CHAPTER VI.

LIFE IN THE SOUTH.--RETURN TO ENGLAND.--VOLS. VII. AND VIII.--SECOND

SET OF SERMONS.

(1762-1765.)

The diminished appetite of the public for the humours of Mr. Shandy

and his brother is, perhaps, not very difficult to understand. Time

was simply doing its usual wholesome work in sifting the false from

the true--in ridding Sterne's audience of its contingent of sham

admirers. This is not to say, of course, that there might not have

been other and better grounds for a partial withdrawal of popular

favour. A writer who systematically employs Sterne's peculiar methods

must lay his account with undeserved loss as well as with unmerited

gain. The fifth and sixth volumes deal quite largely enough in mere

eccentricity to justify the distaste of any reader upon whom mere

eccentricity had begun to pall. But if this were the sole explanation

of the book's declining popularity, we should have to admit that the

adverse judgment of the public had been delayed too long for justice,

and had passed over the worst to light upon the less heinous offences.

For the third volume, though its earlier pages contain some good

touches, drifts away into mere dull, uncleanly equivoque in its

concluding chapters; and the fifth and sixth volumes may, at any rate,

quite safely challenge favourable comparison with the fourth--the

poorest, I venture to think, of the whole series. There is nothing

in these two later volumes to compare, for instance, with that most

wearisome exercise in _double entendre_, Slawkenbergius's Tale;

nothing to match that painfully elaborate piece of low comedy, the

consultation of philosophers and its episode of Phutatorius's mishap

with the hot chestnut; no such persistent resort, in short, to those

mechanical methods of mirth-making upon which Sterne, throughout a

great part of the fourth volume, almost exclusively relies. The humour

of the fifth is, to a far larger extent, of the creative and dramatic

order; the ever-delightful collision of intellectual incongruities in

the persons of the two brothers Shandy gives animation to the volume

almost from beginning to end. The arrival of the news of Bobby

Shandy's death, and the contrast of its reception by the philosophic

father and the simple-minded uncle, form a scene of inimitable

absurdity, and the "Tristrapaedia," with its ingenious project for

opening up innumerable "tracks of inquiry" before the mind of the

pupil by sheer skill in the manipulation of the auxiliary verbs, is

in the author's happiest vein. The sixth volume, again, which contains

the irresistible dialogue between Mr. and Mrs. Shandy on the great

question of the "breeching of Tristram," and the much-admired, if not

wholly admirable, episode of Le Fevre's death, is fully entitled to

rank beside its predecessors. On the whole, therefore, it must be said

that the colder reception accorded to this instalment of the novel,

as compared with the previous one, can hardly be justified on sound

critical grounds. But that literary shortcomings were not, in fact,

the cause of _Tristram's_ declining popularity may be confidently

inferred from the fact that the seventh volume, with its admirably

vivid and spirited scenes of Continental travel, and the eighth and

ninth, with their charming narrative of Captain Shandy's love affair,

were but slightly more successful. The readers whom this, the third

instalment of the novel, had begun to repel, were mainly, I imagine,

those who had never felt any intelligent admiration for the former;

who had been caught by the writer's eccentricity, without appreciating

his insight into character and his graphic power, and who had seen no

other aspects of his humour than those buffooneries and puerilities

which, after first amusing, had begun, in the natural course of

things, to weary them.

Meanwhile, however, and with spirits restored by the Southern warmth

to that buoyancy which never long deserted them, Sterne had begun to

set to work upon a new volume. His letters show that this was not

the seventh but the eighth; and Mr. Fitzgerald's conjecture, that

the materials ultimately given to the world in the former volume were

originally designed for another work, appears exceedingly probable.

But for some time after his arrival at Toulouse he was unable, it

would seem, to resume his literary labours in any form. Ever liable,

through his weakly constitution, to whatever local maladies might

anywhere prevail, he had fallen ill, he writes to Hall Stevenson, "of

an epidemic vile fever which killed hundreds about me. The physicians

here," he adds, "are the arrantest charlatans in Europe, or the most

ignorant of all pretending fools. I withdrew what was left of me out

of their hands, and recommended my affairs entirely to Dame Nature.

She (dear goddess) has saved me in fifty different pinching bouts, and

I begin to have a kind of enthusiasm now in her favour and my own, so

that one or two more escapes will make me believe I shall leave you

all at last by translation, and not by fair death." Having now become

"stout and foolish again as a man can wish to be, I am," he says,

"busy playing the fool with my Uncle Toby, whom I have got soused over

head and ears in love." Now, it is not till the eighth volume that

the Widow Wadman begins to weave her spells around Captain Shandy's

ingenuous heart; while the seventh volume is mainly composed of that

series of travel-pictures in which Sterne has manifestly recorded

his own impressions of Northern France in the person of the youthful

Tristram. It is scarcely doubtful, therefore, that it is these

sketches, and the use which he then proposed to make of them, that

he refers to, when speaking in this letter of "hints and projects

for other works." Originally intended to form a part of the volume

afterwards published as the _Sentimental Journey_, it was found

necessary--under pressure, it is to be supposed, of insufficient

matter--to work them up instead into an interpolated seventh volume

of _Tristram Shandy_. At the moment, however, he no doubt as little

foresaw this as he did the delay which was to take place before any

continuation of the novel appeared. He clearly contemplated no very

long absence from England. "When I have reaped the benefit of the

winter at Toulouse, I cannot see I have anything more to do with it.

