or even, if such a thing be conceivable, that of the renowned Alexandre
Dumas. In addition to his History of the Directory, mentioned in our
last number, it is announced that he has contracted to write a History
of the Restoration, in some eight or ten volumes. The _Leader_, which is
good authority on these matters, however, states that this last is
substituted for the History of the Directory, which Lamartine abandoned
in disgust when he found that Garner de Cassagnac had undertaken the
same subject for feuilleton publication. A romance, after the manner of
Genevieve, is advertised to appear in the feuilleton of _La Presse_. He
has long been under engagements to furnish, under the title of the
_Conseiller du Peuple_, a monthly pamphlet on current political events;
and he is said to have engaged to write another similar one every
fortnight. Finally, he has in contemplation a History of Turkey. He is,
moreover, an active member of the Legislative Assembly, and a frequent
speaker. During one of the late ministerial crises he came very near
being placed at the head of the Ministry. With such a number of
engagements, undertaken under the pressure of pecuniary necessities, it
is not to be wondered that his recent productions have been unworthy of
his former reputation.
Dr. J. F. SCHRÖDER has produced a unique work on Talmudic and Rabbinic
maxims and usages. As a specimen of these, we give some of the
refinements and distinctions relating to the observance of the Sabbath:
"Hunting is totally forbidden on the Sabbath, and since fly-catching is
a species of hunting, it is prohibited--nay, the prohibition extends so
far, that a Jew must not cover vessels in which there are flies, because
in this way a sort of catching might take place. Fleas must first have
bitten before they may be caught; and it is not allowable to kill them
when caught. A louse found on the body may be killed, but not one that
has taken up its abode in the outer parts of the garments. Animals, on
the contrary, which are tame and willingly allow themselves to be taken,
may be caught even on the Sabbath; some, however, consider this not
allowable. An egg laid on the Sabbath, or fruits which have been plucked
on that day, may not be used.... If any body wishes to borrow any thing
of another on the Sabbath, he must not say, '_Lend me this or that_;'
but '_Give it me, and I will give it you back_.' If a pledge is to be
restored, the lender must lay it down in silence. He who wishes to have
some beer or wine on a Sabbath, must not say to the tavern-keeper,
'_Give me so much wine or beer for so much money_;' but '_Give me the
vessel full or half full_.' After the Sabbath the vessel may be
measured, and the value of the wine or beer received may be determined.
Letters must not be either written or opened on the Sabbath; but if any
one not a Jew has opened them, without having received orders to do so,
and one is anxious to know the contents, they may be read; but the words
must not be uttered aloud. News also may be read in this way. Accounts,
on the contrary, bills of exchange, and such things, relating to trade,
may not be read. If a leg, &c., falls out of a chair or bench on the
Sabbath, the injury must not be repaired on that day. Should a wine-cask
or any thing of that sort begin to leak, a vessel may be put under it,
but the hole must not be stopped up."
CHARLES KNIGHT, the eminent publisher, in an effective pamphlet
advocating the repeal of the paper-tax, presents some facts showing the
bearing of that tax upon the diffusion of knowledge. He has had in
contemplation a Supplement to the National Cyclopædia, to consist of a
series of treatises upon Scientific, Social, and Industrial Progress, to
extend to four volumes. To produce this as it should be done, he must
secure the assistance of the most eminent men in every department of
knowledge; which assistance will cost £2000. To cover the outlay he must
sell at least 25,000 copies; which will consume 6400 reams of paper, the
duty upon which would be £880. This additional expense, adding nothing
to the value of the work, makes him hesitate to embark in the
enterprise, If this burden were removed he might either save it in the
original cost, or expend it in adding to the value of the work. In
either case he would not hesitate to carry out his design.
ROBERT CHAMBERS shows the bearing of the same tax upon labor. His
Miscellany of Tracts was stopped as not paying, although it had a
regular sale of 80 000. While published it had paid a paper-tax of
£6220. This publication, which might have been continued had it not been
for this tax, distributed £18,000 a year in labor. He had since started
a similar series at three halfpence, of which, owing to the increase in
price, only half as many were sold as the other. It is calculated that
this tax keeps out of employment, in London alone, full 40,000 people.
The whole value of the paper annually manufactured in the kingdom is
estimated at £4,000,000, upon which a duty is laid of £800,000. This is
levied almost entirely upon labor, the mateterial used being almost
entirely without value.
LEOPOLD RANKE, author of the History of the Popes, in the course of his
researches in the National Library at Paris, has discovered a manuscript
portion of the Memoirs of the famous statesman Cardinal Richelieu, which
has long been supposed to be lost. In the manuscript deposited at the
French Ministry of Foreign Affairs, a series of leaves is wanting. These
Mr. Ranke found by accident in a bundle of old papers. It is thought
that this discovery may throw some light upon the disputed question
whether the cardinal was the actual author of the works which are
attributed to him, or merely revised and corrected them.
The _Quarterly Review_ tells a story about George IV. which reflects
little credit upon the "First Gentleman of Europe." The noble library of
George III., in the British Museum bears an inscription purporting that
it was a gift to the nation from his successor. It appears, however,
that the library was a purchase. George IV., in one of his frequent
pecuniary straits, had negotiated for its sale to the Emperor of Russia,
and was only prevented from completing the contract by the most urgent
remonstrances, backed by the receipt of the value of the Russian rubles,
in sterling coin, from the droits of the Admiralty. It is suggested that
the inscription in the Museum should be erased; as there can be no good
reason why the nation should be called upon to supply by a public
forgery the deficiency of worthy records left behind by that monarch.
According to the _Journal de la Librairie_ the whole number of
books and pamphlets printed in France during the past year is 7208, of
which 5848 are new publications. The publications in the French language
were 6661; in the dialects spoken in France, 68; in German, 53; in
English, 61; in Spanish, 51; in Greek, 83; in Latin, 165; in Portuguese,
16; in Polish, 14; in Hebrew, 9.
A _Grammar of the Kaffir Language_, by Rev. JOHN W. APPLEYARD, a
Wesleyan Missionary in British Kaffraria, is another valuable
contribution to science resulting from missionary labors. This language,
although, of course, destitute of literary treasures, presents some
features of interest to students of comparative philology. Those
relations of words to each other which in other languages are indicated
by change of termination, are in this denoted by prefixes, which are
regulated by similarity of sound. Neither gender nor number has any
influence upon grammatical construction, being lost sight of in the
euphonic form of the word or prefix. The noun is the leading word in a
sentence, the prefix to it determining that to the other words. Thus,
_abantu_ means "the people," and _ziyeza_, "are coming;" but a Kaffir
would not express "the people are coming" by _abantu ziyeza_, but by
_abantu bayeza_, it being necessary that the prefixes to the verb and
its subject should have a similar sound. The language is also remarkable
for freedom from anomalous usages and exceptions, and for great facility
of forming compound words. Mr. Appleyard's work contains also valuable
ethnographical materials in the shape of a general classification of
the South African dialects.
An Italian savant announces that when the fog is so thick as to prevent
signals being seen from one station to another, the difficulty may be
greatly diminished by placing a colored glass between the eye and the
eye-piece of the telescope. The best color for those who have strong
eyesight is dark red; while those who are short-sighted find light red
preferable. He accounts for the fact by stating that the white color of
the fog strikes too powerfully upon the eye, particularly if the glass
have a large field; and the intensity of the light is diminished by the
interception of a part of the rays by the colored glass, so that the eye
is less wearied.
