III.

I cannot recall the two years that I spent there without being beset by

a throng of memories from which I can free myself only by passing them

all in review, one after another, like pictures in a magic-lantern; now

laughing, now sighing, now shaking my head, but feeling all the while

that each episode is dear to me and will never be forgotten while I

live.

How well I remember the first grief of my military life, a blow that

befell me a few days after I had entered college all aglow with the

poetry of war. It was the morning on which caps were distributed. Each

new recruit of the company found one that fitted him, but all were too

small for me, and the captain turned upon me furiously.

"Are you aware that the commissary stores will have to be reopened just

for you?" And I heard him mutter after a pause, "What are you going to

do with a head like that?"

Great God, what I underwent at that moment! What--be a soldier? I

thought. Never! Better beg my bread in the streets--better die and have

done with it!

Then I remember an officer, an old soldier, gruff but kindly, who had a

way of smiling whenever he looked at me. How that smile used to

exasperate me! I had made up my mind to demand an explanation, to let

him know that I didn't propose to be any man's butt, when one evening

he called me to him, and having given me to understand that he had

heard something about me and that he wanted to know if it were really

true (I was to speak frankly, for it would do me no harm), he finally,

with many coughs and smiles and furtive glances, whispered in my ear:

"Is it true that you write poetry?"

I recall, too, the insuperable difficulty of accomplishing the manual

tasks imposed upon me, especially that of sewing on my buttons--how

every few seconds the needle would slip through my fingers, till the

thread was tangled up in a veritable spider's web, while the button

hung as loose as ever, to the derision of my companions and the disgust

of the drill-sergeant, whose contemptuous--"You may be a great hand at

rhyming, but when it comes to sewing on buttons you're a hundred years

behind the times," seemed to exile me to the depths of the eighteenth

century.

I see the great refectory, where a battalion might have drilled; I see

the long tables, the five hundred heads bent above the plates, the

rapid motion of five hundred forks, of a thousand hands and sixteen

thousand teeth; the swarm of servants running here and there, called

to, scolded, hurried, on every side at once; I hear the clatter of

dishes, the deafening noise, the voices choked with food crying out:

"Bread--bread!" and I feel once more the formidable appetite, the

herculean strength of jaw, the exuberant life and spirits of those

far-off days.

The scene changes, and I see myself locked in a narrow cell on the

fifth floor, a jug of water at my side, a piece of black bread in my

hand, with unkempt hair and unshorn chin, and the image of Silvio

Pellico before me; condemned to ten days' imprisonment for having made

an address of thanks to the professor of chemistry on the occasion of

his closing lecture, thereby committing an infraction of article number

so-and-so of the regulation forbidding any cadet to speak in public in

the name of his companions. And to this day I can hear the Major

saying: "Take my advice and never let your imagination run away with

you;" citing the example of his old school-fellow, the poet Regaldi,

who had got into just such a scrape, and concluding with the warning

that "poetry always made men make asses of themselves."

Yes, I see it all as vividly as though I were reliving the very same

life again--the silent march of the companies at night down the long,

faintly-lit corridors; the professors behind their desks, deafening us

with their Gustavus-Adolphuses, their Fredericks the Great, and their

Napoleons; the great lecture-rooms full of motionless faces; the huge,

dim dormitories, resounding with the respirations of a hundred pairs of

lungs; the garden, the piazza, the ramparts, the winding Modenese

sheets, the cafis full of graduates devouring pastry, the picnics in

the country, the excursions to neighboring villages, the intrigues, the

studies, the rivalries, the sadnesses, the enmities, the friendships.

Stories by Foreign Authors: Italian · 第 39 / 50 题