SOLITUDE.

We possess, among our own native treasures, two treatises on this

subject, composed with no ordinary talent, and not their least value

consists in one being an apology for solitude, while the other combats

that prevailing passion of the studious. Zimmerman's popular work is

overloaded with commonplace; the garrulity of eloquence. The two

treatises now noticed may be compared to the highly-finished gems, whose

figure may be more finely designed, and whose strokes may be more

delicate in the smaller space they occupy than the ponderous block of

marble hewed out by the German chiseller.

Sir George Mackenzie, a polite writer, and a most eloquent pleader,

published, in 1665, a moral essay, preferring Solitude to public

employment. The eloquence of his style was well suited to the dignity of

his subject; the advocates for solitude have always prevailed over those

for active life, because there is something sublime in those feelings

which would retire from the circle of indolent triflers, or depraved

geniuses. The tract of Mackenzie was ingeniously answered by the elegant

taste of John Evelyn in 1667. Mackenzie, though he wrote in favour of

solitude, passed a very active life, first as a pleader, and afterwards

as a judge; that he was an eloquent writer, and an eloquent critic, we

have the authority of Dryden, who says, that till he was acquainted with

that noble wit of Scotland, Sir George Mackenzie, he had not known the

beautiful turn of words and thoughts in poetry, which Sir George had

explained and exemplified to him in conversation. As a judge, and king's

advocate, will not the barbarous customs of the age defend his name? He

is most hideously painted forth by the dark pencil of a poetical

Spagnoletti (Grahame), in his poem on "The Birds of Scotland." Sir

George lived in the age of rebellion, and used torture: we must entirely

put aside his political, to attend to his literary character. Blair has

quoted his pleadings as a model of eloquence, and Grahame is unjust to

the fame of Mackenzie, when he alludes to his "half-forgotten name." In

1689, he retired to Oxford, to indulge the luxuries of study in the

Bodleian Library, and to practise that solitude which so delighted him

in theory; but three years afterwards he fixed himself in London.

Evelyn, who wrote in favour of public employment being preferable to

solitude, passed his days in the tranquillity of his studies, and wrote

against the habits which he himself most loved. By this it may appear,

that that of which we have the least experience ourselves, will ever be

what appears most delightful! Alas! everything in life seems to have in

it the nature of a bubble of air, and, when touched, we find nothing but

emptiness in our hand. It is certain that the most eloquent writers in

favour of solitude have left behind them too many memorials of their

unhappy feelings, when they indulged this passion to excess; and some

ancient has justly said, that none but a god, or a savage, can suffer

this exile from human nature.

The following extracts from Sir George Mackenzie's tract on Solitude are

eloquent and impressive, and merit to be rescued from that oblivion

which surrounds many writers, whose genius has not been effaced, but

concealed, by the transient crowd of their posterity:--

I have admired to see persons of virtue and humour long much to

be in the city, where, when they come they found nor sought for

no other divertissement than to visit one another; and there to

do nothing else than to make legs, view others habit, talk of

the weather, or some such pitiful subject, and it may be, if

they made a farther inroad upon any other affair, they did so

pick one another, that it afforded them matter of eternal

quarrel; for what was at first but an indifferent subject, is

by interest adopted into the number of our quarrels.--What

pleasure can be received by talking of new fashions, buying and

selling of lands, advancement or ruin of favourites, victories

or defeats of strange princes, which is the ordinary subject of

ordinary conversation?--Most desire to frequent their

superiors, and these men must either suffer their raillery, or

must not be suffered to continue in their society; if we

converse with them who speak with more address than ourselves,

then we repine equally at our own dulness, and envy the

acuteness that accomplishes the speaker; or, if we converse

with duller animals than ourselves, then we are weary to draw

the yoke alone, and fret at our being in ill company; but if

chance blows us in amongst our equals, then we are so at guard

to catch all advantages, and so interested in point d'honneur,

that it rather cruciates than recreates us. How many make

themselves cheap by these occasions, whom we had valued highly

if they had frequented us less! And how many frequent persons

who laugh at that simplicity which the addresser admires in

himself as wit, and yet both recreate themselves with double

laughters!

In solitude, he addresses his friend:--"My dear Celador, enter

into your own breast, and there survey the several operations

of your own soul, the progress of your passions, the

strugglings of your appetite, the wanderings of your fancy, and

ye will find, I assure you, more variety in that one piece than

there is to be learned in all the courts of Christendom.

Represent to yourself the last age, all the actions and

interests in it, how much this person was infatuated with zeal,

that person with lust; how much one pursued honour, and another

riches; and in the next thought draw that scene, and represent

them all turned to dust and ashes!"

I cannot close this subject without the addition of some anecdotes,

which may be useful. A man of letters finds solitude necessary, and for

him solitude has its pleasures and its conveniences; but we shall find

that it also has a hundred things to be dreaded.

