Titmouse take a gate when he was in the humour, he'd kick like old

boots, and pitch me a cropper. It's an instinct of self-preservation

that makes me let him jump. And as for poor dear, pretty little mamma,"

continued Vixen, addressing herself to Roderick, and changing her tone

to one of patronising tenderness, "if she had her way, I should be

brought up in a little box wrapped in jeweller's wool, to keep me safe.

But you see I take after papa, Rorie; and it comes as natural to me to

fly over gates as it does to you to get ploughed for smalls. There,

Bates," jumping off the pony, "you may take Titmouse home, and I'll

come presently and give him some apples, for he has been a dear,

darling, precious treasure of a ponykins."

She emphasised this commendation with a kiss on Titmouse's gray nose,

and handed the bridle to Bates.

"I'm going to walk home with Mr. Vawdrey," she said.

"But, Vixen, I can't, really," said Roderick; "I'm due at home at this

moment, only I couldn't leave without saying good-bye to little Vix."

"And you're over due at Oxford, too, aren't you?" cried Vixen,

laughing; "you're always due somewhere--never in the right place. But

whether you are due or not, you're coming up to the stables with me to

give Titmouse his apples, and then you're coming to dine with us on

your last night at home. I insist upon it; papa insists; mamma

insists--we all insist."

"My mother will be as angry as----"

"Old boots!" interjected Vixen. "That's the best comparison I know."

"Awfully vulgar for a young lady."

"You taught it me. How can I help being vulgar when I associate with

you? You should hear Miss McCroke preach at me sermons so long"--here

Vixen extended her arms to the utmost--"and I'm afraid they'd make as

much impression on Titmouse as they do upon me. But she's a dear old

thing, and I love her immensely."

This was Vixen's usual way, making up for all shortcomings with the

abundance of her love. The heart was always atoning for the errors of

the head.

"I wouldn't be Miss McCroke for anything. She must have a bad time of

it with you."

"She has," assented Vixen, with a remorseful sigh; "I fear I'm bringing

her sandy hairs with sorrow to the grave. That hair of hers never could

be gray, you know, it's too self-opinionated in its sandiness. Now come

along, Rorie, do. Titmouse will be stamping about his box like a maniac

if he doesn't get those apples."

She gave a little tug with both her small doeskin-covered hands at

Roderick's arm. He was still standing by the gate irresolute,

inclination drawing him to the Abbey House, duty calling him home to

Briarwood, five miles off, where his widowed mother was expecting his

return.

"My last night at home, Vix," he said remonstrantly; "I really ought to

dine with my mother."

"Of course you ought, and that's the very reason why you'll dine with

us. So 'kim over, now,' as Bates says to the horses; I don't know what

there is for dinner," she added confidentially, "but I feel sure it's

something nice. Dinner is papa's particular vanity, you know. He's very

weak about dinner."

"Not so weak as he is about you, Vixen."

"Do you really think papa is as fond of me as he is of his dinner?"

"I'm sure of it!"

"Then he must be very fond of me," exclaimed Vixen, with conviction.

"Now, are you coming?"

Who could resist those little soft hands in doeskin? Certainly not

Rorie. He resigned himself to the endurance of his mother's anger in

the future as a price to be paid for the indulgence of his inclination

in the present, gave Vixen his arm, and turned his face towards the

Abbey House.

They walked through shrubberies that would have seemed a pathless

wilderness to a stranger, but every turn in which was familiar to these

two. The ground was undulating, and vast thickets of rhododendron and

azalea rose high above them, or sank in green valleys below their path.

Here and there a group of tall firs towered skyward above the dark

entanglement of shrubs, or a great beech spread its wide limbs over the

hollows; here and there a pool of water reflected the pale moonshine.

