Here lieth to digest, macerate, and amalgamate with clay,

In Balneo Arenæ,

Stratum super stratum,

The Residuum, Terra Damnata, and Caput Mortuum,

Of Boyle Godfrey, Chimist,

And M.D.

A man who in this earthly Laboratory

Pursued various processes to obtain

Arcanum Vitæ,

Or the secret to Live;

Also Aurum Vitæ,

Or the art of getting, rather than making, Gold.

Alchemist like,

All his labour and propition,

As Mercury in the fire, evaporated in fumo.

When he dissolved to his first principles,

He departed as poor

As the last drops of an alembic;

For riches are not poured

On the Adepts of this world.

Thus,

Not Solar in his purse,

Neither Lunar in his disposition,

Nor Jovial in his temperament;

Being of Saturnine habit,

Venereal conflicts had left him,

And Martial ones he disliked.

With nothing saline in his composition,

All Salts but two were his Nostrums.

The Attic he did not know,

And that of the Earth he thought not Essential;

But, perhaps, his had lost its savour.

Though fond of news, he carefully avoided

The fermentation, effervescence,

And decupilation of this life.

Full seventy years his exalted essence

Was hermetically sealed in its terrene matrass;

But the radical moisture being exhausted,

The Elixir Vitæ spent,

Inspissated and exsiccated to a cuticle,

He could not suspend longer in his vehicle,

But precipitated gradatim

Per companum

To his original dust.

May that light, brighter than Bolognian Phosphorus,

Preserve him from the Incineration and Concremation

Of the Athanor, Empyreuma, and Reverberatory

Furnace of the other world,

Depurate him, like Tartarus Regeneratus,

From the Foeces and Scoria of this;

Highly rectify and volatilize

His Etherial Spirit,

Bring it over the helm of the Retort of this Globe,

Place in a proper Recipient,

Or Crystalline Orb,

Among the elect of the Flowers of Benjamin,

Never to be saturated

Till the general Resuscitation,

Deflagration, and Calcination of all Things,

When all the reguline parts

Of his comminuted substance

Shall be again concentrated,

Revivified, alcoholized,

And imbibe its pristine Archeses;

Undergo a new transmutation,

Eternal fixation,

And combination of its former Aura;

Be coated over and decorated in robes more fair

Than the majestie of Bismuth,

More sparkling than Cinnabar,

Or Aurum Mosaicum.

And being found Proof Spirit,

Then to be exalted and sublimed together

Into the Concave Dome

Of the highest Aludel in Paradise."

TO CLARA MORCHELLA DELICIOSA.

(A MYCOLOGICAL SERENADE.)

By Mr. A. Stephen Wilson, North Kinmundy, Aberdeenshire, and read at a

meeting of the Cryptogamic Society at Glasgow in 1880.

"Oh, lovely Clara, hie with me

Where Cryptogams in beauty spore,

Corticiums creep on trunk and tree,

And fairy rings their curves restore;

Mycelia there pervade the ground,

And many a painted pileus rear,

Agarics rend their veils around

The ranal overture to hear.

Where gay Pezizæ flaunt their hues,

A microscopic store we'll glean,

To sketch with camera the views

In which the ascus may be seen.

Beneath our millemetric gaze

Sporidia's length will stand revealed,

And eyes like thine will trace the maze

In each hymenium concealed.

Æstivum tubers we shall dig,

Like Suidæ in Fagian shade,

And many a Sphæria-sheltering twig

Will in our vascula be laid.

For hard Sclerotia we shall peer,

In barks and brassicaceous leaves,

And trace their progress through the year,

Like Bobbies on the track of thieves.

While sages deem Solanum sent

To succour Homo's hungry maw,

We'll prize it for development

Of swelling Peronospora.

We'll mount the Myxogastre's threads

To watch Plasmodium's vital flow,

While Capillitia lift their heads

Generic mysteries to show.

I'll bring thee where the Chantarelles

Inspire a mycologic theme,

Where Phallus in the shadow smells,

And scarlet Amanita gleam;

And lead thee where M'Moorlan's rye

Is waving black with ergot spurs,

And many a Trichobasian dye

Gives worth to corn and prickly burs.

And when the beetle calls us home,

We'll gather on our lingering way

The violaceous Inolome

And russet Alutacea,

The brown Boletus edulis

Our fishing baskets soon will fill--

We'll dine on fungi fried in bliss,

Nor dread the peck of butcher's bill."