Solitude is indispensable for literary pursuits. No considerable work

has yet been composed, but its author, like an ancient magician, retired

first to the grove or the closet, to invocate his spirits. Every

production of genius must be the production of enthusiasm. When the

youth sighs and languishes, and feels himself among crowds in an irksome

solitude,--that is the moment to fly into seclusion and meditation.

Where can he indulge but in solitude the fine romances of his soul?

where but in solitude can he occupy himself in useful dreams by night,

and, when the morning rises, fly without interruption to his unfinished

labours? Retirement to the frivolous is a vast desert, to the man of

genius it is the enchanted garden of Armida.

Cicero was uneasy amidst applauding Rome, and he has designated his

numerous works by the titles of his various villas, where they were

composed. Voltaire had talents, and a taste for society, yet he not only

withdrew by intervals, but at one period of his life passed five years

in the most secret seclusion and fervent studies. Montesquieu quitted

the brilliant circles of Paris for his books, his meditations, and for

his immortal work, and was ridiculed by the gay triflers he

relinquished. Harrington, to compose his Oceana, severed himself from

the society of his friends, and was so wrapped in abstraction, that he

was pitied as a lunatic. Descartes, inflamed by genius, abruptly breaks

off all his friendly connexions, hires an obscure house in an

unfrequented corner at Paris, and applies himself to study during two

years unknown to his acquaintance. Adam Smith, after the publication of

his first work, throws himself into a retirement that lasted ten years;

even Hume rallied him for separating himself from the world; but the

great political inquirer satisfied the world, and his friends, by his

great work on the Wealth of Nations.

But this solitude, at first a necessity, and then a pleasure, at length

is not borne without repining. I will call for a witness a great genius,

and he shall speak himself. Gibbon says, "I feel, and shall continue to

feel, that domestic solitude, however it may be alleviated by the world,

by study, and even by friendship, is a comfortless state, which will

grow more painful as I descend in the vale of years." And afterwards he

writes to a friend, "Your visit has only served to remind me that man,

however amused and occupied in his closet, was not made to live alone."

I must therefore now sketch a different picture of literary solitude

than some sanguine and youthful minds conceive.

Even the sublimest of men, Milton, who is not apt to vent complaints,

appears to have felt this irksome period of life. In the preface to

Smectymnuus, he says, "It is but justice, not to defraud of due esteem

the _wearisome labours_ and _studious watchings,_ wherein I have spent

and _tired_ out almost a whole youth."

Solitude in a later period of life, or rather the neglect which awaits

the solitary man, is felt with acuter sensibility. Cowley, that

enthusiast for rural seclusion, in his retirement calls himself "The

melancholy Cowley." Mason has truly transferred the same epithet to

Gray. Bead in his letters the history of solitude. We lament the loss of

Cowley's correspondence, through the mistaken notion of Sprat; he

assuredly had painted the sorrows of his heart. But Shenstone has filled

his pages with the cries of an amiable being whose soul bleeds in the

dead oblivion of solitude. Listen to his melancholy expressions:--"Now I

am come from a visit, every little uneasiness is sufficient to

introduce my whole train of melancholy considerations, and to make me

utterly dissatisfied with the life I now lead, and the life I foresee I

shall lead. I am angry, and envious, and dejected, and frantic, and

disregard all present things, as becomes a madman to do. I am infinitely

pleased (though it is a gloomy joy) with the application of Dr. Swift's

complaint, that he is forced to die in a rage, like a poisoned rat in a

hole." Let the lover of solitude muse on its picture throughout the

year, in the following stanza by the same poet:--

Tedious again to curse the drizzling day,

Again to trace the wintry tracks of snow!

Or, soothed by vernal airs, again survey

The self-same hawthorns bud, and cowslips blow!

Swift's letters paint in terrifying colours a picture of solitude, and

at length his despair closed with idiotism. The amiable Gresset could

not sport with the brilliant wings of his butterfly muse, without

dropping some querulous expression on the solitude of genius. In his

"Epistle to his Muse," he exquisitely paints the situation of men of

genius:

----Je les vois, victimes du génie,

Au foible prix d'un éclat passager,

Vivre isolés, sans jouir de la vie!

And afterwards he adds,

Vingt ans d'ennuis, pour quelques jours de gloire!

I conclude with one more anecdote on solitude, which may amuse. When

Menage, attacked by some, and abandoned by others, was seized by a fit

of the spleen, he retreated into the country, and gave up his famous

Mercuriales; those Wednesdays when the literati assembled at his house,

to praise up or cry down one another, as is usual with the literary

populace. Menage expected to find that tranquillity in the country which

he had frequently described in his verses; but as he was only a poetical

plagiarist, it is not strange that our pastoral writer was greatly

disappointed. Some country rogues having killed his pigeons, they gave

him more vexation than his critics. He hastened his return to Paris. "It

is better," he observed, "since we are born to suffer, to feel only

reasonable sorrows."

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