CHAPTER I.

Produced by Charles Bowen, from page scans provided by the Web Archive

Transcriber's Note:

Page scan source:

http://www.archive.org/details/onheightsanovel01auergoog

BY THE SAME AUTHOR

THE VILLA ON THE RHINE

Leisure Hour Series, 2 vols. 16mo. $2.00

HENRY HOLT & CO., NEW YORK

ON THE HEIGHTS

_A NOVEL_

BY

BERTHOLD AUERBACH

TRANSLATED BY

SIMON ADLER STERN

NEW YORK

HENRY HOLT AND COMPANY

1907

Entered according to Act of Congress, in the year 1875, by

HENRY HOLT,

In the Office of the Librarian of Congress at Washington.

ON THE HEIGHTS.

BOOK I.

CHAPTER I.

Early mass was being celebrated in the chapel attached to the royal

summer palace.

The palace stood on a slight eminence in the center of the park. The

eastern slope of the hill had been planted with vineyards, and its

crest was covered with mighty, towering beeches. The park abounded with

maples, plane-trees and elms, with their rich foliage, and firs of

various kinds, while the thick clusters of needles on the fir-leaved

mountain pine showed that it had become acclimated. On grassy lawns

there were solitary tall pines of perfect growth. A charming variety of

flowers and leaf plants lent grace to the picture which, in all its

details, showed evidence of artistic design and exquisite taste.

The paths were neatly kept. The flowers were sparkling with the dews of

morning; birds were singing and the air was laden with the fragrant

perfume of the new-mown grass. Swans, and rare varieties of ducks from

foreign lands, were swimming in the large lake, on the banks of which

the bright-hued flamingo might also have been seen. The fountain in the

center of the lake sent its waters to such a height that they were lost

in spray.

A clear mountain brook, running between alders and weeping-willows, and

under many a rustic bridge, emptied into the lake, flowing thence

through the valley until it reached the river, bright glimpses of which

might here and there be caught through openings in the shrubbery.

Tables, chairs and benches of graceful form had been placed under the

trees and at various points that commanded a fine prospect.

Seated near the chapel there was a man of impressive appearance. His

dress betokened scrupulous care. His thick hair was as white as his

cravat. His eyes were blue and sparkling, and full of youthful fire. He

looked out upon the broad landscape, the valley crowded with fruit-trees,

the near-lying hills, and the mountain beyond, whose lines stood

out in bold relief against the blue sky above. He had a book in his

hand, but now laid it aside and drank in the peaceful influences of the

scene before him.

The great door of the chapel was open: the mighty sounds of the organ

were heard; a soft cloud of incense floated out on the morning air and

then vanished into space.

This impressive-looking man was the king's physician, Doctor Gunther,

who, being a Protestant, had not attended mass.

Just then, a beautiful woman, carrying an open sunshade, stepped out

from the veranda which was almost concealed by trellised vines. She

wore a full, white robe, and her headdress was a simple morning cap

with blue ribbons. Her bright, rosy face beamed with youth and beauty;

her hair was of a golden hue and she seemed the very incarnation of

glorious day.

The doctor, hearing the rustling of her dress, had at once advanced and

made his obeisance.

"Good-morning, doctor!" said the lady, whose two female companions had

kept a few steps to the rear. Her voice was not clear and bright, but

suggestive of the soulful violoncello-tone which is more properly the

vehicle of intense and fervent feeling, than of loud-voiced joy.

"What a charming day!" continued the lady; "and yet, for that very

reason, doubly sad to those who are obliged to pass it in a sick-room.

How is our dear Countess Brinkenstein?"

"The countess, may it please Your Majesty, may safely take the air for

an hour to-day."

"I'm delighted to hear you say so. Sadness and sickness should indeed

both be unknown in this lovely spot."

"The countess must regard herself as doubly fortunate, now that she is

able to perform the interesting duties that await her."

"Speak softly," suddenly said the queen, for the sounds of the organ

had ceased; the time of the consecration had arrived. "Ah, dear doctor,

I should like to confide a secret to you."

The other ladies stepped aside, while the queen and the doctor walked

up and down on the open space in front of the chapel.

"From one's physician, nothing should be kept concealed," said the

doctor; "Your Majesty credited me, not long since, with the possession

of a stethoscope by means of which I could note the movements of the

soul itself."

"Yes," replied the queen, her face mantled with blushes, "I've already

thought of applying to you for ghostly advice, but that were

impracticable; such matters I must settle for myself. But I've a

request to make of you as the physician."

"Your Majesty has but to command--"

"No, that can't be done in this instance. What I meant was--"

At that moment, the bell began to toll, and the king came out of the

chapel. He wore the simple dress of a citizen and was without

decorations of any kind. He was followed by the gentlemen and ladies of

the court, the former of whom were also in citizen's dress, and, for

the greater part, wore the picturesque costume of the mountaineers of

that region.

The king was a man of stately appearance and erect bearing. He bowed to

the queen from afar, and hastened forward to meet her. The ladies and

gentlemen composing his train remained in the background exchanging

kindly greetings. The king addressed a few words to the queen, whereat

she smiled; he, too, seemed happy, and, offering her his arm, led her

toward the pavilion. The ladies and gentlemen followed, indulging in

cheerful and unconstrained conversation by the way.

A young lady, leaving the rest of the party, joined the doctor and

grasped his hand most cordially. She was of a tall and graceful figure;

her hair and eyes were brown. She wore a simple, light-colored summer

dress and a loose jacket which was open and revealed the full

chemisette. A leather girdle studded with steel buttons encircled her

waist. Her movements were easy and graceful; her expression, half

earnest, half mischievous. "Might I ask," said she, addressing the

doctor, "the name of the book you've found worth reading on this lovely

morning?"

"It was well worth reading, although, to tell the truth, I've not

opened it," replied the doctor, while he handed the little book to her.

It was Horace.

"Oh, it's Latin!" said the lady. Her voice was as clear and bold as

that of a chaffinch. "And this, I suppose, is your mass."

The doctor briefly alluded to the success with which the ancient

writers had compressed so many weighty and enduring thoughts into so

small a volume.

The party entered the saloon, seating themselves as best pleased them,

for the order of rank or precedence was not insisted on at breakfast.

They were in the country and, with their uniforms, had laid aside many

of the vexatious requirements of etiquette.

There is nothing more cheerful than a gay and unconstrained party at

breakfast. All are still full of the new strength that refreshing sleep

has lent them; society succeeds to solitude; and the spirits of all

seem affected by the soft, dewy morn.

There were no servants at breakfast. The ladies waited on the company,

which was almost as free and unconstrained as a family party. The

doctor drank nothing but tea which he himself prepared. The lady with

the brown hair invited herself to a seat next to him and poured out

the tea for him. At her left, sat Colonel Von Bronnen, the king's

adjutant-general, and the only one, in fact, who did not seem to miss

his uniform.

The party seemed in undress, mentally as well as physically, and there

was much loud and confused talking.

"Dear me! It's Sunday!" said the young lady with the brown hair.

Uproarious laughter greeted her remark; and when the queen inquired as

to the cause of so much merriment, the doctor informed her of the

startling discovery which had just been made by Countess Irma von

Wildenort. The queen smiled.

"I had thought," said the king, addressing the countess and at the same

time lighting his cigar--he was the only one who smoked in the

saloon--"that with you every day was Sunday."

"Yes, Your Majesty, but only since I've had the honor of being here. At

the convent, Sunday was the only day on which we had cake, whilst here

we have cake every day; and so I am obliged to use some other means to

find out which is Sunday."

Von Schnabelsdorf, who had recently visited Spain on service of a

diplomatic nature and was now awaiting orders, was sitting opposite the

doctor. Addressing his conversation to the latter, he remarked that a

friend of his who lived in Madrid had written a highly interesting

work, to which he, also, had contributed a few ideas. It was soon to

appear, and its subject was "Sunday," or rather "The Sabbath."

The king had overheard his remarks and inquired as to what these ideas

were. Schnabelsdorf replied that as seven corresponded with the quarter

of the lunar month, it was a natural division, and that the institution

of the Sabbath was older than all positive religions. He had apt

quotations to support every statement and did not forget to lug in the

names of his distinguished friends.

Von Schnabelsdorf's learned discourse failed to make a deep impression

on the company, which continued in its cheerful vein until the queen

rose, beckoning the doctor to follow. The king offered her his arm and

conducted her to a lovely seat under a weeping ash, on the slope of the

lawn.

It was delightful to behold this royal pair, so tall and stately; and

the queen was doubly beautiful, for another life was budding within her

own.

The queen seated herself and the king sat down beside her. Without

waiting for orders, the doctor drew up his chair and joined them.

"Yes," said the queen, "I must speak to you about it; I must tell you

of a pain--"

"Perhaps I had better withdraw," said the king.

"No, you must remain. Once more, I ask you; if God grants me health,

may I not nurse the child that is to be mine?"

An almost imperceptible glance from the king informed the doctor what

answer he was to make to the queen.

"I have already had the honor of acquainting Your Majesty with my

opinion of the superstitious belief that the mere performance of

maternal duties preserves the mother's beauty. Your wish is inspired by

a feeling which, in itself, is beautiful. But, both for your own sake

and that of the child, it were impossible to accede to it. The duties

of a queen, the demands of etiquette, the need of your presence at

court and the various emotions which these employments must necessarily

occasion, render it out of the question. A high state of development

has effects upon the nervous system, which effects, being transmitted

to the child, must cling to it for life."

"I beg you, dear Mathilde," added the king, "to avoid distressing

yourself. Consider the prince's welfare."

"Don't always talk of a prince. Promise me that you will be just as

happy, if it be a princess--"

"Just as happy! No, that were impossible. I can't control my feelings

to that extent. But this I can promise you--if you and the child are

well, I shall be happy for all."

"Well, then, let a nurse be brought:--even now, I envy her the child's

affectionate glances and hearty caresses!"

"And what is the sorrow you were complaining of?"

"The thought of depriving another child of its mother troubles my

conscience. Even if thousands have done the same thing time and time

again, he who commits a wrong, sins for himself and as deeply as if it

were the first time the sin were ever committed. Yet, I submit. But I

shall insist on one thing: the foster-mother of my child must be an

honest married woman and must belong to a respectable family. I could

never silence my conscience if I were to deprive a child, already

wretched enough, of its all--its mother! In this I am perfectly

indifferent to worldly regulations and prescribed forms. Is the poor,

forlorn child, born into a hostile world, to be robbed of the only

source of love yet left it? And even if we take an honest married

woman, we will be depriving a child of its mother and inflicting an

injury upon a being that we do not even know. Ah! how hard it is! In

spite of our knowing better, we are yet forced to commit wrong.

However, I shall submit to necessity. But the child that we take from

its mother will be cared for by her family, has a father and, perhaps,

even a kind grandmother and affectionate brothers and sisters. A

hospitable roof will shelter its infant head--"

"Your Majesty," exclaimed the doctor, with an outburst of enthusiasm,

"at this very moment prayers are being offered up for you in thousands

of churches, and myriad voices are saying: 'Amen'!"

"Great God, what duties are thus imposed! One had needs be more than

human to bear the charge--it crushes me to the earth."

"It should elevate instead of depressing you. At this very moment the

breath issuing from millions of lips forms a cloud that supports you.

True humanity is best shown when those who are prosperous and happy and

therefore need no assistance from others, protect the suffering instead

of putting them away from them. The effect of such a mood upon the

child whose heart throbs beneath that of its mother is one of nature's

mysteries. This child must needs become a noble, beautiful being, for

its mother has instilled purest philanthropy into it before its birth."

The king, who had taken the queen's hand in his, now said:

"And so you really know nothing of the law. It isn't merely a family

law that the princes and princesses of our house must be born in

the royal palace--and for which reason, we shall return to the city

to-morrow--but it is also a law of the court that the nurse of a prince

must be a married woman."

"Great Heavens! And how I've been tormenting myself. In the future I

shall think better of the customs of the Court, since I find there are

such beautiful ones among them."

"From the depths of your soul. Your Majesty has given new life to this

law," interposed the doctor, "a law is neither free nor sacred until it

has become a living truth to us."

"Very pretty, and true besides," said the King. He dropped his cigar,

and after looking for it for a little while, said: "Excuse me, doctor,

but wouldn't you be kind enough to have cigars brought for us?"

The doctor went into the house and, after he had left, the King said:

"Pray tell me, Mathilde, was that all that troubled you? I have, for

some time past, observed that there's something on your mind--"

"Yes, there is something on my mind, but I can't speak of it, until it

becomes an actual truth. It's nothing but love for you; pray don't ask

me more at present. You'll soon know all."

When the doctor returned, he found the king alone, and sitting under

the ash. The queen had withdrawn.

"Was the compliment you've just paid the Queen prompted by professional

considerations?" asked the king, with lowering eye.

"No, Your Majesty. I spoke sincerely and from conviction."

The king remained silent for a long time, his eyes resting on the

ground. At last he arose and, moving his hand as if putting something

far away from him, said:

"Well, the queen wishes the nurse to be a young woman from the

Highlands and of a respectable family. Is there time enough left for

you to journey there and select one? Are you not a native of the

Highlands? That were--but no, you must not go now. Send Doctor Sixtus;

give him precise instructions, and let him go from village to village.

He can propose several and you can select the best of them; the others

can be sent home with a gratuity, and--but act on your own judgment;

only, don't fail to send the doctor off this very day."

"Your Majesty's wishes shall be obeyed."

CHAPTER II.

"How radiant you look!" said Countess Irma, as she met the doctor.

"Perhaps I do," he replied, "for I've just beheld that divine sight,--a

heart overflowing with pure love of its fellow-beings;--but excuse me

for a moment!" he said, interrupting himself and leaving the countess,

while he went into an adjoining apartment and dispatched a telegram to

Doctor Sixtus, instructing him to prepare himself for an eight days'

journey, and to come to the summer palace forthwith. He then returned

to the countess, to whom he gave an account of what had happened.

"Shall I tell you what I think?" asked the countess.

"You know very well that none dare say you 'nay'."

"Well, then, I can't help thinking that it was far better in olden

times; for then royal children were born in some lonely, out-of-the-way

palace, as quietly as if it were to be kept a secret--"

The doctor interrupted her: "You are indeed a true child of your

father. For, although my dear friend Eberhard was full of strange

fancies during his younger years, he would at times manifest sudden and

surprising diffidence."

"Ah, do tell me of my father! I know so little about him."

"I've known nothing of him for many years. Of course you know that he

has broken with me, because I am at court; but, in the olden times, in

our youthful, enthusiastic days--"

"Then you, too, were once enthusiastic!"

"I was; but not to so great a degree as your father. When I see you, it

seems as if his ideal had become realized. In those days, when I was a

young army surgeon, and he a still younger officer, we would indulge in

fantasy pictures of the future, and what it might have in store for us.

He never thought of a beloved one, or a wife, but would at one bound,

as it were, clear all that lay between, and indulge himself with brain

pictures of a child; a daughter, fresh, tender and lovely beyond

comparison. And now, when I behold you, I look upon his ideal."

"And so my father's only ideal was a child?" asked Irma with pensive

air, and looking earnestly into the doctor's eyes, "and yet for all

that, he left his children to grow up among strangers, and all that I

know of him I am obliged to learn from the lips of others. But I don't

care to speak of myself at present, dear doctor. I have a presentiment

of the queen's secret. I think I know what makes her so quiet and

reserved."

"My dear child," said the doctor, "if you really have a

presentiment,--and that, moreover, in regard to a secret of their

majesties--take my advice: Don't impart it to any one, not even to the

pillow on which you lay your head at night."

"But if your knowing would be of service to the queen? You ought to be

her guide."

"We can only lead those who desire to be led."

"All I ask of you is to have an eye on certain signs. Did the queen say

nothing when she was before the church a little while ago and heard the

mass? Wasn't she startled by a certain tone? Didn't you observe a

certain inclination--"

By a motion of his hand, the doctor signified that Irma had better

stop, and added:

"My child, if you desire to live comfortably at court, you had better

not try to solve riddles which those to whom they belong don't care to

solve for you. But, above all, let no one know--"

"Discretion, discretion; the same old text," said Irma, roguishly, her

beautifully curved lips quivering with emotion.

"You are of a creative temperament, and are therefore out of place at

court," said the doctor. "You desire to assert your individuality,

instead of giving way to prescribed forms; but it can't be done. Just

observe Councilor Schnabelsdorf, who will be used up much sooner

than he imagines. He is constantly offering or preparing something

new--cooking, roasting, or stewing all sorts of interesting information

for his masters--and his memory is an everlasting 'table, table, cover

thyself.' Take my word for it, before a year goes round, they'll all be

tired of him. He who wishes to remain a favorite must not thrust

himself forward."

Irma assented to this opinion, but saw through his attempt to change

the direction of the conversation, and at once returned to what she had

intended to say.

"Pray tell me," said she roguishly, "when one takes a false step, and,

at the same time, injures himself, is it not called a misstep?"

"Certainly."

"Well, then, let me tell you that the queen is in danger of making a

misstep, which may be fraught with irreparable injury to her--"

"I'd prefer--" interrupted the doctor.

"Ah! you'd prefer. Whenever you say that, you've something to find

fault with."

"You've guessed it. I'd prefer your leaving the queen to divulge her

secrets at her own pleasure. I thought you were a friend of hers--"

"And so I am."

"Well, and since I am your morning preacher to-day, let me give you

another warning. You are in danger of becoming one of those ladies who

have no friends of their own sex."

"Is that really so dreadful?"

"Most assuredly. You must have a female friend, or there is some fault

in your disposition. Isolation, such as yours, warps one's character,

and, consciously or otherwise, results in vanity. If, from among all

the ladies here, you can't make even one your friend, the fault must

lie in yourself."

"But there's no harm in my having a male friend, a friend like

yourself."

"I couldn't wish you a truer one."

Irma walked beside the doctor in silence.

When they again reached the lawn in front of the palace, Irma said:

"Do you know that this lawn is dressed up every Saturday with false

hay?"

"Less wit and more clearness, if you please."

"Pshaw, how officinal!" said Irma, laughing. "Then allow me to tell you

that the queen once said that she was very fond of the odor of new-mown

hay; and, ever since then, the intendant of the gardens has had the

lawn mowed at least once a week. But as stubborn nature won't furnish

hay quickly enough, they bring some from one of the outlying meadows

and spread it about during the night. And yet they persist in saying

that, in our age, princes are not deceived."

"I can find nothing wrong or laughable in the matter. The intendant is

one of those who regard themselves as the pleasure-purveying providence

of their masters and--"

"'Pleasure-purveying providence!'--that's excellent. What a happy

thought! I shall hold fast to that. How can you say you've no wit? Why,

you're brimful of delicious sarcasm. Oh dear, 'pleasure-purveying

providence'!" said Irma, laughing heartily; and while laughing, more

lovely than ever.

The doctor found it no easy matter to lead the conversation back to the

point at which it had been interrupted. Whenever he attempted a serious

remark, she would look at him with a roguish expression and give way to

laughter so hearty that he could not help joining in it. But when he at

last said that he had heretofore given her credit for something more

than mere occasional flashes of wit, and that he had, until now,

supposed her capable of carrying on an argument, she quickly became the

docile scholar, willing to be led by her master. And so skillfully did

the doctor use his arguments that she soon reflected his thoughts as if

they were her own.

A tall and handsome page, with an aquiline nose and raven hair,

approached the countess.

"My lady," said he, "her majesty the queen awaits you in the

music-room."

Irma excused herself to the doctor, whose eyes followed her with a

thoughtful gaze. In a little while the rich and metallic notes of

Countess Irma's voice were heard.

"Eberhard used to sing delightfully," said the doctor, directing his

steps toward the palace. When he approached the music-room, and saw

that the canon, who had read the mass that morning, was about to enter,

he hesitated.

The morning was soft and balmy; nature seemed wrapped in bliss. Every

plant, every flower, thrives best in its native soil. Man alone is

constantly creating new torments for himself. Could it be possible that

the mischievous countess was right, after all? But why should the queen

wish to forsake the faith of her ancestors?

The doctor retired to an arbor and read his Horace.

Doctor Sixtus presented himself before the dinner hour, and, while the

company were seating themselves at table, rode off in the direction of

the mountains.

That evening--it was mild and starlight--the court drove to the

capital; for the corner-stone of the new arsenal was to be laid on the

following day, with great pomp and military display.

CHAPTER III.

The bells were ringing merrily. Their sounds were re-echoed by the

rugged mountains, and then floated out over the lake, the smooth,

green, glassy surface of which mirrored the forest-clad shores, the

rocky crags, and the skies above.

Crowds were issuing from the church, the only building at the upper end

of the lake. The men, donning their green hats with the black cock

plumes, took their pipes from their pockets and struck a light; the

women busied themselves with their dress, adjusted the pointed, green

hats, smoothed their aprons, and tied the broad streaming ends of their

silk kerchiefs anew. Following after the old women, who are always the

last to leave the church, there was a handsome young couple. The wife

was tall and stout, the husband slender and hardy as a pine. His

appearance showed the effects of the week's hard work. His pointed,

green hat, on which there was no hunter's badge, was worn aslant; he

took off his jacket and laid it over his shoulder, and then, with a

smile which seemed somewhat out of keeping with his weather-beaten

face, said:

"Don't you see? This is much better. Now there's no danger of your

getting squeezed in the crowd."

The young wife nodded assent.

A group of women and girls seemed to have been waiting for her. One of

the older members of the party said:

"Walpurga, you shouldn't have done such a thing as walk all the way to

church. You don't know how near you are to your time, and sometimes

there's too much of a good thing."

"It won't do me any harm," replied the young wife.

"And I've prayed for you this morning," said a young, saucy maid, who

wore a bunch of fresh flowers in her bosom. "When the priest prayed for

the queen and asked God to help her in the hour of trial, I asked

myself: What's the use of my worrying about the queen? There are enough

praying for her without me: and so I thought of you and said, Amen,

Walpurga!"

"Stasi, I'm sure you meant well," said Walpurga deprecatingly, "but I

want no share in it. You never ought to do such a thing. It's wrong to

change a prayer in that way."

"She's right," said the old woman. "Why, that 'ud be just the same as

taking a false oath."

"Let it go for nothing, then," said the girl.

"It must be fine to be a queen," said the old woman, folding her hands.

"At this very hour, in all the churches, millions are praying for her.

If such a king and queen aren't good after all that, they must be awful

wicked."

The old woman, who was the midwife of the neighborhood, was always

listened to with great attention. She accompanied husband and wife for

a part of the way, and gave them precise information as to where she

might be found at any hour during the next few days. Then, taking the

mountain path which led to her dwelling, she left them, the rest of the

church-goers dropping off in various directions as they reached the

lanes and by-paths leading to their farms. The children always kept in

front, their parents following after them.

A party of girls, who were walking along hand in hand, had much to say

to one another. But at last they, too, separated and joined their

parents.

The young couple were alone on the road. The glaring rays of the

noonday sun were reflected from the lake.

It was almost a full hour's walk to their house, and they had scarcely

gone a few hundred steps, when the wife said:

"Hansei, I oughtn't to have let Annamirl go."

"Ill run after her as fast as I can, I can catch up with her yet," said

the husband.

"For God's sake, don't!" said his wife, holding him fast. "I'd be all

alone here on the highway. Stay here! It'll soon be all right again."

"Wait a second! Hold fast to the tree! That's it."

The husband rushed into the meadow, gathered up an armful of hay,

placed it on the pile of stones by the wayside, and seated his wife

upon it.

"I feel better, already," said the wife.

"Don't talk now, rest yourself! Oh! dear me; if only a wagon were to

come along; but there's neither man nor beast in sight. Just take a

good rest, and then I'll carry you home. You're not too heavy for me.

I've carried heavier loads many a time."

"Do you mean to carry me, in broad daylight?" said the wife, laughing

so heartily that she was obliged to rest her hand on the stones, to

support herself. "You dear, good fellow! Much obliged, but there's no

need of it. I'm all right now, and can walk." She got up briskly, and

Hansei's face was radiant with joy.

"Thank God! Here comes the doctor, in the very nick of time."

The doctor, who lived in the neighboring town, was just turning the

corner. Hansei raised his hat and requested him to take his wife into

the carriage. He gladly consented, but Walpurga seemed loth to get in.

"I never rode in a carriage in all my life," said she, repeatedly.

"Everything must be tried, you know," said the doctor, laughing, as he

assisted her into the carriage. He told the husband that he might get

up on the box, but he declined.

"I'll drive slowly," said the doctor.

Hansei walked along by the side of the carriage, constantly casting

happy glances at his wife.

"Now we're two thousand paces from home; now we're a thousand," said

he, talking to himself, while his glances showed his gratitude to the

doctor, to the carriage that was kind enough to allow his wife to sit

in it; and even to the horse from which he brushed the troublesome

flies.

"Hansei is doing the horse a kindness," said the doctor to the young

wife. She did not answer, and the doctor looked pleased with the

husband, whom he had known for a long while as a wood-cutter in the

royal forest. Hansei carried his hat in his hand and would now and then

with his sleeve wipe the perspiration from his brow. His face was

sunburnt and void of expression, and, as he had not been a soldier, he

wore no mustache. A shaggy beard, extending from his temples, encircled

his long face; his forehead was, for the greater part, covered with

thick, light hair; his short leather breeches displayed his great

knees; the clocked, knitted leggins must surely have been a gift from

his wife; the heavy hobnailed shoes had been used in many a mountain

walk. Hansei walked along, beside the coach, with steady step, and at

last exclaimed: "We're home!"

The little cottage by the lake stood in the midst of a small garden; an

old woman was at the gate, and called out: "So you ride home in the

bargain."

"Yes, mother," answered the wife, who, with profuse thanks, took leave

of the doctor, while Hansei gratefully patted the horse that had safely

brought her home.

"I'm going right off for Annamirl," said he; "keep some dinner for me."

"No, let's eat together; I'm hungry, too," exclaimed the wife, while

she laid her hymn-book aside, and removed her hat and jacket. She was

good-looking, had a full, round, cheerful face, and large plaits of

light hair encircled her brow. She forced herself to remain at the

table and join in the meal with her husband and mother, but as soon as

the last morsel had passed his lips, Hansei started on his errand.

It was high time for Annamirl to come. Before the chickens had gone to

roost, the Sunday child, a screaming, fair-haired girl baby, had come.

Hansei was quite beside himself with joy, and did not know what to do.

He had not had a comfortable dinner, and it seemed a great while since

he had eaten anything. It was ever so long ago, for he had become a

father since then; and it seemed as if years, instead of hours, had

passed in the mean while. He cut off a large slice from the loaf, but

when he got out of doors, where the birds were chirping so merrily and

the starlings were so tame, he cried out: "Here! You shall have some

too; I want you to know that I'm a father, and of a Sunday child at

that!" He threw the soft bread-crumbs to them, and the crust into the

sea, saying: "Here, ye fish who feed us; to-day I'll feed you!" He

was overflowing with goodwill to the whole world, but there was no

one left on whom he could exercise it. He knew not where he should

betake himself to. Suddenly he spied the ladder leaning against the

cherry-tree; he mounted it, plucked the cherries, and kept on eating

until he quite forgot himself, and felt as if it were not he who was

eating, but as if he were giving them to some one else. He no longer

knew where or who he was, and at last began to fear that he was

bewitched and would never be able to get down again. The telegraph wire

ran by the house and almost touched the cherry-tree. Hansei looked at

it as if to say: "Go, tell the whole world that I'm a father." He was

delighted to see swallows and starlings sitting on the wire, and nodded

to them, saying: "Don't disturb yourselves, I'll not harm ye." And so

he went on plucking cherries, and looking straight before him for ever

so long.

Then the grandmother put her head out of the window and called to him:

"Hansei, your wife wants you."

He hurried down from the tree, and when he entered the room his wife

laughed at him heartily, for his lips were black and his face was

streaked with the juice of cherries.

"So you've been pilfering. Do leave a few cherries for me!"

"I'll bring the ladder into your room, so that I shant be able to go up

into the tree again," said he, and there was merry laughter in the

little cottage by the lake until the moon and stars looked down on it.

The lamp in the little chamber was kept burning all night. The mother

soon fell into a peaceful and happy slumber, and the Sunday child would

whimper at times, but was easily quieted.

The grandmother was the only one awake--she had merely feigned

sleep--and now sat on a footstool by the cradle of the new-born babe.

A bright star was shining overhead. It flickered and sparkled, and,

within the cottage, the face of the mother was resplendent with joy as

indescribable as the radiance of the star above. A child of man had

become mother of a child of man, and she who watched over them was the

one from whom both these lives had sprung. The soft air seemed laden

with song and the sounds of heavenly music, and the room itself, as if

thronged with fluttering, smiling cherubs.

The old grandmother sat there, resting her chin on her hand and gazing

at the star above, whose rays fell upon her face. She sat there with

bated breath, feeling as if transported into another world. The glory

of the Highest had descended upon the cottage, and, like a halo, now

encircled the head of the grandmother, Walpurga, and the infant.

"Mother! How brightly the stars are shining!" said Walpurga, awaking.

"Never fear, they'll keep on shining, even if you shut your eyes. Do go

to sleep again!" answered the grandmother.

And, until the day broke, all lay hushed in slumber.

CHAPTER IV.

Seated in an open carriage, Doctor Sixtus journeyed toward the

Highlands.

The doctor was a man of easy and winning address. While the present

king was yet the crown prince, he had accompanied him on his travels

and, in the society of nobles, had improved on the light and graceful

manner which he had acquired during a three years' stay in Paris. Just

as princes treat their inferiors and regard their service as a right,

so, in turn, do courtiers abuse those who are under them. The court

doctor had chosen for his lackey, one of the readiest, and most

skillful at command.

"Give me a light, Baum!" said he; and the lackey, who was sitting

beside the driver on the box, handed him a lighted match. With gentle

condescension, Sixtus offered his cigar-case to the lackey, who

gratefully helped himself to a cigar. He well knew that it would prove

too strong for him, and that, if he attempted to smoke it, it would in

all likelihood throw him into a cold sweat; but he knew also that it is

a safe rule never to refuse a proffered favor.

The road was good and the ride a pleasant one. At the next station, the

royal horses were sent back to the king's stables and a relay of fleet

post-horses was taken. Doctor Sixtus had no need to trouble himself

about such matters--Baum knew what was needed and attended to it.

"Baum, where were you born?" asked the court doctor.

Although Baum was startled by the question, he acted as if he had not

heard it. He found it necessary to collect himself before he could

reply. His features were agitated for a moment, but he quickly assumed

a modest and innocent expression.

The doctor repeated his question: "Baum, where were you born?"

With a face expressive of willingness to serve him in any way, Baum

turned toward the doctor and said:

"I come from the Highlands; far over there near the border; but I've

never felt at home there."

Sixtus, whose question had been a casual one, had no desire to inquire

further into Baum's history.

He was quite affable toward Baum, who was the favorite lackey at court,

since he possessed the art of showing by his demeanor how highly he

esteemed the exalted personages whom he served.

"Keep as near the telegraph as possible," had been the instructions

given to Doctor Sixtus. "Report every morning and evening where a

dispatch will reach you, so that you may be recalled at any moment."

Doctor Sixtus looked out at the telegraph wires, running through the

valleys and climbing over the hills, and smiled to himself. "I, too, am

nothing more than an electric spark, with this difference however: the

master who has sent me does not know where I am going to. No, I am like

the spirit in the fairy-tale; I bring money and luxury to an invisible

cottage, for I cannot find a rich peasant woman. Where art thou, O

noble foster-mother?"

He looked out at the landscape with a self-complacent smile, while, in

his day-dreams, various images appeared and vanished like the smoke

clouds of his cigar.

It was after dark when they drew near to a little watering-place in the

Highlands.

While they ascended the mountain, the lackey walked on beside the

postilion. Sixtus had entrusted him with the secret reason for their

journey. They had already, in distant lands, shared in adventures of

quite a different nature. Baum engaged the postilion in conversation

about the life and ways of the neighborhood and adroitly managed to

inquire about young lying-in women. He had found the right party. The

postilion was the son of a midwife, whose only fault was that she had

died some time ago.

Sixtus was much gratified by the hint which he had just received of how

his mission might be fulfilled. He would seek information from the

midwives of every village, and, in order to avoid being overrun, would

take good care not to let them know for whom the foster-mother was

wanted.

When Baum was about to return to his seat, Sixtus quietly called him

and said: "During the whole of this journey, you're to address me

simply as 'Herr Doctor.'"

The lackey did not ask why, for that was no part of his business; nor

did he conjecture as to the reason; he was a lackey and obeyed orders.

"He who does more than he's ordered to do is good for nothing," were

the words that Baroness Steigeneck's chamberlain had often impressed

upon him, and whatever the chamberlain said was as a sacred law to

Baum.

The little watering-place was full of life. The company had just left

the table. Some were talking of the day's excursion; others, about that

projected for the morrow. A young officer in civil dress, and a stout

gentleman, appeared to be the wags of the assembly. There were jokes

and laughter, and, in the background, a party were singing to the

accompaniment of a piano that was out of tune. All seemed more or less

excited. They had repaired to the Highlands to escape from _ennui_,

and, having arrived there, found themselves bored in earnest; for

there are but few to whom the beauties of nature afford constant and

all-sufficient entertainment.

Luckily for Sixtus, no one recognized him, and Baum, who was without

his livery, allowed no information to escape him. The doctor looked

upon the doings of the gentry about him with a certain aristocratic

sense of superiority. As the neighborhood abounded with goitres, he

concluded to leave without making further inquiries. On the following

morning, they reached a small mountain village. Doctor Sixtus addressed

himself to the village doctor, rode about the country with him for

several days and, at last, left without having accomplished his

mission. He, however, made a note of the names of several of the

parties they had seen.

His knightly pride had well-nigh left him. He had looked into the

dwellings of want and had beheld so much that told of toil and misery,

that the careless indifference with which beings of the same flesh and

blood could live in palaces, seemed like a dream. In this outer world,

existence is mere toil and care, nothing more than a painful effort to

sustain life, with no other outlook than that of renewed toil and care

on the morrow.

"A truce to sentiment," said the doctor to himself. "Things happen thus

in this fine world. Men and beasts are alike. The stag in the forest

doesn't ask what becomes of the bird, and the bird, unless it be a

stork, doesn't care what becomes of the frogs! Away with sentimentality

and dreams of universal happiness!"

The doctor traveled to and fro among the Highlands, always careful to

keep near the telegraph stations, and, as instructed, reporting twice a

day. He despaired of accomplishing his mission, and wrote to his chief

that, although he could not find married women, there were lots of

excellent unmarried ones. He therefore suggested that, as it would not

do to deceive a queen, it would be well to have the most acceptable one

married to her lover at once.

While awaiting a reply, he remained at a village near the lake, the

resident physician of which had been a fellow-student of his.

The scarred face of the portly village doctor was refulgent with traces

of the student cheer which in former days they had enjoyed in common.

He was still provided with a never-failing thirst and ready for

all sorts of fun. His manners had become rustic, and it was with a

self-complacent feeling Sixtus thought of the difference in their

positions.

Doctor Kumpan--this was a nickname he had received while at the

university--looked upon his friend's excursion in search of a nurse as

if it were one of their old student escapades. He rode with him over

hill and dale, never loth to make a slight detour, if, by that means,

they might gain an inn, where he could gratify his hunger with a good

meal, and his thirst with a drop of good wine--the more drops the

better.

"So many of our customs," said Sixtus, one day, "are, at bottom,

immoral. For instance, nurse-hunting."

Doctor Kumpan roared with laughter and said:

"And you too, Schniepel,"--the college nickname of Sixtus--"so you,

also, are one of the new-fashioned friends of the people. You

gentlemen, whose gloves are ever buttoned, treat the people far too

gingerly. We, who live among them, know them far better. They're a pack

of rogues and blockheads, just like their superiors; the only

difference's that they're more honest about it. The only effect your

care for them can have will be to make matters worse. How lucky it is

that the trees in the forest grow without artificial irrigation!"

During these excursions, Doctor Kumpan gave free vent to his rough

humor, and was so delighted with his wit that he could live three days

on the recollection of one of his own wretched jokes.

Sixtus found himself ill at ease in the company of the village doctor,

with whom it was necessary to keep on the same friendly footing as of

yore; and, therefore, made an effort to hasten his departure.

He was about to take his leave--it was on the morning of the second

Sunday following--when Doctor Kumpan said:

"I'm disgusted with myself for having been so stupid. I've got it!

Mother nature herself, unconditioned and absolute--just as old

Professor Genitivius, the son of his celebrated father, used to say,

while he brought his fist down on his desk--Come along with me!"

They drove off in the direction of the lake.

CHAPTER V.

Sunday morning had come again, and, with it, stirring times in the

cottage by the lake. Godfather and godmother were there, and, at the

first tolling of the church bell, whose sounds floated on the air like

so many invisible yet audible waves, a procession moved from the house.

The grandmother carried the child upon a soft, downy pillow, over which

a white cover had been spread; following after her, proudly walked the

father, with a nosegay in his button-hole. Beside him, was the

godfather, mine host of the Chamois, followed by tailor Schneck's wife

and other females. A light-haired boy about five years old, and bearing

a two-pronged twig of hazel in his hand, had also joined in the

procession.

"What are you after, Waldl?" asked Hansei.

The boy did not answer. Mistress Schneck took his hand in hers and

said: "Come along, Waldl!" and then turning to Hansei, she continued:

"Don't drive the child away! It's a good sign when a young boy goes

along to the christening; the child will get a husband so much the

sooner, and who knows but--" Hansei laughed to find that they were

already thinking of a mate for his daughter.

While moving along in silent procession, they beheld another good omen.

A swallow flew directly over the heads of the grandmother and the

child, whereupon the former opened her great red umbrella and held it

over herself and the babe.

Walpurga, unable to accompany them on their long walk to church, was

obliged to remain at home. Her friend Stasi, who, on the previous

Sunday, had altered the prayer for the queen in Walpurga's favor,

remained to bear her company. Walpurga, seated in grandmother's

arm-chair, looked out of the latticed window, at the violets, the

buttercups, and the rosemary, the peaceful lake and the blue skies,

while she listened to the sound of the church bell.

"This is the first time my babe goes out into the wide, wide world, and

I'm not with it," said she; "and some day I shall go into the other

world and never be with it again. And still I feel as if it was with me

all the same."

"I don't know what makes you so downhearted today," said her companion;

"if that comes o' getting married, I'll never have a husband."

"Nonsense!" curtly replied Walpurga; her meaning was plain enough. Soon

afterward, she added in a voice tremulous with emotion: "I'm not

downhearted. It's only this. I just feel as if the baby and I had been

both born over again. I don't know how it is, but I feel as if I were

another person. Just think of it! In all my life, I've never lain abed

so quietly and peacefully as I've been doing these many days. And to be

lying there perfectly well, and with nothing to do but think and sleep,

and awake again, and nurse the baby, while kind folks are forever

bringing whatever heart can wish for--I tell you, if I'd been a hermit

in the woods for seven years, I couldn't have done more thinking. It

would keep me busy day and night to tell you all. But what's that?"

said she, suddenly interrupting herself; "just then it seemed as if the

whole house were shaking."

"I didn't notice anything. But your face is enough to give one the

blues. Let's sing something. Just try whether you're still our best

singer."

Her companion insisting, Walpurga at last began to sing, but soon

stopped. Stasi essayed another song, but Walpurga did not care for it;

indeed, none of them were to her liking that day.

"Let's be quiet," said she at last. "Don't worry me through all those

songs; I don't feel like doing anything to-day."

The bells were tolling for the third time. The two friends were sitting

together in silence.

At last Stasi said: "How kind it is of the innkeeper to let them ride

home from church in his wagon."

"Listen! I hear wheels. They can't be coming already."

"No, that's the rattle of the doctor's carriage. There he is, up there

by the willows; and there's another gentleman with him."

"Don't talk to me now, Stasi," said the young mother; "let the whole

world drive by; it's all the same to me."

She sat there silently, resting her head against the back of the chair

and looking out into the golden sunlight that seemed to infuse all

nature with new life. The grass was of a lovelier green than ever

before; the lake glittered with the soft sheen of the ever-changing

light; the waves were splashing against the shore; a gentle breeze

wafted the odors of the violets and rosemary from the window-shelf into

the room.

A carriage stopped before the cottage. First, the loud cracking of a

whip was heard; then, approaching footsteps, and at last, the jolly

doctor calling out: "Hansei! Is there no one at home?"

"No," answered Stasi, "there's nobody but Walpurga and me," whereupon

there was great laughter out of doors.

Doctor Kumpan entered the room, followed by the stranger, who started

as if amazed. Moved with admiration by the sight he beheld, he bowed

involuntarily; but, checking himself, he was more erect than before.

"Where's Hansei, the Sunday child's father?" inquired Doctor Kumpan.

The wife arose and said that he had gone to church with the child and

its sponsors, but that he would soon return.

"Keep your seat!" said the doctor. "I mean to be an unbidden guest at

your christening dinner, and my friend here, who is also a man-killer

like myself, will join us."

"What do you want of my husband? Mayn't I know?"

"The husband cuts the loaf and then helps his wife to some of it. You

know that's the custom of the country, Walpurga. We want to talk to

your husband about a matter of great importance. Don't get frightened,

it isn't a law affair. All I have to say to you is, you've a Sunday

child. Perhaps you're one yourself?"

"I am, indeed."

"So much the better; you're doubly fortunate."

"It seems to me," said Doctor Sixtus, "we might as well speak to the

wife at once. She appears to be a sensible woman and will be glad to

make her husband and child happy."

Walpurga looked about her as if imploring help.

"Well then," said Doctor Kumpan, taking a seat, "you may as well let me

tell it. Now, pay attention, Walpurga. Just keep your seat and let me

tell you a story: Once upon a time, there was a king and a queen. The

king was good and brave, and the queen was lovely, and a son was born

to them who inherited the father's virtues and the mother's beauty; it

might have been a daughter, but they would rather have it a son. Now

when the son was born, they summoned a spirit who lived in the palace,

and was called Doctor Puck; and they said to him: Puck, dear Puck, pack

up your things, and pack yourself off to the mountains as fast as you

can; for there, by the border of the lake, is a pretty little cottage

in which there sits a mother who's tidy, strong, and good, and who's to

be the foster-mother of the little prince, who is as good as his

father, and as lovely as his mother. And the foster-mother shall have

whatever her heart wishes for, and shall make her husband and child

happy; and the king and the queen and the prince, and--but look up,

Walpurga! look at this gentleman. He's the kind spirit named Doctor

Puck, and he comes from the king and the queen. Do you understand me,

Walpurga?"

The young mother rested her head upon the back of the chair and closed

her eyes. She drew a long breath and uttered not a word. At that moment

Hansei returned with the sponsor and the babe. The mother hurried to

her child and taking it in her arms, rushed out into the garden with

it, Stasi running after her.

"What's the matter?" asked Hansei, casting angry glances at the doctor

and the stranger.

"Sit down, my worthy Hansei, and I'll tell you all about it. And it's

well that you're here, too, my good friend of the Chamois: remain with

us. The rest of you may all leave the room."

Suiting the action to the words, Doctor Kumpan hurried out the

villagers, who had been drawn there by curiosity. Then, accepting a

pinch of snuff from the innkeeper, he said: "Hansei, make a bow; you

must know that this gentleman is the court physician. He's sent here by

the king, who wants you to lend him your wife for a year."

The doctor's overbearing manner so enraged Hansei, that he almost felt

like putting him and the court doctor out of the room, and was already

squaring his shoulders for the attack.

Motioning Kumpan to be silent, Sixtus told Hansei that, by the king's

orders, he had sought information in regard to him, and that it had

seemed as if the people did not know whom to praise the most--Hansei or

Walpurga. Hansei grinned self-complacently, and now Sixtus acquainted

him with the king's pleasure.

"Many thanks for the kind words," replied Hansei; "I'm much obliged to

the king for his good opinion of me. I know him well; I rowed him

across the lake twice while he was yet a merry lad, and a wide-awake

huntsman. Tell the king that I hadn't thought he'd still remember me,

but I can't part with my wife. I couldn't be so cruel to her, to

myself, and, above all, to our child."

It was the longest speech he had ever made. He wiped the perspiration

from his brow, and turned toward the table. He was as hungry as a wolf,

and, seeing the nicely cut cake, took a piece, exclaiming: "Before I do

it, may this morsel--"

"Don't swear!" cried the innkeeper, taking the cake from him. "Don't

swear; you can do as you please; no one can compel you."

"And no one wishes to," said Doctor Sixtus; "may I have a piece of

cake?"

"To be sure you may! Help yourself,--and you too, doctor! We've wine

also. Ah, doctor, this day two weeks ago, out on the road, things

looked very serious!"

There was eating and drinking, and with every morsel that Hansei

swallowed, his face grew more cheerful.

"It seems to me, Mr. Landlord, that you could explain the matter to him

better than we," said Sixtus. The innkeeper offered Hansei a pinch of

snuff, with the words: "It would be a great honor to the village and to

the whole neighborhood. Just think of it, Hansei! the king and the

crown prince--"

"Perhaps it's a princess," interrupted Sixtus.

"Oh!" said Hansei laughing, "and so the child isn't born yet?" But

while laughing, he thought to himself: "There's still time to think the

matter over." Then he laughed again at the thought, for, with all his

simplicity, he was rogue enough to determine to reap the greatest

possible advantage from it; he couldn't think of such a thing for less

than a thousand--no, two thousand--and, who knows, perhaps even three

thousand florins. Hansei would probably have gone up to a hundred

thousand if the innkeeper had not resumed the conversation, and thus

interrupted the current of his thoughts.

"Hansei is perfectly right; he says neither 'yes,' nor 'no'; he says

nothing; for here the wife must decide. He's a good husband, and won't

force her to do anything against her will. Yes, gentlemen, although

we're only simple country folk, we know what's right."

"It does you credit to respect your wife so," said Doctor Sixtus. The

innkeeper took another pinch of snuff and went on to say: "Of course;

but after all, if I may be allowed to speak my mind freely, a woman's

only half a man in reason and judgment. With your permission, Herr

Court Doctor, I think we'd better say no more for the present, but call

the wife. She's ever so good."

Happiness and misery, pride and humility, were depicted in Hansei's

features.

"Whatever she says, I'll abide by," said he.

He was proud of possessing such a wife, and yet dreaded her decision.

He pulled at the buttons of his coat as if to make sure they were all

there. At last, urged by the innkeeper, he went out into the garden and

called Walpurga, who was still sitting under the cherry tree.

CHAPTER VI.

After Walpurga had hurried out into the garden and had pressed the babe

to her bosom, she quietly gave it to Stasi, saying:

"Take the child; I daren't feed it now. Oh, you poor, dear thing! They

want to take me away from you. What harm have you ever done that they

should treat you so? And what have I done? But they can't make me go!

And who'd dare try? But what have they come for? Why to me? Come,

darling, I'm all right again. I'm with you, and we'll not part from

each other. I'm quite calm again."

When Hansei came to call Walpurga, he found her quietly pressing the

child to her bosom and kissing its little hands.

"If you've had your talk out, do come in."

Walpurga motioned him to be quiet, lest he should disturb the child. He

stood there silently for a while; not a sound escaped father, mother,

or child; naught was heard but the starlings in the cherry-tree, who

were feeding their young. Swift as the wind itself they would fly from

their nests and return again. At last, the child, its hunger thoroughly

sated, but its lips still softly moving, dropped back on the pillow.

"Come into the house," said Hansei, in a voice far gentler than his

rough looks would have led one to expect, "Come in, Walpurga. There's

no need of being rude, and there's nothing wrong in what they ask of

us. They can't force us, you know, and we can thank them, at any rate.

You can talk to strangers much better than I can. It's your turn to

speak now; and I'll be satisfied with whatever you say or do."

Walpurga handed the child to the grandmother, and accompanied Hansei

into the house. She looked back several times, and almost stumbled at

the very threshold.

As soon as she entered the room, Doctor Sixtus came up to her, and,

addressing her in a gentle, insinuating manner, said:

"My good woman! I should think it a sin to induce you to do anything

that your heart condemns. But I feel it my duty to urge you to reflect

upon the matter calmly and dispassionately."

"Many thanks. But--I hope you won't think ill of me--I couldn't be so

cruel to my child." Her eye fell on Hansei, and she quickly added, "Nor

my husband either. I can't go away and leave them all alone."

"Why they won't be alone; your mother's here," said the innkeeper,

interrupting her. Doctor Sixtus interposed:

"Don't interrupt her, if you please, sir. Let her speak for herself,

and pour out her whole heart. Pray go on, my good woman."

"I've nothing more to say; I know nothing more. Yes, there's one thing

more. I've never been in service, except to do an odd day's work, now

and then. I was born in this cottage, and I've lived here up to this

time, and 'twas here my husband came to see me. I've never thought of

leaving it, and I can't think of doing so now. I've never slept in a

strange bed. If I had to leave here and go to the city for so long a

time, I'd die of homesickness; and what would become of my child and my

husband? I'm sure the king don't want us all to die of grief."

"I'd like to say a word, too," said Doctor Kumpan, casting an

expressive glance at Doctor Sixtus. "We've already thought of your

child. You've often wished for a cow, and we'll get you one that has

just calved."

"I've got the very thing you want," exclaimed the innkeeper, rushing to

the window and calling to a boy outside: "Go tell my man to bring my

heifer, right away. Be quick about it! Hurry yourself!--I really didn't

care to part with her," said he, addressing Doctor Sixtus and turning

his back on Hansei, who well knew that the innkeeper dealt in cattle

and pigs, all the year around. Everything in his stable had its price,

and here he was acting just as if the heifer were a member of his

family. "She's the very best beast I've got," added he, "but one ought

to give up everything for his king; and she's a bargain at forty crown

thalers." Then turning to Hansei he said, with a grin: "You're getting

a fine, plump little cow--not an empty hide."

"Not so fast, my friend," said Doctor Sixtus; "but if Hansei likes the

heifer, I'll buy it of you."

"The mother goes and the cow takes her place," muttered Walpurga,

absently.

"I never thought you could be so foolish," thundered the innkeeper.

"Why, what a fuss you're making! You ought to shout for joy, and get

down on your knees and thank God!"

Doctor Sixtus quieted him, and the village doctor now said: "Joy and

song come at no one's bidding; if Walpurga won't go with us cheerfully

we'll look further; there must be others besides her."

He arose, and took his hat as if to depart, Doctor Sixtus doing

likewise.

"How soon would I have to go, and how long would I have to be away from

home?" asked the young wife.

Seating himself again. Doctor Sixtus replied: "I can't say how soon,

but you'd have to be ready to go at a moment's notice."

"Then I wouldn't have to go right off--and how long would I have to

stay?"

"A year, or thereabouts."

"No, no! I won't go. God forgive me for giving it a moment's thought!"

"Then we'll take our leave, and may God bless you and your child," said

Doctor Sixtus, offering her his hand. With a voice full of emotion, he

added:

"It would do the royal child more harm than good if you were to leave

here regretfully, and carry a constant grief about with you. That the

mere idea pains you is quite natural. You couldn't, as a good woman and

true mother, have consented at once, and who knows whether I would have

accepted you if you had? What the queen desires is a good woman, who

has a respectable husband and a kind mother; she will have no other,

and has no thought of grieving or offending you. Therefore, if you

can't be cheerful among strangers; if it doesn't gladden your heart to

think that you may benefit the royal child, and that the king will be

kind to you, you'll do far better to remain at home and not allow

yourself to be tempted by the money. Don't let that induce you. No;

you'd better not go."

He was about to leave, when the innkeeper detained him and said:

"I've only one word more to say. Listen, Walpurga, and you, too,

Hansei. You've said: 'No, I won't go,' and the answer does you great

credit. But ask yourselves what the consequence will be? To-day,

to-morrow, perhaps even the day after to-morrow, you'll be quite

content--will take each other by the hand, kiss your child, and say:

'Thank God! we've resisted temptation; we've remained united in

poverty, and maintain ourselves honestly; we'd rather toil and suffer

together than part.' But how will it be a day or a week later? How

then? When sorrow and want and misfortune come--for we're only human

after all--and you find yourselves helpless? Won't you say to

yourselves: 'If we'd only consented.' Won't you then, by word or look,

say to one another: 'Why didn't you urge me? Why didn't you decide to

go?' I don't want to persuade you, I merely want to remind you of all

you ought to consider in the matter."

Silence ensued. The husband looked at his wife and then at the ground;

the wife looked at him for a while, and then suddenly raised her hand

to her eyes.

The cracking of a whip was heard and then a fine black-pied cow

bellowing loud and deep, as if the sound issued from a cavern. All were

startled. The sound broke upon the silence like a ghost-call at

noonday.

The innkeeper cursed and swore, and putting his head out of the window,

abused the servant for not having brought the calf, which had, in

truth, already been sold to the butcher.

The servant fastened the cow to the fence, and hurried home to bring

its calf. The cow dragged at the rope, as if trying to strangle

herself, and groaned and bellowed until she foamed at the mouth.

"That's only a beast, and see how she goes on!" cried Walpurga.

The arrival of the cow seemed to dissipate the effect of the

innkeeper's eloquence. But Walpurga suddenly composed herself. Speaking

quickly, as if addressing an unseen being, and without looking at any

one, she said:

"A man or a woman can do more than a beast!" Then, turning toward her

husband, she added: "Come here, Hansei, give me your hand. Tell me,

from the bottom of your heart, will you be satisfied with whatever I

may do or say?"

"Do you mean if you say 'no'?" replied Hansei, hesitating.

"Whether I say 'yes' or 'no' is what I mean."

Hansei could not utter a word. Had he been able to speak, his remarks

would have been very sensible. He kept looking into his hat, as if

there to read the thoughts that were running through his head. Then he

took his blue pocket-handkerchief, and twisted it up as if he were

trying to make a ball of it. When Walpurga found that Hansei did not

answer, she said:

"I can't ask you to decide. I, alone, can do that. I'm the child's

mother--I'm the wife, and ... if I go, I must, and I'm sure I can,

keep down all grief, so that I may do no harm to the other child;

and--and--here's my hand, sir--my answer is 'yes'."

It seemed as if a load had been lifted from the hearts of all present.

Hansei felt a stinging sensation in his eyes, and as if choking. To

allay this, he indulged in a fresh glass of wine and a large slice of

cake. What a strange day! If the company would only go, so that one

could get a bite of something warm. The morning seemed as if it would

never end. The two physicians had much to say to Walpurga, who promised

to keep herself as cheerful as possible. She told them that when she

had once undertaken a thing she would carry it out; that God would help

to preserve her child and that she would do all she could for the

king's child. "You can depend upon it, when I've made up my mind to do

a thing, I do it," she repeated again and again. Now that she had

decided, she seemed to have acquired wondrous self-control. Spying her

mother, who was carrying the child, she called her to her, and told her

of everything. The child slumbered peacefully, and was placed in the

cradle that stood in the bedroom. The grandmother seemed to look upon

the whole affair as if it were an unalterable decree of fate. For years

it had been her wont to allow Walpurga to decide in all things, and in

this case, moreover, the king's pleasure was to be regarded.

"Your child won't be motherless; I understand her better than you do.

We've got a cow, and we'll see that the child is well cared for."

The innkeeper hurried out and put the cow in the stable. That closed

the purchase and gave him a pretty profit. He was provoked at himself

to think that he had not asked ten thalers more. He managed to get two

thalers additional, as a gratuity for the boy, but half of this sum

found its way into his own pocket.

Hansei, who had in the mean while refreshed himself, thought it would

be well to show that he was a man. He inquired as to the pay, and was

just about to name the large sum he had been thinking of, when the

innkeeper returned, and made it clear to him that the less he bargained

the more he would get. He offered to give him five hundred florins for

the christening gifts alone, and told him that, if he left it to the

king, he would get all the more.

Walpurga now asked what she would have to take with her. Doctor Sixtus

told her that her best suit would be all that was necessary.

Many of the villagers had gathered before the window. They had heard

the news, and others, while on their way to afternoon church, stopped,

and at last there was quite a crowd. There was much merriment, for

every man said that he would gladly let the king borrow his wife for a

year.

Stasi offered to help the grandmother. It was not without pride that

she spoke of her being able to write a good hand and promised to send

Walpurga a letter once a week, about the child, the husband, and the

mother.

She then brought the plates, for it was high time they were at dinner.

Walpurga said that she would put all to rights within the next few

days.

"What I now deny my child," said she, "I can more than make up to her

for the rest of her life."

While she was thus speaking, she heard the child crying in the other

room and hurried to it.

The two physicians and the innkeeper were about to leave, when the

sounds of a post-horn were heard in the direction of the road that led

up from the lake.

The special post had arrived. The lackey whom Doctor Sixtus had left at

the telegraph station near by, was sitting in the open carriage. He

raised his hand, in which he held a letter aloft. He stopped before the

cottage and called out to the crowd:

"Shout huzza! every one of you! A crown prince was born an hour ago!"

They cheered again and again.

An old woman, bent double, suddenly turned toward the lackey and gazed

into his face with her bright, brown eyes that, in spite of her years,

were still sparkling.

"Whose voice is that?" muttered the old woman to herself.

There was an almost imperceptible change in the features of the lackey,

but the old woman had noticed it. "Clear the way, folks!" said he, "so

that I may alight!"

"Get out of the way, Zenza!" (Vincenza) "Old Zenza's always in the

way."

The old woman stood there, staring before her vacantly, as if in a

waking dream. She was shoved aside, and lost the staff with which she

had supported herself. The lackey tripped over it, but, without looking

to the right or left, hurried into the cottage.

Doctor Sixtus advanced to meet him, took the dispatch, and returned to

the room. Walpurga had come back in the mean while, and he said to her:

"It has happened sooner than we expected. I've just received a

dispatch; at ten o'clock this morning, the crown prince was born. I am

to hurry off to the capital and bring the nurse with me. Now, Walpurga,

is the time to prove your strength. We leave in an hour."

"I'm ready," said Walpurga resolutely. She felt so weak, however, that

she was obliged to sit down.

CHAPTER VII.

The two physicians, accompanied by the innkeeper, left the house. Stasi

brought in the soup and the roast meat for the christening dinner and

placed them on the table. The grandmother offered up a prayer, in which

the others joined; they all seated themselves at the table. Walpurga

was the first to take a spoonful of the soup from the dish, but,

finding that no one cared to eat, she filled her spoon again and said:

"Open your mouth, Hansei, and let me give you something to eat. Take

this, and may God's blessing go with it. And just as the food I now

offer you gives me more pleasure than if I were eating it myself, so,

when I'm among strangers, not a morsel will pass my lips that I

wouldn't rather give you and the child. I only go away so that we may

be able to live in peace and comfort hereafter. I shall think of you

and mother and the child, by day and night, and, God willing, I'll

return again in health and happiness. Don't forget that God might have

called me away in the hour of pain and trial, and that then you'd have

been without me all your lifetime. Mother, I've often heard you say

that a wife giving birth to a child has one foot in the grave. I'm only

going away for a year, and you all know that I'll return the same

Walpurga that I now am. Don't let our parting be sad, Hansei; you must

help me! You can, and I know you will. You're my only support. Keep

yourself tidy while I'm gone. You'd better wear a good shirt every

Sunday morning, for now you can afford it. You'll find them in the blue

closet--on the upper right-hand shelf. Do eat something; I'll eat just

as soon as you do. We need all our strength. You'll be all right

to-morrow, and so shall I. But do eat something! For every spoonful you

take, I'll take one, too:--there, that's it--but not so fast, or I

can't keep up with you!" Smiling through her tears, she went on eating.

"And now, mother," she continued, "you'll have no chance to say that

you're a burden to us. When I'm gone, you can take the two pillows off

my bed and put them on yours, so that you can sleep with your head

right high. That'll do you good. If we didn't have you, I wouldn't dare

to think of going. Don't spoil my husband, and, when I come back again,

we'll fix up a little room for you where you can live as well as the

first farmer's wife in the land."

They let her do all the talking, and when she said: "Do say something,

Hansei," he replied: "You'd better keep on talking. I can hear my voice

any time; but it'll be a long while before I listen to yours again. Who

knows but--"

He was about to take a piece of meat, but he put it back on the plate.

He could not eat another morsel; nor could the others. The grandmother

arose and said grace. Time flew by. A coach drove up to the door. The

lackey was the only one seated in it; the gentlemen intended to follow

shortly after. Baum speedily found himself on a familiar footing with

Hansei. The first step toward their intimacy was the offer of a good

cigar. He said that he envied Hansei's luck in having such a wife, and

in being so fortunate into the bargain. Hansei felt greatly flattered.

Doctor Sixtus gave orders that some bed cushions should be placed in

the coach, so that Walpurga might be comfortable and well protected

against the night air.

"Do you ride all night?" inquired Hansei.

"Oh, no! We shall reach the capital by midnight."

"But your fast driving may hurt my wife."

"Don't let that worry you. Your wife will be as well taken care of as

the queen herself."

"I don't know how it is, but when I look at this gentleman and hear him

talk," said Hansei, looking Baum straight in the face, "I feel ever so

queer."

"How so? Do I look so terrible?"

"God forbid! No, indeed! But the one I'm thinking of was a

good-for-nothing fellow. No offense, I assure you. But old Zenza--there

she is at the garden gate, watching us--had twins. One is named Thomas

and the other was Wolfgang, or Jangerl, as they say hereabouts. Well,

Jangerl joined the soldiers and went to America. It must have been some

thirteen or fourteen years ago, and no one has ever heard of him since,

and really--but you won't think ill of what I say?"

"Of course not! Go on."

"Well, Jangerl looked just like you to the very hair. No, not the hair,

for his was red and his face wasn't as fine as yours, either; but

taking it altogether, just as the devil takes the farmers"--Hansei was

delighted with his joke, and the lackey joined in his laughter--"one

might say that you look like each other. But you're sure you're not

angry at what I've said?"

"Not at all," said Baum, looking at his watch. The clock in the church

steeple was just striking five, and he said: "There's a difference of

exactly one hour between your clock and that at the capital. Did this

house belong to your parents?"

"No, I got it with my wife. That's to say, we still owe a mortgage of

two hundred florins on it, but the farmer who holds it, doesn't press

us."

"Your wife can buy you another house, and you ought to consider

yourself lucky to have so good-looking a wife."

"Yes, and that's what makes me sorry to give her up," complained

Hansei. "However, there are only three hundred and sixty-five days in a

year--but that's a good many, after all."

"And as many nights in the bargain," said Baum, laughing. Poor Hansei

shuddered.

"Yes, indeed!" said he. He felt that politeness required an answer on

his part.

In the mean while, Walpurga had asked her mother and Stasi to leave her

alone with the child. She was kneeling beside the cradle and wetted the

pillow with her tears. She kissed the child, the coverlet, and cradle,

and then, getting up, said: "Farewell! A thousand times, farewell!" She

had dried her tears, and was about to leave the room, when the door

opened from without and her mother entered.

"I'll help you," said she. "You'll be either twice as happy, or twice

as miserable, when you return, and will make us just as happy or as

miserable as you are."

Then she took Walpurga's left hand in hers, and, in a commanding voice,

said: "Put your right hand on your child's head!"

"What's that for, mother?"

"Do as I bid you. Swear by your child's head and by the hand I hold in

mine, that you'll remain good and pure, no matter what temptations may

assail you. Remember you're a wife, a mother, a daughter! Do you swear

this with all your heart?"

"I do, mother, so help me God! But there's no need of such an oath."

"Very well," said the mother. "Now walk around the cradle three times

with your face turned from it. I'll lead you; don't stumble. Now you've

taken the child's homesickness from it, and I'll take good care of it.

Take my word for that."

She then led Walpurga into the room and, handing her the great loaf of

bread and the knife, said:

"Cut a piece for yourself, before you go. May God bless it for your

sake, and when you've reached your journey's end, let the bread that

you've brought from home be the first morsel you eat. That'll kill the

feeling of strangeness; and now, farewell."

They remained there in silence, holding each other by the hand.

Walpurga found it wondrous strange that Hansei was walking about in the

garden with the lackey and forgetting her. Just then, he went up the

ladder to get him some cherries, and was smoking incessantly; after

that, he took him into the stable, where the cow had been placed.

The two physicians had returned, and Hansei had to be called into the

room, for it was here, and not out of doors in the presence of the

crowd, that the wife wished to take leave of her husband. Doctor Sixtus

put a roll of crown thalers in Hansei's pocket. After that, Hansei

constantly kept his hand there and was loth to remove it.

"Give me your hand, Hansei," said Walpurga.

He loosened his grasp of the money and gave her his hand.

"Farewell, dear Hansei, and be a good man. I'll remain a good

wife.... And now, God keep you all of you."

She kissed her mother and Stasi, and then, without once looking back,

she hurried through the garden and seated herself in the carriage. The

cow in the stable bellowed and groaned, but the sounds were drowned by

the postilion's fanfare.

During all this, old Zenza had been leaning against the garden gate; at

times passing her hand over her face and rubbing her bright and

sparkling eyes. And now, when the lackey passed her she stared at him

so, that he asked, in a rough and yet not unkind voice:

"Do you want anything, mother?"

"Yes; I'm old, and a mother in the bargain. Hi-hi-hi!" said she,

laughing, and the crowd hinted to the lackey that her mind often

wandered.

"Is there anything you want?" asked the lackey again.

"Of course there is, if you'll give it to me."

With trembling hand, the lackey drew the large purse from his pocket,

and took out a piece of gold. But no, that might betray him. After

fumbling with the money a long while, he at last gave the gold piece to

the old woman, and said:

"This is from the king."

He mounted the box and never looked back again. The coach started off.

People came up to Zenza and asked her to show them what she had

received, but her hand was closed as with a convulsive grasp. Without

answering, she went away, supporting herself upon her staff.

She walked on, constantly looking at the ruts that the carriage wheels

had made in the road, and those who passed her could hear her muttering

unintelligibly. Her staff was in her right hand, and with her left she

still clutched the gold piece.

CHAPTER VIII.

The carriage moved along the road by the lake, and, at last, turning

the corner at the stone-pile, was out of sight. The hay on which

Walpurga had rested a fortnight before was still lying in the same

place.

They passed a handsome girl, dressed in once genteel, but now shabby,

finery. She was of a powerful frame, tawny complexion, and her

blue-black hair was braided in thick plaits. She stared at Walpurga,

but did not greet her until after she had passed.

"That's the daughter of the old woman you gave a present to," said

Walpurga, addressing the lackey. "She goes by the name of Black Esther.

If the mother doesn't bury the money out of sight, she'll surely take

it from her."

Although Baum turned toward Walpurga, he was not looking at her, but at

the girl, who was no other than his sister. A little while ago, he had

denied his mother, while bestowing an alms upon her. And now he sat up

beside the postilion, his arms folded as if to brace himself, for he

felt as if his heart would break. His whole life passed before him,

and, now and then, he planted himself more firmly in his seat, lest he

should fall. And now the carriage passed by a farmyard where, twenty

years ago, he had, by his mother's order, stolen a goose. He was a slim

lad then and had found it easy to slip in, on all fours, through the

gap in the hedge, which had closed up in the mean while.

Thomas, his twin brother, had joined the poachers. But Baum, who was

not apt at their work, was glad when they took him for a soldier. One

day while he was on duty at the palace an old _valet de chambre_

brought a letter from Baroness Steigeneck, who was then at the height

of her power. The valet was kept waiting a long while, during which he

chatted with Baum, to whom he took a great liking. He invited Baum to

visit the Steigeneck palace, where they drank together in the servants'

room and were exceedingly jolly.

"Why is your hair so red?" said the _valet de chambre_.

"Why? Because it grew so."

"But that can be remedied."

"Indeed! How so?"

The old man gave Baum the requisite directions.

"You must also change your name. Rauhensteiner is too hard for their

lordships. It is difficult to pronounce, and particularly for those who

have false teeth. You must take some such name as Beck, or Schultz, or

Hecht, or Baum. For, mind you, a dog has no name except the one its

master sees fit to call it by."

"'Baum' would suit me very well."

"Well then, let it be Baum." On his way home that night, he kept

continually saying to himself, "Baum, Baum--that's a short and easy

name and no one will know me." The old man had made him swear that he

would have nothing more to do with his family. His recent visit to his

native village had reminded him of his pledge, and, although he

attached but little importance to an oath, he found it convenient and,

as he thought, praiseworthy to keep this one.

Through the intercession of the Steigeneck valet, his military

discharge was made out in the name of Wolfgang Rauhensteiner--surnamed

Baum. After that, he was simply known as Baum, and none knew that he

had ever borne another name. He was perfectly willing to forego his

chance of any bequests that might be left to him under the name of

Rauhensteiner.

He entered the service of the court, and his first position was as

groom to the prince, while at the university and during his subsequent

journey through Italy. As a precaution, he had gone home and obtained

an emigrant's passport, and afterward had dyed his hair black. In his

native village, all were under the impression that he had emigrated.

After he returned from his travels, he married the daughter of the

_valet de chambre_, and ever grew in favor with his masters. He was

discreet in all things, and would cough behind his raised left hand. He

was delighted with the name of "Baum." Such was his zeal to serve his

masters, that had it been possible he would, for their sakes, have

banished all harsh consonants from the language.

"That's settled," said Baum, as he sat on the box beside the postilion

and coughed behind his hand. "That's settled"--and his face assumed a

calm and determined expression as if he thought some one was watching

him. "I've emigrated to America. If I were there, I'd be dead and

buried as far as my family are concerned. Family, indeed! They'd only

ruin and beggar me, and always be at my heels. None of that for me!" He

watched the people, many of whom he knew, walking along the road. "What

a pitiful life these folks must lead--no pleasure the whole year round!

Once a week, on Sunday they get shaved and preached to, and the next

morning the squalor begins anew. Any one who has escaped, would be a

fool to think of returning to it again!"

Whilst Baum was thus recalling long-forgotten incidents of his past,

Walpurga was trying hard to repress her tears. It seemed as if some

higher power to whose sway she submitted herself had deprived her of

thought and feeling.

With wondering eyes she gazed at the brooks that hurried down from the

hills and then, as if to see what was becoming of Walpurga, would run

along beside the road. When they dashed across the wooden bridges that

overhung the roaring brook, she would tremble with fear, and would not

feel reassured until they had gained the smooth road on the other side.

She looked up at the mountains, the houses and the Alpine huts; she

knew the names of those who dwelt in every one of them. But they soon

reached a region to which she was a stranger.

At the next station where they stopped to change horses, the Sunday

idlers were astonished to see a peasant woman descend from so elegant a

carriage. A woman nursing her child was sitting under a linden tree

near by. Prompted by curiosity, she raised herself in her seat, and the

child turning its head at the same time, mother and child were staring

at Walpurga, who nodded to them kindly, while her eyes filled with

tears and her throat seemed to close. The postilion blew his horn, the

horses started off at a gallop, and Walpurga again felt as if flying

through the air.

"This is fast traveling, Walpurga, isn't it?" exclaimed Baum. When she

now looked at him, she, too, was startled by his wonderful resemblance

to Thomas.

"Yes, indeed!" said she. The doctor said but little, for he was too

deeply moved by sympathy for her. Nor did he, as usual, assert his

pride of position. This woman was so much more than a mere tool that

one might well treat her with kindness and consideration. She had found

it so hard to leave her home. He was, for some time, considering what

he should say to her, and, at last, inquired:

"Do you like your doctor?"

"Yes, indeed I do! He's very odd. He scolds and abuses everybody; but

for all that, he does good wherever he can, be it day or night; rich

and poor are all the same to him. Oh, he's a real good man!"

Doctor Sixtus smiled and asked her:

"I didn't get to see his wife. Do you know her?"

"Of course I do. It's Hedwig, the apothecary's daughter. Her family are

very nice folks, and she's a sweet, charming creature; plain in her

ways and quite a home body. They have fine children, too--five or six

of them, I believe--and so she has her hands full. He might have taken

you to his house, for it's ever so neat and tidy."

He was delighted with Walpurga's good report of his friend. And now

that he had succeeded in changing the train of her thoughts, he

concluded that he had done enough and could leave her to shift for

herself.

She saw everything as if in a dream. There were fields and meadows,

then a village, a window-shelf covered with carnations and hanging

vines. You've such at home, too, thought she, and in a moment they had

vanished from sight. Then they passed the churchyard, its black crosses

half buried in the earth and yet standing out boldly against the clear

sky. In the village there was music and dancing, and merry youths and

maidens, their faces flushed by their sport, hurried to the windows.

Then they passed more fields and meadows and houses, and saw groups

sitting together and talking. And then the postilion blew a loud blast.

A child was running in the middle of the road. With a shriek of horror,

the mother rescued it and hastened away. The carriage did not stop.

Walpurga looked back, feeling sure that they must now be thanking God

for the child's escape. And still they went on. Then they passed a cow

grazing by the wayside, a boy near by watching her. In the level

country where the climate is so much milder, the cherry-trees were

already bare of fruit. And then they came to great fields, with their

vast sea of waving grain--there were none such in the Highlands.... How

happy these people must be who live down here, where there is something

more than water, meadow and forest. In yonder fallow field, there lies

a plow as if sleeping over Sunday. It grows dark, lights begin to

twinkle; there are men and women, too. They are in their homes, but I'm

being taken away from mine.... At the next post station, both the

doctor and Walpurga remained in the carriage. The horses were quickly

changed, the old ones going, with heavy steps, into the stable; a new

postilion mounted the box, and they were off again. Walpurga saw

nothing more; her eyes were closed, and it seemed as if it were a

dream, when the carriage stopped again for a fresh relay of horses, and

she heard Baum ordering the postilion not to blow his horn lest he

might awaken those inside.

"I'm not asleep," said the doctor.

"Nor am I! Just blow your horn, postilion," said Walpurga.

The postilion blew a loud blast, and they were off again. The stars

were glittering overhead. They passed through more villages; windows

were quickly raised, but they dashed by so rapidly that they were out

of sight before the surprised villagers had time to collect their

senses. Objects at the wayside were strangely illumined by the

ever-moving glimmer of the two carriage-lamps, and at last, in the

distance, they descried a great light and, over it, a cloud of smoke.

"There's an illumination in the city!" exclaimed Baum. The horses were

urged to greater speed, and the postilion blew his horn more merrily

than before. They were, at last, in the capital.

The carriage made slow headway through the surging, joyous crowd that

filled the streets.

"Here comes the crown prince's nurse," was soon noised about, and the

merry crowd greeted Walpurga with loud cheers. Confused and abashed,

she hid her face in her hands. At last they were safely in the

courtyard of the palace.

CHAPTER IX.

Walpurga found herself in the interior quadrangle of the palace. She

was quite giddy, with looking at the many doors, the great windows, the

broad staircases and the coats of arms, emblazoned with figures of wild

men and beasts. All seemed wondrous strange under the glare of the gas

lamps, the strong lights, here and there, contrasting with the deep,

mysterious shadows. Walpurga stared about her with a dreamy vacant

gaze. Giving way to memories of olden legends, she thought of the young

mother whom the genii of the mountain had carried off to a subterranean

cavern, where they detained her by means of a magic charm, while she

nursed a new-born babe.

But she was recalled to herself at last. From the palace-guard, where

the muskets were stacked in two long rows and the sentry was marching

to and fro, she heard one of the songs of her home.

"The captain of the palace-guard has sent wine to the soldiers," said a

young liveried servant addressing Baum, whom he assisted to unharness

the horses: "the whole town will be drunk."

Walpurga felt like telling them that they should not permit the

soldiers to sing so loudly, because the young mother who was lying

overhead ought to sleep. She had no idea of the great size of the

palace, but was soon to find it out.

"Come with me," said Doctor Sixtus; "I'll conduct you to the first lady

of the bed-chamber. Have no fear! You will be cordially welcomed by

all."

"I'd better bring my pillows with me," answered Walpurga.

"Never mind; Baum will attend to them."

Walpurga followed after the doctor. They ascended a staircase,

brilliantly illuminated and decorated with flowers, and Walpurga felt

ashamed at the thought of her coming empty-handed, just as if there was

nothing she could call her own. "I'm not that poor, after all," said

she almost audibly.

They reached the grand corridor. It was also brilliantly illuminated

and filled with flowers. There were people in uniform, walking to and

fro, but the soft carpets prevented their footsteps from being heard.

The under-servants remained standing while Sixtus and Walpurga passed

by them. At last they stopped before a door. Addressing the servant who

was stationed there, Doctor Sixtus said:

"Inform her excellency that Doctor Sixtus is in waiting, and that he

has brought the nurse."

This was the first time that Walpurga had heard herself spoken of as

"the nurse," and as being "brought."

She again felt as if under a spell, or rather, as if sold. But she

plucked up courage, and suddenly it seemed to her as if she were

seated, as she often had been, in a boat on the lake; as if she were

plying the oars with her strong arms--a furious wind resisting her

progress, and the waves rushing wildly on high. But she was strong, and

rowed with a steady hand, and at last conquered the wind and the waves.

She stiffened her arms and clenched her fists as if to grasp the oars

more firmly.

The servant soon returned, and held the door open while Doctor Sixtus

and Walpurga entered a large, well-lighted apartment. A tall, thin

lady, clad in a dress of black satin, was seated in an arm-chair near

the table. She arose for a moment, but resumed her seat immediately. It

is no trifling matter to be first lady of the bedchamber at the birth

of a crown prince. This had been a great day with Countess

Brinkenstein. Her name had been inscribed for all time in the great

official record of the day.

Although she always judged her actions by a severe standard, she had

reason to be satisfied with herself that day. While the court and

capital were all commotion, she had been perfectly calm. She had kept

up the dignity of the court and, moreover, of the king, who had shown

himself strangely weak and excited.

She was resting on her laurels. One circumstance had greatly vexed her

and had not yet been dismissed from her mind; but as she had a firm

will, she controlled her feelings. She was always self-possessed,

because she always knew just what was to be done.

To have waited so long before securing a nurse was a thing unheard of.

Many had offered themselves, and, among them, some who belonged to good

families; that is, of the nobility who had married lower officials.

Countess Brinkenstein regarded the queen's resolve that the nurse must

be of the common people--a peasant woman, indeed--as overstrained

fastidiousness; there could be no harm in referring to princely errors

in such terms. The preserver of decorum was therefore determined to

assume the responsibility of filling the post with a nurse of her own

choice, when the doctor's telegram, informing them that he had secured

the ideal peasant woman, was received. Her displeasure at the queen's

behavior was now transferred to the peasant woman, who was as yet a

stranger to her, and who would, in all likelihood, bring trouble into

the palace. But, after all, what were rules and regulations made for?

By consistently observing them, all would yet be well.

When the peasant woman was announced. Countess Brinkenstein arose, her

stern features softened by the noble thought that this poor woman ought

not to suffer because of the queen's newly acquired love for the

people; a love which would only render its objects the more unhappy and

discontented.

The doctor presented Walpurga, and spoke of her in such terms that she

cast down her eyes, abashed at his praise.

Addressing Countess Brinkenstein in French, he told her how difficult

it had been to secure this, the fairest and best woman in the

Highlands. Answering in the same tongue, the countess congratulated him

upon his success and commented on Walpurga's healthy appearance.

Finally she inquired, still in French:

"Has she good teeth?"

The doctor turned to Walpurga, saying:

"Her ladyship thinks you can't laugh."

Walpurga smiled, and the countess praised her perfect teeth. She then

touched the bell on the table and a lackey appeared.

"Tell privy councilor Gunther," said she, "that I await him here, and

that the nurse of his royal highness has arrived."

The lackey left the room. The countess now touched the bell twice; a

tall lady, advanced in years, and wearing long, corkscrew curls,

appeared, and bowed so low that Walpurga imagined she intended to sit

down on the floor.

"Come nearer, dear Kramer," said the countess. "This is the nurse of

his royal highness; she is in your especial charge. Take her to your

room and let her have something to eat. What shall it be, doctor?"

"Good beef broth will do very well."

"Go with Kramer," said the countess, addressing Walpurga, and smiling

graciously. "Whenever you want any thing, dear child, ask her for it.

God be with you!"

The lady with the corkscrew curls, offering her hand to Walpurga, said:

"Come with me, my good woman."

Walpurga nodded a grateful assent.

And so, after all, there was some one to take her by the hand and speak

German to her. And they were kind words, too, for the old lady had

addressed her as "dear child," and mademoiselle as "my good woman."

While they were speaking French, it had seemed as if she were betrayed,

for she could not help feeling that they were talking of her.

Mademoiselle Kramer now conducted her to the second room beyond.

"And now let me bid you welcome!" said the lady, while her homely face

suddenly acquired a charming expression. "Give me both hands. Let us be

good friends, for we'll always be together, by day and by night! They

call me the chief-stewardess."

"And I'm called Walpurga."

"A pretty name, too! I think you'll keep it."

"Keep my name! Why, who can take it from me? I was christened Walpurga,

and I've been called so ever since childhood."

"Don't agitate yourself, dear Walpurga," said the stewardess, with much

feeling. "Yes, pray be calm," added she, "and whenever anything

displeases you, tell me of it, and I'll see that it is remedied. You

ought to be contented and happy always; and now, sit in this arm-chair,

or if you'd rather lie on the sofa and rest yourself, do so. Make

yourself perfectly at home."

"This will do very well," said Walpurga, ensconcing herself in the

great arm-chair and resting her hands upon her knees. Mademoiselle

Kramer now ordered one of the serving-maids to bring in some good beef

broth and wheaten bread for the nurse. Turning toward Walpurga, she saw

that she was crying bitterly.

"For God's sake, what's the matter? You're not frightened or worried

about anything? What are you crying for?"

"Let me cry. It does me good. My heart's been heavy for ever so long. I

suppose you'll let me cry when I can't help it. I didn't know what I

was doing when I said 'yes.' God's my witness, I never thought it would

be like this!"

"What has happened? Who has done anything to you? For God's sake, don't

cry; it will do you harm, and I'll be reprimanded for having allowed

it. Just tell me what you want; I'll do all I can for you."

"All I want of you is to let me cry. Oh, my child! Oh, Hansei! Oh,

mother!--But now I'm all right again. I'll be calm. I'm here now, and

must make the best of it."

The soup was brought. Mademoiselle Kramer held a spoonful to Walpurga's

lips, and said:

"Take something, my dear, and you'll soon feel better."

"I don't want any broth. Am I to be treated as if I were sick, and

forced to eat what I don't like? If there was any one in the house who

could make porridge, I'd rather have that than anything else. I'll go

into the kitchen and make some myself."

Mademoiselle Kramer was in despair. To her great relief, there was a

knock at the door. Doctor Gunther, the king's physician, entered,

accompanied by Doctor Sixtus. He held out his hand to the nurse, and

said:

"God greet you, Walpurga of the cottage by the lake! You've made a good

catch in coming to this house. Don't be alarmed by the ways of the

palace, and do just as you would at home. Take my word for it, water is

needed for cooking, all the world over. The folks here are just as they

are in your neighborhood--just as good and just as bad; just as wise

and just as stupid; with this difference, however--here they know how

to hide their wickedness and stupidity."

Doctor Gunther had, in part, used the Highland dialect while addressing

her, and her face suddenly brightened.

"Thank you! thank you! I'll remember what you tell me," said she,

cheerfully.

Mademoiselle Kramer now introduced the great question of the day--beef

broth or porridge. Doctor Gunther laughed, and said:

"Why porridge, to be sure; that's the best. In fact, Walpurga, all you

need do is to say what you've been used to at home, and you shall have

it here, provided it is neither sour nor fat."

Addressing his colleague, he added:

"We'll keep the nurse on her accustomed diet for the present, and

afterward can gradually bring about a change. Come here, Walpurga, and

let me look into your eyes. I've something to tell you. In a quarter of

an hour from now, you're to appear before the queen. Don't be alarmed,

no one will harm you. She merely wishes to see you. Don't fail to prove

that your eyes are right, when they say they belong to a clever head.

Address the queen calmly, and if, as is quite likely, you still feel a

homesick yearning for your child and the others you've left behind you,

don't show it while you are with the queen. You might cause her to weep

and make her ill, for she's very delicate. Do you quite understand me?"

"I do, indeed! I'll be very careful. I'll cheer her up."

"You must not do that either. Remain perfectly calm and composed; speak

little, and in a low voice. Try to get out of the room as soon as you

can, for she needs all the sleep she can get."

"I'll do everything just as you say. You can depend on me," said

Walpurga. "Aren't you going along?"

"No; you'll meet me there. But now, take something to eat. Here comes

the porridge. I hope it will do you good. You needn't eat it all; half

will do for the present. But wait a little while until it cools. Come

with me a moment. I suppose you're not afraid to go with me?"

"No; it seems as if I'd often heard your voice before."

"Very likely! I am also from the Highlands, and have already been in

your father's house. If I am not mistaken, your mother was from our

region. Was she not in service with the freehold farmer?"

"She was, indeed."

"Well then, your mother's a good woman, and don't forget to tell the

queen that she's taking good care of your child. That will please her.

I knew your father, too; he was a merry soul, and perfectly honest."

Walpurga felt happy to know that her parents were well thought of and

that the others had heard them so favorably mentioned. If the doctor

who had known her father had been that father himself, she could not

have been more willing to accompany him into the adjoining room. He

returned, in a few moments, and left in the company of Doctor Sixtus;

and then Walpurga came, her eyes bent on the ground. When she at last

looked up, she was glad there was no one in the room but Mademoiselle

Kramer.

Her thoughts must have been of home, for she suddenly exclaimed:

"Dear me! I've got you, yet." She then took from her pocket the piece

of bread which her mother had given her. And thus the first morsel she

ate while in the palace, was brought from home, and was of her mother's

baking. Her mother had told her that this would cure her of

homesickness; and she really found it so, for, with every mouthful, she

became more cheerful.

If seven queens were to have come just then, she would not have been

afraid of them, and her crying was at an end. She ate all the crumbs

that had fallen into her lap, as if they had some sacred potency. After

that she tried a little of the porridge.

"Can't I go somewhere to wash my face and dress my hair?" asked she.

"Of course. Doctor Gunther has given orders that you should."

"I don't need orders for everything I do!" said Walpurga, defiantly.

Mademoiselle Kramer wanted to have her maid dress Walpurga's hair. But

Walpurga would not allow it.

"No stranger's hand shall touch my head," said she.

And after a little while she presented a tidy and almost cheerful

appearance.

"There, now I'll go to the queen," said she. "How do you address her?"

"'Your majesty,' or, 'most gracious madam.'"

"In the prayers at church they call her the 'country's mother,'" said

Walpurga, "and I like that far better. That's a glorious, beautiful

name. If it were mine, no one should take it from me. And now I'll go

to the queen."

"No! you must wait. You will be sent for."

"That'll suit me just as well. But I want to ask a favor of you. Call

me 'Du'."[1]

"Quite willingly, if the first lady of the bedchamber does not object."

"And so nothing can be done here without asking leave. But now we've

done talking, let's be quiet. Ah, yes! there's one thing more. Whose

picture is that hanging up there?"

"The queen's."

"Is that the queen? Oh, how lovely! But she's very young."

"Yes, she's only eighteen years old."

Walpurga gazed at the picture for a long while. Then, turning away from

it, she sank on her knees beside the great chair, folded her hands and

softly whispered a paternoster.

Walpurga was still kneeling, when a knock at the door was heard. A

lackey entered and said:

"Her majesty has sent for his royal highness's nurse."

Walpurga arose and followed the servant. Mademoiselle Kramer

accompanying them.

CHAPTER X.

Preceded by a servant bearing a lantern, they passed through the long,

narrow, brilliantly lighted passage and ascending a staircase, reached

the gallery of the royal chapel. There were cushioned chairs for the

court. Walpurga looked down into the vast, dark hall. There was no

light except that in the altar lamp, the rays of which faintly

illumined the image of the Virgin.

"Thou art everywhere!" said Walpurga, half aloud, while she looked down

into the dark church and saluted the Madonna with the Child, as

familiarly as if greeting an intimate friend. A dim sense of the divine

attributes of maternity, as glorified in ages of song and picture,

prayer and sacrifice, filled her soul. She nodded to the picture once

again, and then walked on. As uncertain of her steps as if walking on

glass, she went through the throne-room, and the great ball-room. Then

they passed through other apartments which, though evidently intended

for more domestic uses, were without doors and were separated from each

other by heavy double hangings. At last they descended a wide marble

staircase with a golden balustrade. It was well-lighted and carpeted.

Here there were servants and guards. They entered other apartments,

which were filled with people, who paused in their eager conversation

to glance at Walpurga, In the third room, Dr. Gunther advanced toward

her. Taking her by the hand, he led her up to a gentleman who was

attired in a brilliant uniform and wore the crosses and medals of many

orders.

"This is his majesty, the king," said he.

"I know him; I've seen him before," replied Walpurga. "My father rowed

him across the lake, and so did my Hansei, too."

"Then, as we have known each other so long, let us improve our

acquaintance," replied the king. "And now go to the queen; but be

careful not to agitate her."

He dismissed her with a gracious inclination of the head and,

accompanied by Doctor Gunther and Countess Brinkenstein, whom they

found in attendance, she passed through several other rooms, the heavy

carpets of which deadened the sounds of their footsteps.

"Be careful not to agitate her." The words greatly troubled Walpurga.

Why should she provoke the queen to anger? for that was the only

meaning she could take from the word.

Although she did not know what they meant by the word, her being pushed

hither and thither, up and down, through passages and rooms without

number, encountering the glances of the courtiers by the way and, at

last, receiving the king's warning, had had the effect of agitating

her.

At last she stood at the threshold of a green apartment that appeared

to her like an enchanted room, hollowed out of some vast emerald. A

lamp with a green glass shade hung from the ceiling, and shed a soft,

fairy-like light on the room and its inmates. And there on the large,

canopied bed, with the glittering crown overhead, lay the queen.

Walpurga held her breath; a soft glow illumined the face of her who lay

there.

"Have you come?" asked a gentle voice.

"Yes, my queen, God greet you! Just keep yourself quiet and cheerful.

All has gone well with you, thank God!"

With these words, Walpurga advanced toward the bedside, and would not

suffer Doctor Gunther nor Countess Brinkenstein to keep her back. She

offered her hand to the queen. And thus two hands--one hardened by toil

and rough as the bark of a tree, the other as soft as the petal of a

lily--clasped each other.

"I thank you for having come. Were you glad to do so?"

"I was glad to come, but sorry to leave home."

"You surely love your child and your husband with all your heart."

"I'm my husband's wife, and my child's mother."

"And your mother nurses your child and cares for it with a loving

heart?" inquired the queen.

"The idea!" replied Walpurga.

The queen did not seem to know that her answer meant: "That's a matter

of course," and she therefore asked: "Do you understand me?"

"Yes, indeed; I understand German," replied Walpurga. "But Your Majesty

shouldn't speak so much. God willing, we'll be together in happiness

for many days to come. We'll arrange everything when we can look into

each other's eyes in broad daylight, and I'll do all I can to please

you and the child. I've got over my homesickness and now I must do my

duty. I'll be a good nurse to your child; don't let that worry you. And

now, good-night! Sleep well, and let nothing trouble you. And now let

me see our child."

"Breath of my breath, it lies here, sleeping by my side. How infinite

is God's grace, how marvelous are his works!"

Walpurga felt that some one was pulling at her dress, and hastily said:

"Good-night, dear queen. Put all idle thoughts away from you. This is

no time to busy yourself thinking. We'll have enough to think of when

the time comes. Good-night!"

"No, remain here! You must stay!" begged the queen.

"I must beg Your Majesty--" hurriedly interposed Doctor Gunther.

"Do leave her with me a little while," begged the queen, in childlike

tones. "I am sure it will do me no harm to talk with her. When she drew

near the bed, and I heard her voice, I felt as if a breath of Alpine

air, in all its dewy freshness, was being wafted toward me. Even now I

feel as if lying on a high mountain, from which I can look down into

the beautiful world."

"Your Majesty, such excitement may prove quite injurious."

"Very well; I will be calm. But do leave her with me a moment longer!

Let me have more light, so that I may see her."

The screen was removed from a lamp that stood on a side-table, and the

two mothers beheld each other, face to face.

"How beautiful you are!" exclaimed the queen.

"That doesn't matter any longer," replied Walpurga. "God be praised,

we've both got over having our heads turned by such nonsense. You're a

wife and mother, and so am I."

The screen fell again; the queen, taking Walpurga's hand in hers, said

in a gentle voice:

"Bend down to me, I want to kiss you--I must kiss you."

Walpurga did as she was bid, and the queen kissed her.

"You can go now. Keep yourself good and true," said the queen.

A tear of Walpurga's fell upon the face of the queen, who added:

"Don't weep! You, too, are a mother."

Unable to utter another word, Walpurga turned to go, and the queen

called after her.

"What is your name?"

"Walpurga," said Doctor Gunther, answering for her.

"And can you sing well?" asked the queen.

"They say so," replied Walpurga.

"Then sing often to my child, or 'our child,' as you call him.

Good-night!"

Doctor Gunther remained with the queen. It was some time before he

uttered a word. He felt that he must calm her excited feelings, and he

had a safe and simple remedy at command.

"I must request Your Majesty," said he, "to return my congratulations.

My daughter Cornelia, the wife of Professor Korn of the university, was

safely delivered of a little girl, at the very hour in which the crown

prince was born."

"I congratulate the child on having such a grandfather. You shall,

also, be the grandfather of our son."

"The congratulation that imposes a noble duty upon its recipient, is

the best that can be given," replied Gunther. "I thank you. But we must

now cease talking. Permit me to bid Your Majesty good-night!"

Gunther left the room. All was silent.

Instead of taking Walpurga back to the upper rooms, they had conducted

her to a well-furnished apartment on the other side of the palace,

where, to her great delight, she found Mademoiselle Kramer awaiting

her.

"The queen kissed me!" exclaimed she. "Oh, what an angel she is! I'd no

idea there were such creatures in the world."

Some time later, when the queen had fallen asleep, two women brought a

gilded cradle into Walpurga's room.

When they took the child from the bed, the queen, as if conscious of

what was being done, moved in her sleep.

Before taking the child to her bosom, Walpurga breathed upon it thrice.

It opened its eyes and looked at her, and then quickly closed them

again.

Throughout the palace, all was soon hushed in silence. Walpurga and the

child by her side were asleep. Mademoiselle Kramer sat up during the

night, and, in the antechamber on either side, there were doctors and

servants within call.

CHAPTER XI.

In the village by the lake, or, to speak more correctly, in the few

houses clustered near the Chamois inn, Walpurga's strange and sudden

departure caused great commotion.

All hurried toward the inn. The innkeeper assumed a wise air and

desired it to be understood that he knew far more than people gave him

credit for. The whole affair was, of course, of his planning; for had

it not been proven that his acquaintance included even the king

himself.

Immediately after Walpurga's departure, he urged Hansei to accompany

him to the Chamois, for he well knew that his presence there would

prove a far greater attraction than a band of musicians.

Hansei would not go at once, but promised to follow soon afterward. He

could not leave home just then.

He went through the whole house, from cellar to garret. Then he went

out into the stable, where, for a long while, he watched the cow

feeding. "Such a beast has a good time of it, after all," thought he;

"others have to provide for it, and wherever it finds a full crib, it

is at home."

He went into the room and, silently nodding to the grandmother, cast a

hurried glance at the slumbering child. He seated himself near the

table and, resting his elbows thereon, buried his face in his hands.

"It still goes," said he, looking up at the Black Forest clock that was

ticking on the wall. "She wound it up before she left."

He went out and sat down on the bench under the cherry-tree. The

starlings overhead were quite merry, and from the woods a cuckoo

called: "Yes, he goes away, too, and leaves his children to be brought

up by strangers."

Hansei laughed to himself, and looked about him. Had the wife really

gone? She must still be sitting there! How could those who belong

together be thus parted?

He kept staring at the seat next to him,--but she was not there.

Half the village had gathered before the garden gate. Young and old,

big and little, stood there, gazing at him.

Wastl (Sebastian), the weaver, who had for many years been a comrade of

Hansei's, and had worked with him in the forest, called out:

"God greet you, Hansei! Your bread has fallen with the buttered side

up."

Hansei muttered sullen thanks. Suddenly, there was a great peal of

laughter. No one knew who had been the first to utter the word

"he-nurse." It had been rapidly and quietly passed from one to another

through the crowd, until it at last reached Thomas, Zenza's son--a

bold, rawboned fellow, whose open shirt revealed a brawny chest.

"Walpurga's the crown prince's _she_-nurse, and Hansei's the

_he_-nurse."

Wastl opened the gate and entered the garden, the whole crowd following

at his heels. They went through garden, house and stable; peeped

through the windows, smelled at the violets on the window-shelf, and

sat down on the kindling-wood that lay under the shed. The house seemed

to have become the property of the whole village. When joy or sorrow

enters a home, all doors are open, and the rooms and passages become as

a public highway.

"What do they all want?" inquired Hansei of Wastl, who had sat down

beside him on the bench.

"Nothing! All they've come for is to see for themselves that the whole

thing's true, so they can tell others about it. But they're all pleased

with your good luck."

"My good luck! Well, I suppose it had to be," said Hansei, in a tone

scarcely suggestive of happiness. "Wastl, it seems as if nothing is to

go right with me. I'd just begun to think that everything would go on

smoothly as it had been doing, and now, all at once, I've got to climb

another mountain. But you're single and, of course, you can't know how

I feel."

"It's very good of you to be so fond of your wife."

"My wife? So fond?"

"I know how you must feel."

Hansei shook his head with an incredulous air.

"Cheer up!" said Wastl. "Many a husband would be glad to be rid of his

wife for a year."

"For a year."

"The longer the better, some would say," thought Wastl. "But your wife

will come back again and turn your cottage into a palace, and then

you'll be king number two!"

Hansei laughed loudly, although he was not in a laughing mood. He felt

as if he must go out into the forest, where he should neither hear nor

see anything of the world. Confound it all! Why did the wife leave? Was

it for this that we married and pledged ourselves to be one for life,

come weal come woe?

But Hansei could not get away. Half the village had gathered about him.

All spoke of his good-fortune. The owner of the great farm up the road,

he who was known as the Leithof bauer, even stopped his team at the

garden gate and alighted in order to shake hands with Hansei and wish

him joy.

"If you'd like to buy the meadow next to your garden, I'll sell it to

you. It's a little too far off for me," said the Leithof bauer. The

joiner who lived in the village, and who had long been anxious to

emigrate, quickly said:

"You'll do far better if you buy my house and farm. I'll let you have

them dirt cheap."

The starlings up in the tree could not out-chatter these people. Hansei

laughed heartily. Why, this is splendid! thought he. The whole world

comes to offer me house and farm, field and meadow.

"You were right, Walpurga!" said he suddenly. The people stared, first

at him and then at each other, and did not know what to make of him.

He stretched his limbs, as if awaking from sleep, and said:

"Many thanks, dear neighbors. If I can ever repay you, in joy or in

sorrow, I'll surely do so. But now, I'll make no change; no, I shant

move a nail in the house till my wife comes back."

"Spoken like a man, good and true," said the Leithof bauer, and greater

praise could befall no one, than to be thus spoken of by the wealthiest

farmer in the neighborhood.

"Would you like to look at my cow?" said Hansei, beckoning to the

Leithof bauer, who now seemed the only one on a level with himself.

The Leithof bauer thanked him, but had no time to stop. Before taking

his leave, he assured Hansei that he would willingly advise him how to

put out his money safely.

His money? Where could it be? Hansei trembled with fear and pressed his

hands to his head--he had lost the roll of money! Where was it? He

plunged his hand into his pocket. The roll was still there! And now

that his hand again clutched it, he was quite affable to those who

still remained, and had a kind word for every one.

At last, the villagers had all left, and Hansei could think of nothing

better to do than to climb up into his cherry-tree--the true friend

that would never desert him, and would give as long as it had aught to

give.

He plucked and ate lots of cherries, while he looked at the telegraph

wire, and thought: It runs into the palace and I could talk to my wife

through it, if I only knew how. He bent forward until he could touch

the wire, and having done so, quickly withdrew his hand, as if

frightened.

Suddenly he heard a voice calling to him:

"Hansei! where are you?

"Here I am."

"Come along!" was the answer. It was the priest who had called to him.

Hansei hurried down from the tree and now received the greatest honor

that had yet been paid him. The priest beckoned to him, and Hansei

approached, hat in hand.

"I wish you joy!" said the priest. "Come along to the inn; the host of

the Chamois has opened a fresh tap."

Hansei looked at himself to see what had come over him. To think of the

priest's inviting him to walk with him, and to drink in his company,

too!

He received the new honor with dignity. While he walked with the

priest, the people whom they met along the road would lift their hats

and he would acknowledge their greetings quite affably.

In the large room at the Chamois, where every one was either talking to

or of him, he felt so happy that he opened the roll of money, without,

however, removing it from his pocket. He meant to offer the first

piece to the priest, so that he might say a mass for Walpurga. But the

pieces were so large. They were all crown thalers. And so Hansei merely

said:

"I wish you'd say a mass for my wife and child. I'll pay you."

It was already twilight. The guests gradually departed. But Hansei

remained sitting there, as if rooted to the spot. At last, he and the

inn-keeper were the only ones in the room.

"Now that they've all had a talk at you," said the innkeeper, "you may

as well listen to me. No one means it as kindly with you as I do, and

I'm not a fool, either. Do you know what would suit you, Hansei, and

would suit your wife still better?"

"What?"

"This is the place for you,--you and your wife! I've been landlord long

enough. When your wife comes back, you can say 'good-night' to your

cottage and settle yourselves here, where you'll find a good living for

your children and your grandchildren. We won't talk about it now; but

don't commit yourself to anything else. I'm your best friend; I think

I've proved that, this very day. I don't care to make a penny by the

affair--quite the contrary."

Oh, how kind they are when all goes well with one!

Hansei sat there for a long while, looking into his glass, and

endeavoring to satisfy himself as to who he really was. Then he began

to think of his wife again: where she might be, and how it was with

her. If he could only go to sleep that very moment and remain asleep

until the year was out; but to sit and wait.... He looked up at the

clock; it was just striking ten.

"How often you'll have to strike ten before we meet again," thought he

to himself.

Hansei almost staggered as he walked through the village. The people

who were sitting at their doors, or standing about, saluted him and

wished him joy, and he well knew that, far away among the mountains,

all were speaking of his good luck. He felt as if he must cut himself

into a thousand pieces in order to thank them all.

He was standing near his garden and looking at the hedge. How long was

it since he, who had never before known a spot which he could call his

home, had prized himself as ever so happy in the possession of a little

property! And now the grandmother was sitting in the house, and he

heard her singing his child to sleep:

"If all the streams were naught but wine,

And all the hills were gems so fine,

And all were mine:

Yet would my darling treasure be

Dearer far than all to me.

"And since we needs must part,

One more kiss before I start.

Thou remain'st, but I must leave,

And parting sore the heart doth grieve;

But, though life drags, we'll not despond,

For longer far is the life beyond."

"But though life drags, we'll not despond, For longer far is the life

beyond." The words sank deep into Hansei's heart, and the fireflies

flitting about in the darkness, or resting on fence and grass, drew his

glance hither and thither, as if they were some new and startling

phenomenon. Hansei's waking dream continued for some time, and when he,

at last, passed his hand over his face, it was wet with the dew. He

felt as if some one must carry him into the house and put him to bed.

But a sudden turn caused the roll of money to touch his hip, and he was

wide awake again. He walked far out along the road, in the same

direction that Walpurga had gone, and at last reached the pile of

stones on which she had rested a fortnight ago. There was still some

hay lying there. He sat down upon it and gazed out at the broad lake,

over which the moon shed its bright rays. It was just as quiet as it

had been a fortnight before; but that was in the daytime, and now it

was night. "Where can my wife be now?" said he, springing to his feet,

so that he might run to her, though it took the whole night. "How glad

she will be to have me come to the palace the very first morning she is

there!" With giant strides he hurried on. But he could not help asking

himself: "How will it be if you have to leave again to-morrow, and what

will the folks at home say, and what will grandmother think, left all

alone with the child?"

And yet he walked on. Suddenly, he became alarmed at the thought of the

money on his person. The neighborhood was safe enough, to be sure. It

was long since any crime had been heard of in that region. But still

there might be robbers, who, after helping themselves to his treasure,

would murder him, and throw him into the lake.... Tortured by fear, he

hurriedly turned about and ran toward home.

Advancing toward him, he beheld a figure of threatening aspect. He

grasped the knife in his belt--"If there's only one, and no other's

lying in wait, I'm man enough to defend myself," thought he.

The figure advanced, greeting him from afar. The voice was that of a

woman. Could Walpurga have--No, that were impossible.

The figure halted. Hansei advanced toward it and said: "Oh! is it you,

Esther, out on the road so late?"

"And is this you, Hansei?" said Black Esther, laughing heartily. "I

thought it was some drunken fellow, because I heard you, a great way

off, talking to yourself. But, of course, now you're lonely enough, I

suppose."

"Do you walk in the woods so late at night, and all alone?"

"I must go alone, if no one goes with me," said Black Esther, with a

laugh that fell harshly upon the silent night. There was a pause.

Hansei could hear the beating of his heart. Perhaps it was caused by

his rapid walking.

"I must go home," said he, at last. "Good-night."

Laying her hand on his shoulder, Black Esther said:

"Hansei, I'm not used to begging and, if it were day, I'd rather starve

than ask you for anything. But now, you've a good heart and are doing

well; give me something, or lend it to me. I'll give it back to you

again." She spoke so persuasively that Hansei trembled. Her hand still

rested upon him; he was about to feel in his pocket for the crown

thaler he had saved from the priest, when he suddenly pushed her hand

from his shoulder, and said: "I'll give you something another time." He

then ran off toward home. Her shrill laughter rang in his ears, and it

sounded as if hundreds of voices were answering from the rocks. His

hair stood on end and he felt, by turns, as if shivering with cold and

burning with fever. She must surely have been one of the forest demons,

who had merely assumed the form of Black Esther. And there really were

such beings, for the old forest inspector had, on his deathbed,

confessed to having seen one. They wander about when the moon is at its

full. Instead of wearing clothes, they merely wind their long hair

about their bodies, and on such a night as this, when the mother is

away from her child, they can--

Hansei had never before run so fast, or found the road by the lake so

long, as on this very night.

He reached home at last and, as if to assure himself that the house was

still there, touched the walls with his hands. Nothing had been

disturbed. All was as he had left it.

He went indoors. The light in the room was still burning. The

grandmother was sitting on a low stool, and had the child on her lap.

With one hand, she hid her eyes--they were red with weeping; with the

other, she motioned Hansei to step lightly.

Hansei did not observe that there had been, and still was, something

wrong with his mother-in-law. He had taken a seat behind the table, was

thinking of no one but himself, and felt as tired and ill at ease as if

he had just returned from a long and dangerous journey. He was even

obliged to remind himself that, although he was at home, it was no

longer the right sort of a home. The grandmother placed the child in

the cradle and sat down, resting her chin upon her closed hand.

Thoughts far different from Hansei's had passed through her mind. Stasi

had remained with the grandmother for some time after Hansei left the

house. How it would fare with Walpurga, was a topic of but short

duration with them; for what could they say, or know, about that? When

it began to grow dark, Stasi spoke of going, and promised to come again

the next day. The grandmother nodded assent. She preferred being alone,

for then there would be nothing to prevent her thinking of her child.

Her prayers followed Walpurga; but the words flowed forth so easily

that her mind was elsewhere much of the time. Her first thought was:

Walpurga must be saying the same prayer and, although every word

lengthens the distance between us, we are together in spirit,

nevertheless. She felt happy that Walpurga had turned out so well in

all things, and that she could be depended upon. It was hard to be

among strangers; but they were men and women, after all. At times, her

heart would misgive her, lest Walpurga should not be able to hold out

to the end. She has lots of good notions--if she only thinks of them at

the right time. "For my sake, if for nothing else, you'll keep yourself

pure," said she aloud, as she ended her prayer. All at once, she felt

so lonely and forlorn. She had never passed a night without Walpurga,

and, looking up at the stars, she wished it were day again. Hansei

might just as well have remained at home; still, it was a great honor

to be invited by the priest. He'll surely send home a schoppen of wine

to gladden grandmother's heart; and if it be only half a schoppen,

it'll show his good heart. Her tongue seemed as if parched; she

thirsted for the wine, and listened for a long while, in the vain hope

that she might hear the footsteps of the innkeeper's servant, bringing

the bottle under her apron. At last, pity for herself made her

indescribably miserable, and she burst into tears. Oh, that her husband

were still alive! A poor widow woman is always expected to be at hand,

but no one thinks of how it fares with her. Tears came to her relief;

for, after a little while, she said to herself: "What an awful sinner

you are! Isn't it enough to have clothes and food and a home, and never

to hear a harsh word? You ought to be thankful that you're still active

enough to be of use to others."

As if ashamed of herself, she turned away, wiped the tears from her

furrowed face, and then sang cheerful songs to the child. Then she

waited silently, until Hansei, at last, returned. And thus he found

her, seated beside the cradle and resting her chin upon her clenched

hand.

"Where have you been so long?" asked the grandmother, in a low voice.

"I hardly know, myself."

"Walpurga must be in bed by this time."

"Very likely; they can travel fast, four-in-hand."

"Do you hear the cow lowing? The poor beast isn't used to be alone and,

this very evening, the butcher drove her calf by the stable. It's awful

to hear her moan. Do go and look after her."

Hansei went out to the stable, and the cow became perfectly quiet. He

walked away, and she began lowing again. He returned and spoke to her

kindly. As long as he talked to her and kept his hand upon her back,

she was quiet; but as soon as he left her, she would low more piteously

than before. In despair, he was constantly going back and forth,

between the room and the stable. He returned several times, gave her

some fodder, and then sat down on a bundle of hay. At last the cow lay

down and slept, and Hansei, overcome with fatigue, also fell asleep.

Indeed, few had ever gone through so much in one day as our poor Hansei

had.

CHAPTER XII.

When Walpurga awoke next morning, she fancied herself at home, and

looked at the strange surroundings as if it were all a dream that would

not vanish at her bidding. She gradually realized what had happened.

Closing her eyes again, she said her prayers and then boldly looked

about her; the same sun that shone on the cottage by the lake, shone on

the palace, too.

Full of fresh courage, she arose.

She lay at the window for a long while, looking at the scene so strange

to her.

She saw nothing of the bustling city. The palace square, encircled by

thick, bushy orange-trees, was far removed from the noise of the

streets. At the palace gate, two soldiers, with their muskets at rest,

were seen marching up and down.

But Walpurga's thoughts wandered homeward. In her mind's eye, she saw

the cottage by the lake and all within its walls. In fancy, she heard

the crackling of the wood with which her mother kindled the fire, and

saw the lamp which she took from the kitchen-shelf. We have milk in the

house, for we've got a cow. Mother will be glad to go milking again.

I'm sure they never light a fire at home without thinking of me. And

the chattering starlings, up in the cherry-tree, are saying:

"Our goodwife is gone; a cow has taken her place."

Walpurga smiled and went on thinking to herself: My Hansei's

oversleeping himself this morning. If you didn't call him, he'd sleep

till noon; he never wakes of himself. She hears her mother calling:

"Get up, Hansei; the sun is burning a hole in your bed!" He gets up and

washes his face at the pump, and now she sees them at their meal; the

child is fed with good milk. If I'd only taken a good look at the cow!

And now Hansei is getting fodder for it from the innkeeper. If he only

doesn't let the rogue cheat him; and Hansei will feel more forlorn than

the child; but, thank God, he has work enough to keep him busy. It's

fishing time, and so he doesn't go into the woods. I see him jump into

his boat; what a noise he makes! The oars are plashing, and away he

rows to catch what fish he can.

Walpurga would have gone on picturing to herself her home at noon and

at evening. Suddenly, she felt as if she had lost her reason. Absence

and death are almost one and the same. You can have no idea of how it

will be one hour after your death; you cannot imagine yourself out of

the world. Her head swam and, as if startled by an apparition, she

turned to Mademoiselle Kramer, and said:

"Let's talk!"

Mademoiselle Kramer required no second hint, and told Walpurga that

every one in the palace knew of the queen's having kissed her the night

before, and that it would be in all the newspapers of the next day.

"Pshaw!" said Walpurga; whereupon Mademoiselle Kramer declared that,

although it made no difference in her case, it was highly improper to

answer in that way, and told her, also, that she ought always express

herself distinctly and in a respectful manner.

Walpurga looked up and listened, as if waiting for Mademoiselle Kramer

to continue and, at last, said: "My dear father once said almost the

very same thing to me; but I was too young to understand it then. All I

meant to say was, that the city people must have very little to do, if

they can make a fuss about such a matter"--mentally concluding her

remarks with another "pshaw!"

The little prince awoke. Walpurga took him up and speedily put him to

sleep, while she sang in a clear voice:

"Ah, blissful is the tender tie

That binds me, love, to thee,

And swiftly speed the hours by

When thou art near to me."

When she had finished her song, and had placed the child in the cradle,

she looked toward the door and beheld the king and Doctor Gunther

standing there.

"You sing finely," said the king.

"Pshaw!" said Walpurga, and, acting as her own interpreter, she quickly

added, while casting a hurried glance at Mademoiselle Kramer: "It's

good enough for home use, but not particularly fine."

The king and Doctor Gunther were delighted with the appearance of the

child.

"The day on which one beholds his child for the first time is a

red-letter day," observed the king; and Walpurga, as if to confirm what

he had said, added:

"Yes, indeed; that makes one look at the world with different eyes. His

majesty told the truth that time."

Although her remark caused the king to smile, it was received in

silence. Accompanied by Doctor Gunther, he soon left the room. After

they had gone. Mademoiselle Kramer endeavored, as delicately as

possible, to impress Walpurga with the importance of observing the

first commandment:

"You must not speak to their majesties, unless they ask you a

question."

"That's sensible," exclaimed Walpurga, to the great surprise of

Mademoiselle Kramer. "That prevents you from hearing anything out of

the way. What a clever idea! I won't forget that."

During breakfast, in the pavilion, it was plainly to be seen that

Mademoiselle Kramer, and perhaps Walpurga, too, had spoken truly. The

various groups on the veranda and under the orange-trees were engaged

in what seemed to be confidential conversation. After they had sounded

each other, and had satisfied themselves that they could safely indulge

in scandal, the common topic was the manner in which the queen's

sentimentality had manifested itself in her behavior toward the nurse.

It was agreed that this mawkishness was an unfortunate legacy from the

house of ----. Some even went so far as to say that Countess

Brinkenstein was quite ill with anger at the queen's disregard of

etiquette.

"The queen's conduct deprives her favors of their value," said an

elderly court lady, who must have had at least a pound and a half of

false hair on her head.

"Nothing is so great a bore as mawkish sensibility," observed another

one of the ladies attached to the palace. She was corpulent, and

piously inclined withal. As if to cover her ill-natured remark with the

mantle of charity, she added:

"The queen isn't much more than a child, and really means well at

heart."

She had thus made herself safe with both parties--those who praised,

and those who abused the queen.

"You look as if you had slept but little," said an elderly lady,

addressing a very young and pale-looking one.

"You are right," sighed the latter, in reply. "I sat up to read the

last volume of ----" giving the name of a recent unequivocal French

novel--"and finished it at a single sitting. I shall return the book to

you to-day. It is very interesting."

"Please let me have it next," resounded from several quarters at once.

The pious lady, who had, indeed, read the novel in secret and was loth

to talk of such subjects, changed the conversation by introducing the

topic of Walpurga. As the latest piece of news, she acquainted them

with the report that the nurse could sing beautifully.

"Who sings beautifully?" inquired Countess Irma, joining the group.

"This will interest you, dear Wildenort. You will be able to learn many

new songs from Walpurga, and accompany them on the zither."

"I'll wait until we are in the country again. A peasant woman seems

strangely out of place in a palace. When does the court return to the

country?"

"Not for six weeks."

There was much talk about Walpurga. One lady maintained that Doctor

Gunther was a native of the Highlands, and that it was only through his

intriguing that a nurse had to be brought from the same region; that he

was constantly surrounding himself with allies, and was clever enough

to know that this person would exert a great influence upon the queen.

They also spoke of the doctor's love of intrigue, and of his affecting

to sympathize with the queen in all her extravagant fancies. Of one

thing they all felt assured: that it was impossible to retain the favor

of the court for so long a time, by fair means alone.

"The doctor isn't so very old," remarked a very thin lady. "He is only

a little over fifty. I think he must have dyed his hair white, in order

to appear venerable before his time."

Loud laughter greeted this sally.

Before breakfast, the ladies and gentlemen were in separate groups. A

knot of courtiers were discussing the telegrams which had been sent out

to various governments, and to which, in some instances, replies had

already been received.

It was not until after breakfast that a council of the royal household

was to determine who, besides the queen's parents, should be invited to

stand as sponsors. It was even reported that the christening would be

celebrated by a special papal nuncio, assisted by the bishop.

Countess Irma's brother, the king's aid-de-camp, again diverted the

conversation from such lofty topics back to Walpurga. He extolled her

beauty and her droll ways, and they smacked their lips, when they spoke

of the queen's kiss. The aid-de-camp had given vent to a joke on the

subject, at which they laughed uproariously.

"The king!" suddenly whispered several of the gentlemen.

They separated and, while making their obeisance, arranged themselves

in two rows. The king, acknowledging their salutation, passed between

the rows and entered the hall of Diana, where breakfast was served. The

frescoes on the ceiling represented the goddess with her hunting train,

and had been painted by a pupil of Rubens. The lord steward handed a

packet of telegrams to the king, who instructed him to open them, and

inform him when they contained anything more than congratulations.

They now sat down to breakfast.

The company was not so cheerful and unconstrained as it had been at the

summer palace. Indeed, no one had yet recovered from the excitement of

the previous night, and conversation was carried on in a quiet tone.

"Countess Irma," said the king, "I commend Walpurga to you; she will be

sure to please you. You will be able to learn some beautiful songs from

her, and to teach her new ones."

"Thanks, Your Majesty! If Your Majesty would only deign to order the

first lady of the bedchamber to grant me access, at all times, to the

apartments of His Royal Highness the crown prince."

"Pray see to it, dear Rittersfeld!" said the king, turning to the lord

steward.

Countess Irma, who sat at the lower end of the table, received the

congratulations of all. Walpurga had become the sole topic of

conversation.

The morning papers were brought to the king. He glanced through them

hurriedly and, throwing them aside with an angry air, said:

"This babbling press! The queen's kiss is already in all the

newspapers." His face darkened; it was evident that, as the fact itself

had displeased him, the publicity given it was doubly annoying. After a

time, he said:

"I desire you, gentlemen and ladies, to see to it that the queen does

not hear of this." He rose quickly, and left the apartment.

The breakfast party lingered for some time, and the pious lady could

now openly join the ranks of the scandalmongers. The mantle of charity

was no longer necessary--it was very evident that the king had already

tired of his sentimental wife.

If Countess Irma--? Who could tell but what this was part of a

deep-laid plan to give her free access to the crown prince's

apartments? The king could meet her there--and who knows but that--

They were quite ingenious in the malicious conjectures which they

whispered to each other with great caution and circumspection. For a

while, at least, Walpurga, the queen and even the crown prince were

completely forgotten.

CHAPTER XIII.

"There, my boy! Now you've seen the sun. May you see it for seven and

seventy years to come, and when they've run their course, may the Lord

grant you a new lease of life. Last night, they lit millions of lamps

for your sake. But they were nothing to the sun up in heaven, which the

Lord himself lighted for you this very morning. Be a good boy, always,

so that you may deserve to have the sun shine on you. Yes, now the

angel's whispering to you. Laugh while you sleep! That's right. There's

one angel belongs to you on earth, and that's your mother! And you're

mine, too! You're mine, indeed!"

Thus spake Walpurga, her voice soft, yet full of emotion, while she

gazed into the face of the child that lay on her lap. Her soul was

already swayed by that mysterious bond of affection which never fails

to develop itself in the heart of the foster-mother. It is a noble

trait in human nature that we love those on whom we can confer a

kindness. Their whole life gradually becomes interwoven with our own.

Walpurga became oblivious of herself and of all that was dear to her in

the cottage by the lake. She was now needed here where a young life had

been assigned to her loving charge.

She looked up at Mademoiselle Kramer, with beaming eyes, and met a

joyful glance in return.

"It seems to me," said Walpurga, "that a palace is just like a church.

One has only good and pious thoughts here; and all the people are so

kind and frank."

Mademoiselle Kramer suddenly smiled and replied:

"My dear child--"

"Don't call me 'child'! I'm not a child! I'm a mother!"

"But here, in the great world, you are only a child. A court is a

strange place. Some go hunting, others go fishing; one builds, another

paints; one studies a _rôle_, another a piece of music; a dancer learns

a new step, an author writes a new book. Every one in the land is doing

something,--cooking or baking, drilling or practicing, writing,

painting, or dancing--simply in order that the king and queen may be

entertained."

"I understand you," said Walpurga, and Mademoiselle Kramer continued:

"My family has been in the service of the court for sixteen

generations";--six would have been the right number, but sixteen

sounded so much better;--"my father is the governor of the summer

palace, and I was born there. I know all about the court, and can teach

you a great deal."

"And I'll be glad to learn," interposed Walpurga.

"Do you imagine that every one is kindly disposed toward you? Take my

word for it, a palace contains people of all sorts, good and bad. All

the vices abound in such a place. And there are many other matters of

which you have no idea and of which you will, I trust, ever remain

ignorant. But all you meet are wondrous polite. Try to remain just as

you now are, and, when you leave the palace, let it be as the same

Walpurga you were when you came here."

Walpurga stared at her in surprise. Who could change her?

Word came that the queen was awake and desired Walpurga to bring the

crown prince to her.

Accompanied by Doctor Gunther, Mademoiselle Kramer and two

waiting-women, she proceeded to the queen's bedchamber. The queen lay

there, calm and beautiful, and, with a smile of greeting, turned her

face toward those who had entered. The curtains had been partially

drawn aside and a broad, slanting ray of light shone into the

apartment, which seemed still more peaceful than during the breathless

silence of the previous night.

"Good-morning!" said the queen, with a voice full of feeling. "Let me

have my child!" She looked down at the babe that rested in her arms and

then, without noticing any one in the room, lifted her glance on high

and faintly murmured:

"This is the first time I behold my child in the daylight!"

All were silent; it seemed as if there was naught in the apartment

except the broad slanting ray of light that streamed in at the window.

"Have you slept well?" inquired the queen. Walpurga was glad that the

queen had asked a question, for now she could answer. Casting a hurried

glance at Mademoiselle Kramer, she said:

"Yes, indeed! Sleep's the first, the last, and the best thing in the

world."

"She's clever," said the queen, addressing Doctor Gunther in French.

Walpurga's heart sank within her. Whenever she heard them speak French,

she felt as if they were betraying her; as if they had put on an

invisible cap, like that worn by the goblins in the fairy tale, and

could thus speak without being seen.

"Did the prince sleep well?" asked the queen.

Walpurga passed her hand over her face, as if to brush away a spider

that had been creeping there. The queen doesn't speak of her "child" or

her "son," but only of "the crown prince."

Walpurga answered:

"Yes, quite well, thank God! That is, I couldn't hear him, and I only

wanted to say that I'd like to act toward the--" she could not say "the

prince"--"that is, toward him, as I'd do with my own child. We began

right on the very first day. My mother taught me that. Such a child has

a will of its own from the very start, and it won't do to give way to

it. It won't do to take it from the cradle, or to feed it, whenever it

pleases; there ought to be regular times for all those things. It'll

soon get used to that, and it won't harm it either, to let it cry once

in a while. On the contrary, that expands the chest."

"Does he cry?" asked the queen.

The infant answered the question for itself, for it at once began to

cry most lustily.

"Take him and quiet him," begged the queen.

The king entered the apartment before the child had stopped crying.

"He will have a good voice of command," said he, kissing the queen's

hand.

Walpurga quieted the child, and she and Mademoiselle Kramer were sent

back to their apartments.

The king informed the queen of the dispatches that had been received,

and of the sponsors who had been decided upon. She was perfectly

satisfied with all the arrangements that had been made.

When Walpurga had returned to her room and had placed the child in the

cradle, she walked up and down and seemed quite agitated.

"There are no angels in this world!" said she. "They're all just like

the rest of us, and who knows but--" she was vexed at the queen: "Why

won't she listen patiently when her child cries? We must take all our

children bring us, whether it be joy or pain."

She stepped out into the passageway and heard the tones of the organ in

the palace chapel. For the first time in her life, these sounds

displeased her. It don't belong in the house, thought she, where all

sorts of things are going on. The church ought to stand by itself.

When she returned to the room, she found a stranger there. Mademoiselle

Kramer informed her that this was the tailor to the queen.

Walpurga laughed outright at the notion of a "tailor to the queen." The

elegantly attired person looked at her in amazement, while Mademoiselle

Kramer explained to her that this was the dressmaker to her majesty the

queen, and that he had come to take her measure for three new dresses.

"Am I to wear city clothes?"

"God forbid! You're to wear the dress of your neighborhood, and can

order a stomacher in red, blue, green, or any color that you like

best."

"I hardly know what to say; but I'd like to have a workday suit, too.

Sunday clothes on week-days--that won't do."

"At court, one always wears Sunday clothes, and when her majesty drives

out again you will have to accompany her."

"All right, then. I won't object."

While the tailor took her measure, Walpurga laughed incessantly, and he

was at last obliged to ask her to hold still, so that he might go on

with his work. Putting his measure into his pocket, he informed

Mademoiselle Kramer that he had ordered an exact model, and that the

chief master of ceremonies had favored him with several drawings, so

that there might be no doubt of success.

Finally, he asked permission to see the crown prince. Mademoiselle

Kramer was about to let him do so, but Walpurga objected. "Before the

child is christened," said she, "no one shall look at it just out of

curiosity, and least of all, a tailor, or else the child will never

turn out the right sort of man."

The tailor took his leave, Mademoiselle Kramer having politely hinted

to him that nothing could be done with the superstition of the lower

orders, and that it would not do to irritate the nurse.

This occurrence induced Walpurga to administer the first serious

reprimand to Mademoiselle Kramer. She could not understand why she was

so willing to make an exhibition of the child. "Nothing does a child

more harm than to let strangers look at it in its sleep, and a tailor

at that."

All the wild fun with which, in popular songs, tailors are held up to

scorn and ridicule, found vent in Walpurga, and she began singing:

"Just list, ye braves, who love to roam!

A snail was chasing a tailor home,

And if Old Shears hadn't run so fast,

The snail would surely have caught him at last."

Mademoiselle Kramer's acquaintance with the court tailor had lowered

her in Walpurga's esteem, and with an evident effort to mollify the

latter, she asked:

"Does the idea of your new and beautiful clothes really afford you no

pleasure?"

"To be frank with you, no! I don't wear them for my own sake, but for

that of others, who dress me to please themselves. It's all the same to

me, however! I've given myself up to them, and suppose I must submit."

"May I come in?" asked a pleasant voice. Countess Irma entered the

room. Extending both her hands to Walpurga, she said:

"God greet you, my countrywoman! I am also from the Highlands, seven

hours distance from your village. I know it well, and once sailed over

the lake with your father. Does he still live?"