TO THE PLIOCENE SKULL.

(A GEOLOGICAL ADDRESS.)

"'Speak, O man, less recent! Fragmentary fossil!

Primal pioneer of pliocene formation,

Hid in lowest drifts below the earliest stratum

Of volcanic tufa!

'Older than the beasts, the oldest Palæotherium;

Older than the trees, the oldest Cryptogami;

Older than the hills, those infantile eruptions

Of earth's epidermis!

'Eo--Mio--Plio--whatso'er the "cene" was

That those vacant sockets filled with awe and wonder,--

Whether shores Devonian or Silurian beaches,--

Tell us thy strange story!

'Or has the professor slightly antedated

By some thousand years thy advent on this planet,

Giving thee an air that's somewhat better fitted

For cold-blooded creatures?

'Wert thou true spectator of that mighty forest

When above thy head the stately Sigillaria

Reared its columned trunks in that remote and distant

Carboniferous epoch?

'Tell us of that scene,--the dim and watery woodland,

Songless, silent, hushed, with never bird or insect,

Veiled with spreading fronds and screened with tall club-mosses,

Lycopodiacea,--

'When beside thee walked the solemn Plesiosaurus,

And around thee crept the festive Ichthyosaurus,

While from time to time above thee flew and circled

Cheerful Pterodactyls.

'Tell us of thy food,--those half-marine refections,

Crinoids on the shell and Brachiopods _au naturel_,--

Cuttlefish to which the _pieuvre_ of Victor Hugo

Seems a periwinkle.

'Speak, thou awful vestige of the earth's creation,--

Solitary fragment of remains organic!

Tell the wondrous secret of thy past existence,--

Speak! thou oldest primate!'

Even as I gazed, a thrill of the maxilla,

And a lateral movement of the condyloid process,

With post-pliocene sounds of healthy mastication,

Ground the teeth together.

And, from that imperfect dental exhibition,

Stained with express juices of the weed Nicotian,

Came these hollow accents, blent with softer murmurs

Of expectoration:

'Which my name is Bowers, and my crust was busted

Falling down a shaft in Calaveras County,

But I'd take it kindly if you'd send the pieces

Home to old Missouri!'"

--_Bret Harte._

The following verses are from "Notes and Queries," and evidently refer to

a case of "breach of promise":

KNOX WARD, KING-AT-ARMS, DISARMED AT LAW.

"Ye fair injured nymphs, and ye beaus who deceive 'em,

Who with passion engage, and without reason leave 'em,

Draw near and attend how the Hero I sing

Was foiled by a Girl, though at Arms he was King.

_Crest_, _mottoes_, _supporters_, and _bearings_ knew he,

And deeply was studied in old pedigree.

He would sit a whole evening, and, not without rapture,

Tell who begat who to the end of the Chapter.

In forming his _tables_ nought grieved him so sorely

That the man died _Coelebs_, or else _sine prole_.

At last, having traced other families down,

He began to have thoughts of increasing his own.

A Damsel he chose, not too slow of belief,

And fain would be deemed her admirer _in chief_.

He _blazoned_ his suit, and the sum of his tale

Was his _field_ and her _field_ joined _party per pale_.

In different style, to tie faster the noose,

He next would attack her in soft _billet doux_.

His _argent_ and _sable_ were laid aside quite,

Plain _English_ he wrote, and in plain black and white.

Against such _atchievements_ what beauty could fence?

Or who would have thought it was all but _pretence_?--

His pain to relieve, and fulfil his desire,

The lady agreed to join hands with the squire.

The squire, in a fret that the jest went so far,

Considered with speed how to put in a _bar_.

His words bound not him, since hers did not confine her:

And that is plain law, because Miss is a _minor_.

Miss briskly replied that the law was too hard,

If she, who's a _minor_, may not be a _ward_.

In law then confiding, she took it upon her,

By justice to mend those foul breaches of honour.

She handled him so that few would, I warrant,

Have been in his _coat_ on so _sleeveless_ an errant.

She made him give bond for stamped _argent_ and _or_,

And _sabled_ his shield with _gules_ blazoned before.

Ye heralds produce, from the time of the Normans,

In all your Records such a _base_ non-performance;

Or if without instance the case is we touch on,

Let this be set down as a _blot_ in his _scutcheon_."

LAMENT OF AN UNFORTUNATE DRUGGIST,

A Member of the Pharmaceutical Society, whose matrimonial speculations

have been disappointed.