_The Velocity of Artificial Light_ has been the subject of some very
ingenious experiments by M. Fizean. A point of intense brightness,
produced by oxy-hydrogen light, is concentrated by a lens, and being
received upon a mirror placed at about two leagues distance, is
reflected back again in the same line. This is effected so exactly that
scarcely any deviation in the course of the two rays can be perceived,
the going and returning ray appearing one within the other. Behind the
point of light is placed a wheel having 720 teeth, so adjusted that the
light shines between two of the teeth, so that when the wheel is at
rest, an eye placed behind it receives the impression of the full ray.
When the wheel is moved so that 12·6 revolutions are made in a second,
the teeth of the wheel appear continuous, and half the light is
obstructed. If the velocity be sufficiently accelerated all the light is
cut off, and that rate shows the time necessary for the light to have
traversed the two leagues and back again, for the observer sees only the
returning ray. The velocity of artificial light has thus been fixed at
70,000 French leagues in a second, which agrees remarkably with that
given by astronomers to solar light, 192,500 miles in a second. The
English mile, it will be recollected is a trifle longer than the French
mile.
A paper read before the British Association, describes several
remarkable hail storms which have occurred in India. The weight of some
masses of ice which have fallen exceeds 14 pounds. Many of these masses,
under a rough external coat, contained an interior of clear ice. Immense
conglomerated masses of hail stones had been known to be swept down the
mountain ravines by the torrents which succeeded the storms; and in one
of these conglomerations a snake was found frozen up, and apparently
dead; but it revived on being thawed out.
A patent has been taken out for what the patentee calls the _essence of
milk_. Fresh milk is placed in a long, shallow copper pan, heated by
steam to a temperature of 110 degrees. A quantity of sugar is mixed with
the milk, which is continually kept in motion by stirring. This is
continued for about four hours, during which the milk is reduced by
evaporation to one-fourth of its original bulk. It is then put into
small tin cans, the tops of which are soldered on. These cans are placed
for a while in boiling water, which completes the process. This
preparation may be kept for a long time, in any climate. It is
peculiarly adapted for use on shipboard.
OBITUARIES.
The MARQUIS OF NORTHAMPTON (Spencer Joshua Alwyne Compton) died Jan. 16,
aged 60 years. He early manifested a love for literature, science, and
art, which he cultivated with greater assiduity than is usual among
students of his social rank. Among his associates at the university were
many whose names have since become known in the world of mind. In 1830
he became a member of the Royal Society. In 1838, when the presidency of
that body was resigned by the Duke of Sussex, on the ground that the
£13,000 a year, which was granted him as a prince of the blood, was an
income too limited to enable him to afford the coffee and sandwiches
usually furnished at the _soirées_ of the Society, the Marquis of
Northampton was selected to fill that place. If the selection was to be
on the grounds of rank rather than of high scientific attainments, no
better one could have been made. The _soirées_ which he gave drew
together the rank and science of the country, and had a happy influence
upon the scientific world. His attainments in almost every graceful
branch of intellectual culture were highly respectable. He resigned the
presidency of the Royal Society in 1848, and was succeeded by the Earl
of Rosse. He took no very decided part in politics, although he was
always recognized as belonging to the liberal portion of the House of
Peers. Among the large number of the higher classes who have recently
died, no one, since the death of Sir Robert Peel, is so great a loss to
literature and science as the Marquis of Northampton.
JOHN PYE SMITH, D.D., one of the most learned and eminent of the
dissenting clergy of England died Feb. 5, aged 77 years. He was the
author of a number of works of decided merit; the one by which he was
best known was Scripture and Geology. His attainments in geological
science procured his election as a member of the Royal Society. Early in
January a company of his friends and admirers presented him with a
testimonial of their affectionate regard, in commemoration of the
fiftieth year of his academic labors in the Dissenting College at
Homerton. The sum of £2600 was raised, the interest of which was to be
applied to his benefit during his lifetime, and the principal, after his
death, to be applied to the foundation of scholarships. This testimonial
to his eminent merit was only in time for an honor, but too late as a
pecuniary benefit.
CHARLES COQUEREL, whose recent death is announced in the Paris papers,
was the brother of the celebrated Protestant clergyman of France. He was
the author of a number of works, among which we remember a History of
English Literature; Caritas, an Essay on a complete Spiritual
Philosophy; and the History of the Churches in the Desert, or the
History of the Protestant Churches of France from the Revocation of the
Edict of Nantes to the Reign of Louis XVI. In this last work he
introduced the substance of a vast mass of private and official
correspondence relative to the persecutions undergone by the French
Protestants. He was also distinguished for his scientific attainments,
and for many years reported the proceedings of the French Academy of
Sciences for the _Courrier Francaise_. He was especially interested in
Arago's investigations upon light, and was busied with them almost to
the day of his death.
GASPAR SPONTINI, composer of _La Vestale_, and many other less
successful operas, died recently in the Roman States, at an advanced
age. For many years he was chapel-master to the late King of Prussia,
where both himself and his music were unpopular to the last degree among
artists; and it was an article in the contract of more than one _prima
donna_, that she should not be required to sing Spontini's music. The
one great work of his life was _La Vestale_, produced in 1809. It was
in rehearsal for a twelvemonth, and while in preparation was retouched
and amended to such an extent, that the expense of copying the
alterations is said to have amounted to 10,000 francs.
MRS. SHELLEY, wife of the poet, and daughter of Godwin and the
celebrated Mary Wolstoncroft, died in London on the 11th of February,
aged 53 years. She was herself an authoress of no inconsiderable repute.
Her wild and singular novels, among which are the Last Man, Walpurga,
and Frankenstein, are unequaled in their kind. The last in particular,
notwithstanding the revolting nature of the legend, is wrought up with
great power, and possesses singular fascination for the lovers of the
marvelous and the supernatural.
JOANNA BAILLIE, the most illustrious of the female poets of England,
unless that place be assigned to Elizabeth Barrett Browning,
notwithstanding her many affectations and great inequalities, died at
Hampstead, on the 23d of February, at the age of 90 years, within a few
weeks. She is best known by her "Plays on the Passions," in which she
made a bold and successful attempt to delineate the stronger passions of
the mind by making each of them the subject of a tragedy and a comedy.
