CHAPTER XL

Emilia stretched out her hand and said, "Good-bye." Seeing that the

hardened girl, with her dead eyelids, did not appear to feel herself at

his mercy, and also that Sir Purcell's forehead looked threatening, Mr.

Pericles stopped his sardonic noise. He went straight to the door, which

he opened with alacrity, and mimicking very wretchedly her words of

adieu, stood prepared to bow her out. She astonished him by passing

without another word. Before he could point a phrase bitter enough for

expression, Sir Purcell had likewise passed, and in going had given him a

quietly admonishing look.

"Zose Poles are beggars!" Mr. Pericles roared after them over the stairs,

and slammed his door for emphasis. Almost immediately there was a knock

at it. Mr. Pericles stood bent and cat-like as Sir Purcell reappeared.

The latter, avoiding all preliminaries, demanded of the Greek that he

should promise not to use the names of his friends publicly in such a

manner again.

"I require a promise for the future. An apology will be needless from

you."

"I shall not give it," said Mr. Pericles, with a sharp lift of his upper

lip.

"But you will give me the promise I have returned for."

In answer Mr. Pericles announced that he had spoken what was simply true:

that the prosperity of the Poles was fictitious: that he, or any

unfavourable chance, could ruin them: and that their friends might do

better to protect their interests than by menacing one who had them in

his power.

Sir Purcell merely reiterated his demand for the promise, which was

ultimately snarled to him; whereupon he retired, joy on his features.

For, Cornelia poor, she might be claimed by him fearlessly: that is to

say, without the fear of people whispering that the penniless baronet had

sued for gold, and without the fear of her father rejecting his suit. At

least he might, with this knowledge that he had gained, appoint to meet

her now! All the morning Sir Purcell had been combative, owing to that

subordinate or secondary post he occupied in a situation of some

excitement;--which combativeness is one method whereby men thus placed,

imagining that they are acting devotedly for their friends, contrive

still to assert themselves. He descended to the foot of the stairs,

where he had told Emilia to wait for him, full of kind feelings and ready

cheerful counsels; as thus: "Nothing that we possess belongs to us;--All

will come round rightly in the end; Be patient, look about for amusement,

and improve your mind." And more of this copper coinage of wisdom in the

way of proverbs. But Emilia was nowhere visible to receive the

administration of comfort. Outside the house the fog appeared to have

swallowed her. With some chagrin on her behalf (partly a sense of duty

unfulfilled) Sir Purcell made his way to the residence of the Marinis, to

report of her there, if she should not have arrived. The punishment he

inflicted on himself in keeping his hand an hour from that letter to be

written to Cornelia, was almost pleasing; and he was rewarded by it, for

the projected sentences grew mellow and rich, condensed and throbbed

eloquently. What wonder, that with such a mental occupation, he should

pass Emilia and not notice her? She let him go.

But when he was out of sight, all seemed gone. The dismally-lighted city

wore a look of Judgement terrible to see. Her brain was slave to her

senses: she fancied she had dropped into an underground kingdom, among a

mysterious people. The anguish through which action had just hurried

her, now fell with a conscious weight upon her heart. She stood a

moment, seeing her desolation stretch outwardly into endless labyrinths;

and then it narrowed and took hold of her as a force within: changing

thus, almost with each breathing of her body.

The fog had thickened. Up and down the groping city went muffled men,

few women. Emilia looked for one of her sex who might have a tender

face. Desire to be kissed and loved by a creature strange to her, and to

lay her head upon a woman's bosom, moved her to gaze around with a

longing once or twice; but no eyes met hers, and the fancy recurred

vividly that she was not in the world she had known. Otherwise, what had

robbed her of her voice? She played with her fancy for comfort, long

after any real vitality in it had oozed out. Her having strength to play

at fancies showed that a spark of hope was alive. In truth, firm of

flesh as she was, to believe that all worth had departed from her was

impossible, and when she reposed simply on her sensations, very little

trouble beset her: only when she looked abroad did the aspect of numerous

indifferent faces, and the harsh flowing of the world its own way, tell

her she had lost her power. Could it be lost? The prospect of her

desolation grew so wide to her that she shut her eyes, abandoning herself

to feeling; and this by degrees moved her to turn back and throw herself

at the feet of Mr. Pericles. For, if he said, "Wait, my child, and all

will come round well," she was prepared blindly to think so. The

projection of the words in her mind made her ready to weep: but as she

neared the house of his office the wish to hear him speak that, became

passionate; she counted all that depended on it, and discovered the size

of the fabric she had built on so thin a plank. After a while, her steps

were mechanically swift. Before she reached the chambers of Mr. Pericles

she had walked, she knew not why, once round the little quiet enclosed

city-garden, and a cold memory of those men who had looked at her face

gave her some wonder, to be quickly kindled into fuller comprehension.

