CHAPTER XX.

ELEPHANTS IN THE AMPHITHEATRE.

As the elephant was used in the early days to add to the pomp and glory

of the Roman conquerors, it is not surprising that they were also

employed in the games and sports of the people. It was the custom in the

days of old Rome, to match men against the most ferocious animals; and,

long before the elephant was known in Italy, brave men met the lion,

single-handed, in the arena. When the elephant was introduced, it was

evident that the amphitheatre had new possibilities; and forthwith the

huge animals became a feature of the barbaric pastimes of the period. It

is needless to say that a people given to such diversions, which involved

the torture of thousands of living creatures, were grossly debased

morally.

Milton has thus described the times and men under Tiberius:—

“That people, victor once, now vile and base,

Deservedly made vassal; who, once just,

Frugal, and mild, and temp’rate, conquered well;

But governed ill the nations under yoke,

Peeling their provinces, exhausted all

By lust and rapine; first ambitious grown

Of triumph, that insulting vanity;

Then cruel, by their sports to blood inured

Of fighting beasts, and men to beasts exposed;

Luxurious by their wealth, and greedier still,

And from the daily scene effeminate.”

For four hundred years Rome was given over to displays, in which the most

brutal passions were aroused, and of which the Spanish bull-fight is the

sole modern representative. The great circus where these exhibitions

took place was the Colosseum, in which five thousand wild beasts were

slaughtered at its dedication by Vespasian; and its skeleton-walls still

stand to-day, a monument to the skill and misdirected talent of the

people of that time.

The Roman circus was thoroughly a government institution, and a part of

the political machinery of the time in this way, that the exhibitions of

strange wild beasts was devised by the victorious Roman rulers to show to

their constituents and countrymen the wonders of the foreign countries

they had conquered.

According to Pliny, Mutius Scævola (102 B.C.) first exhibited a combat

of lions at the circus, and C. Scipio Trasica and C. Lentulus were the

originators of contests between men and wild beasts.

In these terrific struggles, lions and tigers were let loose in the

arena, and fought with human slaves and convicts.

When Pompey dedicated his theatre, he gave the most remarkable exhibition

on record. Five hundred lions and eighteen hundred elephants are said

to have been pitted against a body of armed men. The huge animals were

attacked in every possible way,—sometimes by swords, again by lances.

In the second consulate of Pompey (54 B.C.), a herd was matched against

a company of Getulian archers; and, according to Pliny, one of the

elephants, enraged by its wounds, rushed upon an archer, and hurled his

shield high in air. Another, wounded by a javelin, created a panic among

the rest; the great animals rushing against the railing of the circus

with such force, that it gave way, and numbers of the spectators were

wounded.

As a rule, the elephants were defeated; and the historian Dion adds a

description of a wonder no less honorable to the Roman people than to the

sagacity of the elephants. “The spectators,” he says, “so compassionated

the animals, when they saw them raising their trunks to heaven, roaring

most piteously, as if imploring the gods to avenge the cruel treachery

which had compelled them to come from their native forests, that they

demanded that they should be saved.” Pliny, relating the same story,

states that the populace were so touched by the terror which the

elephants exhibited, and so full of admiration at their sagacity, that

regardless of the presence of Pompey, and forgetful of his munificence,

they rose from their seats, and demanded, with imprecations against

the consul, that the combat should be at an end. But habit appears

soon to have reconciled the people to the torturing cruelties of the

amphitheatre,—

“Where murder breathed her bloody steam;”

and we have few other recorded instances of their clemency.

The elephant tournaments of Cæsar added greatly to his popularity as

dictator. “When Cæsar, the conqueror of the world,” says Velleius

Paterculus, “returned to the city, he forgave all who had borne arms

against him [which passes all human belief], and exhibited ship-fights,

and contests of horse and foot, together with elephants.” “On this

occasion the spectators were well secured by ditches, which surrounded

the arena, from the charges of the infuriated beasts, who had annoyed

them considerably at the games of Pompey. In these sports of the great

dictator, twenty elephants were opposed to five hundred men on foot.”

Entertainments of this kind naturally tended to debase and brutalize the

people, and the demand for slaughter was ever on the increase. It is said

that Claudius rose at daylight to go to the circus, that he might not

miss a single pang of the victims, human or brute. During his reign, and

that of Nero, a famous sport was to match an elephant against a single

fencer, who sometimes attacked the great beast on horseback, and again on

foot.

The Colosseum was the natural outcome of the passion for such barbarous

sports. The old one did not afford room enough, and Vespasian commenced

the new one, which was completed by Titus (A.D. 79); and it still stands,

as a monument of a dark era in the history of Rome.

While these exhibitions would seem only a remnant of the most barbarous

ages, they have been permitted, even at the present day. In certain parts

of India, elephants are now baited to afford entertainment to certain

native princes and nobles; and fifty or sixty years ago it was very

common.

When Bishop Heber was at the court of Baroda, “The Rájah,” he says,

“was anxious to know whether I had observed his rhinoceros and his

hunting-tigers, and offered to show me a day’s sport with the last, or to

bait an elephant for me,—a cruel amusement which is here not uncommon....

I do not think he understood my motive for declining to be present.”