The first volume was published in 1798, and was followed by a second and
a third in 1802 and 1812, and in 1836 by three additional volumes. In
addition to these she published at different times miscellaneous poetry,
which was in 1841 collected into a volume. Her career as an author thus
extends over almost half a century. A complete edition of her works in
one large volume has been issued within a few weeks. To Miss Baillie and
Wordsworth, more than to any others is to be attributed the redemption
of our poetry from that florid or insipid sentimentalism which was its
prevailing characteristic at the beginning of the present century. They
boldly asserted, by precept and practice, the superiority of nature over
all affectation and conventionalism. "Let one simple trait of the human
heart," says she in the Introduction to her first volume, "one
expression of passion genuine to truth and nature, be introduced, and it
will stand forth alone in the boldness of reality, while the false and
unnatural around it fades away upon every side, like the rising
exhalations of the morning." Her dramas are wrought wholly out from her
own conceptions, and exhibit great originality and invention. Her power
of portraying the darker and sterner passions of the human heart has
rarely been surpassed. Scott eulogized "Basil's love and Montfort's
hate" as a revival of something of the old Shaksperean strain in our
later and more prosaic days. But her dramas have little in common with
those of Shakspeare, so full of life, action, and vivacity. Their spirit
is more akin to the stern and solemn repose of the Greek dramas. They
have little of the form and pressure of real life. The catastrophe
springs rather from the characters themselves than from the action of
the drama. The end is seen from the beginning. Over all broods a fate as
gloomy as that which overhung the doomed House of Atreus. Her female
characters are delineated with great elevation and purity. Jane de
Montfort--with her stately form which seems gigantic, till nearer
approach shows that it scarcely exceeds middle stature; her queenly
bearing, and calm, solemn smile; her "weeds of high habitual state"--is
one of the noblest conceptions of poetry. Miss Baillie was a conspicuous
instance of high poetic powers existing in a mind capable of fulfilling
the ordinary duties of life. Among her friends were numbered most of
those whose genius has adorned their day. Her modest residence at
Hampstead was sought by visitors from all parts of Europe, and
especially from America, attracted by admiration of her genius, and love
for her virtues. In her has set one of the last and brightest stars of
that splendid constellation of genius, which arose during the early part
of the present century.
LITERARY NOTICES.
Lippincott, Grambo & Co. have issued the third edition of _California
and Oregon, or, Sights in the Gold Region_, by THEODORE T. JOHNSON, a
work which has deservedly met with a favorable reception from the
public, and which can not fail to be highly appreciated by the emigrant
to the shores of the Pacific. The author describes the incidents of his
voyage to Chagres, the journey across the Isthmus, his stay at Panama,
and his observations in the Gold Regions, in a spirited and graphic
style, which renders his volume no less amusing than instructive. The
chapters devoted to Oregon are full of valuable information, and form
not the least interesting portions of the work. In the opinion of the
author, Oregon is destined to be the permanent seat of American Empire
on the Pacific coast. The tide of emigration to California is now
setting in with gradual but increasing force toward Oregon, and of the
thousands among the population of that territory who have visited the
placers of the Sacramento, none have become settlers, but all have
returned to resume their abode in Oregon. The statements embodied in
this volume concerning the climate, soil, physical resources, and social
condition of Oregon, by Hon. Mr. Thurston, the able Representative to
Congress from that Territory, are distinguished for their good sense and
practical character, and have already made a strong impression on the
public mind. They should be taken into consideration by every one who
proposes to establish his residence in the Farthest West.
_Mount Hope, or, Philip, King of the Wampanoags_, by G. H. HOLLISTER
(published by Harper and Brothers) is a new historical romance, founded
on the scenes of Indian warfare which occurred in the first century
after the settlement of New England. The fruitful legends of that
period, which present such rich materials to the novelist, are
interwoven with the historical incidents of the day, in a tale of more
than common vigor and beauty. The development of the plot is accompanied
with numerous portraitures of real characters, some of which betray no
mean powers of description, and predict the future distinction of the
writer in this line of composition. Among the historical personages who
figure in the story, are Whalley and Goffe, the regicide judges, who
found an asylum for many years in Massachusetts, and who have left so
many traditions of mysterious interest concerning their fate. A scene
from the death-bed of the former presents a favorable specimen of the
author's ability:
"On a beautiful peninsula, formed by the most graceful curve which the
Connecticut (the loveliest of all the rivers that gleam among the hills
of the north) makes in its long, winding journey to the ocean, stood the
rural village of Hadley. It was situated upon the very point of the
peninsula, with one main street running north and south, and abutting at
either extremity upon the river. The settlement was then new, and had in
it few houses; but most of them indicated, from their size and neatness,
as well as from the degree of culture that surrounded them, the industry
and comparative opulence of the inhabitants.
"On the eastern side of the street, and about midway between the arms of
the river, stood the large, well-built mansion of Mr. Russell, the
parish clergyman, almost hidden behind the branches of two magnificent
elms of primitive growth. In the rear of the house was a lawn covered
with apple-trees.
"It was about ten o'clock in the evening of the day mentioned in the
preceding chapter, when a gentleman, closely enveloped in a long cloak
that perfectly concealed his person, emerged from the tall forest-trees
that skirted the river, and entered the orchard. At first, his step was
rapid and bold, but as he neared the house, he walked with more caution;
and on arriving at the garden-gate he paused, with his hand upon the
latch, and looked cautiously around him. Having apparently satisfied
himself that he was unnoticed, he passed noiselessly through the garden,
and stepped over the little low stile that separated it from the house,
stopped suddenly, and stamped his foot upon the ground. The earth
beneath him returned a hollow sound, and the traveler, kneeling upon his
right knee, commenced removing the rubbish that had been thrown so
artfully over the spot as to elude the vigilance of any eye not
acquainted with the premises. After he had cleared a space of about two
feet in diameter, the clear moonlight disclosed the entire surface of a
small trap-door, fastened by a strong padlock. He then pulled from his
pocket a bunch of keys, tied together by a thong of deerskin, and,
selecting the one that seemed to suit his purpose, applied it to the
lock, which yielded readily to his hand. Lifting the door upon its rusty
hinges far enough to admit his person, he placed his foot upon a short
ladder, letting the heavy door gently down as he descended. The pit in
which he had thus voluntarily shut himself was about six feet in depth,
and walled in like a well. At the west side, and near the bottom, was a
narrow channel or passage, of sufficient size to admit a full-grown man,
running horizontally westward with side-walls, and covered with large,
flat stones. Along this passage the mysterious night-wanderer crept
softly until he came to another door, opening inward, and secured in a
similar manner to the one that he had just passed. This he unlocked, and
glided through the aperture, shutting and fastening the door carefully
behind him. He was now in the cellar of the parsonage, which was so deep
that he could stand upright without touching the timbers overhead. After
groping about in the dark for some moments he discovered a small movable
staircase standing against the wall, and leading perpendicularly upward.
This he carefully ascended until he reached a third door, constructed of
lighter materials than the others, which he easily raised with a slight
pressure of the hand. He now found himself in a spacious closet, shut in
with solid panels of oak. Letting the door noiselessly down, he stood a
moment, and listened. Putting his ear to the wainscot, he could hear the
indistinct murmur of voices in low but apparently earnest conversation.
He heaved a deep sigh, and muttering to himself, 'I pray God it be not
too late,' knocked distinctly with his heavy hand against the firm
partition. The voices ceased, and he heard a light step cross the
adjoining apartment, and then a knock against the wall corresponding to
his own.
"'Who waits there?' inquired a voice from within.
"'Mr. Goldsmith,' responded the stranger.
"In a moment the door was partly opened from within by Mr. Russell, the
proprietor of the mansion, who held a lighted candle in his hand, and
who glanced stealthily into the closet, as if in doubt whether he could
safely admit his visitor.
"'Thank Heaven!' exclaimed the clergyman, 'my expectations have not
deceived me: you are with us at last.'
"'Ay, my son; the wanderer has returned. But you look pale--I am too
late--tell me if he yet lives?'