"Alas! no; he was drowned, and the lake hasn't given up its dead."

"He was a fine-looking old man, and you are the very image of him."

"I am glad to find some one else here who knew my father. The court

tailor--I meant the court doctor--knew him, too. Yes, search the land

through, you couldn't have found a better man than my father, and no

one can help but admit it."

"Yes: I've often heard as much."

"May I ask your ladyship's name?"

"Countess Wildenort."

"Wildenort? I've heard the name before. Yes, I remember my mother's

mentioning it. Your father was known as a very kind and benevolent man.

Has he been dead a long while?"

"No, he is still living."

"Is he here, too?"

"No."

"And as what are you here, Countess?"

"As maid of honor."

"And what is that?"

"Being attached to the queen's person; or what, in your part of the

country, would be called a companion!"

"Indeed! And is your father willing to let them use you that way?"

Countess Irma, who was somewhat annoyed by her questions, said:

"I wished to ask you something--can you write?"

"I once could, but I've quite forgotten how."

"Then I've just hit it! that's the very reason for my coming here. Now,

whenever you wish to write home, you can dictate your letter to me, and

I will write whatever you tell me to."

"I could have done that, too," suggested Mademoiselle Kramer, timidly;

"and your ladyship would not have needed to trouble yourself."

"No, the countess will write for me. Shall it be now?"

"Certainly."

But Walpurga had to go to the child. While she was in the next room,

Countess Irma and Mademoiselle Kramer engaged each other in

conversation.

When Walpurga returned, she found Irma, pen in hand, and at once began

to dictate.

"Dear husband, dear mother, and dear child. No, stop! don't write that!

Take another sheet of paper. Now I've got it, now you can go on."

"I wish to let you know, that by the help of God, I arrived here safe

and sound, in the carriage with the four horses. I don't know how. And

the queen's an angel, and there were millions of lights, and my

child--"

Walpurga covered her face with both hands--she had said "my child,"

without knowing which child she meant.

A pause ensued.

"And my child," said Countess Irma, repeating the words after her.

"No!" exclaimed Walpurga, "I can't write to-day. Excuse me; there's no

use trying. But you've promised to write for me to-morrow or the day

after. Do come and see us every day."

"And shall I bring a good friend with me?"

"Of course; any friend of yours will be welcome. Isn't it so.

Mademoiselle Kramer?"

"Certainly; Countess Irma has special permission."

"I'll bring a very good friend with me; she can sing charmingly, and

her voice is soft and gentle--but I'll not torment you with riddles; I

play the zither, and will bring mine with me."

"You play the zither?" exclaimed Walpurga, scarcely able to contain

herself for joy.

Any further expressions on her part were prevented by the presence of

the king, who entered at that moment.

With a gentle inclination of the head, he greeted Countess Irma, who

had risen from her seat and bowed so low that it seemed as though she

meant to sit down on the floor.

"What are you writing?" asked the king.

"Walpurga's secrets, may it please Your Majesty," replied Countess

Irma.

"The king may read all that's there," said Walpurga, handing him the

sheet.

He hurriedly ran his eye over it, and then, with a glance at the

countess, folded it and put it in his breast pocket.

"I shall sing with Walpurga," said Irma, "and Your Majesty will again

observe that music is the highest good on earth. Singing together,

Walpurga and I are equals. The creations of other arts, poetry

especially, may be translated by every one into his own language,

according to the measure of his knowledge and experience."

"Quite true," replied the king; "music is the universal language, the

only one that requires no translation, and in which soul speaks to

soul."

While they were thus talking, Walpurga stared at them in dumb

amazement.

The king, accompanied by Countess Irma, looked at the prince for a

little while, and then, having said: "The christening will take place

next Sunday," he withdrew.

It was with a strange expression that Walpurga's eyes followed the king

and then rested in earnest gaze upon Countess Irma.

The countess busied herself with the papers, and then, with cheerful

voice, took leave of Walpurga. Her cheerfulness almost seemed

constrained, for she laughed while there was nothing to laugh at.

For a long while, Walpurga stood looking at the curtains, behind which

the countess had disappeared, and at last said to Mademoiselle Kramer:

"You told the truth, when you said that the palace isn't a church."

She did not enter into any further explanation.

"I will teach you how to write," said Mademoiselle Kramer; "it will be

pleasant employment for us, and you will then be able to do your own

writing to your family."

"Yes, that I will," said Walpurga.

CHAPTER XIV.

"I want to ask a favor of you," said Walpurga to Countess Irma, the

next day. "Always tell me frankly whenever I do anything wrong."

"Quite willingly; but, in return, you must always tell me when I--"

"Then I've something on my heart, this very moment."

"Speak out."

"Some time when we're alone together, I will."

"Pray, dear Kramer, would you oblige me by retiring for a few moments?"

Mademoiselle Kramer went into the adjoining room, and Walpurga could

not help feeling astonished when she observed how, in the palace,

people were pushed hither and thither, just like so many chairs.

"And now, what is it?" inquired the countess.

"You won't think ill of me, if I say anything foolish; you're sure you

won't?"

"What is it?" asked Irma again.

"You're so beautiful, so very beautiful; more so than any one I've even

seen; you're even more beautiful than the queen--no, not more

beautiful, but more powerful, and your eyes are full of kindness--"

"Well what is it? speak out."

"I'd rather think I'm wrong; but it's best to feel sure. Well, I didn't

like the way you and the king looked at each other yesterday; while

your hand was on the cradle-rail, he placed his upon it; and he's a

husband and a father. You're an unmarried girl, and don't know what it

means when a man looks at you in that way; but I'm a married woman, and

it's my duty to warn you. You said that we'd be good friends, and now

there's a chance to test our friendship."

Irma shook her head, and replied:

"You mean well enough; but you're mistaken. The king has a noble heart

and, since the birth of his son, would like to make every one as happy

as he is himself. He loves his wife dearly and, as you have seen for

yourself, she's an angel--"

"And if she weren't an angel, she's his wife and the mother of his

child, and he must be true to her; for with every glance he gives

another woman he's a confounded adulterer, whose eyes ought to be put

out. Look here! If I were to think that my husband could do such a

thing--but the men are wicked enough to do anything--that a man could

stand by the cradle of his new-born babe, and let the same eyes with

which he had just been looking at his child tell another woman, 'I love

you,'--if I were to think that, I'd go mad. And if a man whose hand has

pressed that of a woman not his wife, can offer his hand to that wife,

or touch his child's face with it, the world in which such things could

happen ought to be burned up and the Lord ought to shower pitch and

brimstone down on it."

"Speak softly, Walpurga; don't scream so. Don't let such words pass

your lips. You are not here to look after our morals, nor is it for you

to pass judgment. What do you know of the world? You've not the

slightest idea of what politeness means."

Countess Irma's words were harsh and severe, and had deeply humbled

Walpurga.

"Now that you know who you are and what you are about, I've something

more to tell you: I forgive you for insulting the king and myself with

your silly talk. If I didn't pity your ignorance, I would never speak

to you again; but, as I feel kindly disposed toward you, and know that

you meant no harm, I shall give you a bit of advice. No matter what may

happen, don't concern yourself about it. Attend to your child, and let

no one induce you to speak ill of others. Take my word for it--here,

all are deceitful. They are ever ready to speak ill of one another, and

unless you are very careful you'll not have a friend in the whole

palace. Mind you don't forget what I've said to you. And now I must

thank you once more for having spoken to me as you did. You meant it

all well enough, and it is proper that you should be perfectly frank. I

shall always be your good friend. Although one treats the king

respectfully, he is, nevertheless, as good as your Hansei, and I'm as

good as you. And now, let's shake hands! Let bygones be bygones.

Whatever you do, not a word of this to Kramer; and don't forget that,

hereabouts, the walls have ears."

Without saying another word. Countess Irma began the melody of a

Highland song upon her zither.

Walpurga could hardly realize what had happened to her. She was

provoked at her own stupid and forward behavior, and was firmly

resolved to keep her own counsel in the future.

While Irma was playing, the king again passed through the _portière_

and stopped to listen. Irma did not look up; her eyes were fixed upon

her zither. When she had finished, the king applauded faintly. She

arose and bowed, but did not accompany the king when he went into the

adjoining chamber to look at the prince.

"Your zither is in perfect tune, dear countess, but you seem to be

somewhat out of tune," said the king, as he came back into the room.

"I am in tune. Your Majesty," replied Countess Irma. "I've just been

playing an air to Walpurga, and it has deeply affected me."

The king left very soon afterward, and without offering his hand to the

countess. Walpurga's saddest thought was that she dared not even trust

Mademoiselle Kramer.

"Oh, you poor child!" said she to the prince, one day, when no one was

by. "Oh, you poor, dear child! you're expected to grow up among people

who don't trust each other. If I could only take you with me, what a

fine boy you'd become. You're still innocent--children, until they

begin to speak, are the only innocent creatures in this world. But what

matters it? I didn't make the world, and needn't change it. The

countess is right. I'll nurse you well, care for you tenderly, and

leave the rest to God."

CHAPTER XV.

"Your wish is fulfilled at last," said Countess Irma to Doctor Gunther,

just as they were rising from the dinner-table.

"What wish?"

"I how have a female friend, a companion, and, in the words of the

song, 'you'll ne'er find a better.'"

"Your treatment of the peasant woman is quite amiable and does you

great credit, but she is not a friend. Your friend should be one who is

your equal. Your relation toward this peasant woman will always be that

of a patron. She never dare find fault with you, and if she were to

make the attempt, you could readily silence her. Mere common-sense is

defenseless against the armory of culture."

Without noticing how Irma started at these words, the doctor calmly

continued:

"There's just as much difference, mentally, between yourself and such a

type of popular simplicity as there is between a grown person and a

child. I fear you've neglected to secure yourself a friend who is your

equal in birth."

"My equal in birth? So you, too, are an aristocrat?"

The doctor explained that equality of rights could be conceded without

doing away with social distinctions.

"Whenever I leave you," said Irma, her face radiant with

enthusiasm--"whenever I've been under the influence of your thoughts,

all that I do or attempt seems petty and trifling. At such moments, I

feel just as I do after listening to glorious music, and long to

accomplish something out of the usual way. I wish I were gifted with

artistic talent."

"Content yourself with being one of nature's loveliest works. That's

the best thing to do."

The doctor was called away.

Irma remained seated for some time, and at last repaired to her room,

where she amused herself with her parrot. Then, after looking at her

flowers for a while, she began to copy them in colors on a slab of

marble. She evidently intended it to be a rare work. But for whom? She

knew not. A tear fell on a rose, the color in which was still wet. She

looked up and left her work. Then she dried the tear, and found herself

obliged to paint the rose anew.

On the day before the christening, Walpurga dictated the following

letter to Countess Irma:

"To-morrow will be Sunday, and I'll try to be with you, too. In

thought, I'm always there. It seems as if it were seven years since I

left home. The day's ever so long here, and there are more than three

times as many people in the palace as could get into our church. There

are lots of married servants here who have servants of their own; there

are none but tall, fine-looking men in service here. Mademoiselle

Kramer tells me that their lordships don't care to have any but

handsome people about them; and some of them are as prim and proper as

a parson. They call them lackeys, and whenever the king goes near one

of them, they bow very low and double up with a snap, just like a

pocket-knife. Oh, what lots of good things I have! If I could only send

you some of them. I'm ever so glad that we shall go to the country

palace in four weeks and stay there till autumn. But how's my child,

and how goes it with Hansei and with mother, and you too, Stasi? In my

sleep at night, I'm always with you. I can't sleep much, for my prince

is a real night-watchman, and the king's doctor said I mustn't let

him cry as much as Burgei does at home. But he has good lungs, and

to-morrow is the christening. The queen's brother and his wife are to

be godfather and godmother, and there'll be lots of princes and

princesses besides. And I've got beautiful new dresses and two green

hats with gold lace, and two silver chains for my stomacher, and I can

take them all home with me when I go, but that won't be for a long

while. If all the weeks are as long as last week, I'll be seven hundred

years old when I get home. I'm quite lively again. But, at first, it

seemed as if I could always hear the lowing of the cow in the stable.

"She who writes this is the Countess Wildenort, from over beyond the

Chamois Hill; she's a very good friend of mine. She knew our dear

father, too, and you, mother, know of her family.

"And I've something to tell you, Hansei. Don't have too much to do with

the innkeeper; he's a rogue, and he'll talk your money out of your

pocket. There are good folks and bad everywhere; at home with us and

here too; and the king's doctor says you mustn't give the cow any green

fodder, nothing but hay, or else the milk won't agree with the child.

"I'm learning to write. Indeed I'm learning a great many things here.

"And tell me what the people say about my leaving home so suddenly, and

about my having left at all.

"But I don't care what they say. I know I've done my duty by my child;

my husband, and my mother.

"And, dear mother, take a servant-girl into the house; we can afford it

now.

"And, Hansei, don't let the innkeeper wheedle you out of your money.

Put it out safely at mortgage, till we have enough to buy a few acres

of land.

"And don't forget, Wednesday's the day on which father died; have a

mass said for him.

"We've got a church in the house here, and I hear the organ every

morning, while I stand in the passage. Tomorrow will be a great day,

and I remain your ever faithful

"WALPURGA ANDERMATTEN.

"I send you a little cap for my child; let her wear it every Sunday. A

thousand greetings to all of you, from your

"WALPURGA."

CHAPTER XVI.

"Oh how lovely! How beautiful!--And is it all mine?--And is it you,

Walpurga, of the cottage by the lake?--How proud she'll be!"

Such were Walpurga's extravagant expressions of delight, while she

stood looking at herself in the full-length mirror. Mademoiselle Kramer

was indeed obliged to hold her back, lest she should rush through the

glass in her eager desire to embrace the figure she saw reflected in

it.

The court tailor had sent home the new clothes. It was difficult to

decide which was the most beautiful--the stomacher, the skirt,

the collar, the shirt with the short, wide sleeves--but no! the

narrow-rimmed hat, trimmed with flowers and gold lace and with gold

tassels, was the most beautiful of all. It fitted perfectly, and was as

light as a feather. "There, I'll just move it a little to the left.

Gracious me!--Well, you are beautiful! The folks are right!" She placed

her arms akimbo and danced about the room, like one possessed. And

then, placing herself before the mirror, she stared into it, silently,

as if lost in contemplation of her own image.

Ah, that mirror! Walpurga had never before seen her full figure, from

head to foot. What could she see in the twopenny looking-glass at home?

Nothing but the face and a little of the neck!

She lifted her hand to her throat. It was encircled by a necklace

composed of seven rows of garnets and fastened in front with an

agraffe. And how clever Mademoiselle Kramer was! How many things she

could do!

She had placed a large mirror behind Walpurga, who could now see how

she looked in the back, and on all sides. Oh, how clever these people

are! What do they know out our way? Nothing of the world, and less

about themselves!

"And this is how Walpurga looks to those who walk behind her? And so,"

turning herself on one side, "and so," turning again on the other. "I

must say, I like your looks; you're not out of the way, at all! So

that's Hansei's wife? He ought to feel satisfied with her; but then,

he's good and true and has well deserved her."

Giddy with excitement, Walpurga thus talked to herself; it was the

first time that she had ever seen a full length reflection of herself.

The first stranger who saw her thus was Baum.

He always wore shoes without heels and, putting down his whole foot at

once, managed to step so softly that you could never know when he was

coming. He always approached with a modest air, as if fearful of

disturbing you, but always kept his own counsel and was an available

tool, no matter what the nature of the service might be.

"Oh! how pretty!" he exclaimed, staring at her as if quite lost with

admiration.

"It's nothing to you, sirrah, at any rate," said Walpurga; "you're a

married man and I'm a married woman."

Assuming an air of command, and acting as if these were the first words

uttered since he entered the apartment, Baum went on to say:

"It's the lord steward's pleasure that the nurse shall come to the

court chapel immediately, if His Royal Highness the crown prince, is

asleep. The rehearsal is about to begin."

"I've tried my clothes on," answered Walpurga.

Baum told her that it had nothing to do with trying on clothes, but

that, excepting the highest personages, all who were to take part in

the grand ceremonies of the morrow, were now to rehearse the order of

the procession, so that there might be no confusion.

Walpurga went with Baum.

The ladies and gentlemen of the court were assembled in the

throne-room. Most of them were eagerly engaged in conversation, and the

confused sound of many voices was strangely echoed back from the high,

vaulted ceiling. When Walpurga entered, she could hear them whispering

on all sides. Some spoke French, but others used plain German, to say

that the nurse was a fine specimen of a Highland peasant woman.

Walpurga had a smile for every one, and was quite unembarrassed.

The lord steward, bearing a gold-headed stick in his hand, now

stationed himself on the lowest step of the throne, which had been

covered with an ermine mantle. He struck the floor thrice with the

stick and then held it up. Every one was provided with a printed

programme, and Walpurga also received one. After reading it to the

company, the lord steward enjoined its strict observance on all.

The procession now moved toward the chapel, passing through the

picture-gallery and the portrait-gallery, by the way. The open space

before it presented the appearance of an enchanted garden. It was

filled with exotic trees, and the air was laden with the odor of

flowers. The chapel was also decorated with flowers and shrubbery; and

the paintings on the ceiling represented angels flying about in the

air.

Countess Brinkenstein, whose appearance was even more austere than on

the first evening, was engrossed with her official duties; this was no

time for her to be ill.

She cautioned Walpurga, who walked beside her, to be very careful how

she carried the prince, and earnestly enjoined her not to withdraw her

arms until she felt quite certain that the prince was safely in his

godfather's arms.

"Of course I won't; I'm not that stupid," said Walpurga.

"I require no answer from you." Countess Brinkenstein was vexed at

Walpurga. She was indeed displeased with the queen, who, she thought,

was spoiling the poor servant, but found it more convenient to vent her

resentment upon Walpurga than upon so exalted a personage as her

majesty.

The various groups were chatting and laughing in as careless a tone as

if they were in a ball-room instead of a church.

The lord steward, who had stationed himself at the altar, inquired

whether all were in readiness.

"Yes," was answered from various quarters, amid much laughter.

Walpurga looked up at the image of the Virgin, which she had seen by

the light of the everlasting lamp on the evening of her arrival,--it

was the first time she saw it by daylight--and said: "Thou, too, must

look on while they rehearse." She now fully understood Mademoiselle

Kramer's remark that, for royalty, everything must be arranged in

advance. But was it right to do so with sacred matters? It must be,

thought she, or they wouldn't do it. The court chaplain was there too,

but not in his ecclesiastical robes. She saw him taking a pinch from

the golden snuff-box of the lord steward, with whom he was talking just

as if they were in the street.

And so this is the rehearsal, thought Walpurga to herself, when

Countess Brinkenstein approached and said that, as she now knew her

place for the morrow, she might go. She also ordered Walpurga to wear

white cotton gloves, and said that she would send her several pairs.

Walpurga went out by way of the throne-room and the picture-gallery.

Without looking about her, she walked through numerous apartments, and

suddenly found herself standing before a large, dark room. The door was

open, but she could not see where it led to. She turned in alarm, for

she had lost her way. All was silent as death. She looked out of the

window and saw a street that she had never seen before. She knew not

where she was, and hurried on; from a distance, she could see strange

men and beasts and places on the walls, and suddenly she uttered a

shriek of terror, for the devil himself, black as pitch, came toward

her, gnashing his teeth.

"O Lord! Forgive me! I'll never be proud and vain again! I'll be good

and honest," she cried aloud, wringing her hands.

"What are you making such a noise about? who are you?" exclaimed the

devil.

"I'm Walpurga, from the lake; and I've a child and husband and mother,

at home. I was brought here to be the crown prince's nurse, but indeed,

I didn't want to come."

"Indeed! and so you're the nurse. I rather like your looks."

"But I don't want you, or any one else, to like my looks. I've a

husband of my own and want nothing to do with other men."

The black fellow laughed heartily.

"Then what were you doing in my master's apartments?"

"Who's your master? I've nothing to do with him. I and all good spirits

praise God the Lord! Speak! What is it you want of me?"

"Oh, you stupid! My master is the queen's brother. I'm his _valet de

chambre_. We arrived here last evening."

Walpurga could not understand what it all meant. Luckily for her, at

that moment, the duke and the king came out of the apartment.

Addressing the Moor in English, the duke inquired what had happened;

answering in the same tongue, the Moor said that the peasant woman had

taken him for the devil incarnate; upon hearing which, the duke and the

king laughed heartily.

"What brings you here?" inquired the king.

"I lost my way, after leaving the chapel," replied Walpurga. "My child

will cry. Do please show me the way back to him."

The king instructed one of the lackeys to conduct her to her

apartments. While going away she overheard the uncle, who was to be

chief sponsor, saying: "What a fine milch-cow you've brought from the

Highlands!"

When she had returned to her room, and again beheld herself in the

large mirror, she said:

"You're nothing but a cow that can chatter, and is dressed up in

clothes! Well, it served you right."

CHAPTER XVII.

The night was a bad one. The crown prince suffered because of the

fright which the Moor had given his foster-mother. Doctor Gunther sat

up all night, in the adjoining room, so as to be within ready call, and

was constant in his inquiries as to Walpurga and the child. He

instructed Mademoiselle Kramer never again to allow the nurse to leave

the room without his permission.

To Walpurga this imprisonment was welcome, as she wished to have

nothing more to do with the whole world; for the child filled her soul

and, while she lay on the sofa, she vowed to God that nothing else

should enter her mind. She looked at the new clothes that were spread

out on the large table and shook her head; she no longer cared for the

trumpery. Indeed, she almost hated it, for had it not led her into

evil? and had not the punishment quickly followed?

Walpurga's sleep was broken and fitful, and whenever she closed her

eyes, she beheld herself pursued by the Moor. It was not until near

daybreak, that she and the child slept soundly. The great ceremony

could therefore take place at the appointed time.

Baum brought the beautiful pillows and the brocaded coverlet

embroidered with two wild animals. While passing Walpurga, he softly

whispered:

"Keep a brave heart, so that you don't get sick again; for if you do,

they will discharge you at once. I mean well by you, and that's why I

say so."

He said this without moving a feature, for Mademoiselle Kramer was to

know nothing of it.

Walpurga looked after him in amazement; and Baum, indeed, presented

quite an odd appearance, in his gray linen undress uniform.

"And so they'll send you away when you get sick," thought she to

herself. "I'm a cow. They're right, There's no longer any room in the

stable for a cow that's barren."

"I and thou and the miller's cow--" said she, to the prince, as she

again took him to her bosom, while she laughed and sang:

"Cock a doodle doo!

The clock strikes two;

The clock strikes four.

While all sleep and snore.

"Be it palace or cot,

It matters not,

Though they cook sour beets,

Or eat almonds and sweets--

As long as they care

For the little ones there."

Walpurga would have said and sung much more that day, were it not for

the constant hurrying to and fro in the prince's apartments. Countess

Brinkenstein came in person, and said to Walpurga:

"Have you not all sorts of secret charms which you place under the

pillow for the child's sake?"

"Yes, a twig of mistletoe will do, or a nail dropped from a horse-shoe;

I'd get them quick enough if I were at home; but I've nothing of the

sort here."

Walpurga felt quite proud while telling what she knew of the secret

charms; but grew alarmed when she looked at Countess Brinkenstein and

saw that her face wore an expression of displeasure.

"Mademoiselle Kramer," said she, "you will be held responsible if this

peasant woman attempts to practice any of her superstitious nonsense

with the child."

Not a word of this was addressed to Walpurga, who had persuaded herself

into believing that she was the first person in the palace, and now,

for the first time, experienced the mortification of being ignored,

just as if she were nothing more than empty air.

"I won't lose my temper, in spite of you. And I won't do you the favor

to get sick, so that you may send me off," muttered Walpurga, laughing

to herself, while the countess withdrew.

And now followed a beautiful and happy hour. Two maidens came, who

dressed the prince. Walpurga also allowed them to dress her, and

greatly enjoyed being thus waited upon.

All the bells, throughout the city, were ringing; the chimes of the

palace tower joined in the merry din, and almost caused the vast

building to tremble. And now Baum came. He looked magnificent. The

richly-embroidered uniform with the silver lace, the scarlet vest

embroidered with gold, the short, gray-plush breeches, the white

stockings, the buckled shoes--all seemed as if they had come from some

enchanted closet, and Baum well knew that he was cutting a grand

figure. He smiled when Walpurga stared at him, and knew what that look

meant. He could afford to wait.

"One should not attempt to reap too soon," had been a favorite saying

of Baroness Steigeneck's valet, and he knew what he was about.

Baum announced a chamberlain and two pages, who entered soon afterward.

Heavy steps and words of command were heard from the adjoining room.

The doors were opened by a servant and a number of cuirassiers entered

the room. They were a detachment from the regiment to which the prince

would belong, as soon as he had received his name.

The procession that accompanied the prince moved at the appointed hour.

The chamberlain walked in advance and then came Mademoiselle Kramer and

Walpurga, the pages bringing up the rear. It was fortunate for Walpurga

that Baum was at her side, for she felt so timid and bashful, that she

looked about her as if imploring aid. Baum understood it all and

whimpered to her: "Keep up your courage, Walpurga!" She merely nodded

her thanks, for she could not utter a word. Bearing the child on her

arms, she passed through the crowd of cuirassiers who, with drawn

swords and glittering coats of mail, stood there like so many statues.

Suddenly, she thought of where she had been last Sunday at the same

hour. If Hansei could only see this, too. And Franz, tailor Schenck's

son, is in the cuirassiers--perhaps he, too, is among those lifeless

ones; but they must be alive, for their eyes sparkle. She looked up,

but did not recognize the tailor's son, although he was in the line.

The prince's train, with its escort, passed on to the so-called grand

center gallery, where the procession was forming.

Walpurga had been told to seat herself with the prince on the lowest

step of the throne, and when she looked about her she beheld a sea of

splendor and beauty. There were richly embroidered costumes, lovely

women, their heads adorned with flowers, and jewels that sparkled like

dew-drops on the meadow at early morn.

"Good-morning, Walpurga! Pray don't rise," said a pleasant voice,

addressing her. It was Countess Irma. But she had scarcely commenced

speaking to her, when the lord steward thrice struck the floor with his

gold-headed stick, the diamonds on which sparkled brightly.

A train of halberdiers, wearing gay plumes on their helmets, marched in

from a side apartment. And then the king came. He carried his helmet in

his left hand and at his side. His face was radiant with happiness.

At his side walked the duchess, a diamond crown on her head, and with

two pages bearing her long silk train. She was followed by a numerous

and brilliant suite.

Irma had hastened to her appropriate place. The bells were slowly

tolling, and the procession moved. At the entrance of the palace

chapel, the duchess took the child from the nurse and carried it up to

the altar, where priests, clad in splendid robes, were awaiting it, and

where countless lights were burning.

Walpurga followed, feeling as if bereft--not only as if the clothes had

been torn from her body, but as if the body had been rent from her

soul. The child cried aloud, as if aware of what was taking place, but

its voice was drowned by the tones of the organ and choir. The whole

church was filled with a mighty volume of sound, which descended from

the gallery and was echoed back from the floor beneath, like sullen,

muttering thunder. Involuntarily, Walpurga fell on her knees at the

altar--there was no need to order her to do so.

Choir, organ and orchestra burst forth with a mighty volume of sound,

and Walpurga, overwhelmed with awe and surprise, imagined that the end

of the world had come and that the painted angels on the ceiling,--aye,

the very pillars, too--were swelling the heavenly harmonies.

Suddenly all was silent again.

The child received its names. One would not suffice: there were eight;

a whole section of the calendar had been emptied for its benefit.

But from that moment until she reached her room, Walpurga knew nothing

of what had happened.

When she found herself alone with Mademoiselle Kramer, she asked:

"Well, and what am I to call my prince?"

"None of us know. He has three names until he succeeds to the throne,

when he himself selects one, under which he reigns, and which is

stamped on the coins."

"I've something to tell you," said Walpurga, "and mind you don't forget

it. You must send me the first ducat you have stamped with your name

and your picture! See! he gives me his hand on it!" cried she,

exultingly, when the child stretched out its little hand as if to grasp

hers. "Oh, you dear Sunday child! Let the first lady of the bedchamber

say it's superstition--it's true, for all. I'm a cow and you're a

Sunday child, and Sunday children understand the language of the

beasts. But that's only once a year--at midnight on Christmas eve. But

as you're a prince, I'm sure you can do more than the rest."

Walpurga was called into the queen's apartment, the dazzling beauty of

which suggested a glittering cavern in fairy-land. All was quiet; here

nothing was heard of the noisy, bustling crowd overhead. The queen

said:

"On that table you will find a roll containing a hundred gold pieces.

It is your christening present from my brother and the other sponsors.

Does it make you happy?"

"Oh, queen! If the lips on these gold pieces could speak, the hundred

together couldn't tell you how happy I am. It's too much! Why, you

could buy half our village with it! With that much you could buy--"

"Don't excite yourself! Keep calm! Come here, and I'll give you

something else, for myself. May this little ring always remind you of

me, and may your hand thus be as if it were mine, doing good to the

child."

"Oh my queen! How happy it must make you to be able to speak right out

when your heart is full of kind thoughts, and to have it in your power

to do so many great and good actions; besides, God must love you very

much, to permit so much good to be done by your hand! I thank you with

all my heart! And to Him who has given it all to you, a thousand

thanks!"

"Walpurga, your words do me more good than all that the archbishop and

the rest of them said. I shall not forget them!"

"I don't know what I've said--but it's all your fault! When I'm with

you, I--I hardly know how to say it--but I feel as if I were standing

before the holy of holies in the church. Oh, what a heavenly creature

you are! You're all heart! I'll tell the child of it, and though it

doesn't understand what I say, it'll feel it all. From me it shall get

only good thoughts of you! I beg your pardon now, if I should ever

offend you, even in thought or do anything out of the way--" She could

say no more.

The queen motioned Walpurga to be quiet and held out her hand to her;

neither spoke another word. Angels were indeed passing through the

silent room.

Walpurga went away. It was self-confidence, not boldness, that made her

look straight into the faces of the courtiers whom she passed by the

way. As far as she was concerned, they did not exist.

When she was with the child again, she said:

"Yes, drink in my whole soul! It's all yours! If you don't become a man

in whom God and the world can take delight, you don't deserve a mother

like yours!"

Mademoiselle Kramer was amazed at Walpurga's words. But the latter did

not care to tell what was passing in her mind. There was perfect

silence, and yet she sat there, motionless, as if she could still hear

the organ and the singing of the angels.

"It isn't this that makes me so happy," said she, looking at the money

once more. "It must be just this way when one gets to heaven and the

Lord says: 'I'm glad you've come!' Oh, if I could only fly there now! I

don't know what to do with myself."

She loosened all her clothes; the world seemed too close and confined

to contain her.

"God be praised! the day's over," said she, when she lay down to rest

that evening. "It was a hard day, but a beautiful one; more beautiful

than I'll ever see again."

CHAPTER XVIII.

(IRMA TO HER FRIEND EMMA.)

"You ask me how I like the great world. The great world, dear Emma,

is but a little world, after all. But I can readily understand why they

term it 'great.' It has a firmament of its own. Two suns rise daily; I

mean their majesties, of course. A gracious glance, or a kind word,

from either--and the day is clear and bright. Should they ignore you,

the weather is dull and dreary.

"The queen is all feeling, and lives in a transcendental world of her

own into which she would fain draw every one. She suggests a 'Jean

Paul' born after his time, and is of a tender, clinging disposition,

constantly vacillating between the dawn and twilight of emotion, and

always avoiding the white light of day. She is exceedingly gracious

toward me, but we cannot help feeling that we do not harmonize.

"I know not why it is, but I have of late frequently thought of a

saying of my father's: 'Whenever you find yourself on friendly or

affectionate terms with any one, imagine how he would seem if he had

become your enemy!'

"The thought follows me like a phantom, I know not why. It must be my

evil spirit.

"All here regard me as wonderfully naïve, simply because I have the

courage to think for myself. I have not inherited the spectacles and

tight-lacing of tradition. The world seems to follow the fashion, even

in clothing the inside of their heads.

"I admire the first lady of the bedchamber most of all. She is the law

incarnate, carefully covered with _poudre de riz_. The ladies here

ridicule her, but I have only pity for those who are obliged to resort

to the use of cosmetics. Ah, you can have no idea, my dear Emma, how

stupid and bored some persons are when unable to indulge in scandal.

There are but few who know how to enjoy themselves innocently. But I am

forgetting that I intended to tell you about Countess Brinkenstein.

"She read me a lecture on etiquette. What a pity that I cannot give it

you, word for word. She said many pretty things; for instance,--that we

have as little right to doubt in matters of etiquette as in religion,

that, in either case, reasoning always led to heresy and schism, and

that one ought to feel happy to have the law ready made, instead of

being obliged to frame it.

"Countess Brinkenstein, like Socrates the peripatetic, teaches by

example. In the park of the summer palace there is a jutting rock, from

the top of which a fine view can be obtained. It is protected on all

sides by an iron rail. 'Do you observe, my dear countess,' said this

high priest of etiquette to me--for she seems to have conceived quite

an affection for your humble servant--'it is because we know there is a

railing, that we feel perfectly safe here. If it were not for that, we

should become too dizzy to remain. It is just the same with the laws of

court etiquette; remove the railing and there will be some one falling

every day.'

"The king enjoys conversing with Brinkenstein and, although decorous

and dignified demeanor best pleases him, he is not averse to

unconstrained cheerfulness. The queen is too serious; she is always

grand organ. But one cannot dance to organ music, and as we are still

young, we often feel like dancing. Brinkenstein must have commended me

to the king, for he often addresses me, and in a manner that seems to

say: 'We understand each other perfectly.'"

"_June 1st_ (_at night_).

"It is a pity, dear Emma, that what I have written above bears no date.

I have completely forgotten when I wrote it--auld lang syne, as it says

in the pretty Scotch song.

"I feel the justice of your complaint, that my letters are written for

myself and not for the one to whom they are addressed; that is,

whenever I feel like writing, but not when you happen to wish for news.

But you are wrong in charging this to egotism. I am not an egotist. I

am wholly absorbed by the impressions of the moment. Ah, why are you

not here with me! There is not a day, not a night, not an hour-- But I

shall do better. That is, I mean to try, at all events.

"The king distinguishes me above all others, and I enjoy the favor of

the whole court. If it were not for the demon that ever whispers to

me--

"I send you my photograph. We are now wearing wings on our hats, and

the feather you see on mine was taken from an eagle that the king shot

with his own hand.

"Oh, what lovely days and nights we are having! If one could only do

without sleep. I am giving great attention to music and sing nothing

but Schumann. His music invests the soul with a magic veil, with a fire

that seems to consume while it fills you with happiness, and from the

spell of which none can escape, though they try ever so hard. I gladly

yield to its influence. I have just been singing 'The heavens have

kissed the earth.' It was late at night, and I felt as if I could go on

singing forever. You know my habit of repeating the same song again and

again; of all things a _pot-pourri_ of the emotions is least to my

liking. At last I lay down by the window--who was it that glided past?

I dare not say. I do not care to know. There was a humming in the

direction of the lamp on my table. A moth-fly had flown into it and had

been consumed by the flame. The moth had not wished to die; it had

imagined the light to be a glowing flower-cup, and had buried itself in

it.

"It was a beautiful death! To die in the summer night, amid song and in

the light of the fiery calyx. Good-night!"

"_June 3d_,

"No matter where I am or what I do, I am always excited, without

knowing why. But I have it, after all. I am constantly thinking that

this letter to you is still lying in my portfolio. If any one at court

knew what I have written--I have already been on the point of burning

these sheets. I beg of you, destroy them. You will,--will you not? or

else conceal them in some safe place. I cannot help it, I must tell you

all.

"The queen is very kind to me. Her present condition invests her with a

touching, I might almost say, a sacred character.

"'Man is God's temple,' said the archbishop, who paid us a visit

yesterday, 'and of no one is this so true as of a young mother; above

all, a young royal mother.'

"What a noble thought!

"I now think quite differently of the queen. When she said to me,

yesterday: 'Countess Irma, the king speaks of you with great affection,

and I am very glad of it,' I thought to myself: Blessed be the

etiquette that permits me to bend down before the queen and kiss her

hand.

"Her hand is now quite full and round."

"_June 5th_,

"The most cheerful hours are those we spend at breakfast. I do not know

how, after such Olympic moments, the rest can content themselves with

every-day matters, for I always wing my flight into the boundless realm

of music.

"The king is very kind to me. He is of a noble and earnest character.

While I was walking with him in the park, yesterday, and we both kept

step so beautifully, he said:

"'You seem like a true comrade to me, for we always walk together in

perfect step. No woman has ever walked thus with me. With the queen I

am always obliged to slacken my usual pace.'

"'That is only of late, I suppose.'

"'No, it is always so. Will you permit me, when we are alone, to

address you as my good comrade?'

"We stopped where we were, like two children who have lost their way in

the woods and do not know where they are.

"'Let us return,' was all I could say.

"We went back to the palace. I admire the king's self-control, for

he at once entered into earnest conversation with his minister. Such

self-control can only result from great education and innate mental

power.

"But there is one thing more. Let me confide it to you.

"I feel sure that the queen meditates a step which must needs be

fraught with evil to the king, to herself, and to who knows how many

more. I would have liked to acquaint him with my fears, but I dared not

speak of the queen at that time, and Doctor Gunther, the king's

physician, had made me afraid to utter a word on the subject. I am

talking in riddles, I know. I will explain all to you at some future

day, if you remind me of it. In a few weeks, all will be decided. My

lips are not sealed, for the queen has confided nothing to me. I have

simply reasoned from appearances. But enough of this. I shall no longer

torment you with riddles.

"My best friend, after all, is Doctor Gunther. He is great by nature,

and still more so by education. He is always up to his own high

standard. I have never yet seen him confused or uncertain. The

old-fashioned phrase, a 'wise man,' is, indeed, applicable to him. He

is not fond of so-called 'spirituality' or 'intellectuality,' for he is

truly wise. He has great command of language. His hands are beautiful,

almost priestly, as if formed for blessing. He never loses his

equanimity and, what is best of all, never indulges in superlatives.

When I once mentioned this to him, he agreed with me, and added: 'I

should like to deprive the world of its superlatives for the next fifty

years; that would oblige men to think and feel more clearly and

distinctly than they now do.'

"Do you not, dear Emma, perfectly agree with this? Let us found an

_anti-superlative_ society. I admire the man, but will never be able

successfully to imitate him. Through him, I have learned to believe

that there have been great and wise men on earth. While yet a surgeon

in the army, he was my father's friend. Afterward, he filled a

professorship in Switzerland, and, for the last eighteen years, has

been physician to the king. You would be delighted with him. To know

him, is to enrich one's life. If I were to write down all his sayings,

half the charm were lost, for you would lose the spell of his presence.

He has a most convincing air and a sonorous voice, and I have heard

that he used to sing very well. He is a perfect man, and loves me as if

I were his niece. I shall have much more to tell you about him. Above

all things, I am glad that he has a fine vein of humor. This furnishes

the salt and prevents him from being included among the class of

sugar-water beings.

"Colonel Bronnen is his best, perhaps his only intimate, friend, and

the doctor recently told me that the colonel's manner and appearance

greatly resemble that of my father while a young man."

_June 15th_,

"Ah, how hateful, how horrible is the thought of man's birth and death!

To die--to be laid in the earth, and to know that the eyes that once

glowed with life, and the lips that once smiled, are to decay. The very

idea is a barbarous one. Why do we know of death? We must be immortal,

or else it were terrible that we human beings should alone know that we

must die. The moth-fly did not know it. It simply thought the burning

light was a lovely flower, and died in that belief.

"Since last evening, we have been greatly concerned for the queen,

indeed, for a double life. She was so good, so angelic.--But no, she

still is, and will remain so. She will live. I have prayed for it with

all my heart. Away with doubts! My prayer must avail.

"When I met the king to-day he scarcely looked at me, and it is better

for me, that it should be thus. A feeling was beginning to bud within

me, and now I pluck it out by the roots. It dare not be. I will be his

comrade; his good, his best comrade.

"My piano, my music, my pictures, my statuettes, my bird--all seem

strange to me. A human being, a two-fold life, is in mortal danger.

What does all the trumpery in the world amount to now? All of it

together cannot save a human life. Is original sin a truth, and is it

because of that, that man must pass through the throes of death before

he can behold the light?

"I would like to read, but there is no book that can serve one in such

moments. One cannot even think. Nothing, nothing can be done. All the

wisdom in all the books is of no avail."

"_June 16th_.

"Hallelujah! I have just come from church. Oh, that my song could reach

you. I have just sung the Hallelujah as if I were pouring out my whole

soul to God above.

"Hallelujah!

"All is well!

"The crown prince is born!

"The queen is doing well. The king is happy! the world is bright, and

the blue sky overhead is cloudless.

"God be praised, that I have so soon escaped from my perplexing doubts.

Perhaps it was all imagination, after all. There was not the slightest

ground for my alarm.

"I am but a silly cloister plant, after all, and do not yet understand

the ways of the court. Is it not so? I see you laughing at me, and see

the dimples in your cheeks. I send you many kisses. Ah, all are so good

and pious, and holy, and happy, and-- If I could only compose, I should

produce some great work. A mute Beethoven dwells within my soul."

"_July 18th_.

"The crown prince's nurse is a peasant woman from the Highlands. At the

king's desire, I paid her a visit. I was standing by the prince's

cradle, when the king approached.

"Softly he whispered to me: 'It is indeed true; there is an angel

standing by my child's cradle.'

"My hand was on the rail, and his hand rested on mine.

"The king left the room, and just imagine what happened afterward.

"The nurse, a fresh and hardy-looking peasant woman, with shrewd blue

eyes--a perfect rustic beauty, indeed, to whom I had been kind in order

to cheer up, and prevent her from growing homesick--now turned upon me

and told me harshly, and to my face: 'You're an adulteress; you've been

exchanging love-glances with the king!'

"Emma, I now feel the force of what you have often said to me: 'You

idolize the people; but they are just as sinful and corrupt as the

great world, and without education to curb and restrain them.'

"But what is the peasant woman to me, after all? Certain persons exist,

only in so far as they serve our purposes.

"No, she is a good and sensible woman, and has asked me to forgive her

boldness. I shall remain her friend. I shall, indeed."

"_June 25th_.

"The king evinces the greatest kindness toward me. It is only yesterday

that he remarked to me, while passing:

"'Should you ever have a secret, confide it to me.'

"He knows full well that I could hardly go to my brother, as a sister

should, and that my father is so far away.

"Colonel Bronnen, of the queen's regiment, is very attentive to me.

He is usually quite reserved. Ah, how I envy those who possess such

self-control. I have none. The demonstrative are always flattering

themselves that their irrepressibility is simple honesty, whereas it is

nothing but weakness.

"Bronnen tells me that you write to him at times. Can it be possible

that a single thought of yours enters this palace, without being mine?

"I am delighted to know that we return to the summer palace in a

fortnight from now. Cities ought to vanish during the summer. We ought

to be able to transport our houses into the woods, among the mountains,

or in the valleys, and in the winter they might be brought together

again.

"Last evening, while we were sitting on the verandah, we were greatly

amused by a joke of my brother Bruno's. He gave us a description of

what might happen if the feet of all the four-post bedsteads in the

city were endowed with life and, with their contents, were to come

stalking along the garden-walks. It was very droll. Of course, there

was some little that was scarcely proper; but Bruno, with all his

impertinence, has so charming a manner that he knew how to couch his

descriptions in most discreet yet piquant terms.

"It was this that suggested the idea of a migration of houses.

"It was a lively evening, full of merry jests that still seem to ring

in my ears while I write to you.

"The king has a new walking-stick--he has quite a collection of

such--and this one pays court to me.

"I am said to be intellectual, and this walking-stick is intellectual

_par excellence_, and 'birds of a feather flock together,' you know.

"It is Baron Schnabelsdorf, privy councilor of one of the legations.

"Picture to yourself a dapper, beardless bachelor, always in faultless

attire. Every one of the few hairs left him is made to do service, and

is artistically brushed up into the form of a cock's comb. He passes

for an authority in matters of statecraft. He has just returned from

Rome, and was formerly attached to the embassies at Paris and Madrid

and, if I am not mistaken, that at Stockholm, also. He is a fluent and

ready anecdotist. He must have a familiar spirit who crams for him, for

he knows everything, from the cut of Queen Elizabeth's sleeve to the

latest discoveries in the milky-way and the recent excavations at

Nineveh. The ladies and gentlemen have several times amused themselves

by reading up one or more articles in the encyclopedia, and then

directing their conversation to the subjects they had prepared

themselves upon. But the omniscient Baron was, even then, better

informed as to dates and circumstances than they were. He is always

provided with a _bonbonnière_ full of piquant anecdotes. He is almost

constantly with the king, and it is rumored that a high position will

soon be conferred upon him.

"What do you think of it? had I better marry him?

"My brother would like me to do so and, although he stoutly denies it,

I still believe that Schnabelsdorf sent him to broach the affair to me.

I could not help laughing, if I were to stand at the altar with this

learned walking-stick. But it is, nevertheless, very flattering to know

that so learned a man desires me as his spouse.

"I must be excessively learned and clever, and you ought to respect me

accordingly.

"A thousand greetings and kisses, from

"Your ever spoiled

"Irma.

"P. S.--The queen's brother, the hereditary prince of ----, was at the

christening, and his wife was also present. She rarely utters a word,

but is beautiful. It is reported that the hereditary prince intends to

seek a divorce from her, as she is childless. If, as really seems to be

the case, she loves her husband, how terribly the poor thing must feel.

She must have noticed my interest in her, for she treats me with marked

favor, and has more to say to me than any one else. She wishes me to

ride with her. The christening ceremonies were impressive and

beautiful. At church, I wore a white moiré dress, and a veil fastened

to my _coiffure_.

"At the banquet, Baron Schoning, the chamberlain, escorted me to the

table. I am regarded here as of a highly poetic temperament, and the

chamberlain has already presented me with a copy of his poems. (You

know them. He has disguised his sublime emotions in the Highland

dialect.) He affects my company and, while at table, told me lots of

fearfully silly stuff. Well, as I was going to say, at the banquet I

wore a dress of sea-green silk, cut out square _à la madonna_, and in

my hair a simple wreath of heather. They all said that I looked very

well, and I am inclined to believe that they told the truth."

BOOK II.

CHAPTER I.

Life at the palace again moved in its wonted channel. Bulletins as to

the condition of the queen and the crown prince, were no longer issued.

The amnesty which had been proclaimed in consequence of the happy

event, had been received with satisfaction throughout the land.

Irma spent much of her time in the crown prince's apartments, and

endeavored to enter into the feelings of the peasant woman who had been

transplanted into a world that was entirely new and strange to her. She

was greatly amused by the droll conceits that this new life awakened in

Walpurga. Her peculiar way of looking at things was frequently in

accord with Walpurga's simple-minded notions, and when Irma was absent,

the nurse would speak to the child for hours, endeavoring, as it were,

to outdo herself with all sorts of droll expressions which, eccentric

as they were, failed to satisfy her.

A strong and deep spring of happiness and content, earnest resolve and

all that makes men true, welled up from Walpurga's soul and ministered

to the benefit of the babe that she had pressed to her bosom; the child

had become as a part of herself.

With constant regularity the prince was daily carried to the queen.

That was the event of the day, after which life, in the crown prince's

apartments, went on in its usual course.

Doctor Gunther now relaxed his orders; for one day, he said: "The

weather is charming, and it will do the prince good to send him out of

doors a little while. We will arrange it in this way:--At

eleven o'clock, you can drive out with Walpurga and the prince, as far

as the Nymph's Grove. Arrived there, you can walk about with the child

under the pines, or can sit down, if you wish to do so. After remaining

there about half an hour, you will return and at once remove to the new

apartments. You have taken good care of yourself, Walpurga; continue to

do so. Let nothing move you from your accustomed ways, and you will

continue to afford pleasure to all of us, as well as to yourself."

Walpurga was quite beside herself with happiness. "We're going out

riding," said she to the child, when the physician had left. "God sends

you everything good while you are asleep. But you'll let me have some,

too, won't you? for you've a good heart, and I've given you mine."

Walpurga would have continued in this vein for a long while, but

Mademoiselle Kramer came up and, while gently patting her cheeks, said:

"You'll have red cheeks again. Show your love for the prince, with

calmness and moderation, and not with such extravagant expressions."

"You're right," said Walpurga. "It's true; I'm not always so. I was

always cheerful, but prudent at the same time: not so giddy as I now

am," said she, after she had walked up and down the room several

times, and at last sat down by the window. "I'll tell you what ails

me."

"Indeed, does anything ail you?"

"Yes, the worst of all ills. I've nothing to do. I don't know what to

put my hands to. This constant talking, dressing and undressing, eating

and drinking, with nothing else to do, makes me stupid. The next time

the doctor comes, tell him to give me some work. I'll carry wood or do

anything that is to be done. They're mowing the grass in the palace

garden, and if I could only be down there with them, I'd feel the

better of it. No man could beat me at mowing grass. Grubersepp often

used to say that the women sharpened their scythes seven times as often

as the men, but that never happened with me."

"Oh, that would never do. But I shall see that you get some exercise."

"Come, you're to go out of doors, into the fresh air," said Walpurga to

the prince.

"Thy cage is open! Fly away,

Far o'er land and sea.

But tell me, birdie; tell me pray,--

Where can my darling be?"

"What a pity that the birds have stopped singing. Yes, dear child, they

only sing so long as there are young ones in the nest; but I shall have

you in my nest for a whole year, and I'll sing better than the birds

could,"--and she sang:

"Ah, blissful is the tender tie

That binds me, love, to thee,

And swiftly speed the hours by

When thou art near to me.

"My heart doth bear a burden, love,

And thou hast placed it there--

And I would wager e'en my life

That none doth heavier bear."

"Brava! charming!" said Countess Irma, entering the room. "I should

like to learn that song. Sing it again."

Walpurga repeated it and, at the second verse, Irma joined in the song.

"It doesn't really suit a child," said Walpurga, "but what does such a

youngster know about lowing cows or singing birds? It's all one to him.

We're going out riding to-day. Do you go with us?"

"I would be glad to ride with you, but I may not," replied Countess

Irma.

"Then you're not allowed to do whatever you please."

Her words surprised Irma: "What do you mean?" asked she, sharply.

"Forgive me, if I've said anything stupid. I only meant to say you're

in service as well as the rest of us. You're a maid of honor, I

believe."

"All must serve some one; the king and queen serve God."

"We must all do that."

"Yes, but princes have a much harder time of it than we, for theirs is

a far greater responsibility. But what am I saying? You ought to feel

happy that you needn't know everything. I've brought some writing

copies for you. I owe you thanks for one thing, already. Ever since

I've resolved to teach you, my own writing has become far plainer than

before--"

Irma suddenly checked herself, for she realized the full force of what

she had been saying, and continued: "for you are to learn it

thoroughly."

Baum came to announce that the carriage was waiting. Irma left, saying

that she would meet Walpurga in the park.

They now went out and Baum let down the carriage steps for them.

Mademoiselle Kramer, who was the first to enter, held the child until

Walpurga had seated herself. Baum jumped up behind and took his place

beside the second lackey; the four horses stepped out and the carriage

started.

"Are we driving?" asked Walpurga.

"Certainly."

"It seems like flying. I can't hear the least rumbling of the wheels."

"Of course you can't. The tires are covered with india-rubber."

"And so they wear cloth shoes just as we do when we walk on smooth

floors. Oh, how clever they all are here. Out yonder, they don't know a

thing. They live just like cattle; the only difference is they don't

eat grass--but what's the matter?" said she, starting with fright.

"They're beating the drums and the soldiers are rushing toward us. Is

there a fire somewhere?"

"That's on our account. The guard always present arms when a member of

the royal family passes by--watch them. They're presenting arms and

after we've passed they'll lay their muskets aside and return to the

guardroom. Their regiment is known as the crown prince's, for it

belongs to him."

"And so he'll have live soldiers to play with when he grows up."

Mademoiselle Kramer showed all the self-command befitting one who could

boast of a line of sixteen ancestors. A slight start and an odd,

nervous twitching of the features, as if suppressing a yawn, were the

only visible effects of Walpurga's words. But of laughter there was not

a sign. An upper servant of the right sort must hear and see all that

is going on, and yet stand by as if he were no more than the table or

plate that can be moved about at will; and although Walpurga was not

her superior, it would not do to laugh at her, for she was nurse to his

royal highness the crown prince. Mademoiselle Kramer therefore

refrained from laughing, and, as if to evade answering, merely said:

"When we pass the guard on our way home, the same thing will happen

again."

"And may I ask what's the good of it all?"

"Certainly; there is a good reason for everything, and this serves to

accustom the people, and especially the soldiers, to show proper

respect to their superiors."

"But our prince don't know anything of that."

"We must show our respect for him, even though he know nothing of it;

and now let me tell you something which it would be well for you to

know. Whenever you speak or think of their majesties, the king and

queen, let it be as 'his majesty' or 'her majesty,' but never simply as

king and queen, so that you may never so far forget yourself as to

speak of them in a disrespectful manner. Bear this in mind."

Walpurga scarcely heard a word of what she said.

"Oh, Lord!" she exclaimed, "how wisely they've arranged everything. It

must have taken many thousand years before they could get so far."

"It has, indeed. But you needn't nod to everyone you see bowing. It

isn't meant for you."

"But I'd like to do it for my prince, until he can attend to it

himself. They all show how glad they'll be to get a look at him. They

all bow to you, my child--you're well off, indeed--oh, what a lovely

carriage this is. It's as soft as a bed, and as comfortable as a room,

and you can sit here and see all that's going on outside, and--dear me,

how fast we're going."

They turned into the park. The carriage drove slowly while they passed

the lake, and Walpurga was ever saying:

"I feel as if I were in fairyland."

They alighted by the shady and fragrant Grove of the Nymphs. As soon as

she had left the carriage, Walpurga, who was carrying the child in her

arms, said:

"Open your eyes! Look about you! The whole world's yours. There are

trees and meadows and, overhead the blue sky. But your father can't

give you that; you'll have to earn it by being good, and if you and I

both remain good, we'll meet again, up above."

"Sit down here, Walpurga, and pray cease talking," said Mademoiselle

Kramer.

She was terribly anxious about Walpurga, who talked incessantly and

incoherently, and was as unmanageable as a young foal that had just

been let loose in the meadow.

For this reason, Mademoiselle Kramer again remarked: "Speak softly, and

address all your remarks to me. I should be sorry if the lackeys behind

us were making sport of you. Do you see the outrider over there? He is

my nephew." Walpurga had not, until then, noticed that two lackeys, one

of whom was Baum, were following them. The carriage was being driven up

and down the side avenues. Suddenly Walpurga stopped, as if spellbound,

before a marble figure.

"Isn't it beautiful?" asked Mademoiselle Kramer.

"Fie!" replied Walpurga. "It's abominable; and to think of men and

women walking about here and looking at such an object."

When the old king had the statues placed in the park, Mademoiselle

Kramer had deemed them objectionable, but as their majesties had found

them beautiful, she had gradually come to look upon them in the same

light.

They went into a side avenue, where Walpurga sat down on a bench and,

falling into a reverie, soon knew as little of the world as did the

child in her arms.

"Who's there?" said she, as if awakened from sleep.

Riding between two horsemen, she beheld a lady mounted on a glossy

black steed. Her riding-habit was of blue and the long flowing veil

fastened to her hat was of the same color.

"It looks like the countess."

"It is she, and now they dismount. His majesty the king and their royal

highnesses the hereditary prince and princess, are with her. They are

coming this way," said Mademoiselle Kramer. "Keep your seat. As nurse,

you need not trouble about being polite."

But Walpurga could not help putting her hands up to her hat, in order

to feel whether the tassel at the back and the flowers in front were

still in place.

Mademoiselle Kramer begged their highnesses not to look at the sleeping

child, lest they might awaken it.

Irma was the first to speak. "How deeply significant are all of

nature's laws. The waking eye arouses the sleeping child. In the depths

of every human soul, an infant soul rests sleeping, and it is not well

to permit either sympathy or idle curiosity to disturb it."

"I would like to know how you always manage to have such original

thoughts," replied the king.

"I don't know," replied Irma, playing with her riding-whip. "I've

courage enough to say what I think, and that passes for originality.

Nearly all human beings are changelings. They were changed while in the

cradle of education."

The king laughed. Walpurga, however, quickly turned her thumbs inward,

and said:

"Changelings. It's wrong to speak of anything of that sort before a

child that's less than seven months old, for the evil spirits are all

powerful up to that time, even if the child is christened."

In order to exorcise any evil spell from the child, she breathed upon

it thrice.

The princess looked sadly at the nurse and the child, but did not utter

a word.

"I don't understand a word of what the nurse says," remarked the

hereditary prince.

Walpurga blushed scarlet.

"Why do you look at me so?" asked Countess Irma, "don't you know me?"

"Of course I do, but do you know who you look like? like the Lady of

the Lake. When she rises from the waves, her dress hangs about her in a

sea of folds just like yours."

Irma laughed, while she, in High German, told the prince and princess

what the nurse had been saying. The prince nodded to Walpurga much as

he would have done with a dumb animal to which he could not render

himself intelligible.

"But Countess Irma's feet are not swan's feet. Don't believe that,

Walpurga," said the king laughing. "Come, 'Lady of the Lake.'"

They mounted their horses and rode away.

It was time for the prince to return.

On their return, they at once repaired to the new apartments on the

ground floor, into which everything had been removed during their

absence.

They now had sunlight at all hours of the day. The apartments opened

out on the park, where the blackbird sang in the broad daylight, and

where the breezes were laden with the odor of the orange bushes. Tall

trees were whispering in the wind and a great fountain was constantly

murmuring and plashing.

Walpurga was quite happy, and the fountain was her greatest delight.

"It's far more comfortable on the first floor," she would often say; "I

feel as if I'd just returned from a long journey. The rooms are so

nice and cool, and my night-watchman sleeps in the daytime just as a

night-watchman should, and--and--"

And Walpurga, too, fell asleep, although 'twas daylight.

CHAPTER II.

Walpurga soon accustomed herself to her changed mode of life. She was

often concerned because she received no tidings from home.

But if there were no letters, there was a messenger at all events. A

servant entered the room and said:

"There's a woman outside, who comes from the same place as Walpurga.

She wishes to speak to you for a few moments."

"I'll go to her. Who is it?"

"No," said Mademoiselle Kramer; "receive her here."

The servant went out at once, and returned, bringing old Zenza with

him.

"Oh, is it you, Zenza? Have you brought me anything from my child, my

husband, or my mother? For God's sake, has anything happened? Are they

sick?"

"No, they're all well, thank God, and send their love to you."

Walpurga, with an affectionate glance, gazed into Zenza's cunning eyes,

which now seemed good and truthful, because they had seen her child.

Smiling, Zenza went on to say:

"I'm glad you still know me. How bad the folks are. They told me you

wouldn't recognize me, because you'd become a fine lady. But no, you

always were a good girl, and I've always said so."

"Yes, yes, that's all very well; but what do you want of me?"

"I want you to help me. If you don't, my son Thomas will take his life

and I'll drown myself in the lake. You'll help me, won't you? See, I'm

kneeling at your feet. You must help me. Your dear father and I were

almost cousins, and if your father were alive, he'd say what he's now

calling down to you from heaven--'Walpurga, if you don't help Zenza,

I'll never forgive you.'"

"Get up! What's the matter? How can I help you?"

"I won't get up. I'll die at your feet unless you promise to help me."

"I'll do all I can for you."

Mademoiselle Kramer interposed and said that unless Zenza would calm

herself, she would not be allowed to remain in the room another moment.

Zenza arose and asked:

"Is that the queen?"

Walpurga and Mademoiselle Kramer laughed at her question, and Zenza at

last made known her wish.

Her son Thomas, she said, was standing down there before the palace, as

the guard would not allow him to enter. He had been caught poaching

and, as it was his second offense, he had been sentenced to two years'

imprisonment. And yet he was not to blame. It lay in his blood. He must

go hunting. His father had been that way before him. He had only shot

one little chamois buck and for that he was to go to jail again. He had

sworn an oath that, before he would let them lock him up, he would take

his own life or else commit a murder, so that they might behead him at

once; and Zenza went on to say that Walpurga would have two,--nay,

three human lives on her conscience if she did not help them; that

Walpurga must procure her an audience with the king or queen, so that

she might, on her knees, beg them for mercy.

"Your husband and the landlord of the Chamois sent me," added Zenza,

"and they both say it'll be easy enough for you to help me, and if you

do, I'll be your slave as long as I live."

"Yes, I'd like to help you, but I can't see how. Things are not managed

here as they are at home."

"Oh, you can find a way, quick enough. You're clever, the whole

neighborhood says so; and I've known it ever so long, and said so, too,

on last St. Leonard's day. Schenck, the tailor will bear me witness,

and so will Spinnerwastl, too; 'Walpurga bears herself,' said I, 'as if

she were one of the lowliest, but she's the first in the whole

neighborhood. You'll all live to see what becomes of her. Her wisdom

and her goodness will show themselves.' Now, Walpurga, you'll help me:

won't you."

"Yes, as soon as there's a chance."

"But I can't wait. Thomas is to go to jail to-morrow, at daybreak, and,

if he's not released to-day, there will be murder."

"My dear woman," interposed Mademoiselle Kramer, "his majesty the king

declared a general amnesty at the birth of the crown prince. That

covers your son's case, does it not?"

"No; that's the very trouble. All the courts in the country are against

my Thomas. Look at this. It's all there. The innkeeper wrote it down,

better than I can tell you. The writing must reach the king before

noon, or it'll be too late. My son Thomas is walking up and down out

there, and it's an even chance whether he goes to heaven or hell. He's

got a double-barreled pistol with him, and he'll shoot the first man he

looks at and himself, too, before this very palace, if I go out there

without having done anything for him."

"Yes, but I can't run up to the king as I would to the innkeeper, or

I'd gladly do it."

"I must sit down, my knees are breaking under me," exclaimed Zenza;

and Mademoiselle Kramer hurried to bring her a chair. And while

she sat there with drooping head, great tears dropped upon the bony,

thick-veined hands that lay folded on her knees.

Walpurga motioned to Mademoiselle Kramer, who was trying to console the

old woman. She wanted to tell her that Zenza was not so very good,

after all, and that Thomas was still worse; but Mademoiselle Kramer

turned about and said:

"I have an idea. Countess Wildenort's brother is aid-de-camp

to his

majesty, and, in half an hour from now, will present his report and get

the countersign. Now, Walpurga, go to Countess Irma at once and request

her to hand the petition to her brother, so that he may submit it to

his majesty."

"Yes, yes, do go--do! Lord, what a wise angel you have here with you,

Walpurga;--but go right off--don't lose a moment! May I stay here a

little while longer, or shall I wait down there before the palace?"

"No! you may remain here, my good woman," said Mademoiselle Kramer,

consoling her. "But hurry yourself," said she, addressing Walpurga, who

still held the letter before her, and stood there as if immovable.

Walpurga left the apartment. When she drew near to Irma's door, she

heard the countess, with fervid expression, singing Schumann's song to

Friedrich Rueckert's words:

He came to me,

In storm and rain,

And boldly, he

My heart hath ta'en.

Was my heart won,

Or his, that day?

Methinks both hearts

Did meet half-way.

The chambermaid announced Walpurga. Irma stopped in the middle of her

song.

"Welcome! What good thought brings you here?"

Walpurga hesitated, but, at last, preferred her request and handed the

paper to the countess.

"Take courage," said Irma, consolingly.

She rang for a servant, to whom she said: "Tell my brother to come here

at once." Then, addressing Walpurga, she continued: "I'll add a few

words of my own. Be calm. I am glad to be able to grant your request.

I've often wanted to ask you whether there was not some wish that you

would like to have gratified. The king will surely grant the pardon."

Walpurga would have liked to interrupt her, but everything seemed as if

bewitched. Before she could say a word, the aid-de-camp

had come. Irma

begged him to wait while she added a few lines of her own.

The aid-de-camp

had taken his leave. Irma passed her hand over

Walpurga's face and said: "Let me banish all your sad thoughts. Be

happy and take my word for it--the man is saved. Go to the poor woman

and quiet her in the mean while. I'll bring the answer to your room."

Walpurga could not find words, or she would have said something, even

then. But the petition had already gone. After all no one would be

harmed in the matter, and, although Thomas really was a wicked fellow,

this might make a better man of him. Walpurga left Irma's apartment.

Stopping at the door, for an instant, to recover herself, she heard

Irma singing again. When she reached her room, she was in a calmer

state and said to Zenza:

"Your Thomas will get off; depend upon it. But you must give me your

word, and promise to keep it, too, that Thomas will become an honest

man, and that you won't help him sell his stolen wares and hide his

evil ways. You needn't look at me so, for I've a right to talk to you

this way. I've risked a great deal for you."

"Yes, indeed; you've a right to say it," replied Zenza, in a

half-earnest, half-jesting tone. "You make our whole neighborhood

happy. We're all proud of you. On Sunday, before the church, I'll tell

them what influence you have here, and they'll all believe me. Your

mother was my playfellow, and if my Thomas had got an honest woman like

you for his wife, he'd been thrifty, too. He must get himself a good

wife. I'll give him no peace till he does."

Zenza was enjoying some good coffee which Mademoiselle Kramer had

prepared for her, and the kind-hearted housekeeper filled her cup again

and again.

"If I could only give my son some of this! Oh, how he must be suffering

out there! But it serves him right; that's his punishment. He's on the

lookout now, but not as a poacher. It's quite a different thing, now."

Zenza was quite voluble and Mademoiselle Kramer was charmed with the

frankness and motherly affection of the old woman.

When Zenza had emptied her cup and eaten nearly all the cake, she said:

"May I take this little bit of sugar with me? It'll always remind me

that I've drunk coffee in the king's palace."

Mademoiselle Kramer wrapped a piece of cake in a paper, and said: "Take

this to your son."

It seemed as though Zenza would never get done thanking them. She was

in great good-humor, and asked permission to see the prince; but

Walpurga refused it and well knew why; for, at home, Zenza was regarded

as a witch and, even if it were mere superstition, thought Walpurga,

who can know what might happen? She had already become so politic that

she availed herself, as an excuse, of the doctor's order that no

stranger should be allowed near the person of the crown prince.

Zenza now told them how great a commotion Walpurga's sudden departure

had created in their neighborhood. Ever since, the people would talk of

nothing else. The folks were all late at church on Sunday, because they

had stopped before Walpurga's house and stared at it as if there was

something new to be seen, and Hansei had been obliged to show his cow

to half the congregation, as if there was something strange about it.

But the thoughts of all were of Walpurga; and she also said that it was

well known that Walpurga's influence had secured Stasi's betrothed his

position as ranger. In spite of Walpurga's protestations that she knew

nothing of it, Zenza insisted on her story, and praised her the more

for her modesty.

The time passed quickly.

Countess Irma, her face radiant with joy, brought the king's letter of

pardon.

Zenza would have fallen on her knees to her and kissed her feet, but

Irma held her up and said:

"I've something more for you: take this, so that, besides being free,

you may be able to get some pleasure."

She gave her a gold piece.

Old Zenza's eyes sparkled, while she said:

"If the gracious princess should ever want any one who'd go through

fire and water to serve her, she need only think of Zenza and Thomas."

She would have said much more, but Walpurga said:

"Thomas is waiting for you at the gate; make haste and go to him."

"You see, dear princess, how good she is. She deserves to be happy."

"Walpurga," said Mademoiselle Kramer, "you might give the woman the

money for your husband."

"I'll take it for you."

"No, I'll send it. I must wait awhile," said Walpurga hesitating. She

could not well explain that she distrusted both Zenza and her son.

"Here," said Irma, handing Zenza the little golden heart which she

wore; "take this to Walpurga's child, from me." Then, removing her silk

kerchief, she added, "give her this, too."

"Oh, what a lovely neck!" exclaimed Zenza.

Walpurga again reminded her that she had better return to her son.

Irma felt happy to think that she had brought about the pardon.

Walpurga was afraid to tell them Zenza was a stranger to her and that

she almost hated her; or that Red Thomas was one of the worst men in

their neighborhood. She consoled herself with the thought that all

would yet be well. Bad men can grow better, or else all talk of

repentance would be mere lies and deceit.

In the mean while, Zenza, holding the pardon on high, had hurried out

of the palace.

"Is my reckoning settled?" asked Thomas, spitting as far as he could.

"Yes, thank God! See what a mother can do."

"I don't owe you much thanks for that, what did you bring me into the

world for? But the best of it all is it's a slap in the face for the

great snarling country justice. Now, mother, I'm as thirsty as three

bailiff's clerks. Waiting has almost used me up. Have you anything more

about you?"

"Of course I have; just look."

She showed him the gold piece, which he most dexterously removed from

her hand and into his pocket.

"What else have you got?" said he, when he noticed the little gold

heart that she had taken from her pocket at the same time.

"The beautiful princess gave me that and this silk kerchief for

Walpurga's child."

"Hansei's child will have enough with the kerchief," said Thomas,

appropriating the gold heart, while he good-naturedly allowed his

mother to retain the black cord which had been attached to it.

"There, mother; that'll do very well, and now let's take a drink for

having waited so long. While I was waiting out here, I saw a splendid

rifle at the gunsmith's. You can take it apart and put it in your

pocket, and we'll see if the greencoats catch me again."

The first thing young Thomas did was to take the chamois beard and the

black cock plume out of his pocket and stick them in his hat again.

Then he put on his hat in a defiant manner, and his whole bearing

seemed to say: I'd like to see who'd dare touch them.

Just as they were going away, Baum came in from the street. He seemed

anxious to avoid them, but Zenza went up to him and thanked him again

for the handsome present he had given her when Walpurga had been sent

for. She looked at him strangely and Baum, with a side glance, noticed

that Thomas's eyes were fixed upon him. He felt a shudder passing like

a flash of lightning, from his heart to his head. It actually made his

hair stand on end, and obliged him to raise his hat and adjust it

differently; but he took a nail-file from his pocket and began trimming

his nails, and then said: "You've thanked me already; once is enough."

"Mother! if Jangerl wasn't in America, I'd have sworn that was he."

"You're crazy," replied Zenza.

They went into the town together. Thomas always walking briskly in

front. It seemed as if it would not worry him much, were he to lose his

mother.

They repaired to an inn, where, without taking time to sit down, he

drank off a schoppen of wine. Then, telling his mother to wait, he went

off to purchase the rifle.

Meanwhile, Walpurga was sitting by the window and imagining how the

folks at home would be talking of her great power, and how, at the

Chamois, they would have so much to say about her, and that the

innkeeper's wife, who had always looked down upon her, would almost

burst with envy.

Walpurga laughed and was pleased to think that the envious and proud

would be angry at her good fortune. This, indeed, seemed her greatest

delight, and at all events, was the thought on which she dwelt longest.

Another reason may have been that the joy of the virtuous is more

quickly exhausted than the angry and evil speeches of the wicked, which

keep fermenting and sending bubbles to the surface long after they have

been uttered. Walpurga remained sitting by the window, her lips

silently moving, as if she were repeating to herself the words of those

who envied and were angry at her, until, at last, Countess Irma

addressed her:

"I can see how happy you are. Yes, Walpurga, if we could only do good

to some fellow-creature every moment, we would be the happiest beings

under the sun. Don't you see, Walpurga, the real divine grace of a

prince lies in his being able to do good at any moment?"

"I understand that quite well," answered Walpurga. "A king is like the

sun which shines down on all, and refreshes the trees near by, as well

as the flowers in the distant, hidden valley; it does good to men and

beast and everything. Such a king is a messenger from God; but he must

be careful to remain one, for being lord over all pride and lust may

overpower him. He's just given life to Thomas, and all the prison doors

open as they do in the fable when they say: '_Open sesame_,' Oh, you

good king! don't let them spoil you, and always have such kindhearted

people about you as my Countess Irma."

"Thanks," said Irma. "I now know you perfectly. Believe me, all the

books in the world contain nothing better and nothing more than does

your heart; and, although you cannot write, it has been so much the

more plainly written there.--But let us be quiet and sensible. Come,

you must take your writing lesson."

They sat down together, and Irma taught Walpurga how to use the pen.

Walpurga said that she did not care to write single letters, and that

she would prefer having a word to copy.

Irma wrote the word "pardon" for her. Walpurga filled a whole sheet

with that word, and when Irma left the room, she took the writing with

her, saying:

"I shall preserve this as a memento of this hour."

CHAPTER III.

"What can be the matter with the queen?--"

--"Her majesty," added Mademoiselle Kramer.

--"What can it be?" said Walpurga; "for some days, the prince--"

"His royal highness," said Mademoiselle Kramer.

--"Has hardly been noticed by her. Before that, whenever she saw the

child and held it to her heart, she always seemed lifted up to the

skies, and once said to me: 'Walpurga, didn't it make you feel as if

you'd become a girl again, free and independent of everything? To me,

the world is nothing but myself and my child'--and now she hardly looks

at it, just as if her having had a child were a dream. There must be

great trouble in a mother's heart--"

"Royal mother," said Mademoiselle Kramer.

--"When she doesn't care to look at her child."

The queen's heart was, in truth, torn by a mighty struggle.

Her feelings had, for months past, been of a most distressing and

excited nature. There was one point on which she dared not even think

aloud, and which she would have thought profaned by speaking of it to

others. It was her wish to determine for herself, and she had done so.

Ever since she had become a mother, she had felt as if separated from

the rest of the world. When she thought of her child and, above all,

when she clasped it to her heart, she felt as if nothing more remained

to be done. She and the child were her world; all else was as nothing.

And yet she loved the king with all her heart, and ardently desired

that their union should be so complete that they be one in

feeling, in belief, and in affection.

The thought that they ought to be united in all things, constantly grew

upon her. Father, mother and child should be as one, praying to the

same God, with the same thoughts, and in the same words.

The isolation of the sick chamber only helped to strengthen these

thoughts, and, now that she was about to return to the world, she

longed to make the bond that united her to the king, perfect in the

highest sense.

She was allowed to do but little talking, and, therefore, did not

indulge in conversation. After a few days had passed, she had a

Madonna, by Filippo Lippi the younger, brought to her dimly lighted

chamber. She gazed at the picture for hours, and it seemed to be

looking at her in return--the two mothers were one in bliss.

The canon visited her and found her in this devotional frame of mind.

With trembling lips, she confided to him her desire to belong to the

church of her husband and child. He lent a ready assent to the request

that she might be spared all dogmatic teachings. When the canon had

left, she became oppressed with a sense of fear. There goes a man,

thought she, who bears my secret with him. He had promised to keep it

to himself and thus prove himself worthy her confidence. But the secret

had, nevertheless, ceased to be entirely her own.

She soon quieted her fears, and a glow of delight overspread her

features at the thought that, although she was now a mother, there was

yet another sublime and exalted function which would perfect her union

with her husband and furnish one more proof of her great love for him.

In the fullness of life, the thought of death occurred to her, and she

ordered another painting to be placed on the easel before her. It was

the Maria Ægyptica, by Ribera.

The queen often felt as if she must seek the glance of the penitent.

But those eyes, instead of beholding aught, seem as if listening: not

in alarm, for an angel is calling to her--but submissive and trustful,

for she is used to the sound of heavenly voices. Instead of

representing the penitent daughter of the king as crushed and bruised

from having mortified the flesh, the artist has made her features

expressive of restored, childlike innocence and youthful beauty--a nude

figure, divested of all raiment, wrapped in the long, fair tresses that

descend to her knees. She is kneeling beside the open grave that is to

receive her. Her blue eyes gaze into eternity; her lips are closed, as

if in pain, and above her hovers an angel who spreads the mantle of

mercy over her and exclaims: "Thou art forgiven!" Forgiven and

redeemed, she sinks into the grave.

The ascetic tone of the picture fully accorded with the queen's mood,

and the canon often found her lost in ecstatic admiration of it.

Although Doctor Gunther disapproved of this mute companionship, his

wishes and his orders were alike unavailing. It was the first time that

this man, who was so highly esteemed by the queen, had encountered

obstinacy and unyielding defiance at her hands. When Irma saw the

picture, she carelessly remarked that the position of the eyes was

faulty, but that the artist had skillfully availed himself of this

fault in order to produce a peculiar expression. The queen pressed her

hand to her heart--she was alone in her feelings and wished to remain

so.

Walpurga was successful where both Gunther and Irma had failed.

"Is that a forest-sprite?" asked she,

"What's that?"

"Out our way, they tell of the forest-sprites. They haunt the mountains

on ghost-nights, and can wrap themselves in their long hair."

The queen related the legend of Maria Ægyptica to Walpurga. She was a

princess who had led a dissolute life. Suddenly, she left the palace

and, renouncing all pleasures, went out into the desert, where she

supported herself on roots and lived many years, until all her clothes

fell from her body: and, when her dying hour arrived, an angel

descended from above and spread the mantle of mercy over her--

"That's all very good and pretty," said Walpurga, "but, no offense to

you, my queen, it seems a sin to have such a terrible picture before

one's eyes. I wouldn't want to sleep in the same room with it. It seems

as if some night it would come down and drag me into the open grave

with it. Oh, dear Lord! I'm afraid of it, even in broad daylight."

Walpurga's words were not without effect. When night came, the queen

really imagined that the picture was coming toward her. She could not

sleep, and was obliged to have it removed during the night.

Her calmness and equanimity were thus restored, and, as reading was now

permitted her, the priest provided her with suitable books.

Her whole life was possessed by the one idea. Walpurga had observed

correctly. The queen scarcely looked at her child, although the step

she contemplated taking was prompted by love for her husband and her

child.

A few days before she went out for the first time, she sent for the

king, and said:

"Kurt, next Sunday will be the first time that I go out, and the first

day that I enter your church, and that of our son. Henceforth, I shall

pray at the same altar with you and him."

"I don't understand you--"

"I have vowed that if God, in his mercy, would preserve my life and

that of the child, I would be united with you in all things. I am not

fulfilling an enforced vow, but a free and well-considered resolution.

I offer this, not as a new proof, but rather as a confirmation or final

sealing of our love. Kurt, my every thought, all that I am, is yours.

We are as one before the world; let us be as one before God.

Henceforth, we will not take separate ways, or have separate thoughts.

Let our child learn nothing of the differences between men, and, above

all, between those to whom he owes his life. I feel happy that I can do

this as a free offering and not as a sacrifice."

"Mathilde," said the king, with a strangely cold tone, "is this the

first time you speak of this, or have you already made preparations--"

"My resolution was formed in secret, and in all earnestness. Afterward,

I announced it and all is now in readiness. I had intended it as a

surprise for you. The canon almost insisted that I must tell you of it

in his presence, but I wouldn't consent."

"Thank God!" said the king, drawing a long breath, "all may again be

well!"

"'Again?' 'Well?'" inquired the queen in amazement.

The king calmly explained to her that, although he appreciated the

sacrifice, he could not accept it. The queen deprecated his terming it

a sacrifice, and the king said:

"Very well, then; you need go no further than myself, who of all

beings am most in accord with you, to discover that others may--nay,

must--judge of your actions differently from yourself. What will the

world, the courts, our subjects, think of it?"

"What need we care about that, when we know that we are right? 'What

will the world say?' is always the great question. But the world must

not force us to be different from what we are."

"Mathilde, you speak like a martyr. Your feelings are exalted and

worthy of all reverence. You are both good and noble; but, believe me,

the best actions, indeed, the only proper ones, are those which require

neither explanations nor apology. We are not hermits. Although your

motives are pure and lofty, the world will be unable and unwilling to

understand them. Nor dare we make explanations. A prince degrades

himself by stooping to explain his actions. You regard the world with

heavenly feelings; but the heaven lies in your way of looking at

things, not in the world itself. I should be sorry to reveal the

world's wickedness to you, and thus cast a gloom over your kindly views

of life. Hold fast to your belief in the Highest, but do it after the

forms of your own faith."

"And must I, all my life, walk in one path, while you and the child

take another?"

"Mathilde, we are not anchorites; we are not even private citizens. Our

position is an exposed one. A sovereign can have no private actions--"

"Do you mean that all we do is to be as an example to others?"

"I mean that, too," said the king, hesitating; "but what I meant to say

was, that, in whatever you do, it is not yourself alone, but the queen

who acts. Its effects are felt far and near. I am happy to be the

object of so much love. You feel it, do you not, Mathilde?"

"Don't speak of it. Our best and deepest feelings do not seek

expression in words."

"Bear this well in mind--the wife of a private gentleman can perform

such an action in secret. You cannot. You would be obliged to close the

Protestant court chapel, and would thus offend all throughout the land

who hold your present faith."

"I don't wish to offend any one. The world can't ask me to make such a

sacrifice. My highest, my only aim, is to be one with you, on earth and

in heaven, now and hereafter."

"Very well, then; promise me one thing."

"Whatever you wish."

"Promise me that you will defer acting on your resolve, for at least a

month. It would be wrong to allow a passing mood to change the course

of one's life."

"You're a noble creature," said the queen; "I'll obey you."

"So you give up your resolve?"

"No, I shall wait. I don't wish it to be what you imagine it--the

outgrowth of a sickly mood, engendered by the seclusion of my chamber.

I'll allow it to ripen in the sunlight, and you will then discover that

it is something more than a mere mood."

The king was satisfied with the result. But, strangely enough, he

refrained from any display of affection, and when, at parting, he took

the queen's hand in his, his manner seemed cold and distant.

CHAPTER IV.

The king had shown great self-command while conversing with his wife,

and, now that he was alone, felt that her words had aroused a dormant

feeling of displeasure.

He sincerely loved his wife, but he was of an heroic, active

temperament, and all that savored of pettiness, self-questioning or

sentimentality, was utterly distasteful to him. His great ambition was

to promote the happiness of his subjects, and to achieve for himself a

place in history. But a period of peaceful development, in which all

were friendly to the government and anxious to serve it, afforded no

opportunity for heroic deeds, or for new and startling measures. All

that could be done was to hold fast to what had already been achieved

and, at the same time, to encourage new growths. But such labors absorb

the work of many whose names remain unknown to fame, and it was this

that explained the king's fondness for building. The construction of

great edifices devoted to art, science, the church and the army, could

not but be regarded as proofs of a mind anxious to achieve great deeds.

The king loved his wife, and was content to have it so. The queen, on

the other hand, was ever anxious to furnish new proofs of her love, and

her deep sensibility was again displayed in this attempt to carry out a

resolve which, although prompted by the best motives, was utterly

impracticable. She idealized everything, and, in that respect, the

king's temperament was the very opposite of hers. Her apartments were

always so dimly lighted that, when he entered them, he was obliged to

grope his way. On emerging from this gloom, it seemed to him as if the

morn had dawned anew, for he dearly loved the bright light of day. This

continual worrying about religious problems that none can solve--this

constant mental excitement, incapacitates one for prompt action. He who

desires to have his life-fabric rest on a firm foundation, must be free

from over-refined self-criticism. He must subordinate all his feelings,

all his passions, to the one aim, and to no one does this so forcibly

apply as to the monarch who desires to direct the diversified and

all-embracing interests of his subjects.

The queen's aim was to realize, in her own person, her ideal of the

wife and the mother; but then she had no right to forget that she was a

queen. Something more was required than eternal trifling and weaving of

garlands, ingeniously devised as they might be. Love, such as hers, is

exacting withal, for, while it lavishes endearments, it constantly

requires a return in kind. It is exclusive and, at the same time,

wearisome. The sun shines and love exists, but why constantly worry

about either.

The lonely life the queen had been leading had produced an excited

condition that sought vent in the attempt to change her faith, and,

although the king had determined that it should be nothing more than an

attempt, her words had tended to confirm a corresponding feeling of

loneliness on his part--a result to which his recent experience had in

no slight degree contributed.

The king was alone in his cabinet. How would it have stood with him, if

his wife had possessed a great and commanding mind? The thought had

suddenly flashed upon him. He passed his hand across his brow, as if to

banish the idea; he dared not, could not think of such a thing. He sent

for Doctor Gunther, for this affair must be disposed of at once.

Gunther came.

The king, at first, cautiously sounded him, in order to discover

whether this confidant of the queen's knew aught of what had happened,

and then, under the seal of secrecy, informed him of all.

To the king's great surprise, Gunther, instead of thanking him for this

mark of confidence, politely said:

"I should much prefer that Your Majesty had graciously permitted me to

remain ignorant of secrets and troubles in which I can be of no

assistance."

The king stared at him in astonishment. This man was always obstinate

and preserved his dignity.

"I was about to ask you," said the king, harshly, "whether you believe

that you can influence the queen in this matter."

"I fear not; but if Your Majesty desires it, I am ready to make the

effort."

"Pray do."

"But I fear her majesty will be offended. I understand her

idiosyncrasies. If the matter is noised about, she will think it

profaned by the touch of others, and it will thus, in her opinion, lose

its greatest charm."

"That would be the very thing," said the king, eagerly. "Perhaps that

will be the best way to cure her of her enthusiasm. Everything is

considered a fit subject for debate, nowadays. Your friends in the

chamber of delegates debate everything, and they might as well--"

It was a constant source of annoyance to the king, that the doctor, who

never obtruded his opinions, would, when drawn into an argument on

questions of religion or politics, always espouse the liberal side;

but, with all that, he could ill afford to do without Gunther. Although

the king found him objectionable in some respects, he nevertheless had

a high regard for him. He held so high a position in the world of

science and in the esteem of his countrymen, that the presence, near

the king, of one possessed of such liberal views, reflected peculiar

glory on the court itself.

The king now formally requested Gunther to endeavor to move the queen

from her resolve.

It was a difficult undertaking.

The queen had, heretofore, made this trusted friend her confidant, and

now he was possessed of a secret of hers that had been given him by

another. Gunther endeavored to draw the queen into some allusion to her

secret resolve, but, failing in the attempt, was obliged to introduce

the subject himself.

The queen seemed surprised and grieved.

"Why has the king done this?" asked she, her features expressing

intense pain.

"Perhaps his majesty," replied Gunther, "credits me with the possession

of more powerful arguments that any which have yet been advanced."

"I know them, all," answered the queen, excitedly; "in such a matter,

no stranger should dare to breathe a word of--"

"Then, Your Majesty, I've nothing more to say, and humbly beg leave to

withdraw."

"No, no! Speak on--I must hear you."

"Must? You must not."

"Wish, or must, it's all the same. You're always saying that there's no

such thing as free will, and with monarchs it is certainly so."

"Your Majesty," said Gunther, in a gentle voice, "the high resolve you

have formed was not an act of your will. It is the natural and

inevitable consequence of a chain of events and impressions, which have

been shaped by your temperament. Fervent natures are always afraid lest

they cannot do enough for themselves and for the world. They would

like, with every hour--nay, with every breath--to make others happy, or

impress the world with some great thought."

"So you, too, can flatter."

"I never flatter. I simply take the diagnosis which, in your case, is

not flattering. This excess of sensibility is not health--"

"So you consider my mood as unhealthy--"

"We should not use that term.--But I entreat you. Your Majesty! this

tone, with either of us, is hardly--"

"Speak on. I like to hear you. I don't feel hurt that you know of this.

I regard you as part of the daylight that was to ripen my resolve."

"Well then, all that is to ripen must needs be subjected to currents of

air and even to storms. But I shall bring you no storm, and shall not

even speak of the fact that whoever deserts the faith into which he was

born, insults his parents; nor shall I tell you that the ceremonies to

which we have been accustomed from youth, are the soul's mother-tongue.

All that does not address itself to the mind. Mind and reason are the

parents of conscious man. It is our duty to live up to our convictions,

and I can, therefore, find no fault with a change of religion based

upon conviction. But it seems to me, Your Majesty, that your change of

faith is simply superficial or, if it be deeper, only from love for

your husband. You know, however, that I view all these things from an

entirely different standpoint. I believe I know the spring in paradise,

whence flows the stream that on earth is divided into so many little

rivulets; and these again, to use the words of my friend Eberhard,

Countess Irma's father, furnish the power for the mills that grind out

sermons. Your Majesty knows that the legend of the four streams that

flowed from the tree Igdrasil, which is found in the most beautiful of

all books, the Bible, is also to be found in our old German Saga."

"Very well--but I beg of you, my dear friend, spare me your literary

curiosities."

"Your Majesty," resumed Gunther, "as long as we remain in the faith of

our fathers, we can enjoy great latitude of opinion. Our thoughts can

reach far beyond its confines, and no inquisition has power over us:

but, as soon as we profess another religion, we forfeit the right to be

free. It is our duty to live up to it. One who is noble by birth can

afford to admit civil equality, but he who has had nobility conferred

on him, cannot do so. Will Your Majesty permit me to say one word more?

I regard it as fortunate for mankind in general, and our German

fatherland in particular, that there is a diversity of religious

beliefs. That of itself tends to preserve feelings of humanity, for

thus we cannot help seeing that there are different forms of soul

utterances for one and the same thing. A multiplicity of sects affords

the best protection against fanaticism and, moreover, helps to prove

that religious forms are of no consequence; that is, one can be

righteous in any faith and, indeed, without any outward show of

religion."

Gunther remained with the queen for a long while, offering further

explanations of the ideas he had advanced.

He was still with her, when the canon was announced.

The queen sent word that she desired to be excused, and requested him

to come the next day.

When Gunther left, she was still as firm in her resolve as at first.

She felt persuaded that this was an action in which no other being

should interfere, and, least of all, a man.

She was on the point of taking Irma into her confidence. She felt that

the countess was clever and, moreover, a true friend. Unconquerable

dread held her back. She feared lest she might appear weak and

vacillating in Irma's eyes.

CHAPTER V.

For days, the queen remained alone. Walpurga and the child were the

only ones permitted near her. She did not wish to speak to any one

else, be it her husband, Gunther, or the priest.

One afternoon, when Walpurga was with her, she felt impelled to ask:

"Walpurga, do you know that I don't belong to your faith?"

"Yes, indeed, I do; and I'm glad of it."

"Glad of it?"

"Of course I am; you're the first and only Lutheran I've ever known,

and if they're all like you, it must be a beautiful religion."

"It is beautiful, and so are all religions that make good beings of

us."

"Why, do you know, queen, that's the very thing my father used to say,

and in the very same words? Oh, if he'd only lived long enough to have

had a talk with you."

The queen was silent for a long while.

At last she asked:

"Walpurga, if your religion was different from Hansei's, would you go

to his church?"

"Why, Hansei's Catholic, as well as I am."

"But if it were otherwise?"

"But it isn't otherwise."

"But just imagine it were."

"But I can't do that," said she, as if about to cry.

The queen was again silent for some time. Presently Walpurga, of her

own accord, said:

"Yes, I can, after all. I've thought it out. Why, you're Lutheran and

your husband's Catholic. But why do you ask me that?"

"Imagine yourself in my position. If you were a Protestant, would you

not visit your husband's church?"

"No, queen, never! As long as I'd been an honest wife while a

Protestant, I'd remain one. May I tell you a little story, queen?"

"Yes; go on."

"What was I going to say?--Yes, now I know.--You see, my dear

father--the king's physician has surely told you what a good man he

was--But I'm beginning at the wrong end; I wanted to tell it to you

differently.--Well, as I was going to say, I went to school to a very

strict priest who condemned all people that didn't belong to our faith,

to the lowest depths of hell. I was once telling my father about it,

when he said: 'Purgei,'--he always called me Purgei when he wanted to

speak right to my heart--'Purgei,' said he, 'there are many millions of

people in the world, and the smallest portion of them are Christians,

and what a vile God it would be who would condemn all the rest to hell

just because they aren't Christians, when they can't help it, and were

born as they are. Don't you believe,' said he, 'that a man's damned for

his faith; as long as he's virtuous.' Well, I hold fast by that. Of

course, I didn't say anything to the priest about it, for he needn't

know everything. I'm sure he don't tell me all he knows."

The queen was silent, and Walpurga soon began again:

"And now I think of something, better than all. Oh, my dear queen, I

must tell you this, too. It's about my father, who used to think a

great deal. The old doctor, the father of the one who's living there

now, often used to say that if father had studied he'd have become a

great man. Well, one evening, on the very Sunday that I was confirmed,

I was sitting with father and mother on the bench behind our little

cottage by the lake. The evening bells were tolling; we had said our

aves and were sitting about in front of the cottage, when we heard the

Liederkranz. They were coming across the lake in a boat, and were

singing so beautifully--I can't tell you how lovely their singing was.

And then father got up from his seat, his face glowing in the sunshine,

and said: 'Now I know how our Lord in heaven must feel.' 'Don't

blaspheme,' said my mother. 'I'm not blaspheming; quite the reverse,'

said father. His voice seemed wondrous strange. 'Yes, I know it, I feel

it,' said he; 'all churches--our own, the Protestant, the Jewish, the

Turkish, and whatever their names may be--every one of them has a part

in the song, and though each sings as best he can, they go together

very well, and make a chorus that must sound glorious up there in

heaven. Let every one sing according to the voice God has given him,

for He will know how it will harmonize, and it surely does harmonize

beautifully.'"

Walpurga's beaming glance met that of the queen.

"Your father spoke wisely," said the queen; a tear glistened in her eye

and in that of the nurse, too.

Walpurga went away, taking the child with her.

The next day the queen sent for the king, and said:

"Kurt, I have courage."

"I know it."

"No. I have a courage that you do not know."

"A courage that I do not know?"

"And never will know. I have courage enough to appear weak and

vacillating; but, Kurt, you will not misjudge me on that account?"

"Pray speak more plainly, and with fewer preliminaries."

"I am determined," continued the queen, "I hardly dare utter that word,

now--but you will not misjudge me? I shall remain in the faith in which

I was born, and we shall nevertheless be as one."

The king thanked her quite cordially, and only regretted that the canon

knew of the matter. He hoped, however, to be able to silence his

tongue.

The queen was surprised to find that he manifested so little joy; but,

on second thought, this seemed quite natural to her, for why should

that which had been nothing more than a passing cloud, leave great

results in its wake? Others could know nothing of the bitter struggle

it had cost her.

She felt sensible that it would be a long while before any expression

or resolve of hers would obtain weight or authority, for it would not

soon be forgotten that she had once shown herself weak.

While she was in the Protestant court chapel, on the following Sunday,

she scarcely ventured to raise her eyes. She was thinking of how it

would have been if she now were in the other church, and of how the

eyes of the congregation would have been directed to the pew that was

thenceforward to remain vacant. In spirit, she had already deserted

this church and its congregation. Her soul trembled when she thought of

the resolve she had entertained, and, from the bottom of her heart, she

thanked her husband, whose strong arm had held her back.

When the whole congregation arose and, in the prayers for the royal

household, offered up thanks for her preservation and that of the royal

prince, she could no longer restrain her tears.

Contrary to her usual habit, she went to church again that afternoon.

Meanwhile, the king and Countess Irma were pleasantly sauntering in

that portion of the park from which the public was shut out.

The king informed Irma of the queen's resolve and of how she had been

induced to give it up. Irma replied that she had, long since, surmised

as much, but had not felt that she had a right to speak of it. She had

dropped a hint to Doctor Gunther, who had refused to have anything to

do with the matter.

The king expressed his dislike for Gunther, but Irma defended him with

great enthusiasm.

"The doctor is very fortunate," said the king, "to have so eloquent an

advocate in his absence."

"I am that to all friends whom I truly respect."

"I could wish that I, too, were accused," continued the king.

"And I believe," replied Irma, smiling, "Your Majesty could not wish

for a more earnest advocate than I would be."

A pause ensued. The king gracefully and frankly retracted his

complaints against Gunther, and this conversation seemed merely a

bridge over which they passed to another topic.

The king spoke of the queen and of her peculiar temperament.

It was the first time that the king and Irma had spoken of the queen.

That the king not only prompted, but actually called forth her remarks,

was the cause, at a later day, of incalculable suffering.

They extolled the poetic sense, the fervent feeling, the flower-like

tenderness of the queen, and while they thus depicted her in glowing

colors, they, in their own minds, found fault with her weakness and

overflowing enthusiasm.

When a husband thus speaks of his wife, to a third person, it

inevitably leads to estrangement and exposure.

Thus far, all was veiled in terms of praise. It was here just as it was

with the queen in church. With all the power of her will, she strove to

forget herself in her prayer, and to be again as she had once been; and

yet, while the sense of the words she uttered entered her soul, she

could not help being aware of a secret numbness and estrangement that

seemed to say to her: "You will never again be as you once were."

While the king and Irma were thus conversing, they appeared to each

other as equals. Their views of life were in accord, and while they

spoke of how easily one might yield to temptation, their intimacy

seemed to them a proof of strength rather than of weakness. They went

on in perfect step with each other, and Irma no longer said: "Let us

return."

The queen, since she had again appeared in society, was, if possible,

more gracious and amiable than she had ever been. She placed every one

far above her. They had none of them been as weak and vacillating as

she. She felt it her duty to do good to every one, because, although

she was no better than they, she was placed far above them. Her soul

was all humility.

A few days later, the newspapers mysteriously hinted that attempts had

been made to take advantage of the angelic purity of the queen, in

order to estrange her from herself and alienate the affections of the

people from her.

This, it was readily understood, alluded to the queen's contemplated

change of faith.

The queen had always openly acknowledged herself on the side of the

liberal opposition, and the king regarded Gunther as the mediator who

had procured her the goodwill of the press, and who, in doing so, had

not feared committing an indiscretion.

This plain and flagrant perversion of the truth only served the more to

embitter him against the press and the machinations of the queen's

party at court. Nevertheless, he dissembled his resentment, for he felt

that he could well afford to bide his time.

CHAPTER VI.

(IRMA TO HER FRIEND EMMA.)

"Let me tell you all that I did yesterday. I wanted to read--I saw the

letters but could not read a word, for they all seemed to be moving

about the page, like so many ants in an anthill. I wanted to sing, but

no song was to my liking. I wanted to play, but even Beethoven seemed

strange, and I lay for hours, dreaming. I followed the little mother

and her son beyond the mountain. The larks sang my thoughts to them.

They reach their home, and the wild, daring lad is tractable once more.

He carols his merry song to his beloved. I fancy I hear him. Ah, Emma!

what is there so glorious as making others happy? It is hard enough to

be a human being, fettered by a thousand trammels, by ailments,

consideration for others, and all sorts of misery; but to suffer want

beside! The very idea of jails is a disgrace to humanity. Ah, Emma! how

noble, how like a revelation from the great heart of the people, were

the words of the simple-minded wife of the wood-cutter. I tried to put

what she had said into verse, intending to give it to the king the next

morning; but I could not do it; nothing satisfied me. Language is worn

out, narrow, coarse. I was ever thinking of Schiller's words: 'When the

soul speaks, it has ceased to be the soul.' I left my scribbling. I

passed a restless night. When the soul's depths are stirred, it wanders

about like a spirit, and can find no rest in sleep.

"While at breakfast this morning, I informed the king of what Walpurga

had said. I was annoyed to find that he did not understand more than

half of it. How else could he have answered me: 'Yes, the Highlanders

have great affection for their rulers. Pray tell that to your father.'

"The king observed that he had made a mistake, but, adroit and amiable

as he is, quickly recovered his good nature and said: 'Dear Countess, I

will give you a secret title, which is to be known only by us two. I

appoint you as spy on the popular heart. Seek and listen, and whenever

you find anything, you can always count upon unquestioning compliance

on my part. Does it not seem to you that Egeria was nothing more than a

spy on the popular heart? At the altar in the temple, she could

overhear the secret thoughts of the people, and then repeated them to

king Numa, whom they deified and adored.'

"'But our people only use prescribed prayers,' said I.

"'The thought is quite suggestive,' replied the king, and when

Schnabelsdorf entered shortly afterward, he commissioned him to make

brief notes of what fixed prayers the Grecians and Romans used in their

temples.

"And thus the whole story ended. What I had imagined would create a

deep impression, merely served to furnish amusement for an evening.

"Ah, dear Emma, _amusement_ is the point about which all revolves. If

an apostle were to appear to-day, he could not help preaching, 'Ask

not, how shall we amuse ourselves to-day, but'--etc., etc.,--finish the

sentence for yourself.

"I am no better than the rest of them. I, too, am nothing but a puppet,

wound up to run seventy years, and to dance and laugh and ride and

amuse itself in the mean while. All of us are mere singing-birds; the

only difference being that some are contented with grain and

caterpillars and flies, while others require larger morsels, such as

rabbits, bucks, deer, pheasants, fish. And the higher education of that

variety of singing-birds known as man, lies in the fact that he cooks

his food. There is terrible vacuity in many men. _To make

conversation._ Therein lies the whole art. Try to get a clear notion of

the expression: _to make conversation_, and you will find how

nonsensical it is. The people find me entertaining, but I don't _make_

conversation. I merely speak when I have somewhat to say.

"My evil spirit is constantly shouting the word '_dilettante_' in my

ear.

"'Dilettante--One who junkets or feeds on tit-bits for pastime,'--says

my dictionary. Rather rough, but there is something in it."

"_One day later_.

"The king has just sent me the following poem. I must apologize to him;

he seems to have understood my communication far better than I had

suspected. What do you think of the lines? Why should a king not write

verses? Ideality is required of him. Indeed a king should understand

all things, but be a dilettante in none.

"P. S.--I have just looked at the lines again, and find that I cannot

copy them for you."

"_A day later_.

"Don't laugh at my continually telling you of Walpurga.

"It was during our writing-lesson to-day, that the king found me with

her. He told me how much pleasure it had afforded him to be able to

pardon her relative.

"'Our relationship is very distant,' said she, 'nothing more than

forty-second cousins; and, Your Majesty, I've something on my mind. If

Red Thomas turns out badly, I can't help it.'

"The king laughed and replied: 'Nor can I.' It is hard to understand

how Walpurga never speaks of Zenza and her son except in anger, and

that she will have nothing to do with them. Strange demons jostle each

other in the hearts of the people. I fear that my office of spy on the

popular heart will prove very difficult.

"By the king's orders, I have been furnished with a copy of the church

prayers of the Greeks and Romans.

"I must write it down and then the idea will cease tormenting me. I am

constantly picturing to myself, how would it have been if Zenza had

become first lady of the bedchamber, and her son, the poacher, master

of the hounds. She would be ready enough of speech. She has exceedingly

clever and cunning eyes, and the lad would surely have been an elegant

cavalier.

"In spite of all their prating about human equality and pride of birth,

I cannot help regarding it as a sign of divine grace, that I was born a

countess, instead of Zenza's daughter; but there are two sides to that

question.

"God's creatures are not so badly off in this world, after all. The

frog croaking in the marsh is just as happy as the nightingale that

sings on the tree.

"To say to the frog, 'Thou, too, should'st dwell in the rosebush and

sing like the nightingale,' were not humane, but simply tyrannical.

"Have you ever patiently listened to the croaking of the frogs? How

expressive it is of comfort! While I write, they are having a grand

concert over in the park pond. I enjoy listening to them. We human

beings are impudent enough to judge everything by the standard of our

own taste, and yet Mistress Frog will, very justly, find no music so

sweet to her ears as the song of Master Frog.

"I feel so grateful, dear Emma, that I can write everything to you. You

cannot imagine what a relief it is to me.

"I am a spy on my own heart; there are many wild spirits in

it--adventurers and fortune-hunters and, with them all, a nun. I am

quite curious to know how so mixed a company will get on together.

"My behavior toward the whole court is so free and independent, because

I have a secret daily task: writing to you.

"But my thoughts go out to you a thousand times oftener:

There's not an hour in the silent night.

But what my thoughts go out to thee.

"Do you remember it? It was your favorite song. I sing it, for your

sake, at least once every day. You and my piano are all in all to me.

You patiently await my coming. All the music of all the masters that

ever were. Or ever will be, dwells within you, and you only await the

coming of the one whose touch can release those tones.

"I have a dual soul. In its one phase, the piano--in its other, the

zither. The one is easily moved from place to place; the other not. The

one requires that the fingers touch the strings. But ah, dear Emma, I

scarce know what I am writing. I wish I could get rid of the habit of

thinking. I wish I were Zenza's daughter and the poacher were my

brother. But no; our thieves and rogues who have been at school long

enough to know the seven cardinal sins and the whole of the catechism

by heart, are timid and cowardly; they drop the petition for pardon

into their mother's lap, while they stand by whining: Forgive us, we

have done nothing wrong. All the world over, there is no longer genuine

scorn of nature. Methinks the 'Italian robber behind the rock' that you

once worked in wools, has, in these days, ceased to be more than a

traditional pattern for embroidery. The arts simply serve to gloss over

life.

"Good-night--good-night."

"_A day later_,

"I never read what I have once written. I do not care to be reminded of

it again. Yesterday's sun does not shine to-day.--But that was not what

I meant. The sun is the same, but the light is ever new, and I am happy

to-day and do not care for all the churches and palaces, men and women,

frogs and crocodiles in the world.

"To-day, the king said to me:

"'I am well aware, Countess, that you have thought contemptuously of

me, during the last two days. Every withdrawal of your sympathy affects

me as sensibly as if it were an electric shock. Do not let this happen

again, I beg of you!' and while he spoke, he looked at me like a

beseeching child. Ah, he has such deep, beautiful eyes!

"I remember your once saying to me: 'There are glances without a

background, void of depth or soul'; but the glances of this friend have

unfathomed depths.

"The bonds that held me captive shall no longer restrain me! I--I--but

no--I cannot write the word.

"Oh, Emma! How I wish I were a peasant on a lonely mountain height.

Last night, it seemed to me as if my native mountains were calling out

to me, 'Come home'--'Do come'--'It is good to be with us.' Ah, I would

like to come, but cannot.

"Walpurga is a great friend to me at present. I become absorbed in her

life, so full of true, natural repose. I find it excessively amusing to

behold the court as reflected through her eyes. It seems like a very

puppet-play, and we, like two merry children at a raree-show.

"We often sing together, and I have learned some lovely songs from her.

Oh, how charmingly independent the country people are.

"'On mountain heights there dwells no sin.' The song is ever haunting

me.

"The king departs for the baths to-day: my brother is in his suite. The

king requested me to write to him, now and then. I shall not do it."

"_Two days later_,

"The king knows that I cannot live unless there be flowers in my room,

and has given orders to have a fresh bouquet placed there every day.

This displeases me. A flower that a friend has stooped to pluck for you

is worth more than a thousand artistically arranged bouquets.

"The king has also left orders that bouquets shall be sent daily to

Baroness N---- and Countess A----. I think this is only to avoid

remarks upon the attentions shown me. I am angry at the king. He shall

not have a line from me.

"I have for some time past been taking lessons in modeling, from a

professor at the academy. He has finished a bust of me, and has used it

as a model for a figure of Victory, to be placed on the new arsenal.

Have I not reason to be proud? After this, I shall ever be in the open

air, and shall see nothing but the blue sky, the sun, the moon, and the

stars, and, at noon, the guard-mounting.

"The professor says that I have talent for modeling. This has made me

quite happy. Painting and drawing are only half the battle--mere

makeshifts. Will you permit me, on my return, to make a _relievo_ of

you?

"Did I not, in one of my letters to you, speak of a secret in regard to

the queen?

"I think I did.

"The affair is now at an end. For love of the king, the queen wished to

enter our church, or rather yours--pardon me, once and for all time, I

have no church. The king behaved nobly in the matter. I shall never

forget the time he told me of it. He is, indeed, a great man. How

glorious it is, that there are princes on earth who realize our ideal

of the perfect man. Free and yet self-possessed, unspoiled, unperverted

and unbiased. If there were no kings, we could no longer know a free,

beautiful, perfect man. I use the word _beautiful_ in its highest

sense, and of course presuppose the existence of a noble mind. All are

not gods who suffer themselves to be worshiped.

"The poet and the king are, of all men, alone perfect. All others--be

they musicians or painters, sculptors or architects, artists or

scholars--have narrow, contracted vocations, solo instruments, as it

were. The poet and the king are the only ones who grasp life in all its

phases. To them, naught is devoid of meaning, because all belongs to

them. The poet creates a world; the king is a world in himself. The

poet knows and depicts the shepherd and the huntsman, the king and the

waiting-maid, the seamstress--in fact, all. But the king is hunter and

statesman, soldier and farmer, scholar and artist, all in himself. He

represents the orchestra of talents. Thus is he king, and thus does he

represent a people, an age--aye, humanity itself, and at its best.

"Ah, Emma! Call me Turandot. Schoning, the poetic chamberlain, is also

paying his addresses to me.

"Do you know what I ought to have been?

"I do.

"Queen of a tribe of savages. That is what I was created for. My true

vocation would be to found a new civilization. Don't laugh at me. I am

not joking; indeed, I'm not. I am fit for something far better than all

I have here. I am not modest. I judge others and myself, too. I know my

merits and my faults, also.

"On father's estate, there is a hammock that hangs between two elms. My

greatest pleasure was to lie in it, suspended in the air, while I

dreamt of distant woods.

"Do you know some savage tribe that would elect me as its queen? I have

procured some of the Indian melodies, if they really deserve the name.

One of the professors at the university, who spent six years among the

Indians, recently gave a lecture at court. He brought some of their

instruments with him, and had them played on. There was more noise than

music. It seemed like the lisping of a nation which, as regards

civilization, is yet in its infancy."

"_Four o'clock in the morning_,

"Forget all that I have written to you, as you would the breezes and

the weather-changes of yesterday.

"I have just left my bed, in order to write to you. I cannot sleep. I

am scarcely dressed while I sit here speaking to you. Oh, that I

_could_ speak to you! Writing is a miserable makeshift--nay,

helplessness itself.

"I don't know what ails me. All that I am--my very self--seems as if

only for the time being. I feel as if waiting for something, I know not

what. I fancy that the very next moment must bring it, and that I shall

either be doing some wonderful thing, or have it happen to me--that I

shall be completely changed and become a great healing power, instead

of the puny, useless child of man that I now am. I listen and fancy

that I must hear a tone that has never yet been uttered on earth.

"There is no use trying--I cannot write. I imagined that it would

soothe me if I could force myself to think and speak of all things in

definite terms, but I know nothing definite. I only know that I am

unhappy. Not unhappy, but as if dead and yet alive. I imagine myself a

sleep-walker.

"I can write no more. I close my letter and shall go to bed. I want to

sleep. All the world about me lies hushed in slumber. Oh, that I could

dream myself into another world, even though my sleep were one from

which there is no waking!

"Good-night! Good-morning! IRMA."

CHAPTER VII.

"To-morrow, I mean to bring Countess Irma to you," said Doctor Gunther

to his wife, one evening. "She's the daughter of my old friend."

"In voice and manner, the countess is full of majesty, but her singing

is not practical."

"Then you shall teach her. She will be glad to learn from you."

"If she be willing, I am quite at her service."

The doctor was delighted to find it so easy to bring the two ladies

together. He knew, of course, that his wife complied with his every

wish, but in this instance he was doubly anxious that all should go

smoothly.

For some time past, he had observed that Irma was in a feverish

condition which, during the last few days, had been growing worse; but

he was one of those physicians who pay great attention to mental

conditions and, instead of waiting for disease to make its appearance,

endeavor to avert it by proper changes in the mode of living. He did

not know the cause of Irma's excitement, but he knew that her

temperament was one of extremes, and felt sure that if she could only

obtain an insight into a pure home and, perhaps, become initiated into

its ways, it would have a tranquilizing effect and lead her mind to

move in quieter channels. He had enough experience to know that there

are no substitutes for sympathy and friendship, but felt that the

acquaintance of a citizen's wife, of exalted character and ripe

culture, could not fail to have an effect upon Irma, who had thus far

known no life but that of the cloister and the court.

Gunther had no need to give his wife instructions, or even a mere hint

as to the way in which she was to endeavor to gain an influence over

Irma. He felt as sure of his wife's course in the matter as if she were

a force in nature, and well knew that, if left to her own methods, the

result would be so much the more certain.

Gunther usually kept his household free from all relations with the

court; but this was the daughter of his friend--although that friend

was angry at him--and he allowed her the freedom of his house.

Some weeks before, when speaking of the Te Deum on the occasion of the

birth of the crown prince, Irma had casually referred to her having met

Gunther's wife and youngest daughter. The doctor had again, as if by

the merest chance, introduced the subject, and, almost without knowing

it, Irma had expressed a wish to improve the slight acquaintance thus

begun. This was just what he wished for, and, on the afternoon of the

day following, he conducted Irma to his beautiful, well-furnished home.

Gunther's wife was Swiss by birth, and had come from a wealthy and

cultured family. She spoke High German with a strong Alemannic accent.

She endeavored neither to retain the dialect nor to acquire the

language of books. Her easy, natural ways seemed the result of careful

culture, but there was no attempt to show off either. As a matter of

course, she was perfectly conversant with all that related to the

economy of the household, and at the same time fully alive to all that

makes for beauty and the common weal.

As a singer, Madame Gunther had been a great favorite, both in social

circles and at important vocal performances. Her voice was a full,

resonant soprano and, although she had given up singing solos, she and

her daughters would still take part when great musical works were

performed. When fresher voices had taken the solo parts, she had,

without a murmur of regret, retired to her place in the chorus.

And thus, too, was her life. Self-reliant and diligent at home, she

took an active interest in all public institutions in which women were

permitted to take part. She had preserved one priceless heirloom--she

was free from nervousness and, with her, public spirit was a duty. She

educated her children, managed her household, was a kind and attentive

hostess, and performed all this as if obeying the simple instincts of

her nature.

She honored her husband. Whatever he said was always of special weight,

but still she held fast to her own judgment. Although she had been

living in the capital for nearly twenty years, she had remained a

stranger to the whole of the hodge-podge system of caste and the

granting of favors by the grace of this or that one. She was not

opposed to the system, but she left such matters to those in whose eyes

they possessed value and importance; as for herself, she regarded them

with absolute indifference.

She was pleased at the honors shown her husband, but that seemed, to

her, a matter of course. He was a great man, and if the world had

withheld its praise, he would, in her eyes, still have been the

greatest and best of men. Her whole bearing expressed this feeling. She

had never had the slightest desire to appear at court, and when her

husband was obliged to be away from home by day or at night, and often

for weeks at a time, she accepted his absence as unavoidably incident

to his calling, and refrained from adding to his discomfort by

complaining thereat.

When the doctor returned, it was always to a well-ordered home.

Refreshed and invigorated by its influence, he would go back to the

smooth and slippery precincts of the court.

Irma was now introduced to this home. In appearance, she was all beauty

and dignity, and no one would have guessed how forlorn and homeless she

felt within her heart. In her hand, she held the bouquet which had, as

usual, been sent to her that day, by the king's orders. Gunther had

told her that this was his daughter Paula's birthday, and she had

brought the flowers for her. They were as lovely as she who brought

them. And yet what was it that clung to them? It was almost sinful to

use the bouquet as a birthday favor, for Irma felt mortified when she

received it. But the flowers were as coin that might be passed on to

another.

When Irma entered the house, she felt as if escaping from the noise and

bustle of the market-place, or the restless life and cries of the

highway, into a temple of domestic peace.

The house was on a little, narrow street, and was surrounded by a

garden full of tall, fine trees. A portion of the yard had been fenced

off and converted into an aviary. The hallway and rooms were adorned

with statuettes and pictures; the furniture was simple and massive. The

doctor's library, reception-room and study were in the upper story.

There had been no preparations of any kind for Irma's reception. The

mother had carefully enjoined her daughters not to make any change in

their dress on account of the countess's visit. They did not go out to

meet her. She was conducted through the summer house, where the flowers

and presents for Paula had been arranged, and there, on the steps, sat

Madame Gunther and her daughters, busily engaged in needlework. The

elder daughter, the wife of Professor Korn of the university, had her

child with her. Paula, the younger of the two, who, like Irma, had just

entered her twenty-first year, could not be termed beautiful, but had a

bright and cheerful countenance and a fine figure.

Irma was warmly welcomed. As it was Gunther's hour for consultation, he

soon retired and left her with the ladies. She was surprised, at first,

to find herself repeatedly accosted as the daughter of an old friend.

She was not here on her own merit, or as the most admired of all the

ladies at court, but simply as Count Eberhard's daughter, who had been

received into the house from an affectionate sense of duty. When asked

about her father's health, she thanked them, although she felt sad at

heart to think that she knew so little of him. How utterly different

from hers was the life these children led.

Music soon afforded a convenient and agreeable change. On the piano,

there lay a composition in manuscript. It was by a nephew of Madame

Gunther's, who lived in northern Germany. Madame Gunther told her that

he was a philologist by profession, but that, as he would, in all

likelihood, lose his eyesight, he had determined to cultivate his

decided musical gifts and to perfect himself as a musician.

Irma begged Madame Gunther to sing the song, but she replied that,

while her voice was no longer equal to it, that of the countess was

exactly suited to it. She gave the manuscript to Irma, who read it over

and afterward sang it with rich, full voice, to Madame Gunther's

accompaniment. The composition was pleasing, but full of suggestions of

well-known masters.

Madame Gunther now showed what she meant by practical singing. Irma did

not make the best use of the means at her command, and where there were

faults showed them too plainly. The doctor's wife instructed her in a

simple, unpretentious manner, and Irma remarked that the daughters

ought to feel happy to think that they could hear such singing every

day.

"And this is my son, the most grateful of all listeners," said Madame

Gunther, introducing a handsome young man with a full, brown beard. He

was technical director in a manufactory of chemicals, and had brought a

student with him. Female friends who lived in the neighborhood joined

them soon afterward, and there were merry times on the terrace and in

the garden.

Irma remarked the attentive glances directed upon her. It seemed to her

as if all knew the troubles that filled her soul; she had completely

forgotten how beautiful she was.

"Pardon me, Madame Gunther, for looking at you so," said Irma,

suddenly, "but I am somewhat of a dabbler in plastic art, and when I

notice the contour and color of your head, it seems as if the Holbein

Madonna, of the Dresden Gallery, had come to life and was standing

before me."

"Can you really see the resemblance, at this late day?" asked Madame

Gunther, blushing slightly; "in former days, it was often remarked and

was almost the very first thing my husband said to me in Zurich, now

well-nigh twenty-six years ago. On my mother's side I can trace my

descent from the family of Burgomaster Maier, by whose orders the

picture was originally painted."

Irma was delighted with all that she heard and saw, and especially with

Madame Gunther's reminiscences. While speaking of her own efforts in

the way of art, she looked at the doctor's wife earnestly, and only

wished she were able to model a portrait, in which case Madame Gunther

would have to sit to her. She could not help thinking, at the same

time, that there was a culture which had been handed down from earliest

times: a culture whose history, running through all ages, is entirely

different from that of the nobility, and that the best results of human

effort had been brought about, not by the nobles, but by civic liberty.

Madame Gunther asked Irma whether she had a picture of her mother.

Irma replied that her father had had a portrait taken of her mother

when in the fullness of her beauty. The picture had been a failure, and

almost seemed as if intended for some one else, and so her father had

ordered it to be destroyed. He would rather have no picture than a

false one.

"That, of itself, is enough to make one honor him for his love of

truth," said Madame Gunther. "Most people are satisfied with what is

false, and keep on saying: 'you can recognize this or that feature,'

until they, at last, persuade themselves that it must once have been a

true likeness."

The conversation now turned upon the fact that Irma had never known her

mother, and Irma's glance often dwelt upon the two daughters sitting

beside their mother.

Madame Gunther said:

"I trust that I've not awakened painful memories, but I regard it as a

duty that we should often think of our beloved dead; calmly and

peacefully, of course. I've always felt thus with regard to my departed

mother, and I hope that, when the time comes, my children may have the

same feelings toward me."

Irma pressed Madame Gunther's hand. All that she said was so full of

truth, so satisfying.

Madame Gunther told her that it was long before she had acquired a

taste for plastic art. Appreciation had, however, gradually dawned upon

her; but it was for what related to the human figure, rather than for

landscapes. The conversation continued in an easy and cheerful vein.

The carriage had long ago been announced; the half-hour which Irma had

meant to stay with Madame Gunther had been prolonged to more than an

hour. At last, she took her leave with sincere requests to repeat her

visit.

CHAPTER VIII.

When Irma returned to the palace, she felt as if coming from another

world--from a life far removed from her own.

Gunther was a deep student of the human heart.

In one respect, Irma's visit had had the result foreseen by him; but

there was some unknown influence at work, and, perhaps, affecting

previously existing conditions. Nothing unless it be the drop that

falls from the cloud, is free from foreign admixture, and it is from

pure thought alone that one can draw definite conclusions. The water in

the spring, and the living human heart, both contain foreign elements

within themselves, and no one can foretell how a new ingredient may

affect the invisible atoms thus held in solution.

Irma's soul was deeply agitated. Her great power had been exercised and

had sought some act in which to spend itself. She had felt happy in the

possession of the king's friendship and in the thought that she could

furnish so great a mind as his with the congenial companionship he

would otherwise be obliged to forego; but the daily bouquet, trivial

attention as it was, had aroused and offended her. "He isn't my ideal,"

said she to herself, and her heart felt lonely again, as it had been

ever since she was old enough to think.

Although she had been lonely while at the cloister, she had there found

a friend who, if she had little to impart, gratefully accepted all that

Irma could give her. At the court, she felt lonely in spite of her

wanton humors. She was always obliged to be doing something, be it

playing, singing, painting or modeling; anything but this deathlike

solitude. She was suffering the homesickness of the soul.

"Are not all in this world homeless?" she asked herself, and, while

searching her mind for an answer, Gunther had introduced her to his

household.

There, all seemed beautiful and complete. There was a home, and a

mother who showed that she understood a young and ardent life; the

daughters would never suffer as she did. The mother's glance fell upon

her and seemed to say: "I shall understand you and will soothe all

sorrows you may tell me of." But Irma could not complain, nor exclaim:

"Help me!"--and where nothing was required of her, least of all. She

could and must help herself.

Madame Gunther had touched her most tender chord: the memory of her

mother, and, although Irma gently avoided the subject, her pain was so

much the greater.

She wept, but did not know it until a tear dropped on her bosom.

There is so much comfort, so much of real and beautiful seclusion, in a

world which is content with itself, and which, in its work and

education, requires no favors from those above. How happy the lot of a

daughter in such a home, until she, in turn, becomes the head of

another household.

Irma felt humbled. All her pride had left her. Her thoughts were still

in the garden, where the people moved about in careless unconstraint

and where the men, returning from their professional labors, and the

maidens, from their domestic duties, were enjoying themselves in

common.

"One thing yet remains mine and it is the best," exclaimed Irma,

suddenly rising: "solitude is mine. I can yet be lonely, strong,

self-contained."

Her waiting-maid entered and announced a lackey sent by the queen.

"Does the queen want to see me at once?"

"Yes, gracious Countess."

"Very well, I'll be there directly."

"Walpurga was right, after all," said she to herself; "I, too, serve."

She felt vexed while she stood before the mirror to have her dress

adjusted. She assumed a cheerful expression with which to appear before

the queen. She was obliged to do so.

She hastened to obey the queen's orders. When she got near the door,

she drew herself up and again fixed her features in the cheerful,

smiling expression that she wished them to have, and then entered the

room, which, as usual, was dimly lighted.

The queen was sitting in a large arm-chair. She was clad in a dress of

snowy white, and a lace handkerchief had been twined about her golden

hair.

"Come nearer, dear Countess," said the queen. "I am delighted to see

you again. When I see my dear friends, it seems as if I'd been spending

the last few weeks in another world. Unfortunately, I am somewhat

indisposed again. I owe you special thanks, for I understand that

you've kindly interested yourself in the nurse; by keeping her

cheerful, you do the prince a service. The king quite agrees with me

that you're a real treasure to us. I shall write as much to your father

and tell him how happy we are to have you with us. That will surely put

him in a better humor with you."

Irma was glad that the queen had so much to say, for she was thus

enabled to recover her composure.

"Pray give me the letter that lies on the table," said the queen.

Irma brought it and the queen added:

"Just read these lines of the king's."

Irma read: "Pray tell Countess Irma to keep me constantly informed as

to the condition of our son. Remember me to the dear fourth petal of

our clover-leaf."

Irma returned the letter with thanks. She felt deeply humiliated to

think that the king was trying to force her to write, and at the method

he had chosen. Walpurga was right when she spoke of love-glances at the

cradle.

Irma almost fainted with grief and shame.

"Won't you do us the favor to write, dear Countess?"

Irma bowed deeply, and the queen continued:

"Of course there will be very little to write about. Man is the highest

object in creation and, for that very reason, develops far more slowly

than all other creatures."

Irma was about to suggest that, at that rate, a prince would develop

still more slowly, but she merely nodded and smiled assent.

She was not in a mood to enter into the queen's way of thinking. She

could see nothing in her but nursery thoughts, with which, at present,

she had no sympathy. Though they were vastly more important, what would

it matter to me, thought she to herself. Here, just as in Gunther's

house, there is a life separate from the world and contented with

itself. Here is a mother and her child. Of what use am I? Merely to

talk and take part in everything. All others are complete and possess a

world of their own; and am I always only to take a part--there, the

alms bestowed by friendship; here, those accorded me by royal grace? Am

I complete in myself, or am I not?

And while Irma's mind was filled with these thoughts, the queen, in her

agitated, soulful manner, went on to say:

"The miracle of life fills me with awe. Have you never thought of the

world of meaning suggested by the idea of a child drawing its first

breath and opening its eyes for the first time? Air and light are

earth's first and last messengers; the first breath and the last; the

first glance and the last. How wonderful!"

Irma now felt what it was to serve. Had she been free, and on an equal

footing with the one who addressed her, she would have said: "My dear

friend, I am not in the mood, just now, to enter into what you are

saying. Within your soul, there is the calm of early morn; in mine,

hot, burning noonday. I implore you, leave me to myself."

Irma was filled with a deep longing for boundless solitude, but she

dared not show it. She would gladly have closed her eyes, but

obsequious glances were required of her. She listened and answered, but

her soul was far away. For the first time in her life, she felt

indignant that there was a fellow-being who enjoyed rights of which she

was deprived. She felt angry at the queen. She was, several times, on

the point of mentioning her visit to Gunther's house, but felt that

life there had nothing in common with the constant gloom of the queen's

apartment. It seemed to her, moreover, that it were wrong, even in

thought, to bring hither the citizen-wife whose footsteps had never

entered the palace; and then she thought of her father and his strong

sense of independence.

And while such were her thoughts, she spoke of the prince and of

Walpurga's amusing peculiarities.

The queen saw that Irma's thoughts were slightly tinged with sadness

and, wishing to cheer her up, said:

"Ah, dear countess, I am really languishing for music. Friend Gunther

has forbidden my listening to music, lest it might affect my nerves;

but one of your little songs would do no harm. I hear that you've

learned a beautiful one from the nurse. Won't you sing it for me? May I

send for your zither?"

Irma felt more like crying, but she bowed assent and sent a servant for

the zither. He brought it, and Irma sang:

"Ah, blissful is the tender tie

That binds me, love, to thee,

And swiftly speed the hours by

When thou art near to me.

"My heart doth bear a burden, love,

And thou hast placed it there;

And I would wager e'en my life

That none doth heavier bear."

Within Irma's soul there was a shrill, discordant accompaniment to this

song, every word of which had a double meaning.