Beholding Emilia once more, Mr. Pericles enjoyed a revival of his taste

for vengeance; but, unhappily for her, he found it languid, and when he

had rubbed his hands, stared, and by sundry sharp utterances brought her

to his feet, his satisfaction was less poignant than he had expected. As

a consequence, instead of speaking outrageously, according to his habit,

in wrath, he was now frigidly considerate, informing Emilia that it would

be good for her if she were dead, seeing that she was of no use whatever;

but, as she was alive, she had better go to her father and mother, and

learn knitting, or some such industrial employment. "Unless zat man for

whom you play fool!--" Mr. Pericles shrugged the rest of his meaning.

"But my voice may not be gone," urged Emilia. "I may sing to you to-

morrow--this evening. It must be the fog. Why do you think it lost? It

can't be--"

"Cracked!" cried Mr. Pericles.

"It is not! No; do not think it. I may stay here. Don't tell me to go

yet. The streets make me wish to die. And I feel I may, perhaps, sing

presently. Wait. Will you wait?"

A hideous imitation of her lamentable tones burst from Mr. Pericles.

"Cracked!" he cried again.

Emilia lifted her eyes, and looked at him steadily. She saw the idea

grow in the eyes fronting her that she had a pleasant face, and she at

once staked this little bit of newly-conceived worth on an immediate

chance. Remember; that she was as near despair as a creature constituted

so healthily could go. Speaking no longer in a girlish style, but with

the grave pleading manner of a woman, she begged Mr. Pericles to take her

to Italy, and have faith in the recovery of her voice. He, however, far

from being softened, as he grew aware of her sweetness of feature, waxed

violent and insulting.

"Take me," she said. "My voice will reward you. I feel that you can

cure it."

"For zat man! to go to him again!" Mr. Pericles sneered.

"I never shall do that." There sprang a glitter as of steel in Emilia's

eyes. "I will make myself yours for life, if you like. Take my hand,

and let me swear. I do not break my word. I will swear, that if I

recover my voice to become what you expected,--I will marry you whenever

you ask me, and then--"

More she was saying, but Mr. Pericles, sputtering a laugh of "Sanks!"

presented a postured supplication for silence.

"I am not a man who marries."

He plainly stated the relations that the woman whom he had distinguished

by the honours of selection must hold toward him.

Emilia's cheeks did not redden; but, without any notion of shame at the

words she listened to, she felt herself falling lower and lower the more

her spirit clung to Mr. Pericles: yet he alone was her visible

personification of hope, and she could not turn from him. If he cast her

off, it seemed to her that her voice was condemned. She stood there

still, and the cold-eyed Greek formed his opinion.

He was evidently undecided as regards his own course of proceeding, for

his chin was pressed by thumb and forefinger hard into his throat, while

his eyebrows were wrinkled up to their highest elevation. From this

attitude, expressive of the accurate balancing of the claims of an

internal debate, he emerged into the posture of a cock crowing, and

Emilia heard again his bitter mimicry of her miserable broken tones,

followed by Ha! dam! Basta! basta!"

"Sit here," cried Mr. Pericles. He had thrown himself into a chair, and

pointed to his knee.

Emilia remained where she was standing.

He caught at her hand, but she plucked that from him. Mr. Pericles rose,

sounding a cynical "Hein!"

"Don't touch me," said Emilia.

Nothing exasperates certain natures so much as the effort of the visibly

weak to intimidate them.

"I shall not touch you?" Mr. Pericles sneered. "Zen, why are you here?"

"I came to my friend," was Emilia's reply.

"Your friend! He is not ze friend of a couac-couac. Once, if you

please: but now" (Mr. Pericles shrugged), "now you are like ze rest of

women. You are game. Come to me."

He caught once more at her hand, which she lifted; then at her elbow.

"Will you touch me when I tell you not to?"

There was the soft line of an involuntary frown over her white face, and

as he held her arm from the doubled elbow, with her clenched hand aloft,

she appeared ready to strike a tragic blow.

Anger and every other sentiment vanished from Mr. Pericles in the

rapturous contemplation of her admirable artistic pose.

