CHAPTER XII

Lorelei exploded her bomb at breakfast Sunday morning, and the effect

was all she had dreaded. Fortunately, Jim had gone out, so she had only

to combat her mother's panic-stricken objections and her father's weak

persuasions. So keen, however, was the girl's humiliation at Merkle's

disclosure that Mrs. Knight dared not go to the lengths she would

otherwise have allowed herself, and Lorelei's merciless accusations

left little to be said in self-defense. Of course, the usual tears

followed, likewise repetitions of the time-worn plea that it had all

been done for Lorelei's own good and had been prompted by unselfish

love for her.

"I'm beginning to doubt that," Lorelei said, slowly. "I think you all

look upon me as a piece of property to do with as you please. Perhaps

I'm disloyal and ungrateful, but--I can't help it. And I can't forgive

you yet. When I can I'll come home again, but it's impossible for me to

live here now, feeling as I do. I want to love you--so I'm--going to

run away."

Tragically, through her tears, Mrs. Knight inquired: "What will become

of us? We can't live--Jim never does anything for us." In Peter's

watery stare was abject fright. "Lorelei wouldn't let us suffer," he

ventured, tremulously. "I'm sick. I may die any time, so the doctor

says." He was indeed a changed man; that easy good humor that had been

his most likable trait had been lost in habitual peevishness.

"I'll keep the house running as before," his daughter assured them,

"and I'll manage to get along on what's left. But you mustn't be quite

so extravagant, that's all. I sha'n't be--and you wouldn't force me to

do anything I'd regret, I'm sure." She choked down her pity at the

sight of the invalid's pasty face and flabby form, then turned to the

window. Her emotion prevented her from observing the relief that

greeted her words.

The moment was painful; Lorelei's eyes were dim, and she hardly saw the

dreary prospect of fire-escapes, of whitewashed brick, of bare, gaping

back yards overhung with clothes-lines, like nerves exposed in the

process of dissection.

"Yes, things will go on just the same," she repeated, then clenched her

hands and burst forth miserably, "Oh, I know how badly you need money!

I know what the doctor says, and--I'll get it somehow. It seems to me

I'd pay any price just to see dad walking around again and to know that

you were both provided for. Money, money! You both worship it, and--I'm

getting so I can't think of anything else. Nothing else seems worth

while."

Two hours later a dray called for her trunks and took them across town.

The Elegancia Apartments looked down on her with chill disapproval as

she entered; the elevator-man stared at her with black, hostile eyes

until she had made herself known; and even the superintendent--in a

less pretentious structure than the Elegancia, he would have been the

janitor--now that "Number Six" was rented, did not extend even a

perfunctory welcome as he delivered the keys. On the contrary, he made

known the exclusive character of the house in such a pointed manner as

to offend her.

Lilas was out, she learned, which probably meant that she was still

asleep. Lorelei ascended to her new home in low spirits. Now that she

saw the place in strong daylight, she was vaguely disappointed. On the

evening previous, the superintendent had lighted it brilliantly, but

now it was gloomy, and there was dust and disorder everywhere. The

previous occupant had undoubtedly been a temperamental housekeeper; the

tragic awakening of love's young dream showed in the hasty nature of

her departure for the ice-box was lamentably odorous of forgotten food,

the kitchenette needed scrubbing with hot water and lye, the modest

fittings of the whole place were in topsy-turvy neglect. When Lorelei's

trunks were dumped inside, the chaos appeared complete. She was not

accustomed to rely upon her own hands, and at this moment she felt none

of the pride that comes of independence. Instead of the glad spirit of

freedom she had anticipated she was filled with dismaying doubts. She

sat down, finally, in the midst of a confusion that her first efforts

had only doubled, and stared about her with miserable eyes. She was

very lonely, very friendless, and very much discouraged. Then she

noticed the telephone and sprang toward it.