Therefore, after having gone with my wife and girl to Bagnères, I

shall return from whence I came." Already, however, one can perceive

signs of his having too presumptuously marked out his future. "My

wife wants to stay another year, to save money; and this opposition of

wishes, though it will not be as sour as lemon, yet 'twill not be as

sweet as sugar." And again: "If the snows will suffer me, I propose to

spend two or three months at Barége or Bagnères; but my dear wife is

against all schemes of additional expense, which wicked propensity

(though not of despotic power) yet I cannot suffer--though,

by-the-bye, laudable enough. But she may talk; I will go my own way,

and she will acquiesce without a word of debate on the subject. Who

can say so much in praise of his wife? Few, I trow." The tone of

contemptuous amiability shows pretty clearly that the relations

between husband and wife had in nowise improved. But wives do not

always lose all their influence over husbands' wills along with the

power over their affections; and it will be seen that Sterne did _not_

make his projected winter trip to Bagnères, and that he did remain

at Toulouse for a considerable part of the second year for which Mrs.

Sterne desired to prolong their stay. The place, however, was not to

his taste; and he was not the first traveller in France who, delighted

with the gaiety of Paris, has been disappointed at finding that French

provincial towns can be as dull as dulness itself could require. It is

in the somewhat unjust mood which is commonly begotten of disillusion

that Sterne discovers the cause of his _ennui_ in "the eternal

platitude of the French character," with its "little variety and no

originality at all." "They are very civil," he admits, "but civility

itself so thus uniform wearies and bothers me to death. If I do

not mind I shall grow most stupid and sententious." With such

apprehensions it is not surprising that he should have eagerly

welcomed any distraction that chance might offer, and in December we

find him joyfully informing his chief correspondent of the period,

Mr. Foley--who to his services as Sterne's banker seems to have added

those of a most helpful and trusted friend--that "there are a company

of English strollers arrived here who are to act comedies all the

Christmas, and are now busy in making dresses and preparing some of

our best comedies." These so-called strollers were, in fact, certain

members of the English colony in Toulouse, and their performances were

among the first of those "amateur theatrical" entertainments which

now-a-days may be said to rival the famous "morning drum-beat" of

Daniel Webster's oration, in marking the ubiquity of British boredom,

as the _reveil_ does that of British power over all the terrestrial

globe. "The next week," writes Sterne, "with a grand orchestra, we

play _The Busybody_, and the _Journey to London_ the week after; but

I have some thought of adapting it to our situation, and making it the

_Journey to Toulouse_, which, with the change of half-a-dozen scenes,

may be easily done. Thus, my dear Foley, for want of something better

we have recourse to ourselves, and strike out the best amusements we

can from such materials." "Recourse to ourselves," however, means,

in strict accuracy, "recourse to each other;" and when the amateur

players had played themselves out, and exhausted their powers of

contributing to each others' amusement, it is probable that

"recourse to ourselves," in the exact sense of the phrase, was found

ineffective--in Sterne's case, at any rate--to stave off _ennui_.

To him, with his copiously if somewhat oddly furnished mind, and his

natural activity of imagination, one could hardly apply the line of

Persius,

"Tecum habita et noris quam sit tibi curta supellex;"

but it is yet evident enough that Sterne's was one of that numerous

order of intellects which are the convivial associates, rather than

the fireside companions, of their owners, and which, when deprived

of the stimulus of external excitement, are apt to become very dull

company indeed. Nor does he seem to have obtained much diversion of

mind from his literary work--a form of intellectual enjoyment which,

indeed, more often presupposes than begets good spirits in such

temperaments as his. He declares, it is true, that he "sports much

with my Uncle Toby" in the volume which he is now "fabricating for the

laughing part of the world;" but if so he must have sported only after

a very desultory and dilatory fashion. On the whole one cannot escape

a very strong impression that Sterne was heartily bored by his sojourn

in Toulouse, and that he eagerly longed for the day of his return to

"the dalliance and the wit, the flattery and the strife," which he had

left behind him in the two great capitals in which he had shone.

His stay, however, was destined to be very prolonged. The winter of

1762 went by, and the succeeding year had run nearly half its course,

before he changed his quarters. "The first week in June," he writes in

April to Mr. Foley, "I decamp like a patriarch, with all my household,

to pitch our tents for three months at the foot of the Pyrenean hills

at Bagnères, where I expect much health and much amusement from all

corners of the earth." He talked too at this time of spending the

winter at Florence, and, after a visit to Leghorn, returning home the

following April by way of Paris; "but this," he adds, "is a sketch

only," and it remained only a sketch. Toulouse, however, he was in

any case resolved to quit. He should not, he said, be tempted to spend

another winter there. It did not suit his health, as he had hoped: he

complained that it was too moist, and that he could not keep clear of

ague. In June, 1763, he quitted it finally for Bagnères; whence after

a short, and, as we subsequently learn, a disappointed, sojourn, he

passed on to Marseilles, and later to Aix, for both of which places

he expressed dislike; and by October he had gone again into winter

quarters at Montpellier, where "my wife and daughter," he writes,

"purpose to stay at least a year behind me." His own intention was to

set out in February for England, "where my heart has been fled these

six months." Here again, however, there are traces of that periodic,

or rather, perhaps, that chronic conflict of inclination between

himself and Mrs. Sterne, of which he speaks with such a tell-tale

affectation of philosophy. "My wife," he writes in January, "returns

to Toulouse, and proposes to spend the summer at Bagnères. I, on the

contrary, go to visit my wife the church in Yorkshire. We all live the

longer, at least the happier, for having things our own way. This is

my conjugal maxim. I own 'tis not the best of maxims, but I maintain

'tis not the worst." It was natural enough that Sterne, at any rate,

should wish to turn his back on Montpellier. Again had the unlucky

invalid been attacked by a dangerous illness; the "sharp air" of the

place disagreed with him, and his physicians, after having him under

their hands more than a month, informed him coolly that if he stayed

any longer in Montpellier it would be fatal to him. How soon after

that somewhat late warning he took his departure there is no record

to show; but it is not till the middle of May that we find him writing

from Paris to his daughter. And since he there announces his intention

of leaving for England in a few days, it is a probable conjecture that

he had arrived at the French capital some fortnight or so before.