The house lay low, sheltered and shut in by those rhododendron

thickets, a long, rambling pile of building, which had been added to,

and altered, and taken away from, and added to again, like that

well-known puzzle in mental arithmetic which used to amuse us in our

childhood. It was all gables, and chimney-stacks, and odd angles, and

ivy-mantled wall, and richly-mullioned windows, or quaint little

diamond-paned lattices, peeping like a watchful eye from under the

shadow of a jutting cornice. The stables had been added in Queen

Elizabeth's time, after the monks had been routed from their snug

quarters, and the Abbey had been bestowed upon one of the Tudor

favourites. These Elizabethan stables formed the four sides of a

quadrangle, stone-paved, with an old marble basin in the centre--a

basin which the Vicar pronounced to be an early Saxon font, but which

Squire Tempest refused to have removed from the place it had occupied

ever since the stables were built. There were curious carvings upon the

six sides, but so covered with mosses and lichens that nobody could

tell what they meant; and the Squire forbade any scraping process by

officious antiquarians, which might lead to somebody's forcible

appropriation of the ancient basin.

The Squire was not so modern in his ideas as to set up his own

gasometer, so the stables were lighted by lanterns, with an oil-lamp

fixed here and there against the wall. Into this dim uncertain light

came Roderick and Vixen, through the deep stone archway which opened

from the shrubbery into the stable-yard, and which was solid enough for

the gate of a fortified town.

Titmouse's stable was lighted better then the rest. The door stood

open, and there was Titmouse, with the neat little quilted doeskin

saddle still on his back, waiting to be fed and petted by his young

mistress. It was a pretty picture, the old low-ceiled stable, with its

wide stalls and roomy loose-boxes and carpet of plaited straw, golden

against the deep brown of the woodwork.

Vixen ran into the box, and took off Titmouse's bridle, he holding down

his head, like a child submitting to be undressed. Then, with many

vigorous tugs at straps and buckles, and a good deal of screwing up of

her rosy lips in the course of the effort, Vixen took off her pony's

saddle.

"I like to do everything I can for him," she explained, as Rorie

watched her with an amused smile; "I'd wisp him down if they'd let me."

She left the leather panel on Titmouse's back, hung up saddle and

bridle, and skipped off to a corn-chest to hunt for apples. Of these

she brought half-a-dozen or so in the skirt of her habit, and then,

swinging herself lightly into a comfortable corner of the manger, began

to carry out her system of reward for good conduct, with much coquetry

on her part and Titmouse's, Rorie watching it all from the empty stall

adjoining, his folded arms resting on the top of the partition. He said

not another word about his mother, or the duty that called him home to

Briarwood, but stood and watched this pretty horsebreaker in a dreamy

contentment.

What was Violet Tempest, otherwise Vixen, like, this October evening,

just three months before her fifteenth birthday? She made a lovely

picture in this dim light, as she sat in the corner of the old manger,

holding a rosy-cheeked apple at a tantalising distance from Titmouse's

nose: yet she was perhaps not altogether lovely. She was brilliant

rather than absolutely beautiful. The white skin was powdered with

freckles. The rippling hair was too warm an auburn to escape an

occasional unfriendly remark from captious critics; but it was not red

hair for all that. The eyes were brownest of the brown, large, bright,

and full of expression. The mouth was a thought too wide, but it was a

lovely mouth notwithstanding. The lips were full and firmly

moulded--lips that could mean anything, from melting tenderness to

sternest resolve. Such lips, a little parted to show the whitest,

evenest teeth in Hampshire, seemed to Rorie lovely enough to please the

most critical connoisseur of feminine beauty. The nose was short and

straight, but had a trick of tilting itself upward with a little

impatient jerk that made it seem _retroussé;_ the chin was round and

full and dimpled; the throat was full and round also, a white column

supporting the tawny head, and indicated that Vixen was meant to be a

powerful woman, and not one of those ethereal nymphs who lend

themselves most readily to the decorative art of a court milliner.

"I'm afraid Violet will be a dreadfully large creature," Mrs. Tempest

murmured plaintively, as the girl grew and flourished; that lady

herself being ethereal, and considering her own appearance a strictly

correct standard of beauty. How could it be otherwise, when she had

been known before her marriage as "the pretty Miss Calthorpe?"

"This is very nice, you know, Vixen," said Roderick critically, as

Titmouse made a greedy snap at an apple, and was repulsed with a gentle

pat on his nose, "but it can't go on for ever. What'll you do when you

are grown up?"

"Have a horse instead of a pony," answered Vixen unhesitatingly.

"And will that be all the difference?"