Adoree was at home; her voice answered cheerily, and her interruptions

of amazement and delight caused Lorelei's message to spin itself out

unduly. Without waiting for an invitation Adoree cried:

"Let me come and help. Please! We'll use both the poodles for mops, and

I'll be there in ten minutes. ... You're a perfect dear to say yes for

I know you want to do it all yourself."

"Come now--quickly. I'm scared--" Lorelei begged, in tearful tones.

"I'll drive right up in my chariot of flame; I was going out, and it's

waiting while I kalsomine my face. Are you SURE everything is good and

dirty? Goody! We'll make the prop footman work for once in his

life--no, we'll do it ourselves. Good-by."

In a surprisingly short time the Palace Garden star came flying up the

stairs, scorning such delays as elevators. She flung herself upon her

friend with a hug and a smack, crying, "Hurrah! Madame Sans Gene has

come to do the scrubbing."

Yet she hardly seemed dressed for house-cleaning. A tremendous floppy

hat crowned her flaxen head; she was tightly incased, like a chrysalis

in its cocoon, in a delicate creation of pink; her gloves were long and

tight, and her high-heeled boots were longer and tighter. Nevertheless

she promptly proceeded with a reckless discard of her finery--a process

she had begun on her way up-stairs, like a country boy on his approach

to a swimming-hole.

She paused in the center of the one passably sized room, and her

piquant face was flushed with animation.

"How perfectly corking!" she exclaimed. "How BEAUTIFUL!"

"Do you think so?" Lorelei asked, doubtfully.

"It's just dandy--so cozy and secluded and--shady. Why, it's a darling

place! Not a sound, is there? Gee, what a place to sleep!" She sped

from one to the other of the three rooms uttering shrieks of rapture.

Even the bath-room, which was much like any other, although as cramped

as a Chinese lady's foot, excited a burst of enthusiasm.

At last she ceased her inspection, quite out of breath, and declared:

"I'm enchanted. I tell you there's nothing like these inside

apartments, after all, you're so safe from burglars. But the RENT! My

dear, you stole this place. And to think it's all yours--why, I'm going

to live and die here."

"WILL you? I mean live--"

The dancer laughed. "No, no. If I did either they'd fire you out. But

I'll come often, and we'll have the dearest parties--just we two,

without any men. We'll let our hair down, and cook and--WILL you look

at that gas-stove? I could eat it."

It was impossible to resist such infectious spirits. Lorelei began to

see sunshine, and before she knew it she was laughing, in the best of

humor with herself and her surroundings. Adoree, clad now in a

nameless, formless garment which she had discovered in a closet, her

own modish belongings safely rolled up in a sheet, had covered her head

with a towel turban and incased her feet in an old pair of shoes. Thus

equipped, she fell upon the task of regeneration with fanatic zeal. She

became grimy; a smear of soot disfigured her face; her skirt dragged,

her shoe-tops flopped, and the heels clattered; but she was hilariously

happy.

Side by side the girls worked; they forgot their luncheon, then sent

the sad-faced footman in search of a delicatessen store, and ate

ravenously with a newspaper for table-cloth. By evening the place found

itself for once in its life clean and orderly, and the two occupants

dressed and went out to a near-by hotel for dinner. Returning, they put

the final touches to their task.

When Adoree left, late that night, she kissed her friend, saying:

"Thank you for the loveliest Sunday I ever had. It was splendid, and

I'll come again to-morrow."

The theatrical profession is full of women whose lives are flawless;

hence it had not been difficult for Lorelei to build up a reputation

that insured respect, although her connection with a Bergman show made

the task more difficult than it would otherwise have been. During the

two years of her stage experience no scandal had attached to her name,

and she had therefore begun to feel secure. In that period she had met

many men of the usual types that are attracted by footlight favorites,

and they had pressed attentions upon her, but so long as she had been

recognized as the Lady Unobtainable they had not forced their unwelcome

advances. Now, however, that a scurrilous newspaper story had

associated her name with that of a wealthy man, she began to note a

change. The Hammon-Lynn affair was already notorious; Lorelei's part in

it led the stage-broken wiseacres to doubt her innocence, and their

altered attitude soon became apparent to her. There was a difference

also in the bearing of certain members of the company. She heard

conversations retailed at second hand by envious chorus-mates; in her

hearing detached remarks were dropped that offended her. Bergman's

advances had been only another disquieting symptom of what she had to

expect--an indication of the new color her reputation had assumed.