"You that have charge of wedded love, take heed

To keep the vessel which contains it air-tight;

So that no oxygen may enter there!

Lest (like as in a keg of elder wine,

The which, when made, thy careless hand forgot

To bung securely down) full soon, alas!

Acetous fermentation supervene

And winter find thee wineless, and, instead

Of wine, afford thee nought but vinegar.

Thus hath it been with me: there was a time

When neither rosemary nor jessamine,

Cloves or verbena, maréchale, resedé,

Or e'en great Otto's self, were more delicious

Unto my nose, than Betsy to mine eyes;

And, in our days of courtship, I have thought

That my career through life, with her, would be

Bright as my own show-bottles; but, ah me!

It was a vision'd scene. From what she _was_

To what she _is_, is as the pearliness

Of Creta Præp. compared with Antim. Nig.

There was a time she was all Almond-mixture

(A bland emulsion; I can recommend it

To him who hath a cold), but now, woe! woe!

She is a fierce and foaming combination

Of turpentine with vitriolic oil.

Oh! name not Sulphur, when you speak of her,

For she is Brimstone's very incarnation,

She is the Bitter-apple of my life,

The Scillæ oxymel of my existence,

That knows no sweets with her.

What shall I do?--where fly?--What Hellebore

Can ease the madness that distracts my brain!

What aromatic vinegar restore

The drooping memory of brighter days!

They bid me seek relief in Prussic acid;

They tell me Arsenic holds a mighty power

To put to flight each ill and care of life:

They mention Opium, too; they say its essence,

Called Battley's Sedative, can steep the soul

Chin-deep in blest imaginings; till grief

Changed by its chemic agency, becomes

One lump of blessed Saccharum;--these things

They tell to _me_--_me_, who for twelve long years

Have triturated drugs for a subsistence,

From seven i' th' morn until the midnight hour.

I have no faith in physic's agency

E'en when most 'genuine,' for I have seen

And analysed its nature, and I know

That Humbug is its Active Principle,

Its ultimate and Elemental Basis.

What then is left? No more to Fate I'll bend:

I will rush into chops! and Stout shall be--my end!!"

--_Punch_ (1844.)

ODE TO "DAVIES' ANALYTICAL"

"Charming chaos, glorious puddle,

Ethics opaque, book of bliss;

Through thy platitudes I waddle,

O thou subtle synthesis!

To thy soft consideration,

Give I talents, give I time;

Though 'perpetual occultation'

Shuts me from thy balmy clime.

As unto the sea-tossed trader,

Is the guiding Polar Star;

Thou'rt my 'zenith' and my 'nadir,'

Still 'so near and yet so far.'

Sancho never loved his gravies

As I love thy sunny face;

Sheep-bound master-piece of Davies,

Benefactor of his race!

Man nor god, not even 'ox-eyed

Juno,' could me from thee part;

My 'enthymeme,' my sweet 'protoxide,'

Thou'rt the 'zeugma' of my heart.

When were built the rocks azoic,

Sat'st thou on the granite hill;

And with constancy heroic,

To _me_ thou art azoic still.

My 'syzygy,' I'll ne'er leave thee,

Thou shalt ne'er from me escheat;

I will cherish thee, believe me,

Pythagorean obsolete.

Bless me in the midnight watches,

Ever by my pillow keep

Ruler, chalk, and black-board scratches,

Lovely nightmare, while I sleep.

Be 'co-ordinate' for ever,

For ever my 'abscissa' be;

The Fates can overwhelm me never,

Whilst _thou_ art in 'perigee.'"

MAN AND THE ASCIDIAN.

A MORALITY IN THE QUEEN ANNE MANNER.

"The Ancestor remote of Man,

Says D--w--n, is th' Ascidian,

A scanty sort of water-beast

That, 90,000,000 years at least

Before Gorillas came to be,

Went swimming up and down the sea.

Their ancestors the pious praise,

And like to imitate their ways

How, then, does our first parent live,

What lesson has his life to give?

Th' Ascidian tadpole, young and gay,

Doth Life with one bright eye survey,

His consciousness has easy play.

He's sensitive to grief and pain,

Has tail, and spine, and bears a brain,

And everything that fits the state

Of creatures we call vertebrate.

But age comes on; with sudden shock

He sticks his head against a rock!

His tail drops off, his eye drops in,

His brain's absorbed into his skin;

He does not move, nor feel, nor know

The tidal water's ebb and flow,

But still abides, unstirred, alone,

A sucker sticking to a stone.