His short stay in Paris was marked by two incidents--trifling in

themselves, but too characteristic of the man to be omitted. Lord

Hertford, the British Ambassador, had just taken a magnificent hotel

in Paris, and Sterne was asked to preach the first sermon in its

chapel. The message was brought him, he writes, "when I was playing

a sober game of whist with Mr. Thornhill; and whether I was called

abruptly from my afternoon amusement to prepare myself for the

business on the next day, or from what other cause, I do not pretend

to determine; but that unlucky kind of fit seized me which you know

I am never able to resist, and a very unlucky text did come into my

head." The text referred to was 2 Kings XX. 15--Hezekiah's admission

of that ostentatious display of the treasures of his palace to the

ambassadors of Babylon for which Isaiah rebuked him by prophesying the

Babylonian captivity of Judah. Nothing, indeed, as Sterne protests,

could have been more innocent than the discourse which he founded

upon the _mal-à-propos_ text; but still it was unquestionably a fair

subject for "chaff," and the preacher was rallied upon it by no less

a person than David Hume. Gossip having magnified this into a dispute

between the parson and the philosopher, Sterne disposes of the idle

story in a passage deriving an additional interest from its tribute to

that sweet disposition which had an equal charm for two men so utterly

unlike as the author of _Tristram Shandy_ and the author of the

_Wealth of Nations_. "I should," he writes, "be exceedingly surprised

to hear that David ever had an unpleasant contention with any man; and

if I should ever be made to believe that such an event had happened,

nothing would persuade me that his opponent was not in the wrong, for

in my life did I never meet with a being of a more placid and gentle

nature; and it is this amiable turn of his character which has given

more consequence and force to his scepticism than all the arguments of

his sophistry." The real truth of the matter was that, meeting Sterne

at Lord Hertford's table on the day when he had preached at the

Embassy Chapel, "David was disposed to make a little merry with the

parson, and in return the parson was equally disposed to make a little

merry with the infidel. We laughed at one another, and the company

laughed with us both." It would be absurd, of course, to identify

Sterne's latitudinarian _bonhomie_ with the higher order of tolerance;

but many a more confirmed and notorious Gallio than the clerical

humourist would have assumed prudish airs of orthodoxy in such a

presence, and the incident, if it does not raise one's estimate of

Sterne's dignity, displays him to us as laudably free from hypocrisy.

But the long holiday of somewhat dull travel, with its short last act

of social gaiety, was drawing to a close. In the third or fourth week

of May Sterne quitted Paris; and after a stay of a few weeks in London

he returned to the Yorkshire parsonage, from which he had been absent

some thirty months.

Unusually long as was the interval which had elapsed since the

publication of the last instalment of _Tristram Shandy_, the new one

was far from ready; and even in the "sweet retirement" of Coxwold

he seems to have made but slow progress with it. Indeed, the "sweet

retirement" itself became soon a little tedious to him. The month of

September found him already bored with work and solitude; and the fine

autumn weather of 1764 set him longing for a few days' pleasure-making

at what was even then the fashionable Yorkshire watering-place. "I

do not think," he writes, with characteristic incoherence, to Hall

Stevenson--"I do not think a week or ten days' playing the good fellow

(at this very time) so abominable a thing; but if a man could get

there cleverly, and every soul in his house in the mind to try what

could be done in furtherance thereof, I have no one to consult in

these affairs. Therefore, as a man may do worse things, the plain

English of all which is, that I am going to leave a few poor sheep in

the wilderness for fourteen days, and from pride and naughtiness

of heart to go see what is doing at Scarborough, steadfully meaning

afterwards to lead a new life and strengthen my faith. Now, some folks

say there is much company there, and some say not; and I believe there

is neither the one nor the other, but will be both if the world will

have patience for a month or so." Of his work he has not much to say:

"I go on not rapidly but well enough with my Uncle Toby's amours.

There is no sitting and cudgelling one's brains whilst the sun shines

bright. 'Twill be all over in six or seven weeks; and there are dismal

weeks enow after to endure suffocation by a brimstone fireside." He

was anxious that his boon companion should join him at Scarborough;

but that additional pleasure was denied him, and he had to content

himself with the usual gay society of the place. Three weeks, it

seems, were passed by him in this most doubtfully judicious form of

bodily and mental relaxation--weeks which he spent, he afterwards

writes, in "drinking the waters, and receiving from them marvellous

strength, had I not debilitated it as fast as I got it by playing

the good fellow with Lord Granby and Co. too much." By the end of the

month he was back again at Coxwold, "returned to my Philosophical Hut

to finish _Tristram_, which I calculate will be ready for the

world about Christmas, at which time I decamp from hence and fix

my headquarters at London for the winter, unless my cough pushes me

forward to your metropolis" (he is writing to Foley, in Paris), "or

that I can persuade some _gros milord_ to make a trip to you."