Nobel Bergman's success in the show business had long been a mystery

among those who knew him; for, to offset an undeniable theatrical

talent, he possessed all the appetites, the frailties, and the passions

of a rake. It was perhaps most of all his keen personal appreciation of

beauty that had made his companies the sensation of New York. At any

rate, he had done amazingly well for himself, and entertainments of a

certain character had become known as "Bergman Shows," just as

show-girls of a dashing type were known as "Bergman Girls," even when

employed by rival managers. In his office, or during the organization

and production of his spectacles, he was a cold, shrewd man of

business; once the venture had been launched, he became an amorous

hanger-on, a jackal prowling in search of a kill. His commercial

caution steered him wide of the moral women in his employ, but the

other kind, and especially the innocent or the inexperienced, had cause

to know and to fear him. In appearance he was slender and foppish; he

affected a pronounced waist-line in his coats, his eyes were large and

dark and brilliant, his mouth was sensual. He never raised his voice,

he never appeared to see plain women; such girls as accepted his

attentions were sure of advancement, but paid for it in other ways.

On Monday evening Mr. Slosson, the press-agent, thrust his head through

the dressing-room door and inquired: "May I come in?"

"You are in."

"I came to see Lorelei. Say, there's some society people out front who

want to meet you, and you're to join them after the show."

"Indeed. Who said so?"

"Bergman."

"Declined, with thanks," promptly said Lorelei.

"Oh, wait. You can't decline this; it's business; Bergman says you must

come as a personal favor to him. Mrs. Thompson-Bellaire is giving a

box-party, and she told him to fetch you around for supper. She owns a

piece of this show, and the theater belongs to the estate, so you'll

just have to go."

"Mercy! Mrs. Thompson-Bellaire, the college-boy's giddy godmother,"

Lilas mocked. "I suppose she's out slumming, with her kindergarten

class."

Slosson frowned at this levity. "Will you go?" he inquired. "Yes or no?"

"Um-m--I'll have to say 'yes,' it seems."

"Good. I'll 'phone Bergman."

When the press-agent had gone Lilas regarded her companion with open

compassion. "Gee! But you're going to have a grand time. That bunch

thinks it's smart to be seen with show-people, and of course they'll

dance all night."

Lorelei groaned. "And I did so want to go straight back to my new

home." When she joined her employer after the show she was in no very

agreeable frame of mind.

Mrs. Thompson-Bellaire was a vermilion-haired widow with a chest like a

blacksmith, who had become famous for her jewels and her social

eccentricities. She and her party were established at one of the

up-town "Trottoires," when Nobel Bergman and Lorelei arrived. Three

examples of blushing boyhood devoted themselves to a languid blonde

girl of thirty-five, and the hostess herself was dancing with another

tender youth, but she came forward, panting.

"So good of you to come, dear," she cried. "This is Miss Wyeth, and

these are my boys, Mr.--" She spoke four meaningless names, and four

meaningless smiles responded; four wet-combed heads were bowed. She

turned to her blonde companion, saying, "She IS pretty, isn't she,

Alice?"

"Very," Alice agreed, without removing her eyes from the youth at her

left.

Bergman invited Lorelei to finish the dance; then he inquired, "What do

you think of her?"

"Her hair fascinates me; she looks as if she had just burst out of a

thicket of henna leaves." Bergman laughed, silently. "But why did she

invite me?"

"I told her to."

"You?"

"I knew you'd refuse if I asked you."

"So? Then I'm really your guest instead of hers."

"We'll leave whenever you say."