And we, his children, truly we

In youth are, like the Tadpole, free.

And where we would we blithely go,

Have brain and hearts, and feel and know.

Then Age comes on! To Habit we

Affix ourselves and are not free;

Th' Ascidian's rooted to a rock,

And we are bond-slaves of the clock;

Our rock is Medicine--Letters--Law,

From these our heads we cannot draw:

Our loves drop off, our hearts drop in,

And daily thicker grows our skin.

We scarcely live, we scarcely know

The wide world's moving ebb and flow,

The clanging currents ring and shock,

But we are rooted to the rock.

And thus at ending of his span,

Blind, deaf, and indolent, does Man

Revert to the Ascidian."

--_St. James's Gazette (July 1880)._

A GEOLOGICAL MADRIGAL.

"I have found out a gift for my fair;

I know where the fossils abound,

Where the footprints of _Aves_ declare

The birds that once walked on the ground;

Oh, come, and--in technical speech--

We'll walk this Devonian shore,

Or on some Silurian beach

We'll wander, my love, evermore.

I will show thee the sinuous track

By the slow-moving Annelid made,

Or the Trilobite that, farther back,

In the old Potsdam sandstone was laid;

Thou shalt see in his Jurassic tomb,

The Plesiosaurus embalmed;

In his Oolitic prime and his bloom

Iguanodon safe and unharmed!

You wished--I remember it well,

And I loved you the more for that wish--

For a perfect cystedian shell

And a _whole_ holocephalic fish.

And oh, if Earth's strata contains

In its lowest Silurian drift,

Or palæozoic remains

The same--'tis your lover's free gift.

Then come, love, and never say nay,

But calm all your maidenly fears;

We'll note, love, in one summer's day

The record of millions of years;

And though the Darwinian plan

Your sensitive feelings may shock,

We'll find the beginning of man--

Our fossil ancestors, in rock!"

--_Bret Harte._

THE HUSBAND'S COMPLAINT.

"Will she thy linen wash and hosen darn?"--GAY.

"I'm utterly sick of this hateful alliance

Which the ladies have formed with impractical Science!

They put out their washing to learn hydrostatics,

And give themselves airs for the sake of pneumatics.

They are knowing in muriate, and nitrate, and chlorine,

While the stains gather fast on the walls and the flooring--

And the jellies and pickles fall woefully short,

With their chemical use of the still and retort.

Our expenses increase (without drinking French wines),

For they keep no accounts, with their tangents and sines?--

And to make both ends meet they give little assistance,

With their accurate sense of the squares of the distance.

They can name every spot from Peru to El Arish,

Except just the bounds of their own native parish;

And they study the orbits of Venus and Saturn,

While their home is resigned to the thief and the slattern.

Chronology keeps back the dinner two hours,

The smoke-jack stands still while they learn motive powers;

Flies and shells swallow up all our everyday gains,

And our acres are mortgaged for fossil remains.

They cease to reflect with their talk of refraction--

They drive us from home by electric attraction--

And I'm sure, since they've bothered their heads with affinity

I'm repulsed every hour from my learned divinity.

When the poor stupid husband is weary and starving,

Anatomy leads them to give up the carving;

And we drudges the shoulder of mutton must buy,

While they study the line of the _os humeri_.

If we 'scape from our troubles to take a short nap,

We awake with a din about limestone and trap;

And the fire is extinguished past regeneration,

For the women were wrapt in the deep-coal formation.

'Tis an impious thing that the wives of the laymen

Should use Pagan words 'bout a pistil and stamen;

Let the heir break his head while they foster a Dahlia,

And the babe die of pap as they talk of mammalia.

The first son becomes half a fool in reality,

While the mother is watching his large ideality;

And the girl roars unchecked, quite a moral abortion,

For we trust her benevolence, order, and caution.

I sigh for the good times of sewing and spinning,

Ere this new tree of knowledge had set them a sinning;

The women are mad, and they'll build female colleges,--

So here's to plain English!--a plague on their 'ologies!"

HOMOEOPATHIC SOUP.

"Take a robin's leg

(Mind! the drumstick merely),

Put it in a tub

Filled with water nearly;

Set it out of doors,

In a place that's shady,

Let it stand a week

(Three days if for a lady).

Drop a spoonful of it

In a five-pail kettle,

Which may be made of tin

Or any baser metal;

Fill the kettle up,

Set it on a boiling,

Strain the liquor well,

To prevent its oiling;

One atom add of salt,

For the thickening one rice kernel,

And use to light the fire

The Homoeopathic Journal.

