CHAPTER IV

MIRACLES PERFORMED BY IMAGES

Since the image of the Virgin was intended to be a representation of the

Divine Mother, it often, especially in the mind of the peasant,

attracted to itself all her attributes. The result was that in a number

of cases it was the image and not the Virgin that performed the deed.

Often, also when the miracle was attributed to Santa María it was not

simply to the saint, Mary the mother of Jesus, who lived in the distant

past, far away in the Holy Land, nor to Mary, the most powerful of all

the saints in heaven, but it was to the very present, and very local

saint, Santa María de Salas, or Santa María del Puerto, as the case

might be. There is little doubt that in the mind of the common folk

there were as many different Saints Mary as there were shrines, and yet,

at the same time, these all had a definite connection with the Mother of

Christ in some mysterious way which the plain people did not trouble

themselves to explain. Just as the mystery of the Trinity did not

perturb them nearly as much as it did the Anglo-Saxons of the North, so

this particular problem caused them little concern.

As might be expected, most of the miracles attributed to the image of

the Virgin are of the same nature as those performed by the saint

herself. The image cures the diseased (No. 349), it bows over a man and

thanks him for a hymn of praise he has composed (No. 202), saves a

naughty child from punishment (No. 303), protects a man’s property from

threatened storm (No. 161), restores to health queen Beatriz, mother of

Alfonso el Sabio, when the doctors had pronounced her illness incurable

(No. 256), restrains a rich libertine knight of Catalonia from

committing an immoral act in its presence (No. 312), protects a city

from capture by the Moors even after the latter had learned from a

prisoner that there were but fifteen men remaining to defend it (No.

185), protects its altar from fire by removing a veil from its head and

spreading it over the fire, thereby instantly extinguishing the flames

(No. 332), and lastly even pours milk from its sacred breasts as a final

argument to convince and convert a Moor (No. 44). The story of No. 321

differs somewhat from this, reminding us of a similar cure attributed to

the Child Jesus while on the flight into Egypt.[58] A child was

suffering from a swelling in the neck and was pronounced incurable. A

friend advised that the patient be taken to the king, adding that all

Christian kings had the power of healing. This was done, but the king

told them to take it before the image of the Virgin, wash the image in

pure water, and then give the child this water to drink for as many days

as there are letters in the name _M-a-r-í-a_. On the fourth day the

child was healed. In two instances the power is extended a little

farther and in No. 123 a young friar on dying turned black and ugly. His

brethren took a candle from the altar and put it in his hand, which

caused his natural color to be restored. Later he returned and appearing

to the two friars told them that the reason he became black at death was

that he saw Devils, but that the light of the Virgin drove them promptly

away. In No. 209 Alfonso was very ill and when the doctors could not

give him relief he called for the unfinished manuscript[59] of _Las

Cantigas_ and by applying it to the affected part of his body he was

healed.

Because of the very high esteem in which the Virgin was held it is

common to find instances in which a person swears by her or by her name

or image, while she on her part is rightly conscientious in seeing that

such oaths are not taken lightly. One young shepherd developed the habit

of stealing and was finally caught, but cleared himself by swearing by

God _and the Virgin_ that he was innocent. A little later he was caught

again, and convicted. This time the Virgin allowed him to be hanged,

because he had sworn by her falsely (No. 392). Another man (No. 239)

perjured himself before her image by adjuring that he had never received

a certain article in trust. Even before leaving the church he was

overtaken by a severe illness which caused his death within three days.

So high and so sacred was this oath before the image of the Virgin held

to be, that in one instance a wife, being accused of unfaithfulness by

her jealous husband, offered to submit to the ordeal by fire to prove

her innocence, but her husband demanded instead that she swear before

the altar of Nuestra Señora. Then he added that she could further clear

herself by jumping from a high rock. She passed both tests safely and

her husband, penitent, begged forgiveness on his knees (No. 341). In

other cases the image of the Virgin _speaks_, as, for example, when

called upon to bear witness in a difference between a Jew and a

Christian over the payment of a debt (No. 25).