"And I must sing this to the queen," said the voice within her. "Yes,

you two are united. All happy ones are. The unhappy one is always

lonely."

Her song was full of gloomy despair; her heart, of anger. "You sing

that with deep feeling," said the queen, "and my son hears it, too. One

can scarcely say 'hears,' for all that he hears or sees is undefined.

Pray repeat the song, so that I may sing it to myself."

Irma sang it again, but this time her mind was more at ease. The queen

thanked her heartily. "The doctor has unfortunately forbidden my

conversing for any length of time, even with those who are dear to me.

I am delighted to think that we shall soon go to the summer palace.

Then we will spend much of our time together and with the child. Adieu!

dear Countess, write soon, and sing your lovely soul into the child's

heart."

Irma went away. While passing through the long corridors, she stopped

several times, as if to remember where she was. At last she reached her

room, and gave orders that her horse be saddled at once and that a

groom be in waiting.

Irma had just changed her dress when a servant brought her a letter.

She broke the seal with a trembling hand and read:

"_My child_: You have now been at court for eighteen months. I have

left you free and uncontrolled. There are many things which I would

like to say to you, but cannot write. Writing estranges. Your rooms are

ready, and flowers await you. It is now lovely summer and apples on

your tree are getting ruddy cheeks like your own, and I should like to

see yours again. Come to

"YOUR FATHER."

Irma threw up her hands. "This is deliverance! Yes, I still have a

home, and there is still a heart against which I can rest my head. I am

coming, father! I am coming!"

Her brain whirled with excitement. She rang for her servant and sent

word to the groom that she would not ride out. Then, after having

ordered the waiting-maid to pack up enough clothes for several weeks,

as quickly as possible she presented herself before the queen and asked

for leave of absence.

"I am sorry that you, too, leave me," said the queen, "but I shall

gladly part with you if it only helps, as I hope it will, to make you

happy. Do all that lies in your power to be in full accord with your

father. Believe me, Irma, in the various relations of life, be it as

wife or as mother, one is sensible of a constant desire to grow and

expand with each succeeding day; the child alone is perfectly satisfied

with itself."

The queen and Irma were not in accord that day. Irma was restless and

anxious to depart. Whatever detained her, though it were only for a

second, excited her resentment.

What the queen was saying might have been interesting to one who was

not in a hurry, but not to her whose foot was already on the carriage

step.

The parting was, nevertheless, an affecting one, the queen kissing

Irma.

All that now remained was to ask Countess Brinkenstein's formal assent

That, too, was obtained.

She had not yet said farewell to Doctor Gunther and his family. She

wished to say good-by through Colonel Bronnen, or Baron Schoning, who

had told her that he often visited the doctor's house. It was also

necessary to take leave of these men and her companions at court. Now

that she was about to go, she found out how many acquaintances she had.

But where are they when you need them? They are here, simply that you

may not need them. Such is the world; but stop! There's one to whom, of

all others, you must say farewell. She hurried off to Walpurga.

"Walpurga," she exclaimed, "when you get up tomorrow, shout as loud as

you can. By that time, I'll be at our mountain home, and I'll shout

back to you until the whole world rings with laughter. I'm going to my

father."

"I'm glad of it."

"And aren't you sorry to see me go?"

"Of course; but if your father's still alive you oughtn't miss looking

into the eyes that are only once in the world for you. I'm glad, for

your father's sake, that he's able to look on such a child as you are.

Oh! if my Burgei were only as tall."

"Walpurga, I'll also go to see your husband, your child and your

mother. I'll sit down at your table and remember you to your cow and

your dog. I shall; depend upon it."

"Oh! how happy they'll be! If Hansei's only at home and not in the

woods."

"If he is, I'll have them send for him; and now farewell! don't forget

me!"

"You can rely on that," said Walpurga, while Irma hurried away.

She still found time to write to her friend Emma:

"_Dearest Emma_: Two hours ago, I received a letter from father. He

calls me home to him. I have leave of absence for a fortnight. Do you

know what that means? I was obliged to promise that I would surely

return; I don't know whether I shall keep my promise. The earth

trembles at my feet and my head swims. The world is all chaos, but

there will be light! Any one can say: 'Let there be light!' If we only

could always do our best. But I shall not write another word. It is

enough; I shall see you soon. Come to Wildenort as soon as you can, to

your

"IRMA.

"P.S.--I shall take no excuse; you must come. In return, I promise to

go to your wedding. Many greetings to all of yours, and, above all, to

your Albrecht."

The sun was already sinking toward the horizon, when Irma, accompanied

by her maid, departed for Wildenort.

CHAPTER IX.

So one can go away, after all, and leave the motley monotony called

"the world" behind. Farewell, thou palace, and furnish thy inmates with

their daily pleasures. Farewell, ye streets, filled with shops and

offices, towers and churches, theaters, music halls and barracks. May

fashion be gracious and favor you with customers, clients, guests,

applause, and fostering laws. Vanish, frail frippery! I feel like a

bird flying from the housetop, out into the wide world. How foolish to

remain in the cage when the door is always open. Thou, great bailiff

who holds the world captive--thy name is custom!

Thus thought Irma to herself, while seated in the carriage and driving

out into the open world.

Her thoughts again recurred to the great house which she had just left.

It was the dinner hour and they were waiting for the queen to appear.

What a pity that the lord steward had not been present at the creation

of the world, for here every one has his fixed place and the service is

simply perfect. The queen expresses her regrets at the departure of

Countess Irma. All praise her.

"Oh, she's so very good," says one.

"And so merry," says another.

"Somewhat unmanageable, but very amiable," says still another.

But what is there new? It's a bore to be talking of one subject all the

time. Help! Zamiel Schnabelsdorf!

"Away with it all!" exclaimed Irma, suddenly: "I shall not look back

again, but forward to my father."

The horses stepped out bravely, as if they knew they were carrying a

child to her father.

Irma was so impatient that she told the servant who was seated on the

box, to give a double fee to the driver so that they might get on

faster.

She could hardly wait until she saw her father, so anxious was she to

rest her head upon his breast.

What did she desire? To complain to him? How could he help her? She

knew not. All she knew was that, with him, there must be peace. She

wished to be sheltered, protected; no longer alone. To obey him and

anticipate his every wish would be her highest happiness. To be

released from herself, and to desire nothing that did not minister to

the joy of another--oh, how happy the thought! The whole earthly load

is removed. Thus must it be with the blessed spirits above! Thus should

we imagine angels to be! They want for nothing and need nothing, they

never change and never grow, are neither young nor old. They are

eternal, and are ever laboring for and through others. Their works

bring joy to the world and to themselves. They are the undying rays of

an eternal sun.

During the greater part of the journey, Irma's brain was filled with

such unintelligible dreams, and the whole world seemed to be saying:

"Father--Daughter."

She regained composure at last. It would not do to arrive at the castle

in this state.

Agitation is weakness, and it had always been her father's aim to

foster strength of mind and self-command.

Irma forced herself to observe what was going on about her.

It was twilight when they reached the first post-station. Irma fancied

she could almost feel the air of her native mountains, although they

were still far off.

They drove on at a rapid pace. The evening bells were ringing, and the

air was filled with their sounds, carrying them out to the men and

women in the fields, and measuring time and eternity for them.

What would the world be without its bells, whose pealing harmonies are

to serve as a substitute for the beautiful creations of antique art?

But these thoughts failed to satisfy Irma. They lifted her out of the

world, whilst she desired to occupy herself with what was present and

established.

In the villages through which they drove, and the fields by which they

passed, there was singing, interrupted, now and then, by the rattling

of the carriage wheels, and Irma thought: We make too much noise in

this world, and thus miss enjoying what the rest may have to tell us.

No thoughts were to her liking. No outlook pleased her.

The stars appeared in the heavens, but what were they to man? They

shine for him who is free and has naught to seek on earth. She,

however, was seeking, and, in the world's vast circle, could see

nothing but two starry eyes directed upon her; and they were her

father's.

They continued on their journey, disturbing lazy horses and sleepy

postilions at every station.

It was long after midnight when they arrived at Wildenort.

Irma alighted at the manor-house and, accompanied by the servant,

knocked at the door.

Her father had not expected her so soon. There were no lights in the

large house, or its extensive outbuildings.

Dogs barked, for strangers were coming. There was not even a dumb beast

that knew Irma, for she was a stranger in her father's house.

Two plowboys passed by. They were astonished to see the beautiful lady

at that hour, and she was obliged to tell them who she was.

She ordered her rooms to be opened. Her father slept near by. She

longed to see him, but controlled herself. He could sleep calmly and

not know that she was breathing near him. She, too, soon fell asleep

and did not wake till broad daylight.

Stepping softly, old Eberhard entered the ante-chamber where Irma's

maid was already sitting.

"My lady the countess, is still sleeping. It was three o'clock, just

about daybreak, when we arrived."

"What made you hurry so and take no rest?"

"I don't know; but the countess was quite excited on the way. They

couldn't drive fast enough for her. When my lady wishes anything, it

must be done at once."

"Who are you, dear child?"

"Her ladyship's maid."

"No, but who are your parents? What took you to court?"

"My father was riding-master to Prince Adolar, and her royal highness

had me educated in the convent school."

A chain of dependents, from generation to generation, thought the old

man to himself.

The maid looked at him wonderingly.

He was tall and broad-shouldered.

He wore the mountaineer's dress and a white horn whistle hung by a cord

from his neck. His fine head bent slightly forward and rested on a

massive neck; his gray hair and beard were thick and closely cropped;

his brown eye still sparkled, as if in youth; his expressive

countenance looked like embossed work, and his whole figure resembled

that of a knight who has just laid aside his armor and put himself at

ease.

"I wish to see my daughter," said the old man as he went into the

adjoining room. It was dark. Eberhard stepped to the window, on tiptoe,

and drew aside the green damask curtain. A broad ray of light streamed

into the room. He stood before the bed and, with bated breath, watched

the sleeping one.

Irma was beautiful to behold. Her head, encircled by the long,

loosened, golden-brown tresses; the clear, arched brow, the delicately

chiseled nose, the mouth with its exquisitely curved upper lip, the

rosy chin, the full cheeks with their peach-like glow--over all there

lay a calm and peaceful expression. The beautiful, small, white hands

lay folded on her breast.

Irma was breathing heavily, and her lips moved as if with a sad smile.

It is difficult to sleep with one's hands folded on the breast. The

hands gently loosened themselves, but the left one still rested on her

heart. The father lifted it carefully and laid it at her side. Irma

slept on quietly. Silently, the father took a chair and sat down at

her bedside. While he sat there, two doves alighted on the broad

window-sill, where they remained cooing with each other. He would have

liked to frighten them away, but he dared not stir. Irma slept on and

heard nothing.

Suddenly the pigeons flew away, and Irma opened her eyes.

"Father!" she cried, throwing her arms around his neck and kissing him.

"Home again! Oh, how happy it makes me! Do draw the other curtain, so

that I can see you better, and pray open the window so that I may

inhale my native air! Oh, father! I've been away and now I've come back

to you, and you won't let me go away again. You will support me in your

powerful arms. Oh, now I think of what you said to me in my dream. We

were standing together up on the Chamois hill and you took me up in

your arms and, while carrying me, said: 'See, my child; so long as one

of your parents lives, there is some one to help you bear up in the

world.' Oh, father! Where have I been? Where am I now?"

"Be calm, my child. You've been at court and now you're home again.

You're excited. Calm yourself. I'll call the servant. Breakfast is

ready in the arbor."

He kissed her forehead and said:

"I kiss all your good and pure thoughts, and now let us live together

again, as plain and sensible beings."

"Oh, that voice! To be in my father's house and at home once more. Life

elsewhere is just like sleeping in one's clothes. 'Tis only at home

that one can rest; for there no bond oppresses us."

He was about to leave, but Irma detained him.

"I feel so happy," said she, "to be here and look at you; to see you

and think of you, all the time."

The father passed his hand over her forehead, and she said:

"Let your hand rest there. I now believe in the laying on of hands; my

own experience convinces me."

He remained at her bedside for some time, his hand still resting upon

her forehead.

At last he said:

"And now arise, my child. I shall expect you at breakfast."

"I am glad there is some one who can command me to 'get up.'"

"I don't command, I simply advise you. But, my dear child, something

strange must be going on with you, as you understand nothing in its

literal sense."

"Yes, father,--very strange! but that's all over, now."

"Well then, follow me as soon as you can; I shall await you."

The father went out to the arbor, where he awaited her coming. He moved

the two cups and the beautiful vase of flowers first to one position,

and then to another, and arranged the white table-cloth. Shortly after,

Irma entered, clad in a white morning dress.

"You're--you're taller than I thought you were," said the father, a

bright color suffusing his face.

He stroked his daughter's cheek, while he said:

"This white spot on your rosy cheek, extending from the jaw to the

cheek-bone, is just as your mother had it."

Irma smiled and, grasping both of her father's hands, looked into his

eyes. Her glance was so full of happiness that the old man, who, at all

times, preserved his equanimity, found his eyes filling with tears. He

endeavored to conceal them, but Irma said:

"That won't in the least detract from your heroism. Oh, father, why are

we such slaves to ourselves? Why should we be afraid to appear as we

are? Your great rule is that we should follow out our natures. Why do

we not always do so? Oh, father, let me send up a joyful shout to my

native mountains, to the forests and the lakes! I'm with ye, again, my

constant friends! Let us live together! Hold fast by me and I will be

as faithful as ye are! I greet thee, sun; and yonder hill under which

my mother rests--"

She could not go on. After some time, the old man said:

"It would be well, my child, if we could live out our life in all its

native purity; but it is neither fear of ourselves, nor self-imposed

slavery that induces us to avoid such scenes, such violent agitation.

It is a deep-seated feeling that, by contrast, the next moment must

appear bald and commonplace. It would oblige us to plunge from a life

of excessive sensibility into the every-day world. It is for this

reason that we should, and do, exercise self-control; for such emotions

should not exhaust themselves in what might be called a devout

outburst, but should extend through all our acts and thoughts, even to

the smallest and most insignificant. That is the source of our noblest

aspiration. Yes, my child, the very ones who thus, as it were, divide

their life in two, profane the one-half of it, while they secretly

flatter themselves: We have had great and noble emotions and are still

capable of feeling them."

The old housekeeper brought the coffee. Irma waited on her father and

told him that she expected Emma and her betrothed. Eberhard said:

"When Emma was here, years ago, your thoughts ran in the same vein as

at present. We were on the Chamois hill, where a fine view of the great

lake can be obtained, and were waiting to see the sunrise. Emma, in her

matter-of-fact and plain-spoken way, said: 'I don't think it worth

while to lose one's sleep and go to so much trouble for this. I find

the sunset fully as beautiful and far less troublesome.' What did you

answer her at the time?"

"I can't remember, father, dear."

"But I do. You said: 'The sunrise is far more elevating, but I don't

know what one can do to have the rest of the day in keeping with the

lofty mood thus inspired. Sunset is better for us, because the world

then veils itself and allows us to rest. After beholding the highest,

there are only two things left us--sleep and music.'"

"But, father, I've ceased to think so. Yesterday, during the whole of

my drive, I was haunted by the thought: What are we in the world for,

after all? Without us the trees would still grow; the beasts, the birds

and the fishes would still live without us. All these have a purpose in

the world; man alone is obliged to seek one. Men paint, and build, and

till the soil, and study how they may the better kill each other. The

only difference, after all, between mankind and the beast is that man

buries his dead."

"And have you ventured so far, my child? I am indeed glad that you're

with me once again. You must have had much to contend with. I trust you

will once more learn to believe that our proper destiny is, to live in

accordance with nature and reason. Look at the world!" said he, with a

smile. "A maiden twenty-one years of age, and a countess to boot, asks:

'Why am I in the world?' Ah, my child, to be beautiful, to be good, to

be as lovely as possible in mind as well as in outward form. Conduct

yourself so that you can afford to wish that every one might know you

thoroughly.--But enough of this, for the present."

The hour that father and daughter thus spent together in the arbor was

full of happiness for both, and Irma repeatedly expressed a wish that

she could thus live forever.

Oblivious of all else, each seemed to constitute the other's world.

"You've become my great tall girl," said her father. He had intended to

say: "You must have gone through a great deal, for you return to your

father and have nothing to tell about matters trifling or personal to

yourself." He had intended to say this, but simply repeated: "You've

become my great girl."

"And, father! you order me to remain with you, do you not?"

"You know very well that I've never ordered you to do anything, since

you were able to think for yourself," replied the father. "I'd have you

act according to your own convictions, and not against your will or

reason."

Irma was silent. She had not received the answer she had hoped for,

and, feeling that she must herself bring about the desired result,

determined to do so.

A forest-keeper came to receive instructions in regard to the woods.

Eberhard replied that he would ride out there himself. Irma begged to

be allowed to accompany him and, her father consenting, she soon

appeared in a hunting-dress and rode off with him across the meadows

and in the direction of the forest.

Her face glowed with animation while she felt herself moving along on

the spirited steed, through the shady, dewy forest.

While her father was giving his orders to the forest-keepers, Irma was

resting on a mossy bank under a broad spreading fir tree. Her father's

dog had already made friends with her, and now came up and licked her

hand. Thus awakened, she arose and walked over toward the field at

the edge of the forest. The first object her eyes fell upon was a

four-petaled clover-leaf. She quickly possessed herself of it. Her

father now joined her and noticed her happy looks.

"How much good it has done me to rest on the earth," said she.

He made no reply. He did not think it necessary that every feeling,

however deep, should find vent in words.

Irma looked up in surprise. In the world of conversation, small change

is paid back for every remark.

They soon returned home.

During the afternoon they were seated together in the cool library.

Cicero's words, "When I am alone, then am I least alone," were written

in letters of gold, over the door.

The father was writing and would occasionally look at his daughter, who

was engaged with a volume of Shakespeare. She was reading the noblest

thoughts, taking them up into herself, and making them a part of her

own soul.

Eberhard felt it a joy to detect his own glance in another's eye, to

hear his own thoughts from other lips, and that eye and those lips his

child's--to note that her soul reflected his, although native

temperament and peculiar impressions had served to make hers different

from and independent of his own. The ideal that had filled his youthful

dreams now stood before him, incarnate.

Eberhard soon closed his book and smiled to himself. He was not so

strong as he had imagined. Now that his child was with him, he could

not keep on with his work, as he had done the day before. He sat down

by Irma, and, pointing to Spinoza's and Shakespeare's works, that

always lay on his work-table, he said:

"To them, the whole world was revealed. Although they lived centuries

ago, they are my constant companions on these lonely mountains. I shall

pass away and leave no trace of my thoughts behind me, but I've already

lived the life eternal in the companionship of the noblest minds. The

tree and the beast live only for themselves, and during the short

period that ends with death. With life, we inherit the result of

centuries of thought and he who, within himself, has become a true man

fully embodies the idea of humanity. Thus you live on, with your father

and with all that is true and beautiful in the history of the human

race."

There was a long pause. It was, at last, broken by the father's saying:

"Didn't you come in a court carriage?"

"Certainly."

"And so you intend to return to court?"

"Father, don't let us speak of that, now. I've not, like you, strength

enough to drop from the greatest heights down to the level of every-day

life."

"My child, every-day affairs are the highest that can engage us."

"But I'd like to forget that there is such a thing as a court, or that

I've ever been, or ever shall be, anything but part of your heart and

soul."

"No, you're to live for yourself; but if you wish to remain with me,

all you need do is to send the carriage back."

"I shall have to return, though it be but for a few days. I have only

leave of absence, not a discharge. The best thing would be for you to

go with me and bring me back again."

"I can't go to court, as you well know; and I give you credit for

enough strength to take yourself away from there. I was watching you

to-day while you lay asleep. There's nothing false in you; as yet, no

evil passions cloud your brow. I know your brother is anxious to have

you marry, and I, too, wish that you may become a good wife and mother.

But I fear that you have become too much your own, ever to become

another's. Be that as it may, my child, look at the scene spread out

before you. Myriads of flowers are blooming silent and unknown. Should

a wanderer pass by and feast his eyes upon them, or even pluck a

flower, it has lived for him. Should it blossom and fade away unseen,

it has lived for itself. But, my child, don't go out of your way to

please me. How long is your leave?"

"A fortnight."

"Let us spend the time in truth and cheerfulness, and then act as your

judgment dictates."

CHAPTER X.

The days passed by quickly. Eberhard had little to do with his

neighbors, but was always glad to see the burgomaster of the village,

who was, also, a deputy to the Diet, and to consult with him regarding

the affairs of the community.

Irma spent much of her time alone. She read, embroidered, painted and

sang. After the first few days, a reaction set in.

"What is this life?" she asked herself, "of what use? I work for

dress--dress for my soul and for my body. And to what purpose? The

mirror sees me, the walls hear me, and I have my father for one hour at

noon and another in the evening."

She endeavored to control her flights, and, although she succeeded in

that, could not prevent herself from thinking of one who was distant.

She would look around as if she could hear his footsteps and as if the

air were filled with his presence; and that man was--the king.

She could not but think that he expected a letter from her, and what

had he received? The news of her departure. Why should she insult and

mortify him?

While at Wildenort, she was several times on the point of writing to

him. She wanted to tell him that she had meant to flee from him; nay,

from herself. Framing the sentences in her mind, she would say to

herself: Flight is not cowardice. Indeed, it requires great strength

thus to tear one's self away. She meant to make this clear to him. She

did not wish him to think ill of humanity and, least of all, of her.

His great and extended energy should not be weakened, or even

disturbed, by the consciousness that mankind had no conception of the

truly noble. She owed it, both to him and to herself, to explain this;

but it is difficult to do it all in writing. She would, therefore,

return and tell him all, and, after that, they would, although distant,

be united in the noblest thoughts. She felt satisfied that she would

find full compensation for a lonely life in the recollection of one

moment of perfect communion with a noble mind, and the consciousness of

truth and purity in thought and deed.

Irma was delighted to think that she had thus liberated herself.

She refrained, as far as possible, from speaking to her father about

the court; but a remark would, now and then, involuntarily escape her,

and she would tell how the king and the queen had praised this or that,

or had uttered such and such a remark, and it was easily to be seen

that she attached special importance to what they had said.

"That's the way with men," said Eberhard, smiling. "They know what they

are, or, at least, ought to; and yet they give a prince the right to

stamp them with a value. It is he who determines: you are worth so and

so much; you a ducat, you a thaler, you a mere brass counter, you a

privy councilor and you a colonel. The story of the creation of the

world is thus ever renewed. There it says that the Creator led the

beasts out before man so that he might give them names. Here the human

animals come to the prince and say; 'Give us a name, or we shall feel

as if naked and be afraid.'"

Irma started at these harsh words. Solitude had brought her father to

this point. She could not refrain from saying:

"You do the king great injustice; he has a noble mind and is full of

intelligence."

"Intelligence! I know all about that," replied Eberhard. "He can ask

questions without number, propound problems and, for his dessert, would

fain have an epitome of ecclesiastical history, physiology or any other

interesting department of knowledge. But he never applies himself;

never reads a work through. He requires excerpts and essences. I know

all about it. And the courtly roulade singers place their thoughts at

his service. Don't imagine, my child, that I underrate the king's

efforts. They've always told him: 'You are a genius!' They are always

persuading kings that they possess genius, either military, political

or artistic. All who approach a monarch are obliged, even in an

intellectual sense, to attire themselves in court dress. He never sees

men and things in their true colors; they all drape themselves to

please him. Nevertheless, I believe the king honestly endeavors to see

things as they are, and that's a great deal; but he can't shake off the

magic spell of set forms and phrases."

Irma's lips trembled with emotion. She did not believe that her father

meant to weaken her interest in the king, since he could not know of

its existence; but his antagonism irritated her and she saw, with

alarm, that no help was to be looked for in that quarter. She might

have shared her father's solitude, if he had honored the exalted man as

she did. He might have done homage to the noble mind, even though it

was a monarch's, without doing violence to his republican feelings, or

his sense of justice. But now he destroyed every bridge that had led to

a better understanding and to justice. If another had spoken thus of

the king, she would have made him feel her wrath, and now she felt that

her silence was a sufficient sacrifice to filial duty. Her heart seemed

to close up within itself, as if never again to be opened. She was a

stranger in her father's house, and now doubly felt that she had never

been at home there. She forced herself to appear cheerful and tranquil.

Eberhard observed that an inner conflict agitated her, and thought it

was merely a struggle between court life and solitude. He did not aid

her, for he thought that she could best gain peace if she fought the

battle for herself.

On Sunday morning--Eberhard never went to church--he said:

"Have you time to listen to a long story?"

"Certainly."

"Then let me make my will while I am yet in health."

"Pray, father, don't do that. Spare me!"

"I don't mean as to my possessions, but as to myself. We have no

picture of your dear mother, and none of you children have any idea of

her appearance--so pure, so lovely, so full of sunshine; and, for that

reason, I mean to give you a picture of my life. Treasure it. Who knows

when I may again have a chance? If there's anything that you don't

understand or that seems to you in danger of being misinterpreted, ask

me about it. I don't find such objections an interruption. I pursue my

life in its even tenor; nothing disturbs me. I've accustomed myself to

improve my estate, to give orders to my servants and to answer their

questions, and, afterward, to take up the train of thought just where

it was broken off; and so you, too, may interrupt me whenever you care

to.

"My father, who was a free count, was always proud of his direct

relations to the empire. Unto his last day, he would never acknowledge

the unity of the kingdom and would always ask; 'How goes it over

there?' He regarded his domain as distinct from the rest, and his

family as on an equality with all princely houses."

"And why, dear father," asked Irma, "would you destroy these beautiful

memories that have been handed down from generation to generation?"

"Because history itself has destroyed them, and justly too. It is

necessary for the preservation of mankind that new races should

constantly ascend to the surface; but I didn't mean to tell you about

my father. I spent a happy youth in this house. My preceptor, although

an ecclesiastic, was a man of liberal opinions. I entered the military

service a year before my father's death and, though I say it myself,

presented no mean figure while there, for I possessed good looks and an

iron frame. I was stationed with my regiment, in a fortress belonging

to the confederation. While recklessly riding one day, I fell from my

horse and dislocated my hip. It laid me up for a long time and thus

afforded me an opportunity to become better acquainted with our

regimental surgeon, Doctor Gunther. Has he never told you of the times

we passed together?"

"He has merely mentioned them. It was only a few days ago that the king

told me I was right in saying that Doctor Gunther would only furnish

verbal prescriptions when they were demanded and were really

necessary."

"Ah! and so the king said that you were right? 'You are right'--that is

a real mark of grace and should make one happy for a whole day and

perhaps even longer. Isn't it so?"

"Father--didn't you mean to tell me more about your life with Gunther?"

"Ah, my child, that was a wondrous time. As far as I was able, I dived,

with him, into the study of philosophy. I can still remember, as if it

were this very moment, the very hour and the very place by the fortress

wall--it was a dull evening in autumn; I can still see the leaves as

they fell from the trees--when Gunther for the first time, explained to

me the great saying of the all-wise one: 'Self-preservation is the

first law of nature.' I stood as if rooted to the spot; it dawned upon

me like a revelation, and has never since left me. Although at times

obscured by the events of life, 'preserve thyself,' has always been

before my mind. I have faithfully lived up to the great precept, and

alas, as I now see, too completely and selfishly. The man who lives

only for himself does not live a complete life, but I can confess this

to you, of all others, without fear. It was only later that I came

thoroughly to know the great right of sovereignty that belongs to every

human being. I had done much thinking before that, but never in logical

connection. You cannot imagine what courage it requires, on the part of

a favorite and respected officer, to venture on the study of

philosophy; how opposed it is to the very idea of military service, how

improper it seems to one's superiors, and how ridiculous to one's

comrades. Military service so exhausts the body, by daily, and for the

greater part, useless exercises, that it renders it difficult to

cultivate one's mind. I often excused myself, as unwell, and remained

in my room during the loveliest weather, simply on account of my

studies. Our regiment was ordered to the capital, and Gunther accepted

my offer of a discharge. He became a professor and I attended lectures.

But I was painfully conscious of my deficiency in knowledge and

ardently longed for a chance to devote my life to perfecting my

education. An unforeseen event helped to bring about the desired end. I

had become gentleman of the bedchamber and spent much of my time at

court. At that early day, I observed the ineradicable, servile spirit

that dwells in man. Every one rejoices that there are others lower down

in the scale than himself, and is willing, on that account, to suffer

some to stand above him. Princes are not to blame for this ladder of

nonsense. One day while at the summer palace, the king had gone out

hunting, and although it was long past the dinner hour, not a glimpse

of him was to be seen. The chamberlains and the court ladies--I forget

their titles--were walking in the park. They would sit down on the

benches, look through their spy-glasses, and endeavor, unsuccessfully

however, to keep up a sustained conversation; for the ladies and

gentlemen, both young and old, were possessed of vulgar hunger. And

still the herdsman who was to put fodder in the rack for them, did not

make his appearance. Your uncle Willibald pacified his gnawing hunger

with little biscuits, which did not destroy his appetite. Hours passed,

while they walked about like Jews on the Day of Atonement. But they

laughed and joked--at least they tried to--while their stomachs

growled. And though your uncle had thirty horses in his stable at home,

with oxen and cows and many broad acres besides, he was content to

serve and wait there, because he took great pride in being lord

chamberlain. At that time, my child, I was as old as you are now, and I

swore to myself never more to be a servant to any man. At last, the

king's hunting carriage arrived. All were profuse in their greetings

and received him with smiling faces. And yet his majesty was in a bad

humor, for while he had been unsuccessful, General Kont, who had been

one of the hunting party, had committed the impropriety of shooting a

deer with twelve antlers. The general felt very unhappy at his good

luck, and his head hung as mournfully as that of the dead beast. He

apologized again and expressed his regrets that his majesty had not

killed the stag. With rueful countenance, the monarch congratulated

him. The king looked at me and asked 'How are you?'

"'Very hungry. Your Majesty,' was my answer. The king smiled, but the

rest of the court were horror-struck at my impertinence.

"We were obliged to wait another half-hour, while the king changed his

dress and, at last, we went to dinner.

"My child, if you were to tell the story to a courtier, he would

consider me intolerably stupid; but that meal was the last I ever ate

at princely table.

"I know that I'm talkative--I'm an old man. I merely wanted to say:

Look about you and see how many human sacrifices they are constantly

requiring.

"The idea of princely dignity is a noble and beautiful one. The prince

should embody the unity of the state; but, although the idea, in

itself, is beautiful, the knowledge that its realization requires a

pyramid of worn-out creatures, divested of human dignity, renders it

repulsive to me.

"Irma, I feel as if I must impress the testament of my soul upon yours.

The moment you feel that you've lost the smallest portion of your crown

of human dignity, flee, without hatred or contempt; for he who carries

such feelings in his soul is heavily laden and can never breathe

freely. I don't hate the world; neither do I despise it. It simply

appears to me strange, decayed, distant. Nor can I hate or despise any

one, because his belief is different from mine.

"But as I don't wish to teach you, I will go on with my story. I

applied for my discharge and entered the university as a student. I

soon left, however, in order to continue my education in an

agricultural school. After that, I traveled and, as you know, spent an

entire year in America. I had a great desire to become acquainted with

that new phase of history in which men are born to intellectual freedom

and are not constantly looking back toward Palestine, Greece or Rome. I

don't find the world of the future in America. All there is still, as

it were, in a state of ferment suggestive of primeval processes; but

whether a new civilization will be the result, is more than I know. I

do know, however, that all mankind is patiently waiting for a new moral

compact. But I, and many more of us, will never live to see it

realized.

"Will the world of the future be governed by pure ideas, or will it

again look up to some lofty personage as its exemplar? I should wish

for the former, but its realization seems far off.

"Now to continue with the story of my life.

"I returned home and, meeting your mother, was unutterably happy. She

was alone in the world. I have enjoyed the greatest of all happiness;

there is none other like it. Three years after you were born, your

mother died. I cannot give you particulars about her. Her whole

appearance was one of strength and purity. The world regarded her as

cold and reserved, but she was ardent and open-hearted, beautiful to

her very heart, but only for me. I know that if she had been spared to

me, I would have become one of the best and kindest of men. I dare not

think of that.

"It was not to be.

"But I feel as if sanctified through her, for since that time no base

thought has ever entered my soul; nor have I ever committed a deed that

I should feel ashamed to confess to my daughter.

"She died, and I stood alone, my violent nature confronting the enigma

of life.

"Although I could not give my children a stepmother, I became a

stepfather to them. Yes, let me speak on: I am unsparing toward myself.

I know that if others heard me, they would say that I am using too

strong language. It is the fashion to be indulgent nowadays, but I am

not in the mode. I put my children away from me. I placed you with your

aunt, until you entered the convent, and Bruno remained with me until

he went to the seminary. You were in fine institutions, with expensive

fees, but you were nevertheless put away from me. You did not know your

father; you merely knew that he was alive, but did not live with him.

You grew up like orphaned children.

"It is only two years since I confessed this to myself. For weeks, it

robbed me of sleep, of feeling and of thought, and still I adhered to

it. The demon called sophistry was ever telling me: 'You could have

been of no use to your children. You had still too much to do for

yourself, and it is better for them that they should become free human

agents through their own unaided efforts than through you.' There may

be some truth in it, but nevertheless, I've put my children away from

me."

The old man paused. Irma laid her hand upon his and gently stroked it.

"'Tis well. I've said it at last.

"I remained here, leading a solitary but not a lonely life. I communed

with the greatest minds and, at the same time, easily managed our

estate.

"I devoted myself to national affairs, but soon withdrew. I can't

belong to a party, not even to the one that calls itself the party of

freedom. It includes many noble-hearted men whom I honor and respect,

but they put up with too many frivolous comrades who, while they prate

of equality and of the highest good of man, do not hesitate to

sacrifice their fellow-beings to themselves. Aristocratic triflers are

simply vicious, but democratic triflers are corrupters of ideas. He who

dare not wish that the whole people should think and act as he does,

has no right to term himself a free and honest man.

"If liberty does not rest on morality, what is there to distinguish it

from tyranny? What is tyranny? The egotistical abuse of beings endowed

with equal rights to ourselves. A tyrant, in effect, denies his God. A

frivolous democrat blasphemes Him. By the term God, I mean the full

conception of the world's moral law. I was a hermit in the midst of the

crowd, and am happier and more consistent, when away from the world.

"And now I am here leading a solitary life."

"Isn't it sad to be so lonely?" asked Irma.

"If I felt lonely, it would be very hard," replied Eberhard; "but man

should not feel lonely, though he be alone. _Ennui_ and loneliness have

no resting-place here. Men who are nothing to themselves are lonely

wherever they be; but let me continue my story.

"Gunther's defection caused me the greatest sorrow, but I was unjust

toward him. He always was a friend of court life and regarded it as the

culmination of culture. He was always too æsthetic and would often say:

'I, too, have a claim on the luxuries, the comforts, the pleasures of

life and am determined to have my share of them.' That led him to

court and caused him to desert free science and, at the same time, to

lose both himself and me.

"You have probably been told, and have perhaps even yourself thought,

that I am a misanthrope. He who hates mankind is a vain fool. In what

respect is he better than the rest, or different from them? I don't

hate mankind. I only know that most of them, either by their own

efforts or through those of others, appear in false colors. They affect

an interest in things that do not concern them and, in most instances,

do not even know that it is affectation. I have often been deceived and

cheated, but, I frankly confess, it was because I deceived myself. I

gave forth what was best in me, and imagined that others were with me,

but it was mere politeness that induced them to assent. They were not

hypocrites; it was I who deceived myself. I imagined myself in a world

in which all was peace and harmony, while, in fact, I was alone,

completely alone. Every one who has a character of his own, is alone.

There is no such thing as perfect accord; to live out one's self is all

that remains. But most men do not care to do this, and they are best

off. They live as custom and morals require, and do not greatly concern

themselves about the present or the past. They jump or dawdle as the

case may be from mood to mood, from enjoyment to enjoyment, and as long

as they can always see the same face when they look in the glass, are

perfectly content. Such faces never change. If the human countenance

always expressed the thoughts that fill the soul, you would not be able

to recognize any one from day to day, or even from hour to hour. I do

not know, my child, where I am leading you to; I only meant to tell you

that I am not a misanthrope. I love all men. I know that, at bottom,

they cannot be different from what they are, and that honest nature

still lies concealed beneath their frizzled, overloaded, glittering

masks. They cannot reveal it, however, and in spite of their false,

cunning ways, there still remains a great and wise precept: 'Forgive

them, for they know not what they do.' And now let me add that I

forgive your brother, too. He has deeply mortified me, for the deepest

mortification that one can suffer is at the hands of one's child.

"I cannot force Bruno to act against his will, nor do I wish to. It is

a strange world. The struggle between father and son drags on through

all ages. My son defends the old, and I the new; but I must bear with

it all.

"Freedom alone accords with the dictates of nature and reason. But you

cannot force one to be free; nor do I wish to force you, in any way.

Most women would rather yield to nature than affection, but I do not

regard you as an ordinary woman, nor do I wish you to be one. You

should--"

Although Eberhard had said that he did not wish to be interrupted,

something now came which did interrupt him.

It was a messenger with a letter for Irma. She recognized the

handwriting of her friend Emma, and hurriedly opening the letter, read

as follows:

"_Irma_: I cannot come to thee. I have said farewell to the world.

Three weeks ago to-day, my Albrecht lost his life through the bite of a

mad dog. My life for this world is also at an end. I humbly submit to

the inscrutable will of the Almighty. I have vowed to take the veil. I

am here now, and shall never again leave this spot. Come, as soon as

thou canst, to thy

"SISTER EUPHROSYNE,

"_In the convent of Frauenwörth_."

Irma handed the letter to her father to read.

"And so the bite of a mad dog has destroyed two human lives. Who will

explain this?" exclaimed Irma.

"In that respect, religion is just as impotent as we are. Like reason,

she commands us to obey nature's law."

The messenger waited, and Irma went off to write an answer in which she

promised to come.

Meanwhile, Eberhard sat alone. He had confided the story of his life to

his child--and what would it avail? How often had he realized that no

teaching, be it ever so noble, can change the human mind. Life,

observation and experience can alone produce conviction. The weak point

of dogmatism is that it attempts to teach that which can only be

learned from life itself. His children had not shared in his life, and

it was now of little avail to recount it to them, in all its details,

or to explain the motives that directed it. There was enough of

contradiction implied in the fact that the father was obliged to tell

what his life had been.

In his own mind, Eberhard acknowledged that his own conduct had borne

its legitimate results. He had no real claim to filial affection; at

all events, not to the degree in which he craved it, for he had lived

for himself alone. When Irma returned and asked permission to visit her

friend Emma, he nodded assent. He had boasted that nothing could

interrupt him. He might use the rule for himself, but not for others.

He had told his child the story of his life--who knew but what this

untoward interruption would efface it all from her memory?

CHAPTER XI.

Seated in the open court carriage, Irma rode over hill and dale. She

lay back on the cushions; the waiting-maid and the lackey sat on the

back seat.

Emma's sad and sudden message had almost paralyzed her; but, now that

she was in the carriage, her strength returned. Travel and change of

air always exerted a magic influence over her.

The echo of her father's story followed her during a great part of the

journey. She had listened with great interest, although the story

itself had made but a faint impression upon her. An inner voice told

her: These matters are not so serious or important as he takes them. It

is his peculiar temperament that causes them to affect his course in

life. It would not be so with another. It was enough that she was able

to do justice to his eccentricity. He could hardly expect it to exert

any decided influence upon her. Emma's fate was horrible, maddening;

but her father's was not. Much of his life-trouble was mere

self-torment. He spoke of repose, and yet knew it not.

With all Irma's affection for her father, she had really so little in

common with him, that the painful expression that played about his

mouth, while he told her his story, simply served to remind her of the

Laocoön.

Irma shook her head quite petulantly.

What a chaos is the world!

A mad dog destroys a life and, here and there, solitary beings are

tormenting themselves to death. Every one is conscious of some fault or

weakness; all seek the unattainable and, in unending attempts and

trials, life is spent. In the midst of this chaos, a single figure

appears. It is full, beautiful, great, sure of life and, in truth,

controls life. Irma turned back as if to say: "Alas! it is not you,

father, although you could and ought to be the one. The king alone is

the one free being on the pinnacle of life."

A smile played about her lips while she thought of him. She looked up

at the blue heavens and, forgetting whither she was going, felt as if

gentle arms were carrying her away over hill and dale.

An eagle was winging its flight far above the mountain tops. Irma's

eyes followed it for a long while. She ordered the driver to stop the

carriage, and the servant alighted in order to receive her ladyship's

order. She motioned him to mount the box again, and, though all the

comforts wealth affords were hers, stopped in the midst of wild nature

to watch the eagle hovering in the air, until it at last disappeared in

the clouds.

"If one must die, I'd like to die thus," said an inner voice, "fly into

heaven and be no more."

They drove on. For the rest of the journey, Irma did not utter a word.

It was toward evening when the lackey said: "We've reached the place."

The road descended toward the lake, by the shore of which the carriage

stopped. The convent was on an island in the center of the lake, and

the sounds of the curfew bells filled the air. The sun was still

visible over the mountain tops, its rays were almost horizontal, and

the dancing, sparkling waves looked like so many lights swimming to and

fro. The surface of the lake was rapidly assuming a golden hue.

At the sound of the evening bells, the lackey and the postilion lifted

their hats and the waiting-maid folded her hands. Irma also folded her

hands, but did not pray. She thought to herself: The sound of the bells

is pleasant enough, if one can listen to them from without, and then

return to the happy world; but to those who are within the convent, it

is a daily death-knell; for life such as theirs, is death.

Irma's mood was not in sympathy with that of her friend, and she did

her best to feel as befitted the occasion.

While they were getting the boat ready, she overheard the lackey

speaking with another servant whose face she remembered to have seen at

court.

She heard the court lackey saying:

"My master's been here for some days and has been waiting for

something; I don't know what."

Irma would have liked to ask with whom he had come, but a sudden fear

overpowered her and she was unable to speak a word.

Accompanied by the waiting-maid, she stepped into the boat. An old

boatman and his daughter rowed the rudderless skiff. The waters of the

lake were deep and dark. The sun was setting, and the shadows of the

western mountains were reflected in dark outlines on the hills along

the shore. The fresh-fallen snow lay on the glaciers, whose white

crests contrasted sharply with the wooded hills of the foreground and

the clear blue sky. Below, all was as silent and dusky as though they

were sailing into the realm of shadows.

"Is this your daughter?" asked Irma, addressing the old boatman.

He nodded a glad assent, delighted to find her conversant with the

dialect of that portion of the country. Her intercourse with Walpurga

had kept her in practice.

"Yes," replied the boatman, "and she'd like to go into service with

some good family. She can sew well and--"

"Remain with your father; that's the best thing you can do," said Irma

to the girl.

They rowed on in silence. "How deep is the lake here?" inquired Irma.

"Sixty fathoms, at least." Irma's hand played with the water, and she

was pleased with the thought that human beings could so easily and

boldly move along over a threatening, watery grave. She leaned a little

way over the side of the boat, and the boatman called out:

"Take care, miss!"

"I can swim," replied Irma, splashing the waves.

"That's all very well," said the old man, laughing. "They can all swim

until they have to, and then all's over; and if they happen to have

clothes hanging to them, mighty few can swim."

"You're right there. Our gay frippery would drag us down."

The old man did not understand her and made no reply.

She was quite excited and asked: "Have many persons been drowned in

this lake?"

"Very few; but just below us, there's the body of a young man,

twenty-one years old."

"How was he lost?"

"They say he'd been drinking too freely, but I think that he had a

sweetheart in the convent over there. It's a good thing she don't know

of it."

Irma looked down into the waves, while the old man continued:

"And over there by the rock the trunk of a tree struck a woodcutter and

hurled him into the lake. Over there by the flood-gate, a milkmaid,

fifteen years old, happened to get into the current where the drift

logs were whirling along, and by the time her body reached the lake,

every bit of clothing had been torn from it by the logs."

"Don't tell such frightful stories," said the waiting-maid to the man.

Irma looked up at the steep mountains and asked:

"Could one climb up there?"

"Yes, but they'd find it mighty hard work; still, wherever there are

trees, man can climb."

Irma looked down into the lake, and then up at the mountains. One can

lose one's-self in the world. "How would it be if one were to do so?"

said the voice within her.

She stood up in the boat. The old man exclaimed:

"Sit down! there's danger if you stir one way or the other."

"I shall not move," said Irma, and she really stood erect in the

unsteady little boat.

"By your leave, the beautiful young lady surely doesn't mean to enter

the convent?"

"Why do you ask?"

"Because I'd be sorry."

"Why would you be sorry? Don't the nuns lead a pleasant, peaceful

life?"

"Oh, yes, they do; but it is a life in which nothing happens."

As if obeying a higher summons, Irma sat down and immediately stood up

again. The boat reeled.

"A life in which nothing happens"--the words touched a chord in her own

heart. With her, the pride and strength of youth rebelled against

sacrificing one's life in such a manner. It is a life in which nothing

happens: whether it be, like her father's, spent in solitary thought,

or, like that of the nun's, in common devotion. Are we not placed upon

earth so that we may call all our own--come joy, come grief; come

mirth, come sadness--a life in which nothing happens is not for me.

Filled with such thoughts she stepped ashore and, while walking up the

avenue of lindens that led to the convent, heard the boatman fastening

his skiff by the chain.

She inquired for Sister Euphrosyne. The nuns were all at vespers. Irma

also repaired to the chapel, in which the everlasting lamp was the only

light. Although the service was over, the sisters were still kneeling

on the floor. At last they arose, looking like so many ghostly figures

stepping out from chaotic darkness.

Irma returned to the parlor, where the portress told her that she would

not be allowed to speak to Emma that day, as the sisters were not

permitted to receive any communication, or converse with any one, after

vespers. Irma, in the mean while, was lodged in the convent.

It was a mild September night. Wrapped in her plaid, Irma sat out on

the landing until a late hour. Her thoughts were lost in the

illimitable. She scarcely knew what she was thinking of, and yet, as if

wafted toward her on the air, she would now and then seem to hear the

words: "A life in which nothing happens."

On the following morning, after early mass, Irma was permitted to visit

her friend. She was frightened when she saw Emma, and yet it was the

same mild countenance, only terribly disfigured by the closely fitting

hood that completely covered the hair and gave her face greater

prominence.

After the first outburst of grief and sympathy that followed the

recital of her sad affliction, Emma at last said to Irma, who had again

and again pressed her to her heart:

"Your embraces are so passionate. I know you will never be able to

learn humility. You cannot; it is not your nature. But you should

acquire equanimity. You could never enter a convent, Irma, and never

ought to; or you would long to return to the world. You must become a

good wife, but do not imagine that your ideal will ever be realized.

Our existence here is fragmentary and full of misery. Life here below

is not intended to be beautiful and complete. But, Irma, take heed you

do not attempt to loosen a barrier, or to overstep it. Draw back while

you are still on this side!"

Emma did not mention the king's name. There was a long pause. Irma felt

as if their present surroundings must stifle her.

Emma spoke of what had happened but a few weeks ago, as if decades has

passed in the mean while. She discoursed to her friend the strength

that lay in continuous devotion; how it lengthened the hours into years

full of placid victory over the world. She felt happy that it was

possible, even on earth, to lay aside one's name and memories, and lead

an existence which, without one steep step, gradually led one to

eternal bliss. Emma, however, complained that they would not allow her

to take the veil, and resented it as tyranny that she was only

permitted to remain as a serving sister without vows.

"It is right that you should not," exclaimed Irma; "I think Bronnen

loves you, but he's a man who respects existing facts. His moral

character would lead him to repress, rather than manifest, warm feeling

toward an affianced bride. He deserves you. I don't say that you should

now--How could you? How would he dare? You should remain your own

mistress and, after you've spent a year or more in the convent, you

may, with that excellent man, lead a life which, if void of transports,

will be none the less true and beautiful. All I can say to you now is:

Don't fetter your future. No one should take a vow that binds him for

life, that, on the very morrow, might seal his lips and make him a

slave, a liar, a hypocrite or a deceiver, in his own eyes."

"Irma," exclaimed Emma, "what bad advice are you giving me. Is that the

language used at court? Oh, forgive me for speaking to you so! It was

the old Emma that did it; not I. Forgive me, I pray you, forgive me!"

She threw herself on her knees at Irma's feet.

"Stand up," said Irma, "I've nothing to forgive. I will speak more

calmly. You see, dear Emma, it is fortunate for you that you cannot

take the vow. A fearful blow has prostrated you; but if you remain free

in your seclusion, your load will gradually lighten and your wounds

will heal. Then, should the world call you, you are free to return to

it. This should be a place of refuge for you, and not a prison."

"Ah yes," said Emma, with a smile, "you must of course think so, but

I--I do not care to see the world again which no longer contains him

who was dearer to me than life. You cannot realize what it is to be

betrothed on earth, and be obliged to wait for eternal union in heaven.

I have prayed God to take my heart from me and banish every selfish

desire, and He has hearkened unto me. It is tyrannical to attempt to

force our opinions upon others. Do you still remember, Irma, the first

time we read the story of Odysseus, and how he had them bind him to the

mast so that he might listen to the songs of the syrens and yet not be

able to follow them? Do you still remember the remark you then made?"

"I've quite forgotten it."

"'Much-bepraised Odysseus,' said you, 'was a weakling, not a hero. A

hero must not suffer himself to be bound by external fetters; he must

resist everything by his inner strength.' Even then, I felt how strong

you were. Odysseus was only a heathen and knew nothing of the eternal

law. I rejoice in that law; I cling to that rock. I long for the

divine, the eternal bond; it will support me if I sink. I do not wish

to return to the world. I wish to fetter myself, and can it be that men

who claim to be free dare forbid others to tread the path that leads to

perfection--to the true eternal life? Is not that tyrannical and

godless?"

"Yes; but who forbids you?"

"The law of the state. It has ordered this convent to be closed and

forbids its taking any more young nuns."

"And does the law say that?"

"Yes."

"The king shall not allow it."

Irma spoke so loudly that her words were echoed back from the vaulted

ceiling of the cell.

Emma's glance was fastened on Irma--if it only could be brought about!

The two maidens had no time to exchange a word on the subject, for, at

that moment, the abbess sent for them.

The abbess addressed Irma, just as if she had overheard the last words

of the latter. With gentle voice, but positive manner, she complained

of the tyranny of the free-thinkers--whom she did not judge, but simply

pitied--and maintained that the attempt to destroy ancient and holy

institutions was revolting.

Irma's countenance glowed with excitement. She again said that the law

must be repealed, and that she would exert all her influence to bring

about that end. She offered to write to the king at once. The abbess

gladly accepted the proffered service and Irma wrote:

"_Your Majesty_: I write to you from the convent, but I am not a nun. I

believe my talent does not lie in that way. But what laws are these

that forbid a maiden from taking the eternal vow? Is that freedom? Is

it justice? What is it? Your Majesty will, I trust, pardon my

agitation. I am writing with convent ink on convent paper, and it is

not the first time that such ink and such paper have been used in the

service of freedom.

"Is it possible that one set of human beings can forbid others to live

together in seclusion?

"Quacks cannot create life or happiness; should they, therefore, be

allowed to forbid unhappiness from effecting its own cure?

"Your Majesty's great mind cannot suffer such barbarism, and it is

barbarous, although hedged about by culture.

"I am aware, Your Majesty, that I have not yet made my meaning clear. I

shall endeavor to do so.

"I am here in the convent.

"Emma, the woman whom I love above all others--I believe I have already

spoken of her to Your Majesty--wishes to take the veil. From her point

of view, she is in the right. Dogs will go mad, although the dog-tax be

paid. A mad dog killed her affianced and she now desires to renounce

the world. Who dare prevent it? And yet the law of the state commands

that this convent shall die out, and forbids its receiving nuns.

"Your Majesty dare not permit this. Your eye takes in all at a glance;

your life is the nation's history. You must teach these journeymen to

be greater-minded than they now are. They must abolish this law;

indeed, they must.

"Pardon my language. Your Majesty; but I cannot help myself. I feel as

if I were your deputy. I feel that your great mind resents such

pettiness as an insult.

"I hope to see Your Majesty soon again, and, meanwhile, send my most

respectful greetings.

"IRMA VON WILDENORT."

Without being observed, Irma inclosed the four-petaled clover-leaf with

the letter.

While Irma sat in the boat that took her back to the shore, she was

filled with pride. She felt that she had instigated, if not

accomplished, a beautiful and noble act in the service of freedom and

was determined that it should be carried out.

The old boatman was glad to see her again. He rowed lustily, but did

not speak a word. Now and then, he would smile to himself, as if happy

in the thought that he was carrying a young soul away from the realm of

shadows.

In the distance there was a skiff and, in it, a man clad in a green

hunting dress. He waved his hat and bowed.

Absorbed in thought, Irma was gazing into the lake, when her maid drew

her attention to the other boat.

Irma started.

"Is it not the king?"

Thinking that he had not yet been observed, the hunter fired off his

gun, the report of which was echoed again and again from the hills. He

then waved his hat once more. With trembling hand, Irma waved her white

handkerchief as a token of recognition.

The skiff approached. Irma's expression rapidly changed from one of joy

to that of disappointment.

It was not the king. It was Baron Schoning who greeted her.

He sprang into the boat, kissed her trembling hand and told her how

happy he was to meet her there.

They alighted. The baron offered his arm to Irma and they walked along

the bank, the maid going before. In the distance, Irma could see the

lackey who, on the previous day, had been speaking to hers. Had not the

servant said that his master had been waiting here for a long time? Had

not Baron Schoning, before this, been open in his attentions to her?

His words soon relieved her of all doubt on that score.

"We are alone here, in the presence only of the mountains, the lake and

the heavens. Dearest Countess! May I speak of something that lies near

my heart and which I have for a long while desired to tell you?"

She silently nodded assent.

"Well then, permit me to tell you that the court is not the right place

for you."

"I am not quite sure that I shall return there; but why do you think me

out of place there?"

"Because there is something in you which will always prevent you from

feeling at home there. You are surprised to hear me, the jester, the

court warbler, speak thus. I know very well I bear that title; but

believe me, Countess, while they imagine they are playing with me, I am

amusing myself at their expense. You, Countess, will never feel at home

at court. You do not accept that life and its customs, as fixed and

settled. You interpret it according to your own peculiar views; your

mind cannot wear a uniform; your soul utters its deepest feelings in

its own dialect, and when your utterances get abroad in the liveried

world, they find it exceedingly original, but strange and--no one knows

it better than I--you have not, and never will have aught in common

with those who surround you."

"I should not have believed that you could thus look into my heart; but

I thank you."

"I am not looking into your heart; I live in it. Oh, Countess! Oh! thou

child-like and all-loving heart, tremble not! Suffer me to clasp

this hand in mine, while I tell you that I, too, am a stranger there,

and have resolved to retire from court and live for myself on

yonder patrimonial estate of mine. Irma, will you render my life a

thousand-fold happier than it can otherwise be? Will you be my wife?"

It was long before Irma could answer him. At last she said:

"My friend--yes, my friend--on yonder island there lives a friend of

mine who is dead, both to herself and me. Fate deals kindly with

me and sends me another in her stead. I thank you--but--I am so

confused--perhaps more than-- But look, dear baron, at the little

cottage half-way up the mountain. I would be content to live there--to

grow my cabbages, milk my goats, plant my hemp, make my clothes--and

could be happy, desiring nothing, forgetting the world and forgotten by

it."

"You jest, dear Countess; you are creating an idea whose bright colors

will soon grow dim."

"I do not jest. I could live alone while laboring for my daily bread,

but not as the mistress of a castle and surrounded by the trifles and

frippery of the fashionable world. To dress for the mere sake of seeing

one's self in the glass, is not to my taste. In yonder cottage, I could

live without a mirror. I need not look at myself, nor need another look

at me; but if I am to live with the world, I must be wholly with it; at

the reigning center, in the metropolis, or traveling. I must have all

or nothing. Nothing else will make me happy. Nothing half-and-half or

intermediate will satisfy me."

Irma's tone was so determined that the baron saw how thoroughly in

earnest she was, and that her words meant more than mere caprice or

sport.

"I must either subject myself to the world," said she, "or, despising

it, put it beneath me. I must either be perfectly indifferent and

regardless of the impression I produce upon others, or else afraid of

every glance, even my own."

The baron was silent, and evidently at a loss for words.

At last he said:

"I would gladly have gone to your father's house, but I know that he

dislikes men of my class. I waited for you here, knowing that you would

come to your friend. Pray answer me another question: Do you intend to

return to court?"

"Yes," said Irma, now, for the first time, firmly resolved upon

returning. "It were ungrateful to act otherwise. Ungrateful to the

queen and to--the king and all my friends. I feel sure, my friend, that

I am not yet mature enough to lead a life in which nothing happens."

They came to a seat.

"Will you not sit down with me?" said Irma to the baron.

They seated themselves.

"When did you leave the capital?"

"Five days ago."

"And was everything going on as usual?"

"Alas, not everything. Doctor Gunther has met with a sad affliction.

Professor Korn, his son-in-law, died suddenly, having poisoned himself

while dissecting a corpse."

"While dissecting a corpse?" exclaimed Irma. "We all die of the poison

of decay, but not so suddenly; those on yonder island and we--all of

us."

"You are very bitter."

"Not at all. My head is filled with the strangest fancies. I became

acquainted with a great law over there.

"The law of renunciation?"

"Oh, no; the justification of fashion."

"You are mocking."

"By no means. Fashion is the charter of human liberty and the journal

of fashion is humanity's greatest boon."

"What an odd conceit!"

"Not at all. It is the simple truth. The frequency with which a man

changes the material, cut and color of his clothes, proves his claim to

culture. It is man alone who constantly clothes himself differently and

anew. The tree retains its bark, the animal its hide, and, as the

national and clerical costumes are both stereotyped, as it were, those

who use them are regarded as belonging to an inferior, or less

civilized class."

The baron looked at Irma, wonderingly. He was glad at heart, that she

had candidly given him the mitten. He could not have satisfied so

restless and exacting a nature that constantly required intellectual

fireworks for its amusement; and she, moreover, took delight in her

absurd ways. All at once, he saw nothing but the shadows in Irma's

character. An hour ago, he had seen only the bright side and had

regarded her as a vision of light itself. She had just visited a

friend about to take the veil, had just listened to a proposal of

marriage--how could she possibly indulge in such strange notions

immediately afterward?

Baron Schoning told her that he had ordered photographs of Walpurga and

the prince.

"Ah, Walpurga," said Irma, as if suddenly remembering something.

The baron politely took his leave and rowed back across the lake.

Irma took the road that led homeward. She wished to visit Walpurga's

relatives and inquired as to the route toward the lake on the other

side of the mountains. They told her that a carriage could not get

there, and that the only way to reach the point was on horseback. Irma

took the direct road for home.

CHAPTER XII.

"Something ails me! It always seems as if some one were calling me, and

I can't help looking round to see who it is. The countess must be

thinking of us all the time. Ah me, she's the best creature in the

world."

Whilst Walpurga, for many days, thus lamented Irma's departure, the

others at the palace rarely thought of her. The place we leave, be it

to journey in this or to the other world, is speedily filled. In the

palace, they tolerate neither vacancies nor sentiment. There, life is a

part of history; and history, as we all know, never stands still.

Mademoiselle Kramer continued to teach Walpurga how to write, and the

latter did not understand her, when she said: "The quality are fond of

taking up all sorts of things, but we must finish what we begin. I've

finished many a piece of embroidery, of which the hand that was kissed

for it scarcely worked a couple of stitches; but that's in the order of

things."

Although Mademoiselle Kramer found everything in order that was done by

the quality, she, nevertheless, had a habit of speaking of such things

to her inferiors, not with the hope of being understood by them, but

merely to relieve her mind.

The child was well and hearty. Day after day passed in quiet routine,

and now Walpurga was richly recompensed for the absence of Countess

Irma. The queen was permitted to have the nurse and child about her for

several hours every day.

While Irma had gone forth to seek rest and quiet, but had found chaos

instead, the queen's life had become serene and happy; Her recent

experience of life's trials had been a novel and difficult one; but now

her mind was at rest, her health restored. She would look at her child

and, when she spoke, Walpurga would fold her hands and listen in

silence. The nurse did not understand all that was said, but,

nevertheless, sympathized with what was going on. The queen endeavored

to console Doctor Gunther in his affliction, and spoke to him of the

consolation that the mother could find in her child: "In spite of all

life's contradictions and enigmas," said she "there is yet the one glad

thought that every child bears within it the possibility of the highest

human development."

The queen while speaking looked around at her child, and Walpurga said

in a gentle voice:

"Look at our child; it's laughing for the first time. It's seven weeks

old to-day."

"I've seen my child's first smile, and its father is not here."

"Don't make such a long face," said Walpurga; "just keep on laughing

and he'll laugh too; your pleasant glances will bide in his face."

The child kept smiling until the doctor requested them not to excite it

any more. He said that Walpurga was right and that if one looks at an

infant kindly it has the effect of imprinting a sweet expression upon

its features.

From that day forward the child never saw a sad look on its mother's

face.

It was only when she spoke of persons that Walpurga could talk volubly

and continuously. Countess Irma was therefore frequently the topic of

conversation. But this subject was soon exhausted, and when the queen

would say: "Why are you silent? I hear that you can talk to the child

so prettily and carry on all sorts of fun with him," Walpurga

persistently remained silent.

The queen made Walpurga tell her her history. It required much

questioning to get at the entire story for Walpurga could not narrate

it in a continuous strain as she had never thought of her life as a

connected whole. Everything had gone on of its own accord as it were

and without requiring one to stop and think. While telling her story

she was as anxious as if before a court of justice.

"How did you happen to fall in love with your husband? Do you love him

with all your heart?"

"Of course. He's my husband and there isn't a bad drop of blood in him.

He's a little awkward--I mean unhandy,--but only when others are about.

He's never been much among people. He grew up in a one-storied house

and until he was twenty-two years old had seen nothing but trees; but

no work's too hard for him and whatever you put him to, he does his

duty. He's not so dull, either; but he doesn't show it to the world;

with me, he can talk well enough, and he's satisfied as long as I know

he's the right sort of man. It takes my Hansei a long while to make up

his mind, but when he's made it up, he's always right. You see, dear

queen, I might have got a much cleverer husband; my playmate was a

hunter, and his comrade was after me for a long while; but I didn't

want to have anything to do with him, for he's too much in love with

himself. He once rowed over the lake with me, and was all the time

looking at himself in the water, and twisting his mustache and making

mouths, and so thought I to myself: If your clothes were made of gold,

I wouldn't have you. And when father was drowned in the lake, Hansei

was at hand and did everything about the house. He'd go out in his

skiff and bring in fish, and while I and mother would sell 'em, he'd

work in the forest. Father was also woodcutter and fisherman, at the

same time. And so Hansei was there a full half year; no one bid him

come and no one told him to go, for he was there and was honest and

good and never gave me an unkind word; and so we were married, and,

thank God, we're happy and, through our good prince, we'll have

something of our own. We've got it already, and it's no easy matter for

a husband to give his wife away for a year. But Hansei didn't waste

many words over it. If a thing's right and must be, he only nods--this

way--and then it's done. Forgive me, dear queen, for telling you all

this silly stuff, but you asked me."

"No, I am heartily glad that there are simple-minded, happy beings in

this world. The worldly-wise think they prove their infinite wisdom

when they say: 'There are no simple-minded, happy people, and the

country folk are not nearly so good as we imagine.'"

"No more they are," said Walpurga, eagerly; "there aren't any worse

people than some of those out our way. There are good ones, of

course; but there are wicked and envious and thieving and lazy and

good-for-nothing and godless creatures besides; and Zenza and Thomas

are among the worst, but I can't help it."

Walpurga imagined that the queen must know of the pardon, and they

should not say of her that she had not told the truth. The queen felt

grieved at Walpurga's vehemence and the serious charges she made

against the people of her neighborhood.

After a little while, she said to Walpurga:

"They tell me you sing so beautifully. Sing something for me, or,

rather, for the child."

"No, dear queen, I can't do it. I'd like to, but I can't. I don't know

any but silly songs. The good ones are all church songs."

"Sing me one of those that you call silly songs."

"No, I can't; they're lonely songs."

"What do you mean by lonely songs?"

"I don't know, but that's what they call 'em."

"Ah, I understand: they can only be sung when one is solitary and

alone."

"Yes, I suppose that's it; the queen's right."

Although the queen endeavored to induce her to sing, Walpurga protested

that she could not and finally became so agitated that she burst into

tears. The queen experienced some difficulty in pacifying her, but

succeeded at last, and then Walpurga, taking the child with her,

returned to her room.

On the following day Walpurga was again summoned to the queen, who

said: "You're right, Walpurga. You can't sing to me. I've been thinking

a great deal about you. The bird on the tree doesn't sing at one's

bidding. Free nature cannot be directed by a baton. You needn't sing

for me. I shall not ask it of you again."

Walpurga had intended to sing to the queen that day. She had chosen her

prettiest songs and now the queen actually ordered her not to sing, and

even compared her to a bird. "Palace folk," thought she, "are queer

folk."

"I understand," continued the queen, "that in your neighborhood they

believe in the Lady of the Lake. Do you believe in her, too?"

"Believe in her? I don't know, but they tell of her. Father saw her

three days before he died, and that was a sure sign that he would soon

die. They say, too, that she's the Lady of Waldeck."

"Who is the Lady of Waldeck?"

"She's the Lady of Wörth."

"What is Wörth?"

"A bit of land in the middle of the lake, with water all round it."

"Do you mean an island?"

"Yes, an island; we sometimes call it that, too.

"And what is the story of the Lady of Waldeck?"

"Once upon a time, many thousand years ago, there was a man, and he was

a knight by the name of Waldeck, and he was a crusader. He and lots of

emperors and kings went off to our Saviour's grave in the Holy Land. He

left his wife at home and before he went away, he said to her: 'You're

good and you'll remain true to me'; and when, after many years, he

returned, quite black with the eastern sun, he found his wife with

another man, and so he bound the two together, put them in a boat and

rowed them over to Wörth where he left them; and there they lay, and

had nothing to eat, and nothing to drink, and were tied together and

died of hunger, and the birds of the air ate them. They were adulterers

and it served them right; but he was horrible for all. And even

nowadays, on spirit nights, you can often see a little blue flame on

the island of Wörth, and they say that the Lady of Waldeck's soul has

passed into a nymph and that she must wander about."

Such was Walpurga's story.

"I haven't frightened you, I hope?" said she, anxiously, as she

observed the queen's fixed gaze. "That's what they say. But may be it's

only talk, after all."

"No, no. Don't be anxious about that," cried the queen. "So many

different thoughts pass through my mind."

"Like enough; it's very hard to be the housewife, with so big a house

as this to keep, and so many folk in it."

The queen laughed heartily.

Walpurga did not know that she had said anything odd or droll and was

therefore surprised at the effect of her remarks; but she soon became

satisfied that all she said was quoted. This made her quite shy,

although she would now and then give way to fits of extravagance and

would, at such moments, delight in her own odd freaks, for they always

provoked a smile. While the queen aimed to be as simple as possible in

her intercourse with Walpurga, the latter was, with each succeeding

day, becoming more artificial and affected. She copied herself and her

whilom _naïvete_. When she knew that the queen was within hearing, she

would repeat the wondrous combination of words with which she was wont

to amuse the prince. She one day began to sing of her own accord and,

when she had finished, she felt surprised and almost hurt, because her

song had elicited no remark from the queen. Had she not sung well?

The queen had said nothing, because she feared that she might embarrass

her.

There was a strange contrast between these two women, each of whom was

trying to place herself in more perfect sympathy with the other, while

both were, with every step, adding to the distance that separated them.

It was a great day when the queen, accompanied by Walpurga and the

crown prince, rode out for the first time.

"You're a thousand times more beautiful when you're out-of-doors, in

the open air. In the darkened rooms, I never knew how beautiful you

were," said Walpurga to the queen, who immediately afterward had

something to say in French to the Countess Brinkenstein who sat beside

her.

"May I ask a favor, gracious queen?" said Walpurga.

"Certainly. What is it?"

"I think it hurts the child to talk gibberish before it. A young soul

like his understands, even if it can't speak, and it seems to me it

must confuse his little brain. I hardly know how to tell you; but I

feel it in my own head, and whatever affects me, affects the child."

"She's right," said the queen to Countess Brinkenstein, "until the

child can speak perfectly, it should hear no language but its mother

tongue."

"That's it--mother tongue," exclaimed Walpurga, "you've hit it. I had

it on my lips, but I couldn't think of it; that's the very word. I'm,

so to say, the same as a mother to the child and so--isn't it so?"

"Yes, certainly. It shall be as you say in all things. See to it, my

dear Brinkenstein, that after this, nothing but German be spoken before

the prince. No one can tell what sounds may sink into the soul which,

as yet, is but half awakened."

Walpurga was delighted. There would now be no more gibberish when she

was by for wherever the child was, there was she.

Mademoiselle Kramer added to her happiness by informing her that they

would start for the country, that is, the summer palace, within a few

days.

CHAPTER XIII.

In the mean while there was a special reason for detaining Walpurga and

the prince in the city.

Baron Schoning had spoken of the matter, while at breakfast one day,

and the suggestion which had been offered as a bit of pleasantry was

well received. The millions who were anxious to behold their future

ruler were to be gratified by the work of an instant. It was determined

that there should be a photograph of the crown prince borne aloft on

the hands of the people, Walpurga representing the people. She urged

various objections to the idea, and said it was wrong to let a child

less than a year old look into a mirror, and quite wrong to have its

likeness taken. "As long as you haven't let a child look in the glass,

it can see itself in the hollow of its left hand." Finding that her

opposition was of no avail, she dressed herself in her best gown. The

crown prince looked very pretty, and as he already had fair curly hair,

the artist removed his cap.

The first few attempts to get the likeness were failures. Whenever she

heard the voice issuing from the dark room, Walpurga was frightened and

imagined that witchery was going on. She became more and more agitated,

but at last, at Schoning's clever suggestion, a pianist in the

adjoining room played the air of Walpurga's favorite song. As soon

as she heard it, she could not help joining in the strain. Her

expression--and that of the child, too--became cheerful and

unconstrained. Eureka! the picture was a success.

The drives about the city had been lovely, but the most beautiful of

all was now to come.

It was a bright, balmy afternoon when they drove off. Although there

had been no rain for some time, the road was free from dust, sprinklers

having preceded the court carriage.

Walpurga was in an open carriage, with the prince and the queen. It was

the first time that she rode out among the villages and the fields. She

gazed at the people who were looking out of the windows, or sitting at

the doorsteps of the houses by the roadside, at the children who would

stop and salute them, and then, again, at the laborers in the fields.

She kept smiling, nodding and winking in all directions. The queen

asked:

"What ails you? What's the matter?"

"Oh, pardon me, queen; but here I'm riding in a carriage and four, and

over there the likes of me are working and toiling, and I know how the

women's backs ache from digging up potatoes, and while I ride by, as

though I were somebody better than they, it makes me feel as if I ought

to ask 'em all to forgive me for riding by in this way. I feel as if I

ought to say: 'Never mind; when the year's over, I'll be the same as

you are; the clothes I wear, the carriage and the horses, none of 'em

are mine; they're all borrowed.' Ah, dear queen, forgive me for saying

this to you, but you understand everything and know how to explain it

for the best. I empty my whole heart out to you," said Walpurga,

smiling.

"Yes, I understand what you mean," replied the queen; "and it is wise

of you thus to look forward to a return to your home. The thought that

you might be unable to content yourself there, has often troubled me.

Believe me, we who ride in carriages are no better off than those who

are walking barefoot through yonder stubble."

"I know it," said Walpurga. "No one can eat more than his fill, as my

father used to say, and queens must bear their children in pain and

sorrow, just like the rest of us; no one can save them from that."

The queen made no reply, and looked out of the other side of the

carriage.

Countess Brinkenstein motioned Walpurga to be silent; for, while it was

difficult to induce her to talk, when she had once begun, she did not

know when to stop.

The queen was only silent because she wished to say something in

French, to Countess Brinkenstein, and had refrained from doing so on

account of Walpurga's precious admonition.

"My dear child," said the queen at last, "I would, gladly, give up

everything, if I knew that I could thereby render mankind happy and

contented. But what good would it do! Money wouldn't help the people,

and it is not we who have brought about this inequality. God has

ordained it thus."

Walpurga could easily have answered her, but thought it best to leave

something for the morrow; for her father had often said: "It isn't well

to catch all the fish in one day." She therefore remained silent.

The queen felt greatly constrained by her promise not to speak French

in Walpurga's presence. There was much that she desired to say and with

which the peasant woman had no concern.

"How beautiful! how lovely is the world," she murmured to herself, and

then closed her eyes, as if fatigued with the splendor which had opened

before them, after her long seclusion. And while she lay there, her

head thrown back on the cushion, she looked like a sleeping angel, so

peaceful, so tender, as if mother and child in one.

"The soft cushions almost make me think I am sitting on clouds," said

Walpurga, when they reached their journey's end.

She was unspeakably happy in the country. The broad prospect, the clear

skies, the mountains, the large and beautiful garden with its

comfortable seats, the fountains, the swans--all delighted her. There

was also a fine dairy-farm, about a quarter of a mile distant, where

the cow-stable was much finer than the dancing floor at the Chamois

inn.

Walpurga was out in the open air during the greater part of the day.

The queen lived for her child alone, and Walpurga was again talkative

and natural. All the affected ways that she had acquired while in the

city, had left her.

In her first letter home--she could now write for herself--she said:

"If I only had you here for one day, to tell you about everything; for,

if the sky were nothing but paper and our lake nothing but ink, I

couldn't write it all. If it were only not so far off, Hansei; a pound

of fish here costs twice as much as with us. We're living in the summer

palace now, and just think, mother, what such a king has. He has seven

palaces, and they're all furnished, every one with a hundred beds,

rooms, kitchens and all of them filled, and when they go from one

palace to another they needn't take a fork or a spoon along. Everything

here is silver, and the doctor and the apothecary and the preacher and

the court people and the horses and the carriages, all move out here

with us. There's a whole town here in the palace, and I've the best

beer and more than I care for; and when one gets up in the morning

everything is as neat and clean as a new-laid egg. There's not a leaf

on the paths, and then there's a house all made with glass. The flowers

live in it; but I daren't go in, because it's too hot in there. They

keep it heated the whole year round, and it's filled with great palms

and other trees from the east, and, in the pond, there's a fountain,

and the water rises up as high as our church steeple. And just think of

all such a king can have. All day long, when the sun shines, there's a

rainbow there, sometimes above and sometimes below. Of course, he nor

no one else can make the sun; and they all do their best to please me.

I hardly can say I like a thing, before they give it to me at once.

"The queen is just like a companion with me. Just like you, Stasi. I

wish you much joy at your wedding. I only heard of it from Zenza. You

shall have a wedding present from me; let me know what you'd like to

have. But now I beg of you, just tell me how it goes with my child. It

didn't please me to know that you had weighed it on the butcher's

scales, and that it's so heavy. I wouldn't have thought, mother, that

you would have allowed it, or that you, Hansei, would have given way to

the innkeeper. Beware of that fellow. It was only last night that I

dreamt you and he were rowing across the lake, and that he clutched you

and dragged you into the water. Then all was over. And then the Lady of

the Lake appeared, and she looked like the good countess who is now

away. She's the best friend I have here, and promised to visit you on

her way back. You can tell her and give her everything just as if it

was myself. They've just brought me my dinner. Ah, dear mother, if I

could only give you some of it. There are so many good things here and

there's always so much left. Don't let yourself want for anything, or

Hansei either, and my child least of all, for we can now afford it,

thank God! And I want to be with you for a long while yet, dear mother.

It often makes me feel bad that I can't be a mother--I mean a true

mother; but when I come home I'll make it all up to my child; and

Hansei, put all your money out at interest until I get home; remember,

it doesn't belong to us, but to our child, whom we deprive of its

mother.

"Mademoiselle Kramer, who is with me all day, was born here. She'd

rather be in the city, and she says it used to be much prettier here

than it now is; that everything used to be like the little garden

yonder, where there are walls and rooms with doors and windows, all

made of shrubbery. It's all very pretty and I like to go there, but

when I've been there a few minutes I am almost frightened to death: for

I feel as if I and the trees were bewitched, and I get away as soon as

I can. Mademoiselle Kramer is a very good person, but nothing is

quite to her taste. She's been used all her life to riding and fine

eating and sitting about; and mother, just think of what I have eaten

here--live ice! People here are so clever they can preserve ice and

make it up so that you can eat it. Yes, if that could satisfy one's

appetite, there wouldn't be any hungry people with us in the winter, or

even in the summer, further up the mountains. And mother, you once told

me a fairy-tale about walls that have ears; but this is no fable, it's

true and quite natural. They have speaking-trumpets, running through

the whole palace, and you can speak through them, and if I want

anything in my room, all I've got to do is to go up to the wall and say

so and in a minute it's there.

"This is a beautiful day and that makes me think that you have it as

well as we, and that the same sun that shines on us here shines on you,

too.

"The main business here is taking walks. Every one must take walks

here. They call it taking exercise, so that they can get up their

appetite and keep their limbs from getting stiff. They even take the

horses out walking when there's nothing for them to do. Early in the

morning, the grooms ride out a long way with them and then come home. I

often wish the horses could only take me home for an hour. I often get

homesick, but I am well and hearty and only hope it is the same with

you. Your

"WALPURGA.

"Postscript.--Why haven't you mentioned a word about the little gold

heart which my countess sent to my Burgei? And no one is to send me any

more petitions, or to come to me. I won't receive another one. As long

as I live, I'll be sorry for having anything to do with Zenza and

Thomas; but perhaps it's all for the best and may be he's turned out

better. Don't think hard of it, dear Hansei, but I beg you, once more,

to have very little to do with the host of the Chamois. He's a rogue,

and a dangerous one at that, but you needn't tell him that I say so,

for I want the ill-will of no one. I send my love to all good friends.

I must stop now, my hand is quite stiff with writing.

"Stop! I must begin again. I send you a picture of myself and my

prince. It was taken in a sort of peepshow, before we came out here,

and now, as long as the world lasts, the prince and I will always be

together, and I'll be holding him in my arms. But I am still with you,

dear Hansei, and you, dear mother, and, most of all, with my dear child

that I bear in my heart where no one can look. Don't show the picture

to any one.

"But, dear me! what good will it do if you don't show it? Mademoiselle

Kramer tells me that they've made a hundred thousand pictures of me and

the prince, and now I am hanging up in all the shops, and wherever I go

they know me as well as the king and the queen, whose pictures hang

next to mine. I feel as if I wanted no one ever to see me again, but

when I think of it, it's really an honor after all. I am out in the

world now, and must let them do what they please with me.

"But I shall ever be true to you, and I am at home nowhere but with

you, and am always there in thought."

CHAPTER XIV.

"How goes it, Walpurga?" asked Baum, one morning, when the nurse was

looking out of the window of the ground floor.

"Oh, dear," replied she, "this is a real paradise."

"Indeed!"

"Could it be any finer in paradise? The people live without care and

have nothing to do but eat and drink and laugh and go out walking."

"You're right there; but still it was finer in paradise, for there

father Adam couldn't covet another man's wife, as his was the only one

in the world."

"What queer notions you have," said Walpurga, laughing; and Baum,

feeling flattered, added:

"In paradise they had no use for servants, no coachman, no cook, no

house, no clothes. There were no boots to be cleaned, because there

were none, and there were no coats and shirts to be woven, and sewed

and mended."

"You dreadful creature," exclaimed Walpurga. She felt as if Baum's

words had almost torn the clothes from her; her face was crimson. Baum

quickly answered:

"I'm sorry I look so dreadful in your eyes. In my eyes you're so

beautiful that I--" He was interrupted by a servant who called him

away.

Walpurga quickly drew back into the room. She was angry at Baum. How

could any one use such language to a married woman? "And yet," thought

she, with a self-complacent smile, "Baum's a well-mannered person,

after all; and why shouldn't one crack a joke, now and then?" She

looked in the large mirror for a moment and smiled.

"Yes, when Hansei sees you again, he'll hardly know you; it's the good

living that does it. But I'll say to myself every day: 'It won't last

long; you're only hired here for a while. But dancing's pleasant, even

if the dance doesn't last long,'" said Walpurga, as if to console

herself. All sort of dance tunes occurred to her and she kept humming

them to the prince.

Walpurga roamed about through the beautiful park as if in a dream. She

imagined that the trees, the sky and the birds were all enchanted and

in a strange world; that they would suddenly awaken and all would

vanish. But everything went on in its quiet course, each day as

beautiful as the one that preceded, like the sun rising anew every day,

the flowers that are constantly giving forth their fragrance, or the

spring that never ceases to flow.

Walpurga had a special liking for Mademoiselle Kramer's father, who was

governor of the castle. He was a venerable man who raised lovely

flowers in his little lodge, and she could talk to him as with her own

father.

Walpurga was sitting out of doors for the greater part of the day.

Mademoiselle Kramer was always with her and two servants within ready

call. The queen would also often join them.

The queen had a beautiful snow-white setter of which the child was

especially fond. Walpurga requested her to let the prince often have

the dog, because it is well for a child to have a living animal about

it.

"She is right," said the queen, addressing the court lady at her side;

"animal life awakens human consciousness."

Walpurga stared at her in surprise. The queen had said she was right,

but added words that she did not understand.

"Just look," said she to the queen, "how fond the bees are of our

child. They won't hurt him--you needn't fear. The bee is the only

creature that came out of paradise without being spoiled."

The queen manifested her pleasure at the manner in which Walpurga's

thoughts were, interwoven with tradition.

Walpurga observed that the queen had but little worldly wisdom and gave

her the benefit of hers whenever opportunity presented itself.

"Do you know what that is?" she once asked, while they sat in the

shrubbery.

"A tree."

"Yes, but do you know it's a sacred tree and that lightning doesn't

strike where it grows?"

"No, I never knew that."

"And then of course, you don't know why. Now my mother told me all

about it. The Virgin was once crossing a mountain and was caught in a

fearful storm. So she stood under a great large hazel-tree and remained

safe, and, because it had protected her she blessed it for all time.

You can make magic wands from hazel twigs. The serpent-king dwells

under the hazel-tree and, sometimes, under the weeping willow. Do you

know why the weeping willow drops its branches so sadly?"

"No, I don't know that either. You're full of wisdom," said the queen,

smiling.

"I'm not, but my mother is. I don't know half as much as she. She's

very clever, and told me about the weeping willow. The rods with which

they scourged our Saviour were made from the weeping willow, and ever

since that time she droops her branches with shame."

Walpurga was quite happy to think that she could teach the queen

something. She felt that she was quite a different being from all in

the palace and that the queen was the only one who understood her. She

was always happy and cheerful when with her and opened her whole heart

to the queen. "You're quite a stranger in the world; you've never, in

all your life, seen how the burghers and farmers sit in their rooms of

an evening, what they eat, what they talk of, what they wish for, and

what makes them happy or gives them pain. I once heard my father tell a

story. It was about a prince and a princess who grew up as shepherds,

and didn't know who they were until they were grown up, when they said

to him: 'you're a prince,' and to her: 'you're a princess,' and they

became right good and honest people. Of course they'd been out in the

world, and had learned how people live and what they need. I only wish

that we could send our prince out the same way. I think it would be

good for him and the whole country, too. If servants are running after

you all day long, it's just as if you were in a prison, the people form

a living wall around you."

"We can all be honest and good," replied the queen.

"And make good men and women of our children," added Walpurga. "Do you

know what I'd like? I'd like, as long as I live, to take all trouble

from you, and if sickness came to you, to be sick in your place."

"Yes that's very well; but let us be quiet now."

The queen was all happiness. She saw to the bottom of a simple peasant

woman's heart, and into a new world that revealed itself to her in her

child.

CHAPTER XV.

Baum availed himself of every opportunity to speak with Walpurga. He

was in deep affliction; his wife was seriously ill, and Walpurga

endeavored to console him. In return, Baum lent a willing ear to all

her complaints, for she had just heard from home, that Zenza denied all

knowledge of the little golden heart that Countess Irma had sent to the

child.

"Ah, and so your countess has a golden heart left to give away," said

Baum in a mocking voice. "You ought to be glad to have such a friend."

"And so I am. Oh, if she were only here again, then it would be a real

paradise. I don't worry about Zenza's making away with the golden

heart; there must be some bad people, or else the world would be too

beautiful."

"And I tell you, it's only half a life when the king's away. Just wait

till he comes back and see how it will be then. When there's no man

about, it isn't a complete house."

The queen approached and Baum withdrew.

"What was that man saying to you?" asked the queen.

"We were telling each other of our troubles; he has great longing for

the king and I, dear queen, have great longing for my Countess Irma."

"I long for her, too; but she has asked to have her leave of absence

extended for another fortnight."

Peacefully and calmly, the days passed by. Walpurga's favorite resort

was in the neighborhood of the dairy-farm; for there were cows there,

and cows are the same everywhere, and don't know that they belong to

the king, or that their milk is served at his table.

Walpurga remarked this one day to Baum, who had discovered that he

could meet her there, and he replied:

"Oh, how clever you are; if I only had got a wife like you."

"There are dozens like me."

"Oh, not so clever as you are. You could get far in the world, if you

only wanted to."

"How far should I go?" said Walpurga. "I want to go home and no

farther."

"No one will think the worse of you for that, but one can make a new

home."

"I don't understand you."

"I can't explain now. Countess Brinkenstein is coming. Meet me in the

shrubbery behind the chapel, this evening when they're all at table,

I've something good to tell you."

Walpurga had not time to reply. Baum saw Countess Brinkenstein

approaching and, in a loud voice, gave the dairy inspector an order

from the head cook, and then walked away quickly, respectfully saluting

the countess as he passed.

Countess Brinkenstein administered a severe reproof to Mademoiselle

Kramer for having allowed Walpurga to stand there with the prince, and

chatter with the servants.

Mademoiselle Kramer made no reply, and only motioned Walpurga to go

into the vine-clad arbor.

Walpurga was busy conjecturing what sort of advice Baum might have to

give her. He knew lots of things and perhaps knew of some clever

stroke, by which Hansei, her mother and the child might be brought to

the palace. But Hansei wouldn't do for a lackey. Perhaps, though, they

could make him court fisherman or chief woodsman of the royal forest.

When evening came, she was quite uneasy. It was not the right thing for

her to have a secret meeting with any man but her husband; but, perhaps

the place may be given away to-morrow, and then it would be too late.

She sat by the window and looked up at the stars. Her cheeks glowed,

she drew a deep breath.

"What ails you?" inquired Mademoiselle Kramer.

"I feel so warm and oppressed."

"I'll send for the doctor."

"I don't need the doctor. Just let me sit here quietly. But no; let me

walk up and down in the garden for a few minutes and I'll feel better."

"The maid can go with you."

"No, I don't need any one; I'll feel better if I go alone."

"But, I beg of you, don't go too far, and come back soon. You've seen,

to-day, how every misstep of yours draws reproof on me."

"Yes, I'll come back soon."

Walpurga went out at the back door. The gravel grated under her

footsteps and she trod more lightly. The air was laden with the perfume

of the flowers; the swans in the lake uttered a strange sound, like a

deep, muffled trumpet tone; the sky sparkled with countless stars and,

just as Walpurga looked up, she saw a brilliant meteor and exclaimed:

"Hansei!"

In her innermost heart she wished for nothing but her husband's

happiness. She stopped when she had uttered his name. She felt as if

she had better return. She was a married woman and oughtn't to meet a

strange man at night, even though it was by the chapel.

Something ran across the path. Was it a cat, a martin or a weasel?

"Return," said an inner voice, but she went on, nevertheless. She

reached the arbor. Baum stepped forth from behind a vine-clad column.

He held out both his hands to her and she offered him her own. He tried

to draw her closer to him but she stood firm.

"What have you to tell me?" asked Walpurga.

"Nothing but what's good. You see, we lesser folks must help each

other, and you're so much to me that I could do anything for you."

"If you can do me a good service, I shall be grateful as long as I

live--I and my husband and my child. Tell me quick; I'm in a hurry."

"Then we can leave it for some other time."

"No, tell me now. What do you mean?"

"I really meant nothing at all, but you see we must always wait on

others, and so I thought that we might have a quarter of an hour to

ourselves. I only wanted to tell you that you are the light of my life,

my happiness. When I look at you, and listen to you, I'd like to do--I

don't know what, and I can't tell."

"It isn't necessary, either; and let me tell you, this is very wicked

of you."

"Is it wicked that I love you to distraction?"

"Yes, and doubly wicked that you fooled me here and made me believe

that you had something good to tell me."

"And so I have," said Baum, quickly; "forgive me for what I've done; if

you do, I'll tell you the rest."

"Yes, I'll forgive you, but make haste."

"Well," said Baum with great composure, "it's simply this. He who

stands at the manger and doesn't eat, is a fool. Do you understand me?"

"Of course; it doesn't take much to know that."

"Yes, but you don't take my meaning. A court like this is a full

manger, and you'll be a great fool if you go away without having taken

enough to satisfy yourself and your child for life."

"I'd like to know how that can be done. You've got to eat every day,

and can't stuff yourself with enough to last for a lifetime."

"You're clever, but you might be more so. Just listen! What I mean is

this. A good position, or a profitable situation, should give one a

chance to make himself comfortable for life. The tenant of the

dairy-farm will have to leave next spring or, at the latest, in the

fall, and I think you ought to manage it with the queen and the rest of

them, so that your husband should get the position, and then you could

be here all your life and you and yours would be well provided for.

Take my word for it, I know what the quality are. If you leave here

without having secured a good situation, not a cat will remember you.

But if you remain here, you'll be well taken care of to the end of your

days, and the older the prince gets, the more he'll think of you; and

when he becomes king, he'll provide for you, your family, your child

and even your grandchildren. Is that wicked advice?"

"No; on the contrary, it's very good and I'll remember it. That,

indeed, would be bread and lots of butter."

"Oh, I've never seen or heard so sensible a woman as you are. You

deserve a better lot; but that can't be helped, and if you remain here,

I'll often have the pleasure of seeing you and speaking a word with

you, for I hope we'll be good friends; shall we not?"

"Yes, indeed, and my Hansei will also be a good friend to you. There's

not a false drop of blood in his body and he's clever, too, only he's

not much of a talker; and he loves me just as much as gold; he's true

and kindhearted, and I won't let any one say a word against him."

"I haven't said anything against him," replied Baum, and Walpurga was

obliged to admit that this was the case; nevertheless, she could not

help feeling that any offer of love to another man's wife is an insult

to her husband, for it implies as plainly as words can express it: "He

is not the right man, for he has such and such faults; I alone am

worthy of you."

Sighing deeply, Baum answered:

"Oh, if one could only double his life."

"I should think one life was enough for any man."

"Certainly, if one hasn't wasted it. One can only live once, you know."

"Yes, in this world; but in the next it begins anew."

"I mean in this world, too. But it's very hard, let me tell you, if

one's whole life has been wasted through a stupid blunder. Must one

bear with it and make no attempt to change it? We've both of us

blundered."

"Who?"

"While I was a soldier, I became acquainted with the valet of the late

king. He was very fond of me and took great pleasure in helping me

forward; but he well knew what he was about. I thought it a wonderful

piece of luck, when I found I was to marry his daughter. It was only

too late, when I discovered that she was sickly and irritable and

without a healthy drop of blood in her body. And is my whole life to be

wasted, because of this blunder? And is no love left for me in the

world? And with you, it's just the same; with both of us, you and

I--but why should it be too late, even now?"

"Pretty jokes, indeed! but they're not to my taste. It's wrong to talk

about such things."

"I'm not joking. Are all of earth's joys to be lost to us, just because

we have once blundered? In that case, we'd be doubly fools."

"I see you're in earnest."

"Certainly I am," said Baum, his voice trembling with emotion.

"Very well, then. Just listen to what I've got to say. How can you dare

insult my Hansei, that way? If it were so--and it isn't--but suppose it

were; do you think, even if you were better looking or better mannered

than my Hansei, and you're far from being that, let me tell you.--But

that doesn't matter one way or the other. There's not a better man

living than my Hansei, and even if there be one, he's nothing to me;

we're husband and wife and belong to each other.--But it was only a

joke, after all, wasn't it? and a mighty stupid one at that. Say that

you only meant it for fun, for if I thought you were in earnest, I'd

never speak another word to you; and now--Good-night."

"No, wait a moment. Now that I know how good you are, I think so much

the more of you. If I only had a wife like you!"

Baum was greatly agitated. He had at first only dallied with kind

words, but his voice had gradually assumed an agitated and touching

tone.

"I'll give you something," said Walpurga, placing her hand on his

shoulder.

"What is it; a kiss?"

"Get out! Don't talk so. You've just been behaving so well. Now I'll

tell you something that my mother taught me. She always says, that he

who is not contented with what he has, would be dissatisfied even if he

had what he wished for."

"Did your mother tell you that?"

"Yes, and she knows many other good sayings, and I am glad that this

one will be of use to you; it'll do you good."

"Of course--but now give me just one kiss, because I've been so good."

"What a foolish fellow you are," said Walpurga; "you say you're good,

and, the very next minute, want something wicked as a reward. I'm a

married woman and, if you were to give me a whole palace with all

that's in it and seven palaces besides, I'd not kiss any man but my

husband. There, I'll shake hands with you--and now--good-night."

They parted, with a mutual promise to remain good friends.

Walpurga found Mademoiselle Kramer in great trouble. The child was

crying, and would not be pacified until Walpurga sang to it.

Meanwhile, Baum returned to the palace. He bit his lips with vexation

and thought to himself: What a simple, stupid creature such a peasant

woman is. And she is beautiful; I can wait; I know the long road; she

shall be tamed yet.

For many days, Walpurga would pass Baum without looking up, and he,

too, seemed shy; but one day, when she was sitting on the bench, he

quickly said while passing:

"You needn't be angry at me; I didn't know I'd offended you and, if I

have, I ask your pardon."

Walpurga looked up as if relieved. Baum nodded to her and hurried away.

CHAPTER XVI.

The king had returned from the baths. He was received with great

ceremony, but he and the queen soon withdrew from the company and

repaired to the crown prince's apartments. The parents, clasping hands,

stood by the cradle of the sleeping child. Their glances rested upon

each other and then upon the prince.

"Can there be a higher joy than thus to behold the babe whose life

belongs to and is a part of our own?" softly whispered the queen.

The king embraced her.

The child awoke; his cheeks were glowing, his eyes were bright.

In the mean while, Walpurga had been sitting in a corner, weeping

silently; but now she was obliged to go to the child. The king left;

the queen remained with her.

"You've been crying?" asked the queen.

"It was for joy, nothing but joy. Could anything be more beautiful than

the way you stood together there?"

"I'll have your husband come to you," replied the queen; "write him to

come, and say that your mother and child may come too."

"Yes, dear queen, it would be very nice, but it would cost a pretty

penny." Surprised that any one was obliged to deny himself a pleasure,

because of the expense, the queen looked up and said:

"Go to the paymaster and get the money. Would a hundred florins be

enough?"

"Oh! More than enough! But if the queen would give me the money, we

could make better use of it."

The queen looked at Walpurga, as if shocked to think that, even in

simple hearts, avarice can destroy the noblest emotions.

Walpurga observed the change in the queen's expression and said:

"I'll tell you, honestly, why I don't want it, even if it cost nothing.

My husband's a good man, but he's just a little bit awkward, and it

would grieve him to the heart if any one were to laugh at him. And it

would be too much to expect of mother, for she's over sixty years old,

and hasn't been out of the village since her wedding-day--that is, not

farther than Hohenheiligen, three miles from our place, where she went

on a pilgrimage. Though it would only be a day's journey, she hasn't

even once gone home in all that time; and so I think it might do her

harm if she were taken anywhere else, even it were only for a few days.

The best thing would be if we could all of us remain near the king. I'm

sure we'd take good care of the dairy-farm. My husband knows all about

cattle; he was cowboy for many years, and, afterward, herdsman on the

mountain meadows."

Walpurga spoke as if the queen knew all about the plan, but the queen

was so possessed with the thought of her domestic happiness, that she

did not hear a word of what was said.

Days passed by, and Walpurga, who had received none of the traveling

money that the queen had promised her, did not venture to ask the court

paymaster for it. Desirous of showing Baum that she was still on

friendly terms with him, she told him what had happened.

"The best thing you can do," said he, with a shrewd air, "is not to

take so small a gift. If you do, they'll think they've done with you;

don't lose sight of the main chance, and that's the farm."

Walpurga was sincerely grateful to Baum. It was very fortunate, she

thought, to have a friend at the palace, who, while the king was yet a

prince, had traveled with him through Italy and France, and who knew

how one ought to deal with such high folk.

The palace seemed to have thrown off its tranquil ways of the last few

weeks. All was life and bustle. Sounds of laughter and of song could be

heard from early morn until late at night. Gay colored lamps hung from

the trees and, at night, the sparkling lights seemed, in the distance,

as if part of a fairy-scene.

Early in the morning, wagons laden with provisions could be seen going

hither and thither. To-day, the court would dine on some wooded height;

to-morrow, in a ravine, or near a waterfall.

The king was all kindness and attention to his wife, and the queen had

never seemed more lovely in his eyes, than now, elevated as she was by

maternal happiness and conjugal affection.

In the apartments occupied by Walpurga and Mademoiselle Kramer, none of

this bustle of preparation or departure was heard. They simply knew

that "all had gone off, for the day."

In the morning, while the day was still young, and in the evening,

while the soft dews were falling, the king and queen, arm in arm, might

often have been seen sauntering in the park, and at such times the

ladies and gentlemen would remain near the palace.

One evening, while the king and queen were thus walking together,

engaged in familiar conversation, the queen said:

"How delightful it is to be thus leaning on your arm; to close one's

eyes and be led by you. You can't imagine what good it does me."

Although the king expressed himself delighted with her devotion, an

inner voice told him that such sensibility was unqueenly. How

differently--

No, he would not permit himself to think of it.

The queen had much to tell him of the gradual dawning of sense in the

prince. He listened attentively, but rather through politeness than

sympathy. After the first week, the queen excused herself from taking

part in the frequent excursions, for she found no pleasure in all the

bustle.

The queen had Walpurga and the child with her, either in the park or on

the rising ground behind the palace, where she would sketch groups of

trees, the lake and the swans, the castle, the chapel, and various

distant views.

One morning, while at breakfast, the king said:

"What charming rivalry it was when you and Countess Irma were drawing

together. Your dispositions were both illustrated by the way in which

you treated the same subjects."

"Yes, we often remarked that. Perhaps I worked in the details more

correctly and sharply, while Countess Irma sketched with far greater

ease and freedom. I greatly miss the dear countess."

"Then let us write to her and tell her that she must return, and that

at once. Let us send her a joint letter. Ladies and gentleman, we shall

now, all of us, write a letter to Countess Irma."

"Order the writing materials to be brought," said he to one of the

gentlemen in waiting. His request was speedily complied with and he

wrote:

"Beautiful Countess! Fugitive bird! At last I know what bird you

are:--The wild dove. Does this contradiction describe you? Wild, and

yet a dove? Come, do come to us; your forest companions hang their

heads because of your absence. Hasten to us, on wings of song."

The king offered the sheet to the queen and said: "What will you

write?"

"I can't write when any one is present," replied the queen. "I can't

write a word now; I shall send her a separate letter."

An almost imperceptible expression of displeasure passed over the

king's countenance, but he subdued it.

"As you please," said he courteously, although, at heart, angry at this

everlasting sentimentalism.

The courtiers and ladies all wrote, each adding a few lines of a light,

jesting character.

Countess Brinkenstein, however, had slipped away.

Amid jests and laughter, the whole sheet was at last filled, and then

the king said:

"The chief one is still missing. Walpurga must also write to the

countess, for the voice of the people has most influence with her. Send

Walpurga here."

Baum was at once sent to bring Walpurga. On the way, he explained to

her what was going on. Walpurga was not shy, in the midst of the

assembled court.

"Would you rather be alone in your room while you write?" asked the

king, betraying his vexation, in spite of himself.

"I'll write wherever you want me to, but I can't do it well."

Walpurga seated herself and wrote:

"If your noble father will allow it, I shall be heartily glad when my

dear Countess Irma is here again. My heart longs for her.

"WALPURGA ANDERMATTEN."

The king, having read it, said: "Write also--'it will do me and the

prince much good to have you here again. You make us both happier'."

"Dear king," said Walpurga, "how clever you are. What you say is quite

true. Now be so kind as to dictate it to me. I can't put it into such

good words, but I can write quite well from dictation. I learned it

from Mademoiselle Kramer. I used to know how at school, but forgot it

afterward."

"No," replied the king, "write as your feelings prompt you. Ladies and

gentlemen, let us leave Walpurga alone, and go to the veranda."

Walpurga was sitting alone, in the great breakfast-room, biting the end

of her pen and vainly endeavoring to remember the king's words.

Suddenly she heard a slight noise near her and, looking up, saw Baum

who was standing in the doorway.

"Come here," she exclaimed, "you can help me, for you must have heard

it all."

"Certainly," replied Baum and dictated the king's words to Walpurga.

She went out and handed the letter to the king.

He praised her for having put the words so nicely. She was about to say

that Baum had helped her, but one need not tell everything, and why not

receive praise for what might have been?

When Walpurga returned to her room, she smiled at her own shrewdness.

The king would now surely give her the farm, for he had seen that she

could write down everything and could keep accounts.

The queen came into the garden with her hastily written note.

It was unsealed. She gave it to the king saying:

"Will you read it?"

"It isn't necessary," said the king, closing the letter.

After the letter was written there was endless tittering among the

court ladies. They chirruped and chattered and teased each other, and

hopped about like a flock of sparrows that have just discovered an open

sack of corn. They soon scattered, and ladies who at other times could

not endure each other were now good friends and, arm in arm, would walk

up and down the park, while others would stand gathered in little

groups. All seemed loth to separate. They had so much to tell each

other that none seemed willing to leave. They all spoke kindly of Irma.

Every one was still her best friend, but, nevertheless, careful to

leave a loophole of escape open, for things might change.

Within a few days, a great change had come over the feelings of all at

the summer palace. The king and queen had, at first, greeted each other

as if newly married, as if unspeakably happy; but, soon afterward, came

the first distinct sense of uncongeniality which, in a word, betokened

that the king wearied of the queen. He did full justice to her noble

and exalted appearance. Her every word and thought was an outgush of

purest emotion. But this exaltation of feeling, which, to an every-day

world, appears strange and incomprehensible and yet exacts constant

consideration for its peculiarities; this endeavor to give intense and

exhaustive thought to every casual subject; this utter absence of all

cheerful or sportive traits; this cathedral-like solemnity of

character; this constant dwelling on the heights: though beautiful and

engaging at times, had become monotonous and distasteful to the king.

The queen's conversation lacked that sparkling effervescence which,

though it be only for a moment, charms and animates the listener.

The king who was fond of change, delighted in what was sportive,

capricious, or enigmatical in character, and in the conquering of

difficulties.

The remembrance of Irma supplied all that he missed in the queen. He

felt sure of his faithful love for his wife, but admired the frank and

lovely disposition of Irma, and why should he not, therefore, enjoy her

society?

"She will come and remain with us, and bring new and fresh life with

her," thought he to himself when he saw the courier who bore the letter

to Irma, hurrying along the road.

In the afternoon, the king and queen drove out together; he sat at her

side and held the reins. Their only attendants were the two grooms who

followed on horseback.

The king was quite amiable; the queen happy. He felt inwardly conscious

of having, in ever so slight a degree, swerved from the right path, and

this made him doubly affectionate. With a frank gaze, he looked into

the brightly beaming eyes of his beautiful wife.

Thus should it ever be. Thus, purely and frankly, shouldst thou ever be

able to look into those eyes.

CHAPTER XVII.

"Your Majesty," said Countess Brinkenstein, on the following morning

when they were sauntering in the park, "I owe you an explanation for

not having signed the letter to the queen's maid of honor."

"You did not?" replied the king.

The rigid yet refined features of the old lady showed no change at

these words, although she might have felt wounded at the intimation

that the absence of her signature had not been remarked. But, in all

things, she obeyed the highest law of the courtier; that is, to repress

all personal feeling and thus avoid all sensitiveness. Couching her

censure in terms of praise, in according with courtly fashion, she

calmly added:

"The idea of the invitation was quite original, but genius must ever

stand alone. Your Majesty has often honored me by addressing me as your

motherly friend and, as such, you will, I trust, permit me to remark

that it does not become either the gentlemen or the ladies to put their

names to an extraordinary jest of Your Majesty's. There should not be

the slightest cause for suspicion that this invitation was designedly

open and informal, because secretly intended and wished for."

The king looked at the old lady in surprise, but acted as if

unconscious of her having seen through his disguise.

"I must again tell you, my lady, that you ought to have gone to the

baths. You take such somber and serious views of everything; but when

one has been at the baths, as I have, everything looks gay and happy."

"Your Majesty, it is simply my duty to emphasize the rules that govern

Your Majesty's high position."

"Are you not overdoing it?"

"Your Majesty, etiquette, although invisible, is none the less

valuable. Treasures of artistic and great historical value are not

melted over to make new coins, but are carefully handed down from

century to century. The palace is the highest point in the land, where

one is in full view of all, and where we should so live that we can

afford to have all our actions seen."

The king was listless, for his mind wandered to Irma, who must now be

receiving the letter. "She has awakened," thought he, "and is standing

alone, or sitting beside her misanthropic father, on the balcony of the

mountain castle. The letter comes, and she feels as if surrounded by a

flock of chirruping, singing birds, that alight on her hands, her

shoulders and her head. What a pity that one cannot behold her charming

smile!"

The king's vision had been a true one. Irma was sitting beside her

father and dreamily gazing into the distance. What was to become of

her? If her father, would only say: "You must stay here." But this

being obliged to decide for herself was the trouble. If she had a

husband to command her--but Baron Schoning would have been her subject,

and that would have made life's load a doubled one. At that moment, the

housekeeper announced a messenger who had just arrived on horseback.

The courier entered, delivered his letter and said that he would await

an answer. Irma read it and laughed aloud. She laid the letter on her

lap, took it up again, and read and laughed again. Her father looked at

her in surprise.

"What's the matter?"

"Read this."

The father read it; his expression did not change in the least.

"What do you mean to do?" he asked.

"I think I must obey such requests; but can I return without incurring

your reproof?"

"Always; if there be nothing in your own heart to reprove you."

Irma rang for the housekeeper and told her to order the maid to make

the necessary preparations for her departure; she also ordered them to

treat the courier with hospitality, and to inform him that a part of

the journey was to be accomplished the same evening. "Are you angry at

me, father?"

"I am never angry. I am only sorry that so few persons allow their

reason to guide them. But be calm, my child. If your resolve is

dictated by reason you must follow it and bear the consequences calmly,

just as I do. But let us spend the few hours yet left us, in peace and

quiet; life lies in the present."

Irma gave many instructions to her maid and the courier, although it

always seemed to her as if she were forgetting something which would

not occur to her until after she had left.

Father and daughter were still at dinner. The carriage, laden with the

luggage, had been sent forward a short distance to await them in the

valley. The father accompanied Irma down the mountain. He spoke with

her in a cheerful strain. While passing the apple-tree, on the way, he

said:

"My child, let us take leave of each other here. This is the tree that

I planted on the day you were born. It often marks the limit of my

evening walk."

They stood there in silence. An apple fell from the tree and struck the

ground at their feet. The father picked it up and gave it to his

daughter.

"Take this fruit of your native soil with you. The apple falls from the

tree because it is ripe, and because the tree has nothing more to give

it. In the same way, man leaves home and kindred; but a human being is

more than the fruit of the tree. And now, my child, take off your hat,

and let me once more place my hands upon your head. No one knows when

his hour will come. Nay, my child, do not weep. Nay, weep; and may you,

through life, only have to weep for others, but never for yourself."

His voice faltered, but, recovering himself, he continued:

"And just as I now rest my hands upon your head and would fain place

them on all your thoughts, do you ever remain true unto yourself. I

would like to give you all my thoughts, but, for the present, keep this

one in your memory: Indulge in no pleasures but those which you can

remember with pleasure. Take this kiss--you kiss passionately--may you

never give a kiss in which your soul is less pure than at this moment.

Farewell!"

The father turned away and walked up the mountain road. He did not look

back again.

Irma looked after him, trembling and feeling as if something drew her

toward home and bade her remain there forever. But she felt ashamed of

her indecision; she thought of the next hour and of how strange it

would seem to the servants and to her father, to see her trunks

unpacked and all the preparation for the journey undone. No, it was too

late, and she went on. She seated herself in the carriage and was soon

on her journey. She was no longer her own mistress; a strange power had

taken possession of her.

It was on the following day, at noon, that Irma reached the summer

palace. All was quiet; no one came to meet her but the old steward, who

hurriedly laid aside his long pipe.

"Where are their highnesses?" asked the courier.

"They dine at the Devil's Pulpit to-day."

From the garden, there resounded a cry.

"Oh, my countess! My countess is here!" exclaimed Walpurga, kissing

Irma's hands and weeping for joy. "Now we'll have sunshine! Now we'll

have day!"

Irma quieted the excited woman, who said:

"I'll go and tell the queen at once. She's the only one at home, and is

up on yonder hill, painting; she doesn't care to go on these holiday

excursions, and here every day seems a holiday."

Irma instructed Walpurga not to tell the queen, and said that she would

join her. She went to her room and sat there for a long while, buried

in thought. She felt as if she had extended a friendly hand and that no

one had clasped it in return.

In the hallway, they were moving trunks about. Suddenly, she thought of

the time when she sat in her room, an orphan child, clad in black, and

heard them moving her mother's coffin about in the adjoining apartment.

Why had it occurred to her at that moment? She arose--she could no

longer endure being alone. She hastily changed her dress and went to

the queen.

The queen saw her coming and advanced to meet her.

Irma bent low and made an effort to kiss her hand.

The queen held her up and, embracing her, imprinted a tender kiss upon

her lips.

"You're the only one who dare touch the lips that my father has

kissed," said Irma--that is, she did not say it aloud, but simply moved

her lips as if forming the words. Deep within her soul, arose a

thought: I'd rather die a thousand deaths, than sadden that guileless

heart.

The thought illumined her countenance with a noble expression, and the

queen, all delight, exclaimed:

"Oh how beautiful, how radiant you are, Countess Irma!"

Irma dropped her eyes and knelt down beside the child's cradle. Her

eyes were so lustrous that the child put out its hand as if to seize

them.

"He's right," said Walpurga, "he tries to catch the light already, but

I think your eyes have grown larger than they used to be."

Irma went with Walpurga and excused herself for not having visited the

cottage by the lake. She then told her of her friend in the convent.

"And how's your father?" asked Walpurga.

Irma was startled. The queen had not even inquired about her father.

Walpurga was the only one who had asked about him.

She told her that he knew her mother, and also her uncle, who often

burnt pitch in the forest.

"Yes, he's my mother's brother; so you know him, too?"

"I don't, but my father does."

Walpurga told her about her uncle Peter, who was known as the "little

pitchman," and vowed that she would send him something, one of these

days, for the poor old fellow had a hard time of it in this world. Old

Zenza had had the courage to come to the palace, but the little

pitchman would starve to death before he would do such a thing.

While Walpurga was speaking, the queen went to the cradle, and when the

prince saw her, he struggled, with hands and feet, as if trying to get

to her. She bent down and raised him up, and Walpurga exclaimed:

"Dear me! on the very day our countess returns, our prince sits up for

the first time. Yes, she can make everything go right."

The queen and Irma remained together in cheerful and unconstrained

conversation. In the evening, there were joyful greetings on the part

of those who had returned from the excursion to the Devil's Pulpit.

Irma now, for the first time, learned that her brother was not at

court. While at the baths, he had made the acquaintance of Baroness

Steigeneck and her daughter and was now visiting them.

The king's greeting of Irma was quite formal. Even Countess

Brinkenstein could have found nothing to object to in it; but how could

he well have done otherwise, when the queen said:

"I can't tell you how happy our dear countess's return has made me;

we've already spent several delightful hours together."

In the evening, there were fireworks which the king had ordered to be

prepared in honor of Irma's arrival. Far and near, the people were

looking at the lights and the gay-colored sheets of fire ascending

heavenward. At last, Countess Irma's name stood forth in letters of

fire, held aloft by mountaineers. The flame crackled, and, from behind

the shrubbery, there issued strains of music which were echoed back

from the distance. In the midst of all this noise and splendor, Irma

was ever asking herself: "How fares it now with your father?"

Count Eberhard, in his mountain castle, was sitting by the window and,

looking out into the starry night, said to himself: "Just as the stars

above are separate and distinct from each other, so is every human soul

solitary and alone. Each travels in its own orbit, its course

determined by the attraction and repulsion of the heavenly bodies that

environ it."

That night, Irma dreamt that a star descended from heaven and fell upon

her bosom. She tried to grasp it, but it eluded her and transformed

itself into a human figure which, with averted glance, exclaimed:

"Thou, too, art solitary."

BOOK III.

CHAPTER I.

Hansei was looking out of the window, holding his pipe with both hands

and smoking away, while the morning passed. Near by, a day-laborer was

cutting a load of wood. Hansei looked on, calmly nodding approval when

the woodcutter made a clever stroke and, like a true judge, smiling at

the awkward fellow when an obstinate branch would oblige him to turn it

again and again before he succeeded in chopping it up. The grandmother

was carrying the chopped wood into the shed at the gable end of the

house and was there piling it up. Every time she passed, she would look

at Hansei, who did not stir. At last, with an armful of wood, she

stopped before him and said: "Well?"

"Of course," he replied and puffed on. The grandmother's exclamation

had meant: "What's this? Are you only here to look on? Can't you, at

least, pile up the cut wood?"

Hansei had fully understood her and had answered as if to say: "Of

course I shan't help; I don't feel a mind to."

The grandmother was about to throw down the armful of wood before his

very face, but she reflected that the day-laborer outside need not see

that. She carried the wood into the shed and then went into the room

and said:

"Look here, Hansei! I've got something to tell you."

"I can hear you," he replied, still looking out of the window.

"I don't know what to make of you. What's got into you?"

Hansei did not deem it necessary to make any reply, but went on smoking

while the grandmother continued:

"It's shame enough that you have the wood brought to the house, instead

of going and getting it yourself. You're a woodcutter, and yet you must

have another come and cut your wood for you. Such a thing never

happened before. As long as this house stands, the axe-handle has never

grown warm in the hands of a stranger. Aren't you ashamed of yourself?"

"There's no need of my doing it," replied Hansei.

"Very well, I suppose you know your needs, better than I do," cried the

old woman, angrily; "but I'll not scold. Do just as you please; let

yourself and everything else go to ruin. As you make your bed, so

you'll have to lie on it. Oh, if Walpurga knew of this! She's gone away

among strangers, for our sake, while you--"

"There! I've had enough of it," said Hansei, closing the window and

turning round. "Mother-in-law, I don't interfere in anything; I let you

manage just as you please, and so I don't mean to let anybody interfere

with me."

"I don't want to interfere with you. You're father and husband."

"A fine husband, indeed, whose wife leaves him for a year."

"Perhaps she's having a harder time of it than you."

"May be so; but she has pleasure and enjoyment, and what have I? I

wander about as if lost, and that's why I'm not ashamed. The best thing

left me is the tavern. One can feel at home there, when he can't in his

own house. I don't need to cut or haul wood any longer, and I want to

have some good of my wife's being--"

Hansei could not finish what he was about to say, for, at that moment,

the door opened and Zenza entered.

"What are you doing here? Who sent for you?" inquired the grandmother

of Zenza, who replied:

"Good-morning to you--I didn't come to see you; I want to see this man.

Who's master here? you or he?"

"Speak out; what's the matter?" said Hansei, winking at his

mother-in-law.

"I was to bring you the smith's compliments and tell you that the gun's

ready for you, at his workshop."

"And so you're going to be a sportsman?" inquired the grandmother; "are

you going a-hunting?"

"I suppose I'll have to go if you don't carry me," replied Hansei,

laughing loudly at his joke.

The grandmother left the room, slamming the door after her. As nimbly

as a cat, Zenza sprang toward Hansei and said:

"She'll wait for you up there, at dusk." Then, in a loud voice, she

added: "God keep you, Hansei," and left the house.

The grandmother went out to the woodcutter and told him that he mustn't

think they were used to having such wicked people as Zenza come to the

house; but that, no matter how often they forbade her coming, she would

force herself upon them, in order to show her gratitude for Walpurga's

having procured the pardon of her son Thomas. It had been a foolish

action; for Red Thomas would have been much better taken care of under

lock and key. But Walpurga had meant it for the best. The woodcutter

was satisfied; he well knew that it was a respectable house, and it was

quite by accident that he remarked: "I wonder why Zenza's without Black

Esther. They're generally together in the daytime."

The grandmother's eyes flashed when she heard his words. She bent down

hurriedly, took up an armful of wood and carried it up to the house.

When she reached the gable side, she found Hansei there, piling up the

wood and whistling cheerfully. The grandmother kept on carrying wood,

while Hansei piled it up, neither of them speaking a word. At noon,

Hansei paid the woodcutter and said: "I'll cut the rest myself; you

needn't come to-morrow."

"He's a good fellow, after all," thought the grandmother to herself.

"He don't like to give in, in so many words, but afterward he does what

you tell him, for all. He soon finds out what's right."

After dinner she brought the child to him and said:

"Just look here! Just feel! There's a tooth coming already. It's very

soon, but it was just the same way with your wife. Just see how it puts

its little hands in its mouth. God be praised that our child is

thriving so nicely! Since you've been using hay for fodder, and since

it's been getting the new cow's milk, you can see the child growing

before your very eyes. If Walpurga could only see it, just for an hour.

Take it; I'll give it to you carefully. See, it's laughing at you. It

knows you. Ah, dear me! but it doesn't know its mother yet."

"I can't take the child on my arms; I'm afraid I'd hurt it," replied

Hansei.

The grandmother felt like saying: "If you let yourself go to ruin,

you'll surely harm the child--" but checked herself. When a man is

getting back into the right road, it isn't well to keep preaching at

him. Let him go on quietly in his own way, or else he will lose all

pleasure in it.--Thus thought the grandmother to herself, and, although

she had already opened her lips to speak, she swallowed her words.

Hansei looked about him, with an unsteady glance, and said:

"Mother-in-law, you were going to say something else."

"There's no need of saying everything. But yes!--you lower yourself

when you let Zenza bring messages to you. I noticed the woodcutter

making a queer face when he saw that Zenza was allowed to enter our

house. Don't go to the Windenreuthe; the place has a bad name, and it

does no one credit to go there. If you do want to go hunting, and have

bought yourself a gun, you can give a boy a penny to go there and get

it for you."

"Yes, indeed," thought Hansei, smiling, "grandmother's right; but one

needn't tell all one's thoughts."

"I'm going into the forest now. I want to be about when they load up my

wood."

He took his hat and mountain-staff, donned his hunter's pouch and

provided himself with a piece of bread. The grandmother, carrying the

child on her arm, accompanied him as far as the cherry-tree, from which

the withered leaves were already beginning to fall.

Hansei went into the forest; but, as soon as he was out of sight, he

turned about and took the road that led to Windenreuthe.

He felt quite strangely while on his way. He had never before known

that he breathed so hard and was so easily frightened. He was terrified

by every sound, by the nutpecker flying from the tree, the chattering

magpie, the hooting hawk-owl on the rocky ridge, and the bellowing cow

in the meadow.

"I oughtn't to go, and I won't go," he exclaimed, bringing his staff

down with such force that the pointed ferrule struck sparks from the

stones in the road, and yet he went on.

Fortunately, a mist was ascending the mountain, but he walked on,

farther and farther, through the clouds.

Windenreuthe consists of a few poor-looking, scattered houses. Hansei

stopped in front of the first house, as if riveted to the spot. He was

seized with fright as sudden as if a bullet had struck him, and yet

what had alarmed him was nothing, after all. He had merely heard a

child crying in the house before which he stood. "Your child cries just

like this one," said an inner voice. "How will you be, when you see it

and hear it and kiss it again? How will you be, when you pass this

house on your way back.... How will you be, in the spring, when your

wife returns and you walk with her and meet Black Esther? And at every

merry-making, either at home or at the inn, Black Esther will come and

say: 'Make room for me; I belong here too.'"

Hansei's brain reeled. He looked into the future--days and years passed

before him in an instant. And yet he went on. Indeed, he snapped his

fingers and said to himself: "You're a foolish fellow; a perfect

simpleton; you haven't a bit of courage. Other people are merry and

lead a happy life, and don't care a deuce about it and--what jolly

stories the innkeeper tells of such and such a one, and what pranks the

hunters tell of.... To enjoy all you can and lead a loose life into the

bargain, does one credit with those who're not obliged to earn a

living."

He removed his hat; his head seemed as if burning. He put his hat on

again, pressing it down over his eyes, and went on through the dreary

village.

Night had come on. Zenza lived in a so-called herb-hut, in the woods

and at some distance from the village. It was there that her deceased

husband had distilled brandy from various herbs, but principally of

gentian. His master-wort was still noted.

The light from a large fire shone through the open door of the hut. At

that moment, some one came to the threshold and leaned against the

doorpost. She was full of wild beauty and power. Behind her, the flames

were brightly burning. Hansei was now quite free from the fear he

had experienced on the night when he still believed in the fabled

forest-sprites. The figure now placed its hand to its cheek and uttered

a shrill shout, which might be compared to a tone-rocket ascending on

high and then bursting into all sorts of carols. Hansei trembled, and

then he heard Zenza say:

"You needn't shout so. Don't scream to the whole world that you're at

home. Wait till the horse is in the stable--"

"Hallo!" thought Hansei to himself, while he stood there, trembling,

"she means to make a prisoner of you, and will drag every kreutzer from

your pocket, if you act meanly or badly with her.... She'll make a

beggar of you, and disgrace you in the bargain. No, you shan't rob me

of my money. I won't put myself in your clutches. I'll do no such

thing. You shan't have a right to stand up before my wife, and look her

in the face and talk to her, while I'll have to thank you, in the

bargain, if you don't do it. No, a thousand times no. I won't be

wicked. I'd rather--"

As if pursued by an enemy, Hansei hurried back with mighty strides, and

the unbarked oaken staff which he held with both hands served to

support him in his flight. It was long since he had bounded down the

rocks with such energy and rapidity. He again passed the house where he

heard the child crying. It had not yet been hushed, but he who heard it

was a different man from what he had been a little while ago. He

hurried on as if pursued. The perspiration trickled down his cheeks and

dropped on his hands, but he did not once stop. He felt as if Zenza,

Black Esther and Red Thomas had followed and overtaken him, and were

tearing the clothes from his body. It was not until he had gone far

into the forest, that he ventured to sit down on the stump of a tree.

He felt as tired as if he had been running ten miles. He rested his

hands on his naked knees, and it seemed as if they were grasping a

strange body. He touched the stockings that Walpurga had knit for him,

and the first word that left his lips was: "Walpurga, I've only once

trodden such a path. It shall never happen again. I swear it,

Walpurga," and taking the last letter he had received from her out of

his pocket, he said: "I put your letter in my shoe, and these feet

shall never tread the path of evil again. Thank God! I've only been

wicked in thought." He took off his shoe, placed the letter in it, and

had just stood up again, when he once more heard the loud shout issuing

from Zenza's house.

"Scream on, as long as you've a mind to," said he to himself, while he

went farther into the wood. He tried to light his pipe, but always

struck his fingers with the steel; and, besides, his tinder was damp.

"You don't need any fire, you wicked fellow," said he at last, while he

put the pipe into his pocket. "You don't need fire; there's one burning

up there, that would have been hell-fire for you. You may be right glad

that you're out of it; it's more than you deserve."

If Hansei, at that moment, could have laid hands on the Hansei of an

hour ago he would have strangled him.

The mist had become so thick that it was almost like a drizzling rain.

The forest seemed to be growing vaster, and a path was nowhere to be

found.

"You've lost your way, and it serves you right," said Hansei,

speaking to himself. "You're no longer fit to be with decent men, you

good-for-nothing wretch. It's only a pity that your wife and child are

innocent sufferers by it--"

Two men in one were lost in the mist. Hansei cursed and swore at

himself, but soon grew frightened, for his mind became filled with

stories of the evil spirits that lead the solitary traveler up and down

hill, and round and about, through the livelong night. He was about to

turn back. It would be easier to find the way to Windenreuthe.

"Wait, you accursed devil," said he, addressing the invisible companion

who had thus advised him; "all you want is to get me back there again.

No, you shan't catch me."

He again tried to strike a light and, this time, with success. Just as

he drew the first puff, he heard the tones of the bell, and pressed his

hand to his forehead, for it seemed to him as if the clapper of the

bell were striking against his head.

"That's the vesper bell of the chapel by the lake. The sounds seem so

near. Can I be on this side? No, it's the mist that makes it sound so."

Uncovering his head, and clinging with both hands to the staff which

now stood firmly planted in the ground, he cast aside all other

thoughts and breathed a silent prayer.

While praying, he could not help thinking: O God! I can still pray,

although I could so far forget myself and go astray.

The immortal words which an inspired mind drew from the depths of the

human heart and its never-ending struggles, thousands of years ago,

have been, and still are, the source of blessings innumerable. They are

a guide to the lonely wanderer who has lost his way in the mist and

darkness of the forest, and lead him back to the right path. The bell

utters its sounds and, though it does not speak in words, it yet fills

the soul with those immortal words which serve as a staff to the weary

and a guide to the blind. When Hansei finished his prayer, the bell was

still tolling, and it seemed to him as if the whole village, every soul

in it,--and above all, his wife and child--were calling to him. And now

he found the path. He descended the stony bed of a dried mountain

current which led into the valley. He had gone far out of his way, for

when he descended the mountain, he found himself back of the Chamois

inn. Evil desires, fright, devotion, and losing his way had made him

both hungry and thirsty.

"Ah! God greet you, Hansei," exclaimed the host. "God greet you! God be

with you!" stammered out Hansei, confusedly.

"What's the matter with you? You're as pale as death. What's happened

to you? Where do you come from?" inquired the host.

"I'll tell you all about it, after awhile," answered Hansei; "but,

first of all, give me a schoppen of wine."

The wine was brought, and Hansei looked around, as if wondering where

he was.

He felt as if he had come from another world, and it was not until he

had eaten some bread and salt, that he told them of the strange

adventures he had had that day. He had gone out into the forest to load

up the wood, and had lost his way, and wandered in the direction of

Windenreuthe. He said this intentionally, lest some one might have seen

him in that neighborhood.

They spoke of the belief in ghosts, but the innkeeper ridiculed such

nursery tales. Hansei made no reply. The innkeeper remarked, very

sensibly:

"You're often bewildered, nowadays, just because your Walpurga isn't

with you. You're thinking of her all the time, and that's what makes

you lose your way."

"Yes--quite likely."

"Do you know what they call you in the village, now?"

"Well, what?"

"The he-nurse. Your wife, who's with the crown prince, is the

she-nurse, and so they call you the he-nurse."

Hansei laughed with all his might.

