FOG

I

Her name was Stella, and she did not like her name. Her hair was quite

lustrous, but she did not like her hair, either, and stood combing

it jerkily before a glass which possessed in its midst one of those

unfortunate waves capable of drawing the face of the beholder into a sad

and sometimes startling distortion. Nor did she take the trouble to keep

out of range of the wave, which proved beyond any reasonable doubt that

things were not going very well with her.

Stella’s face was by no means a discredit to her sex; but a woman is

never seen to the best advantage when at odds with her hair—one of

the few generalities that may fairly be called safe. Her life was a

failure—that worst of all possible failures:—the kind of failure one just

misses grasping. She phrased it all supremely: “I guess I’m about as deep

in the mire as any one could get without being swallowed up entirely.”

Her eye chanced to light upon a cheaply framed photograph. With an

impulsive, half desperately searching air she took it in her hand, and

her regard assumed a passing gleam of softness. What she held was the

likeness of a young man about her own age—apparently around twenty—with a

somewhat groping look. Her inspection became hard, critical, unrelenting.

When she put him down it was with a thrust of annoyance. The young

man tottered a moment on the dizzy edge of a rouge pot and then fell

prostrate. She did not bother to put him on his feet again.

As she reached the dining room, chairs were just being scraped into

business-like adjacency with the table. Stella was really supposed to

come down in time to set the table for breakfast; but now and then,

either despite her high impatience or because of it, she overslept,

which was likely to signify that she had been into the small hours with

a novel. It also meant, in the ruthless way of life’s dispensations,

checks, and balances, that her sister Maud must contrive to set the table

between stirrings and slicings and fryings in the kitchen. Maud was plain

and capable, always pressed for time, very serious about everything. But

she was amiable, and even owned a sense of humour, of a sort—which at any

rate was better than none at all.

Exclamations of delight were in the air, emanating from Aunt Alice.

“Goody—muffins!” She sniffed approvingly. “Some more of your grand

corn muffins, Maud? Or—no, it seems to me—Maud, don’t I get a whiff of

graham?” And now her nose was lifted in sheer transport.

“Corn muffins this morning,” Maud replied, a pleased smile on her

somewhat formless lips.

“Goody again, say I!” It was a zest which seemed really to congratulate

all present.

Stella eyed her aunt dully. God had made her, and she had a good heart: a

wide-chested, cheerful, talkative lady of uncertain years, and a little

taller than Maud’s husband, even when he wore his special high heels. Ted

was far from being a vain man, but he didn’t like to be thought of as

a little man, either, and the cobbler said he’d done that kind of work

before.

Romance? thought Stella, looking unhappily about her. Where was it? She

longed for charm and luxury and brilliant contacts, but her father was in

the harness business.

Well—as he bent low over each sibilant spoonful of orange juice,

wrinkling both eyes a great deal while he delved into the independable

fruit, Frank Meade, stolid and honest and plain, wouldn’t strike any

one as perhaps quite bloated with romance; and yet, abruptly, a wisp of

remorse softened the daughter’s mood a little as she watched him—almost

a little errant burst of spiritual vision. But it faded quickly, and

she was brooding: “He might have been worth millions if he’d switched in

time!” Millions, not for themselves but what they could do to one’s life.

It was a distinction, though perhaps a trifle fine.

Into this sombre reverie broke the quiet voice of her sister: “Stella,

dear, another cup?”

“Such delicious coffee!” endorsed Aunt Alice, who could always be

depended upon to edge in something with the sly apology of the

parenthesis.

Stella suddenly remembered how Irmengarde, in the chapter where they

had afternoon tea somewhere in the Tyrol, waved aside the entreaties of

all her admirers, declining urged dainties on every hand because the

particular romance of her situation recommended an attitude of delicate

ennui. Stella would have liked borrowing the technique of the Tyrolese

mood, but there you were again. This wasn’t a resort in the Tyrol but

just the familiar San Francisco dining room with walls of cracked cream.

Her name was not Irmengarde. She was at war with life, but her cup went

back to be refilled notwithstanding.

After breakfast Maud called out to her husband: “Ted, dear, I wish

you’d bring home one of those new patent wringers with you tonight. The

handle’s come off my old one, and the man at the repair shop said if it

ever came off again he couldn’t fix it.”

“They’re grand!” echoed Aunt Alice over the rail of the banister. “I

think Bert said there were ball bearings inside.”

Ted said all right, his eyes winking behind very bright-looking glasses,

and Maud gave him a capable yet withal affectionate kiss. Aunt Alice,

though afar off now, heard and shouted unquenchably: “Another one for me,

Maud! You’re all right, Teddy! You’re a good boy! ‘Drink to me only with

thine eyes....’” Her voice strode irrepressibly off in song.

Stella half consciously heard too; and, out in the kitchen, her hands in

the eternal suds of dish-washing, it set her thrilling over one of the

golden sentences in that chapter where Irmengarde steals out to view the

ruins by moonlight.

“For one who has kissed as I have kissed,” sighed Irmengarde, “there are

no longer any mysteries in the world!”

The White Kami: A Novel · 第 57 / 226 题