"Mon Dieu! and wiz a voice!" he exclaimed, dashing his fist in a delirium

of forgetfulness against the one plastered lock of hair on his shining

head. "Little fool! little dam fool!--zat might have been"--(Mr.

Pericles figured in air with his fingers to signify the exaltation she

was to have attained)--"Mon Dieu! and look at you! Did I not warn you?

non a vero? Did I not say 'Ruin, ruin, if you go so? For a man!--a

voice! You will not come to me? Zen, hear! you shall go to old

Belloni. I do not want you, my pretty dear. Woman is a trouble, a drug.

You shall go to old Belloni; and, crack! if ze voice will come back to a

whip,--bravo, old Belloni!"

Mr. Pericles turned to reach down his hat from a peg. At the same

instant Emilia quitted the room.

Dusk was deepening the yellow atmosphere, and the crowd was now steadily

flowing in one direction. The bereaved creature went with the stream,

glad to be surrounded and unseen, till it struck her, at last, that she

was moving homeward. She stopped with a pang of grief, turned, and met

all those people to whom the fireside was a beacon. For some time she

bore against the pressure, but her loneliness overwhelmed her. None

seemed to go her way. For a refuge, she turned into one of the city side

streets, where she was quite alone. Unhappily, the street was of no

length, and she soon came to the end of it. There was the choice of

retracing her steps, or entering a strange street; and while she

hesitated a troop of sheep went by, that made a piteous noise. She

followed them, thinking curiously of the something broken that appeared

to be in their throats. By-and-by, the thought flashed in her that they

were going to be slaughtered. She held her step, looking at them, but

without any tender movement of the heart. They came to a butcher's yard,

and went in.

When she had passed along a certain distance, a shiver seized her, and

her instinct pushed her toward the lighted shops, where there were

pictures. In one she saw the portrait of that Queen of Song whom she had

heard at Besworth. Two young men, glancing as they walked by arm in arm,

pronounced the name of the great enchantress, and hummed one of her

triumphant airs. The features expressed health, humour, power, every

fine animal faculty. Genius was on the forehead and the plastic mouth;

the forehead being well projected, fair, and very shapely, showing clear

balance, as well as capacity to grasp flame, and fling it. The line

reaching to a dimple from the upper lip was saved from scornfulness by

the lovely gleam, half-challenging, half-consoling, regal, roguish--what

you would--that sat between her dark eyelashes, like white sunlight on

the fringed smooth roll of water by a weir. Such a dimple, and such a

gleam of eyes, would have been keys to the face of a weakling, and it was

the more fascinating from the disregard of any minor charm notable upon

this grand visage, which could not suffer a betrayal. You saw, and there

was no effort to conceal, that the spirit animating it was intensely

human; but it was human of the highest chords of humanity, indifferent to

finesse and despising subtleties; gifted to speak, to inspire, and to

command all great emotions. In fact, it was the masque of a dramatic

artist in repose. Tempered by beauty, the robust frame showed that she

possessed a royal nature, and could, as a foremost qualification for Art,

feel harmoniously. She might have many of the littlenesses of which

women are accused; for Art she promised unspotted excellence; and,

adorable as she was by attraction of her sex, she was artist over all.

Emilia found herself on one of the bridges, thinking of this aspect.

Beneath her was the stealing river, with its red intervals, and the fog

had got a wider circle. She could not disengage that face from her mind.

It seemed to say to her, boldly, "I live because success is mine;" and to

hint, as with a paler voice, "Death the fruit of failure." Could she,

Emilia, ever be looked on again by her friends? The dread of it gave her

shudders. Then, death was certainly easy! But death took no form in her

imagination, as it does to one seeking it. She desired to forget and to

hide her intolerable losses; to have the impostor she felt herself to be

buried. As she walked along she held out her hands, murmuring,

"Helpless! useless!" It came upon her as a surprise that one like

herself should be allowed to live. "I don't want to," she said; and the

neat moment, "I wonder what a drowned woman is like?" She hurried back

to the streets and the shops. The shops failed now to give her

distraction, for a stiff and dripping image floated across all the

windows, and she was glad to see the shutters being closed; though, when

the streets were dark, some friendliness seemed to have gone. When the

streets were quits dark, save for the row of lamps, she walked fast,

fearing she knew not what.

A little Italian boy sat doubled over his organ on a doorstep, while a

yet smaller girl at his elbow plied him with questions in English.