“At the palace of Jyepoor,” says the same writer, “we were shown five

or six elephants in training for a fight. Each was separately kept in a

small, paved court, with a little litter, but very dirty. They were all

what is called ‘must;’ that is, fed on stimulating substances, to make

them furious: and all showed in their eyes, their gaping mouths, and the

constant motion of their trunks, signs of fever and restlessness. Their

mahouts seemed to approach them with great caution; and, on hearing a

step, they turned round as far as their chains would allow, and lashed

fiercely with their trunks.”

Mr. Crawford states that elephant combats were common in his day; but, as

a rule, the animals, directed by mahouts, fought across a stout railing,

the method of attack being to butt each other, and cut with the tusks.

Father Tachard, a French Jesuit, witnessed an elephant-fight in Siam, in

1685, before the king. The animals were matched against each other, but

were securely tied by the hind-legs, so they could not severely injure

each other. They fenced with their tusks, striking such powerful blows

that one of the combatants lost its tusks.

Elephant-fights have been a favorite amusement in India from the very

earliest times. At Agra, according to the “Ayeen Akbery,” the emperor

built a large amphitheatre especially for these performances; and Robert

Covert, who travelled in Hindostan in 1609, in referring to Agra, tells

of elephants fighting before the Mogul, parted with rockets of wild-fire,

made round, like hoops, which they thrust in their faces.

The finest account extant of one of these combats is given by Bernier:—

“The festivals generally conclude with an amusement unknown in Europe,—a

combat between two elephants, which takes place in the presence of all

the people, on the sandy space near the river; the king, the principal

ladies of the court, and the omrahs, viewing the spectacle from different

apartments in the fortress.

“A wall of earth is raised three or four French feet wide, and five or

six high. The two ponderous beasts meet one another face to face, on

opposite sides of the wall, each having a couple of riders, that the

place of the man who sits on the shoulders, for the purpose of guiding

the elephant with a large iron hook, may immediately be supplied if

he should be thrown down. The riders animate the elephants, either by

soothing words, or by chiding them as cowards, and urge them on with

their heels, until the poor creatures approach the wall, and are brought

to the attack. The shock is tremendous; and it appears surprising that

they even survive the fearful wounds and blows inflicted with their

teeth, their heads, and their trunks. There are frequent pauses during

the fight; it is suspended and renewed; and the mud wall being at length

thrown down, the stronger or more courageous elephant passes on, attacks

his opponent, and, putting him to flight, pursues and fastens upon him so

obstinately, that the animals can be separated only by means of cherkys,

or fireworks, which are made to explode between them; for they are

naturally timid, and have a particular dread of fire, which is the reason

why elephants have been used with so very little advantage in armies

since the use of fire-arms. The boldest come from Ceylon; but none are

employed in war which have not been regularly trained, and accustomed for

years to the discharge of muskets close to their heads, and the bursting

of crackers between their legs.

[Illustration: PLATE XVIII.

PREHISTORIC STONE PIPES

_Page 239._]

“The fight of these noble animals is attended with much cruelty. It

frequently happens that some of the riders are trodden under foot, and

killed on the spot; the elephant having always cunning enough to feel the

importance of dismounting the rider of his adversary, whom he therefore

endeavors to strike down with his trunk. So imminent is the danger

considered, that, on the day of combat, the unhappy men take the same

formal leave of their wives and children as if condemned to death. They

are somewhat consoled by the reflection, that, if their lives should be

preserved, and the king be pleased with their conduct, not only will

their pay be augmented, but a sack of peyssas (equal to fifty francs)

will be presented to them the moment they alight from the elephant.

They have also the satisfaction of knowing, that, in the event of their

death, the pay will be continued to the widows, and that their sons

will be appointed to the same situation. The mischief with which this

amusement is attended does not always terminate with the death of the

rider: it often happens that some of the spectators are knocked down and

trampled upon by the elephants, or by the crowd; for the rush is terrible

when, to avoid the infuriated combatants, men and horses, in confusion,

take to flight. The second time I witnessed this exhibition, I owed my

safety entirely to the goodness of my horse and the exertions of my two

servants.”

In the middle of the seventeenth century, elephant-fighting was a

favorite amusement among the princes of the Mogul empire. Almost every

day some exhibition was given, devised to afford a display of the

greatest cruelty. A single elephant was matched against six horses,

which were killed by being clasped about the neck by the elephant, and

suffocated, or impaled by their tusks. On other occasions, the elephant

was matched against a tiger. Mr. Crawford witnessed such a performance.

The tiger was muzzled, and its claws cut, and was finally killed by

successive tosses from the tusks of the infuriated elephant, who hurled

the helpless animal a distance of thirty feet.

At one of the Mogul entertainments, an English bull-dog was matched

against an elephant. The pugnacious animal seized the trunk of the

elephant, and clung to it until it was jerked into the air to a great

height. But it held on so long, that bull-dogs became great favorites

with the Mogul, who had them carried about in palanquins with him, and

is said to have fed them himself with silver tongs, made expressly for

the purpose. Pliny gives an account of two remarkable dogs, which were

presented to Alexander the Great by the King of Albania, one of which

vanquished an elephant. Happily, the day for these barbarous contests has

gone by, at least in civilized nations.

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