"I don't see what other difference there can be. I shall always love

papa, I shall always love hunting, I shall always love mamma--as much

as she'll let me. I shall always have a corner in my heart for deal old

Crokey; and, perhaps," looking at him mischievously, "even an odd

corner for you. What difference can a few more birthdays make in me? I

shall be too big for Titmouse, that's the only misfortune; but I shall

always keep him for my pet, and I'll have a basket-carriage and drive

him when I go to see my poor people. Sitting behind a pony is an awful

bore when one's natural place is on his back, but I'd sooner endure it

than let Titmouse fancy himself superannuated."

"But when you're grown up you'll have to come out, Vixen. You'll be

obliged to go to London for a season, and be presented, and go to no

end of balls, and ride in the Row, and make a grand marriage, and have

a page all to yourself in the _Court Journal_."

"Catch me--going to London!" exclaimed Vixen, ignoring the latter part

of the sentence. "Papa hates London, and so do I. And as to riding in

Rotten Row, _je voudrais bien me voir faisant cela_," added Vixen,

whose study of the French language chiefly resulted in the endeavour to

translate English slang into that tongue. "No, when I grow up I shall

take papa the tour of Europe. We'll see all those places I'm worried

about at lessons--Marathon, Egypt, Naples, the Peloponnesus, _tout le

tremblement_--and I shall say to each of them, 'Oh, this is you, is it?

What a nuisance you've been to me on the map.' We shall go up Mount

Vesuvius, and the Pyramids, and do all sorts of wild things; and by the

time I come home I shall have forgotten the whole of my education."

"If Miss McCroke could hear you!"

"She does, often. You can't imagine the wild things I say to her. But I

love her--fondly."

A great bell clanged out with a vigorous peal, that seemed to shake the

old stable.

"There's the first bell. I must run and dress. Come to the drawing-room

and see mamma."

"But, Vixen, how can I sit down to dinner in such a costume,"

remonstrated Rorie, looking down at his brown shooting-suit, leather

gaiters, and tremendous boots--boots which, instead of being beautified

with blacking, were suppled with tallow; "I can't do it, really."

"Nonsense," cried Vixen, "what does it matter? Papa seldom dresses for

dinner. I believe he considers it a sacrifice to mamma's sense of

propriety when he washes his hands after coming in from the home farm.

And you are only a boy--I beg pardon--an undergraduate. So come along."

"But upon my word, Vixen, I feel too much ashamed of myself."

"I've asked you to dinner, and you've accepted," cried Vixen, pulling

him out of the stable by the lapel of his shooting-jacket.

He seemed to relish that mode of locomotion, for he allowed himself to

be pulled all the way to the hall-door, and into the glow of the great

beech-wood fire; a ruddy light which shone upon many a sporting trophy,

and reflected itself on many a gleaming pike and cuirass, belonging to

days of old, when gentlemanly sport for the most part meant man-hunting.

It was a fine old vaulted hall, a place to love and remember lovingly

when far away. The walls were all of darkly bright oak panelling, save

where here and there a square of tapestry hung before a door, or a

painted window let in the moonlight. At one end there was a great

arched fireplace, the arch surmounted with Squire Tempest's armorial

bearings, roughly cut in freestone. A mailed figure of the usual stumpy

build, in helm and hauberk, stood on each side of the hearth; a large

three-cornered chair covered with stamped and gilded leather was drawn

up to the fireside, the Squire's favourite seat on an autumn or winter

afternoon. The chair was empty now, but, stretched at full length

before the blazing logs, lay the Squire's chosen companion, Nip, a

powerful liver-coloured pointer; and beside him in equally luxurious

rest, reclined Argus, Vixen's mastiff. There was a story about Vixen

and the mastiff, involving the only incident in that young lady's life

the recollection whereof could make her blush.

The dog, apparently coiled in deepest slumber, heard the light

footsteps on the hall floor, pricked up his tawny ears, sprang to his

feet, and bounded over to his young mistress, whom he nearly knocked

down in the warmth of his welcome. Nip, the pointer, blinked at the

intruders, yawned desperately, stretched himself a trifle longer, and

relapsed into slumber.

"How fond that brute is of you," said Rorie; "but it's no wonder, when

one considers what you did for him."

"If you say another word I shall hate you," cried Vixen savagely.