Again, too, in this letter we get another glimpse at that thoroughly

desentimentalized "domestic interior" which the sentimentalist's

household had long presented to the view. Writing to request a

remittance of money to Mrs. Sterne at Montauban--a duty which, to do

him justice, he seems to have very watchfully observed--Sterne adds

his solicitation to Mr. Foley to "do something equally essential to

rectify a mistake in the mind of your correspondent there, who, it

seems, gave her a hint not long ago 'that she was separated from me

for life.' Now, as this is not true, in the first place, and may fix a

disadvantageous impression of her to those she lives amongst, 'twould

be unmerciful to let her or my daughter suffer by it. So do be so good

as to undeceive him; for in a year or two she purposes (and I expect

it with impatience from her) to rejoin me."

Early in November the two new volumes of _Shandy_ began to approach

completion; for by this time Sterne had already made up his mind to

interpolate these notes of his French travels, which now do duty as

Vol. VII. "You will read," he tells Foley, "as odd a tour through

France as was ever projected or executed by traveller or travel-writer

since the world began. 'Tis a laughing, good-tempered satire upon

travelling--as _puppies_ travel." By the 16th of the month he had

"finished my two volumes of _Tristram_," and looked to be in London at

Christmas, "whence I have some thoughts of going to Italy this year.

At least I shall not defer it above another." On the 26th of January,

1765, the two new volumes were given to the world.

Shorter in length than any of the preceding instalments, and filled

out as it was, even so, by a process of what would now be called

"book-making," this issue will yet bear comparison, I think, with the

best of its predecessors. Its sketches of travel, though destined

to be surpassed in vigour and freedom of draftsmanship by the

_Sentimental Journey_, are yet excellent, and their very obvious want

of connexion with the story--if story it can be called--is so little

felt that we almost resent the head-and-ears introduction of Mr.

Shandy and his brother, and the Corporal, in apparent concession to

the popular prejudice in favour of some sort of coherence between

the various parts of a narrative. The first seventeen chapters are,

perhaps, as freshly delightful reading as anything in Sterne. They are

literally filled and brimming over with the exhilaration of travel:

written, or at least prepared for writing, we can clearly see, under

the full intoxicant effect which a bewildering succession of new

sights and sounds will produce, in a certain measure, upon the coolest

of us, and which would set a head like Sterne's in an absolute whirl.

The contagion of his high spirits is, however, irresistible; and,

putting aside all other and more solid qualities in them, these

chapters are, for mere fun--for that kind of clever nonsense which

only wins by perfect spontaneity, and which so promptly makes ashamed

the moment spontaneity fails--unsurpassed by anything of the same kind

from the same hand. How strange, then, that, with so keen an eye for

the humorous, so sound and true a judgment in the highest qualities of

humour, Sterne should think it possible for any one who has outgrown

what may be called the dirty stage of boyhood to smile at the story

which begins a few chapters afterwards--that of the Abbess and Novice

of the Convent of Andouillets! The adult male person is not so much

shocked at the coarseness of this story as astounded at the bathos of

its introduction. It is as though some matchless connoisseur in wine,

after having a hundred times demonstrated the unerring discrimination

of his palate for the finest brands, should then produce some vile and

loaded compound, and invite us to drink it with all the relish with

which he seems to be swallowing it himself. This story of the Abbess

and Novice almost impels us to turn back to certain earlier chapters,

or former volumes, and re-examine some of the subtler passages of

humour to be found there--in downright apprehension lest we should

turn out to have read these "good things," not "in," but "into," our

author. The bad wine is so very bad, that we catch ourselves wondering

whether the finer brands were genuine, when we see the same palate

equally satisfied with both. But one should, of course, add that it

is only in respect of its supposed humour that this story shakes

its readers' faith in the gifts of the narrator. As a mere piece of

story-telling, and even as a study in landscape and figure-painting,

it is quite perversely skilful. There is something almost irritating,

as a waste of powers on unworthy material, in the prettiness of the

picture which Sterne draws of the preparations for the departure

of the two _religieuses_--the stir in the simple village, the

co-operating labours of the gardener and the tailor, the carpenter and

the smith, and all those other little details which bring the whole

scene before the eye so vividly that Sterne may, perhaps, in

all seriousness, and not merely as a piece of his characteristic

persiflage, have thrown in the exclamation, "I declare I am interested

in this story, and wish I had been there." Nothing, again, could be

better done than the sketch of the little good-natured, "broad-set"

gardener, who acted as the ladies' muleteer, and the recital of the

indiscretions by which he was betrayed into temporary desertion of his

duties. The whole scene is Chaucerian in its sharpness of outline

and translucency of atmosphere: though there, unfortunately, the

resemblance ends. Sterne's manner of saying what we now leave unsaid

is as unlike Chaucer's, and as unlike for the worse, as it can

possibly be.

Still, a certain amount of this element of the _non nominandum_ must

be compounded for, one regrets to say, in nearly every chapter that

Sterne ever wrote; and there is certainly less than the average amount

of it in the seventh volume. Then, again, this volume contains the

famous scene with the ass--the live and genuinely touching, and not

the dead and fictitiously pathetic, animal; and that perfect piece of

comic dialogue--the interview between the puzzled English traveller

and the French commissary of the posts. To have suggested this scene

is, perhaps, the sole claim of the absurd fiscal system of the _Ancien

régime_ upon the grateful remembrance of the world. A scheme of

taxation which exacted posting-charges from a traveller who proposed

to continue his journey by water, possesses a natural ingredient of

drollery infused into its mere vexatiousness; but a whole volume of

satire could hardly put its essential absurdity in a stronger

light than is thrown upon it in the short conversation between the

astonished Tristram and the officer of the fisc, who had just handed

him a little bill for six livres four sous:

"'Upon what account?' said I.