Throughout the rest of the dance Lorelei was silent, offended at

Bergman's deception and uncomfortable at her own situation; but the

hostess had ordered a supper of the unsatisfactory kind usual in such

places; little as she liked the prospect, she could not leave at once.

The meal was interrupted regularly each time the music played, for

dancing was more than a fad in this set--it was a serious business with

which nothing was allowed to interfere. The bulky widow was invariably

the first upon her feet, and Miss Wyeth followed closely, yielding

herself limply to the arms of first one, then another of the youthful

coterie. She held her slashed gown high, and in the more fanciful

extravagances of the dance she displayed a slender limb to the knee.

She was imperturbable, unenthusiastic, utterly untiring. The hostess,

because of her brawn, made harder work of the exercise; but years of

strenuous reducing had hardened her muscles, and she possessed the

endurance of a bear. Once the meal had dragged itself to a conclusion,

there began the customary round of the dancing-places--this being the

popular conception of a lark--and Lorelei allowed herself to be bundled

in and out of the Thompson-Bellaire theater-car. There was considerable

drinking, Bergman, who devoted himself assiduously to his employee,

showing more effect from it than the others. He utterly refused to take

her home. As the night wore on he became more and more offensive; he

grew coarse in a sly, tentative manner, as if feeling his ground. He

changed the manner of his dancing, also, until Lorelei could no longer

tolerate him.

"Getting tired, my dear?" he queried, when she declined to join the

whirling throng.

"Yes. I want to go."

"All right." He leered at her and nodded. "Still living on Amsterdam

Avenue?"

"No. I've moved to the Elegancia."

"So? How does mother like it?"

"She's--I'm living alone."

Bergman started, his eyes brightened. "Ah! Then you've come to your

senses finally. I thought you would. Let's finish this dance, anyhow."

"I don't want to be seen dancing too much with you."

"Why?"

"You understand why, Mr. Bergman." She eyed him coolly.

The lines of his sinister face, loosened and sagging slightly from

drink, deepened for an instant. "Let them talk. I can do more for you

than Merkle can."

"Merkle?" Her expression did not change.

"Now don't let's deceive each other." He had never found it necessary

to cultivate patience in his dealings with women, and when she

pretended ignorance of his meaning he flared out, half in weariness,

half in anger:

"Oh, play your game with strangers, but don't put me off. Weren't you

caught with him at the Chateau? Hasn't he fixed you up at the

Elegancia? Well, then--"

"You needn't finish. I'm going home now."

He laid a detaining hand upon her arm. "You never learned that speech

in one of my shows," he said, "and you're not going to say good night

to me. Understand?" He grinned at her with disgusting confidence, and

she flung off his touch. They had been speaking in low tones, because

of the two vacant-faced boys across the table; now Lorelei turned

appealingly to them. But they were not creatures upon whom any woman

might rely. Nor could she avail herself of Mrs. Thompson-Bellaire's

assistance, for the widow's reputation was little better than

Bergman's, and from her attitude it was plain that she had lent herself

to his designs. He was murmuring slyly:

"You're a sensible girl; you want to get ahead. Well, I can put you at

the top, or--"

"Or--what?" She faced him defiantly.

"Or I can put you out of the business."

The returning dancers offered a welcome diversion.

Lorelei dreaded an open clash with the manager, knowing that the place,

the hour, and the conditions were ill suited to a scene. She had

learned to smile and to consider swiftly, to cross the thin ice of an

embarrassing situation with light steps. Quickly she turned to Mrs.

Thompson-Bellaire, who was bowing effusively to a newcomer.

"My word! What is Bob Wharton doing here?" exclaimed the widow.

"Bob Wharton? Where?" Miss Wyeth's languor vanished electrically; she

wrenched her attention from the wire-haired fraternity man at her side.

Lorelei felt a sense of great thanksgiving.

Mrs. Thompson-Bellaire beckoned, and Wharton came forward, his eyes

fixed gloomily upon Lorelei.