"'He lives, but is fast sinking.'
"'And his mind?'
"'Is still wandering; but there are intervals--I should rather say
glimmerings of reason; he spoke incoherently but a moment since; but he
replied not to my words, and whether he was sleeping or waking I could
not tell. His eyes were closed.'
"'I must see him: lead the way.' And opening wider the massive door, the
gray-haired regicide entered the apartment of the invalid.
"It was a small but comfortable chamber, neatly carpeted, and furnished
with a table (covered with writing materials and a few books), three
large oaken chairs, and two beds, in one of which, with his face turned
to the wall, as if to avoid the trembling rays of light that flickered
upon the table, lay an old man, apparently about eighty-five years of
age. As the evening was sultry, his only covering was a single linen
sheet thrown loosely over him, from which his emaciated arm and small,
livid fingers had escaped, and lay languidly by his side. His high,
straight forehead, and calm features, which, from their perfect outline,
neither age nor disease had robbed of their serene beauty, were pale as
marble. The window was partly open to admit the cool air from the river,
and the night breeze fanned gently the thin, snow-white locks that still
lingered about his temples. The tall form of Goffe bent over him, long
and silently, while he read with mournful earnestness the ravages of
superannuation and disease in every lineament and furrow of the
venerable face of his friend. Then, turning to the clergyman, who still
remained standing by the table, he asked, in a voice choked with grief,
while a tear sparkled in his bright eye, 'How long is it, my son, since
he spoke intelligibly? Hath he inquired after me to-day?'
"'About one o'clock, when I brought him his simple meal, he roused
himself for a moment, and demanded of me if 'I had seen his dear
major-general;' but when I sought to prolong the conversation, and asked
if he would see Goffe, his beloved son-in-law, he smiled, and said
'Yes;' but added, soon after, 'No, no: I have no son, and Goffe died
long ago.''
"'Alas!' replied Goffe--seating himself, and motioning the clergyman to
a seat that stood near him--'alas! I fear that my fruitless journey hath
taken from me the privilege I most prized on earth--the administering of
consolation to the last moments of this more than father.'
"'You call it a fruitless journey, then? And did you hear no tidings of
the long-lost son?'
"'None: I have ridden over ground where the sound of my very name would
have echoed treason; I have sought him out among men who, had they known
the name of the seeker, would gladly have bought the royal favor by
seizing and delivering over to the hands of the executioner the wasted,
life-weary _regicide_. I have this very day encountered the mortal
enemy of me and my race; but my arm struck down the wretch, as it has
stricken down many a better man in the days of the Protector. He paid
the price of his mad folly in the last debt to nature.'
"'An enemy! and slain! Have you, then, been discovered?'
"'Ay, an enemy to God and man. But did I not tell thee that he was
dead? Death is no betrayer of secrets: the hounds that scented my blood,
bore off his mutilated remains, but they will gladly leave them in the
wilderness to gorge the wolf and the raven.'
"'Who is this fallen enemy?'
"'Edward Randolph.'
"'Edward Randolph! Have you met and slain Edward Randolph?'
"'I have slain him. You look wild--you shudder. Dost think it a sin in
the sight of Heaven to stop the breath of a murderer? You start at my
words, and the minister of God may well shrink from the weapons which
the servants of the Protector have grown old in wielding. But, Russell,
Justice always bears a sword, and Oliver only taught us to employ it as
the meanest viper that crawls will use his envenomed tooth, to protect
his writhing shape from the foot that crushes him.'
"'The weapons of our warfare are not carnal,' interposed the clergyman.
"'Self-defense is the first law of our nature, Russell. But
self-defense, when roused against a tyrant, or the minions of a tyrant,
and in behalf of a goaded and maddened people, to inspire them with hope
and freedom, and lift their eyes to the pure light of heaven, is the
sentiment of a Christian patriot, and God will approve it. But let us
awaken our aged friend, and try if we can marshal his scattered thoughts
for a last conflict with the enemy of man.'
"He walked the room a moment, to banish, by more tranquil thoughts, the
frown that still lowered upon his brow and the gleam that had lighted
his dark eye--the reflex of many a bloody field; and walking slowly up
to the bed of the sick man, stooped over him, and passed his brawny hand
over the pale forehead of the sleeper. 'Awake, father, awake!--Dost thou
not know that thy son has returned? Let me hear thy voice once again.'
"The invalid turned his face suddenly toward the light, and, opening his
eyes, stared wildly at Goffe, but showed no signs of recognition.
"'Speak, Whalley: do you know me?'
"At the sound of his name, the old man started up, and rising upon his
elbow, cried, in a voice that rang hollow as the echo of the sepulchre,
'Who calls Whalley? Was it my Lord Cromwell? Was it the Lord General?
Tell him that I am ready with two hundred good troopers that carry
pistols at their holsters and swords at their girdles.' Then raising his
arm, with his small attenuated hand clenched as if it grasped the weapon
of which he raved, he continued with increased energy, 'Up, my merry
men! to horse! hew the roisterers down!--one more charge like that, and
we drive them into the morass!--There again--it was well done--now they
flounder man and horse in the dead pool--call off the men. They cry
quarter--shame on ye--'tis murder to strike a fallen foe! But I wander.
Who called Whalley? Sure I have heard that voice ere this.'
"'It is your son: it is Goffe.'
"'Peace, man! I know thee not. There _was_ a Goffe, who stood once
by my side in the armies of the Protector, and who sat with me in
judgment upon the tyrant; but he was attainted of high-treason, and
hanged--or, if not, he must have died in the tower. My memory is poor
and treacherous; I am _old_, sir; but you look--"
"'Hear me, father. Do you remember under whose charge the Stuart was
placed at Hampton Court?'
"'Do I _remember_ it!' quoth he. 'Ay, do I, as if it were but a
thing of yesterday. Yesterday! better than that. Sir, I have forgotten
_yesterday_ already: my thoughts live only in those glorious days;
they are written on the tablets of the brain as with a diamond. But what
was I saying? It has escaped me.'
"'The Stuart, father--'
"'Who had the Stuart in charge at Hampton Court? _I_ had him, and
thought the game-bird would sooner have escaped from the talons of the
falcon when poised on the wing, than he from me. But some knave played
me false, and for love or gold let the tyrant slip through my hands.
And, sir, to own the truth, he was a princely gentleman; and after his
escape he wrote me a loving letter, with many thanks for my gentle
courtesy and kindly care of him. Yet his phantasy was ever running upon
trifles: for in that very epistle he begged me to present in his name a
trumpery dog as a keep-sake to the Duke of Richmond. Had it not been for
such light follies and an overweening tyranny, he might have ruled
England to this hour.'
"Goffe now perceived that he had hit upon the right vein, and proceeded
to ply him with reminiscences of his earlier manhood.
"'Had you e'er a wife?'
"'The wife of my youth was an angel. What of her, but that she is dead,
and I desolate? Or who are you, that venture to thrust my grief upon me
unasked. You tread upon the ashes of the dead!'
"'Pardon me: I wound, that I may heal. Had you ever a daughter?'
"'I had several, but I can not recall their names. Yet I am sure there
must have been more than one.'
"'Was not one of them made by your consent the wife of William Goffe?'
