Standing figure, inside of the rotunda on top of columns - Herbert Adams

Figures in the attic of the rotunda - Ulric H. Ellerhusen

Standing females and males between architectural friezes immediately

below the cupola of the dome.

Frieze on the altar - Bruno Louis Zimm

Figural frieze at the base of the rotunda facing the Laguna can only be

seen from a great distance across the water.

Relief panels for the rotunda - Bruno Louis Zimm

Eight panels on the outside, of strictly architectural character,

representing a procession, showing the development and influence of art.

Friezes around the base on the ground - Ulric H. Ellerhusen

Figures with garlands, used everywhere at the base of the building.

Figures on the flower boxes - Ulric H. Ellerhusen

Standing figures, looking inward, representing introspection.

Kneeling figure on the altar - Ralph Stackpole

The shrine of worship. That delicate small figure seen best from across

the laguna in front of the rotunda.

North Façade, Main Group of Exhibit Palaces:

Figure for central niches, "Conquistador" - Allen Newman

A Spanish soldier, with helmet and sword and a large mantle.

Figure for side niches, "The Pirate" - Allen Newman

A coarsely shaped man, in small niches on the north side of the main

buildings near the preceding one.

Column of Progress:

Bas-relief (four sides of the pedestal) - Isidore Konti

Four allegorical friezes depicting man's striving for achievement.

Finial group, "The Adventurous Bowman," frieze and decoration - Hermon

A. MacNeil

The group on top of the column suggests man's supreme effort in life,

the supporting frieze is "The Toilers."

Palace of Machinery:

Figures on columns (four "Powers") - Haig Patigian

Repeated large scale figures of men, representing the industries

exhibited within the building.

Friezes for columns, vestibule - Haig Patigian

Decorative architectural figure compositions of similar subjects.

Spandrels (two pairs) - Haig Patigian

Reclining figures filling out the triangular spaces above the doors in

the vestibule reflecting the purpose of the building.

Palace of Education:

Repeated figure within the Half Dome, of Thought - Albert Weinert

Standing figure of a maiden with a scroll inside the portal, repeated

eight times.

Palace of Food Products:

Repeated figure within the Half Dome, "Physical Vigor" - Earl Cummings

Similar to that above, inside the Portal of Vigor, showing a standing

young man, with an oak wreath.

Friezes and figures in niches, main south entrance (portals of the

Manufacturers and Liberal Arts Palaces) - Mahonri Young

Figures representing domestic life and industries like foundry work,

smithing, spinning, and sculpture. Figures in the niches: woman with

spindles and men with hammers.

Tympanum panels (north and south entrances of the Palace of Education) -

Gustave Gerlach

Decorative panels above the doors outside of the building showing

maternal instruction.

Panels inlaid in the walls over the minor entrances

Pupils of the School of Sculpture of the Society of Beaux Arts

Architects and National Sculpture Society.

Decorative panels of school life and of science.

Figure, "Victory," on the gables of the palaces - Louis Ulrich

A winged figure used on top of all the palaces.

The Art of the Exposition Personal Impressions of the Architecture, Sculpture, Mural Decorations, Color Scheme & Other Aesthetic Aspects of the Panama-Pacific International Exposition · 第 13 / 16 题