"You rascal! So THIS is how you waste your evenings. I AM surprised,

but, now that we've caught you, won't you join us?"

Wharton glanced at the four pawns and hesitated. "It's long past nine;

I'm afraid the boys will be late for school."

Miss Wyeth tittered; the sophomore with the bristling pompadour uttered

a bark of amusement. Meeting Bob's questioning glance, Lorelei seconded

the invitation with a nod and a quick look of appeal, whereupon his

demeanor changed and he drew a chair between her and Nobel Bergman,

forcing the latter to move. His action was pointed, almost rude, but

the girl felt a surge of gratitude sweep over her.

There was an interlude of idle chatter, then the orchestra burst into

full clamor once more. Much to the chagrin of her escort, Lorelei rose

and danced away with the new-comer.

"Why the distress signal?" queried Bob.

"Mr. Bergman has--been drinking."

"Rum is poison," he told her, with mock indignation. "He must be a low

person."

"He's getting unpleasant."

"Shall I take him by the nose and run around the block?"

"You can do me a favor."

He was serious in an instant. "You were nice to me the other night. I'm

sorry to see you with this fellow."

"He forced--he deceived me into coming, and he's taking advantage of

conditions to--be nasty."

Bob missed a step, then apologized. His next words were facetious, but

his tone was ugly; "Where do you want the remains sent?"

"Will you wait and see that mine are safely sent home?" She leaned

back, and her troubled twilight eyes besought him.

"I'll wait, never fear. I've been looking everywhere for you. I wanted

to find you, and I didn't want to. I've been to every cafe in town. How

in the world did you fall in with the old bell-cow and her calf?"

When Lorelei had explained, he nodded his complete understanding.

"She's just the sort to do a thing like that. Thompson, the first

martyr, was a decent fellow, I believe; then she kidnapped Bellaire, a

young wine-agent. Tuberculosis got him, and she's been known ever since

as 'the widow T. B.' I suppose you'd call her 'the leading Juvenile.'"

Lorelei felt a great relief at the presence of this far from admirable

young man, for, despite his vicious reputation, he seemed clean and

wholesome as compared with Bergman. She was sure, moreover, that he was

trustworthy, now that he knew and liked her, and she remembered that of

all the men she had met since that newspaper scandal had appeared, he

alone had betrayed no knowledge of it in word or deed.

On this occasion Wharton justified her faith. He ignored Bergman's

scowls; he proceeded to monopolize the manager's favorite with an

arrogance that secretly delighted her; he displayed the assurance of

one reared to selfish exactions, and his rival writhed under it. But

Bergman was slow to admit defeat, and when his unspoken threats failed

to impress the girl he began to ply Wharton with wine. Bob accepted the

challenge blithely, and a drinking-bout followed.

The widow T. B. and her party looked on with enjoyment.

Dawn was near when the crowd separated and the hostess was driven away,

leaving Lorelei at the door of a taxi-cab in company with her two

admirers. The girl bade them each good night, but Bergman ignored her

words and, stepping boldly in after her, spoke to the driver.

Bob had imbibed with a magnificent disregard of consequences, and as a

result he was unsteady on his feet. His hat was tilted back from his

brow, his slender stick bent beneath the weight he put upon it.

"Naughty, naughty Nobel!" he chided. "Come out of that cab; you and I

journey arm and arm into the purpling East."

"Drive on," cried Bergman, forcing Lorelei back into her seat, as she

half rose.

Bob leaned through the open cab window, murmuring thickly: "Nobel, you

are drunk. Shocked--nay, grieved--as I am at seeing you thus, I shall

take you home."

"Get out, will you?" snapped the manager, undertaking to slam the door.

But Wharton was in a declamatory mood and went on, swingingly: "The sky

is faintly flushed with pink; Apollo in his chariot draws nigh. The

morning-glory closes with the sun, Bergman, and if a fairy princess is

late she will be shut out and forced to sleep on the petals of a rose.