"Say, Hansei, what pay does your wife get?" inquired Wastl the weaver.

"I won't tell," replied Hansei, with an air of mystery.

"It's a long while since you had a letter from your wife, isn't it?"

inquired the innkeeper.

"No; I'm expecting one any hour." He had scarcely uttered the words,

when the letter-carrier entered and said, "So here you are, Hansei;

I've been at your house twice to-day. I've got a letter with money in

it, for you."

"Let's have it," said Hansei, breaking the five seals with a trembling

hand.

"A nice way of treating money," said the innkeeper, picking up a

hundred florin note from the floor. "That'll suit me very well. I've

use for one, and will give you the change for it."

"All right," said Hansei, leaving the money in the innkeeper's hands.

He then read his letter:

"_Dear Hansei_: This time, I write to you all alone. Here are a hundred

florins that the queen has given me for a special present, because you

haven't come to see me; but I must tell you all about it so that you

can understand it. You've no idea what a good soul the queen is;

whenever you pray, pray for her. We often sit together for hours, and

she can take down everything on paper beautifully--the trees and all

sorts of things, and we talk to each other as if we had gone to school

together. But she's Lutheran and is very good and pious, and has such

kind thoughts about all things that an ugly word couldn't pass her

lips. If she weren't Lutheran, she might become a saint, but she'll get

to heaven anyhow. That's my belief, and you can believe it, too; but

you needn't tell any one.

"Well, the queen wanted to give me a treat. She would like to make the

whole world happy; that's the way the saints must have been in the

olden times. Well, as I said before, the queen wanted to give me a

treat, because her husband came home well and hearty, and they're so

fond of each other, and she wanted you and the child and mother to come

and see me for one or two days, for she notices everything; she looks

right into your heart, and I'm often homesick for you all. And when the

queen talked about having you come, I said to her: 'That would be very

nice, but it would cost a pretty penny,' and so I let her make me a

present of the money, and we can make better use of it. You haven't the

right sort of clothes, you know, and the people here might make fun of

you. But with all that, I wouldn't have got the money, for that's

nothing to her. She never thinks of such things. She's never counted

money in all her life, and I really believe that she don't know how to

reckon. The court paymaster attends to all that. Here there's an extra

servant for everything--butlers and silver keepers and lots of others.

But now my good countess is back again. She's been to see her father.

They say he's a sort of a hermit who don't want to know anything of the

world, and I must thank my countess that I got the money, for she knows

how to manage everything. And so I send you the money. Put it out

safely, and don't forget to take some of it to make a holiday for you

and the child and grandmother.

"Ah, dear Hansei, the palace folk are not all saints and honest people,

as I once used to think. Lots of thieving and deceit are carried on

here. The father of my Mademoiselle Kramer is an honorable old man;

he's the keeper of the castle here, and he's told me many things. But

one can be honest everywhere, in the palace or in the cottage by the

lake. And now, I beg of you dear Hansei--I always say 'dear Hansei,'

whenever I think of you, and that's very often. It was only last night

that I dreamt of you, but I won't tell you about that, because we

oughtn't to believe in dreams. But write to me very soon and tell me

how it goes with you; send me a good, long letter, and don't let the

time seem long till we meet again; and always think as kindly of me as

I do of you.

"Till death, your faithful WALPURGA."

In spite of their entreaties, Hansei would not tell a word of what was

in the letter; he went home quietly, and kissed his sleeping child. He

felt happy that he could thus be at home again, and that his home did

not reject him. A cold sweat came over him when he thought that he was

sleeping in this bed, and of what a changed man he might have become.

He stretched forth his hand toward his wife's bed and, in the silent

night, kissed her pillow.

"Now I'm all right again," said he. He arose, struck a light, and

removed the letter which he had put into his shoe. Then, cutting the

passage, "until death, your faithful Walpurga," out of the letter last

received, he loosened the inner sole, placed the little paper

underneath it, and fastened the sole down again. After that, he soon

fell into a sound sleep.

CHAPTER II.

"Your Majesty," said Countess Irma to the king one day, while walking

on the veranda with him--the queen was in the music-room, practicing a

classical composition with one of the court performers--"it is curious

that, while absence lends additional charms and greater merit to some

persons, there are others who are all the more perfect and interesting

when one is in constant, daily intercourse with them. And yet, when

away from such, it is almost impossible to remember them just as they

are; and as to describing their character, or even their personal

appearance, to one who is not acquainted with them--why, that is

entirely out of the question. How do you account for it?"

"I must confess that I have never reflected on the subject," replied

the king, "but it seems to me that the chief characteristic of the one

class is an infinitude of small details; while with the other, one is

struck by the general effect of the various traits that go to make up

the character. Those whose character still presents an unsolved

problem, and who thus give us more to think of, would seem to belong to

the class to whom absence lends importance. Does it not seem so to

you?"

"Certainly; but I might also say that the one class are more impressive

and thus even in the present, seem like remote historical personages.

Although they die, they yet remain--indeed, absence is a sort of death.

The others however, only exist as long as they breathe, and only live

for us as long as we breathe the same atmosphere with them."

"Can you name examples of such imposing historical personages, and also

of ephemeral ones?"

"At present, I could only recall the historical."

A slight blush passed over the king's features. "Well," said he, when

he found that Irma hesitated, "I beg of you--"

"In that class, I place my father over all others. I cannot describe to

Your Majesty how his great nature seems constantly before me."

"Yes, I've often heard him spoken of as a man of high character and

eminent ability. It is a pity, for his sake--and, still more, for our

own--that he is opposed to the government. And in which class would

you count me? I have sufficient confidence in your candor to believe

that you will frankly give me your opinion, and you are so sure of

my--my--respect, that you can speak without reserve."

"Your Majesty is present company," replied Irma, "and yet, at the same

time, absent; or your position exalts you far above the rest of us."

"Friendship does not dwell on the throne, but here where we stand on

equal ground, dear Countess."

"Nor does friendship pass sentence," replied the countess. "Her place

is not the judgment-seat. I know of nothing more revolting than when

men who profess to be friends, constantly cast up their accounts with

each other, as if to say: 'You are worth so much and I am worth so

much; this is yours and this is mine--'"

"Ah, these state affairs," interposed the king, as a lackey announced

the arrival of the minister. "We will speak of this subject again," he

added, taking leave of Irma and politely greeting the ladies and

gentlemen whom he passed on his way. He offered his hand to his prime

minister and, accompanied by him, went into the palace.

Irma's friendly relations with the king seemed to have acquired new

life since her return. Her daily greeting seemed filled with the joy of

meeting after long separation.

When the king would say: "Good morning, Countess," and Irma would

answer: "Thanks, Your Majesty," there lay a wealth of unuttered thought

in those simple words. The king had never before been in so pleasing

and witty a mood, and Irma, it was justly said, had brought the

mountain breezes with her. The queen would never tire of telling the

ladies and gentlemen of the court how pleased she was with Irma, who,

although simple and unaffected, possessed the highest intellectual

gifts.

Like melodies that have sunk deep into the soul and which gradually

return and harmoniously blend, so did her father's words and ideas now

recur to Irma. She had spent weeks in a strict school, where idle talk

and trifling were of no value and where distinctness and certainty were

insisted upon. Formerly, Irma had been regarded as a child of nature,

freely pouring forth whatever engaged her thoughts; but now they

recognized in her a mind whose groundwork was solid and comprehensive,

and which, nevertheless, was full of the simplicity of nature. She was

full of sympathy and kindness, but did not concern herself about

prevailing modes of thought. She freely expressed her likes and

dislikes, and one was obliged to admit that she was something more than

a mere original or artless hoyden, and that she really possessed

intellectual self-consciousness to a great degree.

Irma often changed her style of dressing her hair. This was naturally

censured as coquetry, and as an attempt to draw the glances of all upon

her. But it was simply a desire to appear different every day, even

though it were in unimportant and subordinate matters.

It was very fortunate for Irma that she had become so attached to

Walpurga; for, on sunny afternoons, the queen would scarcely ever

suffer Walpurga to leave her; and then Irma would be seated with them

and would read aloud to the queen, or join Walpurga in some of the

lovely mountain songs.

The king's eyes would sparkle with delight when he happened to join

them at such times, and find Irma with his wife.

"You look troubled," said the queen, when the king, who had just left

the ministerial council, joined her and Irma in the park.

"And so I am."

"May I ask why?"

Irma was about to withdraw, but the king said:

"Stay, Countess; the matter is one which has been brought to an issue

by the case of your friend Emma." Turning to the queen, he added: "Has

our countess told you of the terrible fate of her friend?"

"She has; and when I think of it, I feel as if I were standing on the

edge of a precipice."

Strangely enough, the king had, thus far, neither spoken to Irma about

the matter, nor alluded to her letter. Irma had had so much to engage

her mind since her return, that Emma's troubles had almost escaped her

memory.

"Our friend," began the king, "has informed me of the affair, and I

appreciate her delicacy in refraining from pressing the subject. In

matters of state, we have no right to allow personal feelings to affect

us. Nevertheless, one of our greatest pleasures is to find that our

friends cherish our honor as their own."

Irma looked down. He added:

"Although a prince owes thanks to his friends, for informing him of

what is going on, no influence, not even the best, should affect his

decision."

Irma did not dare to raise her eyes.

"The matter stands thus," continued the king. "We have provisionally

suspended the right to receive new nuns, and now the ministers desire

me, at the next meeting of the estates, to consent to the introduction

of a law by which the convent of Frauenwörth is to be definitively

placed upon the extinct list. They hope by this and additional

measures, to be enabled to make a stand against the constantly

increasing strength of the opposition."

The king looked at Irma while he said this, and she inquired:

"And has Your Majesty approved the draft of the law?"

"Not yet. I have no special feeling in favor of keeping up the

convents, but I don't find it so easy a matter to lay the axe to a tree

which is the growth of centuries. It is the special duty of royalty to

establish and foster institutions that are to endure longer than a

generation or even a century, and a convent--What do you think of it,

Mathilde?"

"I think that a woman who has lost all, should not be prevented from

devoting herself to solitude and prayer. But perhaps I ought not

express an opinion on the subject. My youthful impressions, or rather

instruction, in regard to convent life, may not always have been

correct. It seems to me that woman alone should have the right to

determine as to the continuance of a convent. What do you think of it,

Countess Irma? You were educated at a convent, and Emma is your

friend."

"Yes," said Irma, "I was with my friend at Frauenwörth, where she

desires to live, or rather to die; for life there is a daily waiting

for death. It seems terrible to me, too, to think of making what may

perhaps be only a passing mood, the irrevocable law of one's life, or a

fate from which there can be no escape. And yet many other holy

institutions are just the same. I can now see what an exalted and

difficult vocation it is to be a king. I frankly confess that if I were

now called upon to decide this matter, or to suggest a law upon the

subject, I could not arrive at a decision. Now, more than ever before,

do I realize that we women were not born to rule."

Irma's voice, although usually so clear and firm, was now veiled and

trembling. She was standing on a pinnacle where she could find no firm

footing; she looked up to the king, as if to a higher being; his

bearing was so firm, his eye so clear. She would gladly have fallen on

her knees at his feet.

"Come nearer, Count Wildenort," exclaimed the king.

Irma started. Was her father there? She was so excited that everything

seemed possible.

She had, at the moment, quite forgotten that her brother Bruno was the

king's aid-de-camp. He had been standing a little distance off, and now

approached, in order to take his leave of the queen, as he was about to

go away for some time.

The king and queen left; after which, Irma and her brother walked away.

The king's behavior seemed a riddle; but for this he had his own

reasons, the first and greatest of which was invincible distrust of

others. "Distrust all," was the great precept which had been instilled

into him from earliest youth. "One can never know what selfish purposes

may lurk behind the noblest exterior." This maxim was in accord with

one trait of the king's character. He desired to be strong in himself,

to allow no one to guide his judgment; and that is the great secret of

the heroic nature. It was this which, with all his love of freedom, had

made constitutionalism repugnant to him; for the constitution destroyed

great and powerful personal influence, and required that he be simply

the vehicle of the spirit of the age, or the exponent of public

opinion. This was opposed to his own strong self-consciousness. He

distrusted every one who attempted to press him for an opinion or a

decision. He even distrusted Irma. Perhaps she did not know that she

was the instrument of a party; but she was, nevertheless. They had

found out that he held her in great esteem, and were now availing

themselves of Emma's entering the convent, to force him to a decision.

He would not submit to this. Irma should be made to know that he would

not allow another, even though it were his lovely friend, to lead him.

The olden time could never again return. They would find him a new

being; he would not permit female interference in state affairs.

It was these conflicting feelings of distrust and self-exaltation that

had induced the king to refrain from mentioning Irma's letter, and at

last to speak of it in the way he had.

While walking with the queen, the king still enjoyed his victory over

the women and, above all, over the one whom he had believed possessed

of so powerful a mind. He repeatedly spoke of Irma's petition in favor

of her friend, and of his determination not to be swayed by it. His

remarks betrayed a trace of ill-humor toward Irma. The queen was lavish

in her praise of the countess. The king smiled.

CHAPTER III.

"Don't let me wait any longer for your answer," said Bruno to his

sister; "are you ready?"

"I beg your pardon. What was it? I was so preoccupied that I didn't

hear you."

Bruno looked at his sister with an air of surprise. Irma had indeed not

heard him. She had been puzzling her brain in regard to the king's

behavior. He had plainly intimated that he would allow no one to

influence his course in state affairs. It now occurred to Irma that the

tone of the letter which she had written while at the convent, had been

quite improper, and her heart was filled with thanks to the great and

noble man, who, having it in his power to forgive her, had forgiven her

so gracefully. She felt doubly grateful to him for refusing to be

swayed by her ardent entreaties. She was, herself, in doubt as to the

best course, and it now seemed to her, as at first, that it was the

duty of the state to prevent the consummation of an irrevocable vow.

"I beg your pardon," she again said to her brother. "Do you wish

anything of me?"

"You must go with me to-morrow," said Bruno; "we're going on a journey.

I've already obtained leave of absence for myself, and the queen will

grant you leave."

"Go on a journey? Where?"

"To witness my betrothal."

"Surely not with--?"

"Certainly; with the king's sister; or, if you'd rather have it so, his

half, or quarter sister. Baroness Arabella von Steigeneck will be

delighted to make your acquaintance."

Irma looked down. It was the oldest daughter of the dancer who had been

ennobled by the late king. Irma spoke of the impression that this

marriage would make upon her father; but Bruno jestingly answered, that

he and his sister had been separated from their father, who indulged

the strange whim of desiring to be a common citizen. Perceiving that

his remarks displeased Irma, he changed his manner and explained to her

how cruel and narrow-minded it would be to make Baroness Arabella, who

had royal blood in her veins, suffer on account of a few irregularities

for which she was not to blame. And when he represented to Irma, that,

independent of his wishes, it was her duty to meet Arabella in a spirit

of kindness and without prejudice, he touched the right chord. He

added:

"You are so affectionate to the simple minded peasant woman, the crown

prince's nurse. It is very cheap to practice humanity toward one of the

lower classes. You will find its exercise pleasanter and more effective

in this instance."

"I am glad to find that you think so," replied Irma, regarding her

brother with a more cheerful glance.

Bruno was delighted. He had used the right bait, and, for a few

moments, found real pleasure in conversing on such subjects as

elevation of mind and nobility of soul. Irma consented to accompany

him. When she applied to the queen for leave of absence, and the

latter, in the most delicate manner, intimated surprise at Bruno's

choice, Irma proved herself so zealous an advocate of humanity that the

queen could not avoid saying to her:

"You are, and ever will be, a noble heart."

Irma imprinted a fervent kiss on the queen's hand. They started off on

their journey, taking with them Bruno's two private servants, and

jockey Fritz, Baum's son. Father Baum, who was both indispensable and

ubiquitous, also accompanied them.

Bruno was in high spirits. Like all other epicures, he was not averse

to occasional tender scenes. He played the piano excellently and, at

times, would indulge in a sentimental adagio. Irma now seemed

sentimental in his eyes. But he soon tired of the melting mood and in

his flippant, jesting manner, exclaimed:

"I am better than the world of cavaliers that surround us. You

smile--and wonder what sort of cavaliers they must be among whom I am

the best.--Yes, dear sister Krimhilde, it is so nevertheless. I

honestly confess that I only marry this lady in order to be enabled to

lead as jolly a life as possible, and am I not better than those who

act the hypocrite in such a case?"

"Yes, if you think that makes you better. But I think you're simply

ashamed of being in love, and are afraid of appearing sentimental."

"Thanks! You're a profound judge of human nature."

Bruno, at heart, desired his sister to imagine that he was in love; for

that would render the demeanor of both of them more natural and more

befitting the occasion. He blushed and smiled with a bashful air.

Baroness Steigeneck lived in a little town and occupied a castle which

had once been a retreat of a sister of the late king.

They reached the castle. A bright peacock stood on the high wall, and

filled the air with its shrill cry.

Rooms had been prepared for Bruno and Irma, who retired to change their

dress. Bruno appeared in full uniform, and with all his medals and

orders. They were conducted to Baroness Steigeneck's salon by two

servants, who opened the folding doors. Baroness Steigeneck, who was

clad in studiously simple attire, came forward to meet Bruno and Irma,

and received them with a graceful bow. Bruno kissed her, and then

embraced his betrothed, who, in form and feature, presented a pleasing

appearance. He introduced her to his sister, who embraced and kissed

her.

The furniture of the castle was splendid, but in somewhat gaudy taste,

with more regard to show than comfort. A life-size picture of the late

king was displayed in the great _salon_.

Irma felt alarmed when she first beheld the old baroness. Her boudoir

was hung with pictures of herself, taken while she was yet a young,

beautiful and voluptuous creature, and representing her in various bold

poses, such as Psyche, Eros, and the Fairy Queen. And could this heavy

woman, with rigid features, be the same person? Her chief employment

was card-playing, and it was here, for the first time in her life, that

Irma saw people who would sit at cards by the hour, out in the open

air, under the trees, and amid the singing of birds. What would become

of some people, how empty their lives would be, if there were no cards!

The time was pleasantly spent with music--for Baroness Arabella sang

beautifully,--merry dinners and excursions in the neighborhood. Irma

could not help watching the servants, and wondering how they felt, and

what their thoughts must be, while serving such a mistress. But she saw

the same respect shown as at court; and when they drove through the

little town, the people would stop and lift their hats in token of

respect, for the baroness had brought life and money to the place.

Everything in this world, even respect, can be purchased.

Three days sped by quickly. Baroness Steigeneck held a little court,

quite modest in appearance. An old and exceedingly eccentric French

legitimist was the special attraction of this, and French was the only

language spoken.

The formal betrothal was speedily settled by the notary, whom Bruno had

brought with him from the capital. He had been carefully instructed,

and it fared hard with the old Baroness. There were all sorts of

devilishly close clauses in reference to death or separation. Bruno had

made himself secure. The Baroness jestingly spoke of love, and said

that she had not imagined such enthusiasm possible at the present day.

Bruno agreed with her, for they both well knew that it was simply a

question of money.

Arabella had the air of a well-bred lady and possessed that degree of

education that can be purchased from teachers. She could sing and

sketch, and spoke three foreign languages, which, at her mother's

bidding, she was obliged to make a parade of. But all of this showed

application, rather than native talent. She had also read a great deal,

but affected ignorance of certain works, passages in which might be

applied to herself or her mother.

Irma was exceedingly kind to her sister-in-law, and Bruno heartily

thanked her. And yet Irma's mind was not at ease. The house seemed

under the influence of a peculiar spell--it was just as if in

fairy-land. People would go about, and laugh and joke and sing and

play, but there was one word they dared not utter; for, at the very

mention of it, the castle, with all its pomp and splendor, would

disappear. And that word was: "father." But it was here that Irma was

the more impelled to think of her father. When alone in her room, she

began a letter to him, and when she wrote the words; "Dear Father," she

looked about her. She regarded it as her duty, and thought herself

better able than Bruno, to inform her father of the betrothal, and to

invoke his forbearance for this unfortunate, though wealthy, girl.

Never before had she made so many unsuccessful attempts to write a

letter. She had begun again and again, and had always ended by tearing

up the sheet and throwing it into the fire. She found it impossible to

finish her letter, and at last concluded to wait until she returned to

the summer palace. But she could not get rid a desire to speak of

parents, and when Baum came to her with a message, she detained him

with the question:

"Baum, are your parents still living?"

"No."

"Did you know them long?"

Baum coughed behind his raised hand and answered: "I never knew my

father; and my mother--my mother was taken from me long ago."

Baum, who still held his hand before his face, bit his lips and at last

ventured to ask: "May I inquire, my lady, why you put that question to

me?"

"I desire to acquaint myself with the life and history of those whom I

know personally."

Baum dropped his hand and his face was as smooth and void of expression

as before.

The strictest decorum was observed during their stay at the castle. On

one occasion, however, Irma felt offended, and that was when the old

lady--they called her "Her Grace"--declared the relation of an

affianced couple the silliest of all conventionalities--the most

natural and proper course would be to have marriage follow immediately

upon the betrothal--yes, in the very same hour.

These remarks were accompanied by a peculiar change in the expression

of the old lady's features. Irma was startled and did not get over her

fright, for when, at parting, the baroness impressed a kiss upon her,

Irma could not help shuddering.

Irma had been in the carriage for some time, when Bruno at last came,

and again stopped to throw a kiss to his betrothed, who was standing at

the window.

They drove off, and when Irma found herself alone with her brother she

said, in a loud voice and with a strange expression:

"Oh, father! father!" She drew a long and deep breath, as if relieved

from some dread spell.

"What ails you?" said Bruno.

Irma did not care to tell him what she felt, and merely replied:

"As soon as we get back to the palace, you must write to father, or,

what would be better, must go to him. Let him scold you, if it must be.

He's our father, after all, and will be kind to you once more and

accept what is past."

"We had better write," said Bruno.

"No!" exclaimed Irma, clasping both his hands, "you must do it, for

Arabella's sake."

"For her sake?"

"Yes. I wish her to feel that there is some one whom she can address as

'father'; that would be the happiest moment she had ever known."

Bruno drew back. After a little while, he said: "Let us speak softly.

You know, I suppose, that you've touched me in a tender spot. Arabella

couldn't call any one father, and can't do so now. Irma, you're strong

enough to look the truth in the face. What is it that forms the

indissoluble bond between father and child? It is not nature alone, but

history. By rejecting our rank, our father has denied father and mother

and our long line of ancestors. It was he who broke the strong and

glittering chain that, through him, linked us to our house. We have

renewed the connection which was thus broken, but, in doing so, have

become sundered from our father. He separated himself from us; in the

sense in which you mean, we can neither of us say 'father.'"

Irma turned pale. She had never thought of the matter in that light,

and had never dreamt that Bruno would thus defend his course. She had

thought his life naught but frivolity, and now, for the first time,

beheld the deep chasm that separated them. She was about to reply that

her father had remained true to all that was noble, to all that the

best of their ancestors had transmitted to him, and that he had simply

cast aside the external prerogatives of rank. But, for the first time,

she felt that she could not maintain her ground against her brother.

She too, had separated herself from her father. She was silent. They

drove on and, for hours, neither spoke a word. They reached the summer

palace. To all who congratulated her on her brother's betrothal, Irma

offered most courteous thanks. She felt strangely embarrassed in the

presence of the court jeweler, who had been requested to present

himself at the palace with various caskets of gems. She was to join

Bruno in selecting a rich present for Arabella. She did so, but would

not suffer any of the jewels to be tried on herself. Her maid was

present for that purpose, and, at last, they decided on a rich set of

diamonds, which was at once dispatched to Bruno's betrothed.

CHAPTER IV.

Irma recovered her wonted cheerfulness and was the merriest sprite of

the whole court, teasing and bantering every one except Colonel

Bronnen, with whom alone she was always serious and reserved. She rode

out a great deal and often accompanied the king in the chase, in which

the other court ladies were also glad to join. The advance of autumn

rendered the air fresh and bracing, and there was no lack of variety in

their amusements. The queen was obliged to remain at home. She had

Walpurga and the prince about her for a great part of the time, and was

made happy by every new proof of the child's dawning intelligence. He

already knew his mother and had begun to notice many objects. She

deplored her husband's restless mind, which constantly craved new and

violent excitement, and thus deprived him of many delightful moments

with his child.

They would often take their meals in the woods or on the mountains,

whither their viands and cooking utensils were quickly transported on

the backs of mules.

The idea had originated with Baron Schoning, and he was not a little

vain of it. It was, indeed, a surprise that almost savored of magic, to

find a banquet spread in the heart of the forest, or on some height

that commanded a lovely view; and at the end of the feast all of their

paraphernalia would as quickly disappear.

Ever since his return from the lake, Baron Schoning had treated Irma

with as much forbearance and consideration as if he had refused her,

instead of having been refused by her, and he really felt as if he were

the one who had said "no." The idea of his ever entertaining thoughts

of marriage now seemed to him sheer madness. The baron endeavored,

withal, to assume an air of dignity, but, in doing so, acted very

cautiously, lest too sudden a change in his deportment might awaken

unpleasant comment. He had told Irma that the court imagined it was

trifling with him, while he in reality was playing with it. The bold

change which he was now attempting to consummate had, in truth, only

suggested itself to him during the conversation referred to.

Schoning was an odd character at court. He had, at the start, entered

the diplomatic service, but soon left it, in order to become a

landscape artist. His achievements in his new vocation proving of

slight merit, he sought, and found it an easy matter to obtain, a

position at court. He became one of the directors of the royal gardens

and chief in the office of the lord steward and, by virtue of his

position, chamberlain also.

In familiar moments, he was fond of telling his intimate friends--and

these, of course, included every lady and gentleman at court--that his

real vocation was art; that he had only sacrificed it for the sake of

the king, whom he loved above all beings; and maintained that this was

a duty that the nobles owed their sovereign. A landscape of his,

showing a view of the lake, on the borders of which lay Walpurga's

birthplace, was hanging in the summer palace. It was a clever picture,

but malicious tongues asserted that one of his friends, at the academy,

had painted the landscape, and that another had done the figures.

On their mountain excursions, Schoning paid marked attention to Irma,

who could freely indulge her wanton humor with him, for it was well

understood, at court, that no one could have a love affair with

Schoning. He was the butt of every one, and knew how to take, as well

as give a joke.

Schoning would, many a time, have liked to avoid taking part in these

excursions, for he well knew that his attempts to acquire dignity were

far from being successful. But even pretended illness did not serve as

an excuse; for, without Schoning, there was no target for their jests.

What was he to do? He put the best face possible on the matter and,

with feigned willingness, accompanied them.

Notwithstanding the wide difference in their stations, Schoning and

Baum were both indispensable.

Baum was the favorite servant at court. He was fortunate enough to be

useful in every way, and no country party, no dinner in the woods, no

excursion on the water, was considered complete without him. Actors are

often vexed when they are not sufficiently employed, or are cast for

unimportant parts, and lackeys, in the same way, have a jealous desire

to be kept ever busy. It follows, as a matter of course, that Baum had

his favorites, whom he would, when occasion offered, mention

approvingly to the lord steward, and they obeyed him as if he were

their natural superior. The queen's shawl, or the king's paletot, were

never so well carried as by Baum. While hanging on his arm, they would

almost seem to say: "Oh, how warm and soft we are, and we are ready, at

any time, to protect and warm you. Your Majesties have only to command

us."

The evenings were pleasantly spent. After tea, they would usually

repair to the inner palace yard and, by the light of torches, look at

the wild beasts that had been shot during the day's hunt. The queen,

although loth to behold such sights, would always join the party, lest

they might regard her as being sentimental. Success in the chase always

put the king in a good humor. They would then return to the open

saloons, where they would have instrumental and vocal music, play cards

or have some one read to them. Irma was an excellent billiard player,

and won many a game from the king. Her every movement was full of grace

and every pose that she assumed while playing was worthy of an artist's

pencil.

"How beautiful she is," the queen would often say to her husband, who

would nod assent. There was much merriment in the great billiard-room.

Before parting for the night, the inner circle of the court would

gather, as if for rest and retrospection; for, every evening, the

chronicle of the day was read aloud. Baron Schoning had conducted this

daily journal for many years. It was written in verse and, what was

still better, in the Highland dialect. Countess Irma was often

mentioned in it, under the name of the "Rock-maiden." All the little

events of the day were presented in a comic dress, and, as the company

knew all the personages referred to, the reading of the journal always

occasioned great merriment. The king was usually referred to as Nimrod,

or Artus. Nor were the dogs forgotten, and one of the standing jokes

was: "Foster-mother Walpurga ate heartily, and Romulus drank copiously.

Aunt Lint"--meaning Mademoiselle Kramer--"began to recount her family

history, but has not yet reached the end."

After the king and queen had retired, the court would break up into

small parties. Accompanied by Doctor Gunther, Irma would often ascend

some neighboring height or descend into the valley. Gunther taught her

the constellations: and here, in the stilly night, he would explain to

her the great laws that govern the universe; how the planets move in

infinite space, attracted and repelled, so that none described a

perfect circle. They would often speak of Irma's father, who, Gunther

maintained, would be able to complete his circle, because he had

isolated himself. The doctor, however, maintained that his own case was

different; that it had been his lot to remain in the world; that an

elliptical course was the only one in which he could move; and that,

being a physician, he was obliged to influence others and was unable to

escape their influence on himself. Thus absorbed in the secrets of the

universe, the old man and the maiden would forget themselves until

fatigue warned them that it was time to return and seek repose.

Irma would often say that she intended to spend much of her time with

the Gunthers, during the winter. The young widow and her child had now

come home to live with the father.

Irma would rarely retire for the night, without first visiting

Walpurga, who would generally lie awake and wait for her, and who, if

she had fallen asleep, would, as if conscious of her presence, awaken

as soon as Irma drew near. They would sit talking to each other for

some time. Walpurga had always much to relate about her clever prince,

and still more about the good queen.

The days grew shorter, the evenings longer. The gardeners were kept

busy, clearing the fallen leaves from the paths, before the court

awoke. It was said they would soon leave the summer palace and return

to the capital. The king had preceded them thither. Surrounded by a new

ministry, of which Schnabelsdorf was president, he opened the

parliament in person.

Gunther felt sorry, and expressed his regrets to Irma, that the king,

in appointing a reactionary and ultramonnate ministry, had taken a step

fraught with serious consequences. In firm and measured language, he

inveighed against all the romance of the convent. Irma had not enough

courage to confess how much she was to blame in all this, and consoled

herself with the thought that the king had, in the queen's presence,

rejected all outside influence. For the first time, she became

conscious of a feeling of antagonism to the doctor, who, in her eyes,

now seemed illiberal and filled with the fanaticism of unbelief. He was

a stranger to the greatest glory in life, the flights of a soaring

soul, and anathematized them by the words "romance" and

"sentimentalism." The king, solitary and alone while breasting the

torrent of public opinion, seemed to her greater than ever before. The

idea that she had once expressed in a letter to Emma, gradually became

clearer to her. No one but a king, and such a one as he, has the large

and comprehensive mind that will not suffer itself to be cramped by the

systems of the schools. Logic is only part of the human mind. The

complete man alone possesses a complete mind.

Even such a mind and such a man as the doctor, seemed to her to suffer

by comparison with the only one.

Walpurga was quite uneasy on account of the second change of residence,

and complained to Irma that it was a fearful life. "Why, it's nothing

but living in carriages. You never get a chance to feel settled

anywhere. It don't seem right to go and come in this way. Of course,

they drive the cattle away from the mountain-meadows when the grass is

gone, but cattle aren't human beings. I can't help pitying my poor

prince, for there's nothing in his youth worth remembering. When he

gets older, he won't be able to say: 'I used to be at home here, and

saw these trees blossom and bear fruit; and then the snow covered them,

and, after that, the spring came'--and if the poor child hasn't that,

where'll it ever have a home?"

At breakfast, Irma repeated Walpurga's words, and found much that was

affecting and poetical in this identifying one's-self with nature, and

in this attachment to lifeless objects. The ladies and gentlemen in the

breakfast-room could not understand where the poetry lay, for to them,

it seemed narrow-mindedness. Baron Schoning interposed, and reminded

them that this attachment to the soil possessed its advantages; for it

was thus alone that solitary heights and valleys were inhabited. He

maintained that the common people could only be governed by the force

of habit; that man, as a free agent, must rid himself of such

restraint; and that the true poetic idea was that of Pegasus resting on

the earth, but yet able to wing his flight aloft.

Schoning looked about him as if he expected applause for his profound

remark. It failed, however, to produce an impression. He had so

constantly ministered to the amusement of the court, that all his

attempts to be serious were failures, suggesting the success with which

a well-known comedian or country bumpkin would undertake a tragic

_rôle_, Schoning imagined that Irma understood him better than any of

the others, but even she was not in a humor to assent that day. Gunther

was the first to take up the conversation, saying that the present

desire for incessant travel constituted a new impulse in the history of

mankind, and one which no former age had known to the same extent. The

generation which, even in its cradle, had heard the whistle of the

locomotive, must, of necessity, be different from its predecessors. But

yet poetry would never die, for every mother would teach her child to

sing, and time, the everlasting mother, would teach unto the children

of a new generation, new songs, different from those of the past but

none the less full of beauty and feeling.

The queen nodded to Gunther, and her face was mantled with blushes,

while she said that she agreed with Walpurga, and would rather remain

in one place and become settled there.

The gentlemen and ladies of the court were loud in their praise of the

queen's beautiful and feeling remarks, while, in their hearts, many

considered them just as foolish as Walpurga's.

When they had left the table, the queen said to Irma:

"Dear Countess, you shouldn't say such things at table, or in the

presence of company. Let me assure you, they are out of place there.

Walpurga's thoughts are like fresh wild-flowers, which, when plucked

and bound into a bouquet, soon wither and die. It is only artificially

cultivated flowers that are adapted for the _salon_, and the best of

all are those made of tulle and gauze. Hereafter, confide such things

to me alone."

Irma was delighted with this agreement; but when, at noon, the queen

told Walpurga what she had heard about her, the latter was angry at

Irma. It won't do, thought she, to repeat everything you hear. She felt

ashamed of herself, and became shy and reserved in Irma's presence. It

was only when she was alone with the prince, that she whispered: "Yes,

my little wanderer; after this, you shall be the only one to whom I'll

tell everything. You're the cleverest in the whole house, and the only

one who holds his tongue. You won't say a word to any one, will you?"

Walpurga was quite troubled by the idea of leaving, and Baum was the

only one who knew how to pacify her. He said:

"Don't be foolish. What do the furniture and the trees and all the rest

matter to you? They remain here. You step into the carriage and ride to

the city and, when you get there, find all you need, ready for you.

There are hands and feet enough to attend to all that."

Walpurga gradually quieted herself. They waited for the first sunny

day, and then the queen, the prince, Walpurga and the royal suite drove

to the capital. The summer palace was once more lonely and deserted;

dead leaves filled the paths in the park and were no longer swept away.

The great colored lamps of the veranda were put away for safe-keeping,

and the large windows were covered with layers of straw. The summer

palace entered on its winter sleep, and, in the mean while, new life

awakened at the city palace.

CHAPTER V.

The royal palace was in the center of the city, and was without walls

or fosse. Although its windows looked down on the busy streets, it

seemed as if it stood on some fortified height, and as if outworks for

offense and defense surrounded it for some distance. It was only at

rare intervals, and in indistinct utterances, that a stray echo of

popular feeling penetrated so far. There were hundreds of human beings,

from the lowest kitchen servant up to the major-domo, who served in

place of wall or fosse, and prevented all except the favored few from

entering the royal presence.

The king was in a happy mood and yet his cheerfulness seemed forced. He

was a prey to a restless disposition which would not permit him to

dwell long on any one subject. From morning till night, he required

constant change and gay excitement.

If he had been asked to answer on his conscience, he would frankly have

said: "I respect the constitution and am faithful to it"--and yet, at

heart, he was unconquerably opposed to it, for it cramped his

individuality. It was in the same way that he loved his wife, while his

heart paid homage to her friend; but that he should be subjected to the

law, or even to his own desires, was equally distasteful to him--for

that, too, would retard the full development of his new individuality.

He regarded all that savored of opposition, whether it was the

constitution of the state or the opinion of a kind friend, as an

attempt to subjugate him. He desired to be perfectly free and yet not

without law and affection. He could not forego the approbation of those

to whom he was, at the same time, unwilling to accord the right to

dissent. He would have liked his own people to regard him with as loyal

an affection as that which the English bestow upon their rulers, but

did not care to have it interfere with his following the dictates of

his own judgment. He studied the laws of the state, but favored such

interpretations thereof as rendered them nugatory. He loved the

constitution, much as he did his wife; that is, he prized her virtues,

and aimed to be faithful to her without sacrificing his inclinations.

The journals of the day reached the king in the form of an abstract,

which was prepared in the literary court-kitchen. By his orders,

stenographic reports of the proceedings of the Chamber of Deputies were

brought to his cabinet, but for the greater part they remained unread.

There was too much to be done, too much of ceremonious receptions,

parading and exercises. The new arsenal was now under roof, and they

were engaged in supplying the decorations, devices for some of which

were prepared by the king himself.

The great autumn maneuvers took place near the palace. There was much

talk of changes, and, among the soldiers, great enthusiasm thereat. The

queen and Irma, attired in the uniform of the queen's guards, appeared

on horseback. The queen looked like a patron saint, while Irma, with

her triumphant air, looked like a commander.

At the word of command, the huzzas of the soldiers filled the air, and

it seemed as if their joyous shouts would never end.

Colonel Bronnen was quite devoted in his attentions to Irma. It was

generally believed that he would, before long, sue for her hand. Some

even went so far as to assert that they were already secretly

betrothed, and that Irma's father, the old misanthrope, had refused his

consent, but that the beautiful countess would be of age within a

month. No regiment could have wished for a more beautiful colonel's

wife.

Irma's life seemed to glide on in ecstatic happiness. She did not even

know that the world had betrothed her. When she met the doctor, she

would say: "I think of visiting your dear family, every day, but there

is always something to prevent me; I'll surely come to-morrow or the

day after."

Weeks passed before she paid the visit, and when she did call, the

servant informed her that the family were not at home. Irma had

intended to call again, and finally concluded that they had treated her

rudely in neglecting to return her visit. She waited, and, at last,

dropped all intercourse with them. It is far better, she thought in

one's own sphere; aside from this, they were in mourning at the

doctor's, and Irma was not in the mood to seek sorrowful scenes. The

doctor himself even appeared ill at ease, for he had recently said to

her:

"Most persons, even those who are matured and self-conscious, exhaust

their joys, just as children do. Like them, they indulge their love of

pleasure without stint, and then follows the reaction, when joy is

followed by tears."

Irma avoided all further discussion with him.

Rainy days came, and no one could leave the house. Walpurga would go

about as if a prisoner, longing to be at the summer palace, although if

she had been there at that season of the year, she would have been

obliged to remain indoors. "Uncle was right," said she, jestingly, to

Mademoiselle Kramer. "At the christening, he said I was a cow, and now

I can fancy how a cow must feel, when it comes down from the mountain

meadows to its stall in the valley. Grubersepp, who lives at our place,

has a mountain meadow, and whenever his cows are brought home, they

keep on lowing for three days, and won't eat a thing. If I only knew

how things are at home; if I only felt sure that they keep my child

indoors; but I'll write at once."

Walpurga wrote an anxious, sorrowful letter and was not content until

good tidings came in return.

Whenever Irma entered the crown prince's apartments, even in the

gloomiest weather, her presence seemed like sunshine. There was rarely

a day that she did not come, although her visits were shorter than they

had been. She said that the preparations for her brother's wedding took

up so much of her time.

"I'd like to see your father," said Walpurga, one day; "he must be a

splendid man to have such good and beautiful children."

Irma pressed her hand to her heart.

"If father comes I'll bring him to you," said she, as if to silence

her. The innocent remark of this simpleminded woman had deeply moved

her, and the anticipation of brilliant festivities gave way to sad and

sombre thoughts. She was often in the city, either alone or attended by

her brother, while making purchases for a complete and luxuriously

furnished household. Women in large towns find as much pleasure in

shopping as children in the woods do in gathering wild-flowers. To go

from shop to shop, to compare, to select, to purchase--it is just like

plucking flowers. Irma was enough of a child and woman of the world to

delight in this, and to enjoy the pleasure of furnishing a house

according to her own taste. The workmen and shopkeepers exaggerated

nothing when they said that they had never before met one whose orders

showed such excellent judgment. Irma was not amiable and gracious, she

was simply courteous. She never apologized for the trouble she gave the

shopkeepers and workmen, for that was part of their business. She

addressed them respectfully, freely expressed her approval, when their

suggestions were in good taste, and thanked them for correcting her,

when her demands were impracticable.

Could Irma have heard how sewing-women, workmen and shopmen praised

her, it would have gladdened her heart.

It struck her as very singular that every one would make the mistake of

speaking of the new establishment as her own, and not as her brother's.

The wedding was solemnized. Irma had no opportunity of introducing her

father to Walpurga, for he did not come. During those few days, she

neglected to visit the crown prince's apartments, and when she again

went--she had dreaded Walpurga's questions--the nurse made no allusions

to the wedding or to her father.

Irma felt that Mademoiselle Kramer had informed Walpurga of the state

of affairs. She would gladly have placed matters before her in their

true light, but that were impracticable. The common people could only

understand simple relations, and an involved and complicated story,

such as hers, would pass Walpurga's comprehension. Irma forced herself

to appear the same to Walpurga as she had always been. The latter

observed this, although she said nothing about it. She, too, had become

strangely reserved.

Winter came in all its might. Walpurga could not go out into the open

air, but found pleasure in taking long walks with the crown prince,

inside the palace. A whole suite of apartments had been thrown open and

heated for this purpose.

"You may sing if you like," the doctor had said to her. But Walpurga

could not utter a sound in the grand saloons, for she was afraid of the

pictures of men in coats of mail, and of women with stiff ruffs or

bare-necks, who were looking down upon her.

"I know what I am going to say is very stupid, and you must promise not

to repeat it," said she, one day, in confidence to Irma.

"What is it? You can always tell me everything."

"It's very silly, I'm sure, but it seems to me as if those men and

women can't find rest in the other world and have got to be here all

the time and look on at what happens."

"That isn't at all stupid," said Irma, smiling. "But, pay attention,

Walpurga, to what I am about to tell you. To stand here, and feel that

your father, your great-grandfather, and others still further back, are

looking at you--that's what is meant by nobility. Thus, we are always

in the company of our ancestors."

"I understand; it's just the same as if, in your heart, you were always

saying a mass for the repose of their souls."

"That's it, exactly."

Irma thought of repeating this conversation to the queen. But, no; she

would tell it to the king. His was a truly poetic and exalted

conception of all things. Irma had accustomed herself to tell the king

all that happened to her. She spoke to him of all her thoughts, and of

every book that she read, and thus found all her experiences invested

with a twofold interest. He was so grateful, so appreciative, so happy,

and was, moreover, so burdened down with the cares of state that it was

a duty to cheer him with other thoughts.

At the summer palace, the trees were covered with snow and the windows

were protected with straw; but in the palace at the capital, pleasure

reigned supreme. Here all was fragrance, splendor, glitter, and, in

Bruno's house, it seemed as if the feasting would never end. The

court had honored the opening fête with their presence, and, throughout

the city, all spoke of the queen's great kindness, in visiting a

sister-in-law of so peculiar a kind, and of her having, in the most

affable and friendly manner, actually sat on the same sofa with her.

The old baroness had also wished to attend the first fête given by her

children, but, having been informed that, in that case, the queen would

not come, she remained at her castle in the little country town.

Arabella had written to Bruno's father. Her husband had not forbidden

her doing so, but he had told her, beforehand, that she would receive

no answer. He had every reason to feel assured of this, for he had

never forwarded the letter.

Irma consoled her, and found it painful to offer such a description of

her father's peculiarities as would satisfactorily account for his

silence. It seemed like treachery, but she could not help it, for why

should the poor child be made to suffer. But fête succeeded fête with

such rapidity, that the father, the whilom dancer--aye, even her own

thoughts, were soon forgotten.

The Chamber of Deputies was not far from the royal stables, and, while

the delegates were heatedly discussing so-called decisive questions,

the royal riding school was the scene of a rehearsal for a tournament

in the knightly costume of the Middle Ages. Prince Arnold who, as the

story went, was wooing princess Angelica, was chief of the gentlemen,

and Irma of the ladies.

Although it was merely by accident that the tournament opened on the

evening of the day on which the Chamber was dissolved, the circumstance

occasioned much ironical comment throughout the capital.

Irma was the central figure in the brilliant scene. When she entered

the royal box, the king lavished loud praise upon her beauty and skill.

The queen added her praises to his and said:

"You must feel happy. Countess Irma, to think that you afford us so

much pleasure."

Irma bowed low and kissed the queen's hand.

There was hardly time to rest from one fête, before another succeeded

it. The grand sleighing-party, which was especially brilliant, excited

the whole city. The king and the queen drove in an open sleigh, and, in

spite of their dissatisfaction with the policy of the government, the

citizens were delighted to see the royal couple so happy. Following

immediately after the sleigh of the prince of the house came that of

Bruno and his handsome wife; but, rich as were the trappings and

handsome as were the couple, all glances were quickly turned to the

next sleigh in which sat Irma and Baron Schoning. She had pitched upon

him as the most convenient dummy. The countenances of the lookers-on

were expressive of mingled surprise and derision.

"If Hansei could only see it! How I wish he could! One would hardly

believe it!" said Walpurga, as she looked out of her window at the

sleighing-party.

No one had noticed her but Irma, who nodded to her. How radiant she

was; she had never looked so beautiful. The clear cold air of winter

had wondrously animated her features. She was sitting in a swan, drawn

by two white horses, and Walpurga said to herself: "Oh, you dear

creature! You just look as if you couldn't help riding to heaven; but

you'll never marry that clown aside of you." The last words she had

uttered in quite a loud voice.

"She won't marry at all," said a voice behind her.

Walpurga looked around, startled. Baum had been standing behind her.

"What an everlasting eavesdropper you are," said she. All her joy had

been embittered, but this did not last long, for Irma soon came and

said:

"Walpurga, I can only warm myself with you. It is bitter cold, and

you're like a good warm stove. You're growing as fat and as broad as a

Dutch oven."

Walpurga was delighted with her friend. She was always coming to see

her and allowing her to share in all her pleasures.

But Walpurga started with fright, when the king suddenly entered.

Courteously bowing to Irma, he said:

"A letter has just come for you; I thought I would bring it myself."

Irma looked down, while she took the letter.

"Pray open it," said the king while he motioned Walpurga to follow him

into the prince's room. When he came out again, the king said:

"Did the letter bring you good news?"

Irma looked at him with surprise, and at last said: "It was from my

dearest friend."

The king nodded, as if pleased that the letter, which had been written

by himself, should receive such an answer. He added, in a careless

tone:

"Dear Countess, you will, of course, feel sad at parting from Walpurga,

but her situation must necessarily end with time. Think of some other

position for her, so that you may keep her near you."

Walpurga drew a long breath. "Give me the farm," lay on her lips, but

she could not utter the words. She felt as if her tongue clave to the

roof of her mouth.

The king soon took his leave. He always came and went so quickly.

"No, you shall not remain here," said Irma when she was alone with

Walpurga. "It is better, a thousand times better for you, that you

should go home again. Next summer, I'll come to see you. I'll never

forget you. Rely upon it."

Walpurga now felt bold enough to express her wishes in regard to the

farm; but Irma was immovable. "You know nothing about these things.

Take my word for it--it will be far better for you, if you go home

again."

CHAPTER VI.

"How do you live in the country in winter?" asked the queen while she

sat by the cradle of her child. "Well enough," replied Walpurga, "but

wood is getting to be quite dear. We're glad when spring returns. To be

sure, my Hansei has good earnings in the winter, when the wood can be

brought down the snow road to the valley. Mother always says our Lord's

the greatest of all road-masters, for He can make roads and make it

easy to bring the wood where no man can."

"You have a good mother. Give her my love, and when I again go to the

mountains, I shall visit her."

"Oh, if you only would!"

"And now," resumed the queen, "tell me how you pass your time during

the winter."

"When the housework for the day is done, the women spin. The men spend

the day in the forest, cutting wood, and, when night comes, they're so

tired that they hardly ever cut kindling-wood."

"And do you sing much at such times?"

"Of course. Why not?"

"And do you never read to each other?"

"No, never. But we like to tell stories, and frighten each other as

much as we can."

"And do you sometimes dance?"

"Yes, at carnival time; but there's not much of that nowadays. They say

it used to be much better in old times."

"Do you never find the day hang heavy on your hands?"

"No, never; we've no time for that."

The queen smiled when she looked at the astral lamp that stood on the

table, and thought of the many expedients that society employed to kill

time.

The queen at length said: "And do you feel quite sure that your husband

is always true to you? Do you never think of his being otherwise?"

"Mother often says that the men are all good for nothing, but she says

my Hansei's not like the rest of 'em. He'd be heartily ashamed of

himself if he spoke a loving word to another woman. It would haunt him

day and night, and he'd never be able to look any one in the face

again. He's not one of your sharp, clever folks--far from it; but he's

good, thoroughly good at heart; a little bit close in money matters,

and he's always afraid that, some time or other, we might come to want.

However, one who has to save every kreutzer can easily get used to

that. But, thank God, that's over, now."

When Walpurga had once begun to talk, she would, unless interrupted,

run on like a mountain spring. She had a thousand and one little

stories to tell.--How she had, for the first time, bought three geese,

two white and one gray; how many feathers she got from them, and what a

good price she obtained for the feathers; and that she now had eight

ducks--they were much more useful than geese, and required but little

food; and that her goat was wondrous clever. They had once had a sheep,

but that was nothing. They belong in flocks and don't thrive well

alone. At last, Walpurga said that she could hardly believe that they

really had two cows of their own in the stable. She had never, in all

her life, even wished for so much. And then she spoke of the innkeeper

and said that, although one couldn't trust him, it was necessary to

keep on good terms with him, for, if he was your enemy, you might as

well be put out of the village and the principal house would be closed

to you. The innkeeper would, once in a while, do you a favor, if he

lost nothing by it. He had paid a good price for her ducks and fish,

and if you should happen to need it, you could always get a little from

him on trust. She didn't want to speak ill of him, but he had once been

impudent to her; but she had taught him a lesson that he'd remember as

long as he lived. She hoped the queen wouldn't do anything to him for

that; he was good enough, after all, considering that he was an

innkeeper. But there were ever so many good people in their

neighborhood. They didn't give anything away, and she wouldn't want

their gifts, but when you know that on every hillside there are people

who feel kindly toward you, it makes the whole neighborhood seem as if

it were one warm room.

The queen smiled.

Walpurga went on talking. The more she talked, the more the child

prattled and crowed and clapped its hands; the sound of his nurse's

voice pleased him, and Walpurga said:

"He's just like a canary-bird; when there's lots of chattering in the

room, he joins in with his merry song. Isn't it so, you canary-bird?"

said she, shaking her head at the child, while it crowed yet more

lustily than before.

Buried in thought, the queen passed her hand over her face several

times. Walpurga's words had transported her into another world. And so,

thought she, there are other beings, beneath me and far away, who pass

their days in work and care and yet are happy.

"What makes you look so sad?" asked Walpurga.

Her question had recalled the queen to herself. No one had ever read

her face in this way. No one could, or would have questioned her thus.

The queen made no answer, and Walpurga continued:

"Oh, my dear queen, I can't help thinking you must have a hard time of

it. To have plenty of everything isn't so good for one after all. It's

like having your heaven on earth. Have you never felt lonely and lorn?

When one wakes to sorrow and thinks that one still has sound limbs, and

can work, and can see the sun and know that there are still good people

in the world--it's then that you really feel at home in the world. Oh,

my dear queen, don't be sad. You couldn't, if you knew how happy you

ought to feel."

The queen was silent for a long while. There must have been something

in Walpurga that suggested the thought, for she at last said: "They

play William Tell to-night. I would like you to go to the theater, for

once."

Walpurga said:

"I'd like to go, well enough. Mademoiselle Kramer has told me a great

deal about it; it must be splendid, but I can't take the child with me,

and I can't leave it alone for so long a time. See how he listens, and

what a cross voice he has already. He understands everything we say,

I'll bet my head on it."

The boy began to cry. Walpurga took him up in her arms, fondled him and

sang:

I won't leave you a minute,

To see the finest play;

It's better far, and safer,

If at home with you I stay.

The little prince was soon quieted and fell asleep.

"Yes, you're right," said the queen, after a pause. "Remain just as you

are, and when you go home again, don't think of what is past. Only

think that your lot is the best in the world."

The queen left. Walpurga felt like telling Mademoiselle Kramer that the

queen was very sad, and was about to ask what could be the matter; but,

with clever tact, she refrained from alluding to the subject. The queen

had been so confiding and so sisterly with her, that it would not do to

speak of it to any one else; and perhaps, too, the queen did not wish

others to know that she was sad.

For many days, there was a pilgrimage of court ladies and gentlemen to

Walpurga for the sake of seeing something that was quite new to them.

Doctor Gunther had given Walpurga permission to get a distaff and spin.

To see a spinning-wheel in use seemed like a fairy-tale. Few of the

ladies and gentlemen had ever seen such a thing before, and now they

came and looked on wonderingly. Walpurga, however, always laughed

merrily when she wound a fresh thread on the spindle. All the court

came to look at the distaff, and Schoning declared that this was the

implement with which Little Thomrose had injured herself.

Irma was again the object of envy, for she, too, knew how to spin and,

like a village neighbor, would sometimes come and join threads for

Walpurga. They both sat spinning at the same distaff, and, while they

worked, their voices joined in merry songs.

"What's to be done with what we spin?" asked Irma.

Walpurga was vexed, for the question had destroyed the charm. She said:

"Little shirts for my prince; but they must only be of my spinning."

After that, she laid the bobbins which Irma had filled in a separate

place. The threads which she had moistened with her own lips, should be

the only ones used by the prince.

Irma could not help telling Baron Schoning of Walpurga's plan, and it

suggested to him a poem, in which he alluded to the legend of a fairy,

or enchanted princess, who was spinning flax for her darling. The queen

was delighted with the poem, and, for the first time, and with perfect

sincerity, praised the Baron's verses.

Walpurga was sitting at her distaff and telling the prince in the

cradle the story of the King of the Carps, who swims about at the

bottom of the lake. He's more than seven thousand years old, wears a

crown on his head, has a great long beard and, up over him, millions of

fishes are swimming about and playing tag with each other and when

one's naughty and envious and quarrelsome and disobedient, the naughty

pike comes and eats him, and then comes the fisherman who catches the

pike, and then comes the cook who cuts up the pike, and then all the

little fishes jump out and go back into the lake and come to life and

tell all that's happened to them, how dark it was in the pike's belly,

and how much brighter it is in the sea and, in the mean while, the pike

is cut in pieces and eaten, and if one's not very careful, he'll get a

fish-bone in his mouth, and that'll make him cough, and Walpurga

coughed with great skill.

The door suddenly opened and, to Walpurga's great alarm, a handsome

young officer entered, went straight up to her, saluted her in military

fashion, and, while twirling his mustache, asked:

"Have I the honor of addressing the magic spinner, named Walpurga

Andermatten, from the cottage by the lake?"

"Yes; dear me, what can be the matter?"

"I am sent by the spirit Kussschmatzky, and he commands me to kiss you

three times in order to break, a spell."

Walpurga trembled. It was her own fault. Why had she told the child so

many fairy-tales, and now it had all come true. All at once, the

officer threw his arms about her neck, and kissed her with all his

might, and then laughed until he could no longer stand, and seating

himself, exclaimed:

"And so you really don't know me? That's splendid. Don't you know your

friend Irma, any more?"

"You rogue! You good-for-nothing rogue," burst out Walpurga. "Pardon

me. Countess Irma, but who'd have thought of such a thing; and you

threw me into such a fright! What's it all about? Is it carnival time

already?"

"Walpurga, if you understood the language, you might see me in a French

play this evening. The king is also going to act. I'm sorry, for I'd

rather had you in the audience than any of the rest. But I've had

sufficient applause already; you didn't know me. I'm glad of that at

all events."

"And I'm heartily sorry," said Walpurga, becoming quite serious. "Oh,

dear Countess, do you know what you're doing? It's the greatest sin to

put on men's clothes, for then the devil's master over one. Don't laugh

at me! I'm not so silly as you think. It's just as true as can be.

Grubersepp's grandfather had a daughter, and she had a sweetheart who

was off at the wars, and while she was sitting in the room spinning,

just as I was a little while ago, a girl dressed herself up in

soldier's clothes, and went into the room and acted just as if she was

the sweetheart himself. Grubersepp's daughter fainted, but got over it

again and the disguised girl ran away. And as soon as she got out of

the house, there were hundreds of men with whips and horses' heads, and

they chased her ever so far and, at last, the devil caught her, tore

her to pieces and threw her into the lake. Yes, it's a true story; you

can take my word for it. There are people enough living to this day who

knew her."

"You're enough to make one quite melancholy," said Irma.

"Perhaps such things only happen with us," said Walpurga, as if to

console her. "The soldiers out there, with their swords and muskets,

wouldn't let the devil enter here; but, my dear, good Countess, don't

you feel ashamed to wear those clothes before so many people?"

"You belong to a different world from ours. You're right, and so are

we," said Irma, walking up and down the room quickly and rattling her

spurs. "No, Walpurga, don't alarm yourself about me, and don't take

your fright so much to heart."

She was again the same careless, true-hearted creature that she had

ever been, and Walpurga could not help saying:

"Oh, how beautiful! you look just like a prince."

Walpurga's eyes rested on the door long after Irma had left. It seemed

to her as if it had all been a dream.

Many days passed by, and Irma was always blithe and cheerful when with

Walpurga. They would sing and spin, and the king and queen once came

together--they had never done so before--and seated themselves by the

child's cradle, while they looked at, and listened to, the workers.

Walpurga was timid at first, but, after a while, sang quite cheerfully.

A veritable surprise was in store for Walpurga. Christmas eve arrived.

The manner in which it was observed at her home, had been transplanted

hither by the queen. Walpurga and the child were conducted into the

great saloon, where the Christmas tree was all ablaze with lights, and

where there also were many rich presents.

It seemed to her as if she were in a fairy grotto; there was so much

glitter and sparkle, and the presents were so rich and varied. The

child shouted for joy and was ever putting out its little hands to

grasp the lights. Walpurga received lavish gifts, but, although the

dazzling gold and the rich garnet necklace with golden clasp delighted

her, a well-arranged table covered with clothing pleased her more than

all the rest. There was a complete winter suit for Walpurga's mother,

another, with a beautiful green hat, for Hansei, and many articles of

clothing for little Burgei.

"Does it all please you?" asked the queen. "I sent to your village to

get the measure."

"Oh, how it does please me!" said Walpurga; "If I could thank you as

many times as there are threads in these clothes, it wouldn't be

enough."

A thought suddenly occurred to her, and she sent Baum to her room to

get the yarn which was hanging there. He soon returned with it and,

presenting it to the queen, in the king's presence, she said: "As often

as I've wetted each thread with my lips, do I thank you. I shall pray

for you as long as I can move my lips, and all will go well with you."

The king held out his hand to her and said: "You're a good soul, but

don't excite yourself so." She pressed his hand firmly.

Walpurga was sitting in her room, late at night, when the queen came to

her.

"I'm glad you've come," said Walpurga, softly.

"Why? Does anything ail the child?"

"No; thank God, he's quiet. See how he clenches his little fists while

he sleeps. But, on this night, at twelve, a Sunday child sees

everything. He can hear all that the angels in heaven and the beasts in

the wood are saying. One must always be with him at that time, and keep

on saying the paternoster, and then no harm will come to him."

"Yes, I'll stay with you; that can do no harm. But you must not torment

yourself so with your belief."

Walpurga looked at the queen with a strange expression.

"Ah, she knows nothing of this," she thought to herself. "She wasn't

born in our faith." The queen said: "I'm glad that I can make so many

people happy, just as I've made you happy, to-day."

"But you must be happy, too," said Walpurga. "Take my word for it--I'd

put my hand in the fire as a pledge--there's nothing wrong with Irma.

She's true, and so is the king."

The queen started convulsively. And had it come to this pass? Must she

receive consolation from such a quarter? She sat there motionless, for

some time. The clock struck twelve, and, at the same instant, bells

were heard ringing from every tower filling the air with their merry

sounds.

The child in the cradle began to mutter in its sleep. Walpurga made a

sign to the queen and went on repeating the Lord's Prayer, in a firm

voice. The queen moved her lips and silently joined in the prayer. When

it was repeated for the third time, she said aloud: "And forgive us our

trespasses as we forgive them that trespass against us.'" Then she

knelt down by the child's cradle, and buried her face in the pillow.

Walpurga was filled with reverence for the mother who thus knelt

silently at her child's cradle. She went on praying in a low voice. The

queen arose, nodded to Walpurga, and waved both her hands to her. She

looked almost like a spirit, and, without uttering another word, she

left the room. The sound of the bells died on the air, and the child

slept on quietly.

CHAPTER VII.

Strange things were always happening during the days and nights of

Christmas week. Some mortals maintain that the kingdom of the fairies

has vanished, but it still exists.

In a large building, standing back from the king's street, there are

silent workmen, placing strange wedges side by side, which wedges are

afterward handed over to a huge monster. It is still at rest, but as

soon as it receives them, it suddenly moves, creaks, groans and puffs,

and, in an instant, hundreds of human beings are, as it were, created

anew.--In other words, it is the government printing-office, and they

are printing the official gazette, which at the beginning of every

year, announces the promotion and the orders conferred upon hundreds of

individuals.

What is New Year's day to most mortals? Retrospection, reflections that

life is but transitory, succeeded by joy at what is still left us, and

good resolutions for the future; and yet to-morrow is a mere repetition

of yesterday.

How different with those whose importance depends upon their station,

and who can be elevated into something more than they now are.

The official gazette appeared, with its list of New Year's gifts. One

pleasure fell to the lot of the queen. Her English teacher, an

estimable and noble hearted old man, whom she had brought with her as

her private secretary, received the title of privy councilor, and was

thus, in a social sense, rendered capable of being presented at court.

But of all the promotions, none excited so much comment at court and in

the capital, as the appointment of Baron Schoning to the office of

intendant-general of the royal theater, and he, himself, was more

surprised than all others. Although he had been greatly applauded for

his share in the French play, in which Irma had also taken part, he had

not anticipated such a result. When he read the announcement, he rubbed

his eyes, to make sure of being awake. Was it a bit of royal

pleasantry? He would willingly submit to any joke, but then it must be

in a confined circle, not in the eyes of the world. But it was not a

joke, it was the simple truth, for, side by side with his own, he could

read of the appointment and the promotion of many distinguished men to

important positions.

It was an actual fact--beautiful reality.

In the city it was said, with a significant smile, that the baron had

received the appointment in order to place him in the proper position

to marry Countess Irma. Others, who were less kindly disposed, asserted

that it was freely offered to the gallant court fool, as the court had

always regarded theatrical matters as a sort of time-honored

buffoonery, furnishing amusement of a light and trivial character.

But Baron Schoning--or, as he must now be styled, the

intendant--received the visits of his subordinates with great dignity

and then drove to the palace.

On the way, he was obliged to pass Countess Irma's apartments. He

stopped and sent in his card.

The countess received him kindly, and offered him her sincere

congratulations. He plainly intimated that he, in a great measure, owed

his promotion to her, and he remarked that a lady of good taste and

true artistic feeling could be his greatest aid and support in his new

calling. She affected not to understand him and assented, in an absent

manner. Her thoughts were wandering. She would often look out of the

window that opened on the park. The snow had almost disappeared and the

marble statues of gods and goddesses had thrown off their winter

covering. Nearest her window, and in a position which showed its

profile, stood the Venus de Milo.

"Pardon me," said she, at last, as if collecting her thoughts, "I am

delighted that you have again resumed your connection with art, and

would be very glad to have a talk with you on the subject. Above all

things, let me beg of you to let us have music again at the theater: if

not during the _entr'actes_, before the performance, at all events."

"The musicians are all opposed to such a course."

"I know that very well. Each art endeavors to isolate itself, to remain

independent of all others. But a play without music is like a feast

without wine. Music cleanses the soul from the dust and dross of

every-day life and seems to say to every one: 'You are no longer in

your office, in the barracks, or in the workshop.' If it could be done,

I would prescribe a special costume for all who frequent the theater.

Their uncovered heads should be a token of spiritual reverence, and,

besides that, I would have theatrical performances only once a week."

"You are perfectly right as regards the music," interposed the

intendant. "If you have any other suggestion, dear Countess--"

"Some other time. I know of nothing at present. Just now, my mind is

full of the _bal costumé_, which is to take place next week."

The ball was to be given in the palace and the adjoining winter garden.

The intendant now informed Irma of his plan, and was delighted to find

that she approved of it. At the end of the garden, he intended to erect

a large fountain, ornamented with antique groups. In the foreground, he

meant to have trees and shrubbery and various kinds of rocks, so that

none could approach too closely, and the background was to be a Grecian

landscape, painted in the grand style.

Irma promised to keep his secret. Suddenly, she exclaimed: "We are, all

of us, no better than lackeys and kitchen-maids. We are kept busy,

stewing, roasting and cooking for weeks, in order to prepare a dish

that may please their majesties."

The intendant made no reply.

"Do you remember," continued Irma, "how, when we were at the lake, we

spoke of the fact that man possessed the advantage of being able to

change his dress, and thus to alter his appearance? While yet a child,

masquerading was my greatest delight. The soul wings its flight in

callow infancy. A _bal costumé_ is, indeed, one of the noblest fruits

of culture. The love of coquetry which is innate with all of us, there

displays itself undisguised."

The intendant took his leave; while walking away, his mind was filled

with his old thoughts about Irma.

"No," said he to himself, "such a woman would be a constant strain, and

would require one to be brilliant and intellectual all day long. She

would exhaust one," said he, almost aloud.

No one knew what character Irma intended to appear in, although many

supposed that it would be as Victoria, since it was well known that she

stood for the model of the statue that surmounted the arsenal. They

were busy conjecturing how she could assume that character, without

violating the social proprieties.

Irma spent much of her time in the atelier and worked assiduously. She

was unable to escape a feeling of unrest, far greater than that she had

experienced years ago, when looking forward to her first ball. She

could not reconcile herself to the idea of preparing for the fête, so

long beforehand, and would like to have had it take place in the very

next hour, so that something else might be taken up at once. The long

delay tried her patience. She almost envied those beings to whom the

preparation for pleasure affords the greatest part of the enjoyment.

Work alone calmed her unrest. She had something to do, and this

prevented the thoughts of the festival from engaging her mind during

the day. It was only in the evenings that she would recompense herself

for the day's work, by giving full swing to her fancy.

The statue of Victory was still in the atelier and was almost finished.

High ladders were placed beside it. The artist was still chiseling at

the figure and would, now and then, hurry down to observe the general

effect and then hastily mount the ladder again in order to add a touch

here or there. Irma scarcely ventured to look up at this effigy of

herself in Grecian costume--transformed and yet herself. The idea of

being thus translated into the purest of art's forms filled her with a

tremor--half joy, half fear.

It was on a winter afternoon. Irma was working assiduously at a copy

of a bust of Theseus, for it was growing dark.

Near her, stood her preceptor's marble bust of Doctor Gunther. All was

silent; not a sound was heard save, now and then, the picking or

scratching of the chisel. At that moment, the master descended the

ladder and, drawing a deep breath, said:

"There--that will do. One can never finish. I shall not put another

stroke to it. I am afraid that retouching would only injure it. It is

done."

In the master's words and manner, struggling effort and calm content

seem mingled. He laid the chisel aside. Irma looked at him earnestly

and said:

"You are a happy man; but I can imagine that you are still unsatisfied.

I don't believe that even Raphael or Michael Angelo were ever satisfied

with the work they had completed. The remnant of dissatisfaction which

an artist feels at the completion of a work, is the germ of a new

creation."

The master nodded his approval of her words. His eyes expressed his

thanks. He went to the hydrant and washed his hands. Then he placed

himself near Irma and looked at her, while telling her that, in every

work, an artist parts with a portion of his life; that the figure, will

never again inspire the same feelings that it did while in the

workshop. Viewed from afar, and serving as an ornament, no regard would

be had to the care bestowed upon details. But the artist's great

satisfaction in his work is in having pleased himself; and yet no one

can accurately determine how, or to what extent, a conscientious

working up of details will influence the general effect.

While the master was speaking, the king was announced. Irma hurriedly

spread a damp cloth over her clay model.

The king entered. He was unattended, and begged Irma not to allow

herself to be disturbed in her work. Without looking up, she went on

with her modeling. The king was earnest in his praise of the master's

work.

"The grandeur that dwells in this figure will show posterity what our

days have beheld. I am proud of such contemporaries."

Irma felt that the words applied to her as well. Her heart throbbed.

The plaster of Paris which stood before her suddenly seemed to gaze at

her with a strange expression.

"I should like to compare the finished work with the first models,"

said the king to the artist.

"I regret that the experimental models are in my small atelier. Does

Your Majesty wish me to have them brought here?"

"If you will be good enough to do so."

The master left. The king and Irma were alone. With rapid steps, he

mounted the ladder and exclaimed, in a tremulous voice:

"I ascend into heaven--I ascend to you. Irma, I kiss you, I kiss your

image, and may this kiss forever rest upon those lips, enduring beyond

all time. I kiss thee, with the kiss of eternity."

He stood aloft and kissed the lips of the statue. Irma could not help

looking up, and, just at that moment, a slanting sunbeam fell on the

king and on the face of the marble figure, making it glow as if with

life.

Irma felt as if wrapped in a fiery cloud, bearing her away into

eternity.

The king descended and placed himself beside her. His breathing was

short and quick--she did not dare to look up--she stood as silent and

as immovable as the statue. Then the king embraced her--she lay in his

arms and living lips kissed each other.

When the artist returned, the king was alone. Irma crossed the street,

on her way to the palace, as if dreaming. She felt herself borne on

wings, and likened herself to Semele whom the ardent kisses of Jupiter

had made immortal.

"The greatest happiness has been mine," said she to herself. "I can

easily give up all else, for the kiss of eternity rests upon my lips."

The people and the houses seemed like so many shadowy forms, and she

felt as if flying through the air above them.

It was not until she had gained her apartment and beheld her costume,

that she was reminded of the ball that was to take place that very

night. Her lips were wreathed in smiles, while her maid attired her in

the full, cloudlike, white robe, trimmed with rushes set with diamonds.

"My lady promised the crown prince's nurse," said the maid, "that she

should see her in her ball-dress. Shall I send for her now?"

Irma nodded assent. All that she heard seemed as if in a dream; all

that she saw, as if in a cloud. She felt it a torture to be obliged to

display herself to so many people. She wished to appear to him only. To

him who was all the world to her.

Walpurga came, and gazed upon her like one entranced. There stood a

maiden, so beautiful, so charming, so brilliantly and wonderfully

encircled with reeds, and with diamond drops hanging from those reeds

and from red coral branches. The girdle was a green serpent, with large

glittering diamond eyes that sparkled so that it dazzled one's eyes to

look at them. Her long hair was loosened, and fell down over her bare

neck. It was held together at the top by a wreath of water-lilies

glittering with dew-drops, and on her brow was a star which flashed and

sparkled, while the face of the beautiful maiden was more radiant than

all her jewels. Irma had never before looked so beautiful. She seemed

so noble, so far away, as if smiling, from the clouds above, upon

mortals below.

"Dear me! Why, you're the Lady of the Lake," exclaimed Walpurga.

"Ah! So you recognize me," said Irma, holding out her hand. Her voice

sounded strangely.

Walpurga pressed her hand to her heart. She felt grieved that Irma

should assume this character. It was defying God, and would end in

evil. But Walpurga said nothing; she merely folded her hands and moved

her lips in silent prayer for Irma.

"Dear me!" she exclaimed, after passing her hand across her eyes, "dear

me, how the people can fix themselves up. Where do they get everything

from? How is it possible?" She walked round and round Irma.

"When I tell 'em at home, they'll never believe I've seen anything like

this. The Lady of the Lake wears an undergarment of sea-foam and loose

hair just like this. If only mother and Hansei were here."

Irma made no reply. She walked about the room, and when she saw herself

reflected in the great mirrors her own figure seemed like a strange

apparition, and the rustling of the reeds bewildered her.

"I would like to jump into the lake, just as I am, and quench the

burning flames," thought she to herself.

Walpurga seemed dazzled by so much splendor, and returned to her

apartments.

"I can easily imagine," she said to herself, "that the people here

don't understand the world, and that the queen herself doesn't

understand it, either. They make a new world every day, and turn

everything upside down and inside out, and disguise and mask

themselves. How are they ever to get rest and keep their senses? The

queen's right; it's better that I should go home again. I'd go crazy

here."

When Walpurga reached her room, she found a letter from home awaiting

her. She had been joyfully looking forward to this letter for weeks.

She had fancied how delighted her mother and Hansei would be, and

how the villagers would come and admire their new clothes, and

express their astonishment. She had placed a cheerful letter in the

breast-pocket of Hansei's jacket, and this was the answer. Stasi had

written it, but the mother had dictated every word. It read thus:

"Oh, child, I'm sure you meant well enough, but it didn't turn out

well. I and Hansei wore the beautiful clothes when we went to church on

New Year's day. I didn't want to; I felt sure something would happen;

but Hansei said we must put them on, for the king would think ill of

it, if we didn't wear the clothes he sent us, and so, for peace's sake,

I went to church with him. But the people kept looking at us so

strangely, and didn't say a word; and after church, they were standing

together in crowds and we could hear them say, while they pointed their

fingers at us: 'It's all very fine. Such things can be got at the

capital, but every one knows how; not in an honest way, that's certain.

The old fool and that blockhead there are proud of it in the bargain,

and show off their new clothes.' Old Zenza was worse than any of them,

and people who never listen to her at other times, were quite willing

to hear all she had to say, and urged her to go on.

"Oh, my dear child! you don't know how bad people can be. I know that

you're good, but some people are bad and begrudge one everything, and

what they can't take from you they befoul. You meant well enough, I'm

sure, but I won't even venture out of the house in my own clothes now.

The people are so envious, so cunning and so willing to speak evil. As

long as you're poor you know nothing of it, but now I see it. And, dear

child, that's not the worst of it. The worst of all is that they want

to fill one's heart with mistrust, but I have none toward you; I know

you're good. Remain so, and bear in mind, that if your heart is

troubled you can't find rest, though you sleep in a golden bed and on

pillows of silk. It were far better to lie on thorns, or in the grave.

The innkeeper came and offered to buy the clothes for himself and his

wife, but I won't let him have them. And now, dear child, keep honest,

and don't touch a thread or a penny to which any evil clings. I know

you wouldn't do it, but I can't help telling you; and don't take it so

much to heart that people are so bad, and I shan't either."

Walpurga cried bitterly while she read the letter. "The peasants are

the worst people in the world," thought she. "Of course, there are bad

people among the court folk, but they're not that bad. Just let one of

'em come again and ask for pardon. I'll send them home again." She felt

like asking the king to have a sound thrashing administered to every

one of the villagers. She only wished that the king's power could be

hers for one short hour, so that she might show these silly, infamous

people who really was their master.

CHAPTER VIII.

Walpurga was sitting in her room, weeping with anger. Now and then she

would clench her fists and speak her mind to the folks at home, in such

a manner that they would have trembled with fear, if they could only

have heard her.

But she soon regained her self-control and repressed all emotion, lest

the excitement occasioned by the wicked folk at home should injuriously

affect the child.

Meanwhile, there were sounds of music far away in the brightly

illuminated and elegant apartments of the palace, and also in the

winter garden. There were thousands of lights, a perfect sea of velvets

and silks, pearls and diamonds, flowers and wreaths, and smiling,

joyous faces; but the king outshone them all.

He knew that he was handsome, and took an almost childlike delight in

the fact. He was always in a good humor when attired in becoming

uniform. At the great _fêtes_ which were given on the various

regimental anniversaries, he always wore the uniform of the regiment

thus honored. He was best pleased with himself, when in the dress of

the hussars, for that displayed his fine figure to great advantage. On

this occasion, he appeared in the fantastic costume of the mythic king

Artus, in a golden coat of mail and flowing purple mantle. At his side,

was the queen, refined and delicate as a lily, and wearing a light,

flowing white veil.

The king observed the pleased expression of all who beheld him. He was

happy, for he knew that their admiration was not flattery. When Irma

first saw him and made her obeisance to the royal couple, it required

all her self-command, to refrain from sinking on her knees at his feet.

Then she looked up into his face, with a happy, beseeching air.

She could scarce refrain from expressing her admiration and devotion.

The queen greeted her cordially, and said:

"I am sorry, Irma, that you can't see yourself; you're enough to make

one believe in miracles."

The king said nothing, but Irma felt his glance resting upon her. She

could not conceive how it was that his glances and the queen's words

did not destroy her. With an effort to regain her composure, she said:

"Ah, Your Majesty, I find my costume oppressive. A spirit should stay

but a minute and then vanish in a burst of flame."

"There is a minute which is as eternity."

Irma had, indeed, felt a conscious pride in her beautiful appearance,

but now she experienced a higher joy. He who was so tall and handsome,

a knight more perfect than fancy could devise, could give the kiss of

eternity; for he alone, was the highest embodiment of the idea of

royalty.

Irma scarcely noticed what was going on about her.

The royal couple passed on, and Irma, in spite of her splendid attire,

felt as if deserted and forlorn. The king was no longer near her. In

the distance she could still see him, radiant as a god.

Those who were near Irma, praised her ingenious and poetical costume.

She did not hear a word of what was said. The queen sent for her. The

king had wished the queen to open the ball with him, but she had

declined. He always asked her, as a matter of form, but she never

danced.

She now begged Irma to open the ball in her stead.

Irma bowed her thanks, but a proud feeling of superiority filled her

breast. "You have nothing to give me. It is I who am giving. It is I

who am renouncing. He is mine. The priest gave him to you; nature has

given him to me. You are a tender, delicate flower, but we are eagles,

who soar into the clouds."

She could hardly conceive how she could bear it all. Every drop of

blood in her veins had turned to fire.

The quadrille began.

Irma felt the king's warm breath against her cheek. He pressed her

hand, indulged in various pleasantries, and remarked that it was

charming to be able to indulge one's fancy in conjuring up a fantastic

world. Irma felt that both she and the king would have liked to speak

of far different things, and that, indeed, silence was even more

eloquent than speech; but they were obliged to talk, and of indifferent

subjects at that. Whenever the king's hand touched hers, she felt as if

she must suddenly fly aloft with him; and, whenever he removed it, as

if she must sink. They came near throwing the whole quadrille into

confusion.

The queen left the ball at an early hour. The king accompanied her, but

soon returned.

Irma went about the room, but the gay scene seemed like a confused

dream. At last she met her brother and his wife, who were richly

attired, and greeted them with a pleasant smile. She was forever asking

herself: "Do I still live? where am I? who am I?" She had descended

through the air, and was floating in a strange world, in which there

were only two human beings--he and she; the first, the only human pair.

The gods have again descended upon earth, and his kiss is eternity.

She sat with her brother and his wife, in a bower under a pine-tree.

Presently, the king approached. In her heart, she rushed forth to

embrace him, exclaiming: "Let us die together! Thou art mine and I am

thine. We are alone in the world--" But all she did was to rise from

her seat, and bow tremblingly. The king sat down beside her.

As if this were the first time he had beheld her, he gazed with delight

upon her beautifully shaped head, the curls playing about her throat

and descending to her shoulders, and the dimpled neck. She seemed

taller than usual. The delicate, oval face; the broad forehead richly

arched as if with too great a wealth of thought; the finely curved

eyebrows; the brown eyes with their limpid brilliancy, and the swelling

lips; all were in beautiful and harmonious proportion.

"You are beautiful, and I love you," whispered the king.

"And you are beautiful and great, and my love for you is without

limit," answered her heart, although her lips did not utter a sound.

She closed her eyes and suffered his glance to rest upon her.

"Irma!" said the king. "Irma," he repeated, with a choking voice.

They sat there in silence for some time, and then, drawing a deep

breath, the king said:

"Oh, Irma! There is one moment which is as eternity--there parting is

unknown. In the world below, men reckon by hours and minutes, but to

those who dwell in the heaven above, the earth is no longer visible."

Irma looked up. Bruno and his wife had gone. She was alone with the

king.

She longed to fall on her knees before him, to clasp him in her ardent

embrace. With powerful effort, she forced herself to remember her

surroundings. The music, the lights, the gay figures: all was a

confused jumble. She opened her lips but could not utter a word. She

arose quickly and with trembling step left the room.

The king left the ball soon after.

It was late at night. Walpurga, her heart filled with sadness, stood

looking out of the window of the room over Irma's apartments.

Light clouds were passing over the sky, now covering the moon, and then

again revealing it in all its splendor.

The light fell full on the figure of the Venus de Milo, and she seemed

to turn her face.

Walpurga bounded away from the window, and was so frightened that she

did not venture again to return to the open casement.

The same ray of moonlight that shone upon the Venus de Milo rested

tremblingly on the lips of the statue which the king had kissed.... The

gods were astir that moonlight night....

CHAPTER IX.

When the small circle composed of the select of the court were at tea,

the intendant announced it as his intention to celebrate the birthdays

of those great minds who had contributed to the elevation of the drama,

and said that he meant to begin with the approaching anniversary of

Lessing's birth.

"What play will you give us?" inquired the queen.

"I should feel highly honored if Your Majesty would decide which it

shall be."

"I?" asked the queen, looking toward the king, who was sitting opposite

to her. Although apparently engaged with an illustrated newspaper, he

must have felt that the queen's eye was upon him, for he looked up and

said:

"Yes, please yourself."

"Then I should like 'Emilia Galotti.'"

All looked up, for this work, as well as Schiller's "Love and

Intrigue," had, during the last reign, been placed on the list of

forbidden plays.

A pause ensued. It was the king's turn to speak, and what would he say?

He remained silent. A moment later, he showed Schnabelsdorf, who was

sitting near him, a portrait of a foreign scholar who had recently

died, and asked whether it was a good likeness.

Schnabelsdorf replied affirmatively.

The king's voice seemed so harsh and strange that the queen felt

greatly alarmed.

At that moment, Baum was about to hand a cup to the queen. She turned

quickly, with a frightened look, just as if a cat had sprung upon her

shoulders, and, while turning, struck against the proffered cup, which

fell to the floor. If a bomb had suddenly burst, it could not have

produced greater consternation. Baum picked up the fragments, and felt

so terribly unhappy, that he would gladly have prostrated himself; but

it would not do for him to speak or even ask pardon, for that would

have been a still more heinous breach of discipline. The queen turned

toward him and said:

"It was my fault, not yours."

She requested the ladies who had hurriedly left their seats, in order

to satisfy their curiosity and rectify the damage that had been done,

to be seated again. The lord steward beckoned Baum to approach, and

whispered him to withdraw and leave the rest to the other servants.

It required all the queen's power of self-command to preserve the

appearance of unconcern which etiquette demanded. Although her brain

whirled with contending emotions, she sat erect and smiling, while her

eyes followed the servant who was carrying away the broken fragments,

just as if he were bearing with him something else which had been

shattered forever.

Baum went out to the landing, and stood by the stair-rail. He felt as

if stunned, and was so ashamed of himself that he would gladly have

hurled himself down to the floor below. Such a thing had never happened

to him before. It would disgrace him for life, and, although the queen

had taken the blame upon herself, he would have to suffer for it all

the same. He looked at the fragments of the cup, and only wished that

he, too, had been dashed into pieces.

Order was speedily restored. Schnabelsdorf, who, in the new ministry,

held the position of foreign secretary and temporarily conducted the

department of education, proved himself a friend in need. With

consummate tact, he succeeded in engaging the company with subjects

that interested them, and thus restored their good-humor. Taking the

play of "Emilia Galotti," as an instance, he said that the names which

poets had assigned to their _dramatis personæ_ would furnish the

subject of interesting investigations, or rather hypotheses. It was his

opinion that in naming his intriguant Marinelli, Lessing had intended

an allusion to Machiavelli, to whose character the last century had not

been able to do justice. The vowels were the same in both names; and

the name of Orsina reminded one of a dagger leaping from its sheath.

The full round O followed by the sharp I. He continued in this vein,

and afforded much interesting information in regard to the names of

poetic characters. Lessing had acted wisely, substituting for the name

of Melchisedek--Boccaccio's Jew--that of Nathan, for the very name

reminds one of an all-embracing garment. How appropriate are the names

which Goethe has given his female characters--Gretchen, Clärchen,

Dorothea, Natalie. Even Schiller had frequently been happy in his

choice of names, as, for instance, Franz Mohr--Posa--how sonorous are

the O and the A.

Schnabelsdorf's conversation was both fluent and pleasing. How

fortunate it is to be so well informed, and to be able to impart one's

knowledge to others, without troubling one's-self about moods, broken

cups, or ill-humored people looking at illustrated papers.

As no one seemed inclined to assist Schnabelsdorf, he was obliged to

monopolize the conversation. At last Irma took pity on him and

carelessly remarked how strange it was that no proper names were

invented in our day, and that all we could do was to borrow, combine,

or abbreviate those which already existed.

This suggested various unsuccessful, but mirth-provoking, attempts to

invent new names.

The intendant told them of a peasant whom he knew and who had named the

first of his daughters Prima, the second Secunda, the third Tertia, and

so on.

The king scarcely ever looked up from the illustrated papers that lay

before him, but the queen was affable and kindly toward all who took

part in the conversation. She felt grateful to every one who spoke, for

something had happened to her which she had really not desired. She

was, even now, as ignorant of the false construction which might be put

upon her motive in selecting "Emilia Galotti," as she was of having

intended to break the cup. It was evident that the king's mind was

agitated, for he frequently passed his hand over his brows as if to

smooth them, and it was his wont to indulge in this movement whenever

he felt it necessary to repress his excitement. His first thought had

been: Is she really ignorant that the play has, for many years, been a

forbidden one? Perhaps she is, for those who measure life by their own

feelings have no sense for historic data. But suddenly a thought

occurred to him--and he again stroked his eyebrows--it is an intrigue,

and she is capable of it. She means to lay a trap _á la_ Hamlet, in

order to see what effect the play will have upon us. But no, thought he

to himself, in that case, she would be obliged to surprise us, and

that's not her way. But anger and violence and a rebuking conscience

struggled within him. His persistent devotion to the illustrated

journals made it seem as if, while in the midst of the company, he had

withdrawn into a private box. The king had never before, while in his

private circle, read so uninterruptedly. It had been his wont to look

now at this, and now at another picture, and to hand it to others for

notice or comparison. But, on this evening, he read and yet knew not

what he read. He would gladly have caught Irma's eye, and felt happy

when he heard her expressing herself so unconstrainedly. He admired

her, and would gladly have looked round to her, but dared not even

smile approval of her words. He had left Schnabeldorf's remarks

unanswered, and must, therefore, seem not to have heard Irma's.

The queen arose. All stood up with a sense of relief, for every one had

felt opposed, although the evening had proven a cheerful one. Before

withdrawing, the queen made Schnabelsdorf happy by telling him how

grateful they ought to feel toward him, since he was always able to

introduce such charming subjects of conversation. Then, addressing the

intendant, she said in a voice louder than was her wont:

"If it is any trouble to study 'Emilia Galotti'--"

"Oh, no, Your Majesty."

"I mean if the time's too short."

"There's ample time," replied the intendant. He had already determined

how he would cast the play, and intended to try the novel experiment of

using the costume of the last century.

"I think," said the queen, while her voice assumed an expression which

was foreign to it, "that you might give us 'Nathan the Wise' or 'Minna

von Barnhelm,' if you think they can be produced more effectively."

"Let it be as it is," exclaimed the king, suddenly. "Let 'Emilia

Galotti' be the play, and have the bills read: 'By royal command.'"

The king offered his arm to the queen, and, accompanied by her,

withdrew. The rest of the company bowed low and soon afterward

separated for the night. Those who lived without the palace got into

their carriages; the rest retired to their apartments, and, although

indifferent and unimportant topics had but recently engaged them, every

one was busied with his own thoughts on one and the same subject.

Irma dismissed her maid as soon as possible; then, taking up a

dust-covered volume of Lessing, she opened and closed the book several

times in order to shake off the dust, and, at one sitting, read the

whole of "Emilia Galotti."

She did not fall asleep until near morning, and, when she awoke, hardly

knew where she was. The open book still lay before her; the lights had

gone out of themselves, for she had forgotten to put them out, and the

air in her apartment was close and almost stifling.

At about the same time that Irma awoke, bitter tears were being shed in

the theater. The intendant had assigned "Emilia Galotti" to a new cast,

had taken the _rôle_ of Emilia from the leading actress, who had looked

upon the part as hers in perpetuity, and had given it to a more

youthful performer. The _rôle_ of Claudia had been assigned to the

elder actress, who sat weeping behind a side-scene, exclaiming; "Pearls

mean tears, but tears do not mean pearls." The intendant, though

generally kind and amiable, was unrelenting.

But Baum was far more unhappy than the dissatisfied actress. For she

was still permitted to take part in the performance, while he, on

account of the mishap with the cup, was no longer allowed to remain

near their majesties. He deplored his misfortune to Walpurga, and she

begged the queen that Baum might again be restored to favor. On the

second evening, the queen inquired if the lackey Baum was ill. He was

saved. Full of gratitude, he went to Walpurga and said:

"I'll never forget you for this: you've served me for life."

"I'm glad I've been able, for once, to do you a favor."

"I'll repay you some time or other, depend upon it."

Baum hurriedly withdrew, for Irma entered the room. The king came in

soon afterward. He was about to speak French with Irma, but she begged

him not to do so, saying:

"Simplicity is very susceptible."

"And so-called good-nature," replied the king, "is often full of malice

and intrigue. Weakness all at once fancies itself obliged to be very

strong."

"We must be gentle for all that," replied Irma. Although they had

spoken German before Walpurga, she had not understood a word of what

they said.

"I admire the power of my spy," said the king, "and confess that I bow

to her, in all humility. I would never have believed such greatness

possible."

Irma nodded gently, and replied: "The hero is Hettore Gonzaga, but the

true Emilia Galotti loves him with a power which is worthy of him."

"And the true Hettore is neither dilettante nor weakling, and needs no

Marinelli."

The relation born of shame and passion received added strength through

the cunning and intriguing opposition of the queen, for the choice of

the proscribed play was regarded as part of a well-considered plan. It

was like a breath of wind, which, instead of extinguishing the flame,

fans it. Deep within their hearts, lurked the self-extenuating plea

that the queen was not the pure angel she pretended to be.

"I am firmly convinced," said the king, "that Hippocrates conjured the

fatal crystal cup into Nausikaa's hand."

"No, Your Majesty," replied Irma, eagerly, "Hippocrates is a thoroughly

noble man; somewhat of a pedant, indeed, but too good and too wise to

do anything like that."

The king soon left and, after he had gone, Walpurga said:

"Now, Countess, you might open every vein in my body and I couldn't

repeat one word of what you've been saying. I don't understand a word

of it."

"Yes, Walpurga," said Irma, "the king's a very learned man, and we have

just been talking about a book which was read yesterday."

Walpurga was satisfied.

"I had expected to meet the queen here," said Irma, after a while,

passing her hand over her face, as if to change its expression.

"The queen isn't coming to-day," replied Walpurga. "She sent word that

she isn't very well. At other times, she never misses being here when

we bathe the child, and there's nothing more beautiful either, than

such a child in its bath, or right after the bath. It's like a newborn

babe, and splashes and shouts and crows. Won't you stop and see it for

once? It's a real treat."

Irma declined and soon afterward left the room. Silent and alone, the

queen lay in her room. Her heart still trembled with fear of the

consequences of what she had done; no, of what had happened without her

having really desired it. A dagger had been forced into her hand, as if

by invisible fate. She could not, dared not use it; and yet suspicion

filled her soul. Suspicion! The word suddenly seemed as if she had

never heard it before, just as she had in truth never felt what it

meant. Purity and innocence no longer exist. Every joyful word, every

cheerful expression, every smile is equivocal. Every harmless remark

has a new meaning. It were better to die than cherish suspicion. The

blessed gift of fancy which enables its possessor faithfully to realize

to himself, and sympathize with, the actions and thoughts of others,

now became a consuming flame. Specters appeared before her waking eyes

and would not be laid. If the dread truth were only determined. One can

take his position against a manifest wrong, but against suspicion there

is none. It renders one weak and unsteady; nothing is fixed; the very

earth under one's feet seems to tremble.

The queen was not ill. She could easily enough have gone to the

apartments of her son; but she could not have looked into his face and

smiled--for her heart was filled with a bitter thought against the

father.

She arose quickly, and was about to send for the king. She would tell

him all. She wished him to release her from the torment of suspicion.

She would believe him. She would only ask him honestly to acknowledge

whether he was still true and at one with her. "At heart he's frank and

truthful," said she to herself, and love for her husband welled up from

the depths of her heart. Still, if he but swerved from himself, he has

already been untrue: and would he acknowledge it? Can one expect a man

to answer on his conscience, when he has already denied that

conscience? And if he were to acknowledge the horrible fact, she would

still bear it in silence. Anything was better than this suspicion that

poisoned her heart and hardened her soul. Could it be that evil, nay,

the mere suspicion of evil, destroys everything that lies within its

reach?

She sat down again; she could not ask the king.

"Be it so," said she at last; "I must overcome this temptation, and the

spirit of truth will lend me strength."

She thought for a moment of making Gunther her confidant. He was her

fatherly friend. "But no," she exclaimed to herself, "I am not weak. I

will not seek help from others. If I must learn the terrible truth, I

will do it by myself; and if it is a delusion, I mean to conquer it

unaided."

At table and in the social circle, the queen's behavior toward the king

and Irma was more loving than ever. When she looked at her friend, she

felt as if she ought to ask forgiveness for having, even for a moment,

thought basely of her; but when she was alone she felt her soul carried

away toward him and her. She longed to know what they were thinking of,

what they were doing or saying.--They were speaking of her, smiling at

and ridiculing her. Who knows? perhaps wishing her dead.

She, indeed, wished that she were dead.

CHAPTER X.

"I'm going to the theater this evening," said Baum to Walpurga, in the

afternoon of the 22d of January. "They're going to play a great piece.

What a pity you can't go, too."

"I've seen enough of masquerading," replied Walpurga. "I shall stay

with my child. He's the only one in the whole court who can't disguise

himself."

Every seat in the court theater was occupied long before the beginning

of the play, and the lively talking among the audience seemed like the

roar of the sea. Many wondered at the words on the play-bill:

"_In Commemoration of Lessing's Birthday_

EMILIA GALOTTI

BY ROYAL COMMAND."

They spoke in hints, but understood each other perfectly. Was the

performance intended to refute certain rumors? Would the court attend,

and who would form the suite?

Three dull knocks were heard. They were the signal that the court had

entered the passage leading from the palace to the theater. Every eye,

every opera-glass was directed to the royal box.

The queen entered, radiant with youthful beauty. The nobles who

occupied the first tier arose. She bowed graciously, and then sat down,

and attentively read the playbill that was fastened to the front of the

box. The king entered soon after and took the seat beside her. He, too,

saluted the nobles who were still standing, and who seated themselves

at the same time he did, just as if they were part of himself.

The king reached back for his lorgnette, which was handed to him, and

surveyed the audience, while the orchestra played the overture. Irma's

wish was realized. Since the new intendant had come into power, there

was music at the beginning of the play and during the _entr'actes_.

"Who's sitting behind the queen?"

"Countess von Wildenort."

She wore a single rose in her brown hair. She was exchanging a few

complimentary remarks with Colonel Bronnen, and was smiling and showing

her pearly teeth.

A young critic in the pit said to his neighbor:

"It is surely not without design that Countess Wildenort, like Emilia

Galotti, wears only a single rose in her hair."

There was so much talking during the overture, that those who desired

to listen to the music frequently hissed, but without avail; for it was

not until the curtain rose that the audience became silent.

It is not until near the end of the first act of the play that there is

any occasion for marked applause. The prince's haste and prejudice are

shown in his readiness to sign the death-warrant, while the carriage

waits for him. Old privy councilor Rota withdraws the document.

In order to mark the festal character of the evening's performance, the

intendant had selected music by celebrated composers, for the

_entr'actes_. The malicious maintained that this was only done in order

to prevent discussion of the play, which had not been performed for

many years. If this had really been the intention, the lively

conversation, both in the royal box and among the rest of the audience,

prevented its success.

In reply to a remark of the king's, the intendant said:

"The rôle of Rota, although insignificant, is quite a graceful one,

and, in this, Lessing has proved himself the master. Another advantage

is that the part can be played by a veteran."

The queen looked around in surprise--was this mere acting, instead of a

living, thrilling fact?

They went on with the play. The scene between Appiani and Marinelli

aroused tumultuous applause. The queen never once left her place,

although it was her wont between the acts to retire to the _salon_ near

her box; and Irma, as first maid of honor, was obliged to remain in

attendance.

Between the third and fourth acts, the lord steward met Bronnen in the

corridor and said: "If they would only get through with this

confounded, democratic play. The sweet rabble down there may become

demonstrative." The next act was the fourth, containing the scene

between Orsina and Marinelli. The queen held her fan with a convulsive

grasp. She saw and heard all that passed on the stage while, with

strained attention, she listened to the quickened breathing of Irma,

who stood behind her. She longed to turn round suddenly and look into

her face, but did not venture to do so. With one and the same glance,

she saw the figures on the stage and watched her husband's countenance.

Her eyes and ears did double service. It was all she could do to

control herself. The play went on. Orsina and Odoardo--if Irma were

now to faint--What then? What had she done in having this piece

performed?--Orsina hands the dagger to her father, and at last rises

into a frenzy of fury. "If we, all of us," she cried, "this whole host

of forsaken ones, were transformed into bacchantes and furies, with him

in our possession, and were tearing him to pieces and rending the flesh

from his limbs--yea, tearing out his vitals in order to find the heart

which the traitor promised to each and yet gave to none! Ah, what a

dance that would be! That would--"

If Irma should cry out!--The queen clutched the rail of the box with

convulsive grasp. She felt as if she, herself, must cry out to the

audience.

But all was as silent as before.

When the scene was over, the king, addressing Irma, in a careless tone,

said: "Müller plays excellently, does she not?"

"Wonderfully, Your Majesty, although some parts were overacted. The

passage, 'I have nothing to pardon, because I have not been offended,'

she gave in too sharp a tone, and her voice seemed unnatural. The

sentences of one who had been thus openly humiliated should be more

like dagger thrusts; the words should prepare us for the sharp point of

the dagger that follows them."

Irma's voice was firm and clear. The queen fanned herself, in order to

cool her burning face and prevent herself from betraying her agitation.

One whose conscience reproved her could not have spoken thus. Her voice

must have faltered and the terrible lesson of the play itself must have

petrified her, thought the queen, as she turned toward Irma and nodded

pleasantly.

I am stronger than I imagined, thought Irma to herself, smoothing her

gloves. While she heard Odoardo's words, a mist had arisen before her

eyes. If it had been her father--and it might have been he. A cry arose

from her heart, but did not pass her lips; and now she was quiet and

self-composed. The play progressed without interruption, and, when it

was over, the audience were not content until they had twice called the

Odoardo of the evening before the curtain. The king joined in the

applause.

The court party returned to the palace, and retired to the queen's

apartments for tea.

The queen was cheerful, as if she had escaped from some danger. For the

first time in a long while her bearing was easy and vivacious. A dread

load had been lifted from her heart. She was now free and vowed that

she would never more think basely of any one; and, least of all, of her

neighbor.

They were at tea, and the queen asked her husband: "And had you also

never seen the play before?"

"Oh, yes. I saw it on my travels; I forget where it was." Turning

toward the intendant, he added: "I think that the costume of the last

century was very appropriate. When I saw the play before, it was in

modern attire, which seemed quite out of place. In spite of its classic

character, the play has a thin crust of powder which one dare not blow

away, lest the whole, both scene and action, become unnatural."

The intendant was delighted.

"How do you like the piece?" asked the king of Gunther.

"Your Majesty, it is one of our classics."

"You're not always so orthodox."

"Nor am I in this case," replied Gunther; "I can safely say that I

honor Lessing with all my heart and perhaps, indeed, with undue

partiality. But in this play, Lessing had not yet arrived at the repose

of freedom. It is the result of noblest melancholy, and might be termed

fragmentary and incomplete; for the account is not closed, and at the

end there still remains an unfilled breach. This, however, arises from

the fact that a great historical subject taken from the age of the

Romans has been transferred to the cabinet and country-seat of a petty

Italian prince."

"How do you mean?" enquired the king. Gunther went on to explain:

"In this play, there is a pathos of despair which reaches its climax in

the final question: 'Is it not enough that princes are men? Must they

also learn that their friends are demons in disguise?' One might assume

that this discovery was a punishment that would cling to the prince for

life. Henceforth, he must become a changed man. But this epigrammatic

confession of his own weakness and of the baseness of those who environ

him, does not seem to me a full expiation. A question, and such as

this, at the close of a drama whose aim should be to leave us

reconciled with eternal and unchanging law, can only be explained by

the fact that the keynote of the whole play is sarcastic. He whom

certain things will not deprive of his reason, has none to lose. The

fault of the play--Lessing's love of truth would court the boldest

investigation--the gap, as it were, lay in the fact that Lessing has

transferred the act of Virginius from the Roman forum to the modern

stage and has given us, instead of the infuriated citizen with knife in

hand, the malcontent Colonel Galotti. The act of Virginius was the

turning point that led to a great political catastrophe, after which

came revolution and expiation. But in Lessing's play, the deed takes

place at the end, and leads to no results. It closes with a question,

as it were, or rather with an unresolved dissonance."

Although this explanation had, at first, been given in a somewhat

acrimonious tone, it gave great satisfaction. It elevated the subject,

and the painful impressions awakened by it, into the cool, serene

atmosphere of criticism.

"What struck me as peculiar, in the play," said Irma, unable to remain

silent, "was that I discovered two marriage stories in it."

"Marriage stories? and two of them?"

"Certainly. Emilia is the offspring of an unfortunate, or, to speak

plainly, a bad marriage. Odoardo, with his rude virtue, and Claudia, so

yielding, led each other a terrible life and, in the end, parted

without scandal. He remained on his estate, while she took the daughter

to the city, in order that she might there receive the finishing

touches. Emilia was obliged to devote much of her time to the piano.

Papa Appiani was, in a moral sense, always on stilts. Madame Claudia

was worldly-minded and fond of society. The fruit of this marriage was

Emilia, and her marriage with Appiani would have been just like that of

her parents."

"Cleverly expounded," said the king, and, encouraged by his praise,

Irma continued:

"Emilia's grandmother may have said: 'I am unhappy, but I would like my

daughter Claudia to be happy with good Odoardo, who was then but a

captain. And in turn, mother Claudia said: 'I am not happy, but my

daughter shall be'; and, at a later day, Emilia would have said: 'I am

not happy, but my daughter, etc., etc.' It's an everlasting round of

misery and resignation. Who is this Mr. Appiani? A splenetic counselor

to the embassy, who is out of employ, and merely marries for the sake

of the worthy man whom he thus makes his father-in-law, and who, after

marriage, would preach to his wife just as Odoardo had done before him,

and with just as much effect. Appiani was worth a charge of powder, or

even two, as Marinelli thought. Why had he no eye for the toilette of

his betrothed? The very next winter, Emilia would have died of _ennui_

in the country, or, becoming transformed in spirit, would have founded

an infant school on her estate. If Emilia could sing, her melodies

would have been like those of Mozart's Zerlina. Masetto Appiani felt

that he would not suit, and, although he could not tell why, had good

reasons for feeling so bad before the betrothal. Appiani ought to have

married a widow with seven children. The man's heart was tender by

nature. Had he quarreled with his wife, he would have said, as he did

after his dispute with Marinelli; 'Ah, that did me good. It stirred up

my blood and now I feel like a new and better man.' Emilia loves the

prince and, therefore, fears him. He who becomes her husband by virtue

of the marriage contract, has never possessed her love. I would have

chosen Appiani for a parliamentary delegate, but not for a husband.

Such a man should either remain unmarried, or else take unto himself a

wife who founds soup-kitchens; not an Emilia, who is enough of a

coquette to know what becomes her."

Irma's cheeks glowed while she thus spoke. She felt as if riding o'er

forest and field on a wild courser. She had begun in bitterness and,

yielding to imagination, she went on boldly and fearlessly. She had

lost all fear and felt a conscious pride in her sway over life itself

and all that surrounded her.

The evening which had threatened dire storms had brought refreshing

breezes and a purified atmosphere.

The queen breathed freely once more, and felt happy in the midst of

this circle of good and gifted people.

Immediately after the play, Baum had hurried to Walpurga and told her:

"Oh, what a play we've had. I wonder they allow them to play anything

so free. There's a prince who's just about to marry a princess, and has

an old love who's still good-looking. He wants to get rid of her and,

in the mean while, tries to procure a new one who is very beautiful and

whose marriage is to take place that very day. He has a chamberlain who

is his friend, but whom he treats quite roughly if he doesn't bring him

what he wants on the instant. He treats him as an inferior and calls

him a fool one moment, and embraces him the next. So the chamberlain

manages to have the bridegroom shot dead and the bride carried away.

But, all at once, the old love comes and meets the father of Emilia

Galotti and sets him on, and the father stabs his daughter, and she

drops down dead."

"And what becomes of the prince and the chamberlain?" asked Walpurga.

"I don't know."

"Tell me once more," said Walpurga; "what was the bride's name?"

"There's the play-bill. It's all there."

Walpurga read the bill; the hand with which she held it trembled. There

were names which the king and Irma had mentioned that day, when she had

not understood a word of what they were saying.

"And so you've had that story performed. Oh you--The whole pack of you

are--I know--"

Mademoiselle Kramer's' advice stood her in good stead. Walpurga did not

venture to utter the thoughts that filled her mind.

On the following evening, there was a court concert. The large hall in

the main building was crowded with men wearing gay uniforms and crosses

of various orders, and richly dressed ladies. The select court circle

were in the hall, and the guests in the adjoining apartments and

galleries.

Those who belonged to the queen's small circle, and who had been

together yesterday, greeted each other with a familiar air. They did

not keep together to-day. It was their duty to mingle with those guests

who were less frequently invited. The king was attired in the uniform

of the hussars and was in a happy mood. During the pauses, he would

walk through the rooms, speaking to this one and that, and would have a

pleasant word for every one. The queen looked as if suffering, and it

was evident that it cost her an effort to keep up.

It was Irma's habit to enter into cheerful conversation with the

singers, who were always seated on a raised platform separated from the

rest of the room. The malicious asserted that she did this, in order to

make a parade of her affability; but Irma simply believed it her duty

to be kind and affable to the artists.

Doctor Gunther was engaged in conversation with the director of the

academy and intendant Schoning. They were discussing designs for

paintings to decorate the new parliament house, which had recently been

completed by the king's orders. The artist regretted that there was no

accepted symbol of the constitution. The conventional antique female

figure holding a sheet of paper, was always cold and unsatisfactory.

"You re-awaken an old thought," replied the intendant. "What we lack is

the myth-creating power and, if you will allow the expression in this

case, the court-directing power. Just as there is a field marshal, so

should there be a court director who--I mean it seriously--should

always have precedence in all affairs of importance, and, at court,

should always represent the constitution. Believe me, the constitution

is not admitted at court. What I mean is, it is not represented and is,

therefore, unknown there. Do you not agree with me, privy councilor

Gunther?"

Gunther, rousing himself from a reverie, answered: "There's no longer

any use in trying to find myths and symbols to represent things which

have been weighed and measured and of which we have distinct

conceptions. It would be just as unsuccessful as an attempt to

represent the goddess of reason."

He spoke in an absent manner, for he was constantly watching Irma. She

was about to return to the company, when he advanced toward her. She

said: "Ah, nowadays everything is according to programme. In olden

times, the king sent for a bard with his harp, and the old man, with

his white beard, sang wondrous songs. But now, nothing less than an

orchestra and a dozen singers will do, and one has the musical bill of

fare in his hand."

Gunther did not seem disposed to enter upon the subject, and replied:

"I've been thinking seriously about what you said yesterday."

"I never think about what was said yesterday."

"But I'm a pendant and can't help it. You're right. Emilia would never

have been happy with Appiani."

"I'm glad that you agree with me."

"Do you think that Emilia would have been happy with the prince?"

"Yes."

"And for how long?"

"That I don't know."

"She would soon have been undeceived, for this prince is only a selfish

voluptuary, one who steals sweets in love and in life; in a word, a

dilettante. As long as a dilettante is young, the grace which is

inseparable from the vigor and elasticity of youth, lend him what is

called an interesting air. But when he becomes older he copies himself,

repeats the few phrases which he has heard from others or has, perhaps,

blundered together for himself, and, as if disguising his soul with

rouge, affects the possession of youthful enthusiasm. Beneath the

surface, all is withered, empty, decayed and fragile. It is not without

reason that Lessing depicted Hettore as young and handsome, and on the

eve of consummating a lawful marriage. He is ready to make Appiani

embassador to his father. Are you not of my opinion?" asked Gunther at

last. He noticed that Irma seemed unwilling to answer.

"Oh, excuse me," said she; "I've drunk so deeply of the music of to-day

that I've no memory left for the dry affairs of yesterday."

She took leave of him with a pleasant smile and disappeared in the

throng.

CHAPTER XI.

Although its advent had been preceded by much gayety and merriment,

there were quiet times at court during the carnival season.

The queen was ill.

The excitement of the last few weeks had greatly impaired her strength,

and it was feared that her life was in danger.

Irma now spent most of her time in the queen's apartments, and when, at

rare intervals, she visited Walpurga, looked pale and worn.

Walpurga still kept on spinning, and the child thrived amazingly.

"Oh, how true were our good queen's words! 'God be praised, my child!'

said she to the prince, one day, 'that you're healthy and away from me.

You live for yourself, alone.' Yes, she's looked deep into every one's

heart, and I think she's too good for this world. Mother's said, a

thousand times, that the Lord soon calls those who are always good, and

who never get downright angry and furious. Oh, if I could only take my

prince home with me! Spring'll soon be here. Oh God! if he were to lose

his mother and me too!"

Thus did Walpurga express herself to Mademoiselle Kramer, who found it

no easy matter to console her.

Baum so managed it that there was always something for him to do in the

crown prince's apartments. He was no longer importunate, but simply

grateful and obliging, in his attentions to Walpurga. He was determined

to gain her sympathy, for that was worth more to him than aught else.

And now when Walpurga confided her trouble to him, he said:

"Do I wish you well?"

"Yes, I can't deny that you do," replied Walpurga.

"Then listen to what I've got to tell you. There's nothing more

tiresome, or niggardly, than a good, simple marriage; that is, what

they call a 'good marriage.' What does one get by it? Wages, a tip,

once in a while from a stranger, or a few bottles of wine which one can

make away with. In Baroness Steigeneck's time, it was quite different,

for then the valets de chambre and every one about the place grew rich,

and had houses in the town, and owned mortgages and estates. But now,

thank God, it'll soon be different again."

"I don't know what you mean," said Walpurga.

"I wish I were in your place, only for one hour," replied Baum. "She

thinks more of you than she does of any one. It was here that they came

to an understanding, and, if you've a mind to, you can get all the

money you want, and woods and fields and meadows besides. All I ask

for, is the place of steward at the summer palace."

"And how am I to do all that?"

"Oh you--" laughed Baum. "Haven't you noticed anything? Haven't you

eyes in your head? If the queen dies, the king will marry your

countess. She's a free countess, and can marry any king; and if the

queen doesn't die, it won't matter much anyhow."

"I'd like to box your ears for saying such a thing; and the next minute

you'll be cringing and bowing to them. How can you say such a thing?"

"But if it's true?"

"But it isn't true."

"But if it were true, for all?"

"It can't be true."

"But I tell you it is."

"And even if it were-- But, forgive me, good Countess! I don't believe

a word of it, it's only he that says it.--If it were true, I'd rather

die than ask for the wages of sin. You're a good-for-nothing fellow,

and if you ever say such a thing again, I'll tell on you. Take my word

for it, I will."

Baum pretended that it was all a joke. But Walpurga could see no joke

in the matter, and he was glad when she, at last, promised to say

nothing about it. He remarked that he required no mediator and would

manage to look out for himself.

In Countess Irma's apartment, which was just below that of the crown

prince and Walpurga, a scene of quite a different nature was going on.

Bruno was there, and thus addressed Irma:

"I'm in trouble, and I can't help saying that it's your fault. Mother

Sylph has inflicted herself upon me, and is very much in my way.

"Whom do you mean?"

"My mother-in-law has come and has told me with a smile, that as long

as my sister--she, too, might just as well be here."

Irma covered her face with both her hands.

"And do you, too, believe it?"

"What matters it what I believe? It's the town-talk, and that's

enough."

"It isn't enough; I shall teach them to talk differently."

"Very well. Go into every house, to every man and every woman, and tell

them to think differently. But there's one thing you can do. Shall I

tell you what it is?"

Irma nodded a silent assent.

"I know that the intendant sued for your hand last summer. He would

feel it an honor to be able to call you his wife. Make up your mind to

accept him."

A servant entered and announced the intendant.

"What a strange coincidence! Make up your mind at once."

The intendant entered. Bruno greeted him most cordially, and Irma's

welcome was a friendly one.

Bruno soon took his leave. The intendant handed Irma a manuscript play

and requested her to read it and give him her opinion of it. She

accepted it with thanks, and laid it on a table.

"Ah, when spring returns, I shall not care to hear the theater

mentioned. Our theater is a winter plant."

"This piece is intended for next winter."

"I can't tell you how I long for summer. When everything is barren and

desolate at present, one can hardly realize that there ever were

sunshine and green trees and sparkling seas. Do you remember the balmy

day last summer, when we met on the lake?"

"I do, indeed; very well."

A long pause ensued. Irma waited for the intendant to speak, but he

remained silent. Not a sound was heard but that made by the parrot

hopping about in its cage and pecking at the golden wires.

"I long," said Irma, "to visit my friend Emma next summer. I would like

to revel in solitude. This winter has been too noisy and exciting."

"Yes, and besides that, the queen's illness."

The parrot tugged at the golden wires, and Irma slightly loosened the

red velvet ribbon on her morning dress.

"Do you intend to visit the lake again?" said Irma, trembling.

"No, dear Countess; I shall visit the various theaters of Germany, in

order to engage a second basso and, above all, a young person for the

lover's parts. You would hardly believe how scarce youthful lovers have

become in the German world."

Irma laughed heartily, while the blood mounted to her temples. She felt

quite faint.

The servant announced Baroness Steigeneck.

"I'm not at home," was Irma's hurried reply. "Pray remain a moment

longer," said she, addressing the intendant.

He remained for some time longer, and referred to the manuscript,

mentioning that the passages to be omitted were marked with a red

pencil. Irma promised to read the play, thanked him for the compliment

paid her judgment, and conversed in a light and careless tone, until he

had left the room. As soon as he had gone, she threw herself on a sofa,

where she lay for a long while, weeping bitterly. At last, she looked

up, as if bewildered, for she thought she had heard a voice saying:

"You meant to--Is there no other course left? Must one who has

swerved from the straight path, necessarily sink into the mire of

self-abasement?"

Suddenly, she arose, shook her head defiantly and brushed the hair from

her face. She ordered her carriage, intending to drive to the

sculptor's atelier and resume her work. The servant announced Colonel

von Bronnen. "Let him enter," said Irma. A moment later, Irma was

apologizing for receiving him in her hat. She was just about to drive

out.

"I can call again, dear Countess, and will only leave the messages I

have for you."

"Messages?"

"Yes, from your father."

"From my father? Where did you meet him?"

"At Wildenort."

"Were you there?"

"Yes, I had some matters to attend to in the neighborhood, and, without

further introduction, called on your father. I felt that I had a right

to call myself an intimate friend of yours."

"And how fares it with my father?"

"As it should with the father of such a daughter."

"Of such a daughter--"

"Pardon me, dearest Countess. You are in a hurry, and I am still so

impressed by your father's great and noble nature, that I would rather

we were both calm--"

"I am quite calm now; pray tell me, have you a message for me?"

"I have not. But it seems to me, dear Countess, as if I were just

beginning to understand you.--Oh, what a man your father is!"

Irma looked up in surprise. She thought of Appiani speaking to Odoardo.

The colonel continued, calmly:

"Dear Countess, I am not an enthusiastic youth; but, during the short

time I was permitted to spend with your father, I felt as if the

exalted existence which had once been my ideal had become a real,

living fact. Such perfect communings are impossible unless one feels

sure that he is looked upon with favor, and I feel that I have had the

good fortune to gain your father's good opinion."

"You fully deserve it. Excuse me, while I lay off my hat. Pray take a

seat and tell me more about father." She removed her hat; her

excitement had only added to her beauty.

She rang for a servant and ordered him to send the carriage away.

The colonel seated himself.

Irma was all attention. "Now tell me all," said she, brushing back her

curls.

"You, of all others, will understand me, when I say that I passed

sublime hours with your father. And yet I can recount nothing definite

in regard to them. If, while rambling through the woods, I pluck a

spray and fasten it to my hat, what can the spray tell of the rustling

of the forest, or of the free mountain air? It is merely a symbol, both

for us and to those we meet, of the joy that pervades our whole being."

"I understand you," said Irma. They sat opposite each other, and

neither of them spoke for some time.

"Did my father mention my brother?"

"No. The word 'son' never passed his lips. Oh, Countess! the man to

whom pure love vouchsafes the happiness of becoming a son--"

Emotion seemed to choke his utterance. Irma trembled; her heart beat

quickly. Here was a man, noble and highly esteemed, who offered her his

heart and hand. Yea, his heart, and she had none to give him in return.

She felt a pang that pierced her very soul.

"I feel happy," said she, "that father, in his solitude, has once more

seen that this stirring, bustling court contains some worthy men; men

like yourself, who stand for that which is best in all things. Do not,

I beg of you, reject my honest praise. I know that true merit is always

modest, because it is never satisfied with itself."

"Your father expressed the same thought, in the very same words."

"I believe he must have taught it to me; if not in words, at all events

by his example. I would have liked to see you and him together. Your

presence must have restored his faith in humanity. You are a messenger

of goodness, and since you are good, you believe in the virtue of

others."

"Where I have once felt respect and love," replied Bronnen, "I am

unchangeable. I should like to write to your father at an early day. I

should love, dear Countess, to send him the best of news, and in the

best words that language affords. Countess Irma, I long to tell him--"

"My dear friend," interposed Irma, "I am, like my father, of a solitary

nature. I thank you. You do not know how greatly your visit and all

that you have told me, has benefited me. I thank you with all my heart.

Let us remain friends. Give me your hand as a pledge. Let us remain

friends, just as we have been. I thank you--"

Her voice was choked with tears.

The colonel took his leave. Irma was alone. She lay kneeling near the

sofa. Her heart was filled with unutterable sorrow. The coxcomb had

rejected her. Then came a man worthy of the best of wives. He loved and

trusted her, and she had refused him. His kind and honest heart had a

right to ask for full, unbounded love. She shook off the mingled

feeling of distress and mortification. The thought that she had acted

honorably, soothed her and seemed like refreshing dew to her whirling

brain. But then, again, it galled her when she asked herself: "How far

have you sunk, that you are obliged to make a show of simple honesty?

And where lives the girl who, if not bound by love, has a right to

reject the man whom you have just refused? He cannot but esteem you and

your love."

She knew not how long she lay there. She laughed and wept, lamented and

rejoiced.

Her maid entered. It was time to dress for dinner.

CHAPTER XII.

The queen was ill. Her life was saved, but a hope was lost.

It was on a stormy morning in spring, that Baum, caring a little coffin

that contained the corpse of a still-born babe, descended the back

stairs of the palace. He walked so softly that he did not hear his own

footsteps. He was followed by Madame Leoni, the queen's waiting-woman,

who held a white handkerchief to her eyes. At the foot of the stairs, a

carriage was in waiting. Baum was obliged to tell the coachman, who was

not in court livery, where to drive to. Scarcely any one in the palace

knew of what was going on.

They drove out of town and toward the church-yard. An unnamed child is

not placed in the vault, but is buried in the public cemetery. The

grave-digger was waiting for them. The little corpse was lowered into

the open grave, without a name or sign to mark its place of burial.

About the same time that Baum and Madame Leoni were out at the

churchyard, Walpurga was thus writing home:

".... Thank God! all's over. Now I can look forward to happier days.

We've had a terrible time here. If all goes well, there are only seven

Sundays more till I come home again. I can hardly believe it possible

that I've got to go away from here again, and yet I'll thank God a

thousand times, when I'm with you once more. If I stay here, I shall

grow quite stupid from thinking so much. There's misery everywhere and

people take pleasure in each other's wickedness, and, even if it isn't

true, they imagine it is and find pleasure in it, besides.

"There was some talk about our getting a place here, where we could all

be comfortable for life; but the queen said that it would be better for

me to go home, and whatever she says, is right. She's a true queen,

just as a queen ought to be. God has made her so, on purpose.

"I'd only like to know why she has to suffer so much.

"Oh, what a time we've had. Every minute, we thought the

queen-- There's not another soul like her in the world, and she had so

much to bear, and we're all human after all. But now, thank God, all's

over. The king's doctor says the danger's over. But, of course, what we

hoped for, is gone. I can't tell you how it made me feel, to think that

I was so well, and I felt as if I must go to the queen and give up

every drop of my blood to save her.

"Whenever I had a chance, I went down to the church--they have their

church in the house here--and prayed for the queen. My countess has

never once come to me. They say she looks like a shadow. All the

passages here are heated and the whole house is just like one warm

room, and the people in the palace would pass each other, without

taking notice of any one.

"On the evening that the queen thought she was going to die, she sent

for me and the child. She didn't say much, but her eyes told it all.

"And now, Hansei, keep yourself ready; you must come for me. Next time

I write, I'll tell you the very day when you're to come.

"I feel as if I couldn't wait; and yet it makes my heart ache to think

that I must leave my prince, for he loves me so. But I can't help it.

I've got a child, a husband and a mother of my own, at home, and am

tired of being in service and among strangers.

"Does the storm rage so terribly with you? Oh, how the wind blows. If

it would only bear me home. Last night it blew down a tree in front of

my window. It was a fine, large tree, and fell on a figure which it

broke to pieces. Every one said it was very beautiful, but I couldn't

see any beauty in such a thing. It seemed ever so impudent as it stood

there, and was enough to make one blush. I could see the tree and the

figure from my window, and people are already there, putting things to

rights, and carrying all that's damaged out of the way.

"They're very quick about such things here, whether it be a tree, a

marble figure, or a dead child.

"Forgive me for writing such a mixed-up letter. When I get home again,

I can never tell you all that I've gone through here, if I live to be a

hundred years old.

"And when you come, dear Hansei, just put on the clothes that the king

sent, and one of the fine shirts that I made for you when we were

married. They're in the blue closet on the upper shelf on the left-hand

side with the red ribbon. Forgive me for writing all this to you, but

you've had to take care of yourself almost a year, and I haven't been

able to help you, or get your things for you. Now that will all come

right again. I feel as if I were at home already, pulling your

shirt-collar straight, as we go to church of a Sunday morning. I feel

as if it was some one else who had gone through all this, and as if the

days were a high mountain that one can never cross. But all will be

right again, and we'll be merry and happy together, for, thank God,

we've sound limbs, and true hearts. Forgive me, all of you, if I've

ever said a single word to offend you.

"If I had you here, dear Hansei, I'd put my arms round your neck and

kiss you to my heart's content. You and the child and mother are all

the world to me. I'm just beginning to feel how much I love you all,

and I can't understand how I could stay away from you so long, without

dying of grief and homesickness.

"Don't forget to bring a large chest with you, for they've given me

ever so many things.

"And bring me something out of our garden; one of my pinks, and also

one of the child's shoes. But I'll tell you more plainly about this, in

my next letter.

"I can't fall into the ways of the court folk. I'm told that they can't

touch or dress their own dead. They have it all done by strangers, who

are paid for it.

"I've been spinning flax this winter, for shirts for my prince. They

were all pleased with it, and came to my room to look on and seemed as

much astonished as if it were something wonderful.

"I like to think of working in the fields again, it makes one much

healthier. But don't worry, for nothing ails me except that I am

terribly homesick.

"And now farewell; a thousand times farewell!

"Your WALPURGA ANDERMATTEN."

While Walpurga, with slow and heavy hand, toiled at her letter,

Countess Irma sat at her desk, in the room below, and dashed off the

following lines:

"_My dearest Emma_: What a night I've passed--I must be endowed with

herculean strength, or I should not have lived through it. I have

looked into the fiery eyes of the glaring monsters who dwell above and

below our daily life and who suddenly, and without warning, burst upon

us. You must suffer me to return to you,--to write to you once more. I

don't know how long it is since I've done so. You are my fortress, my

rock, my shelter. You are firm, immovable, steadfast, patient. When in

distress, I come to you. I flee to you.

"It was a terrible night. The tree still stands, but a young blossom

was broken off. I came from the queen's apartment; I could not pray,

but stood by the window, and thought while I looked out into the night:

Thou who renewest everything, who awakenest the earth from its wintry

sleep, breathing new life into trees and flowers and all that faded and

withered last year--suffer a human heart to renew itself; let past

deeds be destroyed and forgotten. Suffer a child of man, regenerate and

redeemed, to begin life anew. I stood at the casement, while the wind

howled without. Suddenly there was a fearful crash. A tall oak before

my window had been broken by the angry wind. The tree toppled and, in

its fall, dashed a statue of Venus, which stood beneath it, into

fragments. It all seemed like a feverish dream, and when I realized

what had happened, my only wish was: Oh that I had been in the statue's

place! Oh that I had been dashed to atoms--It would have been far

better for me.

"I hardly know what to tell you. I only know that I may again be with

you--perhaps to-day, to-morrow, at night or in the daytime, I shall

fall on my knees to you and you will lift me up. I shall rest on your

heart, and you will protect me. You will save me from the demons; you

will not question me; you will give food and drink and rest to the

stranger soul, and will not ask whence it comes.

"What are we? What is the world? We see and know all, and yet--

"How ingenious the devices with which the world lulls its conscience

into slumber--If there were only no awakening! The awakening--the

morrow--that is the most terrible thought of all.

"An eternal kiss rests upon a statue at the arsenal, and the stars, the

moon and the sun look down upon it. If I could but climb up there, hurl

myself to the earth and destroy myself--the world--everything!

"Should you hear the bells tolling loudly, know that it is my funeral.

If there be a gentle knock at your door, think that it is a poor soul

that was once so rich--might still be--aye, is. Who can restore a human

being to himself? Who draws him out of the lake--out of the lake--

"Why is it that the lake is constantly before my eyes? I see myself in

it--I sink! Help me! Save me, Emma! Help me, I sink--!"

Irma suddenly uttered a loud shriek. The maid hurried into the room.