Emilia stopped before them, and the girl complained to her that the

perverse little foreigner would not answer. Two or three words in his

native tongue soon brought his face to view. Emilia sat down between

them, and listened to the prattle of two languages. The girl said that

she never had supper, which was also the case with the boy; so Emilia

felt for her purse, and sent the girl with sixpence in search of a shop

that sold cafes. The girl came back with her apron full. As they were

all about to eat, a policeman commanded them to quit the spot, informing

them that he knew both them and their dodges. Emilia stood up, and was

taking her little people away, when the policeman, having suddenly

changed his accurate opinion of her, said, "You're giving 'em some

supper, miss? Oh, they must sit down to their suppers, you know!" and

walked away, not to be a witness of this infraction of the law. So, they

sat down and ate, and the boy and girl tried to say intelligible things

to one another, and laughed. Emilia could not help joining in their

laughter. The girl was very anxious to know whether the boy was ever

beaten, and hearing that he was, she appeared better satisfied, remarking

that she was also, but curious still as to the different forms of

chastisement they received. This being partially explained, she wished

to know whether he would be beaten that night, Emilia interpreting. A

grin, and a rapid whistle and 'cluck,' significant of the application of

whips, told the state of his expectations; at which the girl clapped her

hands, adding, lamentably, "So shall I, 'cause I am always." Emilia

gathered them under each shoulder, when, to her delight and half

perplexity, they closed their eyes, leaning against her.

The policeman passed, and for an hour endured this spectacle. At last he

felt compelled to explain to Emilia what were the sentiments of

gentlefolks with regard to their doorsteps, apart from the law of the

matter. He put it to her human nature whether she would like her

doorsteps to be blocked, so that no one could enter, and anyone emerging

stood a chance of being precipitated, nose foremost, upon the pavement.

Then, again, as gentle-folks had good experience of, the young ones in

London were twice as cunning as the old. Emilia pleaded for her sleeping

pair, that they might not be disturbed. Her voice gave the keeper of the

peace notions of her being one of the eccentric young ladies who are

occasionally 'missing,' and have advertizing friends. He uttered a stern

ahem! preliminary to assent; but the noise wakened the children, who

stared, and readily obeyed his gesture, which said, "Be off!" while his

words were those of remonstrance. Emilia accompanied them a little way.

Both promised eagerly that they would be at the same place the night

following and departed--the boy with laughing nods and waving of hands,

which the girl imitated. Emilia's feeling of security went with them.

She at once feigned a destination in the distance, and set forward to

reach it, but the continued exposure of this delusion made it difficult

to renew. She fell to counting the hours that were to elapse before she

would meet those children, saying to herself, that whatever she did she

must keep her engagement to be at the appointed steps. This restriction

set her darkly fancying that she wished for her end.

Remembering those men who had looked at her admiringly, "Am I worth

looking at?" she said; and it gave her some pleasure to think that she

had it still in her power to destroy a thing of value. She was savagely

ashamed of going to death empty-handed. By-and-by, great fatigue

stiffened her limbs, and she sat down from pure want of rest. The luxury

of rest and soothing languor kept hard thoughts away. She felt as if

floating, for a space. The fear of the streets left her. But when

necessity for rest had gone, she clung to the luxury still, and sitting

bent forward, with her hands about her knees, she began to brood over

tumbled images of a wrong done to her. She had two distinct visions of

herself, constantly alternating and acting like the temptation of two

devils. One represented her despicable in feature, and bade her die; the

other showed a fair face, feeling which to be her own, Emilia had fits of

intolerable rage. This vision prevailed; and this wicked side of her

humanity saved her. Active despair is a passion that must be superseded

by a passion. Passive despair comes later; it has nothing to do with

mental action, and is mainly a corruption or degradation of our blood.

The rage in Emilia was blind at first, but it rose like a hawk, and

singled its enemy. She fixed her mind to conceive the foolishness of

putting out a face that her rival might envy, and of destroying anything

that had value. The flattery of beauty came on her like a warm garment.

When she opened her eyes, seeing what she was and where, she almost

smiled at the silly picture that had given her comfort. Those men had

looked on her admiringly, it was true, but would Wilfrid have ceased to

love her if she had been beautiful? An extraordinary intuition of

Wilfrid's sentiment tormented her now. She saw herself in the light that

he would have seen her by, till she stood with the sensations of an

exposed criminal in the dark length of the street, and hurried down it,

back, as well as she could find her way, to the friendly policeman.