"Well, but you know when a fellow fights another fellow's battles, the

other fellow's bound to be fond of him; and when a young lady pitches

into a bird-boy with her riding-whip to save a mastiff pup from

ill-usage, that mastiff pup is bound----"

"Mamma," cried Vixen, flinging aside a tapestry _portière_, and

bouncing into the drawing-room, "here's Roderick, and he's come to

dinner, and you must excuse his shooting-dress, please. I'm sure pa

will."

"Certainly, my dear Violet," replied a gentle, _traînante_ voice from

the fire-lit dimness near the velvet-curtained hearth. "Of course I am

always glad to see Mr. Vawdrey when your papa asks him. Where did you

meet the Squire, Roderick?"

"Upon my word, Mrs. Tempest," faltered Rorie, coming slowly forward

into the ruddy glow, "I feel quite awfully ashamed of myself; I've been

rabbit-shooting, and I'm a most horrid object. It wasn't the Squire

asked me to stay. It was Vixen."

Vixen made a ferocious grimace at him--he could just see her distorted

countenance in the fire-light--and further expressed her aggravation by

a smart crack of her whip.

"Violet, my love, you have such startling ways," exclaimed Mrs.

Tempest, with a long-suffering air. "Really, Miss McCroke, you ought to

try and correct her of those startling ways."

On this Roderick became aware of a stout figure in a tartan dress,

knitting industriously on the side of the hearth opposite Mrs.

Tempest's sofa. He could just see the flash of those active needles,

and could just hear Miss McCroke murmur placidly that she had corrected

Violet, and that it was no use.

Rorie remembered that plaid poplin dress when he was at Eton. It was a

royal Stuart, too brilliant to be forgotten. He used to wonder whether

it would ever wear out, or whether it was not made of some

indestructible tissue, like asbestos--a fabric that neither time nor

fire could destroy.

"It was Rorie's last night, you see, mamma," apologised Vixen, "and I

knew you and papa would like him to come, and that you wouldn't mind

his shooting-clothes a bit, though they do make him look like the

under-keeper, except that the under-keeper's better looking than Rorie,

and has finished growing his whiskers, instead of living in the

expectation of them."

And with this Parthian shot, Vixen made a pirouette on her neat little

morocco-shod toes, and whisked herself out of the room; leaving

Roderick Vawdrey to make the best of his existence for the next twenty

minutes with the two women he always found it most difficult to get on

with, Mrs. Tempest and Miss McCroke.

The logs broke into a crackling blaze just at this moment, and lighted

up that luxurious hearth and the two figures beside it.

It was the prettiest thing imaginable in the way of a drawing-room,

that spacious low-ceiled chamber in the Abbey House.

The oak panelling was painted white, a barbarity on the part of those

modern Goths the West End decorators, but a charming background for

quaint Venetian mirrors, hanging shelves of curious old china, dainty

little groups of richly-bound duodecimos, brackets, bronzes, freshest

flowers in majolica jars; water-colour sketches by Hunt, Prout,

Cattermole, and Edward Duncan; sage-green silk curtains; black and gold

furniture, and all the latest prettinesses of the new Jacobean school.

The mixture of real medievalism and modern quaintness was delightful.

One hardly knew where the rococo began or the mediaeval left off. The

good old square fireplace, with its projecting canopy, and columns in

white and coloured marbles, was as old as the days of Inigo Jones; but

the painted tiles, with their designs from the Iliad and Odyssey after

Dante Rossetti, were the newest thing from Minton's factory.

Even Rorie felt that the room was pretty, though he did above all

things abhor to be trapped in it, as he found himself this October

evening.

"There's a great lot of rubbish in it," he used to say of Mrs.

Tempest's drawing-room, "but it's rather nice altogether."

Mrs. Tempest, at five-and-thirty, still retained the good looks which

had distinguished Miss Calthorpe at nineteen. She was small and slim,

with a delicate complexion. She had large soft eyes of a limpid

innocent azure, regular features, rosebud lips, hands after Velasquez,

and an unexceptionable taste in dress, the selection of which formed

one of the most onerous occupations of her life. To attire herself

becomingly, and to give the Squire the dinners he best liked, in an

order of succession so dexterously arranged as never to provoke

satiety, were Mrs. Tempest's cardinal duties. In the intervals of her

life she read modern poetry, unobjectionable French novels, and

reviews. She did a little high-art needle-work, played Mendelssohn's

Lieder, sang three French _chansons_ which her husband liked, slept,

and drank orange pekoe. In the consumption of this last article Mrs.