The very name of María was one to conjure with.[60] Two miracles (Nos.

194 and 254) are attributed to the power of the mere sound of the name;

and once (No. 195) a girl is saved because her name is María. In No. 194

a villainous host sends in pursuit of his departing guests some thugs to

rob them, but the bandits, on hearing their intended victims call on the

name of Santa María for help, become powerless and speechless. In No.

254, the image of the Virgin saves some monks who, while recuperating on

the banks of a river from the rigors of convent life, transgress the

bounds of what is proper for men of their order. Seeing some devils in

the form of men, coming down the river in a boat, the monks, terrified,

call on the Virgin for aid. “She alone has saved you,” shout the devils

as they continue on their way. A girl (No. 195) who had been sold by her

father to a knight on his way to a tournament was saved from harm when

she told him her name was Mary and that that particular day was one

especially consecrated to the Saint’s worship. On learning that, the

knight sent her for safekeeping to an abbey, while he continued on his

journey. At the tournament he was killed and buried in the open

prairie.[61] The Virgin appeared to the girl and told her of his fate

demanding that she and the abbess go and give the man a worthy burial,

telling them they would be able easily to identify the body, for it

would have a rose in its mouth.

* * * * *

There now remains a group of fifteen poems that do not seem to have any

particular purpose other than to produce an atmosphere of mystery; but

this very sentiment of the mystical played an important part in the

religious worship of the time. The very architecture of the churches

tended to produce it, the processions, the ritual, all inspired the same

feeling. Herewith are summarized only four poems of this group, which

will give a sufficient idea of the emotions aroused by them.

A young girl, a religious fanatic, died very early in life as the

result of self-imposed hardships. Her parents, suspecting poison,

ordered an autopsy, and on the heart of the dead girl was found an image

of the Virgin (No. 188). In No. 361, Alfonso is said to have given a

beautiful image of the Virgin to the monastery of Las Huelgas de Burgos.

On Christmas night the strange idea of putting the image to bed occurred

to the pious nuns. Almost immediately they saw it change color and turn

from side to side. No. 79, of the codex of Toledo (a poem which does not

appear in the codex of the Escorial), relates an incident that took

place weekly in the church at Constantinople. In this church was a

beautiful image of the Holy Mother, covered with a veil. Every Friday an

angel descended from heaven to lift the veil, which remained suspended

in the air until Saturday evening, (the day on which the faithful came

to worship), when the angel would return and lower the veil again.

Cantiga No. 226 narrates a legend entirely foreign to Spanish thought

and one which must have caused some surprise in its unwonted

environment. The incident is said to have happened in “Gran Britaña”.

The account runs briefly as follows: A company of friars were in their

convent saying Mass on Easter morning, when the entire monastery was

swallowed up by the earth--the ground closing above it and leaving no

trace whatever. For just a year the monks continued in this enforced

seclusion, without lack of anything needful; they were even lighted by a

marvellous sun. On the next Easter morning all was restored to its

former natural state. It can be seen at a glance that this legend is

entirely different from anything that has been mentioned in this

collection; and I have found no parallel to it in anything else of the

period.

In closing this chapter attention should be called to two miracles which

emphasize the great importance attached to confession.[62] No. 124 is

the story of a man condemned to be stoned because he had broken a law of

the Moors in whose land he was living. While undergoing this punishment,

he begged permission of the Virgin to make his confession; from that

moment his executioners could not harm him. Astonished that their

missiles suddenly ceased to have any effect they allowed him to confess,

after which he died praising the Blessed Mother. In No. 96 a sinner was

unwilling to do penance, altho devoted to Santa María. He was beheaded

by robbers, without opportunity for confession. Four days later two

friars, on arriving at the spot, were surprised to hear the head plead

for the privilege of confession. They summoned a crowd; the head

attached itself to the body, confessed, and then became separated again

from the body.[63]

The supernatural in early Spanish literature, studied in the works of the court of Alfonso X, el Sabio · 第 4 / 8 章