Her question on reaching him, "Are you married?" was prodigiously

astonishing, and he administered the rebuff of an affirmative with

severity. "Then," said Emilia, "when you go home, let me go with you to

your wife. Perhaps she will consent to take care of me for this night."

The policeman coughed mildly and replied, "It's plain you know nothing

of women--begging your pardon, miss,--for I can see you're a lady."

Emilia repeated her petition, and the policeman explained the nature of

women. Not to be baffled, Emilia said, "I think your wife must be a good

woman." Hereat the policeman laughed, arming "that the best of them knew

what bad suspicions was." Ultimately, he consented to take her to his

wife, when he was relieved, after the term of so many minutes. Emilia

stood at a distance, speculating on the possible choice he would make of

a tune to accompany his monotonous walk to and fro, and on the certainty

of his wearing any tune to nothing.

She was in a bed, sleeping heavily, a little before dawn.

The day that followed was her day of misery. The blow that had stunned

her had become as a loud intrusive pulse in her head. By this new

daylight she fathomed the depth, and reckoned the value, of her loss.

And her senses had no pleasure in the light, though there was sunshine.

The woman who was her hostess was kind, but full of her first surprise at

the strange visit, and too openly ready for any information the young

lady might be willing to give with regard to her condition, prospects,

and wishes. Emilia gave none. She took the woman's hand, asking

permission to remain under her protection. The woman by-and-by named a

sum of money as a sum for weekly payment, and Emilia transferred all to

her that she had. The policeman and his wife thought her, though

reasonable, a trifle insane. She sat at a window for hours watching a

'last man' of the fly species walking up and plunging down a pane of

glass. On this transparent solitary field for the most objectless

enterprise ever undertaken, he buzzed angrily at times, as if he had

another meaning in him, which was being wilfully misinterpreted. Then he

mounted again at his leisure, to pitch backward as before. Emilia found

herself thinking with great seriousness that it was not wonderful for

boys to be always teasing and killing flies, whose thin necks and bobbing

heads themselves suggested the idea of decapitation. She said to her

hostess: "I don't like flies. They seem never to sing but when they are

bothered." The woman replied: "Ah, indeed?" very smoothly, and thought:

"If you was to bust out now, which of us two would be strongest?" Emilia

grew distantly aware that the policeman and his wife talked of her and

watched her with combined observation.

When it was night she went to keep her appointment. The girl was there,

but the boy came late. He said he had earned only a few pence that day,

and would be beaten. He spoke in a whimpering tone which caused the girl

to desire a translation of his words. Emilia told her how things were

with him, and the girl expressed a wish that she had an organ, as in that

case she would be sure to earn more than sixpence a day; such being the

amount that procured her nightly a comfortable reception in the arms of

her parents. "Do you like music?" said Emilia. The girl replied that

she liked organs; but, as if to avoid committing an injustice, cited

parrots as foremost in her affections. Holding them both to her breast,

Emilia thought that she would rescue them from this beating by giving

them the money they had to offer for kindness: but the restlessness of

the children suddenly made her a third party to the thought of cakes.

She had no money. Her heart bled for the poor little hungry,

apprehensive creatures. For a moment she half fancied she had her voice,

and looked up at the windows of the pitiless houses with a bold look; but

there was a speedy mockery of her thought "You shall listen: you shall

open!" She coughed hoarsely, and then fell into fits of crying. Her

friend the policeman came by and took her arm with a force that he meant

to be persuasive; so lifting her and handing her some steps beyond the

limit of his beat, with stern directions for her to proceed home

immediately. She obeyed. Next day she asked her hostess to lend her

half-a-crown. The woman snapped shortly in answer: "No; the less you

have the better." Emilia was obliged to abandon her little people.

She was to this extent the creature of mania: that she could not conceive

of a way being open by which she might return to her father and mother,

or any of her friends. It was to her not a matter for her will to decide

upon, but simply a black door shut that nothing could displace. When the

week, for which term of shelter she had paid, was ended, her hostess

spoke upon this point, saying, more to convince Emilia of the necessity

for seeking her friends than from any unkindness: "Me and my husband

can't go on keepin' you, you know, my dear, however well's our meaning."

Emilia drew the woman toward her with both her lands, softly shaking her

head. She left the house about noon.