My dear Nobel, don't spoil her beauty sleep."

"I'm tired of your insolence. I'll--"

Bergman never finished his sentence, for in his rage he committed a

grave blunder--he struck wildly at the flushed face so close to his,

and the next instant was jerked bodily out of his seat. Lorelei uttered

a cry of fright, for the whole side of the cab seemed to go with her

employer.

There was a brief scuffle, a whirl of flying arms, then Bergman's voice

rose in a strangely muffled howl, followed by nasal curses. With a

bellow of anguish he suddenly ceased his struggles, and Lorelei saw

that Bob was holding him by the nose. It happened to be a large,

unhandsome, and fleshy member, and, securely grasping it, Bergman's

conqueror held him at a painful and humiliating disadvantage.

Bob was panting, but he managed to say, "Come! We will run for the

lady--once around the block."

A muffled shriek of pain was the answer, but the street was empty save

for some grinning chauffeurs, who offered no assistance.

"Be a good fellow. I insist, my dear Nobel. Advance! Double quick!

Charge!"

The two men moved away haltingly, then at a zigzag trot, and finally at

a slow run. They disappeared around the corner, Bob Wharton leading,

Bergman bent double and screaming poisonous oaths.

"Drive on, quickly," Lorelei implored, but the chauffeur cranked his

motor reluctantly, craning his neck in an evident desire to see more of

this interesting affray. His companions were laughing loudly and

slapping their thighs. Despite Lorelei's hysterically repeated orders,

he experienced difficulty in starting the machine; finally he lifted

the hood and fumbled inside. A moment passed, then another; he cranked

once more, but as the motor was seized with a fit of shuddering the two

white-fronted figures turned the upper corner and approached. Their

relative positions were unchanged. The block was a short one, yet they

seemed winded. Bergman was sobbing now like a woman, and he was

followed by three curious newsboys.

Bob paused at the starting-point and wheezed: "Bravo! You done noble,

Nobel. We've learned some new steps, too, eh?" All power of resistance

had left the victim, who seemed upon the verge of collapse. "I say

we've learned some new steps; haven't we, Bergy?" He tweaked the

distorted member in his grasp, and Bergman's head wagged loosely.

A late diner cruised uncertainly down the street, and, sensing the

unusual, paused, rocking in his tracks.

"Whash trouble? Shome fightin' goin' on?" he inquired, brightly.

"Oh, please--please--" Lorelei cried, tremulously. "Don't--"

"Canter for the kind lady," Wharton insisted. "Come on." He began to

lift and lower his shoulders in imitation of a rider. Bergman capered

awkwardly. "Once more."

"Fine!" shouted the drunken spectator, clapping his hands loosely.

"Tha's bully. Now make 'im shingle-foot."

"Single-foot? Certainly. He's park gaited."

"Mr. Wharton! BOB--" Lorelei's agonized entreaty brought her admirer to

the cab door, but he fetched his prisoner in tow. "Let him go or--we'll

all be arrested."

"Want see 'im shingle-foot," eagerly importuned the stranger.

"I'll take off his bridle if you insist. But it's a grand nose. I--love

it. Never was there such a nose."

Bergman, with a desperate wrench, regained his freedom and staggered

away with his face in his hands.

"It--actually stretched," said Bob, as he regretfully watched his

victim. "I dare say I'll never find another nose like it."

The appreciative bystander lurched forward and flung an arm over his

shoulder, then, peering in at the girl, exclaimed: "Good, wasn't it? I

had a horse once, an' I know. You're a'right, m' frien'. Let's go get

another one."

Lorelei's cab got under way at last, but barely in time, for a crowd

was assembling. She sank back weakly, and her last glimpse showed

Wharton arm-in-arm with the tipsy wayfarer.

Not until she was safely inside her little apartment, with the chain on

the door, did she surrender; then she burst into a trembling, choking

fit of laughter. But her estimate of Wharton had risen, and for the

first time he seemed not entirely bad.

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