Her mistress had fainted and lay on the floor. When she revived, she

asked what had happened to her. Doctor Gunther sat at her bedside and

said:

"You've been writing; here is the letter. I took charge of it, as I

supposed it was this that had so excited you. I read the first six

lines. I was obliged to, but I assure you, on my honor, that I did not

read a word more. I took charge of the letter, so that no other eye

should see it. And now, keep yourself quiet; here it is."

Irma sat up and read the letter. Then she looked at the Doctor

earnestly, and said:

"I believe you." She called for a light and consigned the letter to the

flames.

"Will you promise me one thing?"

"What is it?"

"That you will give me poison, if I lose my mind."

"You are playing with extremes," replied the physician, "and that can't

be done with impunity."

After a long pause, Gunther said:

"Above all things, you must control yourself, and must not imagine that

these wild, wandering thoughts are your true self. I thought that you

would take my advice, but I was mistaken. You are your best, your only,

physician; force yourself to rest and let calm and happy thoughts alone

engage you."

Irma rested her head on her hand. Her eyes glowed with feverish fire.

She closed them, but suddenly arose and, seizing her loosened hair with

both hands, exclaimed: "I will have my hair cut off."

"That is another of your wild thoughts," said Gunther, calming her and

taking her hand in his. "You always wish to accomplish your desires by

violent methods. You must acquire repose."

"Yes, life is a slow and gradual growth, and death, yes, death in life,

takes but a moment," said Irma, with a wild and vacant stare.

"And now go to sleep, and you will soon be well again," said Gunther.

He was about to leave, but Irma detained him, and inquired.

"How is your wife--your family?"

"Thank you," said he. "They are calm and resigned."

Irma was about to beg that Gunther's wife might visit her, but could

not force herself to do so. Gunther left. He, himself, thought that if

Irma would frankly open her mind to his wife, the good sense of the

latter would gradually help the distracted one. But he knew that his

wife would not visit Irma. With all her kindness of heart, she had no

mercy for arrogance, and Irma, in her prosperous days, had neglected to

revisit the house in which she had received so hearty a welcome. Ever

since Irma had again left her father and returned to court, its doors

were closed to her. Irma, moreover, was regarded as having promoted the

revival of the convents and the appointment of the reactionary

ecclesiastical ministry of which Schnabelsdorf was premier.

CHAPTER XIII.

Walpurga's thoughts were of home, and she tried to picture to herself

how it would be when her letter arrived there. But she had been away so

long that she found it difficult to do so. The letter had arrived at

dusk, and Hansei, who was out in the backyard, chopping wood, was

called in. He hurriedly lit the lamp, and Stasi read the letter to

them. The grandmother wept, and the child on her lap moved about

restlessly, as if it felt that the words it heard were its mother's.

Nor could they help noticing that it had twice pulled the letter out of

Stasi's hand, and that, in order to finish reading it, she had been

obliged to move her seat. The child had, nevertheless, remained

restless as before. At last, the grandmother dried her tears and said:

"Thank God, that I have such a child. I don't mean you," said she to

her granddaughter, "I mean your mother. You may be glad if you turn out

as good as she is." Hansei listened with mouth agape, and smiled all

over his face when they came to the passage about Walpurga's embracing

him.

When she had finished the letter, Stasi said:

"It's a sad letter for all; but she'll be so much the happier when she

gets home again. I'm only sorry that I shan't meet her when she does

come."

Stasi was to be married on the following Sunday, to a forest-keeper,

who lived near the frontier, on the other side of the mountain.

Hansei took the letter again and was about to go away.

"Leave the letter here," whispered the mother to him. "That's not the

sort of a letter to read aloud at the Chamois. There are things in it

which only man and wife ought to tell each other when they're alone."

"Yes, you're right," said Hansei. "Here's the letter." He was,

nevertheless, sorry that the folks would not be able to see what a

pretty letter his wife could write, and how much she loved him, and how

good she was, and that none in the whole village deserved to be spoken

to by her, for his Walpurga was the pride of his life.

"Yes, grandmother," said he, while he stood in the doorway, "thank God,

the longest time's over. I can hardly understand how we managed to live

without each other so long, or how it'll be when she sits in this low

room again. But that'll be all right, and there are other houses

besides this."

Hansei spoke these last words quite rapidly. He wanted his

mother-in-law to understand that he was about to purchase a house. It

was proper that she should know of it, but there was no need of her

interference, lest she should rule him. The innkeeper was quite in the

right.

Hansei could hardly wait until he was again with his privy counselor,

and this privy counselor was, of course, the innkeeper. He looked up at

the house and the trees, as if to say: "Just keep still, and don't be

afraid. She'll come back again in good time, and she still thinks of

you all. She knows many a thing, and would make a better queen than

many another woman, and could reign better than the strongest man--"

When Hansei arrived in front of the inn, he waited for a little while,

in order to get his breath, and compose himself. It is no light matter

to have such an extraordinary wife; one is very apt to be thrown into

the background and to be less thought of. He was proud of his wife, but

he was the husband, nevertheless. He went into the inn quietly, and sat

down to a schoppen of wine, as calmly as if nothing had happened.

"That's the way a man should be," thought he to himself, while he took

a comfortable draught. "It won't do to tell the world everything. Keep

things to yourself. That makes the master; and that's what the women

can't do."

Hansei patted Dachsel and Wachsel, the landlord's two dogs, who seemed

to be fond of him, for they knew their master's favorites.

"Is it long since you've heard from your queen?" asked the host,

casually.

"No. Only to-day."

"What does she say?"

"All sorts of things," said Hansei, discreetly, adding, in a careless

manner, "I want to ask your advice about something presently."

The other guests looked up in surprise, to find Hansei the woodcutter

addressing the innkeeper in this familiar tone, and were none the less

astonished that the latter did not object.

"If you've got more paper money it would be quite convenient," replied

the innkeeper.

"I've none this time, but I want to talk to you about another matter."

The host went into the back room, sent his wife out to wait on the

guests, and exclaimed: "Come in, Hansei." A secret council was held in

the back room.

Hansei told him that his wife would return in seven weeks from

yesterday, that she had written to him to come for her, and that, while

he knew how to carry himself in the world--

"Yes, that you do," said the host, "it was only yesterday that the

chief forester--he was sitting in the very seat you're in, now--said:

'That Hansei's a sharp fellow'."

Hansei smiled his thanks for the compliment.

"But I want to ask you about something."

"What is it?"

"Look here. You're so much--how shall I say it?--so much readier with

your mouth, and more mannerly than I am, and if I have to go to the

capital and stand up before the king and queen and all the grand

gentlemen, why--why--why, look here, whenever I think of it, even now,

it chokes me, and my opinion is that you'd better go along as my

mouthpiece and say everything properly. One doesn't have such a chance

more than once in a lifetime, and it won't do to forget anything."

"That's a clever thought of yours," said the innkeeper.

"You shan't do it for nothing and the journey shan't cost you a

groschen."

"No, I can't go with you. At court, it won't do to say: 'This is my

child's godfather, my comrade, and he's to come in, too, and speak for

me.' The one who has the audience is the only one who's allowed to

speak. If you want to have a little fun, and your wife's agreed, I

might go as Walpurga's husband--that would do."

"No," cried Hansei, "I won't do any such thing, and my wife wouldn't,

either. That won't do at all."

"Well, my dear fellow, all that remains is to go and speak for

yourself."

Hansei was sad. He felt as if thrust out of doors. He had not been

brought up and schooled for such things as talking to the king and

queen and their courtiers, and was afraid of what he might do to them

if they were to laugh at and ridicule him, for he wouldn't stand that.

He would allow no one to make sport of him, in his wife's presence, for

he was the husband and she only the wife.

"Don't be so faint-hearted--a man like you--" said the innkeeper

consolingly, while Hansei rubbed his forehead as if to make another

head out of his own. "Just pretend I was the king. What would you say?"

"You speak first."

"All right." The innkeeper placed himself in position, put his hand in

the breast of his coat, balanced himself on one foot, threw his head

back, and said gravely:

"Ah, and so you're the husband of--ah, what's her name--of Walpurga?"

"Yes, she's my wife."

"Have you been a soldier?"

"No, by your leave."

"You needn't say 'by your leave,' but you must add 'Your Majesty,' and

always as short as possible. The high folk never have any time to

spare; they're always in a hurry and everything is counted out to the

very minute. But what's the use of worrying ourselves already? We'd

better settle our little business now. You buy my house and fields.

I'll let you have them cheap, and then when the king asks how it goes

with you, you can answer: 'Your Majesty, it would go very well with me;

but I still owe three thousand florins on my house and farm and they

trouble me greatly.' And when you say that, you'll see that the king

will give you the three thousand florins at once. But if you didn't owe

it, you couldn't say it. I know you. You're an honest fellow and can't

tell a lie, and you know you might just as well say four thousand, or

five thousand--it's all the same--and you'll have some money over to

build with. But there's no need of that, and so you can lay in a stock

of wine instead."

"Yes, yes, you're right, but I think we'll make it a sham sale, for I

oughtn't do it without my wife's consent. The money really comes from

her, and I don't even know whether she's willing to have the inn. We'll

just make it a sham sale, and, if the king gives me the money and my

wife's agreed, it'll be all right."

The host had, before that, flattered Hansei on account of his

cleverness, but now, when there was real occasion for his doing so,

held his peace. After a pause, he said: "While the clever fellow makes

up his mind, the fool has time to make up his. I'll think about it."

They returned to the inn-parlor. Hansei felt ill at ease and soon went

home. On the way, old Zenza greeted him. He made believe that he

neither saw nor heard her, and hurried on. How glad he was that he had

not become wicked, and how would he have felt now, if he had allowed

himself to be tempted. Nothing would have been left him but to drown

himself in the lake before Walpurga's return.

When he reached home, he said to himself: "I can still enter here with

a good conscience and, God be praised, I can bid her welcome with a

good conscience." After he got into bed, he kept on repeating the

words: "God be praised," to himself, until he at last fell asleep. When

he awoke, the first thing he said was: "Good-morning, Walpurga." He

addressed his words to the empty air, but he felt as if she must hear

him, as if she were at home already, for she had sent so good a

messenger in advance. The letter was like a postillion playing welcome

melodies. Hansei lay there dreaming, with his eyes wide open, until

late in the day. But the day was both a good and an evil one. He had

promised his comrades to go out hunting with them. All at once, it

occurred to him that it was time to give up such sport. He would gladly

have remained at home, but feared the talk of the innkeeper and, though

the hills were far away, he felt as if he could distinctly hear the

innkeeper telling his comrades: "Ha! Ha! His wife's coming home, and

she's the master, and Hansei will have to lie down as she bids him." He

fancied that he heard his laughing comrades walking about in the woods

and calling out: "Lie down, Hansei; lie down," as if he were a dog.

An advocate at the provincial court,--for Hansei now had such

distinguished companions--was also with the hunting party, and would

laugh and jeer more than any of them. And then, to add to the fun, the

innkeeper would tell a fine story about the letter. Thank God, he

hadn't had a chance to read it. That would have been too bad. If I only

hadn't mentioned it; but I'm too stupid and can't keep a thing to

myself. If the innkeeper knew nothing of the letter, I could turn back

without feeling ashamed and without minding their jeers. But my mind's

made up. I shan't go with them again. I used to get along by myself,

and I will again, when she comes back. We'll need no one, then. Hansei

was busy thinking, that morning. He looked back upon how he had been

living all this time. He felt so homesick about his wife at first, that

he could not remain in the house and was unable to eat, drink sleep, or

work. So he went to the inn, where they wished him joy because his wife

had brought him such good luck, and this had pleased him; and when

others stopped talking about it, he would renew the subject; and

the innkeeper would take him along to fairs, target-shootings and

pleasure-parties. One could not help but admit it was all very pleasant

and entertaining, and the folks would say: "There goes Hansei, whose

wife is the crown prince's nurse." Wherever he went they showed him

great respect, and it's very pleasant to be received with respect

wherever you go. Before allowing him to sit down, the hostess would

always wipe off the chair with her apron, and considered it a pleasure

to do so. At last, a happy thought occurred to him, and he still held

fast to it. He would be the very man to keep an inn, and his wife would

be the best hostess from one end of the land to the other. She would

know how to talk to the people; and, after all, what is there

pleasanter in the world than keeping an inn?

Hansei was so long in getting up that the grandmother came to the door

and asked: "Is anything the matter? Are you sick?"

"Oh no, God forbid. I'm coming directly," replied Hansei. He soon came

and, in a kindly tone, said: "Good-morning. Is the child hearty?"

"Yes. All's well, thank God," said the grandmother. She was always the

same, whether Hansei was rude and taciturn, or talkative and

confidential.

During her daughter's absence, she had never interfered with him but

once, and then she had said: "You're the husband and the father, and

should know what to do, and what to let alone." She knew very well that

if she attempted to induce Hansei to give up his free life and his

comrades, he would be less likely to do so, if it were only to avoid

the appearance of being ruled by the old woman.

"Will you be at home at noon, or are you going across the field."

"I'll stay at home," said he, "I want to split wood. We'll clear up

things and make it look tidy about the house, by the time she returns."

The grandmother nodded a pleasant assent. Hansei would gladly have said

more, but he always thought that another ought to speak first, and so

he sat there, stuffing potato after potato into his mouth, just as if

every one were an answer he had received. With every potato that he

pared, he thought of the clever things he would say to the king. He

felt that the latter could not escape him. Six thousand florins could

be counted on; and of five thousand he felt quite sure.

"If the king gives us a good farm on a royal estate, or any other

appointment, we'll move away from here," said Hansei aloud. He thought

that the grandmother must know that he would gladly break loose from

his comrades and begin a changed life, elsewhere.

"Yes, yes," was all that the grandmother said.

"I think we must soon write an answer, and I'll write to her, too. She

seems so sad."

"Yes, yes; do so. I must go to the child."

In promising to write to his wife, Hansei had imposed a difficult task

upon himself. He would have liked to write kind, consoling, hearty

words; to have cautioned her not to worry so much about the few weeks

that still remained, and thus, perhaps, lost sight of what advantages

might present themselves. Now was the time to be in good spirits, for

pay-day was fast approaching. He had all these thoughts in his head,

and she would respect him for the manly advice he was about to offer.

But to get these ideas out of his head and on paper, was a difficult

task.

Consoling himself with the words: "There's no need of my writing. I'll

see her soon, and can tell her everything far better," he gave up the

attempt.

While the grandmother went into the room in which the child lay, Hansei

remained sitting at the table and emptied the whole dish of potatoes,

while he was, in imagination, explaining to the king how well he

understood forest matters. When the last potato was eaten, he went out,

took axe, mallet and wedge and, with mighty strokes, split the stumps

which had been piled up along the road in front of the garden. He had

just taken off his coat, for, in spite of the keen spring breeze, he

didn't feel cold, when a voice said, "Ah, you're still here." The

innkeeper stood behind him with his rifle slung over his shoulder and

accompanied by his two dogs, Dachsel and Wachsel. "You must have

overslept yourself, just as I did. If we take the road through the

valley and the ravine, we can still catch up with our comrades. Come,

hurry and dress yourself, and get your gun."

As if this were a command which he must obey, Hansei carried axe,

mallet and wedge into the house, dressed himself, took his gun and said

to the grandmother: "I think I'll go along, after all." He would have

liked to say; "I shall only go this once, so that they don't think that

I stay at home on account of my wife's letter," but he held his peace.

It isn't necessary to tell everything, and those to whom you do tell

all, have a right to interfere in all. I want to arrange everything

myself, and she must respect me for doing it.

Hansei accompanied the innkeeper to the hunt. He was in a good humor

and more cheerful than ever.

CHAPTER XIV.

"How was it once? How will it be?"

I prithee, darling, ask not me.

Our life's the Present--hold it fast,

And let each hour in joy be passed.

Lift up thine eyes, so bright and clear;

To search my heart, thou need'st not fear.

Come, let us gather Flora's sweets,

Ere wintry storm around us beats.

Thus sang Irma, with clear, ringing voice. Nature was again decked in

beauteous array. The sharp winds of early spring were still blowing,

and the sunlight was often suddenly obscured by floating snow-clouds.

But the grass had begun to grow in the meadows, and here and there

spring flowers were blooming.

Irma had recovered, after a few days. The bulletins respecting the

queen's health had ceased, and Gunther, who had lived in the palace for

weeks, now returned to his own house.

The queen, who was now permitted to leave her apartment, spent much of

her time in the winter-garden, where the last fête had been celebrated.

The trees and flowers were again in their wonted places; the fountains

plashed, the fish swam about in the marble basin, and the birds

twittered in their great cages. Walpurga and the prince were allowed to

remain with the queen for hours at a time. All vied with each other in

offering her delicate attentions which were inspired by something more

than a mere sense of what was due her rank. Irma had shown so much

devotion to the queen that the latter felt like begging her pardon. She

often had the words upon her lips, but could not utter them. Friendship

suffers from mere suspicion, and the queen well knew that she was

looked upon as weak-minded and vacillating. She determined that she

would be thus no longer. She felt that the great mark of a strong

character is to prevent the world from knowing every change and phase

of thought and feeling, and to give it naught but results.

No one should ever know what had so troubled her heart. She would be

strong.

She kept Irma about her much of the time, and the hours they spent in

the green, flowering, winter-garden, reading, working, conversing or

singing, were serene and blissful.

Irma, who was an excellent reader, read Goethe's Tasso to them. It

accorded with their present mood, and one day, Irma said:

"Your Majesty resembles Princess Leonora in many things. You have the

advantage, however, of being able to accomplish in a few weeks what, in

her case, it required years to bring about."

"I don't understand you."

"What I mean is, that long confinement to the sickroom and careful

nursing are apt to produce, in the invalid, a certain sensitiveness and

an almost imperceptible change in manner. It is well to escape from

this hothouse mood into the open air; to be once again among the

trees which are proof against all weathers, and to inhale the fresh,

life-giving breeze."

The king was often present during these readings, and frequently felt

moved to express his thoughts on the weightiest and most beautiful

passages in Tasso. Irma often trembled. Every word she uttered seemed

wicked. She felt that she no longer had a right to speak of pure and

holy subjects, but the king was so cheerful and unconstrained that she

speedily dismissed all concern.

"You are spoiling me, and will make me quite vain," said the queen, one

day. "I have another wish. I long to go from flowers to works of art. I

often feel like visiting the picture-gallery and the collection of

antiques. When we move among the achievements of art the deepest

impression we receive is, that human beings who lived long ago, have

bequeathed their best possessions to us, and that eyes long since

closed in death, look down upon us with their undying glances, and are

still with us."

At the words "undying glances," the king and Irma looked at each other

with involuntary surprise. To them, the words were suggestive. Irma

composed herself and replied:

"I cannot help joining in Your Majesty's wish: from flowers and trees

to works of art! Surrounded by pictures and statues, the soul dwells in

an ideal atmosphere; life everlasting environs us; we inhale the very

breath of genius which, although its possessors may have vanished from

earth, endures for ever. When I was forced to the conclusion that I was

without real artistic talent, I envied the monarchs to whom is

vouchsafed the happiness of encouraging talent and genius in others.

That is a great compensation."

"How beautifully she interprets everything," said the queen, addressing

her husband; and it was with a mingled expression of delight and pain

that the king regarded the two ladies. What was passing in his mind? He

admired and loved Irma; he respected and loved his wife. He was untrue

to both. Irma and the queen went through the galleries and the

collection of antiques, and would sit for hours, looking at the

pictures and statues. Every remark of the queen's was met by an

observation of Irma's, which was in full accord with hers.

"When I look at and listen to you two," said the king, "and think of

where you resemble each other and where you differ, it seems as if I

saw the daughters of Schiller and Goethe before me."

"How singular!" interposed the queen, and the king continued:

"Goethe saw the world through brown, and Schiller through blue eyes;

and so it is with you two. You look through blue eyes, like Schiller's,

and our friend through brown eyes, like those of Goethe's."

"It won't do to let any one know that we flatter each other so," said

the queen, smiling. Irma looked up to the ceiling, where painted angels

were hovering in the air. There is a world of infinite space where no

one can supplant another; it is only in the everyday world that

exclusiveness exists, thought she to herself.

The more the queen gained in strength, the more marked was the change

from a subdued, to a bright and cheerful vein.

It seemed as if Irma's wish was about to be realized. The life-renewing

power of spring which reanimates the trees and the plants, seemed to

extend its influence over human life. It seemed as if the past were

buried and forgotten.

It was on the first mild day of spring, and they were walking together

in the palace garden, when the queen said:

"I can't imagine that there ever was a time when we did not know each

other, dear Irma." She stopped and looked into Irma's eyes with an

expression radiant with joy. "You once told me about a Greek

philosopher," said she, addressing Doctor Gunther, who was walking

after them with the captain of the palace-guard, "who thought that our

souls had a previous existence, and that our best experience, in this

world, is merely the recollection of what we have experienced or

imagined to ourselves in some earlier state of being."

"Without accepting this fanciful theory," replied Gunther, "there is

much in life which may be regarded as destiny. I believe that all

living truths which we take up into ourselves, and which thus, as it

were, become a part of our being, were intended for us. Our mind, the

whole constitution of our being, is destined for and attuned to it.

There is thus perfect correspondence between our destiny and our

capacity. But I beg Your Majesty to regard yourself as destined, at

present, to step into your carriage. We must not let the first walk be

too long."

The queen and Irma seated themselves in the carriage which awaited them

at the Nymph's Grove. They drove on slowly, and the queen said:

"You cannot imagine, dear Irma, how timid and fearful I was when I

first came here." She told her how she had looked into the eyes of the

multitude that surrounded her, and had asked herself: "Who of all these

does, in truth, belong to you?" and how encouraged she had felt when

Irma spoke to her, as it were, with her warm, brown eyes.

"And they were speaking to you," replied Irma. "I should have liked to

say to you: 'Sweet being! imagine that we have known each other for

years, and feel just as if we had been friends forever.' I fancy that

we both felt thus because we were both timid and fearful. It was the

first time I had ever been at court, and I felt as if I couldn't help

taking the lord steward's staff out of his hand, and supporting myself

on it."

"How strange! I had the very same thought," said the queen, "and, now

that I think of it, I can still recollect that the lord steward looked

at me incessantly."

The affection of the two ladies was cemented by a hundred little

memories. The carriage drove on slowly, but their thoughts took in days

and months. There was a turn in the road; they had just reached the

place where the statue had been shattered.

"It was a terrible night," said the queen, "when that happened, and it

seems to me that simple-minded Walpurga is right when she says that it

is wrong for us thus to expose the undraped human figure."

"I must be permitted to differ with Your Majesty," replied Irma. "The

free--why should we mince words?--the nude, beautiful human form is the

only one in accord with free nature. All frippery is subject to changes

of taste and fashion. The human form as shaped by the hand of nature,

is alone fitted to stand in her temple."

"You are a free soul; far freer than I am," said the queen. They

alighted. Irma accompanied the queen to her apartments and then

returned to her own. When she found herself alone she threw up her

hands, exclaiming:

"What is the greatest punishment? It is not hell, where other guilty

ones suffer with us! No; to be conscious of guilt and yet condemned to

remain beside a pure and happy creature; that is far worse than all the

torments of hell!"

"God keep you, Irma! God keep you!" shrieked the parrot. Irma started

with a shudder.

CHAPTER XV.

Spring returned, ushered in by the merry singing of larks and finches,

and bringing with it the latest Paris fashions. The queen now appeared

in public, and the ladies of the capital were delighted to pattern

their costumes after hers.

The queen drove out, with Irma beside her, and Walpurga and the prince

opposite.

"You must not worry when you're at home again," said the queen to

Walpurga.

Addressing the queen in French, Irma said, with a smile: "Countess

Brinkenstein would disapprove of your manifesting any interest in the

future fortunes of one whose term of service is at an end."

With a degree of boldness that surprised her two well-wishers, Walpurga

said: "There'll be one advantage at any rate, for, at home, they won't

treat me as if I were deaf and dumb."

"How do you mean?"

"Why, they wouldn't, while I was about, say things that I can't

understand."

Irma endeavored to pacify her, but without avail. Walpurga's longing

for home had made her exacting and dissatisfied. She felt ill at ease

everywhere, and felt sure that the very people who had done so much to

humor and spoil her would soon get along without her.

There was another and a deeper cause for her feeling annoyed when Irma

spoke French. A youthful-looking nurse from one of the French cantons

of Switzerland had become a member of the prince's household. She could

not understand a word of German, and that had been the principal reason

for engaging her. The prince was to speak French before he acquired any

other language.

Walpurga and the new-comer were, as regarded each other, like two

mutes. Nor was she otherwise favorably disposed toward the tall,

handsome girl with the French cap. She was, indeed, quite jealous of

her. What had the foreigner to do with the child? She was, at times,

angry at the child itself.

"You'll soon _parlez vous_ so that I shan't be able to understand a

word," she would say, when alone with him, and would feel quite angry;

and, the very next minute, she would exclaim: "God forgive me! How well

it is that I'll soon be home again. I can count the days on my

fingers."

Mademoiselle Kramer now told Walpurga that a chamber[2] had been

prepared for the crown prince.

"He has rooms enough already," said Walpurga.

Mademoiselle Kramer was again obliged to undertake the difficult task

of explaining the court custom, in such matters, to Walpurga, who made

her go over the various names again and again. She would always begin

thus:

"The crown prince will have an ayah--"

"Ayah? what sort of a word's that? what does that mean?"

"It means the prince's waiting-maid. And when his royal highness

becomes four years old, he will have a new set of officers; and so on,

as he grows older, only the new set will always be of higher rank than

those who precede them."

"Yes, I can easily understand it," thought Walpurga; "new people and

new palaces, constant change; how lucky that your eyes and your limbs

are fast to you; if it wasn't for that, they'd be getting you new ones

every year or two."

Walpurga felt reassured when she learned that Frau von Gerloff, a lady

of noble birth and, hitherto, first waiting-woman to the queen, had

been appointed as ayah to the prince. Walpurga had known her for a long

while and said to her:

"If any one had asked me who should take charge of the prince, you'd

have been my first choice. This is only another proof of the queen's

wisdom and her kind heart. She gives up her dearest friend for the sake

of her son."

Walpurga deemed it necessary to give Frau von Gerloff various

directions as to the management of the prince. The good lady listened

to her patiently. When Walpurga next saw the queen, she felt it

necessary to express her satisfaction with the arrangements which had

been made.

"You'd have done very well," said she to Madame Leoni, the queen's

second waiting-maid; "but our good queen can't afford to part with both

hands at once."

Madame Leoni smiled her thanks, although she really felt mortified and

thought that she had been slighted because of her being a commoner. But

the first law of court life is: "Take offense at nothing."

The slumbering infant-prince had no idea of the jealous feelings which

already played about his cradle.

By degrees, Walpurga got her effects ready, and, when packing up

certain articles, she would say: "No one would dream that heart's blood

is clinging to you."

Doctor Gunther had given orders that Walpurga should often leave the

prince for a while, in order that he might gradually grow accustomed to

her absence.

Mademoiselle Kramer, who, during the first few days accompanied her on

her walks, found the occupation a difficult one, for Walpurga wanted to

stop at every shop window, and whenever she saw men or women whose

costume resembled that worn at her home, wanted to go up to them and

inquire whence they had come, and whether they knew her husband, her

child and her mother. Mademoiselle Kramer soon wearied of the office of

guide, and would sometimes allow Walpurga to go out alone, on which

occasions she would entrust her with her watch, so that she might

return at the proper time. Walpurga's great delight was to watch the

soldiers parading at guard-mounting, and her route generally led her

beyond the city gates. She would walk along the highway that led to her

home. This comforted her, and she would often think of how she had felt

when coming to the palace by that very road. It seemed to her as if

ages had passed since then, and it was not without an effort, at times,

that she induced herself to retrace her steps. She would often stand

there listening, and imagining that she could hear her child's voice

borne on the breeze. Which child? Her heart was divided and she hurried

back to the prince. It was well he rested so quietly in the arms of the

Frenchwoman. Walpurga, however, was vexed at this circumstance, and

laughed triumphantly when he wanted to be taken by her as soon as he

noticed her.

"Yes, you're a true soul," said she. "When men are good, they're a

great deal better than women. Your other father, my Hansei, is very

good, too, and he's coming, day after to-morrow, and you'll shake hands

with him when he comes,--so."

Walpurga observed that the ayah was almost beside herself at this mode

of treating the child, and that it cost Mademoiselle Kramer an effort

to prevent her from putting a veto upon it; but this only made Walpurga

the more wanton in her mad pranks with the prince.

"Now don't forget," said she, "that I gave you myself to feast upon.

The others only give you what comes from the kitchen. We two are one,

and day after tomorrow my Hansei will come, and then I'll go home, and

when you're a big boy you must come and see me; and if it's in cherry

time, I'll give you the best cherries. And my Hansei will go hunting

with you and will carry your gun for you, and you'll shoot a great big

stag and a roe, and a chamois, and we'll roast them. I'll stick a

nosegay on your hat, and then we'll row over the lake together, and

I'll give you a kiss, and then I'll bid you good-by."

The child laughed heartily, while Walpurga looked into his eyes and

spoke to him thus. Then it laid its little head on her cheek, and

Walpurga cried out:

"Mademoiselle Kramer! Mademoiselle Kramer! he knows how to kiss

already: he's kissing me now. Yes, you're the right sort of a man and a

king's son to boot; they always begin betimes."

It seemed as if she wanted to make known all the love she had for the

child during the few days that yet remained to her at the palace, and

she did this both from affection and spite, for she desired to show the

Frenchwoman how very much she and the child loved one another. He would

never grow to love the foreigner as much as he loved Walpurga, and then

she would sing:

"Standing by yon willow tree,

Scarcely weeping, thou dost see

My bark put off from shore.

"As long as willows grow,

As long as waters flow,

Thou'lt see me nevermore."

While she sang, the boy crowed and laughed, and Walpurga protested to

Mademoiselle Kramer, that she would wager her head he understood

everything already.

"And besides," said she, with an angry glance at the Frenchwoman, "the

language that little children speak is the same all the world over.

Isn't it so? The French don't come into the world speaking gibberish."

Then she would sing and dance about, and kiss the child again. It

seemed as if she must repress all her sadness, and, in one outburst,

give vent to all her joy.

"You excite the child too much; you will do it harm," said Mademoiselle

Kramer, endeavoring to quiet her.

"That won't harm him; he's got the right stuff in him. No Frenchwoman

can spoil him."

Walpurga was in a restless and contradictory mood. She had long known

that the tie would be broken, and had often wished and hoped for that

end. But now when the moment of separation approached, all painful

memories vanished. She felt that she could never again live alone. She

would always miss something, even the trouble and excitement; and,

besides, everything had always come all right again. She felt hurt,

moreover, that the others seemed so indifferent about her leaving them.

And the child--why hadn't it sense enough to speak and say: "Father and

mother, you mustn't do this; you mustn't take my Walpurga away?"

But now others controlled the child. What would they do with him? Why

should she no longer be allowed to interfere, and to say things should

be thus and so? She had nursed him from the first day of his life, and

they had been together day and night. And how would the days and nights

be when they were no longer together?

When Walpurga had finished her supper, she held up the empty dish to

the child and, with a bitter tone, said:

"Do you see this? I'm of no more use now than this empty platter."

Nor did she care to sleep. She felt that she could not lose a minute of

the time that was yet left her with the child. Although she did at

times drop asleep, she would wake up in a fright; for, in her dream,

she had heard children crying--one far off by the lane, and another

beside her--and had thought she was standing between them, and that she

must divide herself: must be there and here. And then, too, she had

heard the cow bellowing and pulling at the rope, just as it had when

fastened to the garden hedge. Walpurga saw it all, quite distinctly;

and the cow had such large eyes, and she could feel its warm breath

against her face. Then she would wake up and rub her eyes and all would

be quiet again, and she would know that it was a dream.

It was the day before her departure. Walpurga bitterly regretted that

she had not told Hansei to come sooner. He might have remained there a

day, and she would then have had some one to stretch out his hand in

welcome, while now she could only offer hers in farewell.

She walked the streets and looked up into the blue sky--the same blue

sky that rested over her home. She went through the little street in

which Doctor Gunther lived. She read the name on the door-plate and

walked in. A servant conducted her into the doctor's ante-room, where

many patients were waiting to see him. Walpurga gave her name to the

servant. All looked at her in astonishment. She was asked to come in

without waiting for her turn, and said that she had only come to say

good-by. Gunther told her to go into the garden and wait there for him

until his office hours were over. She did so. Madame Gunther was

sitting on the steps that led into the garden. She called the peasant

woman to her, and when she learned who she was, told her she might wait

there. Walpurga sat down. Madame Gunther went on with her work and did

not speak a word. She had a decided prejudice against the nurse. Her

husband had often told her of Walpurga's peculiarities, and Madame

Gunther had concluded that they were full of coquetry, and that she was

trying to make a show of her simplicity. Walpurga's appearance only

confirmed her in this opinion.

"You are going home again, aren't you?" asked Madame Gunther, at last;

for she did not wish to be uncivil.

Walpurga told her how happy she would be at home again.

Madame Gunther looked up. She was one of those persons who are rendered

truly happy when freed from a prejudice. Entering into conversation

with Walpurga, she soon found that the nurse had been led to exaggerate

certain traits of her strong nature, but that it was just this strength

of character that had prevented her from losing herself in the new

scenes through which she had passed.

Madame Gunther now urged her to keep a stout heart and to avoid making

herself unhappy by comparing her home with what she had left behind her

in the palace.

"How is that you know all about it?" asked Walpurga; "have you ever

been among strangers?"

"I can put myself in your place," said Madame Gunther with a smile. She

was rapidly winning her way to Walpurga's heart.

She asked her into the room; and, when Gunther came down, he found

Walpurga on the steps, with his fatherless little grandchild on her

lap.

"And now you know my wife, too," said Gunther.

"Yes; but too late."

Gunther also advised Walpurga to keep up her spirits after she got

home, and, as he, too, was a native of the Highlands, he gave her a

merry description of what her welcome would be.

Gunther said he would see her once more, at the palace, and his wife

shook hands with her, saying:

"May you be happy at home."

"I mean to send your mother a present," said the doctor. "Tell her to

try and think of the young student who danced with her at the

Kirchweih[3] many years ago, when she was betrothed to your father.

I'll send you six bottles of wine to-day. Tell her to drink them in

remembrance of me, but not to take too much at a time."

"I thank you for my mother, and I feel already as if I had been

drinking the best of wine," said Walpurga. "My Countess Irma was right,

for she always said Madame Gunther would be a lady after my own heart,

and now all that I can wish you is, that, to the end of your days, you

may be as happy as you've made me."

No notice was taken of her allusion to Irma. Encouraged and

strengthened, Walpurga returned to the palace.

CHAPTER XVI.

The queen came to Walpurga that evening and said: "I shall not say

farewell to you. Don't let us speak of parting. I only wish to thank

you with all my heart, for the love you've shown me and my child."

"Oh, queen! how can you thank me. I'll tell no one on earth that the

queen has thanked me," cried Walpurga. "But it's only because you're so

kind and want to make parting easy to me. Believe me, I'd gladly give

every drop of blood in my veins for you and our child. Oh good God! our

child--I daren't say that any longer. I, must go; but when I get home,

I'll have my own child again."

"Yes, Walpurga; that is what I was about to tell you. The greatest

happiness on earth is to be at home, and, by this time, you must have

seen that it is all one, whether that home be a palace or a cottage."

"You're right there; you can't get more than your fill of eating and

sleeping, anywhere. My Hansei'll be here to-morrow morning. May I bring

him to the queen and to the king, and to the good ladies and gentlemen

of the court, so that he may thank them, too?"

"Never mind that, Walpurga. There's no need of it. Indeed, Doctor

Gunther forbade my taking leave of you; but I may, for all that, say

good-by to you again, to-morrow. Believe me, I feel very sorry to part

with you."

"If the queen wishes it, I'll remain, and my husband and my whole brood

can come too."

"No, you had better go home again. If I ever get into your

neighborhood, I will pay you a visit. I shall not fail to tell my son

how kind you've been to him. He shall never forget you."

Walpurga had put the child in the cradle and cried out;

"Just look! he's talking. We grown-up folks don't understand what the

children say, but he understands us." Walpurga now joyfully related

that the prince had kissed her, and tried to persuade him to give his

mother a kiss, but he would not.

"I shall leave something good for you behind me," said Walpurga to the

queen. "I've found something that'll be good for you." Her face glowed

with pleasure, and the queen asked:

"What is it?"

"I've found a friend, one of the best of friends, for you. Madame

Gunther can speak right to one's heart; just as you do, but in a

different way. I think you ought to visit her right often. It would do

you good if you could, once in a while, spend an hour in a good

neighbor's house. You'd always feel much better after it."

Walpurga eagerly told how delightful it was to visit one's neighbors.

The queen smiled at Walpurga's ignorance of the conditions of court

life, and explained to her that she could only have intercourse with

those who visited the palace. Walpurga was very sorry that she could

not bring about a meeting of the two ladies.

The queen retired.

"Now she's gone," said Walpurga. "I've said nothing at all; and I feel

as if I had ever so much to say to her." She felt as if she ought not

to leave the queen--as if she were her only true friend, a faithful

companion who, if others were to menace her queen with harm, would

hasten to her aid.

She thought of the time the queen had kissed her. How much they had

experienced together since that time. Could it be possible that it was

scarcely a year ago.

Cowering beside the cradle, she was silent for a long while. At last

she softly sang:

"My heart doth bear a burden,

And thou hast placed it there;

And I would warn e'en my life

That none doth heavier bear."

Her voice trembled with emotion. The child slept. She got up and told

Mademoiselle Kramer that she intended to take leave of all in the

palace. Mademoiselle Kramer dissuaded her from doing this. So Walpurga

only went in search of Countess Irma, but did not find her, as she had

gone to a party at her brother's house. Walpurga told the maid that she

intended to leave early the next morning, and that she would be very

sorry if she did not have a chance to say good-by. Meanwhile, she took

leave of the maid, and recommended her to take great care of the good

countess so that she might always keep well. Walpurga held out her hand

to the maid, but was obliged to draw it back again, for the latter had

both hands in the pockets of her silk apron, and, as if mocking

Walpurga, merely curtsied to her.

"The higher people are, the better they are," said Walpurga, when she

got back to her room. "The queen's the highest and best of them all."

Walpurga was sent for by Countess Brinkenstein, who was standing in the

same place and in the same position as when she had received the nurse,

nearly a year ago. She had seen this rigid lady almost every day. In

all that time she had not become more familiar, but had treated

Walpurga with unvarying kindness. It now seemed as if her disposition,

or perhaps her office, required her to dismiss Walpurga in a formal

manner.

"You have behaved well," said Countess Brinkenstein, with a kindly

motion of the hand; "their majesties are satisfied with you. And now,

farewell; and keep yourself good."

She did not rise, nor offer her hand to Walpurga. She merely nodded in

token of farewell, and Walpurga left.

Although this mode of dismissal was by no means over-gentle or

courteous, it, nevertheless, afforded Walpurga great satisfaction. She

felt as if she had received a sort of honorable discharge. Although

Countess Brinkenstein had ruled with almost military severity, she had

always been the same and could always be relied upon. And this

consistency was not without its due influence on Walpurga's mind.

In Walpurga's room stood two large chests, filled to the very top and

locked. She had received many presents during the year, and enough

money to buy a moderate-sized farm. She would sit down, now on one and

now on the other chest, and when she at last lay down to rest, she

still cast a wistful eye on her treasures. Like wandering spirits, her

thoughts roved through the apartments of the palace, and then to her

cottage at home, through the garden and over the mountains, until she

was suddenly awakened by the crying of the child. She was obliged to

ask herself whether it was her own, or a strange child. She speedily

quieted the prince, but remained beside his cradle. "Sleep shan't steal

another minute of the time that's left us," said she softly.

Day dawned. Walpurga nursed the child for the last time. A tear dropped

on its head; it looked up at her and then fell asleep, resting against

her heart. She whispered softly into its little left hand, which she

held to her lips.

She put the child in the cradle again, fixed one more sad look upon it,

then, with her back turned, walked around the cradle thrice, and, at

last, said to Mademoiselle Kramer:

"I'm going now; it's time."

The servants came and carried the chests away. Walpurga was in so

forgiving a mood, that she even took leave of the Frenchwoman. She did

not look back toward the cradle, but went downstairs, and ordered the

boxes to be carried to an inn near the palace, where she had asked

Hansei to meet her. She thought he would surely be on hand by that

time, for she had told him the very hour when he could meet her. But

Hansei was not there.

Although it was early in the day, there was life and bustle at the inn,

which was frequented by the court servants. There was loud carousing,

and some liveried servants were inveighing against their masters who,

at Count Wildenort's soirée of the previous' night, had kept them

waiting in the porter's lodge, and the coachman on the box, for nearly

three hours. It was said that Count Wildenort had obtained royal

permission to set up a roulette table, that there had been high play,

and that the king had also been there, but not the queen.

Walpurga sat behind the screen with the hostess, and was seated on the

largest of the chests. She went to the front of the house to look for

Hansei, but he did not come. Baum brought her a message that she was to

go to Countess Irma, but not until nine o'clock. Walpurga wandered

about town as if lost. "How the people run past each other," thought

she; "no one knows who the other is, and hasn't time to ask." At that

hour of the day, round hats are not seen on the streets. None but the

cap-wearing population is now represented. Bakers' men and butchers'

boys whistling merrily while at their work, are serving bread and meat.

Servant-maids stand at the street corners waiting while milk is

measured out to them, and market-women from the country hurry to their

posts, with baskets and hand-barrows.

"It'll be just the same to-morrow again, and you'll be gone. Indeed, it

don't concern you to-day," said Walpurga to herself, while she looked

on at their busy doings. Just then a large bookseller's shop was

opened, and her picture hung in the window. What did it matter to her?

No one concerned himself about her feelings.

"To-morrow the picture will still be hanging there; it'll be all the

same, whether you're here or not. I believe it's all the same, whether

you're in the world or out of it," added Walpurga, as a hearse went by

and no one cared to inquire whom they were burying. Every one went his

own way.

With heavy heart, Walpurga walked on, feeling as if something were

drawing her back to the palace and to the child. She went on until she

reached the gate by which Hansei must come. But still he came not.

"If he doesn't come at all--if the child at home is ill--if it is

dead!" Walpurga was almost frightened to death with thoughts of what

might be. She seated herself on a bench near the gate. Horsemen were

galloping past, and a blind invalid soldier was playing a merry waltz

on his organ.

A clock struck nine, and Walpurga walked through the town. At the

palace gate she found Hansei, and his first words were:

"God greet you, Walpurga; you're here at last. Where have you been

running to? I've been looking for you, the last two hours."

"Come in here," said Walpurga, leading Hansei into a covered way. "They

don't speak so loud here."

It turned out that, in her last letter, Walpurga had told Hansei to

come to the palace, and not to the inn. She begged him to forgive her,

for she had been so confused while writing, and then she said: "Now let

me give you a kiss of welcome. Thank God, all are well. I need lots of

love and kindness."

She asked him to wait at the door of Irma's apartment, while she went

in. Irma was still in bed, but, as soon as she heard Walpurga's voice,

asked her to enter. The countess looked lovely in deshabille, but she

was quite pale, and her loosened hair lay in wild profusion on the

pillow.

"I wanted to give you something to remember me by," said Irma, raising

herself, "but I thought the best thing I could give you would be money.

Take what's lying there. Take it all; I want none of it. Take

it; don't be afraid, it's real gold, won in honest play. I always

win--always--Take out your handkerchief and wrap the money up in it."

Irma's voice was hoarse. The room was so dimly lighted that Walpurga

looked about in fear, as if she were in some enchanted apartment; and

yet she knew the maid, the tables, the chairs, and could hear the

screaming of the parrot in the next room. She knew all this, but she

could not help thinking that there might be something wrong about the

money. She hurriedly made the sign of the cross over it, and then put

it in her pocket.

"And now, farewell," said Irma; "may you be happy; a thousand times

happy. You are happier than all of us. When I don't know where to go in

this world, I shall come to you. You'll receive me, won't you? and will

make room for me at your hearth? Now go! go! I must sleep. Farewell,

Walpurga, don't forget me. No thanks; not a word. I'll soon come to

you, and then we'll sing again; aye, sing. Farewell!"

"I beg of you, let me say only one single word!" cried Walpurga,

grasping her hands. "We can't, either of us, know which of us may die,

and then it would be too late."

Irma pressed her hand over her eyes, and nodded assent. Walpurga

continued:

"I don't know what ails you. Something's going wrong with you, and it

may go worse yet. Your hands are often so cold and your cheeks so hot.

I wronged you that day--the second day after I came here. Forgive me!

I'll never wrong you again, even in thought; and no one shall. No one

shall ever slander you to me; but, I beg of you, leave the palace as

soon as you can! Go home to--"

"Enough, enough," said Irma, deprecatingly, and holding her hands

before her face as if Walpurga's words were stones hurled at her.

"Enough," added she, "farewell; do not forget me."

She held out her hand to Walpurga, who kissed it. The hand was hot, as

if with fever.

Walpurga left. The parrot in the ante-room was still crying: "God keep

you, Irma." Walpurga started with terror, and hurried away as if some

one were after her.

CHAPTER XVII.

When Walpurga came out to Hansei, he asked:

"Shall I go in, too?"

"No, we're ready."

"I think I ought to go to the king and queen. I've got a good deal to

say to them."

"No; that won't do at all."

"Why not? I know how to talk to them."

He had frequently rehearsed what he intended to say to the king and

queen. He would let them know that he deserved something more for

giving up his wife for so long a time.

Walpurga found it difficult to make him understand that it would not do

to press the matter. Hansei was not inclined to give up the point, and

was, moreover, ashamed of confessing to the innkeeper that he had not

sat at the same table with their majesties, and that he had not even

seen them.

Walpurga, who herself needed support, was now obliged to make a double

effort in order to pacify Hansei, who threatened to become rude and

troublesome.

"But I may see your prince? You still have a right to take me there?"

asked Hansei.

"Yes, yes," replied Walpurga, "that can be done." She, too, was herself

glad to have a chance to see the child once more, and this would

furnish a good excuse. "What matters it if Mademoiselle Kramer or Frau

von Gerloff make sport of Hansei? Day after to-morrow all these people

will be nothing to me, and I shall be nothing to them." Her cheeks

glowed with excitement, while she hurriedly led Hansei toward the

prince's apartments. She was met at the door by Mademoiselle Kramer,

who, when Walpurga stated her wish, answered:

"No; it can't be done. You must not go in again. Doctor Gunther is

there and the child is crying and screaming terribly. Go; in God's

name, go."

Mademoiselle Kramer disappeared, closing the door after her. Walpurga

heard the child cry, and was not allowed to go in and help it. She was

shut out--thrust out of doors. Shame at the treatment she had received

in Hansei's presence, and anger at these cruel, ungrateful people

struggled within her. At last, she said:

"Come, Hansei; we mustn't demean ourselves."

"Of course not," said Hansei. "It's plain enough that this is the way

they treat folks when they have no further need for them."

"Nor do we need them any more. Thank God, that's over," said Walpurga.

She left the palace in an angry mood, and Hansei muttered to himself

that he would thrash the first man he met on the way.

They returned to the inn where the chests had been left. They met Baum

there, and Hansei again said:

"I'd swear that he's no one but Zenza's Jangerl."

"Jangerl's in America," insisted Walpurga. "I beg of you, don't trouble

yourself about other matters. Let's hurry and get away from here."

"I've arranged to stay for another day. I'd like to see the sights, and

would like to go to the theater for once in my life, and then--"

"Some other time--I want to get home to my child."

"You've been away so long that you needn't mind waiting a day longer."

Walpurga insisted and Hansei was obliged to yield.

"Why do you always look at me?" asked Hansei. "It seems as if you

scarcely know me any more."

"I'd forgotten what true, blue eyes you have."

"Well, and so I've been so little in your thoughts that you didn't even

remember how I look."

"Be quiet; I thought of you always. What sort of eyes has the child?"

"Bright and clear ones, and there's never been anything the matter with

them."

Walpurga wanted to know what color its eyes were, and whether their

color had changed, as had been the case with the prince. But Hansei did

not know, and was quite vexed that his wife asked him questions about

matters that he knew nothing of.

At last they mounted the wagon.

It drove by the palace, and, in spite of the rattling of the wheels

over the stones, it seemed to Walpurga as if she could hear the prince

crying.

"I, too, must wean myself," said Walpurga, weeping silently.

As soon as they had passed the city gates, Hansei began abusing the

court. "They might have sent us home in a coach; but that's the way

with them. They'd rather fetch our wives than take 'em back again."

Whenever he said anything, he would look about as if his boon

companions were present to nod their approval. "They might have let us

have a pair of horses at least; indeed, they ought to have told us to

keep them, for they've got more than they know what to do with, in the

royal stables," said he.

Walpurga had so often told every one that her husband was coming to

take her home in a wagon, that no arrangements had been made for that

purpose; and now when Hansei grumbled at their want of consideration,

she remembered her mistake and, without confessing it, endeavored to

quiet him.

"I beg you, for all the world," said she, "don't say anything against

the court. They can't help it. If the king or queen knew of these

things, they'd gladly do everything. But you've no idea how little the

queen knows of the world; of what costs money, of what has to be

bought, or earned, or paid, she has no notion at all. She's just like

the angels. They can't count money any more than she can, and have

nothing to do with it. She's as dear as an angel, too. She takes the

words out of your heart, and gives you such good ones in return." When

she stopped and found that Hansei made no reply, she bit her lips with

vexation. How she would have been praised if she had uttered such

remarks to Countess Irma or Mademoiselle Kramer. But he behaved as if

what she had said were nothing at all. A feeling of discontent

struggled within her, but she repressed it. "Yes, I, too, must get used

to the change," thought she to herself. "It's all over. Where I'm

going, they'll not make much of everything I say." For a long while she

was silent. She felt that looking into life-size double-mirrors was now

at end. At last she thought of what the queen had told her: "When you

get home, be patient with your people. The way to have peace on earth

is to be patient with one another, and to do good to others without

hope of recompense. Those who look for no reward are repaid sevenfold."

When she left home her mother had given her a piece of bread, with

which to deaden her homesickness while at the palace, but the queen had

given her words and thoughts that were as bread, for they, too, were

life sustaining and, moreover, long-enduring.

It seemed as if a ray from the queen's sunny nature rested upon

Walpurga's countenance. She regained her composure, and calm and gentle

thoughts now filled her mind. Suddenly she seized her husband's hand

and said:

"Now, God be praised, we hold fast to each other again. You must have

lots of patience with me. I've been among strangers, but you'll soon

see that I'll be all right again at home."

"Yes, yes, it's all right," said Hansei.

Wherever they alighted by the way, Hansei would tell the folk at the

inn:

"This is my wife: she's been nurse to the crown prince, and now, thank

God, we're well to do."

He had become boastful, but Walpurga remained silent in the presence of

others. It was only when they were in the wagon that she became

talkative. She asked many questions and Hansei had much to relate, but

she heard little of what was said. She was forever thinking of her

child, which seemed to be dancing on the mountain peaks; just like the

moon which stood in the sky in broad daylight, it ever seemed to move

along with them.

"And has it blue eyes?" asked she suddenly, while Hansei was giving her

a circumstantial account of the cow that was again giving milk.

"I don't know what color the calf's eyes are," said Hansei, laughing.

"Oh, don't think hard of me. I can't think of anything but our child.

If we traveled as fast as my thoughts, we'd be home in a twinkling, as

tailor Schneck says."

She smiled and checked herself and, soon after, continued: "Oh, how

could I ever have stayed away from you so long? It isn't true. I've

always been at home and now I'm coming. I'm coming to you, my child.

Didn't you hear some one cry, Hansei?" said she, looking round. "I hear

some one crying; it sounds like a child."

"Do be quiet. You're enough to frighten one out of his senses."

Walpurga would often look back, for it seemed to her as if she could

hear a child crying.

In the city a child _was_ crying, and those who were about it could not

quiet it. Their diamonds, their gold, their soldiers, were all of no

avail. Behind her and before her, Walpurga heard nothing but the crying

of a child.

"Why do you shut your eyes?" asked Hansei.

"Oh," replied Walpurga, "I feel like the father of Wastl the weaver.

When he was cured of his blindness, he used to say that the trees came

toward him, and that everything blinded him. I too, feel as if I had

seen nothing during this whole time. Look! there's the first man with a

green hat, and he has his game-bag on his back; and the trees have kept

on growing of themselves, while I was away. I don't know how I'll go

through it all and not die, for I shouldn't like to die just now. I

want to walk about with my child. Oh dear, good Hansei, don't give her

a stepmother."

"Wife, wife," said Hansei, quieting her, "you're making fools of both

of us. I'm quite sure that comes of your not having eaten a thing all

day."

He insisted upon stopping at the next inn, where Walpurga was obliged

to drink some wine. There was, indeed, wine in her chest, that is, the

six bottles with silver foil, which the doctor had sent. But she wished

to take that to her mother.

Although it was in broad daylight, Walpurga fell asleep in the wagon.

When she awoke, she silently took her husband's hand in hers and held

it for a long while. In the last little town this side of their

village, they stopped again, in spite of Walpurga's protests. Hansei

asserted that the grandmother did not expect them before the next day,

and that they would find nothing to eat at home. He ordered a bounteous

meal, as if he were laying in a supply for several days. Walpurga fell

to heartily, and at last they quite forgot themselves, for Doctor

Kumpan entered the inn. He was quite affable toward Walpurga and drank

heartily with Hansei. He then called him aside and enjoined him to

treat his wife considerately.

When they at last got into the wagon, half of the town had gathered

about the inn, in order to have a look at the crown prince's nurse.

Doctor Kumpan ordered the postillion, who was not in uniform, to take

his post-horn with him, and the handsome, dark-eyed, lively fellow blew

his horn while they drove through the little town and along the road.

The merry echoes resounded from the mountains and through the forests.

Walpurga was almost ashamed to drive in this style, while the people

were at work along the road; but Hansei felt a childish delight in the

sound of the horn.

At last they caught a glimpse of the lake. Evening was already setting

in.

"Those are swallows from home," said Walpurga. "The next village is

ours. I see the church, and--hark! I hear the bells! I hear them

with you, my child, and soon you'll hear them, in my arms; and your

voice--your voice--coachman, drive faster; no, drive gently; drive just

as you please, so that we don't upset. Stop here; we'll get out now.

Stop! I tell you." She alighted, but as soon as she had done so, she

exclaimed: "No, I'll get in again. We'll get home sooner if we ride.

But why don't mother and the child come out to meet me?"

"She thinks we won't be home till to-morrow," cried Hansei.

"Then maybe she isn't at home at all, and has gone off with the child

to visit some neighbor."

"Maybe so; but I think not."

"Don't you see a child there, running across the road? Is that it? Is

it?"

"No, that's not our child. It can't run yet; but it can crawl about

like a young dog."

"Who cut down the willow?" suddenly asked Walpurga.

"It was blown down by the storm, last spring."

Walpurga asked questions, but heeded not what she asked nor the answers

she received. "Just see, how clear the brook is, and how swiftly it

flows. I think it never used to flow so quickly. And they've built a

new house here, and there they've felled the trees, and, just look at

the beautiful little water-wagtails. They're larger and more beautiful

with us than anywhere else."

They met a boy on a gray mare which he was riding to water. "That's

Grubersepp's Waldl. How stout he's growing!"

"And it's a good beginning, that the first one to meet us should be a

boy," said Hansei. "Waldl!" he called out to the lad, "come over to our

house this evening and I'll give you some cherries." The boy made no

reply and rode on.

"The two cows grazing there near the little girl, are ours," said

Hansei.

Everything comes; everything except the mother and the child.

"Mother's at home," cried Walpurga, suddenly. "Mother's at home. I see

smoke rising from our chimney; and there she stands by the fire with

the child on her arms. Oh mother! Oh child! How is it possible that you

don't notice anything? I'm coming! I'm here! I'm home! I'm coming!"

The wagon stopped before the house.

"Mother! Child!" cried Walpurga from the depths of her heart. The

mother came out of the house, with the child on her arm.

Walpurga embraced her mother and kissed her child, but it cried and

would not go to her.

Walpurga went into the room and sat down beside the stove. Her hands

were folded on her lap, and she was weeping. She looked about her as if

she were in a strange world.

"Leave her to herself for a little while; give her a breathing spell,"

said the grandmother to Hansei, who had gone out of the house, and who,

with the driver's assistance, had been unloading the chests.

It was but a short time that Walpurga remained in the room, a prey to

sad thoughts. The sun stood high over the opposite mountains, its rays

making every blade of grass in the garden glitter like burnished gold.

The mountains in the west were all aglow with light, and those opposite

were reflected half-way across the lake. The day had been one of great

excitement to Walpurga. What she had hoped for was now realized. There

was nothing more to come. She felt as if she must start off again, as

if she must be up and doing. And then it suddenly occurred to her that

it was wrong to remain sitting there alone, while her mother and her

child were out of doors, and that it was almost a crime to pass a

moment away from them.

She went into the kitchen. The grandmother, with the child on her arm,

was standing by the hearth in which there was a bright fire.

"Does my child eat broth?" asked Walpurga. Attracted by the voice, the

child stared at her; but, as soon as Walpurga fixed her glance upon it,

it nestled close to its grandmother, as if to hide itself.

"Yes, indeed. It eats anything, and is just like you. You did so, too.

It would like to take a spoon and help itself, but it can't find its

mouth. I'm making soup for you, you must eat something warm."

Walpurga's looks became more cheerful. The grandmother soon brought her

some soup. Walpurga ate it and said:

"Ah, mother; the first soup I eat at home. Nothing on earth tastes like

it. They can't make such soup as this at the palace."

The grandmother smiled, and stroked Walpurga's head with her hand, as

if blessing her. She felt that Walpurga's joy at being home again

affected her every thought and action.

"The home soup--yes, indeed," said she at last, and smiled; and, moved

thereto by the grandmother's cheerful looks, the child laughed, too.

BOOK IV.

CHAPTER I.

The soft glimmer of early dawn stole through the heart-shaped opening

in the shutters of their little room. Down by the reedy bank the

water-ousel piped its matin song. Walpurga awoke and listened to the

breathing of her husband and child. Her life, now, is a threefold

breath.

"Good-morrow, day. I'm home again," said she, softly. She felt so happy

at the thought of being in her own bed. Suddenly, she folded her hands

and said:

"I thank Thee, Lord! Now I know how it must be to wake in heaven and

feel as if home were reached at last, to have all your loved ones with

you, to know that parting's at an end, and that all will remain

together forever. Now we'll live happily, in kindness and in

righteousness. Grant us all good health, and put all evil away from

us."

She closed her eyes and indulged in retrospection. Last night the

grandmother had beckoned her to follow her into the little grassy

garden back of the house. When they reached there, her mother had said:

"Look up to those stars and tell me: Can you still kiss your husband

and your child, with pure lips? If--God forbid--it be otherwise--"

"Mother!" Walpurga had cried. "Mother, I can. I raise my hand and call

God to bear me witness, I am just as I was when I left home."

Said the mother: "That makes me happy. Now I'm content to die."

"No, mother; let's live together in happiness for many years to come."

"I'm content. And now let me give you a piece of advice; and mind what

I tell you. You've been out in the wide world for nearly a year. You've

been riding about in carriages, while I've been here in the cottage and

garden, taking care of your child. But, for all that, my thoughts went

out into the world, and far beyond, where coach and four never get to.

Now listen to me and obey me."

"Yes, mother; with all my heart."

"Then mind what I tell you. Give yourself time to get used to things

again, and don't ask for anything out of reason. You can't expect your

child to love you yet. You've been away from it so long that it doesn't

know you, and has become estranged. And so you must expect to find it

with everything else. Your husband's been alone for nearly a year; his

lot has been much harder than yours."

Here they were interrupted. Hansei called from the window and asked

them what they were doing out there so late, in the dark.

"And now go to sleep," said the mother. "I've had your bed aired these

three days. Sleep well. Goodnight."

The mother led her daughter by the hand as if she were a little child,

and when they had passed the threshold, she fell upon Walpurga's neck

and hugged and kissed her in the dark.

Walpurga had closed her eyes, and, in thought, recalled all that had

happened during the preceding night. Everything seemed double, just as

with the stars that are reflected in the lake at night, making it seem

as if there were two skies, one above and one in the waters below.

At the thought of the lake, Walpurga arose, quietly dressed herself,

bent over her child and husband for a moment, softly opened the door,

left the room, and went out of the house. She passed through the

garden. The air was filled with the fragrance of the elder-bushes in

the hedge The finch on the cherry-tree warbled merrily, and she would

fain have called out to him: "Be quiet; wake no one till I return."

She passed on. From the reedy banks of the lake, where the water-ousel

and the reed-sparrow were chirping their song, there flew up a flock of

wild ducks, twittering while on the wing.

The sun rose, and the whole lake shone as if a softly undulating golden

mantle had been spread over it.

Walpurga looked about her in all directions, and then, undressing

herself in a trice, jumped into the lake. She dived and rose again,

brushed her hair from her face and plashed about, as happy as if she

were a fish at the bottom of the lake. The golden mantle of the lake

assumed a purple hue, and Walpurga looked up at the purple sun, and

over the glowing lake. "Thus it is," said she, "and thus it's right.

I'm here again and yours again, and everything else is put away from

me. I've never been away." Under the clustering willows, she hurriedly

dressed herself, and felt so happy and cheerful that it cost her an

effort to refrain from singing aloud. Blue and green dragon-flies

hovered over the water. Swallows were flying over the lake and dipping

their bills into the waters, which were gradually acquiring a paler

hue, and from yonder forest resounded the cuckoo's note. A stork among

the reeds seemed to watch Walpurga while she dressed herself. She

noticed the bird rattling its great bill and waved it away. She hurried

back to the house. The finch in the cherry-tree was still warbling its

morning song, the two cows in the stable were lowing, but everything

else about the house was still wrapped in silence. For a long while,

Walpurga stood gazing at the flowers on the window-sill, and was

delighted with the fragrance of the pinks and the rosemary. She had

planted them while still a child, and before she had had a garden of

her own. All the earth that she could then call her own, was contained

in these flower-pots. Now she was able to buy many a broad field, but

who could say whether they would give her as much joy as she now

derived from these dingy, broken pots.

It seemed as if the pinks had purposely blossomed, in honor of the

return of her who had planted and cared for them. There were scarcely

any buds left, but even these few were putting out their little red

tongues. Walpurga returned to her pinks again and again, and could not

get enough of their fragrance. Suddenly, she laughed to herself at the

thought of an old story that her mother had told her about blessed

Susanna, who, when hungry and thirsty, could satisfy herself by

smelling a flower. "Yes, but that wouldn't satisfy my folks," said she

with a smile, and went back into the house.

Mother, husband and child were still asleep. Walpurga sat by the cradle

for a little while. Then she went out to the kitchen, and kindled the

first fire on her own hearth. Silently she watched at the rising flame,

while the sounds of the matin bell of the chapel by the lake fell on

her ear. She pressed both hands firmly against her heart, as if to hold

fast the happiness with which it was overflowing.

CHAPTER II.

"What! at work already?" said Hansei, entering the kitchen, and bearing

in his arms the child, whose only garment was its little shirt.

"Good-morning! Good-morning to both of you," exclaimed Walpurga, with

joyful voice. Her every tone and every word seemed to say that she

could feed and satisfy them all with her love.

"Good-morning, my child!" said she. The baby stretched out its arms

toward her, but, when she offered to take it, turned its back on her

and laid its head upon Hansei's shoulder.

"Have patience with it; it doesn't know you right yet," said Hansei;

"after all, such a young child is just like an animal, and don't know

its mother if she's been living away from it."

As if to refute Hansei's humiliating philosophy, the child turned round

again, stared at the fire, pursed up its little mouth, and blew just as

when one does when blowing the fire.

"Grandmother taught her that," said Hansei. "It can do lots of other

clever things. Grandmother never slept so late as she does to-day. She

seems to feel that she's no longer obliged to draw the cart all by

herself. No one'll grudge it to her. Yes, there never was a better

woman in all the wide world, than your mother."

"Never was! isn't she so still?" asked Walpurga, in alarm.

Her mother had been so unutterably happy yesterday. Who knows but what

her joy had killed her? They had been so happy that perhaps misfortune

must come, for nothing is perfect in this world.

Walpurga trembled with fear while these thoughts flashed through her

mind.

"I'll go look after mother," said she, and went to her room.

Hansei followed, carrying the child on his arm. And now, when the

mother awoke, she said: "Well, and so they have to awaken me. Am I

still a young girl who sleeps late and dreams when the elder-flower is

in blossom? Yes, now I remember my dream. I dreamt that I was young

again and was a servant at the farm on the other side of the mountains,

and that your father came. It was on a Sunday, and he and I went off

together to my brother's, in the pitch hut. We were standing by the

brook where the elder grows, and father was on the other side, reaching

out his hand to me, so that I could jump across, when you woke me. I

can feel his hand in mine yet."

"God be praised that you're awake again," interposed Walpurga. The

mother smiled and continued:

"And now, Walpurga, I've only one thing to ask of you. If you don't

mind doing so, give me a florin or two. I'd like to go home once more,

to the place where I was born and was in service, and where my brother

lives; and I would like to have a few pence about me, to give to the

poor people who are still there."

"Yes, mother; you shall have all you want. We've plenty, thank God."

"I'd like to know," said the mother, "why I dreamt of my home last

night."

"That's plain enough," said Hansei. "A few days ago, when the

wood-carver from your village was here, they were saying that the owner

of the freehold farm there would like to sell his place. But who's got

money enough to buy that?"

"You see," said the old woman to Walpurga, "what a heretic and believer

in dreams your husband has become. He learned all that from the

innkeeper. And now give me the child and hurry out of here. Come, you

little chamois-kid, jump about and dance."

She sang to the child, and it stretched forth its arms toward her, just

like a bird glad to return to its nest.

Hansei and Walpurga left the room. The child lay beside the

grandmother, and the two were quite happy together.

"And now I'll milk the cow," said Hansei.

"You?"

"Yes. Who else? Mother can't do everything."

"No; let me do that now."

Walpurga went out to the stable with her husband; she wanted to relieve

him of the task, but it would not do, and Hansei said:

"There's no need of it, either; that'll all soon be different. When you

become landlady, we'll have two servants, at least, and they can see to

the milking. We'll have room for six cows besides our own, and will be

entitled to have as many more on the mountain meadow. Then you can make

butter and cheese, and do what you like."

Hansei seemed to be talking to the cow. He did not care to see what

sort of a face his wife would make. But now she had, at all events,

heard of the matter, and they could talk it over, afterward.

Walpurga was about to reply, when the stable door opened, and a girl

entered, carrying a cake on a large platter.

She removed the cloth with which it was covered, and said:

"My master, the landlord of the Chamois, sends this with his kind

greetings, and his welcome to the wife."

"You silly thing!" exclaimed Hansei, jumping to his feet, and looking

quite oddly with the milk-pail buckled fast to him. "You silly thing!

People don't carry cakes into a stable. Take it into the room, and when

you get home, give them my best thanks, and tell the innkeeper, our

godfather, to honor us with a visit soon--no, we'll come to see him

this forenoon; and now you may go."

Walpurga remembered that her mother advised her not to attempt to

change things at once. She determined, for the present, to listen to

everything, and let affairs go on in their own way, keeping her eyes

open in the mean while. Time would show how the land lay.

Hansei went on milking the cows, and Walpurga said nothing.

"One can't always have the world all to one's-self, the way it was down

at the lake this morning; but while there's such a bustle about my ears

I must keep my own counsel," thought she.

When Hansei had finished milking, and stood there with a pail in each

hand, he said:

"What do you think of it?"

"It's splendid milk; and there's lots of it, too."

"No, I mean what do you think of the landlord of the Chamois?"

"It's very polite of him, and I'm much obliged to him for it. We must

try to get even with him."

"There's no need of that; we'll have to pay dear enough for the cake.

But we're not so stupid, either. You'll soon see, Walpurga, I know

which side my bread's buttered on as well as he does. Yes," continued

Hansei, "if I'd only had a chance to talk to the king, you'd have soon

have found out that Hansei's not the dullest fellow in the world."

"I knew that long ago. I don't need the king to tell me that."

At breakfast, Walpurga was delighted to find that the child would take

a few spoonfuls of porridge from her: but it would not go to her, and

cried as if its heart would break when she tried to take it.

"Have you counted up all we're worth? Of all the money you sent, not

one penny's been taken. That is, I took fifteen florins to buy me a

rifle."

"That was right," said Walpurga. And with all her confidence in him,

she resolved that she would not hand Hansei the money that Irma had

given her on the day she left the palace. She knew not why, but she

felt a dread of the gold that had come to her in so strange a manner.

She had not yet looked at it herself. Besides, she felt that it might

be well to keep something in reserve for a rainy day. It might be

better if all were not displayed at once. She promised to reckon it all

up before noon, and expressed her regret that she had no closet in

which to pack away all the pretty things she had brought with her in

the chest.

"I wouldn't unpack at all, if I were you," said Hansei. "You might as

well wait till we have our inn. You'll find enough chests and trunks

there."

Walpurga made no answer. Hansei looked at her curiously, but she

remained silent.

"Why don't you say something about the matter?" he inquired at last.

"Because you haven't told me about it right. Come now, what do you

really mean?"

Hansei informed her that every one said the most sensible thing he

could do would be to buy out the landlord of the Chamois. There

couldn't be a better hostess in the world than Walpurga, and they would

have a larger custom than any house in the land. They could alter the

sign--that would be a clever stroke and would draw more than anything

else. It should no longer be "The Chamois," but the "The King's Nurse,"

or "The Prince's Nurse," instead. There was a painter thereabouts, who

would make a new sign, representing Walpurga with the prince in her

arms. People would be drawn together from all parts of the

neighborhood; there wouldn't be tables and chairs enough, and money

would pour in on them from all sides. The bargain was a fair one; the

innkeeper had named a reasonable price. "Every one says so," said

Hansei, "and now what have you to say? for it's for you to decide."

"I don't care for what the people say," began Walpurga, "but tell me,

frankly, have you concluded the purchase? If you have, I've nothing to

say. I wouldn't have you break your word nor disgrace yourself, for all

the world. You're the husband and your word must be kept."

"That's right; if only every one could have heard that."

"What need you care whether they hear it or not?"

"Why, the stupid people think that you rule everything, because the

money comes from you. To be frank with you, the bargain isn't

concluded; it all depends upon your consent."

"And if I were to say 'no,' would you be angry? Answer me; why are you

silent now?"

"Well, it would grieve me to the heart if you did."

"I don't say 'no,'" answered his wife, soothingly. "But there's one

thing we'd better have an understanding about, at once. I never want to

hear another word as to where the money comes from. You were alone all

that time; you've had to suffer for it, as well as I, and, take my word

for it, I shan't forget it. But, as I told you before, I don't say

'no.' We're husband and wife and will talk over and settle everything

together. If the money's to bring discord, I'd rather throw the whole

of it into the lake and myself in after it."

Walpurga wept, and Hansei, with choking voice, said: "For God's sake,

don't weep. I feel as if my heart would break when you cry. I wouldn't

have you cry, no, not for ten inns. Oh Lord! to cry on the very first

morning! Depend on it nothing shall be done, unless you're perfectly

satisfied."

Walpurga held out her hand to him, and, with the other, wiped away the

tears which had relieved her overflowing heart. They heard visitors

approaching. Walpurga hurried to the bedroom, for she would have no one

see that she had been weeping. While in the room, she put the gold that

Irma had given her into a pillow-case, and then hid it. One piece of

the money had dropped on the floor. She picked it up and looked at the

image of the king stamped upon it. "Such a king's head goes

everywhere," said she. "If he could only be everywhere in thought, so

as to set everything to rights. But that's more than any man can do.

God alone can do that--How are they getting on in the palace? What will

become of them all? Is it only a day since I left there?"

Lost in reverie, Walpurga remained in the room for a long while. At

last, with a deep sigh, she awakened to the fact that, in this world,

none can afford to give all his thoughts to others. It was now her duty

to take care of herself. Various neighbors and friends dropped in to

welcome Walpurga. Hansei, who was all impatience, said that she had

just gone to her room and would return in a little while. At last

Walpurga came, radiant with joy and health. They all expressed

themselves delighted to see her looking so well, spoke of the excellent

reputation she enjoyed, and assured her that they took as much pleasure

in her good fortune as if it were their own.

Walpurga thanked them heartily. The great cake which the innkeeper had

sent was soon eaten up, for she offered some of it to every visitor.

"How goes it with old Zenza?" asked Walpurga.

"Just to think how good she is; she even remembers the old torment.

Yes, your kindness was thrown away on her and her offspring," said

several voices. She was soon informed that Zenza, with her son and

Black Esther, had left the neighborhood. No one knew where they had

gone, but the root-hut on the Windenreuthe now stood empty.

Nor did troops of beggars from the village and the neighboring country

fail to present themselves. It must have been quickly noised about that

Walpurga had returned, bringing a whole chestful of gold with her.

Walpurga was astonished to learn how many relations she had in the

neighborhood. Many claimed relationship with her father, but were

unable to state exactly in what degree, and some of the beggars, who

disputed each other's claims, were soon involved in quarrels with each

other. Walpurga dispensed modest gifts to all of them. They left in an

ill-humor. What they had received had hardly been worth the trouble of

going for it, and the highways and byways resounded with imprecations

launched against Walpurga, who, they said, had become proud and stingy.

But there were soon fresh troops of beggars. It was like scattering

wheat among sparrows; more were constantly coming.

"Take your whip and drive the whole pack of beggars away," suddenly

cried a loud voice from the road.

It was the innkeeper, accompanied by his two dogs Dachsel and Wachsel,

who added their voices to that of their master, until at last a beggar

gave one of the dogs a kick that sent him off yelping. The innkeeper

now swore more violently than before, but Walpurga went out and, in

quite a determined tone, requested him not to interfere, and then

doubled her gifts to all of them. She thus escaped a confidential and

patronizing familiarity on the part of the innkeeper. She was, as yet,

uncertain how she ought to behave toward him. He was evidently Hansei's

seducer. If she were to show herself angry at him at the start, it

might lead to much vexation and would destroy all her influence. On the

other hand, she found it difficult to force herself to greet him in a

friendly manner.

When he had entered the room, he asked Hansei:

"Have you told her everything?"

"Of course."

"And is she agreed?"

"She says she'll be satisfied with anything I do."

Walpurga came into the room, and with the words, "Welcome, and many

congratulations to the hostess of the Chamois," the innkeeper extended

his hand to her.

"Thanks for the first; but, before I accept the second, my husband must

be landlord of the Chamois."

"Heigho!" exclaimed the innkeeper, "how clever! how studied! how

dignified and polite! Look here, Hansei! haven't I always told you that

you've got a wife who might be a queen?"

"And why not, if my husband were a king?"

The innkeeper's fist descended on the table, and he laughed so heartily

at this clever sally, that his two dogs began to bark and thus

accompanied his laughter with their applause. He showed the other

visitors that it would not do to weary their hosts. He left soon

afterward, the rest of the company going with him.

CHAPTER III.

"And for your mother I'll build a snug room looking toward the garden,

where she can take her comfort. I always knew it before, but it wasn't

till you were away, that I found out what a treasure she is to us. If

the Lord only lets us keep her with us for many a year to come. Yes,

your mother shall have the best room in the house."

Thus spake Hansei, with gleeful countenance. Walpurga inquired: "Where

do you mean to build?"

Hansei looked around as if to express his surprise at her asking such a

question. He had yielded so far as to promise that nothing should be

done without his wife's consent. He thought that this was all that

could in reason be expected of him, and that it was best to finish up

the business at once.

With great self-command, he said:

"Why, at our inn, to be sure. I shan't do anything to this tumble-down

cottage. But I've already told them that they mustn't disturb the

nut-tree. You'll be surprised when you see how full it is. We shall get

three measures of nuts this year, and a nut year is a good one for

boys."

Walpurga clapped her hand to his mouth and, with downcast eyes, said:

"You're a dear, good fellow: but, believe me, I know you better than

you do yourself. I'm glad that you're much sharper than you used to.

be. I often used to tell you not to be so bashful and forever keeping

in the background. You've so much common sense; more, indeed, than all

the rest of them. If you could only have been behind the door, when I

told the queen about you; and she promised me faithfully that she'll

come to see us when she visits the mountains next year."

Hansei complacently swallowed the praise that his wife bestowed upon

him, and kept on smiling to himself for some time afterward.

Husband and wife praised and extolled each other--a custom more honored

in the breach than the observance, at least among peasants, who would

feel ashamed if they knew of it. Their coming together, after so long a

separation, seemed like a new wooing and wedding. The question of the

purchase of the inn prevented them, however, from fully realizing this,

and even threatened to imperil their domestic happiness.

"So you're agreed that we'll be host and hostess of the Chamois?"

inquired Hansei.

"I've told you already that we'd talk it over; and so you think you'll

make a good landlord?"

"Not so good a landlord as you will a landlady. That's what everybody

says; and the landlady's always the chief point. You'd be the best

landlady, for you can earn your bread with your tongue, just as the

parson does; and that'll help us to get a penny or two more for our

wine and everything else. You've got a way of looking right into

people's hearts, and can give and take, and that's the best sign that

you're made to be a landlady."

Hansei did not understand how Walpurga could still hesitate. The

highest ideal of the young mountaineer is to be an innkeeper; to supply

every one with meat and drink, and to live by the profits of it; to

give feasts and, at the same time, be the merriest one at them; to

receive money while others spend it; to have his house the rendezvous

of all, no matter how varied their pursuits and interests; to be the

helper and adviser of every one; the man with whom all keep on good

terms, who knows all that is going on, all about bargains and prices,

and who, like the lord of the manor in the olden time, receives a

profit whenever cow, or farm, or house change hands. And besides, what

others eat and drink tickles his palate, too, and he doesn't grow thin

upon it. And then, like the parson, he would derive profit from

baptisms, marriages and funerals; to say nothing of the strangers who

would come during the summer and would be obliged to pay tribute to the

landlord, because the mountains are so high and the lake so deep,

and because he allows them to see it all. Yes, an inn is like a great

lake--all the little streams that flow from the different mountain

rills concentrate there.

Walpurga stared at her husband in surprise, while she listened to his

animated and yet detailed description of the advantages of innkeeping.

She almost felt inclined to favor his plan, and thought to herself:

"Perhaps it would be the most sensible thing after all; for I'll never

feel quite at home again in the old, narrow ways of life that I once

used to lead. I've grown different, and must have something different."

Frankly and sincerely, she again assured him that she was not opposed

to the project, but that it would be well to go about it cautiously.

"And do you know what's best of all?" asked Hansei. "We're to have a

post-office here--the judge himself says so--and if it should fail us,

you could easily bring it about. You'll give the village a great name.

Indeed, you'll make a town of it, and the houses will be worth twice as

much as they now are."

He wanted his wife to go up to the village with him at once, in order

to look at the inn; but Walpurga said:

"Let me get a good rest in our old house before we go up there. The inn

won't run away. I can't tell you how happy I am to be in our house

again. I feel as if I must try every chair. Everything seems so good at

home. It's just as if every chair and every table had eyes, and was

looking at me and saying: 'Yes, we still know you, and have waited for

you'; and now, I beg of you, do let me rest awhile."

"Yes, yes; just stay," replied Hansei, walking up and down the room.

Suddenly, as if called by some one, he went out and split several logs

which he had laid aside.

Walpurga came out and looked at him with evident satisfaction.

"Yes," said he, "work will be kept up just as it always was. I shan't

be a lazy landlord--rest assured of that; and I won't take to drinking,

either. Are you going up to the village with me?" he inquired at last.

"Yes; but do come in."

Hansei was soon on the road, and was not a little proud to be seen

entering the village with his wife. At the fountain near the town hall,

there were women and girls with their tubs. As soon as they saw

Walpurga, they came up to her and offered their greetings and

congratulations.

The children were just leaving school. Walpurga called several of them

to her, shook hands with them, and gave them kind messages to their

parents. With saddened heart, she would hear of the death of such and

such a one. The other children were gathered in groups, and would stand

about, staring at her with surprise. Walpurga's being sent for and

taken to the palace had been as a fairy-tale to the village children;

and now the fairy herself was standing there in broad daylight, and

talking just as other people did.

At last Walpurga left them, but the children kept calling out her name,

in order to prove that they still knew her.

When she and her husband walked on, the latter pointed toward the town

hall. "Look!" said he, "I'll soon be there, too. It's almost certain

that they'll elect me as one of the town council. I might even become a

burgomaster. But I won't take that, for that would get an innkeeper

into lots of trouble."

Walpurga observed that the idea of becoming a host had taken deep root

in Hansei. She simply replied: "I find that you've seen a great deal of

the world this year, but you must certainly have learned that it's

every one's duty to care for his own, and that when one's poor and

unfortunate, no one lends a helping hand."

"Certainly; but thank God! we don't need any one now; quite the

contrary."

They were passing the house of Grubersepp, the wealthy farmer and,

indeed, the richest man in the community. He was a tall, lean man,

whose features always wore a sour expression. He was standing on the

steps before his house, and Hansei greeted him civilly. Grubersepp,

however, turned on his heel and walked off toward the stable. It would

not do for a rich farmer like him to welcome a day laborer's child like

Walpurga. The whole village might make fools of themselves on her

account, but a rich farmer like Grubersepp knows his own importance too

well. It would be mighty fine, indeed, if he were known to trouble

himself about a creature who used to be glad if he would let her have a

pint or two of milk on trust.

Hansei cried out aloud: "Good-day, Grubersepp! my wife's come back

again."

Grubersepp acted as if he had not heard him, and went toward the

stable.

The joy that Walpurga had experienced while receiving the greetings of

the villagers was not enough to compensate her for her pain at

the slight thus put upon her. After all, as it was only a silly,

narrow-minded farmer displaying his stupid peasant pride. Hadn't the

king spoken to her, and had he ever spoken to such a dolt as he? But

this did not satisfy her. Grubersepp was the first in the village, and

to be slighted by him, or to incur his ill-will, was no trifling matter

after all.

"I'll never be hostess to you, you old pitchfork," said Walpurga,

looking toward the house; "I'll never pour out a glass of wine for you

and say, 'God bless you!' with it."

"What are you saying?" said Hansei, as Walpurga uttered these words to

herself.

"If we could buy that silly old pitchfork's land, I'd like it much

better than the inn," she answered.

"Of course, that would be much finer; but we haven't enough money for

that; and, even if we had, Grubersepp wouldn't sell. On the contrary,

when a poor man has his eye on a field, he buys it up before he gets a

chance at it."

When Hansei and Walpurga arrived at the inn, they found quite a crowd

there. A new purchase of wine had just been opened, and, as usual on

such occasions, the drinking was at the host's expense.

"Ah! here comes the new landlady," exclaimed several voices.

"Thank you," said Walpurga, "my husband hasn't concluded the bargain

yet."

The hunter from Zell was there also, and Walpurga saw, at a glance,

that her husband was caught in a net of flatterers. She soon got out of

the room. The host and his wife showed her and Hansei through all the

rooms and the cellars. Walpurga found it all very good, but kept saying

that they would have to build and arrange everything anew.

"You're spoiled," said the innkeeper. "Here in the country, things are

different from what they are in your palace. You seem to forget that

one needn't drive a nail into this house for the next fifty years."

Walpurga would not permit herself to be drawn into any discussion of

the subject. On the way home, she remarked to her husband, that it

would be well to have the house examined by some one who knew all about

building matters, for neither of them understood anything about it, and

to make anything out of the innkeeper, was like drawing blood from a

stone.

Hansei was vexed that the bargain had not been concluded on the spot.

He felt as if he could not remain in the old house another hour.

Walpurga, on the other hand, wished to stave off the matter for a

while. Besides that, as Hansei was obliged to admit, she suggested many

points that required careful consideration.

That afternoon, Walpurga reckoned up all that belonged to her. It was a

handsome amount. There was almost enough to pay for the inn, with the

fields, meadows and woods belonging to it. One or two prosperous years

would enable them to clear off the mortgage which they might be obliged

to leave remaining on the property.

CHAPTER IV.

It was evening. The grandmother was in the room and, in a tremulous

voice, was singing her granddaughter to sleep. She, too, was singing

the song:

"Oh, blissful is the tender tie

That binds me, love, to thee."

Walpurga and Hansei were the only ones at the table, and he could

scarcely eat the potatoes as fast as she pared them. She would always

put the best and finest before him. "Just think of it, Hansei," said

she, looking so happy while she spoke; "the best things in the

world--sleep, sunlight, water, eggs, boiled potatoes and salt--are all

the same in the palace and in the cottage. The king and the queen can't

have them better than we, and the very best of all is the same

everywhere. And do you know what it is?"

"Yes; a good kiss. It wouldn't be any better from the queen's lips than

from yours; and there I'm like the king, too, especially when I'm as

nicely shaved as today," he added, taking his wife's hand and passing

it over his smooth chin.

"You're right; but I didn't mean to say it that way. Love's the same,

too. It can't be different up there from what it is here."

"I don't know what's come over you," said Hansei. "I never thought you

were such a witch, so clever and so wide-awake. It provokes me that

people should be so familiar with you, and treat you as if you were

still the same old Walpurga."

"You ought to be glad that I'm still the same, or else I shouldn't be

your wife."

Hansei stopped chewing the potato that was in his mouth and stared at

his wife in surprise. At last he hurriedly bolted down the potato and

said: "Now that joke don't please me at all. It's wrong to joke about

such things." Both were silent.

In the next room sat the mother singing:

"My heart doth bear a burden,

And thou hast placed it there";

And the song seemed to touch them both.

"I've got something to tell you," said Hansei, at last. "It's been my

habit, for the last year, to go up to the Chamois after supper, and

especially on Saturday evenings. Sometimes I've taken a drop, and

sometimes not; and as this is Saturday and as they'll all be there, I

think I'd better go up once more, just for your sake."

"For my sake?"

"Yes, for fear the people might say: 'Now he's got to duck under, for

his gracious wife has come home.'"

"Why do you always worry about what the people say? Suppose they were

to say: 'What sort of a man is this? His wife was gone for a year, and

on the second night after her return, he runs off to the inn'?"

Hansei, unable to parry this thrust, stared at her in surprise. At last

he said: "I think I'll go, after all. You won't think hard of it, will

you?"

"Go, if you like," replied Walpurga, and Hansei hurried off. Walpurga

looked after him, while her eyes filled with tears. "Is this what I've

so longed for?" thought she to herself. "Was it for this that I thought

the minutes would never end, and felt as if I must chase the hours

away?"

Her mother came in and, gently closing the door, said: "She sleeps

sweetly."

The ruddy glow of the rosy setting sun illumined Walpurga's

countenance, in which, it was plainly to be seen, a great change had

taken place since that sun rose.

The child again began to cry. The grandmother went in to it, and

Walpurga stealthily hurried in the direction of the lake. It was night.

The waves were softly beating on the shore; the reed-sparrow was still

chattering, and the water-hens kept up their twittering. Far up on the

mountain, bright fires were burning; for it was Saturday night, and the

mountain lasses were looking out for their swains. And now the moon

rose over the summit of the Chamois hill and shone upon the lake.

Walpurga, as if lost in reverie, stood there for some time, gazing into

the lake. Then she turned toward home, but, instead of going into the

room, quietly stole into the cellar. With almost superhuman strength,

she moved the stone cabbage-tub from its place, dug a hole in the

ground, placed the money that Irma had given her in it, and shoved the

cabbage-tub back into its place again.

She was washing her hands at the pump, when she noticed that her mother

was lighting the lamp in the room. She went in, staring at the light.

"Why do you stare at the light so?" asked her mother.

"Well, mother, I'm not used to a single light any more; in the palace,

there are ever so many."

"But the people there have only one pair of eyes," replied the mother.

"No, my child; that's not why you look so troubled. Tell me honestly,

what's the matter?"

Walpurga frankly confessed that it almost broke her heart to think that

her husband couldn't stay at home on the second evening after her

return, but must go to the inn.

"Give me your hand," said the mother. "Yes, I've been thinking about

your hands. I've noticed that you wash them whenever you've touched

anything. That's very nice, but it won't do here. Your hand's become

soft and tender this last year, while mine's as hard as leather; and

you'll soon have to harden your hands too. For God's sake, don't make

your husband skittish, and don't give him an ugly word. Take my word

for it, he couldn't help going up there to-night, and it's Saturday

night besides. It was just as if six horses were dragging him. He's got

used to it, and habits are strong things that can't be changed at will.

He's not bad; I'm sure of that. Let him have his own way, just as he's

used to, and he'll soon be all right again."

Walpurga made no answer. She busied herself paring potatoes for her

mother, who went on to say:

"The things that are God's gifts we have just as good as they have them

in the palace."

"There! we've saved one poor soul," replied Walpurga with a smile, "I

said the very same words to Hansei, a little while ago."

When they had finished paring the potatoes for the next day, the mother

said:

"I'll tell you what. Let's close the front door, and sit on the little

seat your father was so fond of, in the grassy garden back of the

house. There we can talk to each other without being disturbed, and, as

the lights are out, we'll have no visitors. Nor do we want any, for

we're enough by ourselves."

"Oh God! if only my husband felt so, too."

"Let him alone at the inn. Thank God that we're alone together. Don't

act like a deposed queen; it only makes it so much the harder for you."

Mother and daughter went out through the back door that led to the

little garden, where they seated themselves on a bench which stood

against the wall and opposite the stable window, and left the back door

ajar so that they might hear the child if it should cry. They heard

nothing, however, except the noise, made by the cows while feeding. The

moon was high, and the shimmering surface of the lake reflected its

rays. Now and then, the _yodel_ of some distant mountaineer, the

barking of a dog, or the soft splash of an oar, were the only sounds

that broke the silence.

"If the first two weeks were only over," said Walpurga, "I'd be better

used to it."

"Don't wish for time to pass. It comes and goes of itself."

"Yes, mother; tell me everything I'm to do, I don't care to have my own

will now."

"That won't do, either. Those who can walk alone must fall alone."

"I'll try to do my best."

"Very well. Tell me one thing: how is it in the palace about now?"

"About now? Dear me, it seems two years since I left there. By this

time, the lamps have been lit in all the passageways, and downstairs,

where the king and the queen are, they're just about leaving the table.

But we have nothing to do with that. Mademoiselle Kramer is reading her

book. She reads a book through every day; and my prince. O you poor

child--"

Walpurga burst into tears. At the same moment, her own child began to

cry and the two women hurried in.

"It was only dreaming," said the mother softly. "The child must feel

that the right mother is come."

Walpurga again felt conscious of the double life she was leading.

Although she was at home, her thoughts were still at the palace.

Everything seemed confused and indistinct, and when she found herself

again sitting on the bench at her mother's side, she was obliged to

stop and consider where she was.

"It seems to me," said the mother, "that those who possess so many

worldly gifts as the king and queen and the quality have, can't take

much time to think of the heavenly life hereafter."

Walpurga told her how pious they all were at court, and that the queen,

although a Protestant, was especially so.

They conversed with each other in calm and gentle tones. Walpurga

rested her head against her mother's heart and, at last, fell asleep

there. The mother held her in her embrace, scarcely venturing to

breathe, lest she might waken her. After they had been sitting there

awhile, she awakened Walpurga and told her that she might catch cold

and had better go to bed. Walpurga scarcely knew where she was and,

while still rubbing her eyes, she asked: "Isn't my husband home yet?"

"Just go to bed, I'll help you," said the mother, and she undressed

Walpurga, as if she were a little child. Then she sat down by the bed

and, taking her daughter's hand in hers, said: "You see, it's a queer

thing when people who belong together have lived apart for a long time.

They've become used to getting along without each other, and the only

thing to do is to wait till they grow used to each other again. Take

precious good care that you never speak an unkind word, and don't dare

to think to yourself: 'If I only were away again, and out in the

world.' If you harbor such thoughts, you'll be like a tree cut off at

its roots and transplanted--it must die. Mind what I tell you! Whenever

you can change anything according to your own notion, do so; but you'd

better not attempt to alter what can't be altered. Make up your mind

that it's got to be as it is, and submit. There's nothing so silly, in

all the world, as to wish for what you can't have. When the wind blows

and the rain descends, you'll often hear people say: 'If it were only

fine weather to-day.' We can't change the weather outside of us; but we

can see to it that there's fair weather inside. And what I was going to

say is: see that you have fair weather within yourself and then all

will be well."

"Yes; but what am I to do?"

"Make an effort this very night. Promise me, faithfully, that if you're

awake when your husband comes home, you'll say to him, cheerfully, 'God

greet you, Hansei!'"

"I can't do that, mother; indeed, I can't."

"But I tell you you must be able to do it, or else you're not a true

wife and mother, and every piece of gold you've brought home with you

will be as if a fiery demon were lurking in it. You promised to obey

me, and at the very start you refuse."

"Yes, mother; I'll try my best."

"Well, then, good-night," said the mother, and returned to her room.

Walpurga lay there in silence. Anger and sorrow kept her awake. Her

child had become estranged from her, her husband had acquired bad

habits and preferred the society of his comrades to hers. For whose

sake had she imposed the heavy burden upon herself? For whose sake had

she gone among strangers to earn all that she had brought home with

her, and for whom had she kept herself so pure? She wet her pillow with

bitter tears. But suddenly an inner voice said to her: "Do you mean to

take credit to yourself for having been honest? Were you honest for

yourself, or for others? and weren't they obliged to suffer, too, in

taking everything upon themselves? Oughtn't you to thank God that they

didn't die of grief?--Yes, that was all very well; but now they ought

to be heartily glad and grateful--I can't expect it of the child, for

that's too young to know; but my husband--he has sense enough when he

feels like it. And have I gained all this only to be a hostess to the

whole world? No, I've earned it, and I've a right--For God's sake! A

right? There's the trouble. When the one always insists upon claiming

his rights from the other, it's just like hell itself--I don't want any

rights; I've got no rights; I want nothing at all. All I wish is to be

an obedient wife and a good mother--Dear Lord, assist me if I'm not

one."

Heavy steps were heard approaching. Hansei entered and, with cheerful

voice, Walpurga exclaimed: "God greet you, Hansei! I'm glad that you've

found me still awake."

"I've won the bet! I've won it!" exclaimed Hansei with a loud voice.

"There's two men standing out there under the window. We had a wager

together and I've won six measures of wine from them. They said that

the best proof of a wife is the way she receives her husband when he

returns from the tavern, or when he awakes her out of her sleep. I told

them: 'I know my wife. When I get home, she'll be kind and friendly to

me.' But they wouldn't believe a word of it. And so we've had a wager,

and I've won it; and if all the wine in the whole world were mine, it

wouldn't please me half so much as to know that I was right."

Hansei opened the shutters of the window toward the lake, and called

out: "Now you've heard it, friends. You can go now; I've won the wine.

Good night!"

Walpurga pulled the cover over her head. There was laughter outside,

and the two men departed. For a minute or two, the bright moonlight

shone into the lowly cottage, and then the shutter was closed again.

CHAPTER V.

When Hansei awoke the next morning, the cows were already milked, and

the house looked so bright and clean that it seemed as if one of the

kind fairies that dwelt on the mountains had been putting things to

rights. A pot of blooming, scarlet pinks stood in the center of the

table, over which a neat, white cloth had been spread; and, as if to

hide the dingy flower-pot from view, a garland of leaves had been

twined around it.

"You've been industrious," said Hansei, and Walpurga answered: "Yes, my

thoughts wandered far away into the world, and have come back again.

You see, the quality have all that one can wish for, but do you know

what they haven't got?"

"No."

"They've no Sunday; and do you know why?"

"I don't know that, either."

"Because they've no real workdays. In the palace, when you get up in

the morning, your boots and shoes are ready at your door just as if

they had blackened themselves. The coffee is ready of itself, the bread

has baked itself, the paths have swept themselves clean, and everything

is attended to, one hardly knows how. But to do everything with your

own hands--Just see! to-day, I've already put my hand under your feet;

I've cleaned your shoes."

"You mustn't do that; that's no work for you. Don't you do it again."

"Very well, I won't do it again. But to-day I've done everything, and I

can hardly tell you how happy I felt when I went after the first pail

of water. It went hard at first, but I managed it, after all. And now

I'm longing for breakfast. Since the day I left home, I've never once

been so hungry as I now am."

When the grandmother came, bringing the child with her, she, too, was

surprised, and said: "Walpurga, you'll turn our cottage into a palace."

With joyful mien, Hansei told her of all that Walpurga had been doing,

and the mother said: "She's right; an industrious home is the happiest

home, and now, just because you've got some means, you must work so

much the more. For where there's idleness riches take wings to

themselves; but if you're always adding something, no matter how

little, to your store, the old is likely to stay."

"I don't think we need go to church to-day," said Hansei, "mother's

giving us the best benediction."

"Yes, but we'll go to church, for all that," replied Walpurga. "All the

time I was away, I've looked forward to this first going to church.

What a fine day it is! I don't believe there ever was such lovely

weather." Their intercourse was full of happiness. The only drawback

was that the child still refused to go to Walpurga.

Walpurga told her mother that everything had been well attended to

during her absence, but she was displeased at one thing.

"What is it? what have I done?"

"Why, you didn't get yourself a servant."

The old woman smiled. She could never do that. She didn't know how she

could ever order a servant about. And now Hansei said he wouldn't allow

his wife to overwork herself, and that there must be a servant in the

house.

The grandmother recommended one of her brother's children from over the

mountains. So it was decided that they should send word to Uncle Peter

to come, and bring one of his daughters with him.

The morning was clear and bracing, and Hansei, who had put on his

snow-white shirt, said, while lighting his pipe:

"Walpurga, let your mother work a little while, and come out into the

garden."

He was sitting on the bench under the cherry-tree. Walpurga soon joined

him and, after the fashion of women, said that she could only remain

for a short time, that she had various matters to attend to, and that

they ought to be at church in good season.

She sat down beside him, and Hansei said: "Why don't you say something?

you must have lots to tell about."

"I can't think of anything now. Just wait, it'll all come in time. It's

happiness enough that we're together again. If we, all of us, only keep

well. I think our cherry-tree has grown."

"And now that I think of it, you've had no cherries from it this year.

I'll climb up and get some for you, and if I could get up, way beyond

the tree, and bring down the blue sky for you, I'd do it."

He climbed up the tree, and cried out: "Shoo! you sparrows, you've had

enough. My old woman's here again, but she's a young one, still, and

wants some, too. You've had your wives with you the whole year, and I

haven't." He hurriedly plucked the finest cherries, singing the while:

"In cherry time, you left me, dear;

In cherry time, again you're here.

The cherries they are black and red,

And I'll love my darling till I'm dead."

Suddenly he called out: "Walpurga, I must come down, I can't get any

more for you, I'm so giddy."

He was soon on the ground again and said: "That never happened to me

before, in all my life, and I've been up there many a half-day at a

time. I suppose it's our good fortune that makes me so giddy. I'll

never climb a tree again, I promise you that. It would be a terrible

thing if I were to fall down. We must take care that we keep well and

hearty, and stick to each other. I don't want to break my legs. I want

to dance with you yet. I'll dance with you at Burgei's wedding. It

seems as if I could hear the music already. Hark! don't you hear

anything?"

"No. It'll be a long while before the music for Burgei's wedding is

struck up."

"And she must get a good husband; I won't have it otherwise. What do

you think of a prince? but I'll be quiet, for I'm talking nothing but

silly stuff. I scarcely know what I'm saying, where I am, or who I am,

and--"

"We're at home, and you're my husband and that's all of it. You'll see,

I have something else good in store for you."

"Tell me nothing, and promise me nothing more. I've got enough already.

I can hardly believe that we've a child. It seems as if we were just

married."

In a soft voice, too low for any passer-by to hear it and just loud

enough for them to know they were singing, they sang:

"Oh, blissful is the tender tie

That binds me, love, to thee.

And swiftly speed the hours by,

When thou art near to me."

Just like the finch who never wearies of repeating his song, they sang

the same words over and over again. They had nothing more to tell each

other, for they were unspeakably happy. The church bell now began

tolling. Its sounds, floating over the lake, were echoed back from the

forests and mountains. A wagon was seen coming from the village and

Walpurga said: "We must get ready for church."

They went into the house. The mother had already brought Hansei his

royal Sunday suit. They soon heard the cracking of a whip and a voice

cried out: "Are you coming?" Hansei put his head out of the window and

asked: "What's the matter?" Covering herself with a large sheet,

Walpurga looked out of the low window. The innkeeper's head-servant,

who was standing by the wagon out in the road, answered:

"My master sends you his wagon, so that you may drive to church."

"Walpurga, do you wish to ride?" asked Hansei, at the closed chamber

door.

"No, I'll walk. I beg of you, Hansei, send the wagon away; I've had

enough riding." Hansei went out. At the same moment the innkeeper, with

his military medal glittering on his breast, arrived.

Hansei thanked him, but said that his wife didn't care to ride. But it

was not so easy to deny the innkeeper, who waited until Walpurga came

out of the house.

She was not long dressing herself, and that is saying a great deal; for

this was to be her first appearance at church and she knew that all

eyes would be directed upon her. When she came out, clad in tasteful

attire, the innkeeper said:

"You must do me the honor of letting me drive you and your husband to

church."

"I'm still quite sound on my feet, and shall be glad to have a good

walk again."

"You can do that, too; but not on the first Sunday. We'd feel ashamed

before the folks who live in the wilderness and out at the

Windenreuthe, if we didn't show them that we know how to treat a woman

like yourself with proper respect. We're all proud of you."

"Thanks. Don't think hard of it, but I won't ride."

Walpurga was not to be moved. The innkeeper was about to give vent to

his anger, but, fearing the consequences, he restrained himself, and,

with smiling mien, said:

"I ought to have known as much. Walking's a great treat to the quality.

Yes, indeed!" He laughed at his own cleverness and sent the wagon home

again. He kept smiling till he had a chance to turn his back on Hansei

and Walpurga, when his face assumed quite an angry expression. He went

home, took off his coat with the medal, hung it up in the closet, and

wished he could hang himself in the same manner. Who could tell but

what Walpurga would interfere both with all his fun and the handsome

receipts he expected that day.

Walpurga and Hansei started off by the road along the lake, the

grandmother, with the child on her arm, standing at the garden hedge

and looking after them. She softly repeated to the child: "mother," and

it suddenly called out "mother" in a loud voice. Walpurga turned round

and wanted to hug the child, but it again tried to hide from her, and

cried when she attempted to kiss it. Hansei stood by, and was so vexed

that he raised his hand as if to strike the child, but Walpurga

pacified him and said: "We must wait."

The second bell was ringing, and they hurried on. On the way, they were

joined by men, women and children coming from the village and various

farms in the neighborhood. Hansei longed to drive them away, and he

once said, softly, "I'd like to go with you, alone."

"Be patient," said Walpurga, "don't begrudge them their delight in our

happiness." She was affable to all. Hansei looked out over the lake,

then up at the sky, and then again at his wife, as if to say: "She's

here again." He smiled when he heard the children saying: "She's the

grandest peasant now--she comes right after the queen."

The third bell, or the ringing in, which generally lasts a full quarter

of an hour, had just begun, when Hansei and his wife reached the

church. Many churchgoers were standing about in groups and welcomed

them. There was still time to remain there, chatting for awhile; but

Walpurga took her husband's hand and went into the church with him.

They were the first to enter. Walpurga took her usual seat in the place

allotted to the women, and Hansei went into that assigned to the men.

Thus they were together and yet apart. The bells overhead were still

ringing out their merry peal, while they sat there in silent

introspection. Once only did Hansei nod to his wife, but she shook her

head deprecatingly.

The playing of the organ began, and the people poured into church.

Walpurga knew that such and such a one was near her, but she did not

wish to be welcomed or greeted by any one in such a place. She felt

that the eye of the Invisible One was resting upon her.

The pastor preached of the return to the everlasting home. It seemed as

if his words were intended for Hansei and Walpurga; as if he were

speaking only to them.

When the sermon was over and prayers were offered for the king, the

queen and the royal family, there was strange whispering in the church.

Walpurga felt that all eyes were directed upon her, and did not look

up.

The service was over. The congregation left the church, and Walpurga

was now welcomed by the latecomers.

The sexton came to Walpurga and Hansei, and said that the pastor wished

to see them in the vestry. They went in. The pastor again welcomed

them, spoke of their good fortune, and admonished them to be humble.

"Yes, yes," said Hansei, "my mother-in-law said almost the same thing."

The pastor promised to visit them before long, and said that he was

proud to have such a woman among his parishioners. Hansei put out his

hand as if to check him, and felt like answering: "What's the use of

your warning us against pride when you tell us such things yourself?"

The pastor motioned him to be quiet, and went on to say: "I shall visit

the capital next week, and you must do me the favor, Walpurga, to give

me a letter to Countess von Wildenort."

"With all my heart," said Walpurga.

When they were out of doors again, Hansei looked at his wife from head

to foot. And so even the pastor would ask his wife to intercede for

him. Yes, she was a splendid wife, if all that couldn't turn her head.

"Oh Hansei," said Walpurga suddenly, "what a pack of fools they all

are. They do all they can to make one proud, and if one were to become

so, they'd do nothing but abuse you."

Hansei was on the point of saying that he had thought the very same

thing, but, before he had a chance to do so, he saw Schneck the tailor

coming down the mountainside, and carrying his great bass viol. The

weak and delicate-looking man, with the great instrument on his back,

presented quite an odd appearance.

"Heigho! why here's the wedding party," exclaimed the tailor, while he

left the meadow path and ran up the road to shake hands with Hansei and

Walpurga.

"What's the matter? what are you going to do?"

"I'm going to play for you to-day."

"For us? Who ordered you?"

"What a pity my wife didn't live to see this day. How happy it would

have made her. Don't you know about it? There's going to be a great

feast at the Chamois, in honor of your return, Walpurga, and the

innkeeper has engaged me and six other musicians. The forest keeper,

the chief forester, all the judges of the court, and everybody for six

leagues around, have been invited. How stupid that I've only got my

bass viol with me, or else I'd play you a piece, right here on the

road."

"There you have it," whispered Walpurga to her husband, "the innkeeper

makes money out of everything. If he only could do it, he'd have

fiddle-strings stretched over my back, and have the skin drawn off of

you to make drum-heads with."

"Go on; we'll follow," said Hansei to the tailor. He was annoyed when

others joined them on their way home. He wanted to be alone with his

wife. No one should have a share of her; she belonged to him alone.

"It'll soon be a year since we sat on this pile of stones. Do you

remember? It must have been somewhat about here," exclaimed Hansei,

with joyous voice.

Walpurga gave an evasive answer. She told Hansei that she thought it a

stupid piece of business for the innkeeper to make a festival of her

return, but that she wouldn't put foot in the Chamois for all his

music.

Hansei had not thought so ill of the projected entertainment; on the

contrary, he had found pleasure in the idea of sitting in the midst of

the crowd, with his wife by his side and all the people frisking about

him. That was more than Grubersepp, with all his money, could get. It

was not without a struggle, that he, at last, said: "Just as you

please; you ought to know best whether it's proper for you."

As soon as the afternoon service was over, crowds, on their way to the

Chamois, were seen hurrying through the village in carriages, on

horseback, or afoot. The sound of the music could be heard from afar,

and the tones of tailor Schneck's bass viol were heard over all.

"If I could only hide myself from them," said Walpurga.

"That's easily done," said Hansei, triumphantly, "that's all right. Let

us go off together, by ourselves."

He went out through the back door and into the back garden and loosened

the boat from the spile. While the chain rattled over its side,

Walpurga laid her hand on her heart and said:

"You've loosened a chain from my heart."

They got into the boat and pushed oft, and, like an arrow, the slender

bark shot out over the smooth water of the lake.

"The pastor meant to come," said Walpurga, when they had gone some

distance.

"He can come some other time; he won't run away," thought Hansei.

"We're rowing together, just as we did when we were betrothed."

Walpurga also seized the oars. She and Hansei sat face to face. The

four oars rose and fell as if it were a single hand that plied them.

Neither spoke a word; there was nothing to be said. The happy glances

they bestowed on each other were full of eloquence, and the equal

stroke of the oars told the whole story.

When they reached the middle of the lake, they heard loud music from

the shore, and, looking back, saw a great crowd, accompanied by the

band, in front of their house.

"Thank God! We've escaped that," said Hansei.

They rowed on, further and further, and went ashore on the opposite

bank where, holding each other by the hand, they walked up the hill.

They soon reached a bluff, where they rested for awhile. At last,

Hansei said:

"Walpurga, it seems to me that you don't want to be the landlady of the

Chamois. Tell me frankly, is it so?"

"No, I don't; but if you're really bent upon it--"

"I want nothing that doesn't suit you."

"Nor do I want anything that displeases you."

"And so we'll let the innkeeper go his own way?"

"Gladly."

"We can wait."

"We can remain as we are, for the present."

"We'll soon find a good chance."

"The money won't grow moldy."

"Nor will you. I've got a bran-new wife. Hurrah! hurrah!"

Their voices joined in merry song, and they felt as if relieved from a

self-imposed burden.

"They may make sport of me, as much as they please, as long as we're

happy together," said Hansei.

"Hansei, I'll never forget you for that. There's something else coming,

too."

"There needn't be anything more. All I ask for is that we may keep what

we have."

They sat there for a long while, and at last Walpurga said:

"Oh! how beautiful the world is. If we could only always remain

together thus. There's nothing more beautiful than to sit here and look

at the lake, through the green leaves and the gray boughs. There are

two skies, one above and one below. Hansei, we have two heavens, too,

and I almost think that the one on earth is the lovelier of the two."

"Yes, but joy has made me hungry and thirsty; I must have something to

eat."

They descended to a quiet, desolate-looking village that lay near by.

Here and there people were seated before their doors, chatting and

yawning, to while away the sultry hour of noon. But Walpurga said:

"Oh, Hansei, how beautiful everything is! Just look at that

wheelbarrow, and that pile of wood, and that house--I don't know what's

the matter with me, but I feel quite dizzy, and as if everything were

smiling at me."

"You must have something to eat and drink; you're quite beside

yourself."

They found the inn-parlor untenanted except by myriads of flies.

"They've got lots of guests here, but they don't pay anything," said

Hansei, and they both laughed with all their might. They were so happy

that the merest trifle provoked them to laughter.

After repeated calls the landlady appeared, bringing some sour wine and

stale bread; but it was quite palatable, nevertheless.

They left and, when evening came on, rowed about the lake for a long

while. The evening dews were already falling, when Hansei, pointing

toward a distant bare spot in the forest, said: "That's our meadow."

Walpurga seemed busied with other thoughts. She rested her oars and

exclaimed:

"The little house over there is our home, and there's our child. I

don't know how it is--" She could not express her feelings, but it

seemed as if she must fly away and hover over the sea and the

mountains, with all that belonged to her. She gazed earnestly at

Hansei, until he at last said:

"Of course it's our little house; and our cows, and our tables, and our

chairs, and our beds, are all there. Walpurga, you've become a foolish

thing; everything seems strange to you."

"You're right, Hansei. Only have patience with me. I'm just coming home

to it all again."

She had, at first, almost felt mortified at Hansei's words. He had

taken her expressions so literally, and had not appreciated her

high-strung feelings. But she quickly regained her self-control, and

realized how changed she had become, and that all this was out of place

here.

They returned home, and slipped into the house through the back door.

They found everything quiet and in good order. They did not care for

the people outside, or for their merry-making. They were enough to each

other.

CHAPTER VI.

Were these the same villagers who had talked so scandalously of

Walpurga when, at Christmas time, the new clothes had come for Hansei

and the mother? Had they suddenly become kind and loving?

It seemed, at first, as if they had really raised themselves to the

noblest height, that of pure sympathy.

But now-- If there had been a weathercock to mark the feelings of men,

it would have turned quite suddenly.

It all came about quite naturally.

There were few amusements still left to the villagers. The church and

state authorities had ruled with a severe hand. It was, therefore, no

trifle that the members of the provincial court would permit music in

midsummer, in honor of the prince's nurse, for the sanction of the

authorities was required, even for music.

All were delighted except, of course, Grubersepp, who made a wry face

at their noisy doings, and, after he had taken his comfortable

afternoon nap, went out to his fields. Such a noise and fuss about

nothing at all, would do very well for the little farmers, the

woodcutters, the boatmen and the fishermen; but it should not interest

a rich, sober-minded farmer.

But when they found that Walpurga and Hansei had gone away, and that

the cream of the joke was thus spoiled; when even the country justice

said that their behavior was shameful, there was quite a revulsion of

sentiment, and many who had gone to the cottage by the lake in order to

do honor to its inmates, now began to think of what tricks they might

play Hansei and his haughty wife. There were many ways of annoying

them, such as cutting off the cows' tails, nailing up the doors,

breaking the windows--they were quite ingenious in inventing all sorts

of mean tricks, but the presence of the justice acted as an

uncomfortable restraint. So the crowd returned to the inn and amused

themselves by inveighing against the he-nurse and his stupid wife. By

degrees, however, another change in feeling took place. There are many

who rejoice in another's misfortunes, and they chuckled over the

landlord's disappointment. The feast, and the great earnings he had

expected, had both been failures, for the better portion of the company

soon drove off, leaving him enough roast meats and cakes on hand to

last a week. Out in the kitchen, the hostess was weeping with anger and

vexation, which she would gladly have vented upon her husband. There

was lively talking on all sides, and they found it a great joke to make

sport of the innkeeper, and to advise him to add the day's loss to the

price of the house.

"I shan't sell at all," said the host. "Such people shan't enter my

house again."

When Walpurga awoke, early on Monday morning, Hansei was nowhere to be

seen. The week's work had begun. Before daylight, he had taken his

scythe and gone out to his mountain meadow, where he was now mowing the

dewy grass. He worked with such joy, such pleasure and calmness, that

it seemed as if an invisible power were guiding his hand. When the

breakfast was ready and Walpurga had searched for her husband

everywhere, and thinking that he might have gone fishing, had called

out for him back of the house and down by the lake, she went out into

the garden again and looked up into the cherry-tree. Perhaps he was up

there, although this constant plucking of cherries would be too much of

a good thing. At the same moment, she looked toward the hill, and saw

Hansei coming home, his scythe glittering in the sun. Walpurga beckoned

to him. He quickened his pace and told her how much he had already

done. "Ah!" said he, stretching his limbs while he seated himself at

the breakfast-table, "it does one good to work before breakfast, and

then come home and find wife and child and mother, with something warm

and good to eat, waiting for you--Ah! that tastes good. Sunday's

beautiful, but a workday's much finer. I wouldn't care to be one of

your quality, who have Sunday all the year round. If I only had lots of

fields and meadows and forests, so that I could always work on my own

land."

"We'll have them, God willing," answered Walpurga.

They were a happy party at breakfast, and the child was full of life.

They had been sitting together for a little while, when the innkeeper's

servant entered and brought Hansei his beer-mug with his name engraved

on the pewter lid, and signified that the innkeeper desired no further

visits on his part.

Hansei sent word to the host that he had better return the two hundred

florins that he still owed him. He did not like to send such a message

by the servant, but he felt that he ought to give him tit for tat.

"And tell him, besides," he called out to the servant, "he's often been

warned that he might get hold of the wrong fellow. Just tell him that

I'm the wrong fellow."

Hansei could not help feeling sad while he looked at the empty

beer-mug. Who knew how long it would remain empty. Perhaps forever. And

it's no trifling matter to be excluded from the village inn. It's

almost as hard as to live in a small capital where the prince gives

entertainments, and to be unable to take part in them because you are

not admitted at court. "There's a new tap," they'd say; "there's a new

wine purchase; there are entertaining strangers there--" He was now

excluded from the best thing there was in the village. When he looked

at his tankard it was with sad thoughts, and with a prophetic sense of

the thirst which in future he would be unable to quench.

Before long, woodcutters, on their way to the forest, stopped to see

Hansei and tell him of all that had been said of him and his wife on

the previous day. They roundly abused those who, in order to please the

innkeeper, had spoken ill of an honest man, one against whom nothing

could be said.

"There's no harm done," replied Hansei; "on the contrary, it makes one

wiser to see how people will talk when their tongues are loosened."

"And your comrades, the huntsmen, said they had only let you go with

them in order to have fun at your expense."

"That doesn't matter. I'll soon show them that I've learnt wisdom from

them."

"Wasn't there one who spoke well of us?" inquired Walpurga.

"Yes, yes," replied Wastl the weaver, who felt kindly inclined toward

Hansei, but feared to incur the displeasure of the innkeeper--"the

doctor. He's a real friend of yours. He said: 'Walpurga was perfectly

right; it's the most sensible thing she's ever done'--and he also said

that he and his wife would soon come on purpose to welcome you."

And now the woodcutters cautioned Hansei, and told him that there were

others who thought just as they did, that the old inn had been of

little account for a great while, and that he would do well to apply

for a license. He couldn't fail to get one, and then he could run the

host of the Chamois so dry that the hoops would fall from his casks.

Hansei nodded his cheerful approval. "Just wait, we'll show you, yet,"

he muttered to himself, clenching his fists, stretching out his arms,

and raising his shoulders as if he would fell the innkeeper to the

earth with a blow that would make him forget to rise again. But

Walpurga said: "We'll harm no one, and we'll let no one harm us."

"Haven't you something to drink?" inquired the woodcutters. They wanted

a reward for the news they had brought.

"No, I've nothing," replied Hansei. "I must be off to the meadow to

turn the hay."

The men left, and had gone a great ways before they ceased abusing

Hansei. "That's the way with a beggar on horseback. He won't even give

you a drink when you bring him news."

Wastl the weaver had not the courage to contradict them, although he

knew that Hansei would gladly have given him something to drink if the

rest of the company had not been present.

Hansei gazed at his forlorn tankard for some time. At last he said:

"I don't care. I wanted to be all alone with you, Walpurga, and now we

are alone, I ask nothing of the world."

"The innkeeper's not the whole world," said Walpurga, consolingly.

Hansei shook his head, as if to say that a woman can't understand what

it is to be shut out of the inn, just like a drunkard whom the law

prevents from going there.

"He's got no right to keep me out," said he, angrily. "I know my

rights. The landlord must give drink to every guest who enters his

house. But I shan't do him the honor to go there."

Walpurga, whose thoughts followed the woodcutters, conjectured they

were speaking ill of them.

"We ought to have given the woodcutters something to drink. They're

surely abusing us now."

"We can't stop every one's mouth," replied Hansei. "Let them talk; and

don't begin to repent now. We must be firm. What's done is done." With

a changed tone he added:

"The sun's burning hot on the mountain, and if we stick at our work, we

can get our hay in this very evening. In such weather as this, the

grass turns into hay as fast as it falls from the scythe. But there's

something brewing in the lake. There may be a storm before we know it;

and so I'd like to get the hay in under cover. Won't you go along?"

Walpurga was delighted to go. The mother also wished to accompany them,

and so, taking their dinner with them, the whole family set out for the

mountain meadow. Hansei carried the child, Walpurga took the barrow,

and the grandmother carried the dinner basket. As soon as the dog saw

them start, he followed after them, and was constantly running backward

and forward, from one to the other of the party. The dew had already

disappeared from field and meadow, when they entered the shady forest.

"I'd rather push a barrow," said Walpurga, "than ride in a coach."

When they began to ascend the hill, they changed about. The grandmother

took the child, Walpurga the dinner, and Hansei the wheelbarrow. It was

not until the child was asleep that Walpurga could take it on her arm,

and she felt happy while carrying it through the green wood. Once, it

opened its eyes and looked at her, but soon closed them again and went

to sleep.

When they reached the meadow, they laid the child in a shady spot,

where they could always have it in sight, and the dog remained there

guarding it. Hansei and the two women worked assiduously. Hansei called

out to Walpurga that she must not turn the hay so quickly, or she would

soon tire herself, for she was no longer used to such work. So she went

about it more slowly.

"This meadow was bought with your money," said Hansei.

"Don't say that. Promise me you'll never say such a thing again."

"I promise."

They found it warm work, and when Hansei came near Walpurga again, she

said:

"The same sun that dries the grass makes us wet with perspiration. At

the summer palace, they mow the grass every week. They never let it

grow high, and take great care that there are no flowers in the grass;

but they tell me that it doesn't make good fodder."

"You think of so many things," replied Hansei. "Aren't you tired yet?"

"Oh no; I've been resting so long. Do you know what pleases me most of

all? Just look," said she, showing him that her hands were becoming

hardened by labor.

They heard the bell down in the valley striking the hour of eleven.

This was the signal to prepare dinner. Hansei hurriedly brought some

wood, a bright fire was kindled, and the child was so lively that the

grandmother had to exert all her strength to keep it on her lap. While

the soup was being warmed, Hansei sat by smoking his pipe. The three

sat on the ground eating out of one dish. After dinner, Hansei

stretched himself out and said: "I'll sleep for a quarter of an hour."

Walpurga also lay down, but the mother remained awake, watching the

child.

Hansei slept but a short time. He looked pleased when he saw his wife

lying on the ground, sleeping by his side. He motioned to the mother

that she should not awaken Walpurga. The child was placed in the basket

beside its mother, who slept on quietly, while Hansei and the

grandmother were at work further down the hillside. The sun was already

sinking when Walpurga awoke. She felt something touching her which

thrilled her strangely. She opened her eyes, and they met those of her

child. Its hands were stroking her cheeks. The child had crept out of

its basket and had crawled up to her. Walpurga kept perfectly still.

She scarcely ventured to breathe, and closed her eyes, lest she should

frighten the child away. "Mother," cried the child. She still

restrained herself, though she felt as if her heart must burst.

"Mother! Mother!" it cried, more eagerly than before; and now she

raised herself and embraced the child, and it let her do with it as she

liked. Her heart overflowing with happiness, she sank on her knees and

held her little, laughing child on high.

She sprang to her feet, held the child up with both her hands, and,

hurrying to her people, exclaimed: "Hansei! mother! the child's mine!"

and the little one held her tightly in its arms.

"Moderate yourself!" said her mother. "You'll spoil the child if you

show that you care for it so much. That's enough, Burgei," said she to

the little one. "Put it down, Walpurga, and come help us."

Walpurga followed her mother's advice, but could not help looking

toward the child. It did not turn toward her. It was playing with the

dog, who had made good friends with it. Presently it tumbled down from

the pile of hay. Walpurga shrieked; but the mother exclaimed, "let it

alone!" The child lifted its head, laughed, crawled over to the

grandmother, and then looked over at its mother.

The hay was dry. Hansei hurried off to fetch his cow team, as he was

anxious to get the load home betimes. The wagon could not come nearer

than the road, and so they were obliged to carry the hay down the hill

and to pile it up in heaps. Walpurga said that she had slept enough and

had been idle for a long while, and allowed her mother to help her but

little.

Hansei returned. They loaded the wagon. Grandmother, Walpurga and child

sat on top of the load of hay, and Hansei, at last, got up, too.

Evening had set in. The lake began to assume a darker hue, and it was

only here and there that a streak of light played upon its surface.

"And now the people may say whatever they please," said Walpurga,

"here, we're far above them all."

The mother and Hansei looked at each other, and their glance meant:

"How wonderful it is that Walpurga should have such strange thoughts

about everything."

It was soon quiet in the little cottage by the lake. Its tired but

happy inmates were sleeping, and the whole house was fragrant with the

odor of the new-mown hay.

CHAPTER VII.

The folks in the cottage slept on peacefully, knowing nothing of the

whirlwind of dust, the dark clouds that overcast the sky, the mighty

storm, or the violent rain that followed. When Hansei put his head out

of the window next morning, it was still raining. He turned to Walpurga

and said: "Do you see? I was right, yesterday. The weather's changed.

Thank God! our hay's under cover."

"Yes," replied Walpurga. "What a day it was. It was all sunshine."

It rained all day. A sharp wind was blowing, the waves of the lake rose

on high and lashed themselves against the shore.

"How good it is to have a roof over one's head," said Walpurga. Hansei

again looked at his wife with surprise. Walpurga discovered everything

anew. But now she was happy, for her child clung to her. It called her

"mother," and called the grandmother "mamma."

Walpurga, with the child on her arm, was standing at the stable door

and throwing bread-crumbs to the finches, who could find no food that

day. The birds picked up the crumbs and flew away to their nests with

them.

"They've got young ones at home, too," said she. Suddenly, she

interrupted herself and said: "Burgei, we've been in the sun together,

now we'll go into the rain together." She ran out into the warm rain

with her child and then back again into the stable. She dried herself

and the child and said: "There! wasn't it lovely? and now it's raining

on our meadow and fresh grass will grow, and my child must grow too,

and when we gather the aftermath, you'll be able to run alone."

Walpurga felt so happy that the child had become attached to her that

she hardly knew what to do for joy. The child, too, was happier than it

had ever been before. The young mother could play with it far better

than the grandmother could. Her laugh was so bright, and she would

count its little fingers and renew all those wondrous, childish plays

which overflowering maternal love invented.

Walpurga did not care to eat anything all that day. She merely tasted a

spoonful of the broth before giving it to her child. It rained

incessantly. Hansei was out in the shed, chopping wood. Suddenly, he

came into the room and said: "How careless we were yesterday. They all

know that you brought home so much money with you, and we went off and

left the house alone. Have you looked to see if it's still here?"

Walpurga was filled with alarm, but speedily satisfied herself that all

was still there.

"It must be put in a safe place before long. At all events, one of us

must always stay at home, now," said Hansei, and returned to his work.

Time passes slowly on rainy days, and what better employment is there

in such seasons than to sit together and abuse those who are absent? At

noon, Hansei said: "The Chamois must be crowded, all day long." It

worried him to think that he could not be there. What a merry time he

might have had. They might have drunk those six measures of wine, and

now he must let the rogues get off without paying their wager.

Walpurga added: "Yes, and, from what I know of the people, I'm quite

sure they're abusing us, because, thank God, we're doing well. It seems

as if I'd never known people before, except by their outsides; but now

I can see through them."

"Didn't you say that you wouldn't care what people thought?" replied

Hansei.

Walpurga had a wonderful knack of divining the ideas of others. Her

thoughts now penetrated every house, wandered to the pump by the

courthouse, and into the inn itself, in order to discover what the

people there were saying against her and hers. She was not obliged to

wait long for confirmation. The joiner who, on the day of Walpurga's

departure, had offered to sell his house and farm, now came to borrow

money from Hansei, as he had received notice to pay off his mortgage.

As an introduction, he thought it best to assure Hansei that he was his

only friend, and the only well-wisher left him in the village.

Hansei plainly told him that he wouldn't lend money to any one, for

that changed one's friends into foes. The friendly tale-bearer soon

took his leave.

Living in the village had ceased to be a pleasure to them. The closing

of the inn doors against Hansei was only the beginning. No one, of his

own accord, bade him or his wife "good-day," and their greetings were

scarcely returned. Walpurga, who had grown accustomed to being praised

and esteemed by those about her, was often very sad. What vexed her

most of all was that the story of the wager had been passed from mouth

to mouth, and had become so distorted that it was scarcely fit to be

repeated. It seemed as if the privacy of the marital chamber had been

revealed to the world and discussed in the market-place. She felt

insecure in her own house. Every noise frightened her, though it were

merely a barking dog, or the elder-bush brushing against the roof.