Tempest was as bad as a dram-drinker. She declared her inability to

support life without that gentle stimulant, and required to be wound up

at various hours of her languid day with a dose of her favourite

beverage.

"I think I'll take a cup of tea," was Mrs. Tempest's inevitable remark

at every crisis of her existence.

"And so you are going back to Oxford, Roderick?" the lady began with a

languid kindness.

Mrs. Tempest had never been known to be unkind to anyone. She regarded

all her fellow-creatures with a gentle tolerance. They were there, a

necessary element of the universe, and she bore with them. But she had

never attached herself particularly to anybody except the Squire. Him

she adored. He took all the trouble of life off her hands, and gave her

all good things. She had been poor, and he had made her rich; nobody,

and he had elevated her into somebody. She loved him with a canine

fidelity, and felt towards him as a dog feels towards his master--that

in him this round world begins and ends.

"Yes," assented Rorie, with a sigh, "I'm going up to-morrow."

"Why up?" inquired Miss McCroke, without lifting her eyes from her

needles. "It isn't up on the map."

"I hope you are going to get a grand degree," continued Mrs. Tempest,

in that soft conciliatory voice of hers; "Senior Wrangler, or

something."

"That's the other shop," exclaimed Rorie; "they grow that sort of

timber at Cambridge. However, I hope to pull myself through somehow or

other this time, for my mother's sake. She attaches a good deal of

importance to it, though for my own part I can't see what good it can

do me. It won't make me farm my own land better, or ride straighter to

hounds, or do my duty better to my tenants."

"Education," said Miss McCroke sententiously, "is always a good, and we

cannot too highly estimate its influence upon----"

"Oh yes, I know," answered Rorie quickly, for he knew that when the

floodgates of Miss McCroke's eloquence were once loosened the tide ran

strong, "when house and lands are gone and spent a man may turn usher

in an academy, and earn fifty pounds a year and his laundress's bill by

grinding Caesar's Commentaries into small boys. But I shouldn't lay in

a stock of learning with that view. When my house and lands are gone

I'll go after them--emigrate, and go into the lumber trade in Canada."

"What a dreadful idea," said Mrs. Tempest; "but you are not going to

lose house and lands, Roderick--such a nice place as Briarwood."

"To my mind it's rather a commonplace hole," answered the young man

carelessly, "but the land is some of the best in the county."

It must be nearly seven by this time, he thought. He was getting

through this period of probation better than he had expected. Mrs.

Tempest gave a little stifled yawn behind her huge black fan, upon

which Cupids and Graces, lightly sketched in French gray, were depicted

dancing in the airiest attitudes, after Boucher. Roderick would have

liked to yawn in concert, but at this juncture a sudden ray of light

flashed upon him and showed him a way of escape.

"I think I'll go to the gentleman's room, and make myself decent before

the second bell rings," he said.

"Do," assented Mrs. Tempest, with another yawn; and the young man fled.

He had only time to scramble through a hurried toilet, and was still

feeling very doubtful as to the parting of his short crisp hair, when

the gong boomed out its friendly summons. The gentleman's room opened

from the hall, and Rorie heard the Squire's loud and jovial voice

uplifted as he raised the tapestry curtain.

Mr. Tempest was standing in front of the log fire, pulling Vixen's

auburn hair. The girl had put on a picturesque brown velvet frock. A

scarlet sash was tied loosely round her willowy waist, and a scarlet

ribbon held back the rippling masses of her bright hair.

"A study in red and brown," thought Rorie, as the fire-glow lit up the

picture of the Squire in his hunting-dress, and the girl in her warm

velvet gown.

"Such a run, Rorie," cried the Squire; "we dawdled about among the

furze from twelve till four doing nothing, and just as it was getting

dark started a stag up on the high ground this side of Pickett's Post,

and ran him nearly into Ringwood. Go in and fetch my wife, Rorie. Oh,

here she is"--as the _portière_ was lifted by a white hand, all

a-glitter with diamonds--"you must excuse me sitting down in pink

to-day, Pamela; I only got in as the gong began to sound, and I'm as

hungry as the proverbial hunter."

