Gray tells us that the image of his "Bard,"

Loose his beard and hoary hair

Streamed like a METEOR to the troubled air,

was taken from a picture of the Supreme Being by Raphael. It is,

however, remarkable, and somewhat ludicrous, that the _beard_ of

Hudibras is also compared to a _meteor_: and the accompanying

observation of Butler almost induces one to think that Gray derived from

it the whole plan of that sublime Ode--since his _Bard_ precisely

performs what the _beard_ of Hudibras _denounced_. These are the

verses:--

This HAIRY METEOR did denounce

_The fall of sceptres and of crowns_.

_Hudibras_, c. 1.

I have been asked if I am serious in my conjecture that "the _meteor

beard_" of Hudibras might have given birth to the "_Bard_" of Gray? I

reply, that the _burlesque_ and the _sublime_ are extremes, and extremes

meet. How often does it merely depend on our own state of mind, and on

our own taste, to consider the sublime as burlesque! A very vulgar, but

acute genius, Thomas Paine, whom we may suppose destitute of all

delicacy and refinement, has conveyed to us a notion of the _sublime_,

as it is probably experienced by ordinary and uncultivated minds; and

even by acute and judicious ones, who are destitute of imagination. He

tells us that "the _sublime_ and the _ridiculous_ are often so nearly

related, that it is difficult to class them separately. One step above

the sublime makes the ridiculous, and one step above the ridiculous

makes the sublime again." May I venture to illustrate this opinion?

Would it not appear the ridiculous or burlesque to describe the sublime

revolution of the _Earth_ on her axle, round the _Sun_, by comparing it

with the action of a _top_ flogged by a boy? And yet some of the most

exquisite lines in Milton do this; the poet only alluding in his mind to

the _top_. The earth he describes, whether

----She from west her _silent course_ advance

With _inoffensive pace_ that _spinning sleeps_

On her _soft axle_, while she _paces even_.

Be this as it may! it has never I believe been remarked (to return to

Gray) that when he conceived the idea of the beard of his _Bard_, he had

in his mind the _language_ of Milton, who describes Azazel sublimely

unfurling

The imperial ensign, which full high advanced,

_Shone like a meteor streaming to the wind_.

_Par. Lost_, B. i. v. 535.

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