Every night, before going to sleep, she would try the window-shutters,

to see that they were firmly closed.

"I don't believe," said she, "that great folk are half so bad as

villagers."

"Indeed!" said the mother. "I don't know anything about them; but from

what I've heard, the quality are just as good and just as bad as the

common folk. It don't depend on the clothes."

"You're just like Countess Brinkenstein. If you'd been obliged to spend

all your life in the palace, you'd have been just like her." thought

Walpurga to herself, while she looked at her mother.

Walpurga's mind was agitated by contending emotions. She was obliged to

reconcile two distinct spheres of life; the court and the village, and,

in imagination, would often transplant villagers to the court and _vice

versa_.

She was sometimes quite bewildered, and scarcely able to distinguish

what she had only imagined from what she had really experienced.

Hansei would listen to his wife and her mother discussing people and,

with a smile, would think to himself:

"How changeable the women are; there's nothing consistent about them."

After Hansei had, for two or three evenings, resisted his inclination

to go to the inn, he was merrier than ever.

"I'm glad," said he, "that I can give up a habit, if necessary. I

really think I could give up smoking, too."

Those dull days served to show the difference between the dispositions

of Hansei and his wife. To the superficial observer, Walpurga, so

cheerful and wide-awake, would seem the superior of her sullen, awkward

husband. Her temperament was suggestive of life among the mountains;

for there, when it is dull and rainy, everything is covered with

darkness, but, as soon as the sun breaks forth, every object is lighted

up afresh--the green meadows are brighter, the lake acquires a darker

blue, every mountain height and every forest stream is revealed anew in

clear and perfect lines. Like a beautiful flower, opening and revealing

all its beauty in the glowing sunshine, Walpurga was always better and

brighter in fair weather. Hansei remained steady and, indeed, gained in

firmness while the bad weather lasted. When the storm raged, swaying

branches and boughs to and fro, he resisted, as it were, and maintained

his ground. He had something in common with the rough-barked,

weather-beaten oak. The monarch of the forest does not don its robes of

green with the first mild rays of the spring sun. Its boughs remain

bare long after its neighbors are decked with foliage, but, in the end,

it surpasses them all in strength and beauty.

The past year had indeed wrought a greater change in Hansei than in

Walpurga.

The tree growing on a rock, drawing scanty nourishment from the thin

crust of earth around it, and exposed to wind and storm, will, when

transplanted to a rich soil, seem to languish at first; but it will

soon shoot forth with new strength. Thus had it been with Hansei. The

sudden transition, from a life of care and toil into a new sphere, had

almost ruined him. But in a little while, all was well with him again.

And now his firmness and self-possession stood him in good stead, for

he was obliged to prevent Walpurga's kind but strongly self-conscious

nature from gaining ascendency over his.

Walpurga was, at first, almost vexed at her husband's insensibility.

She would go about in an angry mood, would curl her lips and clench her

fists. She felt as if she must do something to punish the villagers.

Hansei remained calm; it was not his habit to trouble his head with

much thinking. It gradually dawned upon Walpurga's mind that Hansei was

far stronger than she. Like a plant deprived of sunshine, and in spite

of her happy home, she would have withered and languished because of

the averted glances of her neighbors. She was so possessed by her anger

that she was only sensible to that which, feeding it, provoked her the

more. Hansei was quite calm, and Walpurga, for the first time, became

fully aware of his strength of character. No one could make him change

his gait. He was like a horse which jogs on, regardless of the dog

barking at its heels, or which, when going up hill, will suffer no one

to urge it into a trot.

In true humility, Walpurga bowed to her husband. He might have been

wittier, readier, and more sprightly, but none could be better nor

steadier than he.

CHAPTER VIII.

The village council were in session.

Hansei was summoned to the town hall. The messenger who came for him

told him that there was to be a new assessment, and that higher taxes

were to be levied upon him, now that he had come into property.

"You needn't tell everything to the last kreutzer," said he.

"I'll tell them all. Thank God, I've got something to pay taxes for,"

replied Hansei.

Walpurga listened with eager interest. She had been boiling with rage

for many days, and now the time had come when her anger could find vent

in words. She said she would go along to the town hall where they were

all assembled, and would, then and there, tell them what she thought of

them. Hansei persuaded her that that wouldn't do, and now the messenger

seemed the very man to serve her purpose. She burst forth in a torrent

of abuse of the villagers, and asked the messenger to go to them and

repeat every word he had heard. She threatened them with the house of

correction and the king, as if both were at her service, besides

mentioning other punishments which were quite new and of her own

invention.

"Come along," said Hansei to the messenger. While on the way, he gave

him some drink-money, and told him that his wife had not yet become

used to things at home, and that, naturally enough, many a thing

worried her. The messenger reassured Hansei by saying that, in an

office like his, one was obliged to hear and see much which it was best

to seem ignorant of afterward, and that women were very queer. Their

great delight was to unburden themselves; after that, they were all

right again.

Hansei was detained at the town hall for a long time. The innkeeper,

who was one of the councilmen, was seated at the table, and found great

pleasure in trying to get him into a tight place. His office protected

him as with a shield. He tried to provoke Hansei to insult him, so that

he might put him in jail and thus, at one stroke, disgrace the haughty

beggar and his wife. Hansei saw what was in the wind, and every one was

astonished at the polite manner in which he expressed himself. He never

addressed the innkeeper except as "Mr. Councilman." "He must have

learned that from his wife, who got her education at the palace,"

whispered the councilmen to each other.

In spite of the pouring rain that lasted during the whole of the

meeting, Walpurga waited and watched outside of the town hall. If there

should be any trouble up there, thought she to herself, she would go up

and tell them all what they were. She was insensible to the rain

penetrating her clothes, for she was all aglow with excitement. At last

she heard a noise on the stairs. Many were coming down, and she hurried

home.

Hansei returned home, full of self-confidence. He had conquered

himself, and the victory had been a greater one than if he had laid

about him with cudgels. At home, he found everything in great

confusion.

Walpurga, after walking about in the rain, had suddenly hurried home as

if some one was after her, and had fainted as soon as she entered the

room where her mother was sitting. She had recovered, but was still in

a high fever, and her teeth were chattering. Once she opened her eyes,

but quickly closed them again.

Hansei wanted to go for the doctor at once, but the mother advised him

to stay at home and send a messenger in his stead. Before the doctor

came, Walpurga was sitting up in bed and telling her own story.

Hansei informed her how he had killed the innkeeper with politeness.

Walpurga's face suddenly lit up with joy, and she held out her hand to

him, saying:

"You're--you're a splendid fellow," and then she wept until the tears

streamed down her cheeks.

"That's right," said the grandmother to Hansei; "that'll clear her

head. I was afraid it had gone to her head, but now it's all right. You

can go now."

Hansei left the room. He stood at the window for a while, looking out

at the rain. "If your wife were to die, or if she should live and be

worse than dead. If she--" He did not dare to think of the word.

The mother came out into the room and said: "Thank God! she's sleeping.

When this is well over, the danger's past. It was no trifle to leave

the palace as she's done, where they all petted her and showed her

great respect, and to come here among these coarse, spiteful people.

She'd become filled with anger and hatred, and it had to come out some

day. Thank God, it's out now. It's lucky for us that the people have

shown themselves so mean. Take my word for it--with all her goodness,

she would have found fault with everything in the house, and nothing

would have suited her, if this hadn't come in the way."

The mother thus consoled Hansei, who nodded approval of her words.

Walpurga slept. Her cheeks were scarlet. Hansei, with the child in his

arms, stood at his wife's bedside for a long time, looking at her.

The doctor did not come until the next morning. He found Walpurga

lively, but very weak. He prescribed drastic remedies, and, in the

course of a few days, she was quite restored. She now saw what danger

she had been in, and how luckily she had escaped it.

It was not until then that she felt quite at home and perfectly happy.

Walpurga and her mother were down by the lake, washing clothes.

"Yes, it's our business to keep things clean," said Walpurga. "When I

look up at the mountains, I see the rocks and forests which only men,

with their chisels and axes, can shape into houses. Men's work is with

whatever's strong and powerful. Even if others do flatter us, and we

persuade ourselves that we're ever so great, we women are less than

they are."

The mother smiled and said: "Oh child, your thoughts are far-fetched,

but you're right, for all."

"My Hansei's a real steady man," continued Walpurga.

"That he is," answered the mother, with joyful mien.

"He doesn't talk as much as others do, but when it comes to a pinch, he

knows what he has to do and how to do it, and that's just the way your

blessed father was. You're very lucky to find this out so soon after

the birth of your first child. I didn't know it till after my third,

or, indeed, till I'd lost all my children except yourself."

"Good-day to you all!" suddenly said a little needy-looking man.

"Why, it's Peter!" cried the grandmother; "you here already? That's

good. And is this your daughter? What's her name?"

"Gundel."

"God greet you both," said the grandmother, who kept wetting and wiping

her hand again and again, before offering it to her brother.

The little man's features expressed great surprise. It was long since

any one had been so glad to see him; but, of course, he had come to a

house that was overflowing with joy.

The grandmother took her brother by the hand, and led him toward the

house. She felt sad when she looked at the poor little man, for his

appearance betokened great poverty.

She forthwith gave her brother and her niece something to eat. When

they had finished, she took Gundel out to the wash-tub by the lake.

"Just work there till dinner-time, and then you'll know where you

belong." She went back to her brother and again bade him welcome. The

little man complained that life went hard with him. The grandmother

went into the other room with Walpurga, and asked her:

"How much money did you mean to give me for my journey home?"

"As much as you want."

"No.--Tell me how much."

"Would ten florins be enough?"

"More than enough. Give them to me at once."

Walpurga gave her a ten florin piece and said:

"Mother, I haven't given you a present since I came back."

She gave her mother several florins in addition to the ten which she

had already handed her, and said: "Take this and give it away. I know

that your greatest pleasure is in giving to others."

"Oh, my child! you know me well. Oh God! I can now give something to

others; that's the best thing in the world. You see, I've never been

able to do anything for the poor."

"Don't say that, mother; how often you've watched, day and night, by

the sick."

"That's nothing; that's not money."

"It's far better than money."

"May be it is with God, but with men-- Just think of it!--to be able to

give money and money's worth to others! You make me ever so happy. I've

had gifts, too, in my time. You don't know how it is, when the hands of

the giver and the receiver touch. And some gifts are like hot bread in

one's stomach. It stills your hunger, but it lies there like so much

molten lead. But there are some good people whose gifts do one good.

Grubersepp's father once came to me and gave me something, and so did

Count Eberhard Wildenort, who lives on the other side of the Chamois

hill."

"Why, that's the father of my countess," said Walpurga, interrupting

her.

"Thank God! Then he'll live to be rewarded for it by his children. I

never forget a name. Yes, I received presents from them both, and now

they're again bestowing gifts through me. My child, I'll never forget

you for this. To be able to give is heaven on earth. But while we stand

here chattering, my poor brother's waiting out there like a poor soul

at heaven's gate. Come along."

They went into the room. The mother put the ten florin piece into her

brother's hand, and said:

"There, take it. I needn't go to my home now, for it has come to me,

and if I never get there again, it's enough for me that I've seen my

brother once more. There, Peter; that was to have been the money for my

journey."

"Tsch-st-st-st--" with these sounds, resembling the hissing of a pot on

a fire, did the little pitchman receive the gift.

"What does that mean?" asked Walpurga and her mother, in one breath.

"Tsch-st-st-st," answered Peter.

"What's the matter with you? are you crazy?" asked the mother, whose

face had suddenly assumed a serious expression.

"Tsch-st-st-st," replied the little pitchman again.

And now it was Walpurga's turn to become angry and to inquire: "What do

you mean by such capers?"

"Oh, you piece of palace wisdom!" said Peter at last, "don't you know

how it hisses when a drop falls on a hot stone, and, d'ye see? it's

just the same with me and the money."

The mother told him that he was ungrateful, and that the people thought

that Walpurga had now enough money to make every one rich. He ought to

feel very happy, for he had never before had so much at any one time.

But the little pitchman, without making further answer, continued to

repeat the strange, hissing noise. Walpurga went out and soon returned

with another ten florin piece, which she gave to the little pitchman,

who then said:

"There! it's out now; I can pay all my debts and buy me a goat,

besides," and, striking the pieces of money together, he sang:

"What's the best? aye, what's the best?

To be free from debt or care,

And have a little money to spare--

That's the best; aye, that's the best."

The mother was now quite happy again. She resolved to be prudent and

economical in dispensing her gifts. In imagination, she already saw the

people whose want she could now alleviate, and perhaps remove. The

joyful glances of those who were to be gladdened by her bounty seemed

reflected in her calm and happy face.

"Oh you women!" said the little pitchman, as if sermonizing, while he

looked with sparkling eyes at his two pieces of money, "you women can't

know what money is. I shall put small change for a florin in my pocket,

and always keep it with me. Hurrah! what a jolly life I'll lead. What

do you know of such things? You go by a public-house on Sunday, put

your hand in your pocket and there's nothing there. But I'll go in and

won't begrudge myself a treat, and wherever there's an inn, I can make

myself at home. Wine and beer await me, and host, hostess, daughter and

servant treat me kindly, and ask how it goes with me, where I've come

from and where I'm going to; and when I leave, they go with me part of

the way, and ask me to come again. And why do they do so? Just because

I've got money in my pocket."

The old man shouted for joy. The grandmother cautioned him not to

become dissipated, and Peter laughed until his face was nothing but

wrinkles. He declared that he had made it all up, and that now he was

less likely to go to the public-house than before. "When you've got

money in your pocket," he said, "it's great fun to go and quench your

thirst at the pump in front of the inn."

"My countess told me," said Walpurga, seating herself near her uncle,

"that you knew her father."

"And what countess is it?"

"Wildenort."

"Of course I know him. He's a man; the right sort of a man; a German of

the old sort; a gentleman, a real gentleman. He ought to be king,

he--" Heavy footsteps were heard approaching. Hansei entered. Peter

quickly put the money in his pocket and whispered: "I shan't say

anything to Hansei about it."

"You needn't tell him; we'll do it, ourselves," replied Walpurga.

CHAPTER IX.

Hansei did not stand on ceremony with his uncle. He had known him for a

long while. They had often met up in the mountains, where Hansei had

worked as a woodsman and Peter had gathered pitch. But they had not

made much ado of their friendship; an occasional charge of tobacco had

been the only exchange of courtesy between them.

Hansei now had something more important to relate.

"I was working out by the garden hedge that the band and the rest of

the crowd almost tore down last Sunday, and, all at once, I heard some

one say: 'You're quite industrious, Hansei'; and, when I looked round,

who do you think it was? You can't guess."

"Not the innkeeper?"

"You'll never guess. It was Grubersepp, and he said: 'I hear you've

stopped going to the Chamois,' and I said: 'That's nobody's business

but my own.'"

"Why did you answer so rudely?" asked Walpurga, interrupting him.

"Because I know him. If you don't show your teeth to such a fellow,

he'll hold you mighty cheap--'See here,' said he. 'It'll be six years,

come Michaelmas--ever since Waldl was born--and in all that time I've

never once set foot in the Chamois, and I'm still alive for all. You'll

find it'll do you good to stay away, just as it did me. I've laid in

beer of my own, and if you ever feel like having a glass, send for it,

or come yourself. Maybe you'll want a word of advice as to what you'd

better do with your money, and let me tell you one thing, lend nothing

to any one--' Now tell me, mother, tell me, wife, who'd have thought of

such a thing? Who'd ever expect as much from old Grubersepp, who's

always afraid he might waste a word? Now, Walpurga, you can see that

the people aren't all wicked; good and bad are mixed together in the

palace as well as in the village. When they find that Grubersepp keeps

company with me, they'll come flocking back, just like bees to a mellow

pear."

It was indeed a great event. A resident of the capital could not feel

more highly favored if accosted by the king in the public street, than

Hansei and his whole family now were.

Walpurga wanted to go up to Grubersepp's at once, and to acknowledge

that she had done him wrong, but Hansei said:

"There's no need of being in such a hurry about it. I'll wait till he

comes again; I won't go one step to meet him."

"You're right," replied Walpurga, "you're the right sort of a man."

"I've got my full growth," said he. "Isn't it so, uncle? I'm done

growing."

"Yes," replied the uncle, "you've got your full size. But do you know

what you ought to be? You ought to own a large farm. You'd be the very

man, and Walpurga the very woman for it; and now that I think of it,

have you heard that the owner of the freehold at our place wants to

sell? They say he's obliged to. You ought to go there; you'd be better

off than the king, then. If you've got the ready money, you can buy the

farm at half-price."

The uncle now praised the farm, with its fields and its meadows, and

said the soil was so rich and in such good condition that it was almost

good enough to eat; and as to the timber, no one knew how much it was

worth. The only trouble was that one couldn't get at it everywhere.

The uncle was a pitchburner, and knew the woods well.

Walpurga was quite happy, and said:

"It won't do to lose sight of this."

Hansei seemed quite indifferent about the matter. Walpurga took his

hand in hers, and whispered: "I've something more for you."

"I don't need anything. There's only one thing I ask of you: let me

attend to the purchase of the farm, and don't let uncle see that you

snuff at it so. I really think the farmer must have sent him here. We

must be hard, and make believe we don't care for it at all. I shan't

neglect the matter, you may depend upon that. And, besides, I've been a

woodcutter long enough to know something about timber land."

Hansei let the uncle go away alone and merely said, in a casual manner,

that he would take a look at the farm some time or other.

Grubersepp came that evening, according to promise. A maid-servant,

carrying a large stone jug of beer, followed him. A wealthy farmer

visiting the cottage by the lake, and bringing his beer there of an

evening--such a thing had never been heard of as long as the village

existed.

His whole manner seemed to say: "I've got sixty cows pasturing on the

mountain meadows." No one had ever heard a word of praise pass his

lips. He was a sour-visaged fellow, and was chary of his words. He was

what is called a drudging farmer. All that he cared for was incessant

work, and he never concerned himself about others.

Walpurga kept out of sight. She was afraid lest she might humble

herself too much, and thus vex Hansei, who behaved as if Grubersepp had

been visiting the family for years.

Grubersepp inquired for Walpurga. Hansei called her, and when she came,

the rich farmer shook hands with her and bade her welcome.

After Walpurga had left the room, they spoke of the best way of

investing the money.

Grubersepp was a great enemy of the public funds.

"Yes," said Hansei, at last. "I've had an offer of the farm on the

other side of the lake, six leagues inland. My mother-in-law is from

that neighborhood."

"I know the farm. I was there once. I was to have married the farmer's

daughter, but nothing came of it. They tell me that the property is in

a poor condition. If you want to reap good from land, you must give it

something in return. The soil requires it, and, if you should purchase,

don't forget that a good portion of the meadow land had best be sold.

My father always used to say that the meadows of a farm are like a

cow's udder."

Hansei was astonished at the amount of wisdom which Grubersepp had

inherited, and marveled at his carrying it all about with him and

making so little ado of it.

Grubersepp added: "The matter will bear thinking over, at all events,

and I'd be glad if some one from our village should get so fine a

property."

"But you wouldn't let me have anything toward it?"

"No. I don't owe you anything. But if you can use me in any other

way--"

"Well, how? Will you go bail for me?"

"No; that I won't either. But I understand the matter better than you

do, and I'll give you a whole day of my time. I'll drive over there

with you and value the whole property for you. I'm glad that you've

concluded not to take the inn. The weather's clearing, and I'll have

all my hay under cover by to-morrow noon. If you need me for a day, I'm

at your service, and we'll ride over there. You know that when I say a

thing it's so, for I'm Grubersepp."

"I accept it," said Hansei.

Radiant with joy, Walpurga stood at the garden hedge the next day,

watching the wagon in which Hansei and Grubersepp were sitting. She was

glad that so many people happened to be coming from work at about the

time the two drove off together.

"Now let 'em burst with anger; the first man in the village is my

Hansei's comrade."

It was no small matter for Grubersepp thus to give a whole day of his

time, and in midsummer at that. He meant it kindly enough, but his main

object was to show that the innkeeper and his pack could not make a man

of one, while he, Grubersepp, could. He felt quite indifferent as to

what people thought of him, but, nevertheless, it does one good to let

them know who's the master, as long as it costs nothing to do so. When

it costs nothing--that was the chief point in all that Grubersepp did.

The nearest route lay across the lake and straight up the mountain on

the other side. But Grubersepp had an unconquerable aversion to the

water, and so they drove round the lake and then up the mountain.

It was late on the following evening when Hansei and Grubersepp

returned. Hansei reported that the farm was a fine one, and that it

would be quite a fair purchase, although not so wonderfully cheap as

the uncle had vaunted it to be. The place had been sadly neglected; but

that wouldn't stand in the way, for he could put all that to rights

again. Still, he wouldn't buy, because he'd be obliged to leave too

much remaining on mortgage, and he'd rather own a smaller farm and be

out of debt.

Then Walpurga said:

"Come, I've been wanting to tell you something for a great while, and

you'd never listen to me. I've something more for you."

She led Hansei down into the cellar and, with a mighty effort, removed

the stone cabbage-tub, after which she dug up the earth with her hands,

and displayed to the astonished eyes of Hansei the pillow-case filled

with gold pieces.

"What's that?"

"Gold! Every bit of it."

"Good God! you're a witch; that's--that's enchanted gold!" exclaimed

Hansei. He was so startled that he upset the oil lamp which Walpurga

had placed on an inverted pail.

They both stood there in the dark, shuddering with fear.

"Are you still here?" cried Hansei, trembling.

"Of course I am. Don't be--don't be--so--so superstitious. Strike a

light. Have you no matches about you?"

"Of course I have."

He drew them from his pocket, but let them all fall on the ground.

Walpurga gathered them up. Several of them caught fire, but immediately

went out again. The sudden flash of blue light seemed weird and dismal.

At last they succeeded in lighting the lamp, and went upstairs into the

room, where Walpurga lit a second lamp, lest the darkness might again

frighten them. Hansei hurriedly removed the pillow-case, and the

glittering gold met his eyes.

"Now tell me," said he, passing his hand over his face, "have you any

more? Don't try that again."

Walpurga assured him that this was all. Hansei spread the gold out on

the table, piled it up in little heaps, and counted it with his

fingers. He always had a piece of chalk in his pocket, and he now took

it out and reckoned up the money. When he had finished, he turned and

said:

"Come here, Walpurga. Come, there's your first kiss as mistress of the

freehold."

Hansei put the gold back into the pillow-case, and when he went to bed

he placed it under his pillow, saying: "Oh, what a good pillow; one can

sleep sweetly on it."

CHAPTER X.

When Walpurga awoke the next morning, she found the sack of gold in bed

beside her, but Hansei had disappeared.

"Where is he? What's become of him?"

She dressed herself in a hurry, hunted for him, and went all over the

house calling for him; but he was not there. She hurried over to

Grubersepp's, but they had seen nothing of him. She returned home, but

Hansei had not yet arrived.

What could it be? If Hansei had done some harm to himself--If having so

much money had turned his head--Oh, that terrible money! It had been

lying in the earth, and there was now nothing wrong about it, for what

has once been in the ground is purified.

She went out to the lake. It was still storming; its waves were high,

and the sky was covered with dark gray clouds.

Maybe Hansei's destroyed himself--maybe he's floating in there.

She stood by the water's edge and cried "Hansei" with all her might.

There was no answer. She returned to the house, and, as coherently as

she could, told her mother of her grief. Her mother consoled her.

"Do be quiet. Hansei took his axe with him--the one that always hangs

up there. I suppose he had something to do in the forest. He never

shirks work. When he comes home don't tell him how foolish you've been.

The palace still clings to you. You worry too much about everything.

Take my word for it, the world's quiet and peaceful enough as long as

we're quiet and orderly. Hush! I hear him coming. He's whistling."

Hansei approached whistling, and bearing his axe on his shoulder.

Walpurga could not go forward to meet him. She felt so weak in her

limbs that she was obliged to sit down.

"Good-morning, Mistress Freeholder!" cried Hansei from afar.

"Good-morning, Freeholder!" replied Walpurga. "Where have you been?"

"Out in the woods. I cut down a pine-tree, a splendid one that must

have felt my strokes. It did me good. But, first of all, give me

something to eat, for I'm hungry."

"He can still eat; thank God for that," thought Walpurga to herself,

while she hurried to fetch the porridge. She sat down beside him,

delighting in every spoonful which he took. She had much to tell and to

ask about, but she didn't wish to disturb him while he was eating, and

when the dish was half empty she held it up for him, so that he could

fill his spoon.

"Now tell me," said she, when the dish was emptied, "why did you go out

so early and steal away so?"

"Well, I'll tell you. When I awoke, I thought it was all a dream, and

when, after that, I found the money, so much of it, I thought I'd go

crazy. Hansei, the poor fellow who used to save for months at a time,

and felt so happy when he could buy himself a shirt and a pair of

shoes, had all at once become rich, and it seemed as if some one were

turning me round and round and driving me crazy. Then I felt like

waking you up, that we might consider what I'd better do with myself.

But you sleep so soundly that I thought--Pshaw! is your wife to help

you? Just you wait, Hansei; I'll show you--and so I got out and took my

axe and went up the mountain. Day was just breaking. Although I was

quite alone, I felt, all the time, as if there was a great crowd of

people after me. Still I went on till I reached the pine. It was marked

out to be felled long ago. I threw off my jacket and set to work, and

when the chips began to fly, I felt better. Afterward, Wastl came up

and helped me, but he kept saying, all the time: 'Hansei, you never

worked as you do to-day'; and he spoke the truth. We felled the tree

and it came down with a crash. That did me, good, and I felt better and

better. We chopped off the branches and did three times as much as we

generally do in the same time, and so, little by little, all the

foolish notions and giddiness left my head. Now I'm here again and

happy, and I'm with you, Walpurga, my old sweetheart. I've been a

woodcutter again, in downright earnest, and now I'm to become a

farmer--that is, if all goes right."

And it all came to pass.

The mother had a wonderful way of disappearing when she knew that

Hansei and Walpurga had anything to settle between themselves. One

could almost have fancied that the cottage was provided with secret

doors and subterranean passages, so suddenly would she vanish. She

would reappear just as suddenly, and no one would know where she had

been or how she had returned.

According to her wont, she had disappeared. Walpurga and Hansei

searched through the house for her, but found her nowhere. When they

returned to the room, she was there.

"Mother, we've good news for you," said Walpurga.

"I see what's best of all, already," she replied, "and that is that your

hearts are truly united. I don't care to know any more."

"No, mother, you must know this. Did you ever imagine that you might be

mistress of the freehold at which you once were a servant?"

"No, never."

"But now it is so."

Walpurga and Hansei, relieving each other by turns, told her that they

had enough money to pay the cash down for the farm, and that the

purchase was as good as concluded, because Hansei had obtained the

refusal of it for eight days.

Mother Beate could not utter a word in reply. She folded her hands, and

her features assumed an expression of sadness.

"Mother, aren't you pleased at it?" asked Walpurga.

"Not pleased? You'll soon see. But I'm old, my child, and can't jump

about, the way you do. Look at the mountains over there. As long as

they've been standing there, no one has ever felt happier than I do.

I don't know what the Lord means by giving me so much happiness on

earth. He knows what He is doing and I accept it calmly and patiently.

When you came home to us again, I thought my cup of happiness was full,

but now I see there's more coming. Well, let what will come, I'm going

home again."

The mother was obliged to stop, but Hansei said:

"Yes, mother; you shall see something that you've never seen before in

all your life." He went into the room, returned with the sack of gold,

and opened it.

"Just look at that!" said he. "How it shines and sparkles. You can hold

it all in two hands, and yet there's enough there to buy a farm, with

house and fields and forests, and cattle and tools and everything."

"That's a great deal of money," said the mother. She laid her hand on

the gold, while her lips moved silently.

"Put your hand into it," urged Hansei. "Oh, how good it feels to stir

about in the gold that way."

The grandmother did not comply with his wish, but kept murmuring to

herself.

The child in the next room cried, and Hansei called out:

"The freeholder's daughter's awake. Good morning, freeholder's

daughter!" said he, while the two women went out to the child. Then he

took up the bag of gold, shook it, and said:

"Just listen; you never heard such music before."

The grandmother lifted the child out of the bed and said: "Hansei, just

do as I tell you, and put the gold in the warm crib of the innocent

child. That'll bless it, and no matter whose hands the gold may have

been in, that consecrates it and brings a blessing with it."

"Yes, mother; we can do that." Turning to Walpurga, he added: "Mother

always has such pretty notions. You know it'll do the gold good in the

warm nest. Yes," said he to the little child, "they've put lots of gold

in your cradle. We'll take one piece and have a hole drilled through

it, and you shall get it when you become confirmed. Only keep good."

"But now I must go over to Grubersepp's," said he, at last.

Walpurga was obliged to tell that she had already been looking for him

there, that morning. She now realized how prone she was to give way to

exaggerated fears, and determined to break herself of the habit.

The grandmother, Walpurga and the child were happy together at home,

and the mother related that just three months before Walpurga was born,

she had been at the farm for the last time, and that was to attend her

brother's wedding.

"They can bury me up there," added she. "It's a pity I can't rest

beside your father, for the lake never gave him up again. Oh if he'd

only lived to see this!"

Our highest joys and our deepest sorrows are closely allied.

Grubersepp came back with Hansei, and was the first to congratulate

Walpurga and the grandmother. He advised them, however, to say nothing

of the matter until the purchase was legally consummated.

CHAPTER IX.

On Sunday, Hansei, Walpurga, and the mother, went to church together.

The child remained at home with Gundel. They walked along the shore of

the lake in silence, thinking of how often they had gone that way in

joy and in sorrow, and how they would feel when walking along another

path and to another church.

The churchgoers whom they met on the way greeted them coldly, and the

grandmother said:

"Don't let us take evil thoughts against others into church with us. We

must leave them outside."

"But when one comes out again, they're there all the same, just like

the dogs that wait at the church door," replied Walpurga sharply. The

mother looked at her and she shook her head, while she said: "Take my

word for it, the people are not nearly so bad as they make believe to

be. They think it makes them look grander and more important, if they

show that they can be angry and spiteful; but let that be as it may, if

we can't make others good, we can make ourselves better."

"Give me the umbrella, mother--I can carry it better than you," said

Hansei. This was his manner of expressing his assent.

The innkeeper drove by. Hansei saluted him, but the only answer he

heard was the cracking of the whip.

"That's the way," said Hansei. "If he's angry, it's no reason why I

should be."

The mother nodded her approval.

Although the service had both edified and satisfied them, it did not

prevent Hansei from having a mighty appetite at dinner that day, and he

said:

"I think the freeholder can eat more than ever, but I'll see to it that

he works right bravely, too."

Hansei was quite merry, but he did not climb the cherry-tree again.

The doctor and his wife paid them a visit that afternoon. Walpurga

showed the pretty gifts she had received, and Frau Hedwig was all

admiration.

"I shall lay this beautiful dress aside for my child's wedding. You

can't begin thinking of the outfit too soon."

The doctor had brought a good supply of bottle food. He placed the

bottles on the table and said:

"Hansei, they tell me that you're doing dry penance, and as I'm a

heretic, I'll pour out the wine for you."

He proceeded to do so most generously.

Walpurga brought one of the silver-sealed bottles of wine that Doctor

Gunther had given her.

Doctor Kumpan knew how to open the bottles. He praised the wine, but

bestowed still greater praise on Gunther.

"I think," said Walpurga, "that we ought to tell our honored guests

what we have in view. They're honorable people and won't carry it

further."

"You're right," said Hansei, and told them about the farm. The doctor

and his wife congratulated them, and were only sorry that such good

people were about to leave the neighborhood. Encouraged by the wine,

Hansei asked:

"Doctor, might I--be so free--? You see, you're really the cause of our

good fortune. Would you do us the honor to accept a present from us?"

"Let's hear what it is. How many thousand florins will you spend on

me?"

Hansei was quite frightened; he had not meant to go that far.

"You're a merry gentleman; you're full of fun," said he, collecting his

wits. "What I meant to say was--I've got three cords of wood out in the

forest. I only finished cutting it last week, and I'd like to take it

to your house."

"I'll do you the favor of accepting it. I see you're a real farmer

already. You have an itching palm and money clings to it. Take care to

remain so."

That Sunday had other honors in store for them, for when the afternoon

service was over, the pastor called. He told them that he intended to

leave for the capital on the following day, and reminded Walpurga of

her promise to give him a letter to Countess Wildenort. Laughing

heartily. Doctor Kumpan exclaimed:

"Ah! so her highness Countess Wildenort is your friend, and the

pastor--"

"Doctor, I'd like to speak a word with you," said Walpurga,

interrupting him. "Come, as quickly as you can."

She had learned one lesson at court: viz., that a firm yet polite

manner enables one to check or avert many an ill-natured remark. There

was a certain grandeur in her manner when she told the doctor that, in

her house, she would allow no one to speak ill of Countess Irma, just

as she would allow no one to say anything against the doctor. That

would be just as false as what was said about the countess, who, while

she was merry enough to be his comrade, was just as good as he was.

Walpurga added that she hoped he would not grieve her by speaking ill

of the countess.

The doctor looked at Walpurga in astonishment. When he came back into

the room, he said to Hansei:

"You've got a great wife; one whose friendship is an honor to any one."

Walpurga went to her room and wrote:

"_My Dearly Beloved Countess_:

"I take this opportunity to write to you. Our pastor is going to the

city, and has promised to be kind enough to take the letter with him

and deliver it to you. I don't know what else he wishes to do, but rest

assured that whatever he wants is all right. He's very kind to me, and

particularly so since I've come home again. And now I'd like to write

you how things are going with me. I couldn't ask God to make them

better. To have one's husband, mother, child, and one's daily work

besides! We've already made our hay, but not make-believe, as it used

to be with us on the lawn at the summer palace. Don't you remember?

"Dear me! I say with _us_, and who knows whether any one at the palace

still thinks of me?

"Yes, I am sure you do, my good countess; and my child, I mean the

prince, and the queen and Mademoiselle Kramer and her father too.

"Pray give my love to them all, the doctor and Baron Schoning and

Countess Brinkenstein. She's good, too, and Madame Gunther, also, if

you should meet her. Oh, what a woman she is! I'm sorry enough that I

only made her acquaintance the day before I left. You ought to go to

see her every day. Your blessed mother must have been just such a woman

as she is; and do me the favor and write me how my prince is getting

on. He's fond of you, too, and if you get married, let me know, and, if

there's an opportunity. Mademoiselle Kramer might send me the beautiful

distaff. It would be a great pity if it had to lie up there in the

garret.

"My husband was very sorry that he didn't get to see you, and I was

sorry, too. I must always try to forget how you looked that morning,

and when I try to picture my beautiful countess and good friend to

myself, I have to pass over that.

"My mother sends her respects; she remembers your mother and says that

when one looked into her face it was like looking at the sun.

"My child was quite stubborn at first. You saw, by the prince, how

stubborn children can be when they don't like a person; but my child

and I are very good friends, and the best thing in the world, after

all, is to have a child, something to do, and a little property

besides. Ah! to walk about with one's child is to have a fountain of

life with you; one from which you can drink pure happiness at any

moment.

"It often seems like a dream, when I think that I've been away; and

it's well that it's past. I feel that I couldn't go through it again,

and all that I wish for now is to live happy.

"I kiss this sheet, for your hands will touch it.

"From your true friend,

"WALPURGA ANDERMATTEN.

"Postscript.--I've got some new songs here, but they're not pretty.

I've no time to sing during the day, and if I didn't sing my child to

sleep of an evening, I'd never have a chance to sing at all.

"Excuse me for writing so badly, but my hands have become hard already,

and the paper and ink are very bad. Yes, that's what all bad writers

say. Once more, farewell! I'm writing in haste and the pastor's waiting

in the other room, and the doctor and his wife are here too. They're

mighty good people, and if there are many wicked and envious folks in

the world, they harm themselves more than they do others. My dear

Countess, you can't imagine how much good you've done us. You'll be

rewarded for it--you, your children, and your grandchildren. It's as

good as certain that we won't stay here; but there's the same sky

everywhere. And when you see your father, give him my mother's

respects. She hasn't forgotten his kindness to her, and you are his

daughter, and have your good heart from him and your mother. All that I

wish is that you still had such a mother as mine. But mother's right:

she says that there's no use wishing for what you can't have. I feel as

if I had to write you a great deal more, but I can't think of anything

else, and they're calling for me from the other room. Farewell! my best

wishes, thousandfold, for your health and happiness. From my very

heart, I wish you all that's good. Oh, if I could only go to you with

this letter. But I'm glad to be home and mean to remain as long as I

live. Farewell, all you good people out in the world."

Walpurga handed the letter to the pastor, who left soon afterward. He

was not fond of being with the doctor, who was a sad heretic. Toward

evening the doctor and his wife left, and Walpurga was not a little

proud of the fact that all the villagers knew of the distinguished

visitors who had called at the cottage. None of their neighbors could

boast of like honor.

The week went by quietly. Hansei was absent for several days, during

which time he concluded the purchase.

The little pitchman had asked permission to be present when the money

for the farm was paid, and had requested this as an especial favor. His

face brightened when he saw the heaps of gold, and when Grubersepp

asked: "Do you like it?" he answered, as if waking from a dream:

"Yes, it's true; I couldn't have believed it. I've often heard, in old

stories, of such heaps of gold. The whole lot of stuff doesn't weigh

more than a couple of pounds, and you can get the whole farm for it.

Yes, yes. I'll remember that to the end of my days."

Grubersepp laughed heartily. The little, gray-haired man must have

thought himself quite young to talk thus of the end of his days as a

thing of the remote future.

On Friday, the pastor returned. He had not seen Countess Irma, as she

had accompanied the court to a watering-place. He had left the letter

at the palace, and was told that it would be forwarded to her.

CHAPTER XII.

The weathercock turned again and indicated fair weather. The sky was

almost cloudless. With men's minds it was just the same. It was rumored

in the village that Hansei had bought the farm on the other side of the

lake, and that he had paid for it in ready money. How could any one

harbor ill-feeling against a man who was able to do that? No; it was

shameful, on the part of the innkeeper, to drive a man like Hansei, and

such a woman as Walpurga, from the village. They were a credit to every

one, to say nothing of the advantage it is to have such rich and good

people in the place--people, moreover, who have themselves been poor

and know how the poor feel.

Hansei and Walpurga now received kindly greetings wherever they went,

and all spoke of their intended departure as if it grieved them to

think of it.

The ringleader on the Sunday that the band had come to the house, the

very one, indeed, who wanted to play a trick on Hansei, now came and

offered to engage with him as a farm-hand. Hansei replied that, for the

present, he would keep the servants who were at the farm, and that, in

the beginning, he would require people who knew all about the

neighborhood and the farm itself. He said that he might be able to

employ him later. Hansei was obliged to travel back and forth quite

frequently. There were many legal matters to be arranged, and, besides,

there was an old resident on the property who had a life-claim against

the estate, for maintenance and support, and whom money would not

induce to quit the house.

"And do you know," said Hansei, one day, "who helped me ever so much?

We had quite forgotten that Stasi lives up there near the frontier,

about three leagues from the farm. Her husband is the under-forester at

that district. He showed me the forest, and he's quite right when he

says that paths can be made, so that beams and planks may be brought

down. Won't you go with me some time, and take a look at our new home?"

"I'll wait till we go there for good," answered Walpurga. "Wherever you

take me to, I'll be satisfied, for we'll be together, and you can't

imagine how happy mother is."

Although the grandmother had, before this, rarely thought of dying, she

often complained that she wouldn't live long enough to move to the farm

with them, and thus, as mother of the farmer's wife, return to where

she had once been a servant.

All day long, she would tell Walpurga of the beautiful apple-trees in

the great garden there, and of the brook whose water was such that the

articles washed in it would become as white as snow, and that, too,

without using a particle of soap. She also extolled the virtue of the

people who were living there, and cautioned Walpurga to use good

judgment in dispensing the gifts which it would now be her duty to

bestow on others. She knew the old pensioner, and was indeed distantly

related to him. They must treat him kindly, and thus bring blessings on

the house.

Time sped by, and the hour of departure gradually drew near.

Walpurga had already packed the clothing and household utensils, but

was obliged to unpack them again, as they were needed.

As the time for their departure drew near, the villagers became even

more kindly and affable toward them, and Walpurga complained to her

mother:

"I feel just as I did when I was about to leave the palace. I was

always anxious to get away, and when the time came, I felt worried

about leaving."

"Yes, child," said the mother, consoling her, "it will be just the same

when you leave the world. How often one would like to go, but when the

time comes, one isn't anxious to leave. Oh, my child! I feel as if the

whole world were speaking to me and as if I understood it all.

Everything, men and women especially, seems at its best when you have

to part from it. That's the way it is when one parts with life. For it

isn't till then that we begin to understand how beautiful the world is,

after all, and how many good hearts we leave behind us."

Walpurga and her mother were now able to talk with each other to their

heart's content, for they no longer got an hour of Hansei's company. He

spent much of his time with Grubersepp, whom he accompanied into the

fields, and from whom he received much advice and instruction.

One evening a messenger came, asking Hansei to come to Grubersepp's at

once. He hurried off and did not return until late. Walpurga and her

mother, curious to know what was going on, sat up for him. It was near

midnight when he returned, and Walpurga asked: "What's the matter?"

"Grubersepp has got a colt."

Walpurga and her mother almost split their sides with laughter.

"What is there to laugh at?" asked Hansei, almost angry. "And besides,

the signs are that it'll be a white one."

They burst out laughing again, and Hansei looked amazed. He told them,

in great earnest, that Grubersepp had sent for him, so that he might

learn all about it, and he was just about to acquaint them with the

latest bit of information he had acquired: namely, that foals are never

born white. But he thought better of it; for it occurred to him that it

wouldn't do to tell the women all he knew, for they laughed so stupidly

at everything. Besides, a rich farmer ought to be on his dignity with

the women; he wouldn't forget that Grubersepp was so.

Hansei received various offers for his cottage, and was always provoked

when it was spoken of as a tumbledown old shanty. He always looked as

if he meant to say: "Don't take it ill of me, good old house; the

people only abuse you so that they may get you cheap." Hansei stood his

ground. He wouldn't sell his home for a penny less than it was worth;

and, besides that, he owned the fishing right, which was also worth

something. Grubersepp at last took the house off his hands, with the

design of putting a servant of his, who intended to marry in the fall,

in possession of the place.

All the villagers were kind and friendly to them--nay, doubly so, since

they were about to leave--and Hansei said:

"It hurts me to think that I must leave a single enemy behind me. I'd

like to make it up with the innkeeper."

Walpurga agreed with him, and said that she would go along; that she

had really been the cause of the trouble, and that if the innkeeper

wanted to scold any one, he might as well scold her, too.

Hansei did not want his wife to go along, but she insisted upon it.

It was on the last evening in August, that they went up into the

village. Their hearts beat violently while they drew near to the inn.

There was no light in the room. They groped about the porch, but not a

soul was to be seen. Dachsel and Wachsel, however, were making a

heathenish racket. Hansei called out:

"Is there no one at home?"

"No. There's no one at home," answered a voice from the dark room.

"Well, then, tell the host, when he returns, that Hansei and his wife

were here, and that they came to ask him to forgive them if they've

done him any wrong, and to say that they forgive him, too, and wish him

luck."

"All right; I'll tell him," said the voice. The door was again slammed

to, and Dachsel and Wachsel began barking again.

Hansei and Walpurga returned homeward.

"Do you know who that was?" asked Hansei.

"Why, yes; 'twas the innkeeper himself."

"Well, we've done all we could."

They found it sad to part from all the villagers. They listened to the

lovely tones of the bell which they had heard every hour since

childhood. Although their hearts were full, they did not say a word

about the sadness of parting. Hansei at last broke silence:

"Our new home isn't out of the world, we can often come here."

When they reached the cottage they found that nearly all of the

villagers had assembled, in order to bid them farewell, but every one

added: "I'll see you again in the morning."

Grubersepp also came again. He had been proud enough before; but now he

was doubly so, for he had made a man of his neighbor, or had, at all

events, helped to do so. He did not give way to tender sentiment. He

condensed all his knowledge of life into a couple of sentences, which

he delivered himself of most bluntly.

"I only want to tell you," said he, "you'll now have lots of servants.

Take my word for it, the best of them are good for nothing; but

something may be made of them, for all. He who would have his servants

mow well, must himself take the scythe in hand. And since you got your

riches so quickly, don't forget the proverb: 'Light come, light go.'

Keep steady, or it'll go ill with you."

He gave him much more good advice, and Hansei accompanied him all the

way back to his house. With a silent pressure of the hand, they took

leave of each other.

The house seemed empty, for quite a number of chests and boxes had been

sent in advance by a boat that was already crossing the lake. On the

following morning, two teams would be in waiting on the other side.

"So this is the last time that we go to bed in this house," said the

mother. They were all fatigued with work and excitement, and yet none

of them cared to go to bed. At last, however, they could not help doing

so, although they all slept but little.

The next morning, they were up and about at an early hour.

Having attired themselves in their best clothes, they bundled up the

beds and carried them into the boat. The mother kindled the last fire

on the hearth. The cows were led out and put into the boat, the

chickens were also taken along in a coop, and the dog was constantly

running to and fro.

The hour of parting had come.

The mother uttered a prayer and then called all of them into the

kitchen. She scooped up some water from the pail and poured it into the

fire, with these words: "May all that's evil be thus poured out and

extinguished, and let those who light a fire after us, find nothing but

health in their home."

Hansei, Walpurga and Gundel were, each of them, obliged to pour a

ladleful of water into the fire, and the grandmother guided the child's

hand, while it did the same thing.

After they had all silently performed this ceremony, the grandmother

prayed aloud:

"Take from us, O Lord our God! all heartache and homesickness and all

trouble, and grant us health and a happy home where we next kindle our

fire."

She was the first to cross the threshold. She had the child in her arms

and covered its eyes with her hands, while she called out to the

others:

"Don't look back when you go out."

"Just wait a moment," said Hansei to Walpurga, when he found himself

alone with her. "Before we cross this threshold for the last time, I've

something to tell you. I must tell it. I mean to be a righteous man and

to keep nothing concealed from you. I must tell you this, Walpurga.

While you were away and Black Esther lived up yonder, I once came very

near being wicked and unfaithful--thank God, I wasn't. But it torments

me to think that I ever wanted to be bad; and now, Walpurga, forgive

me, and God will forgive me too. Now I've told you and have nothing

more to tell. If I were to appear before God this moment, I'd know of

nothing more."

Walpurga embraced him and, sobbing, said: "You're my dear, good

husband," and they crossed the threshold for the last time.

When they reached the garden, Hansei paused, looked up at the

cherry-tree, and said:

"And so you remain here. Won't you come with us? We've always been good

friends and spent many an hour together. But wait! I'll take you with

me, for all," cried he, joyfully, "and I'll plant you in my new home."

He carefully dug out a shoot that was sprouting up from one of the

roots of the tree. He stuck it in his hatband and went down to join his

wife at the boat.

From the landing-place on the bank, were heard the merry sounds of

fiddles, clarionets and trumpets.

CHAPTER XIII.

Hansei hastened to the landing-place. The whole village had congregated

there and, with it, the full band of music. Tailor Schneck's son, he

who had been one of the cuirassiers at the christening of the crown

prince, had arranged, and was now conducting, the parting ceremonies.

Schneck, who was scraping his bass viol, was the first to see Hansei,

and he called out, in the midst of the music:

"Long live farmer Hansei and the one he loves best! Hip, hip, hurrah!"

The early dawn resounded with their cheers. There was a flourish of

trumpets, and the salutes fired from several small mortars were echoed

back from the mountains. The large boat in which their household

furniture, the two cows and their fowls were placed, was adorned with

wreaths of fir and oak. Walpurga was standing in the middle of the

boat, and with both hands held the child aloft, so that it might see

the great crowd of friends and the lake sparkling in the rosy dawn.

"My master's best respects," said one of Grubersepp's servants, leading

a snow-white colt by the halter, "he sends you this to remember him

by."

Grubersepp was not present. He disliked noise and crowds. He was of a

solitary and self-contained temperament. Nevertheless, he sent a

present which was not only of intrinsic value, but was also a most

flattering souvenir; for a colt is usually given by a rich farmer to a

younger brother when about to depart. In the eyes of all the world,

that is to say, the whole village, Hansei appeared as the younger

brother of Grubersepp.

Little Burgei shouted for joy when she saw them leading the snow-white

foal into the boat.

Gruberwaldl, who was but six years old, stood by the whinnying colt

stroking it, and speaking kindly to it.

"Would you like to go to the farm with me and be my servant?" asked

Hansei of Gruberwaldl.

"Yes indeed, if you'll take me."

"See, what a boy he is," said Hansei to his wife. "What a boy!"

Walpurga made no answer, but busied herself with the child.

Hansei shook hands with every one at parting. His hand trembled, but he

did not forget to give a couple of crown thalers to the musicians.

At last he got into the boat and exclaimed:

"Kind friends! I thank you all. Don't forget us, and we shan't forget

you. Farewell! may God protect you all."

Walpurga and her mother were in tears.

"And now, in God's name, let us start." The chains were loosened; the

boat put off. Music, shouting, singing, and the firing of cannon

resounded while the boat quietly moved away from the shore. The sun

burst forth in all his glory.

The mother sat there, with her hands clasped. All were silent. The only

sound heard was the neighing of the foal.

Walpurga was the first to break the silence. "O dear Lord! if people

would only show each other half as much love during life as they do

when one dies or moves away."

The mother, who was in the middle of a prayer, shook her head. She

quickly finished her prayer and said: "That's more than one has a right

to ask. It won't do to go about all day long with your heart in your

hand. But remember, I've always told you that the people are good

enough at heart, even if there are a few bad ones among them."

Hansei bestowed an admiring glance upon his wife, who had so many

different thoughts about almost everything. He supposed it was caused

by her having been away from home. But his heart was full too, although

in a different way.

"I can hardly realize," said Hansei, taking a long breath and putting

the pipe which he had intended to light back into his pocket, "what has

become of all the years that I spent there and all that I went through

during the time. Look, Walpurga! the road you see there leads to my

home. I know every hill and every hollow. My mother's buried there. Do

you see the pines growing on the hill over yonder? That hill was quite

bare; every tree was cut down when the French were here; and see how

fine and hardy the trees are now. I planted most of them myself. I was

a little boy about eleven or twelve years old when the forester hired

me. He had fresh soil brought for the whole place and covered the rocky

spots with moss. In the spring, I worked from six in the morning till

seven in the evening, putting in the little plants. My left hand was

almost frozen, for I had to keep putting it into a tub of wet loam with

which I covered the roots. I was scantily clothed into the bargain, and

had nothing to eat, all day long, but a piece of bread. In the morning

it was cold enough to freeze the marrow in one's bones, and at noon I

was almost roasted by the hot sun beating on the rocks. It was a hard

life. Yes, I had a hard time of it when I was young. Thank God, it

hasn't harmed me any. But I shan't forget it; and let's be right

industrious and give all we can to the poor. I never would have

believed that I'd live to call a single tree or a handful of earth my

own; and now that God has given me so much, let's try and deserve it

all."

Hansei's eyes blinked, as if there was something in them, and he pulled

his hat down over his forehead. Now, while he was pulling himself up by

the roots, as it were, he could not help thinking of how thoroughly he

had become engrafted into the neighborhood by the work of his hands and

by habit. He had felled many a tree, but he knew full well how hard it

was to remove the stumps.

The foal grew restive. Gruberwaldl, who had come with them in order to

hold it, was not strong enough, and one of the boatmen was obliged to

go to his assistance.

"Stay with the foal," said Hansei. "I'll take the oar."

"And I, too," cried Walpurga. "Who knows when I'll have another chance?

Ah! how often I've rowed on the lake with you and my blessed father."

Hansei and Walpurga sat side by side plying their oars in perfect time.

It did them both good to have some employment which would enable them

to work off the excitement.

"I shall miss the water," said Walpurga; "without the lake, life'll

seem so dull and dry. I felt that, while I was in the city."

Hansei did not answer.

"At the summer palace, there's a pond with swans swimming about in it,"

said she, but still received no answer. She looked around, and a

feeling of anger arose within her. When she said anything at the

palace, it was always listened to.

In a sorrowful tone, she added: "It would have been better if we'd

moved in the spring; it would have been much easier to get used to

things."

"Maybe it would," replied Hansei, at last, "but I've got to hew wood in

the winter. Walpurga, let's make life pleasant to each other, and not

sad. I shall have enough on my shoulders, and can't have you and your

palace thoughts besides."

Walpurga quickly answered: "I'll throw this ring, which the queen gave

me, into the lake, to prove that I've stopped thinking of the palace."

"There's no need of that. The ring's worth a nice sum and, besides

that, it's an honorable keepsake. You must do just as I do."

"Yes; only remain strong and true."

The mother suddenly stood up before them. Her features were illumined

with a strange expression and she said:

"Children! Hold fast to the good fortune that you have. You've gone

through fire and water together; for it was fire when you were

surrounded by joy and love and every one greeted you with kindness--and

you passed through the water, when the wickedness of others stung you

to the soul. At that time, the water was up to your neck, and yet you

weren't drowned. Now you've got over it all. And when my last hour

comes, don't weep for me; for through you I've enjoyed all the

happiness a mother's heart can have in this world."

She knelt down, scooped up some water with her hand and sprinkled it

over Hansei's, and also over Walpurga's face.

They rowed on, in silence. The mother laid her head on a roll of

bedding and closed her eyes. Her face wore a strange expression. After

a while she opened her eyes again, and casting a glance full of

happiness on her children, she said:

"Sing and be merry. Sing the song that father and I so often sang

together; that one verse, the good one."

Hansei and Walpurga plied the oars while they sang:

"Ah, blissful is the tender tie

That binds me, love, to thee;

And swiftly speed the hours by,

When thou art near to me."

They repeated the verse again, although, at times, the joyous shouting

of the child and the neighing of the foal bade fair to interrupt it.

The singing and shouting was suddenly interrupted by a young sailor,

who cried out:

"There's some one floating there! it's a human being--there! the head's

over water! don't you see it? there's the long, coal-black hair

floating on the water. Some woman's drowned herself, or has fallen

overboard."

Every one in the boat looked toward the point indicated. The object

rose and fell on the waves. It appeared to be a human face that would,

now and then, rise to the surface and sink again. All were dumb with

terror, and Hansei rubbed his eyes, asking himself: "Was it imagination

or was it reality?" He thought he had recognized the face of Black

Esther rising on the waves and sinking again. It floated on, further

and further, and, at last, sank out of sight.

"It's nothing," said Walpurga, "it's nothing. Don't let us make

ourselves unhappy."

"You're a stupid fellow," said the old boatman, scolding his comrade.

"It was nothing but a dead crow or some other bird floating on the

water. Who'd say such a thing?" added he in a whisper. "If we get but

little drink-money, it'll be your fault. They were so happy that they'd

have given us a thaler at least, but now you can see Hansei rummaging

in his purse. He's looking for small change, and it's all your fault."

Without knowing why, Hansei had indeed pulled out his purse, and was

fumbling in it. He was so bewildered with what he had seen--it was

true, after all--but it could not be right--just now--to-day, when all

was forgiven and past; and, after all, he hadn't sinned.

In order to regain his composure, he counted out several pieces of

money. That restored his spirits. He was able to count; his senses had

returned. He had resigned the oar and, with his piece of chalk, had

actually been making some calculations on the bench. But he soon rubbed

them out again.

"There's the other shore," said he, looking up and lifting his hat,

"we'll soon be there. I can see the wagon and horses and Uncle Peter

there already. I can see our blue chest."

"Heavens!" cried Walpurga, and the oar remained motionless in her

hands. "Heavens! Who is it? Who is that figure? I can take my oath

that, while we were singing, I thought to myself: If only my good

Countess Irma could see us sitting in the boat together. It would have

made her happy to see that, and just then it seemed to me as if--"

"I'm glad," said Hansei, interrupting her, "that we're getting to shore.

If this lasts much longer, we'll all lose our wits."

On the distant shore, some one was seen running to and fro. The figure

was wrapped in a flowing dress, and suddenly started when the wind

wafted the sound of music across toward her. She sank to the earth and

seemed to be crouching on the bank. Now that the sound had died away,

she arose and fled, disappearing among the bushes.

"Didn't you see anything?" asked Walpurga again.

"Yes, indeed. If I was superstitious, and it wasn't in the day-time,

I'd have thought it was the Lady of the Lake."

The boat reached the bank. Walpurga was the first to leap ashore.

Leaving her people, she ran toward the bushes as fast as she could, and

there, behind the willows, the figure fell on her neck and fainted.

BOOK V.

CHAPTER I.

The summer was almost at an end when the court returned from the baths.

The king's first official act was to sign the proclamation of the

Schnabelsdorf ministry, dissolving the refractory Chamber of Deputies

and ordering a new election.

The king was displeased; and yet, that which now surprised him was the

inevitable consequence of his previous doings. He had returned in high

spirits, but, like an importunate creditor, the state was already

thrusting its claims upon him.

He felt happy that his government met with popular approval; but that,

he thought, should be a matter of course. And now a great question was

to be submitted to the country, and there were doubts as to what the

answer might be.

Schnabelsdorf exercised his great conversational gifts, and adroitly

endeavored to humor the heroic side of the king's character. But his

efforts were in vain.

The whole land was in great commotion, but of this they knew little or

nothing at court. The autumn maneuvers had begun, and in a few days the

court expected to move to the summer palace, after which, hunting in

the Highlands was to begin.

The king had seldom taken so lively an interest in the maneuvers. The

ease and precision with which, on such occasions, large bodies of men

were moved at will, afforded a suggestive contrast to the spirit of

disorganization and breaking away from authority which seemed abroad in

the land. Nothing, however, was further from his thoughts than the idea

of bringing the two opposing tendencies to bear upon each other.

At the court assemblages, the king always seemed to be in an

exceptionally pleasant mood. The greater his ill-humor, the more he

regarded it his duty to keep up the outward semblance of cheerfulness.

The habit, acquired in youth, of always keeping up his dignity; the

knowledge that the eyes of all were upon him; a due consideration for

the claims of those about him; the need of always speaking the right

word at the right time; above all, the art of ignoring--an art in which

others refrain from indulging themselves, and which, for that very

reason, requires practice--and, added to this, the consciousness of

possessing kingly power:--all this prevented him from betraying the

slightest trace of ill-humor. He manifested a lively interest in

whatever was going on, especially so, when Irma was present. She, above

all, should never find him wavering, for she would have misinterpreted

it. It was therefore necessary, in her presence, to keep up that

exalted mood which regards dissent or contradiction as impossible, and

thus esteems itself as above the law. And yet the king felt the danger

of encouraging a secret passion while all his strength was required by

a weighty problem, in the solution of which he would necessarily

encounter great opposition.

Irma returned from her visit to the seashore refreshed and invigorated.

She was more beautiful than ever, but was rarely seen at court, as she

spent much of her time with Arabella. On the day after Arabella had

given birth to a boy, Irma and the doctor left Bruno's house together.

Irma was about to say: "I am beginning to get tired of this everlasting

nursery," but checked herself in time.

The doctor did not utter a word, while accompanying her down the

carpeted stairs. His features wore a serious expression. He had been

living in the great world for many years, but, even now, it offended

his sense of justice when he saw the joys of paternity fall to the

share of one who, like Bruno, had led what is mildly termed a "fast

life." The doctor pressed the ivory handle of his cane against his

lips, as if thus to prevent his thoughts from finding vent in words.

Silently, he seated himself in the carriage with Irma. They drove to

the palace.

"My sister-in-law has imposed a difficult task upon me," said Irma.

Gunther did not inquire as to the nature of the task, and Irma was

obliged to continue of herself:

"She made me promise that I'd inform father of the birth of his

grandson. If you were still on former terms of intimacy with him, you

would be the best mediator."

"I can do nothing," replied Gunther, curtly. He was unusually reserved

in his manner toward Irma. She felt conscious of this, and felt, too,

that she no longer had a right to claim unreserved confidence on the

part of her friends. But as she did not wish to break with those whom

she esteemed, it was necessary to maintain relations of courtesy with

them.

"I believe that Bruno's better nature will now assert itself," said

Irma. She forced herself to speak, and trembled when she thought that

the man who sat beside her might suddenly ask her: "What have you done

with _your_ better nature?"

The carriage stopped before the palace. Irma alighted and Gunther drove

home.

Once in her room, Irma pressed both hands to her heart as if to allay

the storm within. "Must I beg every one to prove his friendly feeling

by silence, or to admit that I am right? Those who despise the world's

laws and have soared above them, had better cease to live." She aroused

herself by a violent effort and began the letter to her father. She

complained that she had had no news from him for a long while. She

wrote about Arabella, informed him that Bruno had become a steady

_paterfamilias_, and, at last, mentioned the birth of the grandson. She

also wrote that Arabella begged for a few lines from the grandfather,

and that they would render her happy.

Irma found her letter a difficult task. Her pen usually responded to

every varying phase of feeling; but, that day, it seemed to stumble and

hesitate. She leaned back in her chair, and picked up a letter that she

had found lying there. It was Walpurga's. She smiled while reading it,

and enjoyed the satisfaction of having benefited a fellow-creature who,

although distant, held her in faithful remembrance.

The waiting-maid announced Bruno's groom. Irma had him come in. He had

come to express his master's desire that the gracious countess should

at once dispatch the letter she had promised to write, and said that he

had been ordered to take it to the post-office himself. Irma sealed it

and gave it to him.

Bruno, seated in his dog-cart, was waiting at the corner of the palace

square. The groom handed him the letter. Bruno put it in his pocket. He

drove to the post-office and, with his own hands, dropped a letter into

the box. This epistle, however, was directed to a lady. The one

intended for his father he retained in his possession. He was

determined not to humble himself, either through his sister or his

wife.

The box into which Bruno dropped the perfumed _billet-doux_ contained

letters for old Eberhard,--letters which Bruno could not intercept.

CHAPTER II.

On the very morning that his first grandchild was born, Count Eberhard

was returning, with a light heart, from a walk in the fields. They had

begun, that day, to gather the first harvest from a large, tray-formed

tract of land which had once been a swamp. Eberhard had drained the

desolate tract with great care and judgment, and now it produced

unequaled crops. The sight of the ripened grain waving in the gentle

breeze, inspired him with pure and happy feelings, and he thought of

the generations to come, who would derive sustenance from a tract of

land rendered fertile by him.

He felt no desire to impart his happiness to another. He had accustomed

himself, in the past, to live within himself. His one real life-burden

he had confessed to his daughter. He thoroughly enjoyed the repose

which solitude alone affords. He imagined that pure reflection had

conquered all passion. He always obeyed the inner voice of nature;

there was no one for whose sake he was obliged to repress it. He had

faithfully endeavored to perfect himself, and, while placing himself

beyond the reach of temptation, had, at the same time, withdrawn from

social activity.

When he left his work in field or forest, it was to commune with those

great ones who had long since left the world, and with whose

profoundest thoughts he felt himself in full accord.

He had just come in from the fields and was about to repair to his

library, there to converse with a spirit that had long since left this

world. His step was steady, his mind was calm and placid. He could, at

will, preserve a certain state of feeling, or resign himself to the

guidance of a spirit living in another sphere. His life lay in two

distinct spheres, and yet the transition from one to the other was

never violent.

The impressions of the moment had already clothed themselves in words,

and he was about to note them down in a little book which bore the

inscription: "Self-redemption."

Entering the manor-house, he found a number of persons waiting for him

in the great, long, harvest hall, which was hung with garlands and

wreaths. They saluted him as he approached. The village burgomaster,

who had, hitherto, represented that district at the Diet, and many

other persons of local importance were assembled there. The burgomaster

was the spokesman of the party, and stated that, in the forthcoming

election, it would be necessary to relinquish the field to blockheads

and bigots, unless they could nominate a candidate whose high personal

character and influence would secure them victory. Colonel Bronnen, who

had been recommended by Count Eberhard, had refused to stand, and now

Count Eberhard was the only one who could defeat the enemy. The

electors said that they well knew what a sacrifice it would be for him

to take part in the canvass. They had, therefore, waited until now, the

day of the election, and they urgently entreated him not to withdraw at

the eleventh hour.

"Yes," added the burgomaster, "you've drained a swamp and carried off

the foul water; and now you must help us in this, too."

To their great surprise and delight, Eberhard, without further

objection, declared his willingness to stand. He had succeeded in one

undertaking, and, from a sense of duty, felt that he had no right to

avoid assuming the greater trust now offered him. The old enemy was

still in force, and it was meet that the old warriors should go forth

to battle against him.

The friends left and, after giving a few orders to the servants,

Eberhard followed. He rode a large, powerful horse, such as a large,

strong man requires. He caught up with his friends before they reached

the town, and thus made his entry with quite a following.

He presented himself before the assembled electors. The hall was almost

full. The people were astonished to see the count, but the glances

turned toward him were soon withdrawn, and much whispered conversation

ensued. Making his way through the crowd, Eberhard walked up to the

speaker's stand. Few stood up or greeted him. Why was it? At other

times, the crowd would always make way for him; but to-day, he had to

push his way through them. It almost vexed him, but he controlled

himself. "This is the true effect of free thought; homage should not be

bestowed according to custom and precedence; it should only be for

those who have earned it. You are still an aristocrat at heart, and are

still filled with pride of ancestry--pride in your own past." Such were

the thoughts that passed through his mind, while, with a smile, he

rejoiced in the victory he had won over himself.

The first one to mount the speaker's stand was the candidate of the

"Blacks," as the popular party termed their opponents. He spoke with

cleverness, but without fervor, and it was evident that his address had

been carefully studied. He made several clever points, however, which

were received with loud applause.

The retiring delegate came forward and, stating that he declined a

re-election, proposed Count Eberhard of Wildenort, the tried champion

of freedom and popular rights.

The assembly seemed taken by surprise. There was but little clapping of

hands, and few bravos were heard.

Count Eberhard was quite taken aback by this cold reception, and looked

about him in astonishment. The burgomaster whispered to him that this

was a sure sign of victory, and that the enemy was confounded. Eberhard

merely nodded. A strange feeling of embarrassment arose within him. He

repressed it, and mounted the speaker's stand. With every step, he

gained in courage and became more fully persuaded that it was his duty

to defend the new trust without regard to thought of self. He began his

speech by giving an account of his past life and struggles, adding,

with a smile, that there were many present who, like himself, had gray

hairs, and that there was no need of telling them what he desired. He

was glad, however, to find that, there were so many younger men

present. They listened with considerable patience. Among the

opposition there was, now and then, loud talking, which was, however,

soon silenced. Eberhard went on speaking. Suddenly loud peals of

laughter resounded through the assembly, and the words "left-handed

father-in-law" were heard. Eberhard did not know what it meant, and

went on with his remarks. The talking in the crowd grew louder. Drops

of cold sweat stood on his brow. The burgomaster mounted the stand and

exclaimed: "Whoever isn't willing to listen to a man like Count

Eberhard, doesn't deserve to have a vote."

Breathless silence ensued. Eberhard concluded with the words:

"I am proud enough to tell you that I don't ask you for your votes. I

simply say that I accept the nomination."

He left the assembly, but, before doing so, begged his friends to

remain. He rode home, filled with the thought that he had separated

himself from the world, instead of having conquered it.

He alighted as soon as he came to his own land in the valley, and gave

orders to some of the laborers. When he returned to the road, he met

the postman, who handed him several letters. Eberhard opened the first

and read:

"Your daughter has fallen into disgrace, and yet stands in high grace

as the mistress of the king. To her the country owes the restoration of

the ecclesiastical ministry. If you still doubt, ask the first person

you meet in the streets of the capital. Unhappy father of a happy

daughter." It was signed "The Public Voice."

Eberhard tore up the letter and gave the shreds to the winds, which

carried them far away over the fields.

"Anonymous letters," said he, "are the meanest things conceivable. They

are far lower than cowardly assassination, and yet--" It seemed as if

the breeze which carried the shreds away had now returned, laden with

the expression that he had heard at the meeting. Had they not said

"left-handed father-in-law"?

Eberhard pressed his hand to his brow--the thought was like a burning

arrow piercing his brain. He opened the second letter and read: "You do

not care to believe how it stands with your daughter. Ask him who was

once your friend. Ask the king's physician, on his honor and

conscience. He will tell you the truth. Save what may yet be saved.

Then will the writer of these lines divulge his name. From one who

greatly esteems you. ----"

Eberhard did not destroy this letter; he held it in his trembling hand.

A mist suddenly rose before him. He passed his hands over his eyes as

if to brush it away; but it still remained, growing denser with each

succeeding moment. He tried to read the letter again, but could not

distinguish a word of it. He crumpled up the paper and put it in his

breast-pocket, where it lay like a burning coal against his heart. His

head swam and he sat down by the wayside. What could he do? They would

smile if he went to court to fetch her. They would be very gracious and

would say: "Let there be no scenes, no noise. Let everything be

arranged quietly; let there be no scandal; decorum must be maintained."

And one must smile, though his heart is bursting. We live in a

civilized world, and this they call culture and good manners. Oh! you

are well off. With you, all is pastime. You can afford to be ever

polite, ever cool and reserved. Oh, why did I come home to waste my

powers in this miserable nook! It's all my own fault. I meant to rescue

myself from the hurly-burly of the world. I've lost my children,

instead. A satanic sophist lurks in us all. I persuaded myself that it

was better, and more in accordance with nature, to let my children grow

up, free from all control; and yet it was only a vain excuse for my own

weakness. Because the duty of incessantly watching over them was

distasteful to me, I suffered them to go to ruin, while persuading

myself that their nature could thus best develop itself. And here I

stand, and must fetch my child--

The sudden neighing of the horse, hitched to a tree near by, so

startled Eberhard that he almost fell back. A laborer who was bringing

two horses in from the field, stopped and asked: "What ails you,

master?"

The laborer unhitched the horse. Eberhard rose hastily and, without

saying a word, walked up the hill in the direction of the manor-house.

He felt as if the air was filled with intangible, electric clouds that

drew him back; but he forced his way through them. He reached the house

and held fast by the doorposts. He was giddy, but still he did not give

up. He went through the stables and barns, saw the men storing away the

fodder, and remained looking at them for a long while. Then he went

through the whole house and looked at every object with an inquiring

gaze. In the great room with the bay-window, he lingered long before a

picture of Irma, painted when she was but seven years old, a beautiful,

large-eyed child. The attitude was natural, a mixture of childlike

awkwardness and grace. The painter had wanted to put a nosegay in the

child's hand, but she had said: "I won't have dead flowers; give me a

pot with living flowers in it." Ah, she had had such pretty conceits!

There she stood, the very picture of childish grace, with rosy cheeks,

and with blooming roses in her hand. "A rose plucked before the storm

could scatter its petals." These last words of Emilia Galotti passed

through his mind. "No, I am not that strong."

He rang, but when the servant came, had forgotten what he wanted. The

effort to collect his scattered thoughts seemed like plunging into

chaos. At last he ordered the carriage, which was all he had wanted the

servant for.

"The traveling carriage," he called out after the servant.

When he reached the library, he paused, and gazed at the door for a

while. There were so many great and mighty minds in there--why did none

of them come to his aid? There is no help but that we find within

ourselves.

While descending the steps, he would now and then hold fast to the

baluster as if to support himself. He drew himself up, as if filled

with anger because of the weakness that mastered him. In the courtyard,

he gave orders that the carriage should drive on and meet him down in

the valley. His speech was noticeably indistinct. Half way down the

mountain, he suddenly seated himself on a heap of stones and looked

about him.

What was passing before his eyes? What thoughts filled his mind? He

looked for the tree which he had planted on the very spot where word

was brought him of Irma's birth. This is the first soil trodden by her

feet; these are the first trees she ever saw. The sky, the forests,

the mountains, the blooming flowers, the merry birds, the grazing

cows--all, all seemed like phantoms.--None of these will ever find you

pure again. Never again dare you approach a living creature, or tree or

flower; for they repudiate you, they are pure and you are--the world's

a paradise. You have been driven thence, and roam about, a restless

fugitive. You may deaden your conscience, may smile and jest and

dissemble, but the sun does not dissemble, neither does the earth, nor

your own conscience. You've destroyed the world and yourself, and still

live,--dead in a dead world. How is it possible? It cannot be. I am

mad. I shall neither punish nor chastise you; but you must know who and

what you are, and the knowledge of that will be your punishment and

your cure. I shall palliate nothing; you must know, see, and

acknowledge it all, yourself--

A road laborer went up to the count and asked whether he was ill. He

had noticed him sitting on the stones, and supposed that something

might be wrong.

"Not well!" groaned Eberhard, "not well? It would be well for me if

I--"

He got up and walked away.

A grief stricken mother can shed tears; a father cannot.

His head was bowed on his chest. He saw blooming roses; they should

have adorned her. He saw thorns; they should tear her brow. Anger and

grief struggled within him. Anger raged; grief wept. Anger would have

lent him giant strength, with which to destroy the world; but grief

crushed his very soul.

Suddenly he drew himself up, and, as if driven by the storm, ran down

the road, over the ditch and across the meadow,--only stopping when he

reached the apple-tree.

"This is the tree--you're decked with ruddy fruit--and she-- Woe is me!

life is pitiless!"

A deep cry of pain escaped him. The road laborer above, and the driver

who was waiting with the carriage below, heard him and ran to his help.

They found him lying on the ground, face downward. He was foaming at

the mouth and was unable to speak. They bore him into the castle.

CHAPTER III.

Throughout the capital, schools, offices, and workshops were closed.

With the exception of, now and then, a noisy group of men who soon

entered a large building and disappeared from view, the streets were

given over to women and children. It was election day. It seemed as if

the thousand and one diversified interests and sentiments that help to

make up the life of a city had converged to a single point--as if a

great soul were communing with itself. Although it was in broad

daylight, a wondrous silence rested upon the deserted streets.

Gunther's carriage had just come from Bruno's house, and now stopped at

the town-hall. The doctor alighted, went upstairs and gave in his vote.

In consideration of his being a physician in active practice, he was

allowed to vote before his turn. He returned to his carriage and drove

home, When he entered the sitting-room, his wife handed him a telegram

which had just been received. Gunther opened it.

"What's the matter?" exclaimed Madame Gunther, for she had never before

seen so great a change in her husband's face.

He handed her the telegram and she read:

"Count Eberhard Wildenort paralyzed. Deprived of speech. Send word to

son and daughter to come at once; if possible, you also.

"DOCTOR MANN, _District Physician_."

"You are going?" said Madame Gunther in an agitated, but scarcely

inquiring tone. Gunther nodded affirmatively.

"I've one request to make," continued Madame Gunther. With a slight

motion of his hand, the doctor intimated that he wished her to proceed.

He felt as if his tongue were palsied.

"I'd like to go with you," said she.

"I don't understand you."

"Sit down," said the wife, and when Gunther had seated himself, she

placed her gentle hand upon his lofty forehead. His face brightened,

and she went on to say:

"Wilhelm, this is a terrible visitation. Let me do all I can to

alleviate the grief of the lost child whom this dread message will soon

reach. I can imagine her feelings. Who knows? Perhaps her own actions

have been the cause of this.--Although she rides in her carriage, I

shall assist her as faithfully as if she were a poor outcast; and if

the poor soul repels me, I shall not leave her. I don't know what may

happen, but the moment may come when she will feel it a comfort to rest

the head now scourged by thorns against a woman's heart. Do let me go

with you?"

"I've no objection. For the present, however, you had better get

everything ready for my departure." He drove to Bruno's house.

As soon as the latter noticed his sad looks, he exclaimed: "And so your

party was beaten?"

"Not yet," replied Gunther, gently breaking the news to Bruno.

Bruno turned away, hurriedly gathered up several letters that were

lying on the table and locked them up in his desk. He was soon ready to

go with Gunther to Irma, to whom they broke the sad news as gently as

possible.

"I knew it! I knew it!" cried Irma. Not another word escaped her. She

went into her bedchamber and threw herself on the bed; but she had

hardly touched the pillow before she sprang up as if thrust back, and

then knelt on the floor and swooned away. When she returned to the

reception room, her features wore a fixed, rigid expression. She gave

hurried orders to her servant and her maid to prepare for the journey.

The doctor withdrew, in order to ask for leave of absence, and promised

to procure leave for Irma, too.

"You ought to bid adieu to the queen, before you go," said Bruno.

"No, no!" cried Irma vehemently. "I cannot; I will not."

There was no servant in the antechamber. There was a knock at the door.

Irma started. "Was the king coming?"

"Come in!" said Bruno. Madame Gunther entered.

Irma could not utter a word, but her eyes seemed to ask: "You here? and

now?"

Madame Gunther told her that she had heard the sad news, and would

regard it as a proof of her friendship, if Irma would allow her to

accompany her.

"Thank you, with all my heart," stammered Irma.

"Then you grant my request?"

"I thank you; on my knees, I'll thank you; but I beg of you, don't make

me talk much now."

"There's no need of your doing so, dear Countess," said Madame Gunther.

"You've apparently neglected or forgotten me; but in your heart, you've

remembered me. And even if it were otherwise, there was one short hour

during which we opened our hearts to each other."

Irma raised her hands as if to shield herself,--as if the kind words

pierced her like so many arrows. In a soothing voice, Madame Gunther

added: "I shall consider it a kindness, if you will allow me to be kind

to you; you have no mother and, perhaps--you will soon have no father."

Irma groaned aloud and pressed her hands to her eyes.

"My dear child," said Madame Gunther, placing her hand upon Irma's arm.

Irma started--"there are many of God's creatures on earth, so that the

sympathy of those whom misfortune has spared may serve as a support to

the afflicted, and as a light in the hour of darkness. I beg of you, do

not be proud in your grief. Let me share in all that the next few days

may have in store for you."

"Proud? proud?" asked Irma, suddenly grasping Madame Gunther's hand and

as suddenly dropping it again. "No, dear honored madame. I appreciate

your affectionate motives. I understand--I know--all. I could calmly

accept your kindness. I know--at least I think--that I, too, would have

just acted as you do, if--"

"This is the best and the only thanks," interposed Madame Gunther, but

Irma motioned her to stop, and continued:

"I entreat you, do not torture me. Your husband and my brother will

accompany me. I beg of you, say nothing more. I thank you; I shall

never forget your kindness."

Gunther entered the room again and Irma said:

"Is everything ready? We have no time to lose."

She bowed to Madame Gunther, and would gladly have embraced her, but

could not.

Madame Gunther, who had never, before this, set foot in the palace, had

only come to succor a ruined one. Never had the thought of herself so

filled Irma with anguish and remorse, as when this embodiment of

loving-kindness had held out her hand to her.

The thought that she no longer dared approach the pure pained her as if

demons were tearing her to pieces. Her first impulse was to throw

herself at Madame Gunther's feet.

She controlled herself, however, and, looking at her with a fixed gaze,

passed on.

The parrot in the anteroom spread out its wings, as if it, too, wanted

to go along, and screamed; "God keep you, Irma!"

As if veiled in a cloud, Irma walked through the corridor. At the

palace gate, she met the king coming out of the park with

Schnabelsdorf, who had a number of dispatches in his hand, and whose

cheerful looks were owing to the news of victory which he had just

received.

To Irma, the king and Schnabelsdorf seemed like misty forms. She wore a

double black veil, for she did not care to gratify the idle curiosity

of the court, by making a show of the face on which grief had done its

work.

The king drew near. She could not remove her veil. He seemed far, far

away. She heard his friendly and, of course, kind words, but she knew

not what he said.

The king extended his hand to Gunther, then to Bruno, and, at last, to

Irma. He pressed her hand tenderly, but she did not return the

pressure.

They got into the carriage. Just as they were about to start, Irma,

noticing Madame Gunther's hand on the carriage door, bent down and

kissed it. The next moment they were gone.

They were silent for some time. After they had passed the first

village, Bruno took out a cigar, saying to Irma, who sat opposite him:

"I'm a man, and a man must calmly accept the inevitable. Show that you,

too, have a strong mind."

Irma did not reply. She threw back her veil and looked out of the

window. Her departure had been so hurried that she was just beginning

to recover herself.

"You ought to have taken leave of the queen in person," said Bruno, in

a calm tone. The long silence was irksome to him. Such dark hours

should be made to pass as agreeably as possible. When he found that

Irma still remained silent, he added: "For you know that the queen's

tender nature is so easily offended."

Irma still made no reply, but Gunther said:

"Yes; it were sacrilege to offend the queen. No one but a savage would

dare to weaken her faith in human goodness and veracity."

Gunther expressed himself with unwonted energy, and his words cut Irma

to the heart. Was it she who had committed sacrilege? And then the

thought gradually dawned upon her; the queen is his ideal; the king is

mine. Who knows whether the mask of intellectual affinity may not have

served to screen--Quick as thought, she dropped her veil; her breathing

was short and fast; her cheeks were burning. He who knows himself to

be--must judge others--nothing is perfect--no one--She felt as if she

must speak, and at last said: "The queen deserves to have a friend like

you."

"I place myself beside you," said Gunther calmly. "I believe that we

both deserve the friendship of that pure heart."

"And so you believe that friendship can exist between married people of

different sex?" inquired Bruno.

"I know it," replied Gunther.

At the first posting-house, where they came upon noisy crowds, the

postmaster informed them that the election was going on, and that the

contest was quite an excited one. The "Blacks" would certainly be

defeated.

Bruno, who had alighted, asked the postillion:

"My noble fellow-citizen, have you exercised your sovereign right of

voting to-day?"

"Yes, and against the 'Blacks'."

They drove on.

Bruno did not get out at the other stations. They were drawing near to

Eberhard's district. While they were changing horses at the assize

town, they heard loud cries of: "Long live Count Eberhard! Victory!"

"What's that?" inquired Gunther, putting his head out of the carriage

door.

He was informed that, in spite of the "Blacks," Count Eberhard would

prove the victor. The opposition had started a contemptible rumor,

intended to disgrace the old count. But, although meant to injure

others, it had proved a stumbling-block to themselves; for every one

had said: "A father can't help what his child does, and, for that very

reason, greater respect should now be shown him."--Irma drew back into

the dark corner of the carriage and held her breath.

They drove on without saying a word.

After they had started, Bruno said it was too warm for him in the

carriage, and that it did not agree with him to ride backward. Still,

he would not suffer Gunther to change seats with him. He ordered the

carriage to stop and, telling the lackey to sit up with the driver,

placed himself on the back seat, next to the waiting-maid. Irma took

off her hat and laid her head back. It was heavy with sad thoughts. Now

and then, when the road lay along the edge of a precipice, she would

quickly raise herself in her seat. She felt as if she must plunge into

the abyss; but, weak and feeble, she would fall back again. Gunther,

too, remained silent; and thus they drove on through the night, without

uttering a word.

At one time, the waiting-maid would have laughed out aloud, but Bruno

held his hand over her mouth and prevented her.

CHAPTER IV.

It was near midnight when the travelers reached castle Wildenort. The

servant said that the count was sleeping, and that the physician who

lived in the valley was with him. The country doctor left the sickroom

and came out into the ante-chamber to welcome the new arrivals. He was

about to describe the case to Gunther, who, however, requested him not

to do so until he had himself seen the patient. Accompanied by Irma and

Bruno, he went into the sick-room.

Eberhard lay in bed, his head propped up by pillows. His eyes were wide

open, and, without showing the slightest emotion, he stared at those

who entered, as if they were figures in a dream.

"I greet you, Eberhard, with all my heart," said Gunther. The sick

man's features twitched convulsively, and his eyelids rose quickly and

as quickly fell again, while he gropingly put forth his hand toward his

old friend. But the hand sank powerless on the coverlet. Gunther

grasped it and held it fast.

Irma stood as if rooted to the spot, unable to move or utter a word.

"How are you, papa?" asked Bruno.

With a sudden start, as if a shot had whizzed by his ear, Eberhard

turned toward Bruno and motioned to him to leave the room.

Irma knelt down at his bedside, while Eberhard passed his trembling

hand over her face. It became wet with her tears. Suddenly, he drew it

back, as if it had been touching a poisonous reptile. He averted his

face and pressed his brow against the wall; and thus he lay for a long

while.

Neither Gunther nor Irma spoke a word. Their voices failed them in the

presence of him who had been deprived of speech. And now Eberhard

turned again and gently motioned his daughter to leave the room. She

did so.

Gunther remained alone with Eberhard. It was the first time in thirty

years that the two friends had met. Eberhard passed Gunther's hand

across his eyes, and then shook his head.

Gunther said: "I know what you mean; you would like to weep, but

cannot. Do you understand all I say to you?"

The patient nodded affirmatively.

"Then just imagine," continued Gunther, and his voice has a rich and

comforting tone, "that the years we've been separated from each other

were but one hour. Our measure of time is a different one. Do you still

remember how you would often in enthusiastic moments exclaim: 'We've

just been living centuries'?"

There was again a convulsive twitching of the patient's features, just

as when a weeping one is enlivened by a cheerful thought and would fain

smile, but cannot.

Eberhard attempted to trace letters on the coverlet, but Gunther found

it difficult to decipher them.

The sick man pointed to a table on which there lay books and

manuscripts. Gunther brought several of them, but none was the right

one. At last he brought a little manuscript book, the cover of which

was inscribed with the title, "Self-redemption." The sick man seemed

pleased, as if welcoming a fortunate occurrence.

"You wrote this yourself. Shall I read some of it to you?"

Eberhard nodded assent. Gunther sat down by the bed and read:

"May this serve to enlighten me on the day and in the hour when my mind

becomes obscured.

"I have been much given to introspection. I have endeavored to study

myself, without regard to the outward conditions of time, standpoint,

or circumstance. I perceive it, but, as yet, I cannot grasp it. It is a

dew-drop shut up in the heart of a rock.

"There are moments when I am fully up to the ideal I have formed for

myself, but there are many more when I am merely the caricature of my

better self. How am I to form a conception of my actual self? What am

I?

"I perceive that I am a something belonging to the universe and to

eternity.

"During the blessed moments, sometimes drawn out into hours, in which I

realize this conception, there is naught but life for me--no such thing

as death, either for me or the world.

"In my dying hour, I should like to be as clearly conscious as I now am

that I am in God, and that God is in me.

"Religion may claim warmth of feeling and glory of imagination as her

portion. We, on the other hand, have attained to that clear vision

which includes both feeling and imagination.

"In troubled, restless days, when I endeavored to grasp the Infinite, I

felt as if melting away, vanishing, disappearing. I longed to know:

What is God?

"And now I possess our master's answer: Although we cannot picture God

to ourselves, yet we have a clear idea or conception of Him.

"For us, the old commandment: 'Thou shalt not make unto thyself any

image of God,' signifies _thou canst_ not make to thyself any image of

God. Every image is finite; the idea of God is that of infinity.

"Spinoza teaches that we must regard ourselves as a part of God--

"While endeavoring to grasp the idea of the whole, I came to understand

what is meant by the words: 'The human mind is part of the divine

mind.'

"A single drop rises on the surface of the stormy ocean of life. It

lasts but a second--though men term it threescore years and ten--and

then, glowing with the light it receives and imparts, sinks again.

"Man, regarded as an individual, is both by birth and education a

thought entering upon the threshold of the consciousness of God. At

death, he simply sinks below that threshold, but he does not perish. He

remains a part of eternity, just as all thought endures in its

consequences.

"When I combine a number of such individuals or thoughts and term them

a nation, the genius of that nation enters upon the threshold of such

consciousness as soon as the nation begins to have a history of its

own.

"Combining the nations into a whole, we have mankind or the totality of

thought, the consciousness of God and of the world.

"I have often felt giddy at the mere thought of standing firm and

secure, on the highest pinnacle of thought.

"May these thoughts inspire and deliver me in the hour of dissolution.

There is no separation of mortal and immortal life, they flow into each

other and are one.

"The knowledge that we are one and the same with God and the universe

is the highest bliss. He who possess this, never dies, but lives the

life eternal.

"Come to me once more, thou spirit of Truth, at the moment when I

sink--

"Dust cleaves to my wings, just as it does to yonder lark, winging its

flight from the furrowed field into ether. The furrow is as pure as the

ether, the worm as pure as the lark,--God yet dwells in that which, to

us seems lost and ruined. And should my eye be dimmed in death--I have

beheld the Eternal One--My eyes have penetrated eternity. Free from

distortion and self-destruction, the immortal spirit soars aloft--"

When Gunther had read thus far, Eberhard laid his hand on his lips as

if to silence him, and gazed intently into his eyes.

"You have honestly wrestled with yourself and the highest ideas," said

Gunther, whose voice was tremulous with something more than grief at

approaching death.

Eberhard closed his eyes. When Gunther saw that he was asleep, he rose

from his seat.

He now noticed that Irma had been sitting behind the bed-screen. He

beckoned to her, and she left the room with him.

"Did you hear everything?" asked Gunther.

"I only came a few minutes ago." Irma wanted to know the whole truth in

regard to her father's position. Gunther admitted that there was no

hope of recovery, but that the hour of death was uncertain. Irma

covered her face with both hands and returned to the sick-room, where

she again took her seat behind the bed-screen.

Bruno was with the country physician, in the great hall. As soon as

Gunther entered, Bruno hastily arose and, advancing to meet him,

hurriedly said: "Our friend here has already quieted me. The danger,

thank God"--his tongue faltered at the words "thank God"--"is not

imminent. Pray quiet my sister's fears."

Gunther made no reply. He saw that Bruno merely affected ignorance of

the imminent danger, and Gunther was enough of a courtier to refrain

from forcing the truth upon unwilling ears. He returned to Irma. Bruno

followed him and endeavored to cheer his sister; but she shook her head

incredulously. He paid no heed to this, but said that he wanted to gain

strength and endurance for the sad trial that awaited them. What he

really wanted was to ride out, so that he might be absent at the

terrible moment. Since his presence could not make things any better,

why should he expose himself to such a shock?

The morning began to dawn. The sick man still lay there, motionless.

"His breathing is easier," faintly whispered Irma.

A gentle, reassuring nod was Gunther's reply.

CHAPTER V.

With a firm tread, Bruno went down the steps. He had ordered the groom

to lead his horse some distance from the castle and there await him.

"If there only were no such thing as dying," thought he to himself.

While placing his foot in the stirrup, something tugged at his coat.

Was it his father's hand? or was it a spirit-hand dragging him back? He

stumbled; his coat had caught in a buckle. He loosened it, and was just

about to lift his riding-whip against the careless groom, when it

occurred to him that such behavior was ill-timed. His father was ill,

seriously ill, indeed, in spite of the family physician's reassuring

words. No, it would not do to punish the servant now; it should not be

said that Bruno had beaten his groom at such a moment. Fitz, who was

putting the buckle to rights, stooped as if he already felt the

whipstock across his shoulders, and looked up amazed when his master,

in the gentlest voice, said to him: "Yes, good Fitz, I see that you've

not slept any more than I have, and you're quite nervous. Lie down and

rest for another hour. You need not ride out with me. Keep your horse

saddled, however. I shall take the straight road through the forest

clearing and, if anything should happen here, you or Anton can ride

after me. At the foot of the Chamois hill, I shall turn back into the

bridle-path and return by way of the valley. Do you hear? Don't forget!

And now you can go sleep awhile; but don't unsaddle your horse. Don't

forget what I've told you."

Bruno rode off, and the astonished Fitz stood there looking after him

for some time.

Bruno took the road that led to the woods, and in the direction of a

clearing which was now used as a pasture. It was easy riding over the

grassy path, and the morning breezes refreshed him.

The golden glow of morning trembled on every leaf, and sparkled on

every dewdrop. The woods on either side were superb, and, with a

self-complacent nod, Bruno said to himself: "How well he understood

forest matters. No, I shan't be so cruel. I shall have the woods well

looked after, and shall not cut down the timber."

He now reached a level stretch of road. He put spurs to his horse and

set off at a gallop. Suddenly he halted, for the neighborhood was one

with which he was not familiar. There had formerly been a swamp and now

there were broad fields, on which lay many sheaves of ripened grain.

Bruno turned towards the laborers who were binding the sheaves. The

foreman told the young master that it was his father who had drained

the swamp, and that this was now some of the best land on the whole

estate. Offering Bruno a handful of the ripened ears, he said: "Take

these to your father; I'm sure he thinks of us on his sickbed."

Bruno declined them, and gave the foreman some drink money. He rode

off, leaving word that he was going toward the Chamois hill, and

instructing the foreman to tell his groom as much, in case he should

come after him.

The farm laborers he had left behind him were driving home with the

first crop gathered from the redeemed land, and the cracking of their

whips was the only sound that broke upon the silence of the forest

solitude. He checked his horse's pace to a walk and, as no one could

see him there, lit a cigar. When he reached the high level ground, he

started off at a brisk trot. Sheep were grazing here, and Bruno did not

fail to ride up to the shepherd and tell him what to say to the groom

in case he should follow. It was a comfort to know that he had made it

so easy to find him. After he had passed, he turned involuntarily. As

if to calm himself he patted his horse's neck and, drawing a tight

rein, drew himself up in his saddle. The road again led through a

clearing in the forest; the valley below was bathed in golden sunshine.

Suddenly it occurred to him: "There are so many miserable beings whose

constant care is how to manage to keep alive. Why can't one purchase

their vital power and, adding their years to his own, live forever? The

masses, stupid as they are, are right when they consider us as no

better than themselves, for we must die of the same diseases they are

subject to.--Here, all is life; tree and beast and man. There, in the

castle, lies a man whose end is drawing near, and who may be dying at

this very moment. Perhaps even now, the air is wafting his last breath

toward me--Where is it? Why does not a shudder pass through all that

belongs to him? through every tree, and man, and beast? All that lived

with him should die with him, for it is his. This wretched, miserable

life--"

"I'm a poor woman, give me something," said a figure, suddenly emerging

from the thicket. It was Zenza.

Bruno started as if a ghost had appeared to him. He put spurs to his

horse and hurried off. His hair stood on end with fright, and it was

long before he regained his composure.

In spite of this interruption, and without an effort on his part, his

thoughts went back to the subject that engaged them at the moment when

Zenza appeared upon the scene; but the old woman's cry of: "Give me

something," was ever ringing in his ears. If everything were to die

with its possessor, who would inherit? What is more peculiarly a man's

own than his thoughts? And even they die with him--

"I won't think any more," said Bruno to himself. "Not now;

to-morrow--the day after--some other time; but now I don't want to

think."

He raised his hat, as if to permit his thoughts to escape; then he

whipped and spurred his horse so that it reared and started off at a

furious pace. The effort to maintain himself in his saddle drove what

he regarded as gloomy fancies from his mind. He sat firmly, pressed his

knees against the horse's ribs, and felt the better for the exertion.

But, in spite of all, his thoughts would suddenly wander off to his

father again. He felt a sudden shudder--This must have been the

very moment--at that instant, his father must have breathed his

last--involuntarily, Bruno drew his hand back. His horse halted. He

again put spurs to him, and galloped away as if to escape from his

thoughts. Suddenly, a voice cried out:

"Stop, Bruno!" He shuddered. Whose voice could it be? Who would call

him by name? Surprise and alarm had thrown him into a cold sweat.

"Who calls me?" he asked with pale, trembling lips.

"You can't get here."

"Who are you? Where are you?" cried Bruno. A cold shudder passed over

him, and his horse snorted and snuffed the air. Was it true that

witches lived in rocks? for the voice had come from the rock.

"Who are you?" repeated Bruno; "your voice seems--"

"Do you still know Black Esther? Turn back, or you're a dead man."

He heard something whizzing by him. Benumbed with terror, he sat upon

his horse. At last he dropped the rein, looked at his hand, drew off

his glove, as if to satisfy himself that he was still living, that it

was yet day, that all was not a dream, or the product of wild

imagination--

His horse went on at a gentle pace. Suddenly, it started to one

side--there had been the report of a gun. Who could be hunting there?

Bruno had already gotten beyond the limits of his own domain. Who could

now be hunting in the royal forests, where the chase was not to begin

until next month?

With a complacent air, Bruno twirled his mustache. He again felt

confidence in himself, and in his worldly wisdom. He felt for the

revolver in his saddle-bag, and calmly examined it to see if it was fit

for use. The horse went on. Presently he saw a gun-barrel resting on a

tree and directed against him, while a voice from behind the tree

called out:

"Turn back, or you're a dead man. One--two--three--"

Trembling from head to foot, Bruno turned his horse's head. Behind him

was the loaded gun, and, at any moment, a bullet might pierce him. The

cold sweat streamed down his face; his eyes burned; he did not venture

to raise his hand, lest the poacher behind him should misinterpret the

movement and shoot him in the back. It was not until he had reached the

rock where Black Esther had called to him and had so mysteriously

disappeared, that he ventured to breathe freely. She had not forgotten

his love, and he would henceforth provide for her. He again put spurs

to his horse, and hurried off without knowing whither. It was not until

he reached tilled land and saw laborers at work, that he alighted and

sat down on the ground.

The first feeling of safety inspired him with a good resolve. He would

return and, bowing himself--in repentance, ask his father's

forgiveness. He would now promise to care for Black Esther, who had

been the cause of the rupture between them. But he felt so weak that he

could not rise, and a voice within him said: "You can't do it, you

can't stand two such shocks in one day, and, besides, there's no

hurry; the end will surely not come to-day. There will be time enough

to-morrow, or later."

Feeling as if every bone in his body were broken, he, at last, arose,

and asked the people in the field where he was. He found that he was

far away from the road.

If the groom were now to ride after him and not find him.

Bruno quieted his conscience with the knowledge that he had not meant

it to be thus. Dire fate, and an almost inconceivable combination of

terrors, had led him from the right road.

Here, no one knew him. Suddenly, he heard the sounds of music and saw

several carriages, decorated with green boughs, driving along the road.

"What's this? a wedding?" he inquired of the peasant who had already

given him some information as to the road.

"I don't know, but I think they must be town folk, or else they

couldn't ride about in harvest time. Maybe they're coming from the

election."

Bruno again mounted his horse. When he asked for the nearest road to

Wildenort, the peasant looked at him in surprise, and pointed to a

bridle-path on which he could not miss his way. But Bruno, who had lost

all taste for the woods, preferred keeping to the highway. He passed a

long string of wagons preceded by a band of music with a flag of black,

red, and gold. He hurried by them, for he was not in a mood to listen

to music.

CHAPTER VI.

Even before Gunther's arrival, Eberhard had been bled. Gunther had

brought a small medicine-chest with him, and had hastily compounded

some remedies which had relieved and quieted the patient. He was now

sleeping. Great drops of perspiration stood on his brow. Irma still sat

concealed behind the screen. She could see her father, but could not be

seen by him. Drawing a deep breath, he awoke and looked about him. Irma

hastened to him. He gazed at her fixedly, and then motioned her to open

the window.

The day was bright and sunny; the cool, balmy breezes wafted the

fragrance of the woods into the room. The cracking of whips was heard.

Eberhard's features acquired a pleased expression, for he knew that

they were now bringing in the first sheaves from the swamp which he had

redeemed.

Steps were heard in the ante-chamber, and Gunther came in, accompanied

by the farm bailiff.

"Come in," said he, "it will please your master."

With a heavy tread, the bailiff walked up to the sick man's bedside. In

his right hand he held some of the ripened grain, while, with his left,

he beat his breast as if to force out the words:

"Master, I've brought you the first ears from our new field, and hope

your health may be spared, so that you may eat the bread from it for

many a year to come."

Eberhard seized the ears and, with his other hand, pressed that of the

servant, who now left the room and went down to the barn, where he sat

down on a sheaf and wept.

"Shall I remain with you, or would you rather be alone with your

child?" asked Gunther.

Eberhard dropped the ears, and they lay upon the coverlet. He reached

for Irma's hand. Gunther went out.

And now Eberhard dropped his daughter's hand, pointed to her heart and

then to the ears of corn.

She shook her head and said: "Father, I don't understand you."

An expression of pain passed over Eberhard's features, and he placed

his finger on his lips, as if grieved that he could not speak. Who

knows but what he meant to say: "Good seed will grow from the swamp, if

we rightly cultivate it; and out of your own heart, too, my child; out

of your lost, ruined--"

"I'll call Gunther," said Irma; "perhaps he will understand what you

mean."

Eberhard shook his head, as if in disapproval. His features betrayed

something like anger at Irma's inability to understand him.

He bit his speechless lips and tried to raise himself. Irma assisted

him, and he now sat up, supported by the pillows.

His face had changed. It had suddenly acquired a strange hue and an

altered expression.

With a shudder, Irma realized what was taking place. She fell down by

his bedside, and laid her cheek upon her father's hand. He drew his

hand away.

She looked at him. With great effort he raised his hand--it was damp

with the dews of death--and with outstretched finger he wrote a word

upon her brow. It was a short word; but she saw, she heard, she read

it. It was written in the air, on her forehead, in her brain,--aye, in

her very soul. Uttering a piercing cry, she sank to the floor.

Gunther came in hurriedly. Stepping over Irma, he rushed to the

bedside, lifted Eberhard's fallen hand, felt for the beating of his

heart, started back--and then closed his friend's eyes.

The silence of death reigned in the room.

Suddenly, music was heard in front of the house. They were playing the

melody of a national song and hundreds of voices called out: "Long live

our representative, noble Count Eberhard!" Irma, who was still lying on

the ground, moved at these sounds. Gunther strode past her and went out

into the courtyard. The playing ceased and the voices were silenced.

Horse's steps were heard approaching, and Bruno entered the courtyard.

He alighted. The sorrowful mien of Gunther and those about him, told

him what had happened. He covered his face and leaned on Gunther, who

led him into the house. When Gunther and Bruno entered the chamber of

death, Irma had disappeared. She had shut herself up in her room.

CHAPTER VII.

He who destroys his life, destroys more than his own life.

The child that has afflicted a father sees his upbraiding hand rise

from the grave.

My father has put the mark of Cain upon my brow; a mark that can never

be effaced.

Nevermore dare I look upon my face or permit the eyes of strangers to

behold it.

Can I escape from myself? My thoughts will follow me everywhere.

I am an outcast, forlorn, ruined.

Such was the dreary monotone that rang through Irma's soul, again and

again.

She lay in the darkened chamber from which every ray of light was

excluded. She was alone with herself and darkness. Her thoughts were

like strange voices, calling her now here, now there. And it often

seemed to her as if, with finger pointed at her, her father's fiery

hand shone through the darkness.

She could hear Bruno's voice and Gunther's. Bruno wanted to ask her

about many things, and Gunther wished to return to the city. Irma

answered that she could see no one, and charged Gunther with a thousand

greetings to all who loved her. Gunther cautioned the family doctor and

the maid to keep a careful watch on Irma, and also sent a messenger to

Emma at the convent.

Irma remained in darkness and solitude.

The tempter came to her, and said:

"Why grieve yourself to death? You are young, and the world, with all

its beauty and splendor, lies before you. There is not the faintest

trace of a mark upon your brow. The hand that left it is cold and stiff

in death. Rise up and be yourself again! The whole world is yours! Why

pine away? Why mortify yourself? Everything lives for itself;

everything lives out its allotted time. Your father completed his life;

do you complete yours. What is sin? The dead have no claims on the

living; the living alone have rights."

While distracted by grief and doubts, she suddenly saw, arising through

the darkness, the vision described in the New Testament, of Satan and

the angel contending for the possession of the body of Moses.

"I'm not a corpse!" exclaimed she suddenly. "There are neither angels

nor devils. It is all false! In song and story, and from generation to

generation, they've been handing down all sorts of fables, just as they

do with children whom they lull to sleep in the dark.

"Day has dawned. I can draw the curtain aside, and the whole world of

light is mine. Are there not thousands who have erred as I have, and

who still live happily?"

She felt as if buried alive in the earth. Fancy ever transported her to

that one grave. She rushed to the window.

"Light! I must have light!"

She raised the curtain. A broad ray of light streamed into the room.

She sprang back, the curtain fell and she again lay in darkness.

But she soon heard a voice that went to her heart. Colonel Bronnen had

come from the capital to pay the last honors to Eberhard. He begged

Irma--his powerful voice was thick with emotion--to permit him to mourn

with her for the dead.

All her blood seemed to flow back to her heart. She opened the door

and, through the darkness, held out her hand to her friend. He pressed

it to his lips, and she heard the strong man weep. Suddenly, the

thought flashed upon her that this man could save her, and that she

could serve him, and look up to him. But how, could she dare?

"I thank you," said she, at last. "May it ever make you happy to know

that you've been kind to the departed and to myself--"

Her voice faltered; she could say no more.

Bronnen departed, leaving her in the dark.

Irma was again alone.

The last stay left her was broken. Had she imagined that Bronnen had

picked up fragments of a torn letter which he had found on the road,

and that they were now in his pocket, she would have cried out for very

shame.

One idea constantly possessed her. What good would it do her to see the

sun rise so many thousand times more? Every eye would make the writing

stand out more clearly, and certain words had become undying torments

to her. Father--daughter! Who would banish these words from the

language, so that he might nevermore hear them, nevermore read them?

Her ideas seemed to move in an unfathomable void. Turn it as she might,

the one and only thought was ever returning with crushing weight. It

seemed exhausting and yet inexhaustible.

Then ensued that numbness of the mind which is best described as the

entire absence of thought. Chaos reigned, and what lay beyond surpassed

conception. "Let what will come, I shall submit, like the beast led out

for the sacrifice, and upon whose head the uplifted axe of the high

priest is about to descend. Your destiny must be accomplished; you can

do nothing but submit without shrinking."

Irma lay thus for hours.

The great clock in the hall was ticking, and seemed to be saying:

Father--daughter; daughter--father. For hours, she could hear nothing

but the pendulum, which seemed to utter those words again and again.

She was about to give orders that the clock should be stopped, but

forebore. She tried to force herself not to hear these words, but did

not succeed. The pendulum still kept saying: Father--daughter;

daughter--father.

What had once been subject to her caprice, now ruled her.

"What have you seen of the world?" she asked herself. "A mere corner.

You must travel round the earth, and let it be a pilgrimage in which

you may escape from yourself. You must become acquainted with the whole

planet on which these creatures who call themselves men creep about;

creatures who dig and plant, preach and sing, chisel and paint, simply

to drown the thought that death awaits them all. All is drowned in

stupor--"

In imagination, she transported herself far, far away, with faithful

servants pitching their tent in the desert; and if some wild race were

to approach--While she lay there, half awake, half asleep, she heard

the sounds of the tom-tom, and fancied herself borne away on the

shoulders of others, and adorned with peacocks' wings, while savage,

dusky forms were dancing around her.

What had once been a wild day-dream now possessed her, and her brain

whirled in fancy's maddening dance.

CHAPTER VIII.

It was late at night. All were asleep. Irma gently opened the door and

slipped out.

She went to the chamber of death. A single light had been placed near

the head of the corpse, which lay in an open coffin and with a few ears

of corn in its hands. A servant who was watching by the corpse, looked

at Irma with surprise. He bowed to her, but did not speak a word. Irma

grasped her father's hand. If that hand had rested on her head to bless

her, instead of--

She knelt down and, with burning lips, kissed the cold, icy hand. A

distracting thought flashed through her mind: This is the kiss of

eternity. Burning flame and icy coldness had met: this is the kiss of

eternity.

When she awoke in her room, she knew not whether she had really kissed

her dead father's hand or whether it was all a dream. But she did feel

that her heart was oppressed by a burden that could never be cast

aside.

The kiss of eternity. You shall nevermore kiss warm, loving lips--you

are the bride of death.

She heard the bells tolling while they bore her father to the grave.

She did not leave her room. Not a sound escaped her lips; not a tear

fell from her eye; all her faculties were benumbed and shattered. She

lay in the dark. When she heard the pigeons on the window-sill outside,

cooing and flying away, she knew that it was day.

Bruno was greatly annoyed by his sister's eccentric behavior. He wanted

to leave, and wished her either to accompany him or, at all events, say

what she proposed doing. But, thus far, she had not replied. At length,

equipped for the journey, he went into Irma's anteroom, where he found

her maid reading a book.

Bruno had just stretched out his hand to pat her under the chin, when

he suddenly remembered that he was in mourning, and drew his hand back.

He gave his hat to the maid, so that she might put a mourning band on

it, and, while doing so, stroked her hand, as if by accident. Then he

went to his sister's door again.

"Irma!" he said; "Irma, be sensible; do give me an answer."

"What do you want of me?"

"Open the door."

"I can hear you," she replied, but did not open the door.

"Well, then, I must tell you that no will has been found. I shall

arrange everything with you in a brotherly manner. Won't you come along

to my house?"

"No."

"Then I must go without you! good-by!" He received no answer and, while

waiting, heard steps moving away from the door. He turned toward the

waiting-maid, who had in the mean while fastened the crape upon his

hat. Bruno kissed her hand and gave her a handsome present.

He set out on his journey at once.

He was just as well pleased to travel without Irma's company. There

would be no one to disturb him, and he could more easily give way to

his own inclinations. His philosophy enjoined upon him the avoidance of

all unnecessary grief; it could do no good, and would simply embitter

life.

He was in a self-complacent mood. He meant to take the Wildenort estate

to himself, on account of the name. It was, unfortunately, small and,

unless he obtained a position under the government, it would not

support him in a manner befitting his rank. If Irma should marry, which

he hoped would be very soon, he would give her the assessed value of

the hereditary estate as her dowry. Bruno returned to the capital, and

the first time that he left his house was to visit the jockey club,

which was now in session. By paying a moderate forfeit, he hoped to be

able to withdraw his horses from the races which were announced to take

place within a few days. He was in mourning, and they would, of course,

take that into consideration. On the way, he met Gunther and turned

back. The doctor was going to the palace.

Never had this man, who, at court, was looked upon as a stoic, shown

such agitation as when he brought the news of old Count Wildenort's

death.

He told the queen that Eberhard's last moments had renewed the spirit

of his better days, and yet he could not refrain from adding that his

departed friend had not attained the high point to gain which he had so

honestly labored. For, at the last moment he had felt the need of

support from without, and was obliged to impress his mind anew with

truths he had long since made his own. The queen was astonished at the

doctor, who could judge so sternly, even when most deeply afflicted.

"How does our Irma bear it?" cried she.

"Sadly and silently," replied Gunther.

"I think," said the king to the queen, "that we ought to write to our

friend, and send a messenger to her."

The queen approved of his suggestion, and the king said to the captain

of the palace guard:

"The queen wishes to have a courier sent to Countess Irma at once. Pray

attend to the matter. Send Baum."

The queen started with fear. Why had the king said that _she_ desired

to send a messenger? The suggestion had been his own, and she had

merely assented to it. She quickly silenced her doubts, however, and

reproached herself that the suspicions she had once harbored had not

yet entirely vanished. She went to her room and wrote to Irma. The king

wrote, too.

Baum assumed a modest and submissive mien, while receiving orders to

start at once as a courier to the Countess of Wildenort. He was to

remain with the countess, to be in constant attendance upon her, and,

if she desired to travel, he was to accompany her until she should

return to court.

When Baum set out with the letters, his face wore a triumphant

expression. He was now on the point of gaining the great prize. He had

been intrusted with a delicate commission, and he knew what he was

about. He felt that they appreciated him, and that he understood them.

He looked back toward the palace. The submissive air had vanished.

Stroking his chest with his right hand, and holding the left up to his

lips, he said to himself; "I shall return as a made man; I shall be

lord chamberlain at least."

Baum arrived at the manor-house. The maid told him that Irma would

receive no one.

"If she only had a good cry; her silent grief will kill her."

He knocked at Irma's door. It was long before an answer came. At last

she asked what was the matter, and when she recognized Baum's voice,

she was obliged to support herself from falling, by holding on to the

latch of the door. "Had the king come, too?" she asked herself.

Baum said that he had come as a courier to deliver a letter from their

majesties. Irma opened the door just far enough to enable her to put

out her hand. She took the large letter and laid it on the table. There

was nothing that she cared to learn from the world, nor could it offer

her any consolation. No one could. At last, toward evening, she drew

back the curtains and broke the seal of the large envelope. There were

two letters in it; one in the queen's handwriting, the other in the

king's. She opened the queen's letter first, and read:

"_My dear, good Irma_";

(It was the first time that the queen had written so affectionately.

Irma wiped her face with her handkerchief and went on reading.)

"You have experienced life's greatest affliction. Would that I were

with you, to press your throbbing heart to mine, and to kiss away your

tears. I shall not attempt to console you, but can only say that I

sympathize with you as far as it is possible to sympathize with griefs

one has not yet known. You are strong and noble, and I cannot help

appealing to you" (Irma's hand trembled) "to think of yourself and to

bear your grief purely and nobly. You are orphaned, but the world must

not be a desert void to you. There are still hearts that beat with

friendship for you. I am glad--that is to say--I thank fate that I am

able to be of some help to you in your sorrow. I need not assure you of

my friendship for you, and yet, at such moments, it does one good to

tell one's self so. I do not care to spend a single hour in pleasure

while you are in affliction. All feelings are shared by us." (Irma

covered her face with her hands. Recovering herself, she went on

reading.) "Let me know soon what I can do for you. Come to me, or

remain in solitude, just as your feelings dictate. If I could only

enable you to enjoy the company of yourself as we enjoy it. You don't

know how much good you've done me. You have extended the domain of our

perceptions and have thus enriched our lives. What nobler achievement

can there be! Remain firm and remember that you may always depend upon

the friendship of

"Your ever loving

"MATHILDE."

Irma laid the letter on the table and involuntarily pushed it far

away from that of the king, which was still unopened. Years should

elapse--aye, oceans should lie between the reading of the two letters;

and yet how often had she listened to them both in the same breath, and

looked at them with the same glance.

With a violent movement, as if in anger, she opened the king's letter

and read:

"I am deeply pained to know that you, too, my charming friend, must

learn that we are mortal. It grieves me to think that your lovely eyes

must weep. If that which is noblest be capable of still further

purification--and what mortal being is not?--this affliction must needs

add to your noble-mindedness. I entreat you, do not soar too high, lest

you leave us too far below you. Carry us with you, to the lofty regions

in which you dwell."

Irma's features assumed a hard and bitter expression. She went on

reading:

"If you mean to torment your beautiful eyes with tears, and your noble

heart with sighs, for more than seven days, and desire to remain alone,

pray send me word. Should you, however, wish to protract your mourning,

and to recover yourself and another self, by travel, decide upon what

direction you mean to take. Let it not be too far--not too far into the

land of sorrow, a land to which you are a stranger. Be happy again and

subdue your grief, cheerfully and speedily.

"Affectionately yours, K."

In the letter, there lay a small piece of paper with the inscription:

"Burn this as soon as read."

"I cannot live without you. If I lose you, I lose myself. Your presence

is my life. I cannot live, except in the light of your eyes. I want no

clouds; I long for the sunlight. Remember the world of thought that

dwells beneath your plumed hat. Let that world have its sway, you must

not be sad; you dare not, for my sake. You must be mistress of your

grief, just as you are mistress over me. Be firm, put all grief away

from you, and return to your KURT.

"The kiss of eternity! I alone can kiss away the sadness that clouds

your brow. I can and I will."

Irma uttered a loud shriek, and then gave way to convulsive laughter.

"Can any lips kiss this brow? How would they relish the death-sweat

which has already eaten into the flesh? How would that terrible word

taste to the lips? Kiss it away! Kiss it away! I burn! I freeze!"

The maid heard the last few words, and endeavored to go to Irma's

assistance, but the door was locked.

After some time, Irma raised her head and was surprised to find herself

on the floor. She rose and ordered a light and writing materials. She

burned the king's two letters, and then sat there for a while, with her

weary head resting upon both her hands. At last she took the pen and

wrote:

"_Queen_!

"I expiate my crime, in death. Forgive and forget.

"IRMA."

On the envelope she wrote the words, "By the hand of Gunther," "For the

queen herself."

Then she took another sheet and wrote:

"_My Friend_:

"These are the last words I shall ever address to you. We are treading

the wrong path, a path full of peril. I expiate my crime. You do not

belong to yourself alone; you belong to her and to your country. Death

is my expiation. Life must be yours. Be at one with the law that binds

you to her and to the state. You have denied both, and I have aided you

to do so. Our life, our love, has dealt terribly with you. You could no

longer be true to yourself. But now you must again become so; and that

completely. These are my dying words, and I shall gladly die, if you

will but hearken to me and to your better self. God knows we did not

mean to sin; but we sinned, for all. My judgment is written on my brow;

inscribe yours in your heart and live anew. All is still yours. I

receive the kiss of eternity from death. Listen to this voice and

forget it not, but forget her who calls to you. I do not wish to be

remembered."

She sealed the letters and hurriedly hid them in the portfolio, for she

was interrupted. Emma, or rather Sister Euphrosyne, was announced.

CHAPTER IX.

Gunther had sent a messenger to inform Emma of Count Eberhard's death

and Irma's despair. The prioress suggested that Emma should hasten to

her young friend, to whom they owed so great a debt; and, as nuns were

not allowed to travel alone, she was accompanied by a sister who was an

experienced nun.

When the maid announced them, Irma started from her seat. This is

deliverance! In the convent, shut out from the world, a living

death--there shall you wait until they bear you to the grave.

Suddenly the old boatman's words flashed upon her: "A life in which

nothing happens."

Her lips swelled with proud defiance. I shall not wait for the end;

I'll force it. It was long before she answered the maid:

"My best thanks, but I don't care to see or hear any one."

After uttering these words, Irma felt as if inspired with new strength.

That, too, was over.

All was silence and darkness again, and the clock kept on saying:

Father--daughter; daughter--father.

From the valley below, she heard the sounds of the vesper bell.

"It must be," said Irma to herself. She drew back the curtains and,

looking down into the valley, could see the nuns, clad in their long

black gowns, walking across the meadows. Her thoughts went out after

them, as she said: "Farewell, Emma!" Then she called her maid and told

her to give orders that a horse should be saddled for her, as she

wished to ride out. She did not turn her face to the maid. No one

should ever look on that brow. The maid helped her on with her

riding-habit and riding-hat, the latter ornamented with part of an

eagle's wing. Irma started when her hand touched the wing. The king had

shot the bird, and had given her the plumes when-- It seemed like a

parting, ghostly touch.

She ordered a double veil to be put on her hat, and it was not until

she was in perfect disguise, that she set off. She did not look up; she

took leave of no one; her eyes were fixed on the ground.

Irma's saddle-horse stood in the courtyard. At her approach, it pawed

the ground and snuffed the air. She did not stop to inquire who had

brought her horse from the city. She patted its neck and called it by

its name: "Pluto." In thought, she was already so far removed from the

world that she regarded the beast as a marvel, or as something never

before seen. She mounted.

The large dog, a favorite of her father's, was there also, and barked

when he saw her. She gave orders to have the dog taken back to the

house.

She rode away at an easy pace. She did not look behind her, nor to the

right or left. The sun was already behind the tops of the trees. Its

broken rays shone through the branches, like so many threads of light,

and between the boughs glowed the sky, forming a golden background.

Irma halted and beckoned to Baum, who had been following her, to come

nearer. He rode up.

"How much money have you with you?"

"Only a few florins."

"I must have a hundred florins; ride back and get them for me."

Baum hesitated. He wanted to say that he was not allowed to leave the

countess, but he could not muster courage enough to do so.

"Why do you hesitate? Don't you understand me?" said Irma harshly.

"Ride back immediately."

Baum was scarcely out of sight, when Irma whipped her horse, leaped

over the ditch at the side of the road, hurried across the mountain

meadow and into the woods. She rode at full gallop, over the very road

Bruno had taken a few days before. The horse was spirited and fresh,

and proud of its beautiful rider. They knew each other, and it galloped

on right merrily, as if in the chase. And there really is a chase; for

hark! there's a shot. But Pluto stands fire, and is not so easily

frightened. Away he dashed, more wildly than before. The rays of the

setting sun shone through the forest shades, lighting up the trees and

mosses with their roseate glow. And still she rode on, ever urging her

horse to greater speed.

She had reached the crest of the mountain ridge; below, lay the broad

lake, glowing with purple.

"There!" cried Irma. "There thou art, cold death!"

Pluto stopped, thinking that his mistress had spoken to him. "You're

right," said she, patting his neck; "it's far enough."

She alighted and turned the horse's head. He looked at her once more,

with his large, faithful eyes, for she had thrown back her veil.

"Go home. You're to live; go home!"

The horse did not move. She raised her whip and struck it. It started

off, with mane and tail fluttering in the evening breeze, as it hurried

away along the mountain crest.

Irma paused and looked after it. Then she sat down on the edge of a

projecting rock and gazed at the vast prospect and the setting sun.

"O light! O lovely sky! This is the last time I gaze upon you, before I

sink into the night of death--"

For a moment, she was wholly absorbed in the view that opened before

her. She no longer knew whence she had come, or whither she would go.

Her eyes rested on the vast range of towering peaks, summit piled on

summit, and, in the distance, a peak overtopping them all. The wooded

heights seemed enveloped in a violet haze. The trembling rays of the

setting sun gilded the bare and rugged cliffs. High upon the glaciers

rested the rosy glow of sunset, ever assuming a brighter hue as it grew

darker in the valley below. One mighty, snow-clad peak seemed as if on

fire; but a cloud passed over it and, as if lifting a veil, carried the

mountain's rosy glow with it. The cloud gradually disappeared in a

blaze of glory, and the snowy peaks, standing out against the

background of dull sky, looked cold and bleak, as if in death.

The mighty spirit of Death was passing o'er the heights.

Oh! that one might thus vanish into thin air!

A chilling breeze swept over the mountain. Irma shuddered. She passed

her hand over her face, and felt that she, too, was growing pale. She

rose to her feet and ascended the mountain for some distance, so that

she might once more see the fiery ball. She was too late and said

aloud:

"Of what avail is it to see the sun a thousand, or twice a thousand

times, as long as the day must come when it sets for us, once and for

all? And it has forever set to him who lies under the sod and on whose

hand decay--"

She felt giddy and sank upon the mossy ground. When she got up again,

it was night.

She arose and, holding up her dress, walked down into the dark and

thickly wooded ravine below.

CHAPTER X.

Irma advanced with a firm step. The footpath she had struck wound its

way among large and lofty trees and soon opened into a broad road that

had been cut through the forest. Ever and anon heat-lightning would

flash in the distance, breaking up the gloom and revealing another

firmament that lay beyond.

Irma scarcely looked up. She thought of nothing but how to find her

way. There was perfect silence, broken now and then by a sorrowful

sound, like the sobbing of a human being. It must be from some hollow

tree, thought she. The groaning always seemed to advanced before her.

Wherever she went she heard it. She looked for the heart-sick tree, but

could not find it. With every step, she advanced further into the

forest and higher up the mountain. Then she ran down the mountain, and

now all was silent. The path was no longer visible, but, from afar, she

caught a glimpse of the moonlit lake, the object of her search. She

went on, through the pathless forest, treading down the soft moss.

Sometimes she heard the twittering of birds in the tree-tops; a martin

or a weasel was destroying the young in their nests. The world is full

of murder, thought she; its creatures are ever preying on each other.

Though man destroys and kills his fellow-men, he does not eat them.

That alone distinguishes man from the beasts. And there is one thing

more--man alone can kill himself. Irma grew dizzy at the thought. She

supported herself against a tree for a moment and then walked on Her

resolve must be carried out; there must be no weakness, no wavering.

She went still further into the dense forest. Her cheeks glowed, the

perspiration dripped from her forehead; but inwardly she fell as if

freezing.

Something rustled through the thicket. It was a stag which she had

frightened from its cover. The stag was afraid of her, and she was

afraid of the stag. He fancied that she could feel its antlers piercing

her. She hurried down the mountain side. For a while she could still

hear the crackling of the underbrush, and at last all was silent again.

The wind whistled through the treetops, and there was a sound of

running water, sometimes near and sometimes afar, and then the roaring

of a forest stream dashing down from the rocks. She beheld the moonlit

foam, and no longer knew where she was or whither she was going--toward

the lake, or away from it. If she were to lose her way in the

forest--if she were to be found there and taken back to the world and

misery! Mustering all her strength, she walked on. The cool night air

blew against her face, but her cheeks glowed as if with fire. She

pressed her hand to her brow; it seemed as if a hot spring was flowing

from the spot which had been touched. She looked up to the stars and

recognized the familiar constellations. She knew their position, but

those great guides through infinite space do not help the lonely mortal

who has lost her way in the heart of the forest. Irma thought of the

nights when, under Gunther's guidance, her glance had roamed o'er the

vast, starry expanse. But now all was annihilated, all greatness had

fallen. Even her view of the stars was confined and obstructed. She

tried to remember whether she had destroyed the letters or left them

behind her. She thought she could remember having burnt that of the

king; but how as to the letter to the queen? Torn by conflicting

doubts, she was, at last, completely bewildered. Perhaps both letters

would be found.--Be it so.

And then Walpurga's song passed through her mind.

If the good peasant woman who lives by the lake knew that her friend

was thus groping her way through the woods, all alone, in darkest

night, and with such dread thoughts for her companions--she would

hasten to her aid, would draw her to her heart and would not let her

go. Who knows but that, although far away, she is thinking of me now,

dreaming of me and, perhaps, singing her song--sending it, like some

invisible messenger, on the wings of night. How the poor creature will

grieve when she hears of my death. Perhaps she will be the only one who

will sincerely mourn for me.

Memories of many kinds floated through her mind. Years hence, some

boatman like the one at the island convent, will tell the story of the

drowned maid of honor. What effect will the news of my death have

upon others? None of them can help me, nor can I help them. Day after

to-morrow they'll be playing, dancing and singing as usual. No one can

keep another in remembrance. He who is absent has no claim on our

thoughts. Life is as pitiless as death. She went further into the

thicket, passing wild ravines on the way. The stones loosened by her

tread tumbled over the precipice, and the dull, hollow thud with which

they struck the earth below, told her how far they had fallen. The

rocks on either side drew closer together, the mountain torrent rushed

down over them and, all at once, she reached the edge of a precipice;

further, she could not go. I will take the fatal leap and dash myself

to pieces. But to lie there, perhaps for days, bruised and half dead.

To die a lingering death! No!

She sought a path. A branch struck her in the face just where her

father's icy finger had touched her.

"No; this brow shall nevermore see the light of day," she cried,

holding fast with her hands, while trying to find a way along the edge

of the cliff. Suddenly, she heard the loud voice of a woman singing.

Irma drew a long breath, for it was a human voice--a woman's, perhaps

that of a young and lovely girl, giving her lover a signal in the

night. The sounds were repeated again and again, and grew more and more

piercing, and, trembling with fear, Irma sat on the rock. She answered

with a scream. She was frightened at the sound of her own voice, but

she cried out again and again, for now there was an answer. The other

voice seemed to approach; dogs rushed forth and were already

surrounding Irma and barking, as a signal that they had found the prey.

The voice came nearer and nearer.

"Where are you?" she asked.

"Here," answered Irma.

"Where?"

"Here."

"Up there?"

"Yes."

"How did you get up there?"

"I don't know."

"Keep quiet; don't move and I'll come."

"Yes."

Irma waited a long while, and at last some one appeared right below

where she was sitting.