"You know I always think you handsomest in your scarlet coat, Edward,"

replied the submissive wife, "but I hope you're not very muddy."

"I won't answer for myself; but I haven't been actually up to my neck

in a bog."

Rorie offered his arm to Mrs. Tempest, and they all went in to dinner,

the squire still playing with his daughter's hair, and Miss McCroke

solemnly bringing up the rear.

The dining-room at the Abbey House was the ancient refectory, large

enough for a mess-room; so, when there were no visitors, the Tempests

dined in the library--a handsome square room, in which old family

portraits looked down from the oak panelling above the bookcases, and

where the literary element was not obtrusively conspicuous. You felt

that it was a room quite as well adapted for conviviality as for study.

There was a cottage piano in a snug corner by the fireplace. The

Squire's capacious arm-chair stood on the other side of the hearth,

Mrs. Tempest's low chair and gipsy table facing it. The old oak buffet

opposite the chimney-piece was a splendid specimen of Elizabethan

carving, and made a rich background for the Squire's racing-cups, and a

pair of Oliver Cromwell tankards, plain and unornamental as that

illustrious Roundhead himself.

It was a delightful room on a chill October evening like this: the logs

roaring up the wide chimney, a pair of bronze candelabra lighting

buffet and table, Mrs. Tempest smiling pleasantly at her unbidden

guest, and the squire stooping, red-faced and plethoric, over his

mulligatawny; while Vixen, who was at an age when dinner is a secondary

consideration, was amusing herself with the dogs, gentlemanly animals,

too wellbred to be importunate in their demands for an occasional

tid-bit, and content to lie in superb attitudes, looking up at the

eaters patiently, with supplication in their great pathetic brown eyes.

"Rorie is going up to-morrow--not in a balloon, but to Magdalen

College, Oxford--so, as this was his last night, I made him come to

dinner," explained Vixen presently. "I hope I didn't do wrong."

"Rorie knows he's always welcome. Have some more of that mulligatawny,

my lad, it's uncommonly good."

Rorie declined the mulligatawny, being at this moment deeply engaged in

watching Vixen and the dogs. Nip, the liver-coloured pointer, was

performing his celebrated statue feat. With his forelegs stiffly

extended, and his head proudly poised, he simulated a dog of marble;

and if it had not been for the occasional bumping of his tail upon the

Persian carpet, in an irresistible wag of self-approbation, the

simulation would have been perfect.

"Look, papa! isn't it beautiful? I went out of the room the other day,

while Nip was doing the statue, after I'd told him not to move a paw,

and I stayed away quite five minutes, and then stole quietly back; and

there he was, lying as still as if he'd been carved out of stone.

Wasn't that fidelity?"

"Nonsense!" cried the Squire. "How do you know that Nip didn't wind you

as you opened the door, and get himself into position? What are these?"

as the old silver _entrée_ dishes came round. "Stewed eels? You never

forget my tastes, Pamela."

"Stewed eels, sir; _sole maître d'hôtel_," said the butler, in the

usual suppressed and deferential tone.

Rorie helped himself automatically, and went on looking at Vixen.

Her praises of Nip had kindled jealous fires in the breast of Argus,

her own particular favourite; and the blunt black muzzle had been

thrust vehemently under her velvet sleeve.

"Argus is angry." said Rorie.

"He's a dear old foolish thing to be jealous," answered Vixen, "when he

knows I'd go through fire and water for him."

"Or even fight a big boy," cried the Squire, throwing himself back in

his chair with the unctuous laughter of a man who is dining well, and

knows it.

Vixen blushed rosiest red at the allusion.

"Papa, you oughtn't to say such things," she cried; "I was a little bit

of a child then."

"Yes, and flew at a great boy of fourteen and licked him," exclaimed

the Squire, rapturously. "You know the story, don't you, Rorie?"

Rorie had heard it twenty times, but looked the picture of ignorant

expectancy.