Let the liquor boil

Half an hour or longer

(If 'tis for a man,

Of course you'll make it stronger).

Should you now desire

That the soup be flavoury,

Stir it once around

With a stalk of Savory.

When the broth is made,

Nothing can excel it:

Then three times a day

Let the patient _smell_ it.

If he chance to die,

Say 'twas Nature did it;

If he chance to live,

Give the soup the credit."

A BILLET-DOUX.

BY A COUNTRY SCHOOLMASTER, CHIDDINGLY, SUSSEX.

"Accept, dear Miss, this _article_ of mine,

(For what's _indefinite_, who can _define_?)

My _case_ is singular, my house is rural,

Wilt thou, indeed, consent to make it _plural_?

Something, I feel, pervades my system through,

I can't describe, yet _substantively_ true.

Thy form so _feminine_, thy mind reflective,

Where all's _possessive_ good, and nought _objective_,

I'm _positive_ none can _compare_ with thee

In wit and worth's _superlative_ degree.

_First person_, then, _indicative_ but prove,

Let thy soft _passive_ voice exclaim, 'I LOVE!'

_Active_, in cheerful _mood_, no longer _neuter_,

I'll leave my cares, both _present_, _past_, and _future_.

But ah! what torture must I undergo

Till I obtain that little 'Yes' or 'No!'

Spare me the _negative_--to save compunction,

Oh, let my _preposition_ meet _conjunction_.

What could excite such pleasing recollection,

At hearing thee pronounce this _interjection_,

'I will be thine! thy joys and griefs to share,

Till Heaven shall please to _point_ a _period_ there'!"

--_Family Friend_ (1849).

Cumulative verse--in which one newspaper gives a few lines, and other

papers follow it up--like that which follows, is very common in American

newspapers, which, however profound or dense, invariably have a corner for

this kind of thing. It has been said that the reason why no purely comic

paper, like _Punch_ or _Fun_, succeeds in the United States, is because

all their papers have a "funny" department.

THE ARAB AND HIS DONKEY.

An Arab came to the river side,

With a donkey bearing an obelisk;

But he would not try to ford the tide,

For he had too good an *.

--_Boston Globe._

So he camped all night by the river side,

And remained till the tide had ceased to swell,

For he knew should the donkey from life subside,

He never would find its ||.

--_Salem Sunbeam._

When the morning dawned, and the tide was out,

The pair crossed over 'neath Allah's protection;

And the Arab was happy, we have no doubt,

For he had the best donkey in all that §.

--_Somerville Journal._

You are wrong, they were drowned in crossing over,

Though the donkey was bravest of all his race;

He luxuriates now in horse-heaven clover,

And his master has gone to the Prophet's _em_[Symbol]

--_Elevated Railway Journal._

These assinine poets deserved to be "blowed,"

Their rhymes being faulty and frothy and beery;

What really befell the ass and its load

Will ever remain a desolate ?.

--_Paper and Print._

Our Yankee friends, with all their ----

For once, we guess, their mark have missed;

And with poetry _Paper and Print_ is rash

In damming its flow with its editor's [Symbol]

In parable and moral leave a [Symbol] between, [_Space_]

For reflection, or your wits fall out of joint;

The "Arab," ye see, is a printing machine,

And the donkey is he who can't see the .

--_British and Colonial Printer._

An Ohio poet thus sings of the beginning of man:

EVOLUTION.

"O sing a song of phosphates,

Fibrine in a line,

Four and twenty follicles

In the van of time.

When the phosphorescence

Evoluted brain,

Superstition ended,

Man began to reign."

_SINGLE-RHYMED VERSE._

The following lines are from a book written by M. Halpine, under the

sobriquet of "Private Miles O'Reilly," during the Civil War in the United

States. They have some merit apart from their peculiar versification, and

the idea of comparing the "march past" of veteran troops in war time with

the parade of the old gladiators is a happy one.

MORITURI TE SALUTANT.

"'_Morituri te salutant!_' say the soldiers as they pass;

Not in uttered words they say it, but we feel it as they pass--

'We, who are about to perish, we salute thee as we pass!'

Nought of golden pomp and glitter mark the veterans as they pass--

Travel-stained, but bronzed and sinewy, firmly, proudly, how they pass;

And we hear them, '_Morituri te salutant!_' as they pass.