"So there you are," said the figure. She threw a rope to Irma, telling

her to bind it round her body and then fasten the other end to a rock

or tree, and slide down gently.

Irma did as she was bidden. During that one short moment, while she

hovered between heaven and earth, a thousand indescribable thoughts

passed through her mind. She reached the ground in safety. The woman at

once seized her by the hand and led her away. She followed as if

without a will of her own. In scrambling through the bushes and over

the rocks, she tore herself until the blood flowed. At last they

reached a narrow rocky path. Below them the brook rushed by, but the

powerful woman held Irma's hand fast in hers, as if with an iron grip.

"A chamois hunter wouldn't dare go where you've, been. Now we're up

here, and there's our hut," said she, at last. "It's a wonder you

didn't stumble over the rock with your long dress."

"Who are you?" asked Irma.

"Tell me first, who you are, and how you got here."

"I can't tell you that."

"No matter. They call me Black Esther."

"Who are you bringing there?" called out a grim-looking woman, who

appeared at the door of the hut. Behind her glowed the fire on the

hearth.

"I don't know; it's a woman."

Irma went toward the hut with Black Esther. The old woman crossed

herself and exclaimed:

"Let all good spirits praise the Lord! it's the Lady of the Lake--"

"I'm not a spirit," said Irma. "I'm a weary mortal. Let me rest here

for a while, and then let your daughter go with me and show me the way

to the lake. All I ask for now is a drop of water."

"No, that 'ud be the death of you. You mustn't drink water now. I'll

cook some warm soup for you, and bring it to you right off."

She led Irma into the room, and when she saw her hand and the diamond

rings sparkling on it, she grinned with delight.

"Oh what a beautiful ring! That's from your sweetheart."

"Take it and keep it," said Irma, holding out her hand.

With great dexterity, the old woman removed the ring from Irma's

finger.

"Good heavens!" cried the old woman suddenly, "I've seen you

before--yes, yes, it was you. Didn't you once wear a little golden

heart and send it to a child? Didn't you once, at the palace, order

them to get something to eat for an old woman and have her son set

free, and didn't you give her money besides? Good heavens! you're

the--"

"Don't mention my name! Only let me rest a moment; ask me nothing, and

say nothing more."

"As you don't want me to, certainly not. I'll hurry and get the soup

ready for you."

She went out, leaving Irma alone.

Irma lay on the bed, which was nothing more than a sack of leaves that

crackled strangely whenever she turned her head. The leaves seemed to

say: "Ah! when we were green, we had a better time of it--" The moon

shone in through the window; everything seemed dancing before her

eyes; she felt as if she were on the open sea. But she soon fell

asleep.--When she awoke, she heard a man's voice.

CHAPTER XI.

Out on the porch, which also served as a kitchen, were Thomas and his

mother. He had removed his false beard, was cleaning his black face,

and now said:

"Mother, do you know what I'm sorry for?"

"What for?"

"Why, that I didn't shoot the young count the other day. I won't have

as good a chance at him again. I could have shot him through the back

of the neck and that would have been the last of him. I'd have given

the daylight a chance to shine through him."

"You're a nice fellow to talk repentance."

"Yes, and I'd have done a good deed if I'd shot the fellow. Just think,

mother, that's the kind of people the grand folks are who own the

forest and all the game in it. Just think of it, mother! I'm a good

fellow, after all."

"How so?"

"Only think, mother! Do you know why the count was in the forest? He

wanted to be out of the way while his father was dying; and so he rode

off and let the old man end his days alone. I promise you, if you were

going to die, and I were about, I'd stay with you to the last. I'd

deserve to go to heaven, if I'd put that fellow out of the way. If I'd

known all about it at the time, I'd have done it, too. Indeed, I did

want to, just for the fun of the thing. But it's great fun to think how

the fellow must have shook, to be riding in front of me while I had a

ball ready for him and could have shot him at any minute. Oh, you

Wildenort!"

At the mention of her family name, Irma fell over as if shot and, with

bated breath, listened while Thomas continued:

"Since then, I've been as if bewitched. I haven't chanced across a bit

of game and I feel like a fool. Something happened to me about

twilight--the devil take it, one can't help believing in spirits.

Mother, I saw a beautiful horse, and no one was on it. If it had only

been a real horse, one that would fetch money! But I, like a fool, was

frightened when it galloped past me, with its flying mane and

clattering hoofs. But, before I'd made up my mind that it was a real

horse and that ghost stories were stupid stuff--heigho, it was gone."

"Nay, Thomas, take care! There's something in those stories after all.

Come, stand here, hold your hand over the fire and swear that you'll

keep quiet, and I'll tell you something."

"What do you happen to know?"

"More than your thick head can hold. I tell you there are spirits, and

the Lady of the Lake is lying on the bed in there."

"Mother, you've gone crazy."

"Take care! she's ordered me to cook some soup for her."

"And so the water-fairies eat soup. I'm not afraid of any creature that

eats cooked victuals. I'd like to take a look at the Lady of the Lake."

The old woman tried to keep him back, but he forced his way into the

room. When he beheld Irma, he stood still, as if rooted to the spot.

Suddenly he exclaimed:

"She's a woman like yourself, only she's much handsomer. If she were

the Lady of the Lake, she'd have swan's feet, as far as I know. Mother,

who is it?"

"I don't know."

"Then I'll ask her."

The old woman tried to restrain him, but Irma had already risen to her

feet. She looked about her with a vacant stare and opened her lips, but

could not speak.

"It's you!" cried Thomas suddenly. "That's splendid."

He wanted to seize her, but Zenza held him back.

"It's you!" he cried again. "You've lost your way and here you are;

that's splendid."

"Do you know me?"

"Why, who doesn't know you? you're the king's sweetheart and now

you're--"

Irma's loud shriek of despair drowned the last words of the brutal

fellow.

"Hurrah!" shouted Thomas. "Out with you, mother; and you, too, Esther.

I don't need either of you."

"Let her go! You shan't touch her," cried the mother.

"Shan't I? and who's to hinder me?"

The mother struggled with him, but he hurled her aside. Unable to think

of any other expedient, she seized the vessel of boiling broth and

swore that she would dash it in his face. He warded it off and

staggered back, bellowing like a bull.

Esther rushed up to Irma and hurriedly whispered:

"Come, come! I'll save you, for your father's sake. Come! Away!"

She dragged Irma away with her, and with breathless haste they ran down

the hill. Irma was out of breath and wanted to rest. Esther, however,

dragged her a little further, until they reached a spring, where they

seated themselves. Dipping up some water in her hands, she bathed

Irma's brow and her own.

For some time, neither of them spoke a word. At last, Irma asked:

"Do you know the way to the lake?"

"Very well. That's my path, too--the only one left me."

"How? what do you mean?"

"I want to do just what you mean to do, and I suppose I'll have to."

"What do I mean to do?"

"To drown yourself."

Irma started with surprise when she found her purpose known.

"I don't know why," continued Esther, "but I can easily guess. My

brother spoke bitter words to you; but, I beg of you, don't do it. Just

think of it! You're so beautiful, so young, so rich. You may live for

many years, and things may be much better for you in the world. Don't

do it.--Hush!" said she, interrupting herself, "don't you hear

something? We'll stop talking, so as to hear every sound. He's

following us, and won't leave us. Get up! we must be off."

They got up and walked on further through the gloomy forest.

A vision of hell passed through Irma's mind. Through all eternity, the

noble and the lowly would be linked to each other and suffer a like

fate; for sin, like virtue, knows no such distinctions.

They were passing a wild, roaring stream, when Esther asked:

"So you're his sister?"

"Who's sister?"

"My Bruno's. How goes it with him? I saw him the other day, when I was

looking for ants' eggs, but he didn't see me. Is it true that he's

married happily?"

"Yes. But why do you call him your Bruno?"

"Well, I'll tell you. You're the first one who's heard his name pass my

lips since that day. Has he never mentioned it to you himself?"

"No."

"He can't have forgotten it. Come on! Thomas might find us here. Take

my hand and go backward; then the dogs will lose the scent."

Esther took Irma by the hand and led her away. After they had seated

themselves under a projecting rock. Black Esther thus told her story:

"My mother knows nothing of it, nor does my brother. No one knows the

right story; but I can tell you. This isn't our real home, but we're

often here in the summer, looking for gentian, and herbs, and ants'

eggs. I was fifteen years old, a merry devil of a girl, and could have

run a race with any stag, when your brother found me in the woods. He

was handsome--very handsome. There never was another man in all the

world so beautiful as he was. He was so clever and so good, and we

loved each other so much; and I cried every time I had to go home to my

mother again. I would have liked to stay out in the woods, just as the

deer did; and it almost pleased me when I got home and mother gave me a

beating, for then I could cry without having to give a reason for it. I

longed for him every moment, and never wanted to leave him. He once

told me who he was, and that his father was a very stern man, and that,

if it weren't for that, he'd take me home to his castle, and make a

countess of me. And what do you think I did--I've thought a thousand

times since of how foolish I was, but I'm sure I meant no harm. As

Bruno had complained so bitterly, I thought this bad father might be

brought around; so I went to the castle, and went right up to him

and told him that he oughtn't to be so cruel and hard-hearted, and

that he ought to allow Bruno to marry me, and I'd surely be a good

daughter-in-law, and that there had never, in all the world, been truer

love than ours. And your father gave me a glance--I'll never forget his

eyes. I can see them before me now, so large and bright. And a little

while ago, when Thomas started toward you, you had just such eyes, and

that made me take pity on you and help you away."

"Go on," said Irma, after a long pause.

"Ah, yes," replied Esther, collecting her thoughts. "And then your

father came toward me. I stooped, for I thought he was going to strike

me; but he put his hand on my head and said: 'You're a good child, even

if you've done wrong, and it shan't be my fault if you don't keep

good.' Then he called a servant and ordered him to go for Bruno. When

Bruno came in and saw me, he was frightened; but I said: 'Don't be

afraid; you're father's a kind-hearted man, and he'll let me have you

for a husband.' Bruno didn't stir from the spot; his face was as white

as the cloth on the table he was leaning against. And then your

father said: 'Very well, so I'll come to you. You've not acted

honorably, but you shall still have chance to do so. I permit you--nay,

I command you--to take this child of the forest for your wife--' Bruno

laughed--it was a devilish laugh, and I'll never forget it--and your

father said: 'Speak, Bruno.' Then he said: 'Father, don't be

ridiculous,' and your father's face changed as suddenly as if he had

grown thirty years older in that one minute. He could hardly stand, and

sat down on a chair. 'What do you say?' he asked. 'Repeat it once more!

Speak!' And Bruno repeated his words, twisting his mustache while he

spoke. Your father tried to persuade him, and told him that he'd teach

me, that I should learn to read, and write, and do everything else, as

well as any countess, and that Bruno had better not take a load upon

his conscience which he'd never get rid of as long as he lived. And

Bruno answered: 'If you don't send that girl away, I'll leave the room.

Go, Esther. Leave the room, and don't come again till I send for you.'

He said something to your father, in a language I didn't understand.

Your father grew pale, came up to me, gave me his hand, and said: 'Go,

Esther.' He didn't say another word, but that he said kindly. And so I

went away. That was the last time I ever saw Bruno. I heard, afterward,

that there had been terrible goings on between your father and him,

but I kept out of sight, after that. I didn't want to be the cause of

ill-feeling between father and son; I saw that it wouldn't do. Our

child meant kindly toward us, for it was born dead. That was far better

than to find only misery in the world, and die at last. Don't you think

so, too?"

Irma did not answer, but she felt for Esther's hand.

Esther continued:

"Mother and Thomas don't know that I ever knew your brother. But Thomas

is a terrible fellow, and he hates your brother just as if he had a

notion of it; but I don't say a word. I'm lost; but what does it

matter? There's no need of his being ruined too. Oh! how I loved him. I

can't forget it, even now."

Esther, who had, thus far, told her story in a calm and quiet tone,

suddenly cried out:

"He's got a beautiful, fine, rich, noble wife! Yes, that's all we are

here for--so that nothing may happen to you in your silken beds out

yonder. Ha! ha! ha! And when they get a child in wedlock, they get some

poor woman to suckle it. Walpurga's well off; her milk's turned to

gold. Oh, if I could only stop thinking."

She tore her hair and gritted her teeth. "It's a wonder that the wild

and burning thoughts that pass through my brain haven't burned away the

stupid black hair long ago. Oh, my head's burning, and I get blows on

it every day. But it's hard--just feel--it's as hard as steel."

Irma stood there, as if rooted to the spot.

"Hush!" said Esther. "Hush. I hear the dogs. I told you he'd hunt for

us. Fly! fly! There, to the right! that's the path; but, I beg of you,

for the sake of everything in the world, don't do it--don't do it. You

haven't gone far enough for that. But, be off. Down there you'll come

to a small, wooden bridge. Cross it and hurry on. I'll stay here; the

dogs will come to me and I'll detain them. You're saved. Away! Away!"

She urged Irma away, and remained behind.

Irma hurried on, alone. She often pressed her hand to her brow.

Grateful remembrance of her father had saved her from unspeakable

horror. When his hand rested on Esther's head, it had been in token of

forgiveness. But the characters he had branded on Irma's brow, told her

that he had forever put her away from him. "The brand upon my brow can

only be cooled by the waters of the deep lake," she kept saying to

herself, while she hurried across the wooden bridge, and then over the

rising ground until she again entered the dark forest.

Black Esther stood her ground quietly, and waited for the dogs to

approach. She called them, and they ran toward her. She heard

Thomas whistling, and the dogs answering. He was still far off, but he

was on the right track. She counted every pulsation; for with every

heart-beat, Irma was one step further from where her pursuer must halt.

She was willing to suffer all. What did it matter?

"Yes, yes; I know you're fond of me," said she to the great wolf-dog,

that fawned upon her. "Yes, you're the only creature in this world that

loves me. I wish I'd been a dog, too. Why wasn't I born a dog? If it

were only true, as mother says, that there once were times when people

were changed into other beings."

Thomas's whistle and cry were again heard. The dogs answered. He drew

nearer and soon stood beside her.

"So it's you, is it? I thought as much. Where's the other one?"

"Where you'll never find her."

A cry of pain resounded from the woods.

"Kill me at once!" cried Esther. The dogs howled, but knew not which of

the two they would help.

Thomas went off, leaving Esther lying where she had fallen.

CHAPTER XII.

On the soft moss under the trees near the border of the forest, a

beautiful female, clad in blue, lay stretched in sleep. The trembling

sunbeams played about her face. She awoke, and, resting her head upon

her hand, gazed about her with the air of one to whom all is lost.

The air was laden with the odor of pines, and fresh, cooling breezes

were wafted from the lake. The bells of the browsing cattle were heard

from the neighboring hills. The dew glistened; every object was radiant

with light; but to her, all was night. It was long before she realized

that she was awake, or where she was. At last, she became conscious of

herself; but still she moved not. Sad and gloomy thoughts passed

through her mind. Why awake? Oh, pitiless nature! why cannot the soul's

anguish destroy thee? Why is it necessary to use another force--fire,

water, steel, or poison--to oppose thee? Why is it that the soul can

ruin the body, and yet cannot destroy it? Sun! what dost thou want of

me? I want thee no longer! My father's writing burns my brow.

Conscience hammers at me, as if with a thousand fists, and yet does not

destroy me!--Why is this? Why?

She closed her eyes and turned away from the sun. Something whispered

to her: "There's time yet. It may all prove to be a hellish adventure,

a waking dream. Turn back! You can, you may. You have fully expiated

all."

As if moved by some invisible power, she again turned toward the sun.

Below her lay the glittering lake, and its waves seemed to say; "In

these depths, all thought, all trouble, all fear, all doubt is at an

end."

She arose, and when she saw the impression her figure had made in the

moss, she looked at it for a long while. Thus, thought she, does the

stag look at his nightly couch when the fatal shot has struck him. Are

we better than the hunted beasts of the forest? All is vanity! What use

is there in torturing ourselves? One bold plunge will end all. She put

on her hat and walked away, alone in the world with the one idea that

possessed her. No voice dissuaded her; she was mistress over life and

death.

The blackberry bushes caught her dress and held her fast, and, while

extricating herself, the thorns scratched her hands and feet.

She felt a sense of gnawing hunger, and wept like a forsaken child.

Tears came to her relief.

Just then, she saw more berries, which she plucked and ate with eager

appetite. Startled by her, a bird and its mate flew up from among the

blackberry bushes. There was the empty nest. Every creature has its

home. Irma stood there for some time, quite forgetting herself. She

turned her head,--and, behold! beside the blackberries there were

poison berries, belladonna--he who hungers for death can feed on these.

Irma did not pluck the deadly fruit. She did not care to die a death of

slow torture, perhaps to swoon away, to fall into the hands of men

again. No; it must be in the bottomless lake.

Irma now hurried off, as if she had been loitering by the way. The dew

moistened her wounded feet; she shivered with cold.

Suddenly the bright sounds of music and the flourish of trumpets were

borne upon the breeze. Irma pressed her hand to her brow--it isn't

music, it is only the play of my frenzied imagination. The world's

pleasures are tempting me, and calling me back with violin, clarionet

and trumpet. "Come, soothe yourself with our sounds; be merry and enjoy

the days allotted to you." But listen! The sound is heard again,

accompanied by the discharge of cannon, whose reports are echoed back

from the mountains, again and again. Perhaps they are celebrating a

wedding in some quiet village on yonder shore. A youth and a maiden who

have loved each other truly, have to-day become united, and music and

cannon call out to the mountains: "Rejoice with us; love's happiness is

as eternal as ye are--" Irma walked on, lost in reverie and looking

down on the ground. Her thoughts were with the happy ones. In

imagination, she saw the glad looks of parents, of comrades, of

friends, and heard the priest's benediction; while she walked on

through the dewy grass and briars. Her hand was firmly clenched, as if

she felt obliged thus to hold fast to the resolve that urged her

onward. She walked along by the lake. The shore was flat, a mere reedy

swamp. There could be no sudden ending there; only a slow, miserable

death. She walked round and round, ran to and fro with hasty step and

bated breath. At last she saw a rock extending to the water's edge. It

was steep, almost perpendicular. She climbed up to the top, raised her

hands, leaned over the edge. But hark! Who called to her from the

water? She heard a shriek of anguish, a cry for help, a splash. In her

excitement, she dropped her hat. It rolled over the edge of the rock

and into the water. She saw a human figure wrestling with the waves. It

rose to the surface--it was Black Esther! It rose once more and then

sank out of sight.... Uttering a wild shriek, Irma sank upon the rock.

She had seen the deed she purposed enacted before her very eyes. Her

limbs seemed palsied, and she lay there as if at the bottom of the

lake. She was conscious, and yet could not raise herself. A voice

called within her, but no sound passed her lips.

And while she lay there, she heard voices singing:

"Ah, blissful is the tender tie

That binds me, love, to thee;

And swiftly speed the hours by,

When thou art near to me."

She sprang to her feet. What could it be?

As if impelled by some unseen power, she hurried down from the rock.

She wiped the tears from her eyes, and blood was streaming from her

face. Had she been weeping tears of blood? A large boat was

approaching. It drew nearer and nearer.

It is Walpurga's voice. It is she who calls. She comes--she recognizes

her friend. Irma flees. Walpurga leaps ashore--pursues her--Irma tries

to escape--Walpurga at last overtakes her and clasps her in her arms,

while Irma falls fainting upon her breast.

CHAPTER XIII.

The blood was streaming from a wound in Irma's forehead. Walpurga knelt

down beside her and, divesting herself of her neckcloth, bound the

bleeding brow. She then gathered some wet grass and shook the dew in

Irma's face. In despair, she cried:

"Dearest Countess! dear, good, beloved Countess! do wake up! For God's

sake, what's the matter? Oh! for God's sake, wake up! Irma! Irma!" Irma

opened her eyes.

Hansei's voice was heard calling: "Walpurga! Walpurga, where are you?"

"Is that your husband? Don't let him come here. He must not see me,"

said Irma.

"Stay there!" cried Walpurga. "Send mother here, and tell her to bring

some of the wine along that I brought home with me. It's in the blue

chest, with the child's things. Be quick about it!" In a few hurried

words, Irma told her that her father was dead, and that she had sought

to drown herself in the lake. She put her hand to her brow, and drew it

back in alarm.

"Woe's me! How is this?"

"You've been bleeding. You must have fallen and struck your head

against a stone. Just look!" said she, forcing herself to assume a

cheerful tone; "this is the green kerchief you sent my child."

Irma tore off the bandage, and silently looked at the blood-stained

handkerchief.

"That quenches the fire; let it run," said she to herself. Then, with a

sudden access of emotion, she said:

"Oh, Walpurga! I can't die! I can't kill myself--and yet I can't live.

I've--I've been wicked--"

She hid her face against Walpurga's heart, which beat loud and

violently.

"Help me! tell me what to do! Tell me quickly, before your mother

comes!"

"I don't know--I don't know at all--but mother will know. She knows how

to help every one. See there, it's stopped bleeding, already. Only keep

calm."

The mother joined them. Irma looked at her, as if she were an angel

come to save her. With a voice free from the slightest trace of doubt

and hesitation, the mother said:

"Walpurga, this is your Countess!"

"Yes, mother."

"Then you're a thousand times welcome," said the old woman. "I offer

you both my hands. Sad things must have happened to you. You must have

fallen. Or has some one struck you in the forehead?"

Irma made no reply. She sat between the two women who supported her,

and her gaze was as fixed as though she were lifeless.

"Mother, help her; say something to her," whispered Walpurga.

"No; let her quietly recover herself. Every wound must bleed itself

out."

Irma grasped her hands, kissed them and cried:

"Mother! you've saved me. Mother! I'll remain with you; take me with

you!"

"Yes, that I will. You'll find it ever so healthy up in my home. The

air and the trees there are better than anywhere else in this world.

There you'll become well again, all this will fall away from you. Does

your father know that you've run away, out into the wide world? and

does he know why?"

"He did know. He's dead. Walpurga, tell her how it is with me."

"There's time enough for that; for, God willing, we'll be together a

long while. You can tell me all when you're calm and composed. But now,

drink something."

After considerable effort, the two women succeeded in drawing the

silver-foiled cork. Walpurga finished the operation by taking the cork

between her teeth and pulling it out. Irma drank some of the wine.

"Drink," said Walpurga. "It must be wholesome, for Doctor Gunther sent

it to mother. But she won't drink it. She says she'll wait till she

grows old and needs the strength that wine gives."

A melancholy smile passed over Irma's face at the thought that the aged

woman before her meant to wait until she grew old.

Irma was obliged to take a few more mouthfuls of the wine. When she

complained of the pain in her foot, the mother skillfully extracted a

thorn. Irma felt as if a gentle angel were attending her, and offered

to kiss the old woman's hands once more. "My hands were never kissed

before you kissed 'em," said the old woman deprecatingly; "but I know

how you mean it. I never touched a countess before in all my life; but

they're human beings, just like the rest of us."

Irma heaved a deep sigh. She told her rescuers that she would go with

them, but only on condition that no one except themselves was to know

who she was. She wished to live concealed and unknown, and, if she were

discovered, she would take her life.

"Don't do that again," said the old woman, with a stern voice. "Don't

say that again. It won't do to trifle with such things. That's no

threat. But here you have my hand and my word of honor that not a word

shall pass my lips."

"Nor mine either!" exclaimed Walpurga, laying her hand, with that of

her mother, in Irma's.

"Tell me one thing," asked the mother. "Why didn't you go to a convent?

One can do that nowadays."

"I mean to expiate in freedom," said she.

"I understand you. You're right."

Not another word was spoken. The mother held her hand upon Irma's

forehead, on which she now bound a white handkerchief. "It'll be well in

a week, and there won't be a scar left," she said, consolingly.

"The white cloth shall remain there as long as I live," replied Irma.

She now asked them to provide her with other clothes, before she showed

herself in Hansei's presence.

Walpurga hurried back to the inn near the landing-place. Here she found

Hansei in an angry mood, and scolding terribly. Every interruption

annoyed him. He had enough to look after, as it was. There was more

work put upon him than upon the horses in the wagon. He was in that

excited state, often produced by travel and change of abode, in which

one's better self seems to disappear, and when a restless and homeless

feeling renders its possessor excessively irritable. Besides that, the

foal, beautiful as it was, had put him to considerable trouble. It had

run away, and had almost got under the wheels of one of the wagons.

Hansei was very angry. Walpurga found it difficult to pacify him, and

at last she burst into tears and said:

"Sooner than move to our new home in anger and hatred, I'd rather we'd

all gone to the bottom in the boat."

"Yes, yes; I'm quiet; just try to be so, too," said Hansei, recovering

himself and looking toward the lake as if Black Esther's head were

again rising on the waves. He continued:

"But we must hurry on, or else it'll be pitch dark before we get there.

We've a good distance before us, and the horses have a heavy load. What

are you about there? Whom have you got over there among the willows?"

"You'll know all about it in a little while. Just take my word for it,

that mother and I are doing something that'll be a satisfaction to us

as long as we live. I am glad that God has given me a chance to do

something at this moment, when I would have liked to ask Him what I

could do to prove my gratitude. She's a dear, kind creature, and you'll

be satisfied."

Walpurga spoke so earnestly and impressively that Hansei replied:

"I'll drive on with the household goods, and, if it suits you, you can

follow in the covered wagon. Come as soon as you can. Uncle's here and

he'll drive."

Walpurga nodded to Hansei, who started up the mountain with the loaded

wagon. Then she went to a chest and took out a full suit. She carried

the clothes into the thicket, where she found Irma sitting beside the

mother, Irma's head resting against the breast of the old woman, who

had wound her arms around her.

"Irmgard will be quite happy with us; we know each other, already,"

said the mother.

No one on earth knows what Irma confessed to old Beate, down among the

willows by the lake. The old woman breathed thrice on her brow, as if

her warm breath could dispel the charm.

"And now put on your clothes," said Beate. In the thicket, Irma

exchanged her dress for the peasant's garb.

When she left the thicket and returned to the path, she kept her eyes

fixed on the ground. She was now entering upon a new world--a new life.

She looked at the beings and the objects in the parlor of the inn, as

if it were all a dream. She had come back to the world again from the

depths of the lake. Here, life was going on as usual; there was eating

and drinking, laughing and talking, singing, driving, riding--all this

she had already left far behind her. She was as one risen from the

dead. Silent, and with folded hands, she sat upon the bench, caring

nothing for the world about her, longing for only perfect solitude. And

yet her ear was so acute that she overheard the hostess whisper to

Walpurga: "A kinswoman, I suppose," and, significantly putting her

finger to her forehead, "she don't seem to be in her right wits."

"Maybe you're right," replied Walpurga. A smile, as of pain, passed

over Irma's beautiful lips: "There's one protecting disguise--and it is

madness."

She felt if a net of thorns had descended upon her head. Insanity may,

indeed, sometimes serve as an invisible cap, concealing, or rather

disguising, the sorrow-stricken wearer.

CHAPTER XIV.

The grandmother was out of doors, arranging a bed in the covered wagon.

She told her brother to drive carefully, and not crack his whip so

often; for Uncle Peter, known as the little pitchman, was so elated at

the idea of having a whip and two horses under his charge, that he

cracked his whip incessantly.

"The stranger's puttings on airs, I think. Who is she, anyhow?" asked

the little pitchman, taking the thong between his teeth, as if he could

only thus prevent himself from cracking the whip.

"A poor, sick creature," said Beate. It went hard with her to say this,

and yet it was not a lie.

Hansei had gone on with the large team. And now the women, too, agreed

that it was time to start. Irma now saw Walpurga's child for the first

time, and, as soon as it caught Irma's eye, it shouted and wanted to go

to her.

"Oh! that's lovely," exclaimed Walpurga and her mother at the same

time. "She's always so shy."

Irma took the child in her arms and hugged and kissed it. She felt as

if again embracing the childlike purity which, in herself, had withered

and died. Her expression changed from one of joy to that of sadness,

and the grandmother said:

"You've a good, honest heart; children feel and know that. But now

you'd better give the child to Walpurga and get into the wagon."

A bed had been prepared for Irma. The grandmother got up into the wagon

and, taking the child in her arms, sat down beside Irma. Walpurga and

Gundel sat in front, looking about them. The uncle walked beside the

horses, and would, now and then, cast a sorrowful look at the whip that

he was not allowed to crack. No one spoke a word; but the child laughed

and prattled and wanted Irma to play with her.

"Go to sleep now," said the grandmother, and in a soft voice she sang

both child and Irma to sleep.

"Who's that coming down the hill?" suddenly asked Walpurga of the

uncle.

"The one's a forester, and the other must be a nobleman's servant."

Walpurga was alarmed. When the horsemen drew near, she recognized Baum.

Swift as thought she slipped into the wagon and left Gundel sitting

alone in front.

The horsemen drew nearer, and at last halted by the wagon. The child

awoke and cried, and thus awakened Irma. A thin curtain was all that

separated her from him. The horse that Baum rode distended its

nostrils, threw its head back, and reared so that it was difficult to

hold it in check. Irma recognized it. It was Pluto, her own horse; and

so it had been captured and brought back again. If the horse could have

spoken, it would have said: "Here is my mistress; here is the one whom

you seek."

Irma could hear Baum asking the uncle:

"Did you meet a young lady in a blue riding-habit?"

"No."

"Did you hear any one mention such a person?"

"Not a word."

"Whom have you in the wagon there?"

Irma trembled. Walpurga grasped her hand. It was as cold as ice. The

child cried again.

"You can hear it; there's a little child in there," said the forester

to Baum. "Let's go on."

The horseman rode off, and Irma, looking after them, could see her

feathered hat hanging from the pommel of the saddle.

The wagon slowly ascended the hill, while the horsemen hurried off in

the opposite direction.

Irma kissed the child, and said:

"Oh you darling! you've saved me, for the second time. Let me get out,

too. I want to walk."

The mother dissuaded her and begged her to remain with her. Irma

yielded; she had hardly lain down before she fell asleep again, and no

longer knew that she was crossing the mountains in a farmer's wagon.

It was already past noon when they overtook Hansei, far up the

mountain, where he had stopped to rest his horses.

"Let's keep together," said he. His anger had vanished, and he now was

twice as kindly as before. "I think we oughtn't to enter our new home

in such a straggling way. I've given the servants strict orders to

drive slowly. We can easily catch up with 'em, for our wagons are

light, and then we'll all be together. I want mother and wife and child

to be with me when we enter on the farm."

"That's right! I'm glad you've come to your senses again. Oh! I know

you. When you're excited, the only thing to do is to leave you alone

for a little while, and you soon get homesick after your folks and the

good Hansei that's in you; and then you're all right again. But come

here. I want to tell you something. To-day, you'll have to prove

whether you're a real, strong man; and if you do, I'll never, in all my

life, deny that men are stronger than we."

"Well! what is it?"

She led him into the inn garden, and said:

"You've often heard tell of the household fairies they used to have in

olden times? They were good, peaceful spirits that brought blessings

and wealth and good fortune to whatever house they visited. But there

was one condition. As long as they stayed, no one dared ask their name,

or where they'd come from."

"Yes, yes! I've heard that often enough; but I don't believe a word of

it."

"You needn't believe it; I don't ask you to. I want to put you to the

test. Listen! Mother and I have ever so tender and delicate a creature

in the wagon there. She's strong and powerful, but quite strange in her

ways. She means to stay with us, but she won't be a burden. And now,

Hansei, tell me; have you strength enough never to ask her who and

whence she is, or any other question? You must take my word for it. I

know her and know what I'm doing in keeping her with us; and on the

strength of that, will you be good and faithful and kind to her? Tell

me; can you, will you be this?"

"Is that the way I'm to prove whether I'm a strong man, or not?"

"Yes, that's it; nothing more."

"I can do that; and here's my hand on it."

"Let me have it."

"You'll see. I'll keep my promise; that's easy enough."

"It isn't as easy as you think for, Hansei."

"For the sake of getting you, for the rest of your life, to admit that

a man has more strength of mind than a woman, and can easier undertake

a thing, and carry it out, too, I'll show you what I can do. Your good

friend shall be mine, too. But she isn't crazy, nor doesn't bite, does

she?"

"No, you needn't worry about that."

"All right, then; that settles it."

Hansei went out to the wagon with Walpurga, who drew the curtain aside

and said:

"My husband wants to bid you welcome."

"Welcome!" said Irma, offering her hand to Hansei.

He stared at her in mute astonishment, and it was not until Walpurga

raised his hand that he offered it to Irma.

They had taken up their journey once more, and Hansei, who, with his

wife, was walking up hill in advance of the wagons, said:

"Wife! if it wasn't daylight, and you and mother and the child weren't

here,--if I wasn't quite sure that I'm in my right senses, and that

it's all true--I'd really believe that you had a fairy in the wagon

there. Is she lame? can't she walk?"

"She can walk very well."

Walpurga turned back toward the wagon, and said:

"Irmgard, don't you want to get out for a little while and walk up the

hill with us? It's so beautiful here."

"Yes, gladly," was the answer.

Irma alighted and walked with them for a while. Hansei regarded her

with timid side-glances. The stranger limped. Perhaps it's true after

all; the Lady of the Lake has a swan's foot and can't walk well. He

cast sly looks at her feet, but they were just like those of other

people. Gradually, he ventured to raise his eyes. He saw that the

clothes she had on were his wife's, and that she was wondrously

beautiful. His head grew so warm that he lifted his hat now and then.

What's real in the world and what isn't? he would ask himself. Had his

wife a double? and could she appear in another form?

Walpurga lingered behind and left the two walking by themselves. Irma

asked herself what she had better say to Hansei, and how she should

address him. It was the first time in her life that she found herself

in an humble position. "How should I address one of an inferior class?"

thought she. At last she said:

"You're a happy man; you have a wife and child and mother-in-law as

good as one can wish for in this world?"

"Yes, yes, they'll do very well," said Hansei.

Although she had not intended it, Irma's praise was, to a certain

extent, patronizing, and Hansei had observed this. He would have

confirmed her opinion by his answer, and would have liked to ask: "Have

you known her long?" but he remembered that he had promised to ask no

questions. Walpurga was right; it was a hard task. He rolled his tongue

about in his mouth, and felt as if the one-half of it were tied.

"The country's pretty rough hereabouts; further up, when you reach our

new home, it's much better," said he, at last. It was long before he

could say that. He had intended to ask whether the stranger had ever

been in that neighborhood before; but he had promised to ask no

questions, and to transpose one's questions is not so easy a task.

Irma felt that she must say something that would put the man at his

ease, and she began: "Hansei!"--his face brightened when he heard her

calling him by name--"Hansei, try to think that you've known me for

ever so long; don't look at me as a stranger. I don't like to ask

anything of others; but I do ask this of you. I know you'll do it; for

you've a good, kind face. And it couldn't be otherwise; Walpurga's

husband, with whom she is so happy, must be a good man. I beg of you,

therefore, don't be concerned; I'll not be a burden to you."

"Oh, there's no idea of such a thing. We've enough, thank God. One cow

more in the stable, or one person more in the house, won't make any

difference; so you needn't worry about that.--And we've also taken

charge of an old pensioner on the estate and--I don't want to know what

you don't want to tell, and if any one in this world offers to harm

you, call me, and I'll defend you with my life. But it seems you

haven't been much among the mountains; so let me give you a piece of

advice. In climbing mountains, the rule is: Go right on, and never

stop."

They waited for the wagon. Hansei drew a long breath after his long

speech. He felt satisfied with himself, and looked about him with a

self-complacent air.

Irma sat down by the wayside. She was now on the heights which, on the

evening before, she had seen all aglow with the rosy sunset, and then

fading away in the pale mists. The giant peaks that she had beheld from

afar were now near, and seemed still vaster than before. Here and there

in the woods, there was a clearing of meadow and field, and now and

then, a house was visible. Looking down, she caught glimpses of the

foaming, sparkling forest stream, so far below them that they could

scarcely hear its roar.

Hansei walked at Irma's side without uttering a word.

The wagon overtook them. Irma got in again, Hansei assisting her quite

politely. He was about to lift his hat to her, when, with cheerful word

and glance, she thanked him.

"She's a very decent person," said Hansei to his wife, "and we've a nice

little room for her, too, if she isn't afraid of the old pensioner."

Walpurga felt happy that the great point was gained.

As Hansei had talked with the stranger, the little pitchman thought

himself entitled to say something, too; and, as the first sign of his

resolve, he cracked his whip so loudly that the sound was echoed back

from the valley and the mountains.

"Didn't I tell you to be quiet?" said the old woman.

"She--she's well again," replied the little pitchman. "Isn't it so?"

said he, addressing Irma. "The noise don't hurt you?"

Irma told him not to put himself out on her account, and, emboldened by

her answer, he inquired:

"What's your name?"

"Irmgard."

"Indeed! why, that was my wife's name, and, if you've no objection,

I'll marry an Irmgard again. I've got half of a house and a whole goat.

I owe something on the house, but the goat's paid for. Say! will you

have me?"

"Don't make such jokes, Peter," cried Beate, nothing loth, however, to

hear pleasantry from some quarter.

The little pitchman laughed heartily, and was well pleased with

himself. Yes, Hansei was now the freehold farmer, but still he couldn't

talk to people the way he could. The little pitchman was quite

entertaining. When he had nothing more to say, he would gather

strawberries, which grew by the wayside and, in this high region, did

not ripen until late. He laid them on a hazel leaf and offered them to

Irma. Yes, Peter has good manners; he could tell that by his sister's

face, for she smiled her approval.

The journey to their new home proceeded without further adventure. When

they came in sight of their native village, and before they had had

reached the boundary line, the grandmother requested them to stop. She

alighted, went into the woods, knelt down until her face touched the

ground, and exclaimed:

"God be praised, I'm with thee again! Keep me well, let me and mine

pass many peaceful, happy days on thee, and, when my last hour comes,

receive me kindly."

She went back to the wagon, and said: "God be with you all! now we're

at home. Do you see that house up there, with the big linden tree?

That's the freehold farm, where we're to live."

Gundel and the child alighted, Irma alone remaining in the wagon. All

the others walked the rest of the way.

They passed through the valley and reached the village, where they were

still an hour's walk from the farm. As they entered the village, the

little pitchman cracked his whip loudly. He wanted every one to see his

kindred, and the amount of property he was now moving with. They passed

by a little cottage.

"I was born there"; said the grandmother to Hansei.

"I'll take off my hat to that house," replied Hansei, suiting his

action to the word.

The wagons which had preceded them were stopping at the inn which was

near the town hall and the church. The people had gathered there to get

a look at the new freeholder and his family. The little pitchman acted

as master of ceremonies, and pointed out the burgomaster's wife to

Walpurga. Walpurga went up to her, and Beate felt truly happy, for the

mother of the burgomaster's wife, she in whose house Beate, while yet

in her school-days, had served as nursemaid, was also there. She

inquired for the boy whom she had then taken care of. "He's dead," they

said, "but there's his son." A stalwart lad was called, but when Beate

told him that she had taken care of his father while he was yet a

little child, he had not a word to say.

Half the village had gathered about the new arrivals, and they remained

there chatting for a long while.

Irma lay there in the wagon in the open market-place, forgotten by

those whom she had joined. The grandmother was the first to think of

her; she hurried out and said:

"Forgive us for forgetting you so, but we'll soon be home."

Irma replied that they need not trouble themselves about her. The

grandmother did not quite understand the tone in which she spoke.

Here on the public road, while she lay in the covered farm wagon and

could hear the loud talking of the crowd, she felt a pang of grief to

think that she was an object of charity, and that she to whom the world

had once done homage, was now forgotten. But she quickly regained her

self-command. It is better thus, for thus you are alone.

At last they drove on. The road again lay up the mountain. The

grandmother was quite happy and greeted every one. The plum-trees were

laden with fruit, and the apple-trees along the road--she had, while

yet a girl, seen them planted--had grown so large that they bent under

the weight of the ruddy fruit. The grandmother often said: "I never

thought it was so far; no, I meant to say, I thought it was further

than this. Dear me, how I'm talking. It seems as if the world had

shrunk together. Children, I tell you what, you'll live to see great,

and good, and beautiful things come to pass. Come, give me the child,"

said she to Gundel, and she took Burgei in her arms, her face radiant

with joy.

"Burgei, I've sung here, and so will you; and here I carried your

mother on my arms, just as I'm carrying you, now. There! give that to

the bird."

She had taken a piece of bread from her pocket and gave the child some

crumbs to scatter to the birds on the way, while she, too, kept

throwing crumbs to the right and the left.

She did not speak another word, but her lips moved silently.

CHAPTER XV.

As they drew near the house, they could hear the neighing of the white

foal.

"That's a good beginning," cried Hansei.

The grandmother placed the child on the ground, and got her hymn-book

out of the chest. Pressing the book against her breast with both hands,

she went into the house, being the first to enter. Hansei, who was

standing near the stable, took a piece of chalk from his pocket and

wrote the letters C. M. B., and the date, on the stable-door. Then he,

too, went into the house, his wife, Irma and the child following him.

Before going into the sitting-room, the grandmother knocked thrice at

the door. When she had entered, she placed the open hymn-book upon the

open window-sill, so that the sun might read in it. There were no

tables or chairs in the room.

Hansei shook hands with his wife and said, "God be with you,

freeholder's wife."

From that moment, Walpurga was known as the "freeholder's wife," and

was never called by any other name.

And now they showed Irma her room. The view extended over meadow and

brook and the neighboring forest. She examined the room. There was

naught but a green Dutch oven and bare walls, and she had brought

nothing with her. In her paternal mansion, and at the castle, there

were chairs and tables, horses and carriages; but here--

None of these follow the dead.

Irma knelt by the window and gazed out over meadow and forest, where

the sun was now singing.

How was it yesterday--was it only yesterday?--when you saw the sun go

down?

Her thoughts were confused and indistinct. She pressed her hand to her

forehead; the white handkerchief was still there. A bird looked up to

her from the meadow, and, when her glance rested upon it, it flew away

into the woods.

"The bird has its nest," said she to herself, "and I--"

Suddenly she drew herself up. Hansei had walked out to the grass plot

in front of Irma's window, removed the slip of the cherry-tree from his

hat, and planted it in the ground.

The grandmother stood by and said: "I trust that you'll be alive and

hearty, long enough to climb this tree and gather cherries from it, and

that your children and grandchildren may do the same."

There was much to do and to set to rights in the house, and, on such

occasions, it usually happens that those who are dearest to one another

are as much in each other's way as closets and tables which have not

yet been placed where they belong. The best proof of the amiability of

these folks was that they assisted each other cheerfully, and, indeed,

with jest and song.

Walpurga moved her best furniture into Irma's room. Hansei did not

interpose a word. "Aren't you too lonely here?" asked Walpurga, after

she had arranged everything as well as possible in so short a time.

"Not at all. There is no place in all the world lonely enough for me.

You've so much to do now; don't worry about me. I must now arrange

things within myself. I see how good you and yours are; fate has

directed me kindly."

"Oh, don't talk that way. If you hadn't given me the money, how could

we have bought the farm? This is really your own."

"Don't speak of that," said Irma, with a sudden start, "never mention

that money to me again."

Walpurga promised, and merely added that Irma needn't be alarmed at the

old man who lived in the room above hers, and who, at times, would talk

to himself and make a loud noise. He was old and blind. The children

teased and worried him, but he wasn't bad and would harm no one.

Walpurga offered, at all events, to leave Gundel with Irma for the

first night; but Irma preferred to be alone.

"You'll stay with us; won't you?" said Walpurga hesitatingly. "You

won't have such bad thoughts again?"

"No, never. But don't talk now, my voice pains me and so does yours,

too. Good-night! leave me alone."

Irma sat by the window and gazed out into the dark night.

Was it only a day since she had passed through such terrors? Suddenly

she sprang from her seat with a shudder. She had seen Black Esther's

head rising out of the darkness, had again heard her dying shriek, had

beheld the distorted face and the wild, black tresses.--Her hair stood

on end. Her thoughts carried her to the bottom of the lake, where she

now lay dead. She opened the window and inhaled the soft, balmy air.

She sat by the open casement for a long while, and suddenly heard some

one laughing in her room above her.

"Ha! ha! I won't do you the favor! I won't die! I won't die! Pooh,

pooh! I'll live till I'm a hundred years old and then I'll get a new

lease of life."

It was the old pensioner. After a while, he continued:

"I'm not so stupid; I know that it's night now and the freeholder and

his wife are come. I'll give them lots of trouble. I'm Jochem. Jochem's

my name, and what the people don't like, I do for spite. Ha! ha! ha! I

don't use any light and they must make me an allowance for that. I'll

insist on it, if I have to go to the king himself about it."

Irma started, when she heard the king mentioned.

"Yes, I'll go to the king, to the king! to the king!" cried the old man

overhead, as if he knew that the word tortured Irma.

She heard him close the window and move a chair. The old man went to

bed.

Irma looked out into the dark night. Not a star was to be seen. There

was no light anywhere; nothing was heard but the roaring of the

mountain stream and the rustling of the trees. The night seemed like a

dark abyss.

"Are you still awake?" asked a soft voice without. It was the

grandmother.

"I was once a servant at this farm," said she. "That was forty years

ago; and now I'm the mother of the freeholder's wife, and almost the

head one on the farm. But I keep thinking of you all the time. I keep

trying to think how it is in your heart. I've something to tell you.

Come out again. I'll take you where it'll do you good to be. Come!"

Irma went out into the dark night with the old woman. How different

this guide from the one she had had the day before!

The old woman led her to the fountain. She had brought a cup with her

and gave it to Irma. "Come, drink; good cold water's the best. Water

comforts the body; it cools and quiets us; it's like bathing one's

soul. I know what sorrow is, too. One's insides burn as if they were

afire."

Irma drank some of the water of the mountain spring. It seemed like a

healing dew, whose influence was diffused through her whole frame.

The grandmother led her back to her room and said: "You've still got

the shirt on that you wore at the palace. You'll never stop thinking of

that place till you've burned that shirt."

The old woman would listen to no denial, and Irma was as docile as a

little child. The grandmother hurried to get a coarse shirt for her

and, after Irma had put it on, brought wood and a light, and burnt the

other at the open fire. Irma was also obliged to cut off her long nails

and throw them into the fire. Then Beate disappeared for a few moments,

and returned with Irma's riding-habit. "You must have been shot; for

there are balls in this," said she, spreading out the long, blue habit.

A smile passed over Irma's face, as she felt the balls that had been

sewed into the lower part of the habit, so that it might hang more

gracefully. Beate had also brought something very useful--a deerskin.

"Hansei sends you this," said she. "He thinks that maybe you're used to

having something soft for your feet to rest on. He shot the deer

himself."

Irma appreciated the kindness of the man who could show such affection

to one who was both a stranger and a mystery to him.

The grandmother remained at Irma's bedside until she fell asleep. Then

she breathed thrice on the sleeper and left the room.

It was late at night when Irma awoke.

"To the king! to the king! to the king!" The words had been uttered

thrice in a loud voice. Was it hers, or that of the man overhead? Irma

pressed her hand to her forehead and felt the bandage. Was it sea grass

that had gathered there? Was she lying alive at the bottom of the lake?

Gradually all that had happened became clear to her.

Alone, in the dark and silent night, she wept. And these were the first

tears she had shed since the terrible events through which she had

passed.

It was evening when Irma awoke. She put her hand to her forehead. A wet

cloth had been bound round it. She had been sleeping nearly twenty-four

hours. The grandmother was sitting by her bed.

"You've a strong constitution," said the old woman, "and that helped

you. It's all right now."

Irma arose. She felt strong and, guided by the grandmother, walked over

to the dwelling-house.

"God be praised, that you're well again," said Walpurga, who was

standing there with her husband; and Hansei added: "Yes, that's right."

Irma thanked them, and looked up at the gable of the house. What words

there met her eye?

"Don't you think the house has a good motto written on its forehead?"

asked Hansei.

Irma started. On the gable of the house, she read the following

inscription:

EAT AND DRINK: FORGET NOT GOD: THINE HONOR GUARD:

OF ALL THY STORE,

THOU'LT CARRY HENCE

A WINDING-SHEET

AND NOTHING MORE.

BOOK VI.

CHAPTER I.

Through Irma's sudden flight, Baum's occupation was gone. He returned

to where she was to have waited for him, and found that she had

disappeared. He gazed into the distance, but saw nothing. A dog

following its master's track was better off than he, for while instinct

would help it, man could only guess.

Had she flown? and if so, whither? Why had she done so? and what, under

such circumstances, was the duty of a subordinate? Ought he to pursue

her who had sent him back? She had honestly and frankly sent the dog

home; but the servant was only human and must therefore be imposed

upon.

"For shame, Countess! Thus to fool a poor servant who dare not

disobey!" said Baum, speaking to himself. He felt that now, for the

first time, he was put to the great test, and that this was the time to

prove himself a reasoning servant. Perhaps the letters he had brought

contained an appointment for this evening. They are at the hunt and, as

if by chance, meet in the woods; for it would not do to visit Wildenort

openly, as it was but a short time since they had gone into mourning

there. And so they mean to keep even the servant in ignorance of their

plans. But why should they? He could have been depended upon.

But perhaps the countess had escaped after all.

But why? and whither?

They had shown so much confidence in him. The head chamberlain had

told him before leaving: "You're always to remain near the countess,

always--do you understand? And you are to conduct her back to court."

Could they have dreamt that she meant to escape? and if so, why should

they only half trust him?

"I am innocent!" exclaimed Baum; but what avails innocence? It was more

important to be clever and sensible.

Baum's master, Baroness Steigeneck's chief chamberlain, had imparted

some valuable precepts to him. "There are two things," said he, "that a

good servant should always have with him--a sharp knife and a good

watch. When anything happens that disconcerts you, take out your watch,

count off ten seconds, and then make up your mind what is best to be

done."

One disadvantage possessed by this precept, in common with many other

good ones, is the great danger of your forgetting it when excited.

Baum rode back to the castle. Perhaps the countess had returned by some

other road; perhaps her maid could tell him where she had intended to

ride to. He asked the maid: "Is your mistress here?"

"No; she rode out with you."

"Don't you know where she intended going?"

"Has she left you? Oh, God! now she'll do it, for sure."

"What do you mean?"

"I've already told the count, that I believed she'd take her life. I

believe she has either poison or a dagger with her; she'll kill

herself."

"If she meant to take her life that way, she might have done so in her

room," replied Baum.

"Yes, yes! It was only last night that she cried out in her sleep,

'Deep in the lake!' Oh gracious heavens! my dear, lovely countess is

dead! Oh, what an unhappy creature I am! what will become of me!"

Baum endeavored to pacify her, and inquired whether the countess had

left any papers anywhere.

The writing-desk was open and papers were strewn about on it. They

found a letter directed to the queen. Baum wanted to take it, but the

maid would not give it up. She would not suffer a stranger to pry into

her mistress's secrets.

In the midst of the dispute, Baum suddenly took out his watch. The

chamberlain's advice had occurred to him. He looked fixedly at

the dial, and when he had finished counting ten, he nodded with a

self-satisfied air, for he had regained his presence of mind.

Very well, the maid might deliver the letter herself; that would

neither help nor hinder matters. But he would now show himself worthy

of the greatest confidence. His task was to institute inquiries;

perhaps he might yet save the countess.

While the maid, who was hastily putting the letter into her pocket, had

turned her back upon him, he saw another letter addressed "To my

friend." He quickly perceived that this was of far greater value than

the other, and put it into his own pocket. He well knew that there was

only one person for whom it could be intended and he knew who that

person was. The maid had heard the rustling of the paper, and now asked

him to give it to her. Baum ran out of the room and summoned the

servants. The maid followed him, and he now quickly changed the

attitude of defense for one of attack, and demanded the letter to the

queen, in order that he might open it and thus obtain some clue as to

the countess's whereabouts. He said that he would hold the maid

responsible for the consequences. She ran away, and he made no further

attempt to carry out his plan, for he did not know whether he had a

right to open the letter. At any rate, he had undisputed possession of

the more important epistle to the king. He ordered the groom to saddle

another horse and accompany him.

The rosy sunset was already gilding the windows of the castle when the

two horsemen rode forth. But whither?

They questioned a laborer working on the road, but he had seen nothing

of the countess. They saw a shepherd driving his flock homeward, and,

riding up to him, they inquired whether he had seen her. He nodded

affirmatively, but the loud bleating of the sheep prevented them from

hearing what he said. Baum alighted, and learned from him that the

countess had been seen riding full tilt along the road that led to the

Chamois hill.

"She sits her horse firmly, and rides very well," said the shepherd,

praising her.

This was a clue, at all events. They rode off, at full gallop, in the

direction indicated. When they reached the drained marsh, they heard

the neighing of a horse. They rode up to it, and found that it was

Irma's saddle-horse, quietly grazing, but bridle and girth were covered

with thick foam. "The countess has been thrown. Who knows where she may

be lying, weak and faint?" said Baum. He meant to be discreet, and was

in no hurry to tell all to the groom.

They searched for her everywhere, and called out her name again and

again. They found nothing, nor did they receive any answer. Baum

discovered the horse's tracks, but was somewhat confused by them, as it

had taken the same path going and returning. They took the horse with

them, but did not mount, for it was necessary to find out where

the track led to. Baum's keen eye enabled him to distinguish the

hoof-prints in the twilight.

"If we only had the dog with us; he knows her. Why didn't you bring the

dog with you?" he asked angrily.

"You didn't say anything about it."

"Ride back and bring him. No, stay; I can't be here alone."

They reached the Chamois hill. "Let's turn aside, into the wood," cried

Baum.

He now found use for his good knife. He gathered some of the brushwood,

bound it together into a torch, kindled it, and its light enabled him

to find the track. It was here that the horse had turned. There were

also prints of a woman's foot going in the opposite direction. He

followed them for a few paces and then lost the track.

"She must be here," said Baum. "It was from here that she went down

into the wood; I know every spot about here. Keep to the left with the

two horses, but always near enough to hear my voice. I'll keep to the

right with one."

They searched and shouted, but found nothing. At last they met again. A

stag rushed by. Could it have spoken, it might have told them where

Irma had startled it from its resting-place--a full hour's walk from

where they then were.

"If you find her, you'll be handsomely rewarded," said Baum to the

groom. He addressed him in the way he thought his royal master would

have done.

They spent the greater part of the night wandering in the forest. At

last they were obliged to lie down and wait for the daylight, for there

was no longer a path by which to lead the horses.

The day was far advanced when Baum and the groom awoke. They could see

the sparkling lake from afar, and could hear the sounds of distant

music, while the rock near which they stood echoed the reports of

cannon.

Baum took the pistols from the saddle-pouch and fired them off in rapid

succession. Then he listened with bated breath, thinking that if Irma

were anywhere in the neighborhood, she would hear the shots and give

some sign of her whereabouts; but not a sound was heard.

They now found a forest-path leading down toward the lake. They reached

the water's edge. At their feet lay the lake, smooth as a mirror and

stretching away for miles. Who knew what lay concealed within its

depths? In the distance, there was a boat with people and beasts

aboard, and now the boat reached the shore. Baum's companion turned to

the other side, where there were a few scattered farmhouses and

fishermen's huts. Man and beast were worn out and needed rest. Baum

asked every one he met whether they had seen a lady in a blue

riding-habit and wearing a hat with a feather; but he could find no

trace of her anywhere.

"Stop!" at last said a little old man who was cutting willows by the

lake: "I've seen her."

"Where? When?"

"Over there in the tavern. It's almost a year ago; she lived there a

good many weeks."

Baum cursed the peasant folk for a stupid set.

Fortunately, he met a gend'arme and told him who he was and whom he was

looking for. He then sent the groom back to Wildenort with the lady's

saddle. Placing his own saddle on Pluto, he rode along the edge of the

lake with the gend'arme. On a rock near the shore, they soon saw a

figure holding out a hat with a feather on it. They made for the spot,

at full speed, Baum recognized his brother Thomas, and was so startled

that he lost his stirrup.

If it were he who had robbed and murdered the countess!

The gend'arme knew the wild fellow. Thomas stared and grinned at them

both. His hair was wet and his clothes were dripping.

"What are you doing there?" cried the gend'arme. "Whose hat is that?"

"That's none of your business," replied Thomas, his teeth chattering

with the cold.

Baum offered the shivering man his brandy flask, and Thomas took a long

draught. Then, with mingled rage and sorrow, he told them that the

king's sweetheart had lost her way the night before and had come to

their hut, and that she had led away his sister to plunge into the lake

with her. He had come too late; he had seen something floating on the

water and had jumped in to save her, but the hat was all he had found.

The gend'arme was not inclined to believe Thomas's story, and would

have arrested him forthwith, if Baum had not whispered to him that

there was no doubt that the lady had drowned herself, and that there

was no murder in the case. He was moved by a feeling akin to pity for

his brother, and did not wish to have him arrested.

"Come here!" said Baum to Thomas. "Let's make an exchange. I'll give

you my flask--there's a good deal in it yet--for the hat."

"Oh no! I know who the hat belongs to: it's worth a lot, and I'll take

it to the king."

"He still has got his sweetheart's hat,

Though she lies in the lake;

And since she's drowned, another love

Right gladly will he take,"

sang Thomas, with heavy voice, while he threw the hat up into the air

and caught it again.

The gend'arme wanted to give Thomas a beating; Baum restrained him,

however, and then walked up to Thomas and placed his hand upon his

shoulder. Thomas started, but suddenly grew quiet, and looked at Baum

as if afraid of him. Baum spoke to him with a condescending air, and

Thomas listened, with mouth agape, as if trying to recollect something,

he knew not what. The voice, and the hand upon his shoulder, made quite

another man of him, and the savage, murderous fellow wept.

"Will you give me the hat for a gold piece, or must it be taken from

you by force? You see we're two to one, and can master you," said Baum.

Without saying a word, Thomas handed him the hat, and when Baum gave

him the gold piece, Thomas could not close his hand on it. As if quite

bewildered, he looked now at the gold piece, now at the giver.

Baum spoke to him earnestly, and told him that he ought to give some of

the money to his mother, if he still had one.

"A mother?" stammered Thomas, looking at Baum with a glassy eye. "A

mother!" he repeated, as if reminded of something long forgotten.

The gend'arme was touched by the lackey's generosity. "He must be a

very fine man," thought he.

Thomas again told them that Irma had been at their hut the night

before, and that his mother knew more about her than he did, for she

had been alone with her. Baum and the gend'arme said they would like to

talk with his mother, and Thomas guided them to the hut.

On the way there, the gend'arme informed Baum of Thomas's family

history. "You see, the fellow's a brawler, and has often been convicted

of poaching. I've often advised him to emigrate to America, for there

he can hunt as much as he pleases. He has a brother in America--a twin

brother, but he must be a good-for-nothing fellow; that is, if he isn't

dead. He's never yet written a line to his mother or his brother, and

has never sent home as much as you could put in your eye. But that's

the way they all become, after they get to America. A good many have

gone there from my place, but they're all selfish, good-for-nothing

fellows."

Baum smiled. He had need of all his self-command. He scarcely spoke a

word, for he was nerving himself for the meeting with his mother, and

felt annoyed that she, too, was mixed up in this affair. He had enough

to think of without that.

The gend'arme knew many stories about poachers and other outlaws and,

in order to beguile the time and entertain Baum, recounted some of

them. Such stories, however, have one unpleasant feature. It is rather

uncomfortable to listen to them, unless one's hands are free from

guilt. Baum nodded to him graciously, for it would not do, by look or

manner, to betray that he was in the least related to the abandoned

wretch who was walking ahead of them. The gend'arme said that he had

once been bitten in the finger by a murderer, whom he had helped to

arrest, and he showed Baum the scar.

Baum, at last, endeavored to put an end to these terrible stories. He

asked the gend'arme what regiment he had served in, and put the

question as graciously as if he were about to draw a medal from his

pocket and bestow it on the man. Now nothing can be pleasanter than to

recount one's military experiences. The forester told of his many

exploits, laughing heartily at his own stories, and Baum, seeing no

help for it, joined in the laughter. Thomas, who was walking on before,

turned around and grinned, and then went on. They reached the hut. It

was empty. Old Zenza had disappeared.

"She's looking for Esther, I'm sure," said Thomas.

"What's the matter with Black Esther?" asked the gend'arme.

"Black Esther!" repeated Thomas; "ha! ha! the lake'll wash her white

now. If any one would pay me well for it, I'd jump in, too."

He threw himself on the sack of leaves, and silently looked at the

hands with which he had beaten Esther last night. Then he threw his

head back and fell into a heavy sleep, and they could not get a word

out of him. Baum and the gend'arme rode away, intending to return to

the lake, in order to pursue their inquiries, and to leave directions

everywhere that the search should be kept up. Emerging from the forest,

they gained the highway, and here it was that they had met the covered

wagon.

They were again riding along the lake at a quiet pace. A large red cow

was walking along ahead of them. It stopped now and then to nibble the

grass and would look across the lake. When it came to a thicket, it

started, turned about quickly and ran so fast that it almost rushed

against Baum's horse.

"That cow has shied at something. There must be something lying there,"

said Baum, quickly alighting. His dyed hair rose on end, for he felt

sure that they would find Irma's dead body the next moment. And he

really did find something; for there lay Irma's torn shoes. He knew

them. There were blood stains, too, and the grass was crushed, as if a

human being had lain there and rolled about in pain.

Baum's hand trembled as he took up the shoes, and he trembled still

more when he plucked a little flower. It was a simple leaf cup--the

so-called "our-lady's-man tie," the best mountain fodder--and in this

little flower there were drops of blood which were still moist.

If she had drowned herself, how had the blood got there? and whence the

shoes? and why should the shoes be so far from where Thomas had found

the hat? and besides, there were the footprints of larger shoes. If

Irma had been murdered, after all! If his brother--

"She's dead, that's the main point," said Baum, consoling himself, "and

I have the proofs. What good would it do to draw another being into

trouble?" He put the little blood-besprinkled plant away with the

letter addressed "To my friend."

Accompanied by the gend'arme, he went to the inn at the landing-place

where the wanderers had halted that morning.

The gend'arme again inquired about the lady in the blue riding-habit.

The manner of the hostess showed that the gend'arme's question had set

her thinking. Could it have been the crazy woman who was with the

travelers? There had been so much running hither and thither and

carrying of bundles of clothes, and she had such a queer look about

her.

"Do you know anything about it?" said the gend'arme, looking her

straight in the face, "speak out!"

"I don't know a thing," said the hostess. "Did I say a word? What do

you want of me?"

There is nothing which the country people dread so much as being called

into court in order to bear witness, and so the hostess was careful not

to utter a single word that might lead to such a result.

Baum saw that he had made a mistake in taking the gend'arme with him,

for his presence alarmed those who might really have something to tell.

He, therefore, sent him off, so that he might make further inquiries on

his own account.

Baum stood before a looking-glass, combing and brushing his dyed hair

which, that day, was unusually refractory. For the first time in his

life he was perfectly modest. He admitted to himself that, after all,

he was not the right man to follow up such an affair, and that he had

wasted too much time already. Others would be before him in profiting

by whatever advantage was to be gained from Irma's death. He felt that

he had better hurry back to the palace, and that there were others

there, enough of them, too, who could work up such a case far better

than he.

He endeavored to sound the hostess, who, he still thought, knew

something of the affair. But he was unsuccessful, for she had not

forgotten his comrade, the gend'arme, nor did it help, in the least,

when he pointed to his buttons and informed her that he was the king's

lackey.

It suddenly occurred to him that Walpurga lived in the neighborhood. It

was scarcely a year since he had been here with Doctor Sixtus. Irma had

always been a friend of Walpurga's, and perhaps was now hiding with

her--such high-flown people were capable of anything.

The large boat still lay before the inn. Baum, taking his horse with

him, went on board and ordered them to put off at once. He permitted a

laborer who arrived with a great barrow-load of hay, which he had

gathered on the most dangerous crags, to cross in the same boat with

him. They put off. Baum lay down on the wild hay, feeling completely

worn out.

He asked the boatman whether they had seen anything of a drowned

person. They answered that, in the morning, a human head with long hair

had been seen rising to the surface, and that, in all likelihood, it

was a woman.

Baum suddenly drew himself up and, with a bewildered look, gazed over

the sparkling surface of the lake. "If the gentleman would like to

wait," said the elder boatman to Baum, "the lake will give up its dead

at the end of three days." Baum did not care to hear any more; he

merely felt in his pocket, to make sure that he still possessed the

letter and the blood-stained flower. Having satisfied himself on this

point, he stretched himself still more comfortably than before and fell

asleep. It was not until the boat struck against the shore that he

awoke.

There was no longer any need of hunting up Walpurga; but he did so,

nevertheless, in order to show that he had left nothing undone. He went

up to the cottage by the lake and knocked at the door. There was no

answer. He looked in at the window. Two large cat's eyes were staring

at him. The cat was sitting on the ledge. She was the only one who had

remained behind. The room was completely dismantled; not a table or

even a chair was to be seen. As if in a dream, or under the influence

of a magic spell, he walked back again through the garden.

A chattering magpie sat up in the leafless cherry-tree; but not a human

being was visible. At last a man passed by. Baum recognized him; it was

tailor Schneck.

"Say!" he called out, "what's become of Hansei and Walpurga?"

"They're gone over the mountains. They've moved away and bought a great

farm. They call it the freehold; it's way down by the frontier."

Tailor Schneck was in a talkative mood, and inquired whether the

gentleman had brought anything from the king and queen. But Baum was

sparing of his words. He mounted his horse and rode off in the

direction of the summer palace.

In the midst of the hurry and excitement, he had retained enough

composure to calculate how this event might serve as a springing-board

from which he could bound into a higher position. Henceforth, he would

be the king's confidant. He alone knew what had happened and how it had

all come about. He looked at the hand which the king would press in

gratitude, and felt as if the king had done so already. The head

chamberlain was old and decrepit; he would surely step into his place.

It would have been better, of course, if he could have reported that

Irma had been murdered--the gend'arme, like a sleuth-hound, had found a

clue--But no; that wouldn't do; it was his brother, after all--although

it might be better for him if he were obliged to spend the rest of his

days behind the prison bars. He resolved that he would be very good to

his mother and brother--that is, after he had become head chamberlain.

His sister was dead,--and it was a great pity, too--but he would surely

do this, if he got on and if the king should give him lots of money and

a good life annuity. Baum was bold enough to tell God that he ought to

aid him in obtaining what he wanted, as he meant to do good with it.

As he rode on through the darkness, he would sometimes catch himself

falling asleep, for it was the second night he had spent in such

unrest--his thoughts were confused and bewildered.

At the last post-house, he left his horse and took a post-chaise.

It was early in the morning when the carriage arrived at the summer

palace. They found it difficult to arouse Baum, and it was some time

before he was fully awake and could recollect where he was and what he

had brought with him.

Various court carriages were in waiting, and fine saddle-horses were

being led from the stables. Baum scarcely heard the salutations of his

comrades and the grooms. He entered the palace and ascended the

staircase. He was so completely worn out that he felt as if his knees

would sink under him. He entered the king's ante-chamber. The old head

chamberlain hastily took the pinch of snuff which he had been holding

between his fingers, and offered his hand to Baum. Baum sank into a

chair, and expressed a wish to be forthwith announced to his majesty.

"I can't yet. You must wait," replied the head chamberlain.

It was only by a violent effort that Baum was enabled to keep his seat

and prevent himself from falling asleep.

CHAPTER II.

The king was in his cabinet at an early hour. He avoided all enervating

self-indulgence, and his powers of endurance surpassed those of any

other member of the court. It was his custom to take a cold bath every

morning, all the year round, and this always gave him new life and

strength. He knew nothing of deshabille, and always left his bath-room

fully dressed for the day.

There was to be a hunt that day, and the king was in hunting costume.

He had repaired to the cabinet, for the purpose of dispatching various

matters of business that required his immediate attention.

His office was situated in the central building, in the so-called

Elector's Tower. It was a large, lofty apartment, and comfortable

withal. Its walls were covered with a sort of handy-volume library,

military maps and various favorite specimens of plastic art, mostly

antiques, of which he had procured copies while yet a prince. There

was also a letter-weight, formed of balls from the battle-field of

Leipsic. The oaken furniture was in the Renaissance style--the large

writing-table stood in the center of the room. A water-color picture,

representing the queen as a bride, hung on his right.

The king entered and touched the bell which stood on the writing-table;

the privy councilor presented himself.

He handed several papers to the king, who hurriedly read and signed

them. The councilor presented a report in regard to the household

ministry. The king, meanwhile, walked up and down the room. Suddenly he

exclaimed:

"What's that?"

From the adjoining room, he heard sounds as if moving and lifting, and

also scraping footsteps, just as if a coffin were being borne away. He

touched the bell. In an instant, the door opened and the head

chamberlain appeared.

"What insufferable noise is that in the gallery?"

"Your Majesty ordered the large picture to be removed."

The king remembered having given the order the day before.

Although he had, for a long while, been accustomed to seeing the

picture in that place, it had yesterday suddenly become repugnant to

him. The painting represented Belshazzar seated on his throne and

surrounded by his creatures, while a hand issuing from the clouds is

writing "Mene Tekel" on the wall. The figures were all in life size.

The king had given directions that the picture should be removed to the

public gallery.

"I am awkwardly served," said the king impatiently. "It would have been

time to do that while I was at the hunt."

The head chamberlain trembled when he heard these words. His hands

dropped, and his head bent as if with shame. It was with difficulty

that he dragged himself out through the opposite door. Instant silence

ensued. Noiselessly, the painting was placed on the floor and the

servants retired.

The chamberlain came around, from the other side, into the anteroom. He

sat down in an arm-chair and took a pinch of snuff between his fingers,

but was so absorbed in thought that he forgot to use it until the very

moment when Baum entered the room.

He sat opposite Baum. All was silent. Now and then he would shake his

head mournfully and look at his large arm-chair. "Yes, he'll soon be

sitting here, and I'll be dismissed," thought he. When the privy

councilor passed through the ante-chamber, the old chamberlain forgot

to bring him his hat. Baum did it in his stead, for Baum was fresh

again. This was no time to show signs of fatigue. He felt that he held

the winning card, and that now was the time to play it.

The bell in the cabinet was again heard.

"Is there any one else in the anteroom?" inquired the king of the

chamberlain.

"Yes, Your Majesty; Baum is here."

"Let him enter."

Baum felt fully conscious of his importance. The king had not ordered

him to report to the chamberlain, but had said, "Let him enter." He

desired to confer with him in person. The confidential position which

he had craved was already his.

Baum's usually grave and submissive manner seemed more impressive than

ever before.

"Have you a message?" asked the king.

"No, Your Majesty."

"What have you there?"

"Your Majesty," replied Baum, placing his bundle on the chair and

untying it, "I found this hat of Countess von Wildenort in the lake,

and these shoes among the willows on the shore."

The king put forth his hand, as if to grasp these tokens, and then drew

it back and pressed it to his heart. He stared at Baum and seemed lost

in surprise.

"What does it all mean?" he asked, raising his hand to his head, as if

to smooth down his hair which stood on end.

"Your Majesty," continued Baum, who himself trembled when he saw the

king's agitated manner, "the countess wore these articles when she rode

out with me and ran away."

"Ran away? and--"

Baum laid his hand on his watch, and, although he could not see the

dial, he counted the seconds, nevertheless; after which he softly

answered:

"The countess drowned herself in the lake last night--no, it was night

before last. The boatman saw the body of a female rise on the waters

and sink again; and tomorrow, which is the third day, the lake will

give her up."

The king motioned him to stop--it was enough--his hand trembled; he

grasped the back of a chair to support himself, and stared at the hat

and shoes.

Baum dropped his eyes. He felt that the king's gaze was fixed upon him,

but he still kept looking on the floor, which seemed to be rising and

lifting the lackey to the level of the throne. In his mind's eye, he

already beheld himself at the king's side, and as the confidant of

royalty. Baum modestly inclined his head still lower. He heard the king

pacing the room, but still he did not look up.

"A downcast air," thought he, "betokens perfect obedience and

unqualified devotion." The king now stopped before him.

"How do you know it was suicide?"

"I don't know. If it is Your Majesty's pleasure, the countess was

drowned by others--"

"My pleasure? I? How?"

"I humbly beg Your Majesty's permission--may I tell all?"

"You must--!"

Summoning all his strength, Baum now said:

"Your Majesty, I found the shoes myself, but I got the hat from a man

who is fit to do anything--the gend'arme thinks--that it may perhaps be

good for the man--he might be pardoned at the end of a year and sent to

America--a brother of his--is said to be--there--"

"You speak incoherently."

Baum regained his self-command.

"She may have been murdered by some poacher. The worst of it all is

that she sent a letter to her majesty the queen."

"A letter to the queen! Where is it? Give it to me!"

"I haven't it, the maid snatched it from me."

The king sat down.

For a long while, not a sound was heard but the rapid ticking of the

clock that stood on the writing-table.

The king arose from his seat and walked up and down the room. Then he

came toward Baum, who felt as if the hour of judgment had come--as if

his life hung in the balance. He tried to loosen his cravat; it seemed

too tight for him. He almost felt as if a sword were passing through

him.

"Do you know what was in the letter to the queen?"

"No, Your Majesty."

"Was it sealed?"

"Yes, Your Majesty."

"And have you nothing more?"

"Yes, Your Majesty; I was almost obliged to use violence to get this

from the maid; and here, Your Majesty, there is something more. Beside

the shoes, there was a pool of blood, and on this little plant there

are drops of her blood."

A heart-rending cry of pain escaped the king; then, taking the letter

and the plant with him, he went into the adjoining room.

Baum remained standing there waiting.

In the next room, the king sat reading, with tearful eyes.

"She loved me intensely. She was great and beautiful," said he to

himself, with pale and trembling lips. His mind was filled with

thoughts of her beauty, her voice, her gait, and all her varied charms.

And were they all now dead?

The king looked at his hand; the hand which she had so fondly kissed.

He took up the letter again and once more read the words: "To my

friend." He knew not how it came about, but when he again became

conscious of himself, he was kneeling by the chair.

What was to come next?

He remembered that the lackey was waiting in the cabinet. The king felt

deeply humbled at the thought of his being obliged to take such a

creature into his confidence; but had not men of all kinds long known

of his crime? They knew of it, but were silent. A thousand eyes were

upon him, a thousand lips were speaking--and all were telling this

terrible story. The king looked about him, bewildered. He could

scarcely rise. And among the many thousands who had laid their hands in

his, and who looked up to him, there was one--Ah! how heavily her hand

and her glance now weighed upon him. And her lips; what might they say?

How was he now to approach the queen? If she only knew his deep

contrition, she would fall weeping on his neck; for she was divine

goodness itself. And yet, how had he acted toward her!

He was on the point of sending Irma's last words to the queen. He meant

to add some words expressive of his contrition--to lay bare his

thoughts and feelings. It is best, thought he to himself, not to act

precipitately, and when he was again on his feet, the consciousness of

strength returned. One must be able to fulfill the most difficult

duties, even that of repentance, without sacrificing dignity.

The king saw himself in the large mirror. He had forgotten that he was

in hunting costume, and started at the reflection of himself, as though

it were a stranger.

His face was pale, his eyes inflamed. He had shed tears for his friend,

and that was enough. What, with some natures, requires months or years,

great minds achieve in a few moments. Their years had become as ages.

It seemed to him as if the words: "The kiss of eternity," were being

wafted toward him on the air, and his mind was filled with memories of

that day in the atelier of the ball, and--

"It was given to thee to live the highest life and then die; to force

death to do your bidding. But I cannot do so. I do not live for myself

alone!" said he, apostrophizing his friend, and feeling as if a new

source of life flowed forth from the depths of his grief.

"And this is thy work," said an inner voice, while his thoughts were of

the dead. "In all that's good, your spirit will ever abide with me.

Without thee--I would confess it to God, were I now to appear before

him--I should never have discovered the deepest springs of my being. If

I only knew of some deed which could serve as a fit memorial of thy

life."

The king again remembered that the lackey was waiting for him. He felt

annoyed that there was not an hour he could call his own, in which to

calm his agitated feelings, and, for the first time in his life, it

flashed upon him: He who commands the services of others, has duties to

them, too. They lead a life of their own, extending beyond the time and

act of service.

The influence of Irma's last words seemed to hover over his soul like a

mist.

He returned to his cabinet. Baum was still standing where he had left

him, as silent and as quiet as if he were a chair or table.

"When did you leave there?" asked the king.

Baum told him all.

"You must be fatigued," said the king.

"Yes, Your Majesty."

"Well then, take a rest. Anything else you may know, you must tell no

one but myself--do you understand?"

"Certainly, Your Majesty. I thank you, humbly."

The king had drawn a large emerald ring from his finger, and, while he

turned it from side to side, the bright gem sparkled in the sunlight.

Baum thought that the king was about to bestow the ring upon him as a

mark of his favor, but his majesty put the ring on again, and asked:

"Are you married?"

"I was, Your Majesty."

"Have you any children?"

"An only son, Your Majesty."

"Very well. Hold yourself in readiness; I shall soon have further

orders for you."

Baum went out. While hurrying through the anteroom, he graciously

addressed the chamberlain with: "Pray don't rise!" There was no need

that any one should see what was plainly to be read in every line of

his face. The king had addressed him familiarly, and had even inquired

about his family. He was, at last, the confidant of royalty; the

highest honors now awaited him.

He went to his quarters in the side wing of the palace.

The king was alone. Naught was near him save Irma's hat and shoes. He

gazed at them for a long while. What a poem it would make--to bring to

the lover the shoes and the hat of his beloved--what a song it would be

to sing in the twilight. Such were his thoughts and yet his brain

whirled. With trembling hands, he took up the hat and shoes, and locked

up the tokens of death in his writing-desk.

The feather on the hat broke as he closed the door. A light was burning

on the writing-table. The king lit a cigar. When his eye fell on the

water-color portrait of the queen, he started. He went on smoking

violently.

It was not till some after that, that the king rang the bell and gave

directions that the lord steward should be called, but that no one else

should be admitted.

CHAPTER III.

When the lord steward entered, the king had recovered his self-command

and had settled upon the course he should pursue.

"Have you heard the terrible news?"

"I have, Your Majesty. The countess's maid has arrived; her mistress

was drowned in the lake."

"And--?" asked the king, when he found the lord steward paused.

"And it is also said that, after her father's death, the countess

neither saw nor spoke to any one. But she, nevertheless, wrote a few

words to the queen, with the request that Doctor Gunther should deliver

them."

"And was it done without previously informing me?"

The lord steward shrugged his shoulders.

"Very well; I know--" continued the king. "Is everything in readiness

for the hunt?"

"At Your Majesty's pleasure. The hunting party has been waiting for an

hour."

"I'm coming," said the king. "Send Doctor Sixtus to the lake and tell

him to take Baum with him, for he knows all about the affair. Let him

also take the notary with him, and tell him to see that the body, if

found, be suitably interred. I know that you will have everything

properly attended to; act on your own good judgment in the matter."

The king laid especial stress on the last words. Everything was to be

managed discreetly; every appearance of undue interest, on his part,

was to be avoided.

The king knit his brows, as if trying to think of something he had

forgotten. "One thing more," added he, hastily. "Go to the poor

countess's brother, and break the news to him as gently as you can.

Should he desire leave of absence, you may inform him that it is

granted for an indefinite time."

The king passed out through the anteroom and down the staircase. Rest

and quiet had been prescribed for the queen, and, in order to avoid

arousing her early in the morning, he had bade adieu to her the night

before.

The hunting party assembled in the palace yard greeted the king, who

graciously returned their salutation. In an instant, and as if by word

of command, the covers were removed from the carriage-horses.

"Colonel Bronnen," exclaimed the king, "come sit with me."

Bronnen bowed in respectful acknowledgment of the compliment, and

stepped up to the king's carriage. The gentlemen of the party, amazed

at the honor paid the colonel, got into their carriages. Bronnen had

bowed respectfully--for the highest honor of the day had been conferred

upon him--but there was a struggle within his heart. Had the king the

faintest idea that Bronnen felt himself the avenger of old Eberhard, or

that he was wrestling with himself as to whether or not he should take

up the vendetta? He started when he involuntarily touched the hanger at

his side. Was the royal carriage to be the scene of a tragedy, such as

history had never yet known? Had Irma vauntingly told the king that he

was a rejected suitor for her hand? and was he now to receive the alms

of sympathy?

The party drove on into the open country. The king was silent for a

long time. At last, he said:

"You were also a true friend of hers. There were few--indeed, there was

no one--who she honored and esteemed as she did you. Her constant wish

was that we should be more closely united."

Bronnen drew a long breath. There was no occasion for his saying

anything. The king offered him his cigar case.

"Ah, you don't smoke," he said.

There was another long pause, which was at last broken by the king's

asking:

"How long had you known Countess Irma?"

"From childhood. She was the friend of my cousin Emma, with whom she

was at the convent."

"It comforts me to be able to speak to you of our friend. You

understood her character. It was great, almost supernaturally so.

Suffer me to inherit your friendship for her."

"Your Majesty--" replied Bronnen with constrained composure; for his

heart was boiling with indignation at the man who had corrupted this

noble creature and had driven her to self-destruction. But his military

feeling of respect for his superiors held him in check.

"Ah, dearest Bronnen!" continued the king, "no death has ever affected

me so. Did she ever speak to you of death? She hated it. And yet, when

I look about me, all is life. When a great heart ceases to beat, the

whole world should pause, though it were but for a moment. What are we,

after all?"

"Each of us is but a small, limited portion of the world. Everything

about us has its due sphere of development and right. We are masters

only of ourselves, and how few of us can claim to be even that!"

The king looked at Bronnen in surprise. Every one has a sphere of

right--What could he have meant by it? Hastily collecting himself, the

king replied: "She might have used the very same words. I can easily

imagine how much you sympathized with each other. If I understand

rightly, you regard suicide as the greatest of crimes?"

"If that which is most unnatural is, therefore, the greatest crime, I

certainly do. 'Self-preservation is the first law of nature.' I shall

never forget a conversation I had with old Count Eberhard, last winter,

upon this very subject."

"Ah yes, you knew him. Was he really a great man?"

"He was a man of one idea, of grand one-sidedness. But perhaps this is

a necessary condition of greatness."

"When did you speak with Countess Irma for the last time?"

"After her father's death, when she had shut herself up in impenetrable

darkness. I spoke to her, but could not see her, although she extended

her hand to me. I believe that I am the last man who held her hand in

his."

"Then let me take your hand in mine!" exclaimed the king.

He held Bronnen's hand in his for a long time, until the latter said:

"Your Majesty, confession for confession.--I loved Irma!"

He spoke in a curt and bitter tone. The king hastily withdrew his hand.

"I see," continued Bronnen, gathering all his strength, "that the

countess has mentioned nothing of my suit. I thank her, even now, for

this proof of her noble, generous heart. Since she could not honestly

return my love, she frankly declined it."

"You? my dear Bronnen!" exclaimed the king, in a tone that betrayed his

painful agitation. He could not help thinking of the happy life which,

as the wife of this man, Irma might have led. "My poor friend!" he

added, in a voice full of feeling.

"Yes, Your Majesty, I have a right to mourn with you, and it seems as

if her powerful, all-embracing mind were still potent, and had caused

Your Majesty to call me to your side."

"I never dreamt of such a thing. If I had, I would not have inflicted

this pain upon you."

"And I thank Your Majesty for permitting me to share in your grief.

Because I share it with you, I am able to comfort you; that is, as far

as another can. Since Your Majesty is so frank with me, I must needs be

as frank in return."

The king was silent for a long time. Although Bronnen had opened his

heart to him, the immediate effect upon him was to rouse a deep feeling

of jealousy. He could not brook the thought that another had dared to

cast his eye upon Irma; aye, actually to woo her. She seemed no longer

entirely his own, since another had stretched out his hand toward her.

Bronnen waited for the king's answer. He could not understand what his

silence meant. Had the king repented of his frankness? Did it offend

him to find that another had placed himself on a level with him and

answered him frankly and fearlessly? The consciousness of royalty

trenches upon that of manhood, and perhaps it never happens that a

prince thinks of himself simply as a human being. Bronnen felt vexed at

the king's silence and averted looks. He could stand it no longer and,

at last, feeling that, at such a moment etiquette could be disregarded,

he said:

"I think that few men are great-minded enough to keep all knowledge of

their conquests to themselves."

This remark had a double meaning, and Bronnen would not have been

surprised if the king had turned upon him with a crushing reply. He

felt defiant and yet composed. The man to whom he had revealed his

soul's secret, must not act as if nothing had happened; he must answer

for himself.

The king still remained silent.

"Is Your Majesty not of my opinion?" asked Bronnen, trembling with

emotion.

The king turned toward him.

"You are my friend. I thank you, and when we reach Wolfswinkel, you

shall receive the highest proof of my confidence."

"There is something more which I think I ought to communicate to Your

Majesty."

"Proceed."

"I think I can see the connection between certain recent events. During

the late election for deputies, some friends of mine in the Highlands

thought of me. They knew of my sincere devotion to my constitutional

king."

The king's features betrayed the faintest expression of disgust, while

Bronnen continued calmly:

"I informed the voters that I would never accept an election which

would range me with the opposition. Count Eberhard was, therefore,

proposed on the very last day, and, to the great surprise of all,

accepted the nomination. In order to cast a stigma upon the father, the

friends of the present ministry--I am now giving Your Majesty facts,

not mere opinions--were not above introducing the relation between

Countess Irma and yourself into the canvass."

The king threw his cigar away, and quickly said:

"Go on; tell me more!"

"Count Eberhard was elected in spite of them. While I was at Wildenort,

to attend the funeral, I was informed that the first intimation he had

received of his daughter's position was conveyed to him at the meeting

of electors. On his way home, he received letters which affected him

deeply. Nay more, for I have inquired into the matter. I found this

piece of a torn letter on the road, and the laborer who worked there

told me that the count had torn up letters at the time mentioned."

Bronnen handed him a paper on which stood the words: "Your daughter has

fallen into disgrace, and yet stands in high grace as the king's

mistress."

"That may have been written by our saintly Hippocrates," muttered the

king to himself.

"I beg Your Majesty's pardon, but if you harbor the slightest suspicion

against Doctor Gunther, you do him injustice. I will stake my honor for

him, and time will show that I am right."

"Go on!" said the king impatiently. He felt displeased that Bronnen

could read his very thoughts, as it were, and understand what he had

only half muttered; and that, understanding it, he had not, as in duty

bound, ignored it. He was only to hear what was directly addressed to

him.

"On his return from the meeting," continued Bronnen, calmly, "Count

Eberhard was attacked by a paralytic stroke which deprived him of the

power of speech. During his last moments. Countess Irma was the only

one with him. She was heard to utter a terrible cry--when they entered

the room, she lay on the floor, and Count Eberhard was dead. Who knows

what may have happened there! But whatever it may have been, I feel

sure it was the cause that drove her to this terrible resolve."

"And what purpose does this ingenious combination serve?" asked the

king.

Bronnen looked at him with astonishment.

"Its only purpose is to aid in clearing up the mystery."

The long pause which followed Bronnen's remark added to its

impressiveness.

"Yes," said the king, resuming the conversation, "how much better it is

to clear up all things! That was just her own way of doing; so natural,

and yet so clear, so conscious, and yet so strong. Well be it so.

Bronnen, why should I conceal it? I may tell you everything. I loved

the countess. And now--I must say it, for the thought tortures me--I am

almost angry at her. Her suicide has imposed a heavy life-burden upon

me. I shall never, to the end of my days, be able to lay it aside. She

must have known how it would weigh me down. Tell me, frankly--I beg of

you, tell me--is this feeling not a justifiable one?"

"I am not addressing the king, now. I am speaking to the clear-headed,

warm-hearted man."

Bronnen paused. It shocked the king to find himself thus divested of

his inborn dignity. What would this stern man, whom he had ordered to

forget his rank, say?

"Speak on!" said the king, encouragingly.

"Then I shall speak frankly," began Bronnen, "as between man and man.

When you reproach yourself for feeling that your friend has aggrieved

you in imposing this life-burden upon you, it is simply a proof that

your true self has been deeply affected. What really torments you,

however, is the ghost of your own act. Although our friend, who

deserved so well of fate may, in a fine frenzy, have willingly

sacrificed herself, the stern truth still confronts you: you invaded,

nay destroyed, her sphere of right, and now you reap the inevitable

consequence of what was then begun. The ghost of your own actions

disturbs you and will continue to do so, until you perceive the truth.

Every human being has its own rights, presenting a barrier which no

one, however exalted his position, dare invade. When you fully realize

this in yourself, and by your knowledge of sin have overcome sin, then,

and not until then, will you be free--no matter what may have gone

before. Superstition uses the formula: 'All good spirits praise the

Lord,' with which to exorcise phantoms. Our good spirit is that inner

perception of truth to which we appeal, or rather to whose appeal we

give utterance."

There was a long pause. Bronnen's face glowed with excitement. The king

was chilly, and wrapped himself in his mantle. His eyes were closed. At

last he sat up and said:

"I thank her; she has given me a friend, a true man. You will remain to

me."

The king's voice was hoarse. He wrapped his mantle yet more closely

about him, lay back in the corner of the carriage, and closed his eyes.

Not another word was uttered until they reached the hunting-seat. The

king told his suite that he felt unwell and would not take part in the

hunt. The rest of the party plunged into the forest, while the king

remained alone with Bronnen.

CHAPTER IV.

It was after breakfast. The queen, attended by the ladies of the court,

was in the music room.

The first mist of early autumn obscured the landscape, and the morn

gave promise of a lovely, bracing day.

Various journals were lying before the queen. She pushed them away,

saying:

"How terrible these newspapers are! What license! This sheet is usually

so unobjectionable; but even here it is stated that Count Wildenort

died of grief because of the conduct of his unmarried daughter. Can

such things be permitted? Was such a thing ever heard of--Ah, dear

councilor!" added she, addressing her private secretary, "there's a

sealed letter for Countess Irma on my desk upstairs. Let a messenger

take it to her at once. If she could only be kept in ignorance of these

terrible newspapers stories; I hope she may, at all events."

The ladies of the court were engaged with their embroidery. They

replied their needles more nimbly than before and did not look up from

their work.

Countess Brinkenstein was called away. After some time she returned,

accompanied by the doctor.

"Ah, welcome!" cried the queen.

At a sign from Countess Brinkenstein, the ladies retired.

"How charming! you've come just in the nick of time," said the queen. "I

am just about to send off a letter for Countess Irma; you might add a

few kind words."

"Your Majesty, Countess Irma will not be able to read your letter of

condolence."

"Why not?"

"The countess is--very ill."

"Very ill? You say it in such a--not dangerously, I hope?"

"I fear so."

"Doctor! your voice--what is it? The countess is not--"

"Dead--!" said the doctor, covering his face with his hands.

For a few moments there was breathless silence in the great hall. At

last the queen exclaimed:

"Dead! Was it grief at her father's death?"

The doctor nodded affirmatively.

The flower-table which Irma had painted stood by the queen's side. The

queen looked at it for a long while. At last, completely forgetting

those about her--her gaze still fixed upon the table which, now that

she was weeping bitterly, was wet with her tears--she cried out, in

heart-rending accents:

"Oh, how beautiful she was; how radiant her eyes, how bright her

glance, how musical her voice! Her singing was like the warbling of the

lark! And all this beauty, all this love and goodness is no more! I

would love to see her, even in death. She must be beautiful, a very

image of peace. And you say that she died of grief at her father's

death; of a broken heart? Was it one great, convulsive throb of feeling

that broke her ardent, noble heart? Oh, my sister--for I loved her as

such--forgive me that even the shadow of doubt--Oh, my sister!--the

lovely flowers on this table were conjured up by your hand--And you are

faded, withered, decayed! You were lovelier than any flower! I can

still see your eye, as it followed every stroke of the pencil. You

meant to give me undying flowers, and as an undying flower you shall

dwell in my heart."

Her tears fell on the marble flower-table. A little dog came up to her

and she said:

"She decked you, too, with flowers. It was on my birthday. She sought

to adorn everything that met her eye. And you loved her, too, poor

Zephyr? every creature loved her, and now she's dead." She wept in

silence for some time.

"May I wear mourning for my friend?" she inquired, looking up at

Countess Brinkenstein.

"Your Majesty, it is not the custom for the queen to go into mourning

alone."

"Of course; we are not alone. No, never! All must mourn with us; there

must needs be a mourning livery."

She had spoken harshly, and now offered her hand to Countess

Brinkenstein, as if in apology, and inquired:

"When is she to be buried, and where? I should like to lay the most

beautiful garland upon her grave. I will go to her myself, and my tears

shall drop upon her pale face. So fair a life, and so sudden an end!

Can it be possible? I must go to her!"

Her eyes seemed fixed on vacancy, while she asked:

"Has the king gone hunting?"

"Yes, Your Majesty."

"He, too, will weep, for he loved her as if she were his sister. I know

it."

The look which Countess Brinkenstein now gave the doctor seemed to say:

"I never gave the queen credit for so much tact and self-command. How

naturally she acts, while trying to make us believe that she never knew

or suspected that aught was wrong."

"I will go to her!" suddenly exclaimed the queen. "No one shall prevent

it. I will go to her and stand by her coffin, by her grave."

Countess Brinkenstein stared at the queen.

The doctor approached and said:

"Your Majesty cannot see the countess. Grief for her father's death

affected her mind--"

"Then she's not dead?"

"The countess has undoubtedly drowned herself in the lake."

The queen cast a look of horror at the doctor. She attempted to speak,

but could not. Gunther added:

"She has not left us without a farewell; she left a letter, which I am

to deliver to Your Majesty. It must surely be intended to atone for the

frightful tidings; even in her last moments, she was true to her

affectionate nature."

The queen stared at Gunther vacantly. She tried to rise, but could not.

She mutely motioned him to give her the letter. Gunther handed it to

her.

The queen read it and turned pale as a corpse. Her features grew rigid;

her hands fell to her side, as if palsied; her eyes closed, an

expression as of death lay on her lips. Presently, she shook as if in a

chill, and then her face became flushed, as if burning. She sprang to

her feet and exclaimed:

"No! no! Have you done this? Could you act thus, Irma? You--"

She fell back in her chair, covered her face with both hands, and

exclaimed:

"And she kissed my child, and he kissed it! Oh, they kissed that which

was purest of all, well knowing how impure their own lips were. They

talked in the loftiest strain, and yet the words did not cut their

tongues like sharp knives! Oh, how disgusting! How disgusting, how

tainted everything seems! How I loathe myself! And he dared to tell me

that a prince could have no private actions, for his deeds are an

example to others. Shame! shame! Everything is vile, everything is

despicable! Everything!"

She looked around, bewildered. She was as terrible in her indignation

as she had been beautiful in her grief.

With vacant gaze she regarded every object that had once met Irma's

eye, and when her glance again fell upon the flower-table, she turned

away with a convulsive start, as if serpents had darted from the

flowers. Again she exclaimed:

"Oh, how loathsome! Oh, how vile, how disgusting! I beg of you, leave

me alone! May I not be alone?"

"Let me remain with Your Majesty," said the Doctor, taking her hand,

which hung as if lifeless at her side.

Countess Brinkenstein withdrew.

For a long while, the queen did not speak a word. She seemed to be

staring at vacancy, breathed heavily and would, at times, start

convulsively. She was suddenly seized with a chill, and fell back

insensible.

The doctor bathed her forehead and wrists with a few drops of some

restorative, and then called her maid. Accompanied by the latter, he

conducted the queen to her apartments, and ordered that she should be

put to bed.

"I shall never again see the light of day, nor a human face; and

he--and he!" cried she; then she forced her lace handkerchief into her

mouth and tore it to pieces with her teeth.

She lay thus for some time, the doctor sitting silently by her bedside.

At length she heaved a deep sigh, opened her eyes, and said:

"I thank you, but I would like to sleep."

"Yes, do so," said the doctor. He was about to leave, but she called to

him:

"One word more. Does the king know--?"

"Yes, Your Majesty."

"And he went to the hunt?"

"He is king, Your Majesty."

"I know, I know!--Anything to avoid creating a sensation. Yes, yes."

"I beg of you, Your Majesty, don't think now. Don't worry about

anything. Try to sleep."

"We can give ourselves the sleep eternal, but not temporal sleep."

"I entreat you. Your Majesty; don't give way to this violent

excitement; do try to sleep."

"I will, I will. Good-night! Give me a sleeping draught, a drop of

forgetfulness. Poison were better! Good-night!"

The doctor withdrew, but, by a faint gesture, signified to Madame

Leoni, the woman in waiting, that he should remain in the next room.

CHAPTER V.

It was silent and lonely at the hunting-seat in the Highlands. The

walls of the great hall were hung with antlers; a stuffed boar's head

stared from over the entrance. A bright fire was burning on the large

hearth, for here among the mountains it was already cold. The king sat

before the fire, staring at the blazing embers. The flames,

intertwining, would leap on high, like so many tongues of fire. The

king left his chair several times, but soon sat down again.

Under the antlers hung tablets marking the year and date of each hunt.

A long line of ancestors had contributed to these proofs of victory. If

all the guns that had been used in achieving these triumphs were to be

fired off at the same moment; if, in addition to this, every horn that

had been blown, every dog which had barked, and every creature that had

cheered, were to find voice, the din thus produced could not be more

confusing or bewildering than the thoughts which jostled each other in

the head that now rested upon the king's hands.

He arose from his seat and read some of the inscriptions on the wall.

He could boast of a mighty ancestry. They were of a lusty and powerful

race, and while indulging in the pleasures of the chase and the social

board, would speedily have forgotten an adventure like the one that now

unnerved him.

Have we become weaker, pettier, more timid?

The king seated himself again and gazed at the fire. He was angry with

himself, and yet could not master his weakness.

We are not like the men of the olden time, with their rude simplicity

and fearless disregard of consequences. Why have we not inherited the

strength of our ancestors, instead of mere pride in their power?

What has happened?

Unfaithfulness cannot be blotted out, nor can the dead be called back

to life.

The memory of the days passed in intoxicating happiness rose up before

him, as if to say: It dare not, it cannot be.

Has she a right, while destroying her life, to destroy mine, too? And

she has destroyed it. Her death will ever remain an inseparable part of

myself. I bear a corpse about with me. The guilt of murder dwells

within my heart!

He suddenly held his hands before the fire, for they were cold. The

flames burned brightly, but they did not warm his hands, and his heart

seemed freezing.

Is Bronnen right in refusing to see anything in this terrible affair

but the inevitable results of my actions?

He uttered a short laugh, for it had suddenly occurred to him that the

world would present a wondrous chaos of bloodshed and murder, if every

similar misstep were to produce like result. How many thousands--

A few words uttered on a lovely morning and during happy times, floated

through his mind. It was like suddenly recollecting a long forgotten

melody. It was scarcely more than a year ago, that the queen had said,

while sitting under the weeping ash: "He who commits a wrong sins for

himself, and as deeply as if it were the first time the sin were ever

committed."

Ah! why is it that our actions fall so far short of our ideal?

The king was still gazing into the fire. The image of his wife, fading

from his mind, was replaced by that of the friend, whom, in fancy, he

followed to the bottom of the lake.

He hastily arose, opened the window, inhaled the bracing mountain air

and looked out into the dark night.

There, wrapped in slumber, lies the world, the palace with its rich and

varied life, your wife, your child; and beyond, as far as the eye can

reach, the rich land over which you rule. And while millions of beings

cry to you in their hour of need, are you to be dragged down by one

mortal?

The king turned round, with the intention of sending for Bronnen.

It is not well to give one's-self up to solitude and the company of

evil spirits.

And yet he hesitated. From out of the darkness, there rose a demon with

a thousand glittering, cunning eyes. He had known him from youth and

his name was--distrust. Who knows that this gentleman, with his

high-sounding phrases, is not availing himself of your humility and the

tender mood which has unmanned you, for his own selfish ends? for all

men are selfish, especially when dealing with royalty. He means to rule

me and, through me, the country. Who knows whether he ever loved her or

declared his passion to her. She neither could nor would have dared

conceal that from me. The story was a ready invention of his, intended

to make him my companion in grief. But I know no companion. I will have

none. If I cannot do all by myself, I am not a king, and if I am not a

king, what am I? No, my wise and noble-hearted gentleman--

An inner voice admonished him that it was wrong to judge Bronnen as he

judged other men, but he would not listen to it. He drew himself up as

if conscious of his power and dignity. Suddenly, a sound from the

forest broke upon his ear. It was the first wild, mournful cry of the

stag. The huntsman in him was now aroused. His hand quickly sought his

weapon, but the thought vanished with the swiftness of the stag's

flight through the forest, and gave way to another that raised a smile

on the king's countenance. The stag, thought he, was crying to him.

Nature knows nothing of such unfaithfulness as that with the thought of

which you are now tormenting yourself. The laws of nature do not

recognize unfaithfulness; it is simply a violent and arbitrary creation

of man. But neither does nature's law recognize a king, or the right of

any creature to rule others of the same species. But it is not nature

alone that directs human life. There is also another law that dwells

within man. At the birth of each beast, the law of its life seems born

anew. Man, however, inherits that which has gone before, for he has a

history. And a king more than all others--

The king stood there in silence for a long time. Feeling chilled again,

he closed the window and sat down before the fire in which the embers

were still burning. Although he found it irksome to be alone, he yet

forced himself to remain so.

The fire was still flickering, and now and then a sharp tongue of flame

would dart forth. The king's hand still clasped the silver handle of

the tongs long after the fire had ceased to burn. For the first time in

his life, he felt conscious of a void within himself--a void which

could not be filled. What could it be? Hunting or drilling, jesting or

commanding, loving or ruling, none of these filled the aching void.

What could it be? this constant unrest, this longing for something that

was yet to come.

He had spent a happy youth. The free tone at his father's court had not

affected him. He had lived in an ideal world. He was on his travels and

far away from home, when the sudden news of his father's death reached

him. He had hardly arrived at man's estate, when he was called to the

throne. Others might test their affections, might choose--his consort

had been selected for him--there was no wooing; a throne, a country, a

wife were given to him. His wife was graceful and pretty. He was fond

of her, and she loved him intensely. Suddenly Irma entered their

circle, and the husband, the father, the king, became seized with

ardent love. And now she was dead, destroyed by her own rash deed.

Is it still possible for you to subordinate yourself to the law?

You have submitted to it reluctantly, as if it were a clog and a

fetter; but it is not submission to the law the highest, aye, the only

source of indestructible power? Yes, there is an eternal law that binds

you to your wife and to your people; in that alone dwells the life

eternal.

He was filled with the thought. It was like a deliverance; like the

first free breathing of the convalescent. He could not fully grasp the

idea, and yet it seemed to him as if he must cry aloud: I am free! free

and yet in accord with the law.

He rose quickly. He meant to send for Bronnen, but restrained himself.

He had wrestled with himself and would now bear this within himself. He

felt as if the aching void, the restless longing for change, had

suddenly been filled. He pressed his hand to his throbbing heart.

He rang the bell and sent word to Bronnen that he might retire. He sent

his body-servant away and retired to his room alone.

Bronnen had been waiting for hours, expecting to be sent for at any

moment, and was now busy conjecturing why this had not been done.

Could Irma's death have had more than a mere passing influence upon the

king, or had it really helped to reconcile him with the law of life?

What proof of his confidence did the king mean to bestow upon him? And

when Bronnen had waited for hours, without receiving a message from the

king, he could not repress a feeling of resentment. Who could tell?

Perhaps the king had forgotten him? He had joined him for a while in a

plaintive duet; but now all was over. That piece had been played and,

as with a concert programme, a new one was to come.

One of old Eberhard's sayings occurred to him: "When you are not in the

presence of royalty," were the old man's words, "it esteems you as

little better than the servants who wait out in the vestibules, or on

the steps, with warm mantles for their masters. They go on playing,

dancing, laughing and jesting; but which of them stops to think of

those who are waiting outside, who have aching legs and are overcome

with sleep. But, nevertheless, there you must be, and that without a

murmur."

He felt a touch of Eberhard's deep scorn. He, too, was a servant, who,

while waiting in the ante-chamber, had been forgotten by his master.

When, at a late hour, the king sent him word that he might retire, he

nodded his thanks. He has remembered you after all, thought he to

himself. Many thanks. Of course they would be less ashamed of a

companion in crime.

CHAPTER VI.

The mountains were still covered with the mists of morning, when the

king sent for Colonel Bronnen. The latter entered with a respectful

air. The king advanced toward him and said:

"Good-morning, dear Bronnen!" His voice was hoarse; he looked pale and

unrefreshed. He took a sheet of paper from the table and said:

"There is the proof that I promised you. Read it." Bronnen read it and

looked at the king in astonishment.

"Do you know the handwriting?" asked the king. "I do not recognize the

handwriting, but the great mind seems familiar. I believe--"

"You are right--they are the last words that our lost friend left for

me."

With a certain air of solemnity, Bronnen again placed the letter upon

the table. He did not venture to say a word.

"Be seated; I see that you are agitated."

"Certainly, Your Majesty; but, in spite of everything, these lines only

confirm my presentiment."

"Your presentiment?"

"Yes, Your Majesty; a presentiment that Countess Irma is not dead."

"Not dead? and why?"

"I know not what to say, but the proofs that were found in the lake and

on the shore serve rather to confirm than refute my theory. They are

too complete--"

"You loved our friend, I believe it," said the king; "but you did not

fully understand her. Countess Irma was incapable of deceit; and have I

not told you that boatmen saw the body of a woman floating in the

lake?"

"Who knows what they may have seen? Nothing has been found as yet."

"On what do you base your presentiments?"

"It is fully consistent with my exalted opinion of that great woman, to

conceive of her having withdrawn to some convent, in order to leave

Your Majesty free. Yea, free and true."

"Free and true," said the king, repeating the words to himself. "You

utter words which seem irreconcilable, and yet they must be reconciled.

Bronnen, you mean to show me a new life-path, and to remove the corpse

that obstructs the way, so that, relieved of my burden, I may pass on.

But I have strength to listen to the whole truth, and to decline all

soothing deceit."

"Your Majesty, I have addressed you in all frankness, and with an utter

disregard of all other considerations."

The king nodded gently, and Bronnen added:

"Be that as it may, these lines are the utterance of a great soul, and

the realization of these thoughts is an end worth dying for. Now, Your

Majesty, the weight must be lifted from your soul. Your friend's death

or disappearance has not imposed a burden upon you; it has liberated

you. For the sake of our country and the realization of the highest

laws, she has departed."

"Free and true," said the king again, in a low voice. "I would like,

this very day, to change the legend on my coat of arms and replace it

with those words. But I will prove--and to you alone do I confess it--I

will prove that they dwell within me! Yes, my friend, I read those

lines many a time during the night. When they first appealed to me

yesterday, I did not understand them; but now I do. Let us, as long as

we live, quietly celebrate the memory of this day. You uttered an

expression yesterday that startled, nay, offended me."

"Your Majesty!"

"Calm yourself. You see we are friends. I promise you never again to

allow my displeasure to last over night."

"What expression?"

"It was 'constitutional king'; and while, last night, I read this

letter again and again, that phrase was ever between the lines. Can one

be a sovereign and yet subject to the law? Mark me, Bronnen; if I were

in the presence of Eternal God, I could not open my heart more freely.

This expression of yours and our friend's appeal aroused me. Can I

remain a sovereign, a complete man and king, and at the same time be

fettered? At last I understood it. She says: 'Be one with the law, with

your wife and your people.' Is there free love in marriage? Can there

be a free king in a constitutional government! There lies the

difficulty. But I have conquered it. Fidelity is love awakened to

itself. The life I lead, my crown, my wife, indeed all that I possess,

became mine by virtue of my rank. Last night, I earned the right to

call them mine. To be able, in all moods, to hold fast to what has,

heretofore, only been the result of impulse; to infuse new life into

one's actions, and to feel that they are in accord with one's self--Ah,

you can have no idea of the spirits I wrestled with; but I conquered at

last. 'Free and true,' is my motto for evermore."

Bronnen was deeply agitated, and, in his enthusiasm, rushed toward the

king.

"I have never bent the knee to human being, but now I should like to--"

"No, my friend," cried the king. "Come to my heart. Let us, holding

fast to one another, act and work together. I will prove that a king

can act freely, and that his freedom and his friendship are something

more than a mere fairy ideal. Yesterday, I felt as if you were my

father-confessor. It does me good to say this. I have come to know that

the man whose hand and heart are impure is unfit to labor for the

highest and noblest ends. There is no greatness which is not based on

true morality, and, in uttering these words, I utter a verdict upon my

past life. I am not ashamed to acknowledge to you, what I have already

said to myself. And now let us, as men, consider what is best to be

done."

Bronnen's countenance seemed illumined with a ray of purest joy.

"A bright, unclouded spirit is with us."

"Let her memory be held in honor."

"I do not mean her," said Bronnen. "When I spoke to Count Eberhard, he

said: 'Honor pledges us to morality; fame, still more so; and power,

most of all.'"

The king and Bronnen discussed many other topics. With his friend, the

king could frankly and unreservedly show the change which had taken

place in him. But with the world, the court, and the country at large,

it behooved him to avail himself of more gradual methods. A king dare

not publicly repent.

Bronnen was, in secret, appointed prime minister.

They remained at the hunting-seat and joined in the chase. They deemed

it best to postpone their return to court long enough to permit certain

matters to settle themselves in the mean while.

CHAPTER VII.

"His Majesty desires me to assure you of his sincere sympathy, and to

say that if you wish to go away in order to arrange your family

affairs, to pursue investigations at the lake, or to divert your

thoughts by travel, you are at liberty to do so. Leave of absence, for

an indefinite period, will be sent after you."

These were the words with which the lord steward, who had been sent to

inform Bruno of his sister's death, concluded his message. He pressed

Bruno's hand, kissed him on both cheeks, and left.

As soon as he was out of doors the lord steward fanned himself with his

pocket-handkerchief. The dread task which had fallen to his lot had

greatly agitated him, but still he could not help admitting that Bruno

had received the terrible news with great composure.

While the lord steward remained in the room, Bruno had sat on a sofa in

the corner covering his face with his handkerchief, and listening

quietly and patiently to it all, as if it were the news of some

strange, remote event that in no way affected him.

But now he was alone again. He sat silent for awhile, unconsciously

playing with a scented note which he had received a little while

before.

Suddenly, he sprang from his seat as if crazed, seized a chair and

broke it. This seemed to do him good. Then, as if possessed by a demon,

he threw himself on the floor and lay there, raving, writhing, and

screaming fearfully.

The servant entered and, finding his master lying on the floor, lifted

him up.

"I'm ill!" said he. "No, I'm not ill! I won't be ill! Go at once to

chamberlain Von Ross or to intendant Von Schoning, and request one of

those gentlemen to come to me directly. If my wife inquires for me, say

that I've gone out with the master of the household."

The servant went away and Bruno stood at the window, looking out into

the street. The mist had disappeared and now revealed the park in all

its beauty. The gardener was removing the pots that contained faded

flowers, and replacing them with fresh ones. Arabella's pet greyhound

was sitting on the gravel path; it looked up at its master and, in

token of its joy, jumped about and ran around the arbor.

Although Bruno saw it all, he was thinking of something quite

different.

"Ha ha!" he laughed, "I never thought that this world was anything but

an empty farce. He who frets away an hour is a fool. Now I am quite

free," said he, drawing himself up; "quite free. Now there is no one on

earth for whom I need care. World, I am free and alone! And now for

seventy years to come, give me all thy pleasures! Thou canst not harm

me! I trample everything under foot!"

He stopped to listen--but no one came.

Bruno had always lived in society, but had never passed any time in the

society of his own thoughts. Now, when he was lonely and in mourning

they came to him--neglected-looking companions with an eager air and

merry glances--and cried: "Leave it all; come with us! Let us be merry!

What avails your grieving? You will be old before your time."

He stood before a mirror, and they said to him: "See how horrible you

look."

He could not rid himself of his companions. They played merry dances;

they jingled their gold and cried: "va banque"; they rattled the

glasses and showed him voluptuous and seductive forms, and he could

hear rude and wanton laughter. They filled the room; they seized him

and wanted to dance about with him; but he stood firm, clenching his

fists and unable to go. And then they cried to him: "We know you! You

are a silly boy and care for what the world thinks. You have no

courage! Cheer up! Let them taunt you, but be merry, nevertheless. The

day you lose in fretting, no one can ever give back to you. Fie! at

this begging for sympathy! Go about and say: 'I'm a poor man, my

father's dead and my sister drowned herself.' Get some one to make a

song for you, and another to paint a little sign, and wander about from

fair to fair, asking for an alms. Fie! fie! You must do one thing or

the other: despise the world, or let it pity you. Which do you choose?

How often have you said: 'I despise the world'--and what makes you

afraid? You are sitting there, and would like to go out; who closes the

door? who has tied your horse's feet? You are alone. The dear friends,

the kind-hearted beings, the sympathizing souls, will come and say: 'Be

firm; be a man; conquer your grief!' And what will the dear souls do

for you? They will give you the alms of sympathy and then leave you in

solitude, while they go their way in search of pleasure. As long as

there is playing, dancing, drinking, they are true and enduring

friends; but no feast will be put off for your sake, nothing will be

changed. If you mean to enjoy the world you must despise mankind. They

merely say to you: 'Be a man'--but be one."

His thoughts worked him into a frenzy. The next few days seemed a

yawning unfathomable abyss staring him in the face. All was empty,

void, hollow, joyless, consuming solitude.

He was at last released, for the servant entered and announced the

intendant.

They had not been great friends, but now Bruno embraced the intendant

as if he were the only friend he had in the world, and lay on his neck

sobbing and begging him not to abandon him to solitude. He raged and

raved and, with a strange mixture of blasphemy and mockery, reviled his

fate. "Oh, the terrible days that await me!" he exclaimed vehemently.

"Time heals all wounds," said the intendant.

"But to pass weeks, aye months, in mourning!" cried Bruno again.

The intendant started. He had received an insight into this man's

character. What grieved him most was the long period during which he

would have to seem to be in mourning.

It could not have happened at a more unfavorable time.

Bruno had entered two of his best horses for the races which were to

come off in a few days. He had intended to ride Zuleika himself in a

trotting match, and, for the great hurdle race, he had carefully

trained Fitz, his groom. The name was really Fritz, but Fitz sounded

better. Fitz, Baum's son, was a thorough rascal, in whom his father

took great pride. His future was assured, for there was no doubt that

if Fitz did not break his limbs, he would be the first jockey in the

stables. He sat his horse like a cat, and it was impossible to throw

him.

The weather was charming. There were just enough clouds to shield one

from the burning rays of the sun, and during the night there had been a

gentle rain which had improved the course. Fitz, in his green and white

suit, would surely win the first prize. Bruno was not a little proud of

Fitz's livery. He had, as it were, divided him in two, from the crown

of his head to his feet his dress was grass-green on the right and

snow-white on the left. What a pity that there are but seven cardinal

colors, thus affording so little chance to indulge one's love of

variety. But still, persistence can accomplish much, and while Bruno

held his handkerchief before his face, he smiled at the thought of Fitz

with one boot green and the other white.

"Of course, I shan't ride," he said to the intendant. "Do you think I

ought to allow my jockey to do so? I may do that; may I not?" he

hastily added, as if fearing a negative reply. "They would think it

mean of me, if I didn't. I have a large amount staked on the race. I

shall let Fitz ride. Yes, I must; there's no harm in that." He had

scarcely finished speaking, when Fitz entered the room. In a harsh

voice Bruno told him to go away. He was determined to act as though he

had forgotten all about the races. That would prove his sorrow far more

effectually than if he were to withdraw his engagement. He would submit

to the fine for non-appearance, and the world would thus perceive that

his grief was deep enough to make him forget everything.

CHAPTER VIII.

The intendant sat on the sofa with Bruno. He held Bruno's hand in

his--it was hot with fever.

Now that he had found the key to Bruno's character and present mood, he

knew what was meant when the mourner exclaimed:

"I know how it is in the world. To-day and to-morrow there is hunting

at Wolfswinkel; and day after to-morrow, the races. I am only surprised

that I didn't forget everything in that one hour. His excellency Von

Schnabelsdorf is now 'intellectualizing' with the handsome wife of

ambassador Von N----. After that comes guard-mounting, and, this

evening, there will be a _banque_ at Prince Arnold's.--Ah! the world

goes on in its beaten track. If I could only forget it; for it forgets

me.--Who has a thought for the solitary mourner? Oh, forgive me, my

beloved, my only friend in this world. You will stay with me. You will

never, never leave me. Don't leave me alone, or I shall go mad?"

The intendant felt sincere pity for the poor man. He had been invited

to dine with the master of the horse, and merely wished to leave for a

few moments in order to present his excuses in person. But Bruno would

not permit him to go, and induced him to send his excuse in writing.

"Of course I'll stay with you," said the intendant consolingly. "At

such moments, the presence of a friend is like a light in the night,

obliging or, at all events, enabling one to see surrounding objects; it

teaches us that the world has not yet ceased to exist, and that we do

wrong to bury ourselves in solitude."

"Oh, you understand me! Tell me what to do, what to begin? I know

nothing. I am like a child that has lost its way in the dark woods."

"Yes, that you are."

Bruno started. The intendant's confirmation of his opinion of himself

rather displeased him.

"I am so weak now," said he. "Just think of what I've had to suffer

during the last few days."

There was a strange mixture of gentleness and bitterness in his tone.

"May I smoke?" he asked.

"Certainly. Do anything that pleases you."

"Ah, no, nothing pleases me. And yet I should like to smoke."

He lit a cigar.

The world had, however, not quite forgotten him, as he had said in his

anger. A visitor was announced. He hurriedly put the cigar away. The

world was not to see him smoking, and was not to imagine that he was

unfeeling, or that he did not mourn for his father and sister.

There were many visitors, and Bruno was again and again obliged to

display his grief and to accept the sympathy offered him. He now saw

how the rumor of Irma's death had spread throughout the city, from the

palace to the hovel. People whom he hardly knew, and others who were

even ill-disposed toward him, came. He was obliged to receive all

politely, to thank them, and to accept their assurances of sympathy,

while he fancied he could detect malicious pleasure in many an eye. But

he was obliged to ignore this and, although now and then a nervous

twitching of his features almost betrayed him, he managed to keep up

the semblance of all-absorbing grief.

His companions in pleasure also visited him, and it was quite curious

to witness the grave air which the young cavaliers assumed, now and

then casting a glance at the great mirror in order to see whether the

serious expression became them well.

It seemed almost comical to think that the man who was always the

merriest in the party, and who could make the best and most unequivocal

jokes, should now be so downcast. They seated themselves; they

straddled the chairs and rested their arms on the backs; they lit their

cigars, and much was said of their respective "papas."

"My papa has been dead this two years."

"My papa is ill."

"My papa intends to retire on his pension."

Some one asked: "Bruno, how old was your father?"

He did not know, but answered at a venture:

"Sixty-three."

They also spoke of the races; at first cautiously and almost in a

whisper, but afterward in a loud voice. They spoke of Baron

Wolfsbuchen's great loss.

"What happened to him?"

"Fatima, his splendid black mare, wouldn't obey him, and he struck her

over the mouth with his sword. He had forgotten that the blade was

sharp."

They spoke of the loss that he had incurred by forfeiting the stakes,

and of the damage done his horse; but no one found fault with his

cruelty.

At last his comrades left. As soon as they were out of doors, they

stretched themselves. "Well, well; that's over." A visit of condolence

is a sort of funeral parade, and one's words are like muffled drums.

Before they left the carpeted staircase, they began to whisper scandal,

and to tell that Bruno had forbidden his mother-in-law to come to the

capital, as their majesties had been gracious enough to stand as

sponsors to his young scion. The whole party concluded to lunch

together, and have some wine. There were merry goings on at the French

restaurant, and Bruno was often the topic of conversation.

"He will be enormously rich, for he inherits a double share."

"If he had known as much a year ago, who knows whether he would have

married Steigeneck. His debts were not so heavy but that he could have

held out for another year."

"He also inherits his sister's jewels, and they are of immense value."

As if he were two beings in one, the one here and the other there,

Bruno's thoughts followed the companions who had left him.

He surmised what they were saying, and once started as if he had heard

laughing behind him. It was nothing, however, but his sister's parrot,

which he had ordered to be brought into his anteroom. He had it taken

back to Irma's apartment, as he did not know whether it really belonged

to her, and its eternal "God keep you, Irma," annoyed him.

He walked about the room for a long while, with his thumbs stuck into

his closely buttoned coat, and his fingers playing a merry but

inaudible tune upon his breast. The visits of condolence really annoyed

him. It is so irksome to put on a sorrowful look, to listen to words of

consolation, to offer thanks for sympathy, while all is a lie or, at

most, an empty form-- It is simply one's duty to express sympathy with

the afflicted. Perhaps people regret that they cannot, in such cases,

send their empty carriages, as they do at funerals-- Is it not enough

to let the world know that the grief was great and general, and

that the funeral was a large one? These were Bruno's angry and

ill-natured thoughts. "Then they go off," thought he, "the young and

the old, in uniform and in citizen's dress, twisting their mustaches

and stroking their chins, with a self-complacent air, while they say to

themselves: 'You've done a good deed; you are a man of politeness and

feeling--' and when they get home they tell their wives and daughters:

'The king's aid-de-camp is thus and so--' and then they eat and drink

and drive out, and when they reach the house they say: 'We ought to

feel satisfied when everything goes well with us, and our family

escapes misfortune.' They use the misfortunes of others as they would a

platform, from which to get a better view of their own prosperity."

Bruno's fingers moved yet more quickly than before--death, grief,

sickness were intended for the lower orders, and not for the higher

classes. The world is miserably arranged after all, since there is no

preservative against such ills, and since one cannot purchase immunity

from them.

His excellency Von Schnabelsdorf also came. Bruno hated him at heart,

for it was he who had invented the sobriquet of "Miss Mother-in-law"

for Baroness Steigeneck, the whilom dancer. Bruno, however, felt

obliged to act as if he knew nothing of it, to take his hand in the

most polite and grateful manner, and to receive a kiss from the lips

which had put a stigma upon his family; for Von Schnabelsdorf stood

highest at court, and Bruno could not do without his friendship, which

was doubly necessary, now that his main support, his sister, had been

taken from him.

Thus Bruno felt annoyed at the visits of condolence he received, as

well as at those which were withheld. The world was considerate enough

to refrain from alluding to anything more than Irma's sudden and

unfortunate death; how she was thrown from her horse and fell into the

lake. The vice-master of the horse maintained that Pluto had never

properly been broken in. Bruno, himself, behaved as if he really

believed that Irma had met with her death by accident.

But it seemed as if he delighted to picture to himself the scene of the

suicide, and to think of Irma at the bottom of the lake, held fast to

the rocks by her long hair. He could not banish the awful picture, and

at last threw open the window, so that he might divert himself with

external objects.

Bruno did not care to eat or drink anything; the intendant could only

induce him to take some food, by ordering dinner for himself. Bruno

felt obliged to sit down with him, and, at every mouthful, he said: "I

can't eat." At last, however, he ordered some champagne.

"I must build a fire in my engine!" said he, gnashing his teeth, while

he thrust the bottle into the wine-cooler. "I derive as little pleasure

from this as the engine does from the coals."

He drank down the wine hastily, and went on eating with a woe-begone

expression, as if he would, at any moment, burst into tears.

He ordered more champagne.

"Did you see that?" said he, looking out of the window. His eyes were

inflamed. "There's Kreuter, the merchant, riding Count Klettenheim's

chestnut gelding. They must have played high last night, that the count

should give up his horse; why, it's the pride of his life, his honor.

What is Klettenheim without his gelding. A mere cipher, a double zero.

Ah, my dear friend, excuse me! I am feverish, I am ill. But I won't be

ill! I shall say nothing more. Go on; say whatever you please."

The intendant had nothing to say. He felt as ill-at-ease as if he were

shut up in a dungeon with a maniac.

"I wish to speak with lackey Baum," cried Bruno suddenly. The intendant

was obliged to dispatch a telegram to the summer palace, asking that

Baum should be sent to the king's aid-de-camp.

Bruno let down the curtains, ordered lights and more wine, and gave

orders that no one should be admitted. The intendant was in despair,

but Bruno exclaimed:

"My dear friend, everything on earth is suicide, with this difference,

however--here, one can always come to life again. The hour one kills is

the only one that is rightly spent."

The intendant feared an outbreak of delirium, but Bruno was not one of

those cavaliers who have only as much mind as the champagne they have

just tossed down inspires them with, and who, at best, can only write a

gallant billet-doux or devise a witty impropriety. At other times,

Bruno would have laughed at the man who would ask him to adopt a system

as his own, and yet he now asserted that he had one, and, filling his

glass again, exclaimed: "Yes, my friend; there are only two kinds of

human beings in the world."

"Men and women?" said the intendant, who thought it best to fall in

with his vein, in order more easily to divert him from it.

"Pshaw!" interrupted Bruno. "Who is speaking of such things? Listen, my

friend; the two human species are those who enjoy and those who suffer.

He who lives for so-called ideas--for the good, the beautiful, the

true. The man with an ideal may sacrifice his life, or be burnt at the

stake. It is his duty. His life is a short and uneventful one, but is

compensated by the long and enduring remembrance in which he is held by

posterity. That balances the reckoning. Is it not so?"

The intendant was obliged to assent. What could he do?

"And the second species," added Bruno, "includes ourselves--those who

enjoy. The best thing in the world is enjoyment without consequences.

After I have been smoking, gaming or listening to music, I can do

anything; nothing disturbs me then. Other pleasures unfortunately have

consequences. One ought to have no family--no family--by all means, no

family."

Bruno suddenly burst into tears. The intendant was at a loss how to

help him, and reproached himself for not having induced Bruno to

refrain from drinking and talking. Bruno threw his head back, and the

intendant wrapped a piece of ice in a handkerchief and laid it on his

forehead.

"Thanks!" said Bruno, closing his eyes; "thanks!"

He was soon asleep.

The servant entered. Bruno awoke. The intendant drew aside the curtains

and opened the windows. It was high noon.

Word came that Baum had already started off with Doctor Sixtus, the

court physician. "Then we will go without them," said Bruno, who had

regained his composure.

"We?"

"You see, my grief makes me think that I have already told you

everything. We must go to the lake to look for traces of my unfortunate

sister. Have I really said nothing of this to you before?"

"No--but I am at your service. I will ask for leave of absence for

myself and for you, too."

"There's no need of that. His majesty has already offered it to me.

Your Majesty is very gracious--very. Do you think we serve you? Ha, ha!

we only serve you because we can enjoy ourselves better, and in more

varied ways, at your court. You are our host, and do not mind

stealthily taking a tit-bit yourself, behind the bar--I beg of you, my

dear friend--what did I say? You heard nothing--did you? It was

delirium! I am growing mad! I must go out! Let us start this very day!"

The intendant consented and left him for an hour, in order to arrange

various matters before his departure.

Bruno ordered his trunks to be packed, and gave instructions that two

saddle-horses should be sent to the lake at once.

CHAPTER IX.

Bruno was standing in his room, surrounded by luggage of various

shapes, when a servant announced his gracious mother-in-law.

"She here? And in spite of my prohibition?" thought he to himself.