"You know how Vixen came by Argus? What, you don't? Well, I'll tell

you. This little yellow-haired lass of mine was barely nine years old,

and she was riding through the village on her pony, with young Stubbs

behind her on the sorrel mare--and, you know, to her dying day, that

sorrel would never let anyone dismount her quietly. Now what does Vixen

spy but a lubberly lad and a lot of small children ill-using a mastiff

pup. They'd tied a tin-kettle to the brute's tail, and were doing their

best to drown him. There's a pond just beyond Mrs. Farley's cottage,

you know, and into that pond they'd pelted the puppy, and wouldn't let

him get out of it. As fast as the poor little brute scrambled up the

muddy bank they drove him back into the water."

"Papa darling," pleaded Vixen despairingly, "Rorie has heard it all a

thousand times before. Haven't you now, Rorie?"

"It's as new to me as to-morrow's _Times_," said Roderick with

effrontery.

"Vixen was off the pony before you could say 'Jack Robinson.' She flew

into the midst of the dirty little ragamuffins, seized the biggest

ruffian by the collar, and trundled him backwards into the pond. Then

she laid about her right and left with her whip till the wretches

scampered off, leaving Vixen and the puppy masters of the situation;

and by this time the sorrel mare had allowed Stubbs to get off her, and

Stubbs rushed to the rescue. The young ringleader had been too much

surprised by his ducking to pull himself together again before this,

but he came up to time now, and had it out with Stubbs, while the

sorrel was doing as much damage as she conveniently could to Mrs.

Farley's palings. 'Don't quite kill him, please, Stubbs,' cried Vixen,

'although he richly deserves it;' and then she took the muddy little

beast up in her arms and ran home, leaving her pony to fate and Stubbs.

Stubbs told me the whole story, with tears in his eyes. 'Who'd ha'

thought, Squire, the little lady would ha' been such a game 'un?' said

Stubbs."

"It's very horrid of you, papa, to tell such silly old stories,"

remonstrated Vixen. "That was nearly seven years ago, and Dr. Dewsnap

told us the other day that everybody undergoes a complete change

of--what is it?--all the tissues--in seven years. I'm not the same

Vixen that pushed the boy into the pond. There's not a bit of her left

in me."

And so the dinner went on and ended, with a good deal of distraction,

caused by the dogs, and a mild little remark now and then from Mrs.

Tempest, or an occasional wise interjection from Miss McCroke, who in a

manner represented the Goddess of Wisdom in this somewhat frivolous

family, and came in with a corrective and severely rational observation

when the talk was drifting towards idiocy.

The filberts, bloomy purple grapes, and ruddy pippins, and yellow

William pears had gone their rounds--all home produce--and had been

admired and praised, and the Squire's full voice was mellowing after

his second glass of port, when the butler came in with a letter on a

salver, and carried it, with muffled footfall and solemn visage, as of

one who entrusted with the delivery of a death-warrant, straight to

Roderick Vawdrey.

The young man looked at it as if he had encountered an unexpected

visitor of the adder tribe.

"My mother," he faltered.

It was a large and handsome letter with a big red seal.

"May I?" asked Rorie, with a troubled visage, and having received his

host and hostess's assent, broke the seal.

"Dear Roderick,--Is it quite kind of you to absent yourself on this

your last night at home? I feel very sure that this will find you at

the Abbey House, and I send the brougham at a venture. Be good enough

to come home at once. The Dovedales arrived at Ashbourne quite

unexpectedly this afternoon, and are dining with me on purpose to see

you before you go back to Oxford. If your own good feeling did not urge

you to spend this last evening with me, I wonder that Mr. and Mrs.

Tempest were not kind enough to suggest to you which way your duty

lay.--Yours anxiously,

"JANE VAWDREY."

Roderick crumpled the letter with an angry look. That fling at the

Tempests hit him hard. Why was it that his mother was always so ready

to find fault with these chosen friends of his?

"Anything wrong, Rorie?" asked the Squire.

"Nothing; except that the Dovedales are dining with my mother; and I'm

to go home directly."

"If you please, ma'am, Master Vawdrey's servant has come for him," said

Vixen, mimicking the style of announcement at a juvenile party. "It's

quite too bad, Rorie," she went on, "I had made up my mind to beat you

at pyramids. However I daresay you're very glad to have the chance of

seeing your pretty cousin before you leave Hampshire."

But Rorie shook his head dolefully, made his adieux, and departed.

Vixen, Volume I. · 第 1 / 17 章