"'Yes--why yes: Frances was the wife of Goffe--a gallant officer, and a
faithful servant of God and the commonwealth. I mind him well now. He
was a host in battle, but something rash, and of a hot temper. I thought
to hear of his death at the end of every conflict with the cavaliers. He
would ride a furlong in front of his troop in the rage of pursuit, if
ever the enemy broke rank and fled.'
"'What became of him?'
"'He died--no--it has all come back to me now. He came with me to
America, and here in the rocks and caverns of this wilderness he has
helped to hide me, with the tenderness of a bird for its unfledged
young, through this my second infancy.'
"'Do you not know me now?' asked Goffe, affectionately taking his hand.
"The old man fixed his mild blue eye, already beaming with the rays of
returning intelligence, full upon the anxious face of his fellow-exile,
and gazed long and intently, as if he would have read in his features
some sign of an attempt to practice upon his credulity. Then the color
came back in a momentary glow to his cheeks, and tears flowed copiously
over them, as he threw his arms around the iron form of Goffe, and
smiled faintly as he faltered, 'Alas the day--that I should live to
forget thee, my more than son!'
"The empire of reason was restored: and although afterward it sometimes
lost its sway in the chaos of the dim and shadowy images of the past,
yet from that time to the day of his death, the jealous glance with
which he followed the steps of the companion of his earlier and more
prosperous days, as he moved noiselessly around the room--the warm grasp
of the hand--the subdued patience of the sufferer--the oft-repeated
endearing appellation 'my son--my son'--were constant witnesses to the
faithfulness of memory, when kindled and kept in exercise by gratitude
and love."
_Parnassus in Pillory_, by MOTLEY MANNERS, Esq. (published by Adriance,
Sherman, and Co.), is a satire of great pretension and considerable
success upon several of the most eminent living American poets. Mr.
Manners has some sharp weapons in his armory, which he flourishes with
the skill of an adroit fencing master, but in most cases, they gleam
idly in the air without drawing blood. His happiest hits are usually
harmless, but now and then they damage himself while his antagonist
escapes. On the whole, the author's forte is poetry rather than satire,
and punning more than either. In this last accomplishment, we admit his
"proud pre-eminence."
Ticknor, Reed, and Fields have issued a new edition of _Twice Told
Tales_, by NATHANIEL HAWTHORNE, with an original preface,
and a portrait of the author. The preface is highly characteristic, and
will be read with as much interest as any of the stories. Mr. Hawthorne
presents some details of his literary autobiography, in which he relates
the ill success of his first adventures as an author, with irresistible
unction and naïvete. He claims to have been for a good many years the
obscurest literary man in America. His stories were published in
magazines and annuals, for a period comprising the whole of the writer's
young manhood, without making the slightest impression on the public,
or, with the exception of "The Rill from the Town-Pump," as far as he is
aware, having met with the good or evil fortune to be read by any body.
When collected into a volume, at a subsequent period, their success was
not such as would have gratified a craving desire for notoriety, nor did
they render the writer or his productions much more generally known than
before. The philosophy of this experience is unfolded by the author
without the slightest affectation of concealment, or any show of
querulousness on account of its existence. On the contrary, he views the
whole affair with perfect good humor, and consoles himself in the
failure of large popularity, with the sincere appreciation which his
productions received in certain gratifying quarters. They were so little
talked about that those who chanced to like them felt as if they had
made a new discovery, and thus conceived a kindly feeling not only for
the book but for the author. The influence of this on his future
literary labors is set forth with his usual half-comic seriousness. "On
the internal evidence of his sketches, he came to be regarded as a mild,
shy, gentle, melancholic, exceedingly sensitive, and not very forcible
man, hiding his blushes under an assumed name, the quaintness of which
was supposed, somehow or other, to symbolize his personal and literary
traits. He is by no means certain that some of his subsequent
productions have not been influenced and modified by a natural desire to
fill up so amiable an outline, and to act in consonance with the
character assigned to him, nor even now could he forfeit it without a
few tears of tender sensibility."
_Time the Avenger_ is the title of Mrs. MARSH'S last
novel, reprinted by Harper and Brothers. It is intended as the sequel to
"The Wilmingtons," and like that powerful story abounds in vivid
delineations of character, and natural and impressive developments of
passion. With a more reflective character than most of the former
productions of the author, the style is equally vigorous and sparkling
with that of the admirable works which have given her such a brilliant
celebrity.
_The Educational System of the Puritans and Jesuits compared_, by
N. PORTER, Professor in Yale College (published by M. W. Dodd)
is an historical and argumentative treatise discussing the origin,
influence, and prevalence in this country of the two systems. The views
of the author are presented with discrimination and force, and well
deserve the attention of the friends of religion and education.
George P. Putnam has issued the second part of _The Girlhood of
Shakspeare's Heroines_, by MARY COWDEN CLARKE, containing
_The Thane's Daughter_, in which the early history of Lady Macbeth
is described in an ingenious and lively fiction. The story does great
credit to the author's power of invention, and is executed with so much
skill, as in some degree to atone for the presumptuousness of the
enterprise. The volume is embellished with a neat engraving of "Cawdor
Castle."
Munroe and Francis, Boston, have published a volume of _Poetry from
the Waverly Novels_, containing the poems scattered through the
Waverly Novels, which are supposed to be written by Sir Walter Scott,
and which are ascribed by him to anonymous sources. The volume will be
welcomed by every lover of poetry and of Scott, not only for the
agreeable associations which it awakens, but for the numerous delicious
morceaux which it has preserved.
A new edition of _Essays and Reviews_ by EDWIN P. WHIPPLE,
has been issued by Ticknor, Reed, and Fields, comprising the contents of
the former edition, with a Review of Dana's Poems and Prose Writings,
and one or two less elaborate papers. These volumes present the
character of the author as an acute and enlightened critic in a very
favorable light. With a familiar knowledge of the lighter portions of
English literature, a healthy relish for the racy varieties of a wide
range of authors, a sensitive taste which is none the less accurate in
its decisions for being catholic in its affinities, a peculiar facility
in appreciating the point of view of the writers under discussion, and a
richness, point, and beauty of expression rarely combined in any
department of composition, Mr. Whipple has attained a deserved eminence
as a critical authority, which is certainly not surpassed in the field
of American letters, and with but few exceptions, by any writer in the
English language.
_Elements of Analytical Geometry and of the Differential and Integral
Calculus_, by ELIAS LOOMIS, Professor in the University of
New York (published by Harper and Brothers) presents the principles of
the sciences treated of, with a precision of statement and clearness of
illustration, without sacrificing any thing of scientific rigor, which
make it an admirable text-book for the college student, as well as a
facile guide for the mathematical amateur. The happy manner in which the
knotty points of the Calculus are unraveled in this treatise presents a
strong temptation to plunge into the time-devouring study.
Harper and Brothers have published _Wallace_ and _Mary
Erskine_, being the second and third numbers of Mr. ABBOTT'S
popular series of _Franconia Stories_.
_The City of the Silent_, by W. GILMORE SIMMS, is the
title of an occasional poem delivered at the consecration of Magnolia
Cemetery, Charleston, S. C. Its felicitous selection of topics, and
classic beauty of expression, entitle it to a high place in the current
poetry of the day, and amply sustain the reputation of the distinguished
author. The notes exhibit a rich store of curious erudition.
