SECRET HISTORY OF CHARLES THE FIRST, AND HIS QUEEN HENRIETTA.

The secret history of Charles the First, and his queen Henrietta of

France, opens a different scene from the one exhibited in the passionate

drama of our history.

The king is accused of the most spiritless uxoriousness; and the chaste

fondness of a husband is placed among his political errors. Even Hume

conceives that his queen "precipitated him into hasty and imprudent

counsels," and Bishop Kennet had alluded to "the influence of a stately

queen over an affectionate husband." The uxoriousness of Charles is

re-echoed by all the writers of a certain party. This is an odium which

the king's enemies first threw out to make him contemptible; while his

apologists imagined that, in perpetuating this accusation, they had

discovered, in a weakness which has at least something amiable, some

palliation for his own political misconduct. The factious, too, by this

aspersion, promoted the alarm they spread in the nation, of the king's

inclination to popery; yet, on the contrary, Charles was then making a

determined stand, and at length triumphed over a Catholic faction, which

was ruling his queen; and this at the risk and menace of a war with

France. Yet this firmness too has been denied him, even by his apologist

Hume: that historian, on his preconceived system, imagined that every

action of Charles originated in the Duke of Buckingham, and that the

duke pursued his personal quarrel with Richelieu, and taking advantage

of these domestic quarrels, had persuaded Charles to dismiss the French

attendants of the queen.[201]

There are, fortunately, two letters from Charles the First to

Buckingham, preserved in the State-papers of Lord Hardwicke, which set

this point at rest: these decisively prove that the whole matter

originated with the king himself, and that Buckingham had tried every

effort to persuade him to the contrary; for the king complains that he

had been too long overcome by his persuasions, but that he was now

"resolved it must be done, and that shortly!"[202]

It is remarkable, that the character of a queen, who is imagined to have

performed so active a part in our history, scarcely ever appears in it;

when abroad, and when she returned to England, in the midst of a winter

storm, bringing all the aid she could to her unfortunate consort, those

who witnessed this appearance of energy imagined that her character was

equally powerful in the cabinet. Yet Henrietta, after all, was nothing

more than a volatile woman; one who had never studied, never reflected,

and whom nature had formed to be charming and haughty, but whose

vivacity could not retain even a state-secret for an hour, and whose

talents were quite opposite to those of deep political intrigue.

Henrietta viewed even the characters of great men with all the

sensations of a woman. Describing the Earl of Strafford to a

confidential friend, and having observed that he was a great man, she

dwelt with far more interest on his person: "Though not handsome," said

she, "he was agreeable enough, and he had the finest hands of any man in

the world." Landing at Burlington-bay in Yorkshire, she lodged on the

quay; the parliament's admiral barbarously pointed his cannon at the

house; and several shots reaching it, her favourite, Jermyn, requested

her to fly: she safely reached a cavern in the fields, but, recollecting

that she had left a lap-dog asleep in its bed, she flew back, and amidst

the cannon-shot returned with this other favourite. The queen related

this incident of the lap-dog to her friend Madame Motteville; these

ladies considered it as a complete woman's victory. It is in these

memoirs we find, that when Charles went down to the house, to seize on

the five leading members of the opposition, the queen could not

restrain her lively temper, and impatiently babbled the plot; so that

one of the ladies in attendance despatched a hasty note to the parties,

who, as the king entered the house, had just time to leave it. Some have

dated the ruin of his cause to the failure of that impolitic step, which

alarmed every one zealous for that spirit of political freedom which had

now grown up in the Commons. Incidents like these mark the feminine

dispositions of Henrietta. But when at sea, in danger of being taken by

a parliamentarian, the queen commanded the captain not to strike, but to

prepare at the extremity to blow up the ship, resisting the shrieks of

her females and domestics. We perceive how, on every trying occasion,

Henrietta never forgot that she was the daughter of Henry the Fourth;

that glorious affinity was inherited by her with all the sexual pride;

and hence, at times, that energy in her actions which was so far above

her intellectual capacity.

And, indeed, when the awful events she had witnessed were one by one

registered in her melancholy mind, the sensibility of the woman subdued

the natural haughtiness of her character; but, true woman! the feeling

creature of circumstances, at the Restoration she resumed it, and when

the new court of Charles the Second would not endure her obsolete

haughtiness, the dowager-queen left it in all the full bitterness of her

spirit. An habitual gloom, and the meagreness of grief, during the

commonwealth, had changed a countenance once the most lively; and her

eyes, whose dark and dazzling lustre was ever celebrated, then only

shone in tears. When she told her physician, Sir Theodore Mayerne, that

she found her understanding was failing her, and seemed terrified lest

it was approaching to madness, the court physician, hardly courtly to

fallen majesty, replied, "Madam, fear not that; for you are already

mad." Henrietta had lived to contemplate the awful changes of her reign,

without comprehending them.

Waller, in the profusion of poetical decoration, makes Henrietta so

beautiful, that her beauty would affect every lover "more than his

private loves." She was "the whole world's mistress." A portrait in

crayons of Henrietta at Hampton-court sadly reduces all his poetry, for

the miraculous was only in the fancy of the court-poet. But there may be

some truth in what he says of the eyes of Henrietta:--

Such eyes as yours, on Jove himself, had thrown

As bright and fierce a lightning as his own.

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