"''Tis upon the part of the King,' said the commissary, heaving

up his shoulders.

"'My good friend,' quoth I, 'as sure as I am I, and you are you--'

"'And who are you?' he said.

"'Don't puzzle me,' said I. 'But it is an indubitable verity,' I

continued, addressing myself to the commissary, changing only the

form of my asseveration,' that I owe the King of France nothing but

my good-will, for he is a very honest man, and I wish him all the health

and pastime in the world.'

"'Pardonnez-moi,' replied the commissary. 'You are indebted to

him six livres four sous for the next post from hence to St. Fons, on

your route to Avignon, which being a post royal, you pay double for

the horses and postilion, otherwise 'twould have amounted to no more

than three livres two sous.'

"'But I don't go by land,' said I.

"'You may if you please,' replied the commissary.

"'Your most obedient servant,' said I, making him a low bow.

"The commissary, with all the sincerity of grave good-breeding,

made me one as low again. I never was more disconcerted by a bow

in my life. 'The devil take the serious character of these people,'

said I, aside; 'they understand no more of irony than this.' The

comparison was standing close by with her panniers, but something

sealed up my lips. I could not pronounce the name.

"'Sir,' said I, collecting myself, 'it is not my intention to take

post.'

"'But you may,' said he, persisting in his first reply. 'You may

if you choose.'

"'And I may take salt to my pickled herring if I choose.[1] But I

do not choose.'

"'But you must pay for it, whether you do or no.'

"'Ay, for the salt,' said I, 'I know.'

"'And for the post, too,' added he.

"'Defend me!' cried I. 'I travel by water. I am going down the

Rhone this very afternoon; my baggage is in the boat, and I have

actually paid nine livres for my passage.'

"'C'est tout égal--'tis all one,' said he.

"'Bon Dieu! What! pay for the way I go and for the way I do

not go?'

"'C'est tout égal,' replied the commissary.

"'The devil it is!' said I. 'But I will go to ten thousand Bastilles

first. O, England! England! thou land of liberty and climate of

good-sense! thou tenderest of mothers and gentlest of nurses!' cried

I, kneeling upon one knee as I was beginning my apostrophe--when

the director of Madame L. Blanc's conscience coming in at that instant,

and seeing a person in black, with a face as pale as ashes, at

his devotions, asked if I stood in want of the aids of the Church.

"'I go by water,' said I, 'and here's another will be for making

me pay for going by oil.'"

[Footnote 1: It is the penalty--I suppose the just penalty--paid by

habitually extravagant humourists, that _meaning_ not being always

expected of them, it is not always sought by their readers with

sufficient care. Anyhow, it may be suspected that this retort of

Tristram's is too often passed over as a mere random absurdity

designed for his interlocutor's mystification, and that its extremely

felicitous pertinence to the question in dispute is thus overlooked.

The point of it, of course, is that the business in which the

commissary was then engaged was precisely analogous to that of

exacting salt dues from perverse persons who were impoverishing the

revenue by possessing herrings already pickled.]

The commissary, of course, remains obdurate, and Tristram protests

that the treatment to which he is being subjected is "contrary to the

law of nature, contrary to reason, contrary to the Gospel:"

"'But not to this,' said he, putting a printed paper into my hand.

"'De par le Roi.' ''Tis a pithy prolegomenon,' quoth I, and so

read on.... 'By all which it appears,' quoth I, having read it over

a little too rapidly, 'that if a man sets out in a post-chaise for Paris,

he must go on travelling in one all the days of his life, or pay for it.'

"'Excuse me,' said the commissary, 'the spirit of the ordinance is

this, that if you set out with an intention of running post from Paris

to Avignon, &c., you shall not change that intention or mode of

travelling without first satisfying the fermiers for two posts further

than the place you repent at; and 'tis founded,' continued he, 'upon

this, that the revenues are not to fall short through your fickleness.'

"'O, by heavens!' cried I, 'if fickleness is taxable in France, we

have nothing to do but to make the best peace we can.'

"And so the peace was made."

And the volume ends with the dance of villagers on "the road between

Nismes and Lunel, where is the best Muscatto wine in all France"--that

charming little idyll which won the unwilling admiration of the least

friendly of Sterne's critics.[1]

With the close of this volume the shadowy Tristram disappears

altogether from the scene; and even the clearly-sketched figures of

Mr. and Mrs. Shandy recede somewhat into the background. The courtship

of my Uncle Toby forms the whole _motif_ and indeed almost the entire

substance, of the next volume. Of this famous episode in the novel a

great deal has been said and written, and much of the praise

bestowed upon it is certainly deserved. The artful coquetries of the

fascinating widow, and the gradual capitulation of the Captain, are

studied with admirable power of humorous insight, and described with

infinite grace and skill. But there is, perhaps, no episode in the

novel which brings out what may be called the perversity of Sterne's

animalism in a more exasperating way. It is not so much the amount

of this element as the time, place, and manner in which it makes its

presence felt. The senses must, of course, play their part in all

love affairs, except those of the angels--or the triangles; and such

writers as Byron, for instance, are quite free from the charge of

over-spiritualizing their description of the passion. Yet one might

safely say that there is far less to repel a healthy mind in the

poet's account of the amour of Juan and Haidee than is to be found in

many a passage in this volume. It is not merely that one is the poetry

and the other the prose of the sexual passion: the distinction goes

deeper, and points to a fundamental difference of attitude towards

their subject in the two writers' minds.