_The Shipmaster's Assistant and Commercial Digest_, by JOSEPH
BLUNT, is published by Harper and Brothers, in the fifth edition,
although such changes have been introduced as to render it in fact a new
work. It presents a complete digest of the laws of the different States
of the Union, relating to subjects connected with navigation; a
systematic arrangement of the acts of Congress in regard to the revenue
and commerce; a view of the different moneys and weights and measures of
the world, besides an immense amount of information, under appropriate
heads, on the various points of marine law and commercial regulations
that can interest an American shipmaster.
Three Leaves from Punch.
[Illustration: 1851.
"PLEASE, SIR, SHALL I HOLD YOUR HORSE?"]
* * * * *
THE AFFAIRS OF GREASE.
Fat cattle did not sell well this year. Their ever-obesity seems to have
been one of the causes of their going off so heavily--which is no
wonder. Fat oxen can not be expected to be brisk. Now, this truth has
been brought home to graziers, perhaps they will abandon the system of
fattening animals so enormously; which is the merest infatuation.
* * * * *
THE WAR ON HATS.
Every one knows that _Punch_ has lately been knocking the modern hat
upon the head with his playful, but powerful _bâton_. War to the hat is
happily superseding, on the Continent, the rage for making war on crowns
alone; and, indeed, we had so much rather see the military employed
abroad in a crusade against hats than in the work of carnage, that, by
way of giving employment in a good cause, to a brave soldier, we invest
with full powers against hats the renowned GENERAL HATZOFF.
* * * * *
PEACE OFFERING.
The Crystal Palace may be looked upon as a noble Temple of Peace, where
all nations will meet, by appointment, under the same roof, and shake
each other by the hand. It is very curious that one-half of MR. PAXTON'S
name should be significant of Peace. We propose, therefore, that over
the principal entrance there be erected in large gold letters, the
following motto, so that all foreigners may read it as a friendly salute
on the part of England:
"PAX(_ton_) VOBISCUM."
* * * * *
THE BEST LAW BOOK.
We find there has been recently advertised a Law Book under the
promising title of _Broom's Practice_. This is just what is wanted in
the law; the Broom happens to be a good one, for a little practice with
such an implement may have the effect of operating a sweeping reform.
* * * * *
JUSTICE FOR BACHELORS.
[Illustration]
[Illustration]
"DEAR MR. PUNCH,
"I am a bachelor, and my friends, I believe, allow that, in the main, I
am a tolerably good-natured fellow--but just look here! I was invited a
few days ago to spend a week at a country house, and here I am; but I
must confess that I was a little put out when taken to the very top of
it, and told that this was my bedroom. I have since been led to suppose
that unmarried men must expect to sleep in the worst rooms there are;
for see--this is the bedroom of a married couple, friends of mine.
Now--confound it! I say the comfort is monstrously and unfairly
disproportioned. The ladies--bless them!--ought, of course, to be made
as cosy as possible; no man could object to their having their nice
little bit of fire, and their dear little slippers placed before it,
with their couches, and their easy chairs, &c.--of course not--but that
is no reason why we single men should be treated like so many Shetland
ponies. There is no fireplace in my room, and the only ventilation is
through a broken window. As far as the shooting, the riding, the eating
and drinking go, I have nothing whatever to complain of. But I want to
know why--why _this_ mature female always answers my bell, and that
great brute Snawkins (whose mind, by-the-by, is not half so well
regulated as mine)--merely because he is a married man--has his hot
water brought by this little maid! I don't understand it. You may print
this, if you like; only send me a few copies of _Punch_, when it
appears, that's a good fellow, and I will carelessly leave them about,
in the hope that Mrs. Haycock may see them; and by Jove! if the hint is
not taken, and my bedroom changed--or, at least, made more
comfortable--I'll--yes--(there's an uncommonly nice girl stopping here)
I'll be hanged if I don't think very seriously of getting married
myself.
"Believe me, my dear _Punch_,
"Yours faithfully,
"CHARLES SINGLEBOY."
[Illustration]
[Illustration]
DRAMAS FOR EVERY-DAY LIFE.
The following drama is upon a subject that will come home to the heart
and tongue, the lungs and the lips, the epiglottis and the affections,
of every Englishman. There is not a theme in the whole range of
every-day life, that so frequently furnishes the matter of conversation,
and there can be none, consequently, so universal in its interest, as
the one which forms the subject of the drama we are about to present to
our readers. In every circle, at every hour of every day, the first
point started by every one meeting with another, and taken up by that
other with the keenest relish, is--The Weather. The title may not appear
at first sight a promising one, for the purposes of the dramatist; but
if he can succeed in presenting to his countrymen a type of a drama for
every-day life, divested of those common-places which long habit and an
apparent exhaustion of the theme may have thrown about it, he will be
content to hang up his harp on the first hat-peg of "Tara's," or any one
else's "hall," and repose, as well as such a substitute for a mattress
will allow him, upon his already-acquired laurels. But without further
prologue, we will "ring up," and let the curtain rise for the drama of
THE WEATHER.
* * * * *
DRAMATIS PERSONÆ.
MR. MUFFLE { _An old friend of the late husband of_
{ MRS. YAWNLEY.
MRS. MUFFLE _Wife of_ MR. MUFFLE.
MRS. SHIVERS { _A casual acquaintance of_ MRS. YAWNLEY,
{ _and knowing incidentally a little of the_
{ MUFFLES.
MRS. YAWNLEY { _A widow, whose late husband was a friend of_
{ MR. MUFFLE.
Servant to MRS. YAWNLEY.
_The_ SCENE _passes in the drawing-room of_ MRS. YAWNLEY. _The Stage
represents a handsome drawing-room, elegantly furnished. There is a door
at the back opening on to a hall in which is hung a weather-glass._
MRS. YAWNLEY _(in a morning dress) discovered seated in conversation
with_ MRS. SHIVERS, _who wears her shawl and bonnet_.
* * * * *
_Mrs. Y._ It is indeed! the winter, as you say,
Has now set in with great severity.
_Mrs. S._ Not that I think we've reason to complain.
This is December, we should recollect.
_Mrs. Y._ We should indeed--a very true remark:
And one that never struck me till you made it.
_Enter_ Servant, _announcing_ MR. _and_ MRS. MUFFLE.
_Mrs. Y._ (_rising._) Dear MRS. MUFFLE, this is very kind,
To come to see me on a day like this.
Which I and MRS. SHIVERS (whom you know)
Were just remarking was extremely cold.
_Mr. M._ Cold--do you think!
_Mrs. Y._ Yes--pray come near the fire.
_Mrs. M._ Oh! Thank you--no--I'd really rather not.
I'm very warm with walking.
[_Sits at a distance._
_Mrs. S._ Probably.
But walking somehow never makes me warm.
[_An awkward pause, during which_ MR. MUFFLE _puts his fingers between
the bars of a parrot's cage, as if playing with the bird, receives a
savage snap, but says nothing, as the affair is not remarked by any
body_.]
_Mrs. Y._ What think you, MISTER MUFFLE, will it rain?
You gentlemen can always judge so well.
_Mr. M._ (_Walking to the window, partly to
conceal the pain of his finger._) Why, that depends
a good deal on the wind.