It was now her belief that she had probably no more than another day to

live, for she was destitute of money. The thought relieved her from that

dreadful fear of the street, and she walked at her own pace, even after

dark. The rumble and the rattle of wheels; the cries and grinding

noises; the hum of motion and talk; all under the lingering smoky red of

a London Winter sunset, were not discord to her animated blood. Her

unhunted spirit made a music of them. It was not like the music of other

days, nor was the exultation it created at all like happiness: but she at

least forgot herself. Voices came in her ear, and hung unheard until

long after the speaker had passed. Hunger did not assail her. She was

not beset by an animal weakness; and having in her mind no image of

death, and with her ties to life cut away;--thus devoid of apprehension

or regret, she was what her quick blood made her, for the time. She

recognized that, for one near extinction, it was useless to love or to

hate: so Wilfrid and Lady Charlotte were spared. Emilia thought of them

both with a sort of equanimity; not that any clear thought filled her

brain through that delirious night. The intoxicating music raged there

at one level depression, never rising any scale, never undulating ever so

little, scarcely changing its barbarous monotony of notes. She had no

power over it. Her critical judgement would at another moment have

shrieked at it. She was moved by it as by a mechanical force.

The South-west wind blew, and the hours of the night were not evil to

outcasts. Emilia saw many lying about, getting rest where they might.

She hurried her eye pityingly over little children, but the devil that

had seized her sprang contempt for the others--older beggars, who

appeared to succumb to their fate when they should have lifted their

heads up bravely. On she passed from square to market, market to park;

and presently her mind shot an arrow of desire for morning, which was

nothing less than hunger beginning to stir. "When will the shops open?"

She tried to cheat herself by replying that she did not care when, but

pangs of torment became too rapid for the counterfeit. Her imagination

raised the roof from those great rich houses, and laid bare a brilliancy

of dish-covers; and if any sharp gust of air touched the nerve in her

nostril, it seemed instantaneously charged with the smell of old dinners.

"No," cried Emilia, "I dislike anything but plain food." She quickly

gave way, and admitted a craving for dainty morsels. "One lump of

sugar!" she subsequently sighed. But neither sugar nor meat approached

her.

Her seat was under trees, between a man and a woman who slanted from her

with hidden chins. The chilly dry leaves began to waken, and the sky

showed its grey. Hunger had become as a leaden ball in Emilia's chest.

She could have eaten eagerly still, but she had no ravenous images of

food. Nevertheless, she determined to beg for bread at a baker's shop.

Coming into the empty streets again, the dread of exposing her solitary

wretchedness and the stains of night upon her, kept her back. When she

did venture near the baker's shop, her sensation of weariness, want of

washing, and general misery, made her feel a contrast to all other women

she saw, that robbed her of the necessary effrontery. She preferred to

hide her head.

The morning hours went in this conflict. She was between-whiles hungry

and desperate, or stricken with shame. Fatigue, bringing the imperious

necessity for rest, intervened as a relief. Emilia moaned at the weary

length of the light, but when dusk fell and she beheld flame in the

lamps, it seemed to be too sudden and she was alarmed. Passive despair

had set in. She felt sick, though not weak, and the thought of asking

help had gone.

A street urchin, of the true London species, in whom excess of woollen

comforter made up for any marked scantiness in the rest of his attire,

came trotting the pavement, pouring one of the favourite tunes of his

native metropolis through the tube of a penny-whistle, from which it did

not issue so disguised but that attentive ears might pronounce it the

royal march of the Cannibal Islands. A placarded post beside a lamp met

this musician's eye; and, still piping, he bent his knees and read the

notification. Emilia thought of the Hillford and Ipley clubmen, the big

drum, the speeches, the cheers, and all the wild strength that lay in her

that happy morning. She watched the boy piping as if he were reading

from a score, and her sense of humour was touched. "You foolish boy!"

she said to herself softly. But when, having evidently come to the last

printed line, the boy rose and pocketed his penny-whistle, Emilia was

nearly laughing. "That's because he cannot turn over the leaf," she

said, and stood by the post till long after the boy had disappeared. The

slight emotion of fun had restored to her some of her lost human

sensations, and she looked about for a place where to indulge them

undisturbed. One of the bridges was in sight She yearned for the

solitude of the wharf beside it, and hurried to the steps. To descend

she had to pass a street-organ and a small figure bent over it. "Sei

buon' Italiano?" she said. The answer was a surly "Si." Emilia cried

convulsively "Addio!" Her brain had become on a sudden vacant of a

thought, and all she knew was that she descended.

Sandra Belloni — Volume 6 · 第 2 / 11 章