The success of this instalment of _Tristram Shandy_ appears to have

been slightly greater than that of the preceding one. Writing from

London, where he was once more basking in the sunshine of social

popularity, to Garrick, then in Paris, he says (March 16, 1765): "I

have had a lucrative campaign here. _Shandy_ sells well," and "I am

taxing the public with two more volumes of sermons, which will more

than double the gains of _Shandy_. It goes into the world with a

prancing list _de toute la noblesse_, which will bring me in three

hundred pounds, exclusive of the sale of the copy." The list was,

indeed, extensive and distinguished enough to justify the curious

epithet which he applies to it; but the cavalcade of noble names

continued to "prance" for some considerable time without advancing.

Yet he had good reasons, according to his own account, for wishing to

push on their publication. His parsonage-house at Button had just been

burnt down through the carelessness of one of his curate's household,

with a loss to Sterne of some 350_l._ "As soon as I can," he says, "I

must rebuild it, but I lack the means at present." Nevertheless, the

new sermons continued to hang fire. Again, in April he describes the

subscription list as "the most splendid list which ever pranced before

a book since subscription came into fashion;" but though the volumes

which it was to usher into the world were then spoken of as about to

be printed "very soon," he has again in July to write of them only

as "forthcoming in September, though I fear not in time to bring them

with me" to Paris. And, as a matter of fact, they do not seem to have

made their appearance until after Sterne had quitted England on his

second and last Continental journey. The full subscription list may

have had the effect of relaxing his energies; but the subscribers had

no reason to complain when, in 1766, the volumes at last appeared.

The reception given to the first batch of sermons which Sterne had

published was quite favourable enough to encourage a repetition of the

experiment. He was shrewd enough, however, to perceive that on

this second occasion a somewhat different sort of article would be

required. In the first flush of _Tristram Shandy's_ success, and in

the first piquancy of the contrast between the grave profession of the

writer and the unbounded license of the book, he could safely reckon

on as large and curious a public for _any_ sermons whatever from the

pen of Mr. Yorick. There was no need that the humourist in his pulpit

should at all resemble the humourist at his desk, or, indeed, that

he should be in any way an impressive or commanding figure. The great

desire of the world was to know what he _did_ resemble in this new

and incongruous position. Men wished to see what the queer, sly face

looked like over a velvet cushion, in the assurance that the sight

would be a strange and interesting one, at any rate. Five years

afterwards, however, the case was different. The public then had

already had one set of sermons, and had discovered that the humorous

Mr. Sterne was not a very different man in the pulpit from the dullest

and most decorous of his brethren. Such discoveries as these are

instructive to make, but not attractive to dwell upon; and Sterne was

fully alive to the probability that there would be no great demand for

a volume of sermons which should only illustrate for the second time

the fact that he could be as commonplace as his neighbour. He saw that

in future the Rev. Mr. Yorick must a little more resemble the author

of _Tristram Shandy,_ and it is not improbable that from 1760 onwards

he composed his parochial sermons with especial attention to this mode

of qualifying them for republication. There is, at any rate, no slight

critical difficulty in believing that the bulk of the sermons of 1766

can be assigned to the same literary period as the sermons of 1761.

The one set seems as manifestly to belong to the post-Shandian as

the other does to the pre-Shandian era; and in some, indeed, of

the apparently later productions the daring quaintness of style and

illustration is carried so far that, except for the fact that Sterne

had no time to spare for the composition of sermons not intended for

professional use, one would have been disposed to believe that they

neither were nor were meant to be delivered from the pulpit at all.[1]

Throughout all of them, however, Sterne's new-found literary power

displays itself in a vigour of expression and vivacity of illustration

which at least serve to make the sermons of 1766 considerably more

entertaining reading than those of 1761. In the first of the latter

series, for instance--the sermon on Shimei--a discourse in which there

are no very noticeable sallies of unclerical humour, the quality of

liveliness is very conspicuously present. The preacher's view of the

character of Shimei, and of his behaviour to David, is hardly that,

perhaps, of a competent historical critic, and in treating of the

Benjamite's insults to the King of Israel he appears to take no

account of the blood-feud between the house of David and the clan

to which the railer belonged; just as in commenting on Shimei's

subsequent and most abject submission to the victorious monarch,

Sterne lays altogether too much stress upon conduct which is

indicative, not so much of any exceptional meanness of disposition,

as of the ordinary suppleness of the Oriental put in fear of his life.

However, it makes a more piquant and dramatic picture to represent

Shimei as a type of the wretch of insolence and servility compact,

with a tongue ever ready to be loosed against the unfortunate, and a

knee ever ready to be bent to the strong. And thus he moralizes on his

conception:

[Footnote 1: Mr. Fitzgerald, indeed, asserts as a fact that some

at least of these sermons were actually composed in the capacity

of _littérateur_ and not of divine--for the press and not for the

pulpit.]

