MY FIRST ATTEMPT AT POETRY.

Ever since I could write my name, I have been troubled with a disease

which is spreading alarmingly in this our day and generation—I mean

_Cacoethes Scribendi_; and the best antidote I have ever been able to

discover for it, I received lately from the “Literary Messenger”—the

rejection of my articles. At that time I imagined myself perfectly

cured; but, unlike some other diseases, this can be had more than

once, and the man who could invent some vaccinating process to prevent

it, would deserve more gratitude from the present generation than the

discoverer of vaccination against small pox.

I remember distinctly my first attempt at poetry. I was quietly

resting under the shade of a stately elm, one bright summer day,

turning over the leaves of a favorite author, and listening to the

merry carols of a mock-bird that had perched on a thorn just before

me. There was a beautiful lawn gently declining from the knoll where I

lay, to the river's edge, green with luxuriant long grass,

interspersed with the simple lily of the valley. There seemed to be a

general thanksgiving of nature, and every thing tended to inspire my

juvenile muse. After sundry bitings of the nails, and scratchings of

the head,[1] I succeeded in pencilling on a blank leaf of the “Lady of

the Lake,” lines “To a Mocking Bird.” No sooner had the fever of

composition resolved itself into three stanzas, than the mock-bird,

the green elms and humming waters, lost all their enchantment, and I

hurried home to copy my verses and send them to the printing-office. I

selected the whitest sheet of gilt-edged paper I had, made a fine nib

to my pen, and soon finished a neat copy, which was forthwith

deposited in the office of a respectable hebdomadal. Publication day

came, and so did the carrier. Of all ugly boys, I used to think that

carrier was the ugliest; but when he handed me the paper that I

doubted not contained the first effort of unfledged genius, I thought

he had the finest face and most waggish look I had ever seen—and in

good truth, I never was so glad to see the fellow in my life.

Wonderful metamorphosis! thought I, eagerly snatching the paper from

him. But judge, oh! gentle reader, of my surprise and mortification,

at not finding my cherished little poem either in the poet's corner,

or even among the advertisements. The phiz of the carrier changed to

its accustomed ugliness as if by magic, and, as he passed out of the

door, he cast on {436} me a sardonic leer, grin'd “a ghastly smile,”

and “left me alone in my glory.” I had too much philosophy, however,

to remain long in a passion, or to suffer myself to be unhappy for

such a trifle. I contented myself, therefore, as well as I could, and

determined never to write another line until my first effort saw the

light. How fortunate for you, kind reader, and perhaps for me, had my

young muse then been nip'd in her incipient budding. But that first

effort did see the light the next week, and ‘Solomon in all his glory’

was not so happy as I. You who have written and published, can have

some idea of the sensations produced by the success of a first essay.

Those who never have, cannot imagine the pleasure, the fluttering of

heart, the gratified ambition, and the flattered vanity of him thus

first dignified with print. Since then I have been rejected, but never

so mortified as when my first poem did not appear when expected. And

since then I have written, published, been republished and quoted,

which is surely glory enough for one man, but have never been so happy

as when my maiden effort first appeared among the blacksmiths' and

tailors' advertisements of a village newspaper.

[Footnote 1: Be careful, when invention fails,

To scratch your head, and bite your nails.—_Swift_.]

The southern literary messenger, Vol. II., No. 7, June, 1836 · 第 31 / 47 题