_Mrs. S._ They say that when the smoke is beaten down,
Rain may be looked for.
_Mrs. M._ I have often heard
That if the birds fly very near the ground,
Wet is in store. Look at that sparrow now,
He's fairly _on_ the ground, so it _must_ rain.
_Mrs. Y._ But now he's off again, and so it won't,
Those adages, I think, are often wrong.
_Mr. M._ One rule I've always found infallible.
_Mrs. S._ Pray tell us what it is.
_Mrs. Y._ Do--I entreat.
It would be so convenient to know.
Some certain rule by which to guide one's self.
My glass deceives me often.
_Mrs. M._ (_in a mental aside._) Rather say
Your glass tells often some unpleasant truths.
_Mr. M._ My weather-glass, dear madam, is my corn.
_Mrs. M._ Why, really, MISTER M., you're quite absurd;
Have we the means of guidance such as that?
You're positively rude.
_Mrs. Y._ (_laughing._) Oh, not at all;
He's trod upon no tender place of mine.
_Mrs. S._ I've heard some story of the tails of cows
'Tis said that when to the wind's quarter turn'd,
They augur rain. Now tell me, MR. MUFFLE,
Do you believe in that?
_Mr. M._ I'd trust a cow's,
As well as any other idle tail.
_Mrs. Y._ That's saying very little. Tell me, now,
(For your opinion, really, I respect,)
Are mackerel-looking clouds a sign of wet?
_Mr. M._ I think it probable that mackerel clouds
Betoken wet, just as a mackerel's self
Puts us in mind of water.
_Mrs. S._ Are you joking
Or speaking as a scientific man?
_Mrs. Y._ You're such a wag, there's never any knowing
When you are serious, or half in jest.
Dear MRS. MUFFLE, you that know him best,
Shall we believe him?
_Mrs. M._ Oh, I can say nothing,
[_All laugh for some minutes, on and off, at the possibly intended wit
of_ MR. MUFFLE; _and the tittering having died off gradually, there is a
pause_.]
_Mrs. M._ (_to_ MRS. Y.) Have you been out much lately?
_Mrs. Y._ No, indeed,
The dampness in the air prevented me.
_Mrs. S._ 'Tis rather drier now.
_Mrs. Y._ I think it is.
I hope I shall be getting out next week,
If I can find a clear and frosty day.
_Mr. M._ I think 'tis very probable you will.
_Mrs. Y._ I'm quite delighted to have heard you say so;
But are you quizzing us. You're such a quiz!
_Mr. M._ (_with serious earnestness._) Believe me, MRS. YAWNLEY, when
I say
I've far too much regard--too much esteem--
For one I've known as long as I've known you,
To say a word intending to mislead;
In friendship's solemn earnestness I said,
And say again, pledging my honor on it,
'Tis my belief we may, ere very long,
Some clear and frosty days anticipate.
_Mrs. Y._ I know your kindness, and I feel it much;
You were my poor dear husband's early friend.
[_Taking out her handkerchief._ MRS. S. _goes toward the window to avoid
being involved in the scene._]
I feel that though with cheerful badinage
You now and then amuse a passing hour,
When with a serious appeal addressed,
You never make a frivolous reply.
_Mrs. M._ (_rising, and kissing_ MRS. Y.) You do him justice, but we
must be going.
_Mr. M._ (_giving his hand to_ MRS. Y.) Good morning, MRS. YAWNLEY.
_Mrs. Y._ Won't you wait,
And take some luncheon?
_Mr. M._ Thank you; no, indeed;
We must be getting home, I fear 'twill rain.
_Mrs. S._ I think you go my way--I'm in a fly,
And shall be very glad to set you down.
_Mrs. M._ Oh, thank you; that's delightful.
_Mrs. S._ (_to_ MRS. Y.) So, I'll say
Good-by at once.
_Mrs. Y._ Well, if you will not stay.
[MR. _and_ MRS. MUFFLE, _and_ MRS. SHIVERS, _exeunt by the door_. MRS.
YAWNLEY _goes to the bell_. MR. MUFFLE _taps on the weather-glass; the
bell rings; and the glass, which is going down, falls considerably at
the same moment as the curtain_.]
[Illustration: A JUVENILE PARTY.
_First Juvenile._--"THAT'S A PRETTY GIRL TALKING TO YOUNG ALGERNON
BINKS."
_Second Juvenile._--"HM--TOL-LOL! YOU SHOULD HAVE SEEN HER SOME SEASONS
AGO."]
THE KITCHEN RANGE OF ART.
Soyer, in his _Modern Housewife_, is quite angry that our great
Painters have never busied themselves with "such useful and interesting
subjects" as the subjects of the kitchen, instead of "continually
tracing on innumerable yards of canvas the horrors of war, the
destruction of a fire by fire or water, the plague, the storm, the
earthquake." For this purpose, SOYER suggests some admirable
historical events, connected with the _Cuisine_, on which artists
might, with advantage, employ their genius. Among others, he mentions
the following:
"LOUIS XIV., at Versailles, receiving from the hands of the PACHA the
First Cup of _Café_ ever made in France."
"VOLTAIRE helping FREDERIC, on the Field of Potsdam, with a Cup of
Cho-ca."
"CARDINAL MAZARIN tasting, at the Louvre, the First Cup of Chocolate."
In all matters of taste (excepting his _Nectar_ and his _Economical
Soup_, which, we candidly confess, we never could stomach) we always
agree with the mighty SOYER. And we are so moved with his indignation at
the neglect with which artists have too long visited all subjects
connected with culinary art, that we go out of our way to give Royal
Academicians the benefit of the following notions, which may have the
desired effect of elevating the _Cuisine_ to the same level as the
Conqueror's Tent, or the Monarch's Council Chamber. We see a grand
historical picture in each of the following suggestions:
"GEORGE THE THIRD in the Old Woman's Cottage, wondering 'how ever the
apples got inside the apple-dumpling.'"
"UDE Tearing his Hair, upon learning that the British Nobleman had put
salt into his soup."
"The DUKE OF NORFOLK conceiving the brilliant notion of rescuing a
Nation from Starvation, by means of his celebrated Curry-Powder."
"The Immortal Courage of the GREAT UNKNOWN who Swallowed the First
Oyster."
"MARIE-ANTOINETTE wondering how the People could starve, when there were
such nice little _Gâteaux_ at three sous apiece."
"NAPOLEON Eating the Dish of Stewed Mushrooms, by which, it is said, he
lost (in consequence of the indigestion), the Battle of Leipzig."
"The Resignation of SOYER at the Reform Club."
"Portrait of the Celebrated American Oyster, that was so large, that it
took three men to swallow it."
"ABERNATHY inventing his Dinner-Pill."
"BRILLAT SAVARIN tasting the Wonderful Sauce, that was so delicious,
that a person could eat his own father with it."
"CÆSAR, or DANDO, Astonishing the Natives."
"Heroic Death of VATEL, upon hearing that the Fish had not arrived."
"CANN first hitting upon the glorious idea of giving in Holborn 'a
devilish good dinner for 2-1/2_d._'"
As soon as our great Painters have put into living shape the above
delicious _morçeaux_, we shall be prepared to furnish them with another
course of the same choice quality.
[Illustration: REWARD OF MERIT.