"There is not a character in the world which has so bad an influence

upon it as this of Shimei. While power meets with honest

checks, and the evils of life with honest refuge, the world will never

be undone; but thou, Shimei, hast sapped it at both extremes: for

thou corruptest prosperity, and 'tis thou who hast broken the heart

of poverty. And so long as worthless spirits can be ambitious ones

'tis a character we never shall want. Oh! it infests the court, the

camp, the cabinet; it infests the Church. Go where you will, in

every quarter, in every profession, you see a Shimei following the

wheels of the fortunate through thick mire and clay. Haste, Shimei,

haste! or thou wilt be undone forever. Shimei girdeth up his loins

and speedeth after him. Behold the hand which governs everything

takes the wheel from his chariot, so that he who driveth, driveth on

heavily. Shimei doubles his speed; but 'tis the contrary way: he flies

like the wind over a sandy desert.... Stay, Shimei! 'tis your patron,

your friend, your benefactor, the man who has saved you from the

dunghill. 'Tis all one to Shimei. Shimei is the barometer of every

man's fortune; marks the rise and fall of it, with all the variations

from scorching hot to freezing cold upon his countenance that the

simile will admit of.[1] Is a cloud upon thy affairs? See, it hangs

over Shimei's brow! Hast thou been spoken for to the king or the

captain of the host without success? Look not into the Court Calendar,

the vacancy is filled in Shimei's face. Art thou in debt, though

not to Shimei? No matter. The worst officer of the law shall not

be more insolent. What, then, Shimei, is the fault of poverty so

black? is it of so general concern that thou and all thy family must

rise up as one man to reproach it? When it lost everything, did it

lose the right to pity too? Or did he who maketh poor as well as

maketh rich strip it of its natural powers to mollify the heart and

supple the temper of your race? Trust me you have much to answer

for. It is this treatment which it has ever met with from spirits

like yours which has gradually taught the world to look upon it

as the greatest of evils, and shun it as the worst disgrace. And what

is it, I beseech you--what is it that men will not do to keep clear of

so sore an imputation and punishment? Is it not to fly from this

that he rises early, late takes rest, and eats the bread of carefulness?

that he plots, contrives, swears, lies, shuffles, puts on all shapes,

tries all garments, wears them with this or that side outward, just as

it may favour his escape?"

And though the sermon ends in orthodox fashion, with an assurance

that, in spite of the Shimeis by whom we are surrounded, it is in

our power to "lay the foundation of our peace (where it ought to be)

within our own hearts," yet the preacher can, in the midst of his

earlier reflections, permit himself the quaintly pessimistic outburst:

"O Shimei! would to Heaven, when thou wast slain, that all thy family

had been slain with thee, and not one of thy resemblance left! But

ye have multiplied exceedingly, and replenished the earth; and if I

prophesy rightly, ye will in the end subdue it."

[Footnote 1: Which are not many in the case of a _barometer_.]

Nowhere, however, does the man of the world reveal himself with more

strangely comical effect under the gown of the divine than in the

sermon on "The Prodigal Son." The repentant spendthrift has returned

to his father's house, and is about to confess his follies. But--

"Alas! How shall he tell his story?

"Ye who have trod this round, tell me in what words he shall give

in to his father the sad items of his extravagance and folly: the

feasts and banquets which he gave to whole cities in the East; the

costs of Asiatic rarities, and of Asiatic cooks to dress them; the

expenses of singing men and singing women; the flute, the harp, the

sackbut, and all kinds of music; the dress of the Persian Court how

magnificent! their slaves how numerous! their chariots, their homes,

their pictures, their furniture, what immense sums they had devoured!

what expectations from strangers of condition! what exactions!

How shall the youth make his father comprehend that he was cheated

at Damascus by one of the best men in the world; that he had

lent a part of his substance to a friend at Nineveh, who had fled off

with it to the Ganges; that a whore of Babylon had swallowed his

best pearl, and anointed the whole city with his balm of Gilead; that

he had been sold by a man of honour for twenty shekels of silver to

a worker in graven images; that the images he had purchased produced

him nothing, that they could not be transported across the

wilderness, and had been burnt with fire at Shusan; that the apes

and peacocks which he had sent for from Tharsis lay dead upon his

hands; that the mummies had not been dead long enough which he

had brought from Egypt; that all had gone wrong from the day he

forsook his father's house?"

All this, it must be admitted, is pretty lively for a sermon. But hear

the reverend gentleman once more, in the same discourse, and observe

the characteristic coolness with which he touches, only to drop, what

may be called the "professional" moral of the parable, and glides

off into a train of interesting, but thoroughly mundane, reflections,

suggested--or rather, supposed in courtesy to have been suggested--by

the text. "I know not," he says, "whether it would be a subject

of much edification to convince you here that our Saviour, by the

Prodigal Son, particularly pointed out those who were sinners of the

Gentiles, and were recovered by divine grace to repentance; and that

by the elder brother he intended manifestly the more forward of the

Jews," &c. But, whether it would edify you or not, he goes on, in

effect, to say, I do not propose to provide you with edification in

that kind. "These uses have been so ably set forth in so many good

sermons upon the Prodigal Son that I shall turn aside from them at

present, and content myself with some reflections upon that fatal

passion which led him--and so many thousands after the example--to

gather all he had together and take his journey into a far country."