On his pawing steed, the General marks the waves of men that pass,

And his eyes at times are misty, now are blazing, as they pass,

For his breast with pride is swelling, as the stalwart veterans pass,

Gallant chiefs their swords presenting, trail them proudly as they pass--

Battle banners, torn and glorious, dip saluting as they pass;

Brazen clangours shake the welkin, as the manly squadrons pass.

Oh, our comrades! gone before us, in the last review to pass,

Never more to earthly chieftain dipping colours as you pass,

Heaven accord you gentle judgment when before the Throne you pass!"

"About the year 1775 there was a performer named Cervetti in the orchestra

of Drury Lane Theatre, to whom, the gods had given the appropriate name of

Nosey, from his enormous staysail, that helped to carry him before the

wind. 'Nosey!' shouted from the galleries, was the signal, or word of

command, for the fiddlers to strike up. This man was originally an Italian

merchant of good repute; but failing in business, he came over to England,

and adopted music for a profession. He had a notable knack of loud

yawning, with which he sometimes unluckily filled up Garrick's expressive

pauses, to the infinite annoyance of Garrick and the laughter of the

audience. In the summer of 1777 he played at Vauxhall, at the age of

ninety-eight." Upon such another nose was the following lines written:

THE ROMAN NOSE.

"That Roman nose! that Roman nose!

Has robbed my bosom of repose;

For when in sleep my eyelids close,

It haunts me still, that Roman nose!

Between two eyes as black as sloes

The bright and flaming ruby glows:

That Roman nose! that Roman nose!

And beats the blush of damask rose.

I walk the streets, the alleys, rows;

I look at all the Jems and Joes;

And old and young, and friends and foes,

But cannot find a Roman nose!

Then blessed be the day I chose

That nasal beauty of my beau's;

And when at last to Heaven I goes,

I hope to spy his Roman nose!"

--_Merrie England._

Mrs. Thrale, on her thirty-fifth birthday, remarked to Dr. Johnson, that

no one would send her verses now that she had attained that age, upon

which the Doctor, without the least hesitation, recited the following

lines:

THIRTY-FIVE.

"Oft in danger, yet alive,

We are come to thirty-five;

Long may better years arrive,

Better years than thirty-five.

Could philosophers contrive

Life to stop at thirty-five,

Time his hours should never drive

O'er the bounds of thirty-five.

High to soar, and deep to dive,

Nature gives at thirty-five;

Ladies, stock and tend your hive,

Trifle not at thirty-five;

For, howe'er we boast and strive,

Life declines from thirty-five;

He that ever hopes to thrive,

Must begin by thirty-five;

And all who wisely wish to wive,

Must look on Thrale at thirty-five."

Moore, in his "Life of Sheridan," says that he (Sheridan) "had a sort of

hereditary fancy for difficult trifling in poetry; particularly to that

sort which consists in rhyming to the same word through a long string of

couplets, till every rhyme that the language supplies for it is

exhausted," a task which must have required great patience and

perseverance. Moore quotes some dozen lines entitled "To Anne," wherein a

lady is made to bewail the loss of her trunk, and she thus rhymes her

lamentations:

"Have you heard, my dear Anne, how my spirits are sunk?

Have you heard of the cause? Oh, the loss of my trunk!

From exertion or firmness I've never yet slunk,

But my fortitude's gone with the loss of my trunk!

Stout Lucy, my maid, is a damsel of spunk,

Yet she weeps night and day for the loss of my trunk!

I'd better turn nun, and coquet with a monk,

For with whom can I flirt without aid from my trunk?

* * * * * * *

Accursed be the thief, the old rascally hunks,

Who rifles the fair, and lays hold on their trunks!

He who robs the king's stores of the least bit of junk,

Is hanged--while he's safe who has plundered my trunk!

There's a phrase among lawyers when _nunc_'s put for _tunc_;

But _nunc_ and _tunc_ both, must I grieve for my trunk!

Huge leaves of that great commentator, old Brunck,

Perhaps was the paper that lined my poor trunk!" &c. &c.

From another of these trifles of Sheridan, Moore gives the following

extracts:

"Muse, assist me to complain,

While I grieve for Lady Jane;

I ne'er was in so sad a vein,

Deserted now by Lady Jane.

Lord Petre's house was built by Payne,

No mortal architect made Jane.

If hearts had windows, through the pane

Of mine, you'd see Lady Jane.

Poetical Ingenuities and Eccentricities · 第 6 / 10 段