_Ragged Urchin._--"PLEASE GIVE DAD A SHORT PIPE?"
_Barman._--"CAN'T DO IT. DON'T KNOW HIM."
_Ragged Urchin._--"WHY, HE GETS DRUNK HERE EVERY SATURDAY NIGHT."
_Barman._--"OH! DOES HE, MY LITTLE DEAR? THEN 'ERE'S A NICE LONG 'UN,
WITH A BIT OF WAX AT THE END."]
SPRING FASHIONS.
[Illustration: FIG. 1.--PROMENADE AND EVENING COSTUMES.]
Like coquettish April, Fashion is now beginning to exchange its more
sombre aspect for its sweetest smiles, and to develop its pretty flowers
and delicate foliage. The darker colors and firmer textures of winter
are now disappearing, and all the gay hues and lighter fabrics are
taking their places.
WALKING DRESSES.--Silks of every color and texture are now to be seen
for afternoon toilet. We may cite the following as the most general form
in which they are made: First, a dress of green silk or velvet, the
skirt made perfectly plain and very full; three-quarters high body,
fitting close to the figure, and ornamented with _noeuds_ of velvet,
to which are attached three small drops of fancy buttons, put on at
regular distances, and reaching from the top of the corsage to the lower
edge of the skirt. Loose sleeves, made open up to the elbow at the back,
and rounded, trimmed with a double frilling of narrow velvet. Chemisette
and full sleeves of white cambric. Bonnet of a deep lilac _velours
épinglé_. Across the centre of the front is worked a wreath in tambour
work, the edge of the front finished with a narrow fulling. The curtain
is bordered to match the front, the interior of which is decorated with
loops of ribbon, with _brides_ to match. Such is the costume represented
on the right in Figure 1.
Another beautiful walking dress is of green silk, the skirt trimmed with
three deep flounces, the upper one descending from the waist, and each
encircled with three narrow _galons_, put on so as to represent square
vandykes; high body, closing at the back, and ornamented in front of the
chest with five _noeuds papillons_, and on either side three _galons_,
forming _revers_. Pagoda sleeves, rather short, and finished with two
frillings decorated with _galons_; white sleeves of embroidered muslin,
having three frillings of Valenciennes lace. Another pretty style is
composed of _moire antique_ of a dark blue and black ground, _broché_ in
light blue, and trimmed with a _chenille_ lace of a dark blue color.
Changeable, lilac, pale blue, and corn-color silks are now becoming
fashionable for walking dresses.
EVENING COSTUME.--Every variety of color is now fashionable for evening
costume. The most favorite colors are _mauve_, amber, pink, lilac, blue,
and peach. The centre figure in our first illustration exhibits a very
elegant evening costume. A dress of pale pink satin, trimmed upon each
side of the skirt with a broad lappet of the same, edged with a flat row
of blonde, and confined at two distances with a _noeud_ of satin and
two ostrich feathers shaded pink, the lower part being rounded. The
centre of the pointed corsage is formed of two rows of lace, divided
with fullings of satin; the cape is composed of two rows of lace, headed
with a fulling of ribbon. The cap is composed of white lace and
decorated with pink ribbons and feathers.
[Illustration: FIG. 2.--COIFFURE.]
COIFFURES.--There is a great variety of head dresses, many of them
extremely rich and elegant. They are composed of light fabrics, and
flowers of the rarest kind. The latter are generally intermixed with
fancy ribbons, combining the most vivid hues with threads of gold or
silver, while others are varied with _noeuds_ and streamers of ribbon
velvet. Figure 2 represents a neat style of head dress for an evening
party, showing the arrangement of the back hair. An elegant style of
_coiffure_ is composed of the white thistle, intermixed with small
clusters of gold berries and white gauze ribbon, richly embroidered with
gold. Those formed of ivy leaves, interspersed with tips of white
_marabout sables d'or_, and attached with bows of green and gold ribbon,
are extremely elegant.
[Illustration: FIG. 3.--BONNET.]
[Illustration: FIG. 4.--STRAW BONNET.]
BONNETS.--Figure 3 represents a very pretty style of bonnet, adapted for
early spring. It is composed of folds of pink silk or satin, ornamented
within with flowers. The front is trimmed with fullings of satin,
attached to which, and frilling back, is a row of pointed lace. Figure 4
shows an elegant style of straw flat, for a little Miss, trimmed, in
connection with the tie, with several folds of satin ribbon. The only
external ornament is a long ostrich feather, sweeping gracefully around
the front of the crown, and falling upon the side of the brim.
BALL DRESSES are of almost every variety of style. Narrow blondes are
now much used for decorating ball dresses; they give a light and
sparkling effect when arranged in narrow _rûches_ upon a dress of rich
satin. Sometimes the skirt is trimmed with a single flower, upon which
is placed five or six _papillons_ of blonde, and sometimes upon one
skirt are four flounces, made of the same material as the dress, or of
lace. The figure on the left, in our first plate, represents an elegant
and elaborate style. The dress is pale amber satin; the corsage low; the
waist long, and _à pointe; berthe_ of _point d'Alençon_; the sleeves are
short and plain, and are nearly covered by the deep _berthe_; the skirt
is long and full, trimmed with a double row of _dentelle de laine_,
between which are bows of broad satin ribbon. The _sortie de bal_ which
covers the body, is of white cachmere, finished by a deep flounce of
_dentelle de laine_. Across the front are placed five rows of fancy silk
fringe; the top row going round the shoulders in the form of a small
cape; the pelerine, or hood, is composed entirely of _dentelle de
laine_; tassels at the corner in front; the sleeves very wide and
trimmed with deep lace to correspond with the flounce. The hood, which,
in the figure is thrown over the head, is terminated at the points with
two large tassels of fancy silk. This is an elegant costume in which to
leave the ball room for the carriage.
Transcriber's Note:
Variant and dialect spelling have been retained.
Punctuation normalized without comment.
Italics denoted by "_".
Page 606, "passions with suprising" was changed to read "passions with
surprising."
Page 611, "the wise resotion" was changed to read "the wise resolution."
Page 615, "too diminuitive for" was changed to read "too diminutive
for."
Page 624, "southorn France." was changed to read "southern France."
Page 628, "he never quited" was changed to read "he never quitted."
Page 647, "spectral arrray of" was changed to read "spectral array of."
Page 658, "myrtles, and larels" was changed to read "myrtles, and
laurels."
Page 662, "accompanied by selfishess" was changed to read "accompanied
by selfishness."
Page 662, "measles, hooping-cough," was changed to read "measles,
whooping-cough,."
Page 665, "for I havn't done" was changed to "for I haven't done."
Page 668, "for these anouncements" was changed to read "for these
announcements."
Page 672, "door pannels" was changed to read "door panels."
Page 680, "if I arrrived" was changed to read "if I arrived."
Page 681, "momently harrassed me" was changed to read "momently
harassed me."
Page 693, "that peried of" was changed to read "that period of."
Page 694, "his old parishoners" was changed to read "his old
parishioners."
Page 701, "punished by courts martial" was changed to read "punished by
courts-martial."
Page 701, "against the Camanches" was changed to read "against the
Comanches."
Page 705, "Bavarian court-martials" was changed to read "Bavarian
courts-martial."