In other words, "I propose to make the parable a peg whereon to hang

a few observations on (what does the reader suppose?) the practice of

sending young men upon the Grand Tour, accompanied by a 'bear-leader,'

and herein of the various kinds of bear-leaders, and the services

which they do, and do not, render to their charges; with a few words

on society in Continental cities, and a true view of 'letters of

introduction.'" That is literally the substance of the remainder

of the sermon. And thus pleasantly does the preacher play with his

curious subject:

"But you will send an able pilot with your son--a scholar. If

wisdom can speak in no other tongue but Greek or Latin, you do

well; or if mathematics will make a man a gentleman, or natural

philosophy but teach him to make a bow, he may be of some service

in introducing your son into good societies, and supporting him in

them when he had done. But the upshot will be generally this, that

on the most pressing occasions of addresses, if he is not a mere man

of reading, the unhappy youth will have the tutor to carry, and not

the tutor to carry him. But (let us say) you will avoid this extreme;

he shall be escorted by one who knows the world, not only from

books but from his own experience; a man who has been employed

on such services, and thrice 'made the tour of Europe with success'--that

is, without breaking his own or his pupil's neck; for if he is

such as my eyes have seen, some broken Swiss _valet de chambre_, some

general undertaker, who will perform the journey in so many months,

'if God permit,' much knowledge will not accrue. Some profit, at

least: he will learn the amount to a halfpenny of every stage from

Calais to Rome; he will be carried to the best inns, instructed where

there is the best wine, and sup a livre cheaper than if the youth had

been left to make the tour and the bargain himself. Look at our

governor, I beseech you! See, he is an inch taller as he relates the

advantages. And here endeth his pride, his knowledge, and his use.

But when your son gets abroad he will be taken out of his hand by

his society with men of rank and letters, with whom he will pass the

greatest part of his time."

So much for the bear-leader; and now a remark or two on the young

man's chances of getting into good foreign society; and then--the

benediction:

"Let me observe, in the first place, that company which is really

good is very rare and very shy. But you have surmounted this difficulty,

and procured him the best letters of recommendation to the

most eminent and respectable in every capital. And I answer that

he will obtain all by them which courtesy strictly stands obliged to

pay on such occasions, but no more. There is nothing in which we

are so much deceived as in the advantages proposed from our connexions

and discourse with the literati, &c., in foreign parts, especially

if the experiment is made before we are matured by years or

study. Conversation is a traffic; and if you enter it without some

stock of knowledge to balance the account perpetually betwixt you,

the trade drops at once; and this is the reason, however it may be

boasted to the contrary, why travellers have so little (especially good)

conversation with the natives, owing to their suspicion, or perhaps

conviction, that there is nothing to be extracted from the conversation

of young itinerants worth the trouble of their bad language, or

the interruption of their visits."

Very true, no doubt, and excellently well put; but we seem to have got

some distance, in spirit at any rate, from Luke xv. 13; and it is with

somewhat too visible effect, perhaps, that Sterne forces his way

back into the orthodox routes of pulpit disquisition. The youth,

disappointed with his reception by "the literati," &c., seeks "an

easier society; and as bad company is always ready, and ever lying in

wait, the career is soon finished, and the poor prodigal returns--the

same object of pity with the prodigal in the Gospel." Hardly a good

enough "tag," perhaps, to reconcile the ear to the "And now to," &c.,

as a fitting close to this pointed little essay in the style of the

Chesterfield Letters. There is much internal evidence to show that

this so-called sermon was written either after Sterne's visit to or

during his stay in France; and there is strong reason, I think, to

suppose that it was in reality neither intended for a sermon nor

actually delivered from the pulpit.

No other of his sermons has quite so much vivacity as this. But in

the famous discourse upon an unlucky text--the sermon preached at

the chapel of the English Embassy, in Paris--there are touches of

unclerical raillery not a few. Thus: "What a noise," he exclaims,

"among the simulants of the various virtues!... Behold Humility,

become so out of mere pride; Chastity, never once in harm's way; and

Courage, like a Spanish soldier upon an Italian stage--a bladder full

of wind. Hush! the sound of that trumpet! Let not my soldier run!'

tis some good Christian giving alms. O Pity, thou gentlest of human

passions! soft and tender are thy notes, and ill accord they with so

loud an instrument."

Here, again, is a somewhat bold saying for a divine: "But, to avoid

all commonplace cant as much as I can on this head, I will forbear to

say, because I do not think, that 'tis a breach of Christian charity

to think or speak ill of our neighbour. We cannot avoid it: our

opinion must follow the evidence," &c. And a little later on,

commenting on the insinuation conveyed in Satan's question, "Does Job

serve God for nought?" he says: "It is a bad picture, and done by a

terrible master; and yet we are always copying it. Does a man from

real conviction of heart forsake his vices? The position is not to be

allowed. No; his vices have forsaken him. Does a pure virgin fear God,

and say her prayers? She is in her climacteric? Does humility clothe

and educate the unknown orphan? Poverty, thou hast no genealogies.

See! is he not the father of the child?" In another sermon he launches

out into quaintly contemptuous criticism of a religious movement which

he was certainly the last person in the world to understand--to wit,

Methodism. He asks whether, "when a poor, disconsolated, drooping

creature is terrified from all enjoyment, prays without ceasing till

his imagination is heated, fasts and mortifies and mopes till his body

is in as bad a plight as his mind, it is a wonder that the mechanical

disturbances and conflicts of an empty belly, interpreted by an empty

head, should be mistook for workings of a different kind from what

they are?" Other sermons reflect the singularly bitter anti-Catholic

feeling which was characteristic even of indifferentism in those

days--at any rate amongst Whig divines. But in most of them one is

liable to come at any moment across one of those strange sallies to

which Gray alluded, when he said of the effect of Sterne's sermons

upon a reader that "you often see him tottering on the verge of

laughter, and ready to throw his periwig in the face of the audience."

Sterne · 第 6 / 11 章