"Show her in," he said to the servant, who quickly threw open the

folding-doors, and closed them again when the lady had entered. "Ah, my

dear mother!" exclaimed Bruno, who was about to hurry forward to

embrace her, but she coolly offered him her hand and said:

"No, no," and then, seating herself on a sofa, she continued:

"Draw near; take a seat."

"Do you know--?" inquired Bruno.

"I know all; you need tell me nothing."

"I thank you for coming to offer me your sympathy."

"I'm delighted--I meant to say that I feel comforted to find you so

composed. Arabella knows nothing as yet?"

"No."

"Nor need she know of it.--What is the meaning of all this luggage?"

Bruno looked at her in astonishment. Who had any right to inquire, and

in such a tone? "I'm going on a journey," he answered bluntly, and

then, in order to prevent a scene, he added in a gentle tone: "As her

brother, I must make inquiries in regard to the accident."

"I approve of that; it's quite proper," replied the Baroness. "Have you

already had an understanding with him!--You don't seem to understand

me, as you don't answer; I mean with this king."

"Yes," replied Bruno boldly, "but I have pledged my word to let it go

no further."

"Very well, I respect your discretion; but now, a frank word with you.

Please close the _portière_."

Bruno did as he was ordered, but ground his teeth as he walked toward

the door. When he returned again, his manner was as polite and

attentive as before.

"Proceed," said he, "no one hears us; a mourner listens to you

patiently."

"A mourner! We have greater cause to mourn than you have. We thought we

had allied ourselves with one of the best families in the land." Bruno

started as if angry.

"Pray drop your acting for the present," continued the Baroness, whose

voice and appearance had changed. "We are alone now, and unmasked. In

spite of the outward show of politeness, you have never treated me with

the respect which I have a right to demand. Don't contradict me; please

let me finish what I am about to say: When I calmly reflected on the

matter, I was not angry with you on that account. I knew my position.

But now, my dear son-in-law, matters have changed. I was what your

sister was, but I never feigned virtue. The world esteemed me at my

true value--"

Bruno heaved a deep sigh.

The Baroness continued, grinding her teeth with anger as she spoke:

"When your sister was so kind to us, I could have knelt to her in

humility. She must give me back my humility, though she be in hell! It

was not she who was the better; it was I--But now, my son-in-law, your

disdainful behavior must cease. Let me tell you, you ought to feel glad

that we've allied ourselves with you. But we shall never let you feel

it; that is, if you conduct yourself in a becoming manner."

"And am I not doing so?" asked Bruno, who, during this attack, had

entirely lost his self-command.

"We will see; but, first of all, let me tell you that, after this, I

shall reside with Arabella as often and as long as I choose to. This

insipidly moral queen has been taught a lesson, too. At present,

however, I have no desire to appear at court. But the social circle is

open to me--I shall enter it, arm in arm with you, my amiable, my

gallant son."

The old woman rose and, bowing gracefully, offered her arm to Bruno.

The latter took his mother-in-law's hand in his own and held it to his

lips.

"Fie! you've been drinking wine, in your grief!" cried the old

danseuse, hurriedly putting her fine and strongly perfumed handkerchief

to her lips.

"Miss Mother-in-law--" the words were on the end of Bruno's tongue; he

would like to have hurled them at her. Steps were heard. A moment

afterward the intendant entered, his presence serving as a great relief

to Bruno.

"I beg pardon! don't let me disturb you," said he, when he saw Bruno's

mother-in-law.

"You're not disturbing us," replied Bruno quickly. "In spite of a

violent attack of fever, our dear mother, now our grandmother, has

hastened to console us. I am fortunate in still having a few faithful

relatives, and a friend like yourself. I shall now live entirely for

the family still left me."

The Baroness nodded a pleased assent. She was thoroughly satisfied with

Bruno's first rehearsal of his new _rôle_.

"We shan't leave to-day?" inquired the intendant.

"Yes, yes. We must not lose another minute."

The mother-in-law undertook to tell Arabella of Bruno's departure, and

to inform her that he had been sent away on public business.

While slowly drawing on his black gloves, Bruno thanked his

mother-in-law. He thanked her sincerely, for while he well knew that he

was about to enter upon a state of dependence, and that her presence in

his house would prove distasteful to him in many ways, he, at the same

time, consoled himself with the hope that she would prove a companion

to his wife, and that he could thus absent himself from home more

frequently, and for longer periods, than he had before done; for he

felt it not a little irksome to be obliged to spend so much of his time

with his wife. The leave-taking was short, but hearty. Bruno was

permitted to kiss his mother-in-law's cheek. After he got into the

carriage, he rubbed his lips till they were almost sore, in order to

wipe the rouge off of them.

It was already evening when they drove off, and they passed the night

at the first posting-house. Bruno lay down on the bed to rest himself

"for a little while," but he did not awake until late the following

morning.

CHAPTER X.

The queen, overcome with grief, lay sleeping in her apartment.

The court ladies were gathered together on the terrace under the

weeping ash, and did not care to leave one another. It seemed as if a

fear of ghosts oppressed them all. It was but a few days since Irma

had been in their midst. She had been sitting in the chair without a

back--she never leaned against anything. The seat she had occupied

remained empty, and if the paths were not freshly raked every morning,

her footprint would still be there. And now she had vanished from the

world. Her light had been extinguished, and in so terrible a manner.

Who could tell how long her ghost might haunt the palace and what

mischief it might do. The world, at last, knew what had been going on.

The ladies were busily engaged at their embroidery. At other times,

they would take turns in reading aloud; but to-day their book--it

was a French novel, of course--remained untouched. They were intensely

interested in the story, but no one ventured to propose that the

reading should be gone on with, nor did sustained conversation

seem possible. Now and then a voice was heard: "Dear Clotilde,"

"Dearest Hannah, can you lend me some violet, or some pale green?"

"Oh, I tremble so, that I cannot thread my needle; have you a

needle-threader?"

It was, fortunately, at hand. They were, none of them, willing to

appear so little moved as to be able to thread a needle.

They deplored Irma's fate, and it did them good to be able to show how

kind and merciful they were. They felt happy in being able to accord

their pious forgiveness to the unhappy one, and, since they had been

so gentle and forgiving, they felt it their right to denounce her

crime the more severely. It was thus they avenged themselves for the

self-humiliation they had endured; for, while Irma was the prime

favorite, they had paid greater homage to her than to the queen.

They never mentioned the royal couple except in terms of respect--with

all their apparent confidence, they distrusted each other. They felt

that there was trouble ahead, but that it was best for them to appear

unconscious of it.

Countess Brinkenstein was the only one Who had a good word to say for

Irma.

"Her father was greatly to blame," said she; "it was he who instilled

this belief in Irma."

"And yet he had her educated at the convent."

"But she inherited from him a contempt for all forms and traditions,

and that was her misfortune. She had a lovely disposition, was richly

endowed by nature, and her heart was free from the slightest trace of

envy or ill-nature."

No one ventured to contradict Countess Brinkenstein; Perhaps, thought

they, etiquette requires us to speak well of Irma and to forget her

terrible deed.

"Who knows whether her brother would have married the Steigeneck, if he

had known that he was to inherit everything!" softly whispered a

delicate and languishing little lady to her neighbor, while she bent

over her wool-basket.

The one whom she had addressed looked at her with a sad, yet grateful

expression. She had once loved Count Bruno, and still loved him.

"I have a book of hers."

"And I have one of her drawings."

"And I have some of her music."

They shuddered at the thought of possessing articles which had once

been hers, and determined that everything should be sent to her

brother.

"I passed her rooms, early this morning," said Princess Angelica's maid

of honor--she always seemed as if half-frozen, and rubbed her hands and

breathed on her fingertips while she spoke--"the windows were open. I

saw the lonely parrot in his cage, and he kept calling out, 'God keep

you, Irma.' It was dreadful."

They all shuddered, and yet they felt a secret satisfaction in dwelling

on the subject. The pious court lady joined the circle, and mentioned

that Doctor Sixtus had just taken leave of her, that he had started for

the Highlands, that Fein, the notary, had accompanied him, that he had

also taken Baum along, and that they meant to search for the body of

Countess Irma.

"Will he bring her here, or to Wildenort castle?"

"How terrible, to be gaped at in death by common people!"

"Horrible! it makes me shudder."

"Pray let me have your vinaigrette."

A bottle of English smelling-salts was passed round the circle.

"And to have every bystander volunteer a funeral sermon!"

"How improper to take one's life in so public a manner!"

"If there were no horrid newspapers," whined the freezing court lady.

The conversation gradually assumed a more cheerful tone.

"Ah me!" exclaimed a pert and pretty court lady, "how we were all

obliged to 'enthuse' about the beauties of nature and the genial traits

of the lower orders during her life and reign. Now, I imagine one may

at last venture to say that nature's a bore, and that the lower orders

are horrid, without being regarded as a heretic."

In spite of the malice that flavored it, they found the remark both

just and appropriate. In a little while they were all conversing and

laughing, just as if nothing had happened.

A wanton boy has shot a sparrow. The rest of the flock are very sad,

and pipe and prate about the matter for a while; but soon they hop

about again, and chirrup as merrily as before.

To give truth its due, it is necessary to state that many of the ladies

would have been glad to speak well of Irma, but they kept such feelings

in the background. Of all things in the world they dreaded showing

themselves sentimental.

It was not until Countess Brinkenstein again began to speak, that the

rest of the company became more calm and dignified than they had been.

Countess Brinkenstein's demeanor seemed to say: "I am, unfortunately,

the one who prophesied it all; and now that it has all come to pass as

I said it would, I am not in the least proud of it." It was both her

right and her duty to speak compassionately of Irma, and yet, at the

same time, mildly to point a moral.

"Eccentricity. Ah, yes, eccentricity!" said she. "Poor Countess

Wildenort! The publicity of her deed is, in itself, a serious offense;

but do not let us, while thinking of her terrible fate, forget that she

was undeniably possessed of many good traits. She was beautiful,

anxious to please every one, and yet without a trace of coquetry. She

possessed intellect and wit, but she never used them to slander others.

A poor eccentric creature!"

This disposed of Irma, and the other court ladies had, at the same

time, received a lesson.

The eyes of all were directed toward the valley.

"There goes the carriage!" they said. Doctor Sixtus saw the ladies and

saluted them. The notary sat by his side, and Baum sat opposite. He was

too tired to sit up on the box. "It is scarcely a year since we made

this same journey together," said Sixtus to Baum.

Baum was not in a talkative mood; he was too tired. After great

preparations, he had that day passed his examination, and could say to

himself that he had not come off without honors. Although he was not

accustomed to find himself inside of the carriage, he yet thought he

might take it for granted that this would henceforth be his place. He

was about to become a different, a more exalted personage. He had,

indeed, become such already--all that was needed was the outward token.

He would have been willing to remain a simple lackey. Perhaps the king

desired to have it so, lest he might betray himself. He was willing to

let him have his own way, even in this. He and the king knew how they

stood toward each other. He smiled to himself, and felt like a girl

whose lover has declared his affection for her; the formal wooing can

take place at any time.

When Doctor Sixtus helped himself to a cigar, Baum was at once ready

with a light. That, however, was, for the present, his last act of

service. Nature was not to be overcome, and Baum was impolite enough to

fall asleep in the presence of the gentlemen. But he was so well

schooled that, even while asleep, he sat upright and ready at any

moment to obey their commands.

It was not until they halted that Baum awoke. The notary's searching

questions greatly disturbed his comfort. What matters the death of a

countess, thought he, if one can rise by means of it. He was greatly

annoyed that his family--his mother, his brother and his sister--were

mixed up in the affair; and hadn't Thomas said something about the

death of Esther, or was it merely a dream? Events had succeeded each

other so rapidly that they quite bewildered him.

Doctor Sixtus apologized to the notary for Baum's disconnected

narrative.

Baum looked at him in amazement. Did he already know that Baum was

about to be advanced, and did he mean to curry favor with him? He was

cunning enough to think of such a thing.

Baum resolved, for the present, only to show the spot where he had

found the hat and shoes, and to leave his mother and brother entirely

out of the affair. At all events, he would not drag them into it, and

suggested that they should take the forester with them. They found him

at last, and then wended their way toward the assize town in which

Doctor Kumpan lived.

Sixtus sent for the latter. He soon came to the inn, and the jolly

fellow was lavish in his praise of Countess Irma. He thought it greatly

to her credit that she had had courage to live and die as she chose.

Besides that, Kumpan delighted in joking his friend, in regard to the

great missions on which he had been employed, looking up wet nurses and

hunting corpses. He asked for the privilege of being permitted to

dissect the countess.

Doctor Sixtus did not in the least relish the coarse humor of his

former fellow-student. Doctor Kumpan told him of the great change that

had taken place in Walpurga's circumstances, that she and the rest of

her family had moved far away to the Highlands, near the frontier. He

also told him several very funny stories at Hansei's expense, and

especially about the wager for six measures of wine.

Sixtus informed his comrade that Walpurga was no longer a favorite at

court, and that it would soon be proven that she had been the mediator.

Although he spoke in an undertone, Baum heard every word. After Sixtus

had made this disclosure to Kumpan, he felt sorry for what he had done,

but it was just because they had so few subjects in common, that he had

told him the very matters he desired to keep from him. All that

remained was to make his friend promise not to mention a word of the

affair, and Kumpan always was a man of his word.

After Kumpan had left, Baum went up to Sixtus again and told him that

he thought it would be well to go to Walpurga, as she might know

something of the affair; but Sixtus replied that the journey would be a

useless one, and that Baum was to remain with him.

CHAPTER XI.

On the following morning, Bruno would have liked to return. What was

the use of it all? Was he to act the fable of the little brother and

sister over again, and to be the little brother who had gone in search

of his sister? And what would be the result? A dreadful, agitating

sight--one which he could never banish from his memory. It would haunt

him in his dreams--a bloated, disfigured corpse with open mouth.

Bruno cast an injured look upon the friend who congratulated him on

having slept so well, and on having thus gained new strength for the

trials the day might have in store for him. Bruno looked at the

intendant with feelings of anger and distrust. He felt almost certain

that this man regarded the whole occurrence as a tragic drama, which

would have to be mounted for the stage. It was evident to him that the

intendant was using this as a study, of which he would avail himself in

future scenic representations, and that he was observing his every

gesture and feature, so that he might be able to instruct the actors

under him; so that he might say: "Thus does one pose himself, and thus

does one groan when he finds his sister's corpse-- Am I to be this

puppet's puppet? No, never!"

Bruno would have liked, best of all, to have journeyed back to his

mother-in-law, even if he had to succumb to her. He could convert his

humility into gallantry, and, at all events, would be spared these

terrible sights. But here was his friend encouraging him to neglect

nothing which fraternal duty demanded of him. Oh! these people of

feeling are the most abominable of mortals, for they take everything so

seriously. Do they really mean all they say? Who knows? Every one in

the world is merely playing a part, after all.

He must go on, and he saw what was in store for him. This terrible

friend with the strong sense of duty--and, after all, he was not his

friend--this man, whom he had inflicted on himself, would force him to

spend days, searching for horrors which he had no desire to find. They

drove on, in an ill-humor.

The intendant, finding that Bruno would formally thank him for every

little service, declared:

"I beg of you, don't thank me. I am only doing my duty to my friend and

to myself. You know that I once loved your sister, and that she

rejected my suit."

He was discreet enough to refrain from adding that he had afterward

rejected her offer, and Bruno groaned inwardly at his cruel discretion.

The intendant found Bruno quiet and reserved. Concluding that this was

the natural reaction from the excitement of the previous day, he, too,

remained silent. Bruno often looked at the intendant, as if he were a

jailer leading him to the place of punishment. They drove on rapidly.

At the different post-houses, where they stopped to change horses, the

intendant would fluently converse with the postillions and the

innkeepers in their native dialect. Several of them knew him.

To his great alarm, it suddenly occurred to Bruno that he had the

saloon warbler with him. He was perfectly at home here, and would now

have a chance to display the treasures of his dialect wardrobe, to

pursue his studies, and revel in the pleasure which the rude dialect of

the region afforded him.

His friend, for this was the only term by which he dared characterize

him, was now in his element, and found it no easy matter to refrain

from expressing his delight thereat.

At length they reached the last mountain and saw, from afar, the

mirror-like surface of the lake, surrounded by gigantic mountains and

sparkling in the golden sunshine.

"Do you see that maple tree, over there?" said the intendant, no longer

able to contain himself, "there to the left, by the small rock--that is

the point from which I sketched the painting that hangs in her

majesty's music-room."

The friend had imagined that this remark might help to create a calmer

mood in Bruno, so that the terrible idea of his sister's having sought

her death below that very spot, might not at once obtrude itself.

Bruno looked at him with an impatient air. Every one thinks of himself,

said an inner voice, and this coxcomb is now thinking of his daubs. He

remained silent, however, for silence was more expressive of grief than

words could be. He rubbed his eyes, for the dazzling reflection of the

sun's rays on the surface of the lake had made them ache. His friend

grasped his hand and silently pressed it. He had understood this

fraternal heart, and his glance meant: others may think you superficial

and frivolous, but I know you better.

From the landing near by, they could hear the neighing of Bruno's

horses, which were there in charge of his grooms. And now, for the

first time, Bruno felt a sense of shame in the presence of his

servants. They, of course, knew everything, and how they must have

talked about it in the tap-room. He was full of anger at the sister who

had inflicted all this upon him.

The first information they received at the inn was that old Zenza had

been there. She had endeavored to sell or to pawn the ring which the

maid of honor had given her on the night before she had drowned

herself. As they all regarded the ring as stolen, she could obtain

nothing for it. It was now decided that Zenza must know more. They took

a guide and walked along the mountain path that led toward her hut.

Bruno, being a huntsman, was usually a good climber, but to-day he felt

as if he would break down at every step, and was often obliged to stop

and rest.

His friend encouraged him, and they walked on through the sunny forest,

where the light shone brightly on the soft moss, while many a hawk

uttered its shrill cry overhead.

At the crossing of the roads, they encountered a party of ladies and

gentlemen; they were in city dress and had adorned their hats with

green branches and garlands. Bruno hurriedly stepped aside from the

path. The intendant, however, was recognized by a former colleague of

his, and Bruno heard him say that the guests of a little watering-place

in the neighborhood were making an excursion to see the place where

Countess Wildenort had drowned herself. The party passed on, and their

loud and cheerful talk was heard from afar.

At last they reached the hut. It was closed. They knocked at the door.

A growl was the only answer they received, and the next moment they

heard some one dashing a bolt back.

A neglected looking, yet powerful man, with a wild, disheveled

appearance, stood before them.

Thomas recognized Bruno at once, and exclaimed:

"Ah, Wildenort! it's well you've come. I take my hat off to you, for

you're an out-and-out man. What matters one's father! When he's dying,

ride off; one can't help him die, you know. Ho, ho! you're a splendid

fellow. No one cares for the old lumber any more."

"What do you want of me?" asked Bruno, with tremulous voice.

"I shan't harm you; there's my hand on it. I'll do you no harm. You let

the king do what he chooses and make no fuss about it, and so I shall

do you no harm, for what you've done in the same line of business.

You're my king. I got it out of her at the very last, that you were the

one, and that, because it was you, she had helped your sister. You know

what I mean, well enough. I shan't say a word. The stupid world needn't

know what there is between us. Sister, king; poacher, count--it's all

as it should be."

"This man seems crazed," said the intendant to the guide. "What do you

want? Let go of the gentleman!" he called out to Thomas.

"Is that your lackey? Where's the one with the coal-black hair?--Let us

alone," said Thomas, turning to the intendant, "we understand each

other very well. Don't we, brother? You're a brother, and I'm one, too.

Ha! the world's wisely arranged! You mustn't think I've been drinking;

I've taken something, it's true, but that doesn't hurt me--I'm as sober

as a judge. Now let me tell you what my plan is: I'll listen to reason,

to anything that's fair and just; I can see that you're a decent

fellow, for you come to me of your own accord."

"We wish to inquire whether you know anything of the lady in the blue

riding-habit who was here?" said the intendant in the proper dialect.

"Ho, ho!" cried Thomas, "how finely he talks; but I can understand

priest German, and judge's German, too. I've had enough to do with

those people already. But you'd better not interfere"; and then,

turning to Bruno, he added: "Let us two talk together, alone. Now

listen, brother; this is what we'll do: You needn't make a count of me;

all you need do is to give me servants and horses, and enough money and

chamois and deer, and you'll soon see how clever and strong and hearty

I am. Would you like to wrestle with me? or come out into the woods,

and I'll show you that I can shoot better than you can. Now, all you

need do is to give me either your sister's inheritance or my sister's,

and you'll see we'll be a couple of merry brothers!"

Bruno hardly knew whether he was dreaming or awake. Some of the

insolent fellow's words were clear enough to him, others he could not

understand. He motioned the intendant to withdraw, and then said in a

gentle voice:

"Thomas, I know you now; sit down."

Thomas seated himself on the bench, and, raising the brandy jug which

he had bought with the money received for the hat, said:

"Won't you drink something?"

Bruno declining, Thomas took a long draught.

The intendant said to Bruno, in French, that there was no information

to be obtained from that quarter, and that he had secretly charged the

guide to hold fast to the wild fellow, so that, unmolested, they might

return to the valley.

"What sort of gibberish is the simpleton talking, there?" cried Thomas,

preparing to rush at the intendant. At the same moment, the guide threw

himself on Thomas, and held him fast, while the two gentlemen left the

hut and hurried down the mountain.

It was not until the guide again came up with them, that they paused,

and Bruno ventured to draw a long breath. The guide now told them how

Thomas had raged, and how he had called out for the gun which he

had hidden in the wood, and that he had said he must shoot his

brother-in-law.

"The best thing the fellow could do," said the guide, "would be to

drink himself to death, so as to save himself from being hanged."

After some time, Bruno ventured to ask the intendant, in a whisper,

whether they had not proceeded far enough with their investigation, and

whether it was not best to return at once.

The intendant was silent. Bruno looked at him again with that bitter

expression which might also pass for grief.

The intendant, who saw that Bruno was almost broken down, consented to

return.

CHAPTER XII.

The two friends returned to the inn. On their way, they met one of the

grooms who had brought their horses, and who now told them of a boatman

who had informed him that the body of a woman had been dragged from the

lake. It had been near the village, of which a few scattered houses and

the church steeple were visible on the opposite shore.

The intendant embraced Bruno, who seemed staggered at the news. They

sat down for a while, in the very spot where they had been when the

news reached them. The groom said that, by boat, they could reach the

village in one hour; but that if they went by land, it would take them

several hours.

"I can't cross the water," said Bruno, "I can't to-day; Schoning, don't

ask it of me! Don't force me! Why do you torment me so?" he asked

impatiently.

The intendant well knew that deep grief makes men unreasonable. In the

dark depths of their hearts, there still lurks a feeling of anger, even

toward those who most thoroughly sympathize with them, but who,

themselves, have been spared by misfortune.

"I take no offense at anything you do," he replied, "and through you

treat me rudely, I shall bear it. I understand you, and am far from

wishing to induce you to cross the lake. We'll ride."

Their horses were brought, and they rode off in the direction of the

village that had been pointed out to them. They passed an inn where a

crowd of merry wagoners, boatmen and woodcutters were sitting under the

lindens, and drinking beer or brandy. Bruno felt that he was being

treated like a fever patient whom they were dragging over hill and

dale, and to whose clouded vision the world seemed bare and desolate.

When they reached the inn, his mouth watered. He thirsted for drink;

perhaps it might give him new strength and, what was still better,

might enable him to forget. But he did not venture to express his wish

to his friend. Was it proper for one in his position to drink brandy? A

poacher, like Thomas, might do so; but it would ill befit a cavalier.

While thanking the intendant for the trouble he had given him, and

promising that he would never forget it, Bruno, whose tongue was

parched with thirst, secretly cursed the friend who would not allow him

to drink. Ah, how fortunate it is that words are always at command. It

is almost as fortunate as the fact that horses are properly broken in,

and keep up their pace so nicely that they give one no trouble.

The friends rode on at a rapid pace. It was high noon when they reached

the village which Hansei and his family had left two days before. The

landlord of the Chamois was standing at the door, and respectfully

saluted the two horsemen with the groom behind them.

They alighted. Bruno handed the reins of his steaming horse to the

groom. The intendant led his friend into the front garden, where they

sat down. He then insisted on Bruno's taking a glass of wine. The host

quickly brought a sealed bottle, and vaunted it as the best wine in the

house. He also brought some roast meat and placed it on the table, and

as long as he had brought it, it must be paid for, even through it were

not touched.

The intendant took the host aside and, in a whisper, asked him whether

it was true that the body of a woman had been cast ashore near there.

The host answered in the affirmative, and with a smile of satisfaction.

The occurrence was a strange and unusual one, and it was only right

that it should enure to his great profit. The intendant again asked him

where the house was in which the body lay.

"I'll take you there," said the host, with a smile.

"Send for the burgomaster, also."

"There's no need of that; I'm a member of the council," said he,

hurrying into the house and returning with his long coat and his medal.

He meant to let the gentlemen see with whom they had to do. He felt

sure that they must be people of quality, or else they wouldn't be

traveling with a groom, and would have said: "Take your meat away; we

shan't pay for it!" He even fancied that he knew one of them.

"Begging your pardon," said he to the intendant, "but some years ago,

there was a painter here who looked enough like you to be your

brother."

The intendant well knew that it was himself who was referred to, but he

was not yet in the mood to renew the acquaintance.

The host accompanied the strangers to Hansei's house.

On the way there, he said: "She was a handsome creature. She was

beautiful, but good-for-nothing; and her belongings were as bad as she

was: particularly her one brother."

The intendant beckoned the innkeeper to be quiet. Bruno bit his lips

until they bled. They found it almost impossible to force their way

through the crowd which had gathered in the garden and about the road.

There were wailing woman, crying children, and cursing men.

"Make way there!" cried the host. He walked on, forcing a passage for

the two men, and Bruno heard some one behind him say: "The handsome

man, with the large mustache, is the king."

"No, he isn't; it's his cousin!" said another.

They had entered the garden. Bruno leaned against the cherry-tree, and

the intendant motioned to the host to allow his comrade to rest for a

little while. Everything seemed to swim before Bruno's eyes. Something

touched him, and he started with fear. It was a dead leaf which had

fallen from the tree above. At last, addressing Schoning in French, he

said:

"What good will it do the dead, if I look at her? And it will harm me

forever, for I shall never be able to banish the sight from my memory!"

"You must go in, my friend. Remember that these people have made every

effort in their power to restore to life one who was a stranger to

them, and they have done this out of pure philanthropy."

"Well, we can give them money for that; but why torment ourselves with

these dead remains?"

But Bruno was, nevertheless, obliged to go in; leaning on his friend's

arm, he entered the house.

Black Esther now lay in the very spot where Hansei had been two days

ago, when thinking of her. Her thick, glossy black hair had fallen over

her face; her mouth was open--the last cry that Irma had heard still

rested there.

"Esther!" cried Bruno, covering his face with his hands.

"It isn't your sister!" said the intendant consolingly. "Come, let us

be off."

Bruno could not move from the spot.

"Yes! sister!" cried the old woman, who now rose up from beside the

corpse; "yes, sister. Didn't I tell you to let her alone, even if she

did help the beautiful lady? didn't I tell you she'd kill herself, if

you beat her again? And now you've had your own way, and here she is,

lying in this house! Oh, this house, this house! The lake will wash it

away yet. Lake! take the whole house! Who are you? What do you want?"

she cried, springing up and seizing Bruno's arm. "Who are you with the

black hands? let me see who you are--it's you, is it? you who didn't

want to see your father die--and what do you want of my Esther? Great

God!--now I see it all. You were the one, you! say you were!--say it--!

Don't shut your eyes, or I'll scratch them out for all. It was

you--I'll drive a nail into your brain, into the cursed brain that

forgot her! Oh, why didn't I know it before! But there's time enough

yet. My Thomas has already aimed at you--and he'll have a chance

again--"

Bruno fainted. The intendant caught him in his arms, but could not

support his weight and, therefore, laid him down on the same floor on

which lay the dead body of Esther. The innkeeper hurried out to fetch

water, and when they opened the door, several people entered from

without, among them Doctor Sixtus, Doctor Kumpan, the notary, and Baum.

Sixtus soon restored Bruno to consciousness. A glance sufficed to

inform Baum of what had happened. He supported himself against a

door-post, holding fast with desperate grip, lest he should fall to the

ground. At the first opportunity he glided out of the room. He was not

needed there, and if he were now to betray himself, all might be lost.

He dragged himself as far as the cherry-tree, sat down on the bench,

buttoned his gaiters, unbuttoned them, took out his watch, counted the

seconds, wound it up again, held it to his ear and carelessly played

with the watch-chain. He stopped to consider. One great task still

remains, thought he to himself, and that I must accomplish unaided. He

felt that he had a clue to Irma's whereabouts. Sixtus wouldn't listen

to such a thing and ridiculed him. So much the better; the credit would

all fall to his share; and for that reason, this was no time to worry

about his mother. His sister was dead, and perhaps it was for the best.

At any rate, he couldn't restore her to life; but, at some future day,

he could, without discovering himself, provide for the old woman.

Baum felt proud of his firmness and stroked his chin with satisfaction.

Within the house, the excitement was not yet at an end. The old woman

howled, shrieked, ran about the room, opened the window, and cried:

"Strike him dead! Drown him, he drowned her!"

Baum let his watch drop from his hand when he heard these words. The

old woman was dragged away from the window, and Doctor Kumpan held her

fast. She went back to the corpse.

"Strike us all dead!" she cried, "there's no king on earth, and no God

in Heaven!"

The old woman raved; then she would weep, and then would again go back

to her child.

"Your lips are open! Say but a word! only one 'yes,' before these

witnesses! speak his name! he ruined you and left you to perish in

misery! They don't believe me. Say, you!" she exclaimed, addressing the

intendant and seizing him at the same time, "say, didn't he utter her

name and confess it all? Is nothing to be done to one who leads a poor

creature into misery and drives her to death? Speak!" said she, turning

to Bruno. "Here! take the ring your sister gave me! I want nothing from

any of you!"

Shrieking and groaning, she again threw herself upon the corpse.

Bruno was at last led away. He was as pale as death; his face had been

marked by his black gloves. They placed him upon the seat under the

cherry-tree. Baum rose and brought some water, so that Bruno might wash

his face. He was astonished when he saw the white handkerchief which

had been blackened by the spots upon his face.

They went back to the inn. Like a fearful child, Bruno never relaxed

his hold of the intendant's hand. At every sound he heard, he fancied

that the old woman was coming to scratch out his eyes and to tear out

his heart. At last he regained his composure, and asked the intendant

what he had said on seeing the corpse. Schoning replied that he had

called out "Schwester" (sister), and that the old woman, who had

understood him to say Esther, had grown quite frantic in consequence.

Bruno felt comforted to learn that he had not betrayed himself. He,

nevertheless, set aside a considerable sum for the life-long support of

the old woman from whom Irma had received her last shelter.

"Oh, my friend!" said he to the intendant, "as long as I live, I shall

never forget the image of that drowned girl!"

Bruno was so exhausted that he was unable to ride his horse. Doctor

Sixtus's carriage was in readiness and he got into it, in order to

accompany him back to the capital. The doctor gave Bruno the poor

consolation that Irma's body would not be recovered. That of the

abandoned girl had floated on the surface. Irma, however--as he had

already said,--must have been kept down by her long riding-habit, and

would, therefore, never be found.

When taking leave of Bruno, the intendant said:

"Now I know how great a heart you have."

Bruno merely nodded in reply. He did not object. It might be well if

the intendant were to say the same thing at court.

When they repaired to the carriage, the whole region was obscured by a

misty rain; neither mountain nor lake were distinguishable. Just as

they were starting, Bruno called Baum to him and gave him his coat with

a red collar, for Baum was to mount Bruno's horse and ride it home. The

intendant rode back, accompanied by Baum. He told the lackey to remain

beside him, instead of following.

"These are fearful goings on," said Baum, addressing the intendant.

"Yes, terrible. I think the mother of the drowned girl must be crazed."

"Sir," resumed Baum, "there is something I should like to speak to you

about. I think that maybe the countess isn't drowned, after all. The

court physician has laughed at me, but I have a clue, and--"

The report of a gun was heard. Baum fell from his horse.

"I've hit you this time!" cried a voice.

Thomas rushed forth from the thicket.

"Take me!" cried he, "I caught him after--"

At that moment, he saw Baum's body lying on the ground. In a furious

voice, he cried:

"I meant to shoot Bruno, and now it's you! you!"

"Brother! my brother!" gasped Baum. "I'm Wolfgang! Your brother

Jangerl--Wolfgang--Zenza--my mother!"

Thomas rushed back into the thicket and, in an instant, the report of

another shot was heard.

The intendant was in despair. The rain fell in torrents. Baum gave one

more convulsive start. Presently, a merry crowd passed by; it was the

excursion party they had met early that morning. The ladies were

horror-struck and hastened away; the gentlemen remained to assist the

intendant. Peasants were called from the fields to carry Baum's body

back to the village; others searched the thicket; and soon brought out

the lifeless body of Thomas.

The intendant met the notary in the village, and gave him a full report

of all that had happened. Before long, the whole village had gathered

at the Chamois. It was no unimportant event, for three of one family to

be dead at once. No one would confess to surprise that Baum had turned

out to be Wolfgang. They all declared that they had recognized him long

ago, even when he had come with Doctor Sixtus to take Walpurga away.

The intendant and the innkeeper sat up late that night. The former had

discovered himself as the painter who had been a guest at the inn in

times gone by. The host had much to tell about Hansei and Walpurga, and

one can readily conceive the tone in which he spoke of them.

When they told Zenza what had happened, she listened with a stolid,

stupefied air; nor did she seem to understand them when they told her

that the count had left money for her and had promised always to take

care of her. She burst into a shrill laugh, and when food was brought,

greedily ate all that was placed before her.

Baum, Thomas, and Black Esther were buried in one grave.

CHAPTER XIII.

The king was at the hunt. The queen was ill. Life at court went on as

usual. The ladies and gentlemen dined at the marshal's table, and

conversed upon different subjects. They were cheerful, for it was their

duty to maintain the accustomed tone.

It was the fourth day after the receipt of the terrible news. It was

after dinner, and the ladies were sitting under the so-called

"mushroom," a round, vine-covered arbor, situated at the edge of the

mountain vineyards. The roof rested, at the center, on a column and, in

the distance, resembled an open umbrella, or a gigantic mushroom. They

were delighted to have a chance to talk of the preparations for the

betrothal of Princess Angelica. They spoke in praise of her noble

traits, although she was merely a simple, modest good-hearted girl.

They had the court catechism, the genealogical calendar, before them;

for dispute had arisen as to the degree in which the mediatized Prince

Arnold was related, on his grandmother's side, to the reigning house.

Their conversation, however, was simply a makeshift.

Some one remarked that the intendant had returned from his journey. No

one, however, knew what adventures he had passed through. They all knew

that there had been deaths by shooting and drowning, but as to the

"who" and the "how," they were as yet ignorant.

They felt quite happy when they saw the intendant coming in person.

They welcomed him in a half-pitying, half-teasing tone. He seemed quite

exhausted by his recent experiences. They offered him the most

comfortable chair and, placing it in the center of the group, begged

him to tell them everything. Although this general homage was not

without a touch of irony, the intendant felt quite flattered by it, and

was, as usual, ready to play the agreeable. He was always willing to

sacrifice everything, not excepting himself, for the sake of being in

favor.

He began by telling them of Bruno's deep grief: but that did not

interest them. Very well--"as you don't care to hear of Bruno, we'll

pass him by." He then went on to give a cleverly arranged account of

the terrible death of Baum, who, like a true servant, had been obliged

to give up his life for another. However, the death had not been an

undeserved one, for he had denied his mother and kindred, and, at last,

fell by the hand of his own brother, who immediately afterward killed

himself.

The intendant's audience were horror-struck, and found it wondrous

strange that so much of the adventurous was concealed in a

common-place, everyday lackey like Baum.

"You have at last beheld a tragedy in real life," said one of the

ladies.

The intendant well knew that tragedies were no longer in favor, and, in

his anxiety to please, recounted some very interesting reports about

Walpurga, giving, as his authority, the host of the Chamois, an honest,

upright man, who had been decorated for his services in the war.

Whether it was real or afflicted forgetfulness on their part, it is

impossible to say,--but the ladies seemed to have forgotten that

Walpurga had ever existed--but who can remember all one's subordinates?

For want of some other safe topic of conversation, they listened to

various droll stories about Walpurga and her dolt of a husband.

Schoning, to use his own words, simply repeated all that the veracious

and upright host of the Chamois had told him. Hansei was described as

an awkward bumpkin, unable to use his hands or feet, and obliged to

call the schoolmaster to his assistance whenever he found it necessary

to count the smallest sum of money. One of these stories, introducing a

wager and a chamber window, was quite piquant and greatly to the taste

of the ladies. They tittered, and scolded the intendant for talking of

such things, but Schoning well knew that the more they scolded, the

better they were pleased with what he had told them. He found an added

pleasure in the opportunity afforded him of using the dialect of the

mountain region from which he had but recently returned, and cleverly

imitated the voices of the peasants and peasant women who had stood

before the window, on the night referred to. He introduced various

forcible and unequivocal expressions, and greatly enjoyed shocking the

ladies, who would, now and then, cry: "Oh, you horrid man! you terrible

man!" One lady actually pricked him with her needle, but he quietly

proceeded with his story, well knowing how delighted they were to

listen to it.

And if there was no harm in describing Hansei as a dolt, there was just

as little in heightening the colors in which Walpurga was depicted--the

petticoats of the peasant women are always shorter upon the stage than

they are in real life--and thus, with the kindest feeling toward all

and merely yielding to his desire to please, the intendant said all

sorts of strange things about Walpurga. It had been rumored, he added,

that it was not without cause that the pastor had called her into the

vestry-room on the first Sunday after her return.

With cautious reserve, he at last confided to him, as a great secret,

the story that Walpurga had received immense sums of money from a

certain lady who had been a friend of hers. It was, of course,

impossible to assign a reason for such gifts, but it was well known

that the money had been used to purchase a large farm. They had,

indeed, been obliged to remove from their old home; for, even in the

country, ill-gotten wealth disgraces its possessors. It had been the

talk of the whole neighborhood. The bailiff had also confirmed the

report that the whole purchase had been paid for in ready money, and

that the price had been more than six times as much as Walpurga had

received for her services as nurse.

The intendant again remarked that he did not mean to calumniate any

one,--that really nothing was further from his intentions;--but he was

determined to be interesting, even though it was at the expense of

others, as well as himself.

They were delighted to know that this dressed-up specimen of rural

innocence was at last exposed, and only hoped that the queen might also

behold her favorite in her true colors.

Care was taken that she should not be left in ignorance of the story.

CHAPTER XIV.

The king was hunting in the Highlands. He was a veritable sportsman,

and, instead of allowing his retainers to beat up the game and drive it

within shooting distance, would climb the dizziest heights while in

quest of the chamois. His hardened and elastic frame enabled him to

sustain any amount of fatigue or exposure, and gained sinewy strength

and new ardor from the chase.

The gentlemen of the party felt sure that some important matter engaged

the king's mind, and were not a little puzzled how to account for

Bronnen's constant and almost exclusive attendance upon the king.

It was well known that Bronnen had declined to take charge of the war

office under the Schnabelsdorf ministry, and now it was asserted that

Schnabelsdorf was at a disadvantage; for he was only master of the

green table and was unable to attend the hunt. Bronnen thus had the

king's ear for several days.

Rifles were heard on the heights, and many a beast was killed; rifles

were heard in the valley, and two brothers met their death. In the mean

while, the capital was filled with murmurs that sounded like the roar

of mighty ocean. The queen heard nothing of all this. In her

apartments, all was quiet; not a footfall was heard, naught but

occasional faint whisperings.

The queen had felt outraged by the manner in which the newspapers she

had read, referred to Eberhard's death; and yet the article had been

mild and reserved when compared with the utterances of the people.

They reported affairs at court as in a terrible state; it was even said

that the queen had lost her reason when she heard the news of Countess

Wildenort's death.

People little knew how much of truth lay in this rumor. The night that

Irma had spent wandering over hill and dale, was not half so terrible

as the thoughts that filled the queen's mind.

She hated and abhorred Irma, and yet envied her her death. A queen dare

not commit suicide, for that were without precedent. A queen must

patiently submit, while they slowly kill her according to the forms of

etiquette--must suffer herself, as it were, to be embalmed while yet

alive. And, even then, they do not bury her. No--they simply deposit

her in a vault; dignity must not be sacrificed, and, above all, there

must be no queenly suicide. They offered to bring her child; but she

refused to see it, for Irma had kissed it. She would rub her cheeks

again and again; they were impure, they burned,--for Irma had kissed

them.

Love, friendship, faith, fidelity, nature, painting, music,

eloquence--all were dead to her, for Irma had possessed them all, and

now all was a lie and a caricature.

The queen started from her seat with a shudder. She had been thinking

of the king, and felt sure that his remorse must goad him to

self-destruction. He could not support the thought that she whom he had

ruined had still enough of courage and righteousness left to give up

her life. How could he live after that? How could he aim his gun at an

innocent beast, instead of at himself?

He whose name is on the lips of multitudes to whom he owes duties, may

not lay hands upon himself. But what right had he to indulge in conduct

which must drag him down from his exalted position? To whom could he

look for truth, when he himself--

The queen's thoughts almost drove her mad.

People said that the queen was crazed--it seemed as if a vague feeling

had informed them of the yawning abyss that opened before her.

She gave orders that no one should be admitted. She smiled at the

thought that she could still command, and that there were still some

left to obey her. After some time, she sent for Doctor Gunther. He

appeared at once, for he had been waiting in the anteroom.

The queen found it a great relief to confide to him the thoughts that

so bewildered and confused her, but she could not force herself to say

that she still felt how the king loved her--that is, as far as his

wavering, restless nature would permit the existence of what might be

termed love. She confessed everything to Gunther, except that--she felt

ashamed that she could still associate the thought of love with that of

the king.

"Ah, my friend!" said she at last, in a sad tone, "is there no

chloroform for the soul, or for a part of it?--a few drops of Lethe?

Teach me to forget things, to blunt my sensibility; my thoughts will

kill me."

According to his usual practice, Gunther thought it best to produce an

entire change of tone, instead of attempting to patch and mend the

constitution at every fresh attack. He felt that, as soon as the queen

had learned to think and feel differently, his path would be clear.

Instead of offering to console her, he simply aided her in developing

her thoughts, while he revealed to her the causes that underlie all

human action. He treated the subject according to the great maxim of

the solitary philosopher who claimed that all human actions are

directed by the laws of nature. With those who have attained to a

proper conception and understanding of these laws, the idea of

forgiveness is out of the question. It may, indeed, be regarded as

included in the admission of necessity.

It was thus that Gunther endeavored, as it were, to clear away the

rubbish and the smoking ruins that were left after a fire. The fitful

flames would, however, still burst forth, here and there.

The queen complained that all seemed chaos to her, and even went so far

as to declare the desire to be virtuous as mere folly. The only comfort

that Gunther offered her, was that he also knew the utter wretchedness

of despair. He was not as one who, feeling himself secure from danger,

calls out to him who wrestles with the agony of death: "Come to me: it

is pleasant to be here." He was a companion of misery. He told her that

there had been a period when he had not only despaired of his heart,

and believed neither in cures nor in health, but had even lost all

faith in the wisdom that rules the universe.

He acted on the principle that the only way to treat the despondent is

to show them what others have suffered and yet have learned to live.

When the consciousness of this truth has dawned upon the afflicted,

there is new light, and he enters upon the first stage of deliverance.

"I will impart the saddest confession of my life to you," said Gunther.

"You?"

"There was a time when I envied the frivolous, and even the vicious,

their light-heartedness. I desired to be like them. Why burden one's

soul with moral considerations, when one may live so pleasantly while

seizing the joys the world affords us?"

Gunther paused, and the queen looked up at him in astonishment. He

continued calmly:

"I have saved myself, and my rich experience has convinced me that

every one of us, even though he strive for excellence, has, so to say,

a skeleton closet somewhere in his soul. There must have been a time,

if only a moment, when his thoughts were impure, or when he was on the

point of committing a sin."

As if reflecting on what he had said, the queen was silent for a long

while, and at last said:

"Tell me; are there any happy beings in this world?"

"How do you mean?"

"I mean, are there beings in whom inclination and destiny are in

accord, and who are, at the same time, conscious of this harmony?"

"I thank you! I see that you are endeavoring to express yourself with

precision. Your Majesty knows that, to a certain extent, I judge

persons by their mode of forming sentences. It is not so important to

display what is called cleverness, as to be clear and concise in what

one has to say."

The queen observed that her friend endeavored to lead her to take a

larger view of affairs, and to assist her in acquiring self-command;

and, with a sad smile, she asked:

"And do you know the answer to my question?"

"I think I do; Your Majesty knows the story of the shirt of the happy

one?"

"I do not quite remember it."

"Well, then, to tell it in as few words as possible: A certain king was

ill, and it was said that he could not recover until the shirt of a

happy man was procured for him. They searched and searched, and at last

found a man who was unspeakably happy, and--he had no shirt to his

back. I change the story according to my own conviction. Were I a poet,

I would, in fancy, wander from house to house, from town to town, from

country to country, describe the life of men in various conditions, and

point out that, with all their complaining, they were, nevertheless,

happy, or, at all events, as happy as they could be. Every human being

is endowed with a certain capacity for happiness, the measure of which

is regulated by his nature. It is this which determines how high or how

deep, his joys or misfortunes; how blunt or how keen, his sensibility.

The measure of happiness assigned to every human being corresponds to

the requirements of his nature. Unhappiness is necessary in order that

we may appreciate happiness, just as we need shadows to help us

distinguish the light."

"And so you think that all people are happy?"

"They are so in truth, but not in reality. The reason is, they are not

in accord with the requirements of their nature, and are ever seeking

for happiness in that which they have not, or rather that which they

are not."

"I do not quite comprehend that, but will endeavor to do so," replied

the queen; "but, tell me, can he who is conscious of guilt also be

happy?"

"Yes, if he acts freely, and if the knowledge of his guilt makes him

more forgiving and more active in good works. Errors, irregularities,

or what are termed faults, are the result of excessive or defective

endowment, and may, to a certain extent, be described as the _basso

relievo_ or _alto relievo_ of character. Faults of excess may be

remedied by education and knowledge, but not those of deficiency. Most

of us, however, require those who belong to us, and all whom we wish to

be noble and great, to fill up the defects of their nature; and that is

simply requiring the impossible."

The queen was silent for some time. She was evidently making the

doctor's thoughts her own.

"I, too, have a bas-relief fault," said she, at last. "My desire to

forsake the religion of my fathers and to embrace a strange faith

subjected me to deceit and estrangement, and I regard this as a

punishment visited upon me by God or nature. It was this that made the

king look upon me as weak and vacillating, and impelled him to leave

me. I was the first to think of defection, and defection at last became

my punishment!"

The queen wept while uttering these words, and her tears were in pity

for herself.

Gunther remained calm and quiet.

The queen was on the threshold of the second stage of knowledge.

"The mere idea of renouncing your faith--and Your Majesty may remember

that I never approved of it--" said Gunther, after a long pause, "only

served to show that Your Majesty felt the need of possessing

convictions which were not alone in accord with your nature, but were

also the outgrowth of it. Every clear perception of truth, every

conquest over pain, is a transformation, a remodeling of existence, or,

as it is sometimes termed, a purification."

"I understand," replied the queen. "Oh, that I knew the system by which

the world is governed, and the reasons that underlie human destiny! Why

was I obliged to experience this? Has it made me any better? Will it

inspire me to nobler actions? Would I not have been far better if my

life had remained unclouded? I was full of love for all human beings.

Ah, it was so delightful to know of no one on earth who was my enemy,

and still more delightful to know no one whom I must hate and detest!

And what am I to-day? I feel as if, where'er I turn, a corpse lies in

my path. There is no free spot left me on earth! You are a wise man;

help me to banish these terrible thoughts!"

"I am not wise; and, if I were, I could not bestow my wisdom upon you.

It was a saying of the ancients, that others can show you the apples of

the Hesperides, but cannot gather them for you."

"Well, well! be it so. But tell me, would it not be better to grow

greater and nobler and stronger in virtue, and in our faith in

humanity?"

"Childlike innocence is happiness, but a clear perception of truth

is a great gain and, according to my opinion, a necessary and enduring

joy--"

"You avoid my question. It seems to me that you, too, are without the

key."

"I do not possess it--life is inexorable. All that we can do is to bend

to the descending storm, and yet remain steadfast. Sunshine will come

again. We are subject to the lesser law of our own nature, and the

greater law that embraces the universe. There is not a star that

completes its course without deviation. Surrounding planets attract or

repel it; but yet it moves on, in its appointed course, teaching

mankind the lesson of perseverance."

"You offer remedies, and yet place your trust in the healing powers of

nature?"

"Certainly," replied Gunther, "nature alone can help us."

After a while, he added:

"To one who is bowed down by grief, it were useless to suggest

refreshing wanderings on the heights. With returning strength, the

desire will return; for the will is merely the outward manifestation of

inner power. Now, while bending to the blow which has just descended

upon you, you are clothed and sustained by the life-giving power of

nature. It is this that sustains existence until we again awaken to

life and free action. My good mother, in her devout manner, used to

say: 'May God help us, until we can help ourselves.'"

"I thank you!" said the queen. "I thank you," she repeated, and closed

her eyes.

CHAPTER XV.

On the same morning on which the king and Bronnen were closeted

together at the hunting-seat, the queen sent for Gunther. He found her

clad in white and resting on her couch. She looked pale and feeble, and

told him how provoked she felt at the vanity and conceit which had

induced her, a young queen, to regard herself as wise and good, and had

led her to imagine herself as gifted with unusual endowments.

"Did you know of what was going on here?" she asked the physician.

"No; I would not have believed it possible, and it is only now that I

understand the terrible death of my dear friend Eberhard. A father in

such grief--"

The queen did not enter into this view of the matter and went on, as if

speaking to herself:

"When I recall the days, the hours, in which she sung, I must

ask myself, can it be possible to sing such songs and such

words,--breathing naught but love, kindness, exaltation, purity--and

at the same time have nothing in one's soul? Aye, worse than

nothing--falseness and hypocrisy? Every word seems false. Have we a

right to be princes, to regard ourselves as superior to others and

entitled to rule them, if we do not elevate ourselves above them by

purity and greatness of soul? I have become a changed being since

yesterday. My soul then lay at the bottom of the sea, and the waves of

death and despair raged above me; but now I wish to live. Only tell me

how to endure it all. You've been at court so long and despise

everything. Don't shake your head; you despise it all--! Tell me, how

is one to endure it? How can one manage to live on and yet remain here?

You surely possess the mystery; impart it to me, for that alone can

save me."

"Your Majesty," replied the physician, "you are still feverish and

excited."

"Indeed, is that the sum of all your science? Princes are right when

they abuse their fellow-creatures, for even the best of men are naught

but polite shadows. I had placed all my dependence upon you; I had

looked up to you as one exalted far above me; and where I had hoped to

clasp a hand, you offer me an empty glove. You smile; I am not

delirious, I've merely awakened to the truth; I have just passed

through hours in which the beautiful world--ah! how full of beauty it

was--seemed filled with naught but creeping worms and loathsome

corruption. Oh, it is terrible! I fancied there was one free being to

whom I could tell all, and from whom I could ask everything in return;

but you are not the man. Ah! there are no real men in this world. The

best are nothing more than title-bearing creatures!"

"You shall not have goaded me in vain!" muttered Gunther half aloud,

and rising from his seat.

"I didn't mean to offend you!" cried the queen. "Ah, thus it is; in

pain and sorrow, we wound those who are nearest to us!"

"Calm yourself, Your Majesty," replied Gunther, seating himself. "If

there is anything for which I may claim credit, it is that I do not

indulge my sensitiveness. I am severe toward others, because I am

severe toward myself."

The queen closed her eyes, but presently she looked at him intently and

said:

"I fear nothing more."

Thus encouraged, Gunther went on to say:

"Human fancy cannot realize how much of vice and misery, nor, on the

other hand, how much of beauty, holiness, grandeur and sublimity there

is in life.

"Your Majesty, I am here at the palace, which is a world in miniature,

a world in itself. All that is terrible, and all that is noble, is

attracted hither--and yet, with every returning spring, the flowers

bloom and the trees deck themselves in robes of green, while the stars

shine over all. There is a blooming flower, a shining star even in the

most despicable of beings. A drop descends from the clouds and falls

upon the dusty road. The drop and the dust uniting, become the mire of

the highway; but to the eye that looks deeper, the drop is still pure,

although divided and subdivided until it is almost impalpably minute,

and inseparable from the dust that darkens it. But even this image does

not suffice. No image directed to the senses, can convey an adequate

conception of the Deity. God exists even in the grain of dust. To our

eyes, it is dust; but to the eye of God, it is as pure as the water and

is equally the abode of infinity. The very people whom you regard as so

false would like to be good, if it did not entail so much trouble and

involve so many sacrifices. Most men would like to win virtue, but do

not care to earn it. They all desire to draw the great prize in the

lottery of morality. 'Oh, if I were only good!' said a lost creature to

me, one day. Your Majesty, truth tells us that hatred and contempt are

not good for they injure the soul. The true art of living requires us

to recognize that which is base in its true colors, but at the same

time, to avoid debasing ourselves by violent or passionate feelings

against that which is wicked or vulgar. You must remove hatred from

your heart, and be at peace with yourself. Hatred destroys the soul.

You must grow to feel that, viewed in the proper light, vice and crime

are simply defects. They may lead to a thousand sad consequences, but,

of themselves, have no existence; virtue alone is a reality. Come up

higher, unto where I stand, and you will find that you have been

tormenting yourself with mere shadows."

"I see the steps," said the queen; "help me up!"

"Naught can avail but self-help. Each must learn to be monarch of

himself, even though he wear a kingly crown. The law teaches us that,

in order to retain this command over ourselves, we must not permit

anger and hatred to dwell in our souls, or to poison so much of the

world as is given us to enjoy, be our share great or small."

"I had too much faith in virtue and kindness."

"Very likely. As long as one believes in mankind, there will be

deception and despair. We persist in judging our fellow-creatures by

what they are as regards us, instead of what they are as regards

themselves. And thus, as long as we believe in human virtue, we may, at

times, be perplexed at finding ourselves disappointed where we least

expect it. As soon, however, as we recognize the Divine in everything,

even though the possessor himself is unconscious of it, we have

attained a lofty standpoint, from which we feel sure both of ourselves

and of the world."

The queen hurriedly raised herself and, extending both hands to

Gunther, exclaimed:

"You are a worker of miracles."

"No, I am not that. I am only a physician who has held many a hand hot

with fever, or stiff in death, in his own. The healing art might serve

as an illustration. We help all who need our help, and do not stop to

ask who they are, whence they come, or whether, when restored to

health, they persist in their evil courses. Our actions are incomplete,

fragmentary; thought alone is complete and all-embracing. Our deeds and

ourselves are but fragments--the whole is God."

"I think I grasp your meaning. But our life, as you say, is indeed a

mere fraction of life as a whole, and how is each one to bear up under

the portion of suffering that falls to his individual lot? Can one--I

mean it in its best sense--always be outside of one's-self?"

"I am well aware, Your Majesty, that passions and emotions cannot be

regulated by ideas; for they grow in a different soil, or, to express

myself correctly, move in entirely different spheres. It is but a few

days since I closed the eyes of my old friend Eberhard. Even he never

fully succeeded in subordinating his temperament to his philosophy;

but, in his dying hour, he rose beyond the terrible grief that broke

his heart--grief for his child. He summoned the thoughts of better

hours to his aid--hours when his perception of the truth had been

undimmed by sorrow or passion--and he died a noble, peaceful death.

Your Majesty must still live and labor, elevating yourself and others,

at one and the same time. Permit me to remind you of the moment when,

seated under the weeping ash, your heart was filled with pity for the

poor child that, from the time it enters into the world, is doubly

helpless. Do you still remember how you refused to rob it of its

mother? I appeal to the pure and genuine impulse of that moment. You

were noble and forgiving then, because you had not yet suffered. You

cast no stone at the fallen; you loved and, therefore, you forgave."

"Oh God!" cried the queen, "and what has happened to me? The woman on

whose bosom my child rested is the most abandoned of creatures. I loved

her, just as if she belonged to another world--a world of innocence.

And now I am satisfied that she was the go-between, and that her

_naïveté_ was a mere mask concealing an unparalleled hypocrite. I

imagined that truth and purity still dwelt in the simple rustic

world--but everything is perverted and corrupt. The world of simplicity

is base; aye, far worse than that of corruption!"

"I am not arguing about individuals. I think you mistaken in regard to

Walpurga; but, admitting that you are right, of this, at least, we can

be sure: morality does not depend upon so-called education or

ignorance, belief or unbelief. The heart and mind which have regained

purity and steadfastness alone possess true knowledge. Extend your view

beyond details and take in the whole--that alone can comfort and

reconcile you."

"I see where you are, but I cannot get up there. I can't always be

looking through your telescope that shows naught but blue sky. I am too

weak. I know what you mean; you say, in effect: 'Rise above these few

people, above this span of space known as a kingdom--compared with the

universe, they are but as so many blades of grass, or a mere clod of

earth.'"

Gunther nodded a pleased assent, but the queen, in a sad voice, added:

"Yes, but this space and these people constitute my world. Is purity

merely imaginary? If it be not about us, where can it be found?"

"Within ourselves," replied Gunther. "If it dwell within us, it is

everywhere; if not, it is nowhere. He who asks for more, has not yet

passed the threshold. His heart is not yet what it should be. True love

for the things of this earth, and for God, the final cause of all, does

not ask for love in return. We love the divine spark that dwells in

creatures themselves unconscious of it: creatures who are wretched,

debased and, as the church has it, unredeemed. My master taught me that

the purest joys arise from this love of God or of eternally pure

nature. I made this truth my own, and you can and ought to do likewise.

This park is yours; but the birds that dwell in it, the air, the light,

its beauty, are not yours alone, but are shared with you by all. So

long as the world is ours, in the vulgar sense of the word, we may love

it; but when we have made it our own, in a purer and better sense, no

one can take it from us. The great thing is to be strong and to know

that hatred is death, that love alone is life, and that the amount of

love that we possess is the measure of the life and the divinity that

dwells within us."

Gunther rose and was about to withdraw. He feared lest excessive

thought might over-agitate the queen, who, however, motioned him to

remain. He sat down again.

"You cannot imagine--" said the queen, after a long pause, "but that is

one of the cant phrases that we have learned by heart. I mean just the

reverse of what I have said. You can imagine the change that your words

have effected in me."

"I can conceive it."

"Let me ask a few more questions. I believe--nay, I am sure--that on

the height you occupy, and toward which you would fain lead me, there

dwells eternal peace. But it seems so cold and lonely up there. I am

oppressed with a sense of fear, just as if I were in a balloon

ascending into a rarer atmosphere, while more and more ballast was ever

being thrown out. I don't know how to make my meaning clear to you. I

don't understand how to keep up affectionate relations with those about

me, and yet regard them from a distance, as it were--looking upon their

deeds as the mere action and reaction of natural forces. It seems to me

as if, at that height, every sound and every image must vanish into

thin air."

"Certainly, Your Majesty. There is a realm of thought in which hearing

and sight do not exist, where there is pure thought and nothing more."

"But are not the thoughts that there abound projected from the realm

of death into that of life, and is that any better than monastic

self-mortification?"

"It is just the contrary. They praise death, or, at all events, extol

it, because, after it, life is to begin. I am not one of those who deny

a future life. I only say, in the words of my master: 'Our knowledge is

of life and not of death,' and where my knowledge ceases, my thoughts

must cease. Our labors, our love, are all of this life. And because God

is in this world and in all that exist in it, and only in those things,

have we to liberate the divine essence, wherever it exists. The law of

love should rule. What the law of nature is in regard to matter, the

moral law is to man."

"I cannot reconcile myself to your dividing the divine power into

millions of parts. When a stone is crushed, every fragment still

remains a stone; but when a flower is torn to pieces, the parts are no

longer flowers."

"Let us take your simile as an illustration, although in truth no

example is adequate. The world, the firmament, the creatures that live

on the face of the earth, are not divided--they are one; thought

regards them as a whole. Take, for instance, the flower. The idea of

divinity which it suggests to us, and the fragrance which ascends from

it, are yet part and parcel of the flower: attributes without which it

is impossible for us to conceive of its existence. The works of all

poets, all thinkers, all heroes, may be likened to streams of

fragrance, wafted through time and space. It is in the flower that they

live forever. Although the eternal spirit dwells in the cell of every

tree or flower, and in every human heart, it is undivided and, in its

unity, fills the world. He whose thoughts dwell in the infinite,

regards the world as the mighty corolla from which the thought of God

exhales."

For some time, the queen kept her face buried in her hands. Gunther

quietly withdrew.

CHAPTER XVI.

The king returned from the hunt. His courageous wanderings among the

Highlands had reinvigorated him. He, too, was in a changed frame of

mind. He had already received a full account of what had happened at

the lake. "That's over," thought he; "I can't always be dragging the

past about with me."

He was informed that the queen had not left her apartments since the

receipt of the dreadful news. He sent for Gunther, who informed him of

the queen's condition, and recommended that she be treated with great

indulgence.

The king fancied that the doctor's manner was more reserved than usual.

He would have liked to ask him as to the queen's thoughts, how she had

received the sad news, and whether she had conquered her grief; but it

was Gunther's duty to tell him all this, without waiting to be

questioned. At last, the king asked him:

"Is the queen's mind composed?"

"It is noble and beautiful as ever," replied Gunther.

"Has she been reading of late? Did she send for the court chaplain?"

"Not to my knowledge, Your Majesty."

The king, who, at other times, found the observance of etiquette so

convenient, now found it irksome.

He would have liked the doctor to speak of his own accord, and explain

much that was yet unclear, instead of simply answering the questions

put to him.

"You have had a great trial; in Count Eberhard, you lost an old

friend."

"He lives in my memory, just as he did before he died," replied

Gunther.

The king's heart was filled with anger. He had been very friendly in

his advances toward this man, had even inquired after an event in his

private life, and yet Gunther, while preserving perfect decorum,

remained as reserved and as repelling as ever.

His old aversion toward this man, who, in the midst of the excitement

at court, always remained unmoved, was again aroused. He dismissed

Gunther, with a gracious wave of his hand; but when he had gone, his

eye followed him with a sinister expression.

A thought occurred to him which made his cheeks glow, and determined

him upon another line of action. It was now clear to him that the real

cause of his misstep lay in the fact that a third person had stood

between him and his wife. This should no longer be the case, no matter

how well it was meant. Instead of asking Gunther for information as to

his wife's thoughts and feelings, she should tell him all, in person

and alone. He felt a deep affection for her, and thought that, since he

had conquered so much within himself, he was again worthy of her.

The king sent for Countess Brinkenstein. Since the sad occurrence, the

king had only moved among men, by whom affairs of this nature are

treated more lightly and, in fact, are scarcely alluded to. And now,

for the first time, he stood face to face with a woman; one indeed in

whom a noble mind was combined with the most orthodox observance of

court etiquette. The king's demeanor was dignified, although his heart

trembled with emotion.

"We have had sad experiences," said he to her.

With great tact, Countess Brinkenstein managed to turn the conversation

into another channel and thus avert any explanation on the king's part.

She thought it unbecoming a king to justify himself or to show himself

weak or perplexed; and, besides that, she regarded it as the duty of

those about him, to smooth over all that was unpleasant as gracefully

as possible.

The king appreciated her considerateness. He asked her whether she had

often seen the queen during the last few days, and who was now waiting

on her. The countess informed him that she had only once been with the

queen, who had expressed a wish in regard to his royal highness the

crown prince.

"Ah, how is the prince?" asked the king. During all these days, he had

scarcely thought of his child, and now, as if with renewed

consciousness of the fact, he remembered that he had a son.

"Remarkably well," replied the countess, who went on to name the

various ladies and gentlemen of the court who were now in attendance

upon her majesty the queen. No one had seen her during the last few

days, except Madame Leoni, who had been with her constantly, and the

doctor, who had conversed with her for hours.

The king gave orders to have the prince brought into his apartments. He

kissed the boy, whose round and delicate little hand played with his

father's face.

"Thou shalt honor thy father--if I could only wipe away that one

reproach," said he to himself.

He felt as if his child's touch had endowed him with new strength, and

was about to proceed to the queen's apartments when Schnabelsdorf was

announced. The king was obliged to remain and receive him.

The prime minister informed him that the result of all the elections

was now known, and that his position would be a difficult one, for the

majority had been on the side of the opposition.

The king shrugged his shoulders and said:

"We must await events."

Schnabelsdorf looked astounded at this indifference. What could have

happened?

"There is only one new election necessary," said he. "Your Majesty is

aware that Count Eberhard Wildenort was elected as a deputy?"

"I know," said the king. "Why mention this?"

Schnabelsdorf dropped his eyes and added: "I am informed that Colonel

von Bronnen, Your Majesty's adjutant-general, whose name has already

been mentioned in that connection, is to be brought forward as a

candidate."

"Bronnen will refuse to stand," said the king.

Schnabelsdorf received this remark with an almost imperceptible bow. He

had a presentiment of what was going on.

The king permitted his minister to inform him of what was most urgent,

but begged him to be brief.

Schnabelsdorf was very brief.

The king dismissed him. His intention was to have Schnabelsdorf open

the new chamber. If, as was to be expected, the majority were against

him, Bronnen would form a new cabinet.

It was no slight struggle on the part of the king, to suffer that which

ought to have emanated from his own will to appear as a yielding, on

his part, to the popular voice; but he felt that it was the first real

proof of his subjection to the law, and he meant to find his highest

glory in giving expression to the voice of the people.

His new motto: "True and free," again impressed itself upon him. Calm

and self-possessed, he repaired to the queen's apartments.

CHAPTER XVII.

The queen had been informed of the king's return, and the calmness and

self-command that she had regained seemed to vanish. As long as he

remained at a distance, she felt herself secure in the lofty realm of

thought; but now that he was near her, the thought of meeting him face

to face made her tremble with fear. Her sense of injury loosened the

weak foundations of the principles it had cost her such an effort to

make her own. It was already night when the queen heard her husband's

voice in the ante-chamber. He wished to see her, he said, even if she

were asleep. He entered softly. She kept her eyes closed and forced

herself to breathe as gently as possible. It was the first deceit of

her life. She was only feigning sleep, and how often had he who now

stood before her feigned sincerity and truth--? Her breathing became

heavier; it required all her self-command to remain quiet. Horror at

the idea of feigning death now possessed her.

She lay there motionless, with her hands folded, and her husband stood

before her. She imagined that she felt his loving, affectionate glance,

but what could his love or affection be? She felt his warm breath

against her face. And now he felt her pulse, and yet she did not stir.

She felt the kiss that he imprinted upon her hand, and yet she did not

move. She heard him turn to Madame Leoni and say: "She sleeps quietly,

thank God! don't tell her that I was here." She heard his words, and

his soft footsteps while he left the room, and yet she did not move.

Lest her attendant should discover the deception, she was obliged to

keep up the appearance of being asleep and to affect entire ignorance

of what had passed.

When the king reached the anteroom, he said to the waiting-woman:

"I thank you, dear Leoni!"

"Your Majesty," replied Madame Leoni, with a profound bow.

"You have of late afforded fresh proofs of your attachment to the

queen. I shall not forget it. It is a comfort to me to know that she is

surrounded by such careful attendants. My dear Leoni, do all you can to

secure the queen as much repose as possible; and if she should wish for

anything particular, which you think that the ladies of the court or

Countess Brinkenstein need know nothing of, address yourself to me. Has

the queen spoken much during the last few days?"

"Oh yes! unfortunately, too much; that's what makes her so exhausted.

She talked for hours, incessantly."

"Was it with you that she talked so much?"

"Oh no!"

"Then it was with the doctor?"

"It was. But pardon me, Your Majesty, it seems to me that his medicines

consist of words."

The king remembered that Madame Leoni owned a grudge to the queen, and

a still greater one to Gunther, because the position of ayah to the

crown prince had been given to Madame von Gerloff, instead of her. He

was not disposed to take advantage of this, and only said:

"The physician, dear Leoni, should always be the confidant."

"Certainly, Your Majesty; but our noble queen is so despondent, and it

seems to me it would be far better to cheer her up and make her laugh,

instead of conversing about such difficult and terrible subjects. Your

Majesty will surely not understand me, but I should like to help our

noble queen, and her best, indeed her only helper, is Your Majesty.

Whoever thrusts himself between you and her does more harm than good."

The king felt concerned. He had never indulged in espionage, and now

that he felt himself purified and elevated, was doubly averse to it.

Nevertheless, he asked:

"Pray, tell me what has happened!"

"Ah! Your Majesty; I'd rather die than wrong my royal mistress, but

what I am doing can't harm her; it is only meant to aid her."

"Confide all to me," said the king, in a soft voice,--himself

displeased at what he was saying,--"you could not so demean yourself as

to be a spy on the words and actions of others, nor could I desire or

permit you to do so; but it is necessary for me to know how the queen

can be helped out of her present trouble, and, therefore, I ought to be

informed of what is told her, and how matters are discussed here."

"Certainly, Your Majesty," replied Madame Leoni, and, having apologized

for the ugly words, she informed him how the physician had spoken of

the origin of the mud in the highways, how a pure drop from the

heavenly clouds mingles with the dust of the road; and that they had

gone on to talk of sculpture, of _haut relief_ and _bas relief_.

Madame Leoni could only furnish a disconnected statement, but the king

already knew enough.

CHAPTER XVIII.

On the following morning, the king sent word to the queen that he must

see her.

He hastened to her.

They were both alone in the apartment.

The king was about to embrace his wife.

She begged him to be seated.

"As you please," said he, in a gentle voice. He was resolved to win her

back to him, in candor and love.

"Will you speak first, or shall I?" he asked, after a pause.

His voice was clear and distinct, and startled her. She observed his

fresh appearance, and grew still paler. She pressed her hand to her

heart; she could not speak.

"Well, then let me speak. Mathilde, we won each other in sincere love.

I frankly confess that I have sinned deeply against you and others, and

now I beg you to believe in my sincere repentance. Don't judge me

meanly, or in a narrow sense!"

"Not meanly? O yes, I understand! To great minds like yourself,

morality is narrow-mindedness. Yours are the large, the world-embracing

hearts, and I am a bigoted, self-opinionated creature!"

"Mathilde, don't say that; I didn't mean to wound you."

"Oh no! you didn't mean to wound me; certainly not, never!"

"Mathilde, with that tone we shall never arrive at perfect harmony. Ask

anything of me, as a proof of my repentance and conversion. You have

the right to do so; I swear to you--"

"Don't swear. I pity you,--there's nothing left by which you can swear.

Swear by the head of your child--the child at whose cradle you

exchanged adulterous words and glances with her!"

"Let the future efface all recollection of the past!"

"Very well. Issue a royal mandate: The world and, above all, my wife,

are to forget that there ever was a Countess Irma; such is my royal

will."

The king gazed at his wife in astonishment. Was this the same tender,

sensitive being? What great change had come over her?

"Let the dead rest!" said he, at last.

"But the dead do not let us rest. She looks at me through your eyes,

speaks to me with your lips, touches me with your hand; for your hand,

your lips, your eyes, were hers."

"I will withdraw until you regain your composure."

"No, stay! I am quite composed. Perhaps you would rather not hear what

I have to say?"

"I will listen to it all," said the king, seating himself; "proceed."

"Well, then let me tell you that you have desecrated a sanctuary,

lovelier and more beautiful than any that ever existed on earth--the

sanctuary in which you were worshiped. I may tell you this, for the

temple is no more and you are no longer in it. I desired to be one with

you in everything; in every breath, in every word, in every glance,

even though it was directed to Him who is on high. It was for that,

that I offered to sacrifice my faith--"

"Do you wish to balance accounts between us? Then remember that I

didn't ask you to make that sacrifice; it would have been a burden. The

idea of its being a sacrifice is out of the question."

"Very well; I'll say no more about that. I merely wished to tell you

that what I regarded as a sacrifice, you looked upon as weakness.

Enough of that, however. You were false to your marriage vow, and that,

too, with her whom I regarded as my friend! I know the way of the

world, in such matters. The Steigeneck whom your father--"

"Don't insult my father's memory! Say what you choose of me, but don't

insult my father!"

"I don't insult him; I honor him. Compared with you, he was pure and

virtuous. He was free, from all affectation of morality, from lying,

deceit and treachery!"

"Who is it that speaks?" said the king, interrupting her. "Is this my

wife? Is it a queen who utters these words?"

"They ought not to be my words; you have forced them upon me. But let

us not dispute about words. Your father bestowed his affections on a

stranger who lived at a distance, and who did not know his wife.

Compared with your conduct, his was virtue itself. You were false to

me, and that, too, with a friend who was constantly at my side; we

conversed together of love, of the stars, of the trees, the mountains

and the valleys, and our thoughts seemed as one. Side by side, we

beheld the works of art, we sang, we played together--and yet you could

both act thus, while at my side, and enter the inner sanctuary of that

which is highest in life. The sky, the earth, all that was pure and

noble in thought or word--you have destroyed them all. I would like to

know the day when, by word or glance, you both ventured to begin your

false game! With every kiss you gave her, you must have said; 'Ah,

my wife--how unhappy I am--she's so narrow-minded, so devoid of

grandeur--'Don't interrupt me! Of one thing I am sure: no husband or

wife can ever touch the hand of another in love, without feeling: 'I am

miserable.' It isn't hatred and revenge that now speak through me, it

is justice! As long as I still loved you, I could hate you; but now I

simply judge you. You must bear the consequences of your actions.

Justice requires that. I pity and deplore your lot. How will you ever

delight in the forest, when she whom you loaded with sin fled through

the forest unto death? How can you look at the lake into which her sin

plunged her? The whole world is annihilated to you, you poor creature!

How your pen must tremble when you again sign a death sentence--you've

murdered both the dead and the living! You may write 'pardon,' but who

will pardon you, 'king by the grace of God'?"

"Mathilde, I once believed you incapable of even alluding to that which

is unseemly."

"Did you believe it? and what would you call unseemly in your case?"

"Speak on, speak on!" said the king, as the queen now paused and heaved

a sigh. He saw the fire consuming all that was dearest to him on earth,

and, at the same time, recognized the beauty of the flame. There are

strange chords in the human soul, and the king, although filled with

shame and indignation, could not but admire the power revealed by his

wife. He had never dreamed of its existence. She was greater and

stronger than he had ever imagined, and his appeal to her seemed to

acknowledge her supremacy. This made her the more indignant and, with

forced composure, she continued:

"No one has a right to demand of another, of a prince, or even of

yourself, that he should be a genius; but every one has a right to ask

that you should be an upright man, a true husband and father. You could

be that, just as easily as any peasant or day-laborer can."

Pain and resentment were depicted in the king's countenance.

"Mathilde," said he, at last, in a tremulous voice, "Mathilde, I am not

speaking of myself; but consider how these words must injure you."

"I've considered all that. I know that the thousand little pleasures of

life are no longer mine. I shall bear a burden which death alone can

remove! I know that. But I've no pity for myself. Where love is dead,

justice must reign!"

"Love? The love that could die was not love!"

"Don't let us dispute. We've ceased to understand one another. Listen

to my last, my irrevocable words. What is left me? to despise you, or

to become despicable myself. Here I stand," said she, drawing herself

up, and appearing taller than before, while a dark flush overspread her

countenance, "here I stand and tell you that I despise you. I will live

with you and by your side, as long as life remains; but I despise you!

Know that, and now leave me. I shall appear with you this evening, at

the court festival. You shall have no reason to complain of any breach

of decorum. Once, love for you was all my life--that memory is mine;

you need it not!"

The king arose. He wanted to speak, but it was long before he could

utter a word.

"Does anyone know of your sentiments toward me?" he asked, at last, in

a hoarse voice.

"No; we owe it to our son that no one should know of it."

"Mathilde, I never would have believed that you could speak thus to me.

But it does not come from you; another has forced himself between us.

He taught you to think and speak thus!"

"You are the great master who has taught me to substitute hatred for

love, and contempt for adoration."

"Does your friend, the doctor, know nothing of what you are now

inflicting upon me?"

"I cannot swear to you--you can no longer believe an oath--but this I

can say: if Gunther knew that I had suffered myself to be carried away

by the ardor of my past love for you, it would grieve him deeply, for

anger, hatred, and revenge, are foreign to his great nature!"

"His great nature may be made very small."

"You will not, you dare not, rob me of my only friend! I implore you!

I'll ask for nothing more as long as I live. I'll be obedient and

submissive. I can no longer offer you love. Grant me but this one

request: leave me my only friend!"

"Your only friend? I don't know that title. As far as I know, there is

no such position at court."

"On my knees, I implore you! Don't mortify him! let me keep this one

friend. He's great, pure, noble; it is he alone who reconciles me to

life!"

The queen was about to throw herself on her knees before the king. He

touched her--she shuddered and drew herself up.

"Be proud!" exclaimed the king. "Be so! and bear the consequences! Be

the exalted one, the pure drop from the heavenly cloud mingling with

me, the dust of the highway--"

The queen looked up amazed. What was it she had heard? The words of her

noble friend thus repeated and distorted. Her head swam.

"Be what you will!" continued the king. "Be alone, and seek support in

yourself!"

He pulled at the betrothal ring on his finger. It was difficult to get

it off, and his face grew red while he pulled at it with all his

strength. At last, he drew it over his knuckle. Without saying a word,

he laid the ring on the table before the queen.

He walked to the door. He stopped for a moment, as if listening for a

word from her--a word to which he would have replied from the depths of

his heart, a word which would have saved and reconciled them both.

The queen looked after him. Would he not turn again? would he not once

more, with heart-piercing tone, cry: "Forgive me!" The love that still

dwelt in her impelled her toward him. It was but for a moment that

the king paused. Involuntarily, the queen stretched her arms toward

him--the moment had passed and, with it, the king had left.

The queen walked to the _portière_, and stared fixedly at it. Then she

fell back on the sofa and wept. She lay there weeping for a long while.

CHAPTER XIX.

The queen was now doubly unhappy. She felt unutterable grief because of

her lost love, and had, moreover, suffered herself to be led away by

wicked and hateful passion. The sense of freedom and of elevation,

which Gunther had awakened in her, had vanished. And now that the

heart-rending separation had taken place, it seemed to her like a death

that had been foreseen. But, although we behold its approach from afar,

death ever brings new and unlooked-for woe in its train.

The queen went to the crown prince's apartments. On her way, she passed

by the king's cabinet. She paused for a moment, and asked herself how

it would be if she were to enter here, clasp him in her arms and say:

"Let all be forgotten; you are unhappy as well as I, and I will help

you to bear your lot."

She passed on, for she felt afraid lest she might again appear to him

as weak and wavering, while she meant to be strong.

When she saw her child, her eyes regained a bright expression. The

child had not seen its mother weeping and wrestling with her sorrow,

and now she was with him again. "He, too, will come here," said an

inner voice that she was almost loth to listen to. She trembled when

she learned that the king had had the prince brought to his apartments

that very day.

She waited for a long while. She would kiss the boy's little hand again

and again, and would look around to see if the father were not coming.

He came not.

The king was sitting in his cabinet, his hands pressed against his

burning brow. He had passed the turning-point in his career, and he

could no longer permit himself to be oppressed by private, personal

griefs. He had repented, and that was sufficient. He was determined to

effect a change in himself, and that was more than enough. Of what use

were further accusations and penalties? A deep feeling of resentment

against his wife arose within him. She was weak and revengeful. No, not

weak; she was endowed with a power of which he had never had the

faintest presentiment, and he felt deeply conscious of the grievous

fault he had committed in deceiving such a wife. He was, however,

unable to free himself from the thought that his punishment was an

affront to his exalted position. And while his own life-fabric lay in

ruins, why should he, with wondrous self-denial, set about righting the

lives of others? The heart that is reconciled and at peace with itself,

is the only one that can exert a reconciling and peaceful influence on

others. A spirit of defiance and discontent moved him to abandon the

reforms he had begun, for she who was nearest and dearest to him, his

own wife, would not justly acknowledge them.

He sat there for a long while, dull and depressed. At length he arose,

his face expressive of defiance and firmness. He had determined to

accomplish the good, whether his efforts were appreciated or misjudged.

His strength for good had conquered. Unaided, and for the sake of his

own honor, he had determined to carry out the measures that he

considered right, and the happiness that this would cause him must

compensate for the lost pleasures of love.

There were great festivities at court that evening.

The betrothal of Princess Angelica to Prince Arnold was officially

celebrated. The queen appeared, leaning on her husband's arm, and had a

kind and gentle greeting for every one. She looked weak, but none the

less beautiful.

No one was able to discover the faintest trace of the rupture between

the royal pair, nor did any one notice that the ring was no longer on

the king's hand.

The king and queen conversed with apparent cordiality, but she often

looked as if she must ask him: "Has nothing happened?"

Then she would look about her fearfully, as if the specter of Irma must

suddenly appear in white, dripping garments.

When the king, accompanied by the queen, had made the round of the

saloons, he saluted Bronnen most cordially and remained with him for

some time, engaged in lively conversation.

The queen looked on in amazement. She well knew that Bronnen had

secretly admired Irma, and had even sought her hand. How had it

happened that the king had become so intimate with this man, and

distinguished him above all the other members of the court? There was

no opportunity to obtain information on this point. The whole summer

palace was illuminated; the terrace was hung with variegated lamps;

vessels of burning pitch were placed in the park, sending their

brightness out into the autumn night; the band of Prince Arnold's

regiment played merry airs, the glow of lights and the sounds of music

were wafted far out into the valley and even into the mountains, on

whose lonely heights there were human dwellings.

The queen met Gunther, but simply exchanged a few hasty words with him.

The king greeted him politely as he passed by.

He won't be so cruel, thought the queen. There was a strange shyness in

her expression whenever her eyes rested on Gunther, and, on one

occasion, the king observed this and shook his head. The queen felt

that Gunther must be displeased with her, for she had not acted

according to the laws that he had explained to her.

On the following day, it was reported throughout the capital that

Doctor Gunther had received his dismissal.

The official gazette which contained an account of the betrothal

festivities announced that "His Majesty the King has been graciously

pleased to accept the resignation of his body physician, Privy

Councilor Gunther, and, in token of his satisfaction, has conferred the

cross of Commander of the ---- Order upon him."

Among the personal announcements was the following:

"I bid farewell to all my friends, and am about to remove to my native

town ---- in the Highlands.

"DOCTOR WILLIAM GUNTHER,

"_Privy Councilor and late Physician in Ordinary

to His Majesty the King_:"

A STORY

OF

A SOLITARY WORLDLING.

BOOK VII.

(IRMA'S JOURNAL.)

Cast ashore--what is there left me, but to live on, because I am not

dead?

For days and nights, this unsolved question kept me, as it were,

hovering between heaven and earth, just as it was in the terrible

moment when I glided down from the rock.

I have solved the problem.

I am working. I shall remain resolved, no matter what the result. I

find it a relief to note down my thoughts and feelings.

I was ill,--of a fever, they tell me,--and now I am at work.

I had told the grandmother of what I could do, but there was no chance

to apply it here. She took me out into the garden, and we gathered up

the apples that Uncle Peter shook down from the tree. Then the old,

blind pensioner, whose room is over mine, came out and told us, with

angry cries, that a certain portion of the apples belonged to him. He

tried to find one, so that he might taste it, and thus ascertain which

tree we were shaking. I handed him an apple, and told him that I lived

in the room under his.

We were still in the garden, when a man came who wanted to purchase two

maple-trees that were standing by the cross road, in order to use them

for carving. This seemed like a ray of hope. I told the grandmother

that I knew how to mold in clay, and that I thought I could easily

learn how to carve in wood. And now I'm in the workshop, as a pupil.

This is my first free Sunday, and, while all are away at church, I am

writing this.

*

I once knew a man who had already been kneeling on the sand-heap, the

muskets aimed at him, and--he was pardoned. I have often seen him. Oh

that I had asked him how he lived on!

*

There is no mirror in my room. I have determined never to see myself

again.

And since I neither have, nor desire a mirror, let these pages be the

mirror of my soul.

*

Oh this repose! this solitude! It is like rising from the lake, like

life regained. And yet how calm, how restful!

Up here, and in thousands of other places on this earth, 'twas ever

thus, while, down below, I was about to commit a fearful sin!

*

I have just returned from the workshop. Formerly, when making

excursions from the summer palace into the surrounding country, we

would stop at the industrial villages and visit the large workshops,

where everything was shown us. I used to feel a sense of shame--ah!

that was long ago--at the thought of our merely looking on for a

moment, while others were working. And when we returned to our

carriages and drove off, leaving the men still at their work, what must

they have thought of us?

I am now at the workbench myself.

*

Why does no religion place the command: "Thou shalt work" above all

others?

*

They say that the wound sucked by living lips heals quickly. O thou who

art called queen! I would like to suck up the blood that trickles from

thy heart!

*

Did I destroy the letter to the queen, or did it reach her?

*

I started with fright, when the grandmother asked me why I had pained

the queen by informing her that I meant to take my life.

Why? I know not why. All I know is that I could not help it; it was the

last, the unavoidable tribute I owed to truthfulness.

Why is it that we only concern ourselves about what others may think of

us after death when life has become but an empty sound?

*

Sad and painful days.

I regarded it as my duty to write to the queen from my place of

concealment. Uncle Peter, a true-hearted and obliging little man, who

is always at my service and would like to show me a kindness every

moment, offered to carry a letter for me to a distant town. The queen

shall not grieve on my account--not for my death, at all events. I will

let her know that I am yet alive, but that my life is one of expiation.

If I only felt sure that I had really burnt the letters, or that they

reached him and her. Him I need tell no more. The good mother noticed

that something was troubling me--something that I had kept from her.

She often came to me, but asked no questions. At last I could bear it

no longer, and told her what I had determined on. She took me by the

hand--whenever she means to make her words additionally impressive, she

does this, as if she felt that she must hold fast to me physically--and

said: "Child, you've only to make up your mind clearly as to what you

mean to do. Ask your own heart whether you wouldn't rather be

discovered. Ask your conscience."

I started. It is true, I should not care to do anything, but if it were

to happen--

"Don't give me your answer," continued the mother; "answer yourself, and

then ask yourself whether, if you returned to where you once were, you

wouldn't, on the morrow or the day after, wish to be away again. But

let me tell you one thing: whatever you determine on, do it thoroughly.

Don't write at all, and let the queen mourn you; for it's much easier

to grieve for the dead than for one who, though living, is lost; or

else, write to her honestly and frankly: 'Here I am.' As I said before,

whatever you do, let it be done thoroughly. O my child!" she added, "I

fear it will be with you as it was with the poor soul. Do you know the

story of the poor soul?"

"No."

"Then I'll tell it to you. There was once a young girl who, having gone

astray and died an early death, descended into hell; and there Saint

Peter could always hear her crying, from amidst the flames, 'Paul!

Paul!' in tones that were so heartrending that even the most wicked

demons couldn't find it in their hearts to mock at her. So one day

Saint Peter went up to the gates of hell and inquired: 'My dear child,

why are you always crying "Paul! Paul!" in such a pitiful voice?' and

the girl replied: 'Ah, dear Saint Peter, what are all of hell's

torments? To me, they're nothing. Paul is worse off than I am. How will

he endure life without me? I only ask for one thing; let me return to

the earth once more; only for a moment, so that I may see how he's

getting on, and I'll be willing to remain in hell a hundred years

longer."

"'A hundred years!' said St. Peter. 'Consider, my child; a hundred

years is a long time.'

"'Not to me. Oh, I implore you to let me see my Paul once more! After

that, I'll certainly be quiet and submit patiently to everything.'

"Saint Peter resisted for a long while, but the poor soul gave him no

peace, and at last he said: 'Well, you may go, for all I care; but

you'll be sorry for it.'

"And so the poor soul returned to the earth, in order to see her

beloved Paul. And when she got there, and saw him feasting and enjoying

himself with others, she quietly went back to eternity and, shaking her

head sadly, said: 'Now I'll return to hell and repent.' And then Saint

Peter said to her: 'The hundred years you promised are forgiven you.

During the one minute you passed on earth, you suffered more than you

would have done in a hundred years of hell.'

"And that's the story of the poor soul."

*

I thirst for some spring outside of me, which would refresh and redeem

me. I long for music, for faith, for some soul-liberating dedication of

myself! I find it not. I must seek the spring within myself.

*

In deepest grief it often seems to me as if it were not I who have

suffered thus. I go my way, and it seems as if some one were telling me

the story of what had happened to another.

*

For the first time in my life, I know what it is to feel that I am

being borne with and favored. I really ought not to be here. I am

eating the bread of charity. Now I know how the poor homeless ones must

feel. If Hansei cared to do so, he could send me out of his house this

very day, and what would become of me then?

*

I am obliged to eat in the company of my hospitable friends, and I find

it no easy matter to do so. I pity Hansei, most of all. To him, it must

seem as if a strange apparition--the phantom of one whom he knows not,

was seated at his table. I destroy his happiness.

*

I have punctured my hand with the gimlet, just because, while at work,

I am busy thinking of other things. My little pitchman has brought me a

healing salve.

*

Antique forms of beauty cannot be worked in wood. It is inflexible,

stubborn stuff, and can, with difficulty, be made to yield to the

designs of art. It is naught but a makeshift material.

*

"Oh, how glorious it must be to live up here!" How often is this

expression heard during country excursions! But we forget that the

atmosphere of country parties and that of home are two very different

things. How different when the wind whistles over the stubble fields

and rages among the leafless forest trees; when dull and heavy mists

creep over the mountains; when, for days and days, the clouds hang

upon the heights, and, now and then, suffer a summit to appear in

phantom-like outline, only to hide it again; when, at night, the storms

disturb your sleep, and it seems as if day would never come. Yes, ye

picnic spirits, with garlands of fresh leaves on your hats! spend weeks

up here without a sofa, without fresh bread; only think of it--without

a sofa!

*

Solitude with happy, cheerful memories, must needs be peaceful and

placid. It suggests the lonely tree that sends its roots through the

rich soil and into the clear stream in the valley. But solitude with

sad and dark memories reminds me of the tree whose roots, ever striking

against rocks, must pass over and clamber around them. Thus, holding a

rock in their embrace, they are like a heart laden with a heavy burden

that it can never rid itself of.

*

Perfect solitude is when, for a whole day, no human eye has beheld your

face. It does one good to know that no human eye has seen you, and that

the glass that mirrors your features is, as yet, unsullied by the

breath of another.

*

Solitude is apt to make one superstitious. One naturally casts about

him for some external support.

It always alarms me when, on beginning work in the morning, one of my

tools drops from my hand. I feel that the day which begins thus will

prove a sad and troubled one. I fight down this superstitious feeling.

*

He who possesses a firm faith, although in solitude, is not alone.

*

My master is always out of humor. His wife and three daughters assist

him at his work. Hansei has advanced the pay for my lessons. I am an

apt pupil.

I notice that these people regard me as slightly demented. The little

pitchman informed me that Hansei had given out this report, intending

that it should serve as a sort of invisible cap. This gives me liberty

and yet protects me, but at times it makes me feel uneasy.

My master also thinks that I am out of my mind. He addresses me

cautiously, and is delighted when he finds that I have understood him.

*

The swallows are departing. Ah! I cannot deny that I fear the

approaching winter. If I only do not become ill. That were terrible! It

would force me to betray myself or--no, I dare not be ill. But I am

still so nervous. It is hard for me to mention it, but it is hard to

bear it. A cow in the stable near by has a bell on her neck, and day

and night it keeps up its unrhythmic tinkling. But I must get used to

it.

*

I really dread the winter. If it were only spring time, instead of

autumn. Nature would be my friend. Nature is the same everywhere. But

now winter faces me. I must reconcile myself to it, however, for we

cannot arrange the seasons to suit ourselves. I will learn which is the

stronger, my temperament or my will. I shall impose no thoughts upon my

mind but those which ought to engage it.

I have determined upon this.

*

The shoemaker means to recognize Cinderella by her foot--he finds mine

unusually small for that of a peasant girl.

I trust that the fairy tale may remain a fairy tale.

That touching air from Isouard's Cinderella:

Good child, thou must contented be,

A better lot's in store for thee,

has been haunting me, all day long.

How simple the words! Music is the fairy that invests Cinderella's

accents with royal robes, and enthrones them on the lips of all

mankind.

*

O happy nursery tale! Thou askest not how the princess lived as

poultry-maid. Thy fancy uttered its creative: "Let there be--" and

behold! it was.

But, in life, such transformations are not brought about without great

effort.

Walpurga has rightly divined my feelings. It was but to-day that she

said:

"You can't get used to things here. Life here must seem almost as

strange to you as it did to me in the palace, but, of course, it's

easier to get used to a silken bed than to a sack of leaves."

I felt like saying: "And if one means to go home again, it's far easier

to put up with such discomfort," but I repressed it. One ought not to

torment such people with logical consequences. Their thoughts and

feelings are like the singing of birds, without rhythm and, at best,

like the folk-songs, whose melodies close on the third, instead of on

the key-note.

*

Since the alluring, glittering life of the great world could at any

time have been mine, I find it easy to forego it.

Had I entered a convent and were living there, fettered by a vow and

subject to restraint, I know that I should have mourned away my days

behind the bars.

*

To be without gloves! I never knew that one's hands could become so

cold. I cannot realize that I am without gloves. When he drew off my

glove, a shudder passed through me.--Was it a presentiment?

*

In the mornings I feel the want of a thousand little conveniences, with

which use had so familiarized me that I scarcely knew I possessed them.

I am obliged to learn the affairs of everyday life from the good

mother. It is just these things that we forget to learn. We are taught

dancing, before we are really able to walk.

From cleaning our shoes in the morning to putting out the lamps at

night, how many are our wants, how many the helping hands we need! What

with cooking, washing, scouring, drawing of water, and carrying wood,

man finds no time to think of himself. Nature furnishes clothing and

food to the beasts; but man must spin and cook for himself.

I have imposed a difficult task upon myself, for I have determined to

allow no one to wait upon me. An anchorite cannot afford to be too

cleanly or fastidious; but then I was not intended for an anchorite.

*

At first it oppressed me to think that I had become a Robinson Crusoe

in spirit, but now I am proud of it.

He who is thrown upon himself, and is no longer able to live in

accordance with custom, is cast away on a desert island, and must

create everything anew for himself.

But why should I, whose heart was already borne down with its burdens,

be obliged to suffer shipwreck, too?

*

When I look out into the night and all is dark, and there is no light

to tell me: "Here are other beings like yourself," I feel oppressed

with fear, as if I were alone upon the earth!

*

(October.)--This evening--ah! the evenings are already long--it

suddenly occurred to me: There are thousands who lead a life of

affluence and pleasure, who move in society, and yet--

Why should I alone renounce the world, deprive myself of its pleasures,

and bury myself in solitude?

Because I must and shall! I live only by the favor and charity of

others. I have wasted my life, trifled it away. Shall I try to regain

it in bitter earnest? I once trifled with words, but now they fetter

and judge me!

*

"You're still too heavily laden?" said the grandmother.

"How so?"

"If a wagon's loaded too heavily, you can't grease its wheels so as to

stop their creaking. You must wait till it's empty. Then you can raise

it with a jack-screw, take off the wheels and grease the axles. The

burden you still bear is the thoughts of the past; lay them aside, and

you'll soon feel relieved."

*

At last I know why I get up in the mornings. Something seems to say to

me: "Thou shalt labor. To-day, this will be finished; to-morrow, that."

And when I lie down to rest, there is always something more in the

world than there was at daybreak.

*

"Work!" "Work!" is the daily, hourly watchword here. They think of

nothing but work. It is a necessity of their being, just as growth is

to the tree. It is this that makes them so self-reliant.

*

There is misery and discord, even here.

In the kindness of her heart, Walpurga said that she could not endure

the thought of the old blind pensioner's being obliged to eat his meals

alone, and that she meant to have him at the table with the rest.

"I won't have it!" said Hansei. "Not a word more about it; I won't have

it."

"Why not?"

"Why? You ought to know that yourself. If Jochem has once been at the

table, you can never get rid of him again. So we'd better not have him

at all. You don't know how an old blind man eats."

After that, not a word was spoken during the meal. Walpurga made

believe that she was eating, but she was merely choking down her tears,

and left the table soon afterward. She is keenly sensitive to such

rudeness and cruelty; but she never complains, not even to me.

*

(During a violent storm.)

What a fright I have had to-day! My little pitchman told me that a man

had hanged himself somewhere in the vicinity.

"It had to come," thought he. "The man had hanged himself fifteen years

ago, but they cut him down, and he lived on. But it was just as if he

always had a rope around his neck--people who've once tried anything of

that sort, never die a natural death."

How his words startled me.

Can it be that such dread fate is yet in store for me?

I answer: No! It shall not be!

*

To sit in my warm room and look out at the driving snowstorm, is like

going back in thought to the hurly-burly of the great world.

Nine weeks have passed already.

I still have a dull, heavy feeling, as if I had been struck in the head

with a hammer. I merely exist, but it seems as if life were again

dawning upon me. When I awake in the mornings, I am obliged to ask

myself who and where I am, and to recall all my woe. But then work soon

summons me away.

*

I have nothing more to look for, be it from the outer world, or the

morrow. I am forced back upon myself and the present. For me, there are

neither letters nor books, and the very roads are closed. To arise in

the morning and know that no tidings, whether of joy or sadness, can

come from without; to have nothing to fall back upon but one's self and

the undying laws of nature: he who can lead such a life, self-contained

and yet contented, must be like the child illuminated by its own

radiance--the child painted by Correggio.

Hammer and axe, file and saw, all that once seemed to me instruments of

torture for poor enslaved humanity, I have found the instruments of

deliverance. They banish the demons that dwell within us. Where these

tools are wielded by industrious hands, evil spirits cannot tarry. The

redeemer who will consecrate labor, is yet to come.

*

At last, I find myself obliged to be content without doing anything in

the way of art.

Although wood is useful, and in many respects indispensable, it cannot

be applied to serve beauty apart from usefulness. The substance with

which my art, or rather trade, employs itself, is unequal to the

demands of art, except for decorative purposes. Bronze and marble speak

a universal language, but a wooden image always retains a provincial

character. It addresses us in dialect, as it were, and never attains to

the perfect expression of the ideal. We can make wooden effigies of

animals or plants with which we are familiar, and can even carve angels

in _relievo_, but to make a life-size bust, or human figure, of wood,

were entirely out of the question.

Wood carving is only the beginning of art, and is faltering, or, at

best, monotonous, in its expression.

What has once existed as an organism cannot be transformed into a new

organic structure. Stone and bronze, however, do not acquire organic

shape, except at the hands of man.

If a Greek of the days of Pericles were to behold our images of the

saints, how he would shudder at our barbarism.

*

This journal is a comfort to me. I can express myself in my own

language and feel perfectly at home. I cannot, at times, avoid

regarding my constant use of the dialect of this region as a sort of

affectation. Everything that I say appears to me distorted. I feel as

if wearing a strange costume, and as if my soul were concealed behind

an iron mask. Although I am a child of the mountains, the words I utter

seem strange and foreign. A dialect proves poverty of resources. It is

an imperfect instrument; a kettle-drum, for instance, on which one can

play neither concertos nor fantasias. Or, to put it differently, the

language of Lessing and Goethe is like the beautiful butterfly that has

left the chrysalis to which it can never more return.

Alas! The one terrible thought confronts me at every turn. I have

offended and denied you, ye who represent the spirit of my people and

of humanity. You fostered me, and I have abused the gifts which

education bestowed upon me. I must remain in exile.

*

The fire that still smolders within me must be extinguished.

My heart is so heavy that it seems to drag me down, as if weights were

hanging to me.

*

I am so weary, so exhausted, that I feel as though my limbs must break

under me! I should like to do nothing but sleep; to sleep always.

*

I should like to perform a pilgrimage to some place or person, as an

act of expiation.

I now understand the basis of a religion of symbols--a religion that

speaks to the eye.

I will go hence--to Italy, to Spain, to Paris, to the East, to America.

I will go to Rome and become an artist. I must be one. If I am still to

live on in the wide world, I must enjoy it fully and deny myself

nothing, for I am not of a self-sacrificing temperament. I could hurl

the full cup of life into the abyss, but to see it before my eyes, and

yet languish and mortify myself--that I cannot do. I will, I must go.

Something calls me hence. Naples lies before me. I see a villa on the

shore; merry excursions by water; a crowd of laughing, singing, gayly

attired creatures--I plunge into the current of life. Better there than

in that of death. And yet--I cannot--

*

A gloomy, terrible, twilight hour. Something urges me to turn back, and

tells me that the whole world is mine. What has happened? Are there not

thousands like me, who live honored, oblivious of themselves? What is

it within me that whispers; "You must expiate?" I can go hence. It will

seem as if nothing had occurred. "A piquant adventure," "a

disappearance for a few weeks."--What more can they say? All I need is

to be bold--the carriage rolls along, all salute me. I am beautiful,

and no one will see the writing on my brow, for a diadem sparkles

there.

But the terrible words are written there--it seems as if I could behold

my own soul face to face.

*

There is a childhood of the soul and, with all her experience, the

grandmother possesses it. Oh, that I could gain that childlike feeling!

But have not those who seek it, forever lost it?

*

Old Jochem often brings his money to me, and makes me count it for him,

piece by piece. He maintains that one is so often cheated in money

matters.

My little pitchman told me that the peasants almost always treat their

aged parents who have given up their property to them, with great

unkindness, and then he asked me: "Why must Jochem live so long? He has

nothing in the world but hatred and mistrust." I know no answer.

Old Jochem is a veritable peasant Lear, but as he is able to complain

at the court of justice, and has actually done so, his case is not pure

tragedy.

But there is no court of justice at which a king can complain; nor does

he desire one; and hence his fate is great and tragic.

My friend, call me when thou standest in judgment upon thyself. I am

the only one who dare accuse thee, and yet I accuse not thee, but

myself. And I am expiating my guilt.

*

The open hearth-fire affords me many happy moments. How beautiful a

fire is! What are all jewels, compared with it? Poor old Jochem cannot

see the fire. It is the most beautiful thing in every house-- Men

should be fire-worshipers.

"You've had good thoughts," said Hansei to me, when I was sitting by

the open window to-day. "I could tell it by your looks."

He evidently longed to put a question to me, but he is determined to

keep his resolution. He never asks me anything and, to avoid doing so

often changes the form of his sentences. I told him my thoughts, and

his manner seemed to imply: "It isn't worth while to think of such

things."

"Yes," said Hansei at last, "that's true enough. When one sits by the

fire, his thoughts will roam."

To Hansei's notion, nothing in the world is so objectionable as taking

a walk. He cannot conceive why one should roam about, where there is

nothing to seek and nothing to do, and why, under such circumstances,

one would not rather lie down on the long bench and go to sleep.

*

When I think of good Kent, I always imagine him as having a rich, full

voice, like that of Bronnen, whom, in his youth, he must have

resembled.

Certain figures pass in procession before my mind's eye. The queen and

Bronnen are the only ones ever present; the king vanished with the

forgotten past. In my dreams, many visit me, but he never comes. Why, I

know not. I cannot solve the enigma.

To one who, when alone, stops to think, many things lose in value,

human beings among the rest. Personally, Gunther was no more to me than

another would have been. Emma was a mere echo.

If we thus reckon over our possessions, we find them little enough, and

I have left but little behind me in the world.

*

The ringing of the sleigh bells is the only sound one hears. The woods

are full of busy workmen. Snow and ice, which block the roads

elsewhere, here serve as highways.

*

Labor, by sending its fruits out into the world, places our vital force

at the disposal of others. The work which I have fashioned goes out

among men, and yet I am left undisturbed in my solitude and

concealment.

Man's work leaves him. It seems to me that I once met with the same

idea in Ottilia's journal.

*

The dog is the friend and confidant of solitary man. Lonely, deserted

spots, like this, aid one to appreciate his faithfulness, for he fails

not to give notice of every unwonted occurrence.

*

I often rush to the window when the dog barks--who knows what stranger

may have come?

Suppose the intendant or Gunther were suddenly to come, and ask me to

follow them back into the world?

The very thought makes me tremble.

Would I be obliged to obey?

*

To know that I had, at one time, renounced the world, and that it was

but a step and a leap--makes it easier to bear with life. I am now

beyond misfortune's reach.

And yet--if life were to claim me again--

*

I am but an ant dragging a pine-needle.

*

I am not quite forsaken. I bear, within me, memories of melodies and

pictures, and, above all, songs of our great master, Goethe.

"On every height there lies repose."

This passage has occurred to me hundreds of times, refreshing me just

as if it were a gentle, cooling dew, falling upon a parched field. I

delight in the harmonious cadence and in the simple words!

I could not rest until I had repeated the song to some one. I recited

it to the old pensioner; he understood it, and my little pitchman has

already gotten it by heart. How fortunate is the poet! One short hour

of his life becomes undying to thousands after him. How I delight in

these precious memories! I am like the old pensioner, who has learnt a

few songs and quietly sings them to himself.

*

I am beginning to feel something like veneration for the old pensioner.

Early this morning, he came to me, dressed in his Sunday clothes, and

wearing the medal which he received in the war of liberation. It was

not without a certain air of pride that he said: "They're reading a

mass for me at church to-day. I served under Napoleon in those days,

just as the king did, too. It was in the year 'nine' and, on this very

day, up to three o'clock--that is, some time between three and four--I

was sound and hearty, when, all at once, I was struck by a ball, here

in the third rib--that's why I wear my medal on the right side. I fell

to the earth, thinking: Good-night, world! God keep thee, my dear

sweetheart! She who was afterward my wife, was my sweetheart at that

time. They extracted the ball with a crossbill, and I kept on smoking

while they were at work. My pipe never went out once, and I was soon

all right again. But one doesn't easily forget such a day, and so I

arranged it, at the church, that they should read a mass for me on this

day. See, this is the ball and, when they bury me, I want them to lay

it on my third rib."

He showed me the ball. He carried it in a leather purse. After that a

child that he had hired for the purpose led him down into the village.

I will now be more patient with the unfortunate old man. His life was a

drop in the ocean of history--struck by the enemy's bullet--! A leaden

ball can be extracted, why cannot also--

When I reflect on the daily events of the life I now lead, all my

thoughts seem to lose themselves in the one unsolvable problem.

The grandmother told me a strange truth to-day. I had been telling her

that, even in the past, I had never been perfectly happy, when she

replied:

"You've deceived yourself. It's always so in the world. Those who are

deceived, have deceived themselves, but they're never willing honestly

to confess it."

*

Uncle Peter is the very embodiment of cheerful poverty. He is always in

a good humor, and I have been the means of making him quite happy. He

brings my work, carries away what I have finished, and, between us, we

have quite a handsome profit. He also assists me in preparing the wood,

and he handles saw and axe as deftly as a bird does its claws and beak.

*

To-day I received the first money that I ever earned by the work of my

hands. Uncle Peter counted it out to me on the table. He refuses paper

money. Nothing but silver will satisfy him. "Ready money smiles," said

he, with a laugh in which I could not help joining. How small are these

gains, and yet how encouraging. I have earned them. All my life long, I

have merely enjoyed what others have offered me. It was a privilege,

inherited from my ancestors, that others should labor for me.

I can now manage to pay Walpurga something for my support. She refused

to receive pay, but I shall insist upon it.

*

It is well that my employment is, to a great extent, a mechanical one,

comprising much which is necessary and requires neither reflection nor

contrivance. Certain things must be done, and there is but one way of

doing them. If I were obliged to do anything that required great mental

exertion, it would be the death of me.

*

It is now four months since I came here.

My hands have become hardened.

The treatment I receive from those about me, satisfies me that their

affection for me is sincere.

*

If one could only always remain the same--that is, in the full

possession of one's powers.

I often give way to fits of depression and feel completely undone,

forsaken, weak and helpless, and as if help must come from somewhere.

But whence? and from who?

I am obliged, with each succeeding day, to overcome the melancholy that

oppresses me during the mornings. In the evenings, I am calm--for I am

weary then.

*

We hear the falling rain, but not the snow. Bitter grief is violent;

resignation, calm and silent.

*

It is bitter cold up here; but the woods are near us, and my monster of

a tile stove is a faithful friend who preserves his warmth.

*

Literally speaking, when Hansei returns from the forest it often takes

him an hour to thaw, and regain control of his voice and movements.

Until then, it is best not to talk with him, for he is easily offended;

but when he has thawed, he is quite happy again, and always says: "I

thank God that I've been a woodsman!"

He is evidently thinking of some method of improving the forests, but

he does not say what it is.

The lower orders always have overheated rooms. They enjoy intoxication,

even that of heat.

*

I have no mirror. There is no need of my knowing how I look. A mirror

is the beginning and the cause of self-consciousness. A beast does not

see itself,--it is only seen by others--and yet, whether it be the bird

on yonder bough, or the cat that sits before my window, it adorns

itself. I, too, dress myself carefully, and for my own sake, and am ill

at ease when my clothes are loose and ill-fitting.

*

When I first came here, I found it quite difficult to associate with

those about me, but now I find comfort and self-forgetfulness in my

intercourse with them. I should not like to darken their existence, but

to brighten it, instead. They feel that while I partake, I also

contribute my share.

I think the idea is Goethe's.

*

There was great joy in the house to-day, owing to the unexpected visit

of Walpurga's friend and companion Stasi, with her husband, a forester.

What happiness, what joy, and what an interchange of experiences!

Hansei at once invited the forester to be sponsor to his boy, for boy

it must be. Walpurga quickly said that she would like to show her

friend through the house, and I was obliged to go with her.

Among the higher classes, love may be greater, may possess more energy,

more depth, and more of all that is allied to passion; but the lower

orders seem to possess greater faithfulness and constancy. Work teaches

us to be faithful.

*

I have been out in the forest with Hansei. Oh how beautiful! We passed

a frozen waterfall; the crystal columns sparkled in the sunshine.

Hansei pointed out two trees that were far up the mountain. He means to

have them felled for me, so that I may have the best wood for my work.

Am I expected to work up two whole trees?

Hansei was quite amused, when I told him I had not forgotten his rule

of the mountain: "Go right on and never stop."

Mountain-climbing in winter has made me very tired, but I feel quite

well.

*

I have often wondered why I never heard any mention of Hansei's family.

The little pitchman has just told me that his mother died an early

death, and that he never knew his father.

This accounts for much in Hansei's behavior, and only renders it the

more beautiful.

*

We are feasting on meat broth.

Great is Hansei, the dispenser of good!

Yes, he is great. How all our illusions vanish! An Homeric hero who

cuts up swine and cooks and roasts them, remains a hero for all, and

Hansei is as good as any of them, although it be not with the sword.

There is Homeric feasting throughout the farm. They all bite with teeth

as good as those of Menelaus.

*

The greatest blessings are pure blood, steeled sinews and strong

nerves.

But he who, besides these, possesses a quiet conscience, is the

happiest of creatures.

*

I love the twilight--day fading into night. He who lives in communion

with nature is the only one whose life does full justice to each day.

Man is the only being who lives, far into the night. Light and fire

makes us what we are.

Schnabelsdorf the omniscient, once said: "The hour at which men retire

is the measure of their civilization."

At court, they are just sitting down to dinner. They are joking and

laughing, and telling each other anecdotes. If I were suddenly to

appear among them?

No, I shall not disturb ye!

In a little while, they will be driving to the theater. Isn't to-day--?

I had almost forgotten it--yes, this is my birthday. It was to-day a

year ago that I went to the ball, in the character of the Lady of the

Lake, and it was there he said to me--it was in the palmhouse--I can

still hear his soft voice: "I have purposely chosen this day. You alone

are to know it. You and I."

Oh! that night!

I wonder if they are thinking of me there?

The Egyptians, at all their festivals, displayed mementoes of their

dead. I cannot write any more--I will light the candle--I must work.

*

There is a deaf mute who lives down in the village and works at coarse

wood carvings. He has neither learned to read nor to write, nor has he

ever had any religious instruction. He knows nothing at all; but he

does know the church festivals, the holidays, and Shrove Tuesday

especially. On those days he will plant himself, with his umbrella, in

front of the church, and watch the peasants as they go by. If he sees

one who pleases him, he walks up to him, takes off his coat and sits

down at the table, and, without saying a word, they give him food and

drink for three days.

And thus he happened to come to our house. Sometimes he cries, and

cannot tell why, but he endeavors to express himself by dumb motions.

The little pitchman declares that he cries because he can't eat any

more.

I have tried to make myself intelligible to him, but we do not

understand each other.

*

(Ash Wednesday.)--To-day, every one in the house is silent and

thoughtful. Every brow was strewn with ashes, while they repeated:

"Mortal! remember that thou art dust."

Ah! mine is a long Ash Wednesday, after a mad carnival!

In my mind's eye, I often behold the picture of the Egyptian princess.

Her garments have fallen from her nude form and, with loosened hair,

she kneels in prayer by her open grave.

When wilt thou receive me, all-merciful mother earth?

I am reminded of the grandeur of Antigone's answer to Creon, who has

just announced to her the sentence of death:

"I knew that I should die; thou only tellest me when."

*

I shall quietly bear the consequences of my actions, relying on myself,

looking for no aid, either material or spiritual, from without.

*

When the people have finished repeating the Ave Maria during the

tolling of the vesper bell, they say "Good-evening" to each other. It

is a beautiful custom, and deems to say that they have returned from

heaven unto those whom they love on earth.

*

When there is no one by, Walpurga always addresses me as "Countess,"

and treats me with the deference she deems me entitled to.

Everything seems reversed. At one time, I used to address _him_

familiarly in private, and in public--

Ah! that one memory forever thrusts itself in my way!

If I were to become sensitive, it would be the most terrible thing that

could happen to me. Perhaps I am so, already. The sensitive being is as

one unarmed among those who are fully armed, as one unveiled where all

the rest are masked.

I will, I must be strong!

*

Walpurga brought me some flower-pots to-day, with rosemary, geranium

and oleander.

Hansei had brought them from the place of a great doctor who, he says,

lives at some distance from here, in the valley. His gardener is

allowed to sell plants, and Walpurga brought them to me, saying:

"You've always had flowers about you, and these will last through the

winter."

These few plants make me happy. The flower does not ask what sort of a

pot it is in, so long as it gets its share of sunshine and rain. What

enjoyment do those who dwell in the palace have, of the hot-house

flowers? They neither planted nor tended them: they are strangers to

each other.

*

Hansei came to me to-day and said:

"Irmgard, if I've ever wronged you--though I don't know that I have--I

beg you to forgive me!"

"What makes you ask me that question?"

"Because to-morrow we go to confession and communion."

The tears that fall upon these pages are my confession, a confession

that I cannot frame in words.

*

Why was I obliged to cross the threshold of evil before entering this

circumscribed and yet peaceful existence? Why not pure and free, proud

and strong?

I have somewhere read that Francis of Assisi, returning, early in the

morning, with the merry fellows who had been his comrades in the

drinking bout of the night before, was suddenly seized by the Holy

Spirit and, renouncing the world, led a holy life ever afterward.

And must it always be through paths of sin?

But far sadder is the question: Why were you, O queen! obliged to

suffer thus?

*

I often wander about the fields in the pouring rain, and feeling like a

prisoner. What keeps me here? what lures me hence?

*

I lead the life of a prisoner, confined by walls and iron gratings

formed by my own will.

I endure all the pain of exile!

I live in a state of torpor. Why must I wait for death?

It often seems to me as if I were lying at the edge of a precipice, and

yet cannot awake and rise.

Whither should I go?

*

The thought sometimes flashes across the desert waste that fills my

soul, and drags me along, like a powerless rider mounted on some

enchanted steed: "You know nothing of the world you have left behind

you: those who are about you conceal what knowledge they may possess,

and you dare not ask."

How would it be if the queen were dead, and he who once loved you and

whom you loved in return--ah, so deeply!--were doubly alone and

forsaken, and grieving because of thee? Let him have but the faintest

token that you are still alive, and he will come for you, and, mounted

on a white palfrey, you shall again enter the palace as queen. All will

be expiated, all will be forgiven. You will be a friend to the people.

You know them, for you have lived and suffered with them--This thought

often seizes me and envelops me, as it were, in an enchanted net. I

cannot rid myself of it, and I seem to hear voices and trumpet tones,

calling me hence. I have not yet quieted the wild brood that dwells in

my soul.

*

Mysterious demons slumber within our souls. At the faintest call, they

raise their heads and crawl from their hiding-place. They have cunning

eyes and can readily change their shapes. They can appear as virtues,

and, borrowing priestly robes, can speak the language of sympathy:

"Have pity on yourself and others." They make a show of their power and

love of action, and say: "You can bestow happiness on one and on many.

You can do great and good service to one and to the multitude."

I annihilated them. I held the light up to their eyes, and they

vanished.

Thou livest, queen! Friend whom I have so deeply injured, thou livest!

I do not ask, nor do I wish to know, whether thou art dead.

Thou livest, and my only wish is that thou mightst know of the life of

repentance that I am now leading, and how little compassion I have for

myself.

*

The Greek drama, "Prometheus Bound," occurs to me. Prometheus was the

first anchorite. He was fettered from without; we fetter ourselves by

vows or the rules of an order.

I am neither a Prometheus, nor a nun.

*

There is but one thing, which the outer world might afford me, that I

still long for, and that is the music of a large orchestra.

Fortunately, I often hear it in my dreams. How strange! While sleeping,

my soul plays on all instruments, and performs great orchestral works

which I never entirely succeeded in committing to memory.

We lead a dual life after all.

*

Freedom and labor are the noblest prerogatives of man. Solitude and

industry constitute my all in all.

*

Walpurga has never referred to the warning she once gave me. With a

rude hand, she snatched me from the edge of the precipice and, in

return, I scolded and deceived her, while deceiving myself. She

represses everything that might remind me of that scene.

*

To-day, Jochem confided to me the one grief that clouds his life: "They

lead old oxen and cows to the slaughter-house," said he; "old horses

and old dogs they shoot, and old men they feed to death--that's all the

difference."

*

The dwelling-house on our farm has been neglected and is sadly in need

of repair; but Hansei is not inclined to begin building at once.

"We must make shift with the old house," he says, "the work must be

done first." And, besides this, he has a certain dread of what people

may say. The house had been good enough for those who had been there

before him--why shouldn't it be good enough for him?

Even the farmer, on his lonely estate, is not perfectly independent. He

who cares for the opinion of others, must allow it to affect his

actions.

These are the chains that make slaves of us all.

*

(March 1st.)--Joy and happiness have entered the house. New light has

awakened in me, too, as if my life were something more than mere

darkness. Walpurga has a boy. Hansei's happiness is complete, and he

never mentions the boy except as "the young freeholder."

*

The christening is over. I felt sorry that I was unable to accompany

them to church, but I could not.

*

I have laid the peasant's garb aside. It was in place while I was a

fugitive, but now I have no further need of it. I wear dresses of

simple calico, like those worn by many of the country people who employ

themselves with housework. All that I have retained is my green hat,

which I find quite useful, as it helps to hide my face.

I have laid aside many outer garments; how many inner ones must I still

put off?

*

Fear and anxiety are gradually leaving me.

I have been at the village, and for the first time. The houses stand

apart, on the mountain meadows. Viewed from above, they almost look

like a scattered flock of sheep.

*

The rushing of the waters and the rustling of the forests sound so

strangely at night, and yet the rushing and rustling are unceasing. How

vain, how small is the child of man!

*

Oh, how delightful it is to be awakened by the song of the finch, and

to find all nature refreshed by the invigorating morning air!

*

(April 19th.)--A heavy fog all day. The mist forms a veil which hides

nature's death and awakening from view.

*

The nightingale by yonder brook, sings all day long and through the

night. What unwearying power! What an inexhaustible fount of song!

While I write, its song seems to come nearer, as if it knew that I long

for it.

*

I see every opening bud, and wait to see the ferns unfold their leaves.

Even the rough maple has a delicate blossom. Everything is blooming or

singing. There is music, even in the cackling of the hens. The world is

full of infinite variety.

*

Oh, how delightful to watch for every green leaf, and for the opening

of every bud. Nature's greatest charm is that she is never in haste.

She can wait, and all we need do is--to wait upon her.

*

At first, we attempt to note every stage of growth, but we soon find

that an impossibility.

*

It needs but a single rainy day, and all the buds burst. Bright spring

is with us once again. Spring produces a sort of mental unrest which

seems to move in a course parallel with the impulse at work in nature.

*

The drooping birch is laden with rich clusters of blossoms, and its

branches are swayed to and fro in mute yet melodious movements.

*

The best self-forgetfulness is to regard the things of this world with

love and attention.--Perhaps attention already presupposes love, and

that of the most unselfish kind.

*

A cuckoo comes quite close to the house at early morning and utters its

cry.

*

(Whitsuntide.)--The preparations for the festival afford much pleasure,

more perhaps than the festival itself. What kneading and baking, and

what joy at the successful completion of the festal cake.

Joy which we have prepared for ourselves is perfect joy. And now comes

the festival. Trees and human beings seem blooming with life, and

yonder forest is borne toward us in the Whitsuntide favors they bring

into the house.

Hansei has a new suit of the style worn in this section of the country.

When he walked over the farm to-day, the kindly "good-morning" which he

bestowed upon every one seemed full of happiness.

I am very sorry that I am again unable to accompany them to church. The

festal feeling reaches its climax in church-going, but, even at home,

the air is laden with the fragrant odor of the birch and holiday cake.

*

(May 24th.)--We have had a furious spring storm, accompanied by thunder

and lightning. The trees swayed to and fro and bent as if they would

break.

"That's bad," said my little pitchman, "though it's good for the rye. A

storm in springtime brings cold weather, while one in midsummer makes

the days warmer than before."

How well this symbolizes precocious passion.

The bright sunshine has returned. I have been out of doors. Millions of

blossoms are strewn about the ground and, in the forest, lay many dead

young birds. They had ventured out of their nests too soon; the rain

had wet their young wings and they could not return. Besides that, the

nest no longer contained room for them. Forsaken and hungry, there was

nothing left them but death!

Nature is terrible. It labors long and patiently to bring forth a being

which it suddenly and wantonly suffers to die.

*

Sundays go hardest with me. One is used to look for something unusual

on that day. We put on a particular dress and expect the world to do

the same. On that day, more than on all others, I feel that I am in a

strange world.

The brook murmurs and the birds sing, just as they did yesterday. What

right have I to ask them to sing me a different song to-day?

Nature has no moods; they belong to man alone.

In this lies a heavy burden.

*

In former days, while watching the forms and colors of the clouds, I

was obliged to look up into the sky. But now I see them resting on the

earth below me.

I can pass hours, watching the passing clouds and their ever-changing

forms as reflected on the mountains. The earth itself was fashioned

from such fluid masses. No artist can realize the extent of this

cloud-world, or its wealth of form. Before our thoughts attain fixed

shape, they, too, must pass through this nebulous state, in which,

however, we are unable to perceive them.

*

Singing birds, in great variety, have clustered at the edge of the

forest. The notes of the lark, the yellowhammer, the green finch, the

blackbird, the thrush, the red-tail, and the titmouse are heard all at

once. Only a few of the birds that build their nests deep in the

forest, sing there.

*

In springtime, forest rills become brooks. In summer, naught is

visible, save the dry bed of the stream. It is the same with our own

lives.

*

When old Jochem hears me rejoice because spring has come, he always

says: "What does it signify? In a few weeks, the days will begin to

shorten again."

*

If human beings, like the trees, bore visible blossoms, these blossoms

would assume a different shape and color, with each succeeding year.

The blossoms of my soul were once so bright; but now--

*

For the first time in my life, I have seen a pair of eagles soaring in

the air. What a life theirs must be! They hovered far overhead, and

described a circle in their flight. About what were they circling? Then

they soared still higher and vanished in the empyrean.

The world still contains spirits whose flights are as free and as bold

as that of the eagle. There is no creature that soars above the king of

birds, no enemy that can approach him. But man sends forth the fatal

ball and thus exerts an influence in regions which the eye alone can

pierce.

_He_ too was filled with pride when he had shot an eagle. And why?

Because it was a proof of his power, and he adorned my hat with the

token of his victory. Ah, woe is me!

Why does this grief constantly return to me?

*

We women are never alone in nature. This is only another proof of the

deep truth that lies in the old tradition. Man, created first, was

alone; but woman, who came afterward, never existed alone. This repeats

itself through the history of all nations, and a perplexing mystery is

at last revealed to me.

*

In the world of fashion, just as in the park, the traces of footsteps

are effaced by obsequious servants. There must be nothing to remind us

of yesterday.

And yet their life is to form a part of history.

*

To cease evil, is not doing good.

I would like to accomplish some great deed. But where?

Within myself alone.

*

My little pitchman is quite a changed being when among scenes of

nature. He does not love nature. To use his own words, it merely amuses

him. He delights in the most trifling peculiarities of bird-life, and

how well he knows all the birds!

*

(Many rainy days.)--I long for the sun, and am almost dying for the

want of it. I feel as if I were fading, as if perishing with thirst--I

cannot live without the sun. It is my debtor for the lovely May days of

which I have been deprived. I must have them; they are my only comfort.

*

If I remain thus dependent upon the weather, permitting every cloud to

darken my mind, and every shower to chill me with the feeling that I am

forsaken, it were far better I were lying at the bottom of the lake,

and that the boatman were telling those whom he was ferrying across:

"Far below us, lies a young maid of honor."--I have once before bade

farewell to the sun, and I mean to be independent of it.

*

There are beings who know nothing of rain and sunshine, and yet live.

But there are, also, others who are filled with dew-forming power--but

they are the calm, self-contained, powerful natures, whose life is an

inner, rather than an outer, one.

*

(June 12th.)--After many hot days, there was rain last night. The drops

are still glittering on every leaf and flower. Oh, the delightful

morning that has succeeded the nocturnal storm! To have fully enjoyed

such a morning is worth the trouble of living.

*

Jochem has a lark in a cage--he must have something shut up with him.

The lark affords me great delight. There are but few of them up here,

for we have nothing but meadow land. They love to hover over the fields

of grain down in the valley.

*

After the midsummer solstice, the woods become silent. The sun now

merely ripens, and has ceased to call forth blossoms and song. The

finch alone keeps up his merry lay.

*

From my window, I can see the white foal grazing in the meadow. He

knows me. When I look up, he stands still for a while and looks at me,

and then dashes hither and thither at a furious rate. I have named him

Wodan, and when I call him by that name, he comes to me.

I have sketched the foal, and am now carving it in birch. I think I

shall succeed, but wood is obstinate, awkward stuff, after all. I lose

my patience on slight provocation. I must try to overcome this.

*

Yesterday was a year since I lay at the foot of the rock. I could not

write a word. My brain whirled with the thoughts of that day; but now

it is over.

*

I don't think I shall write much more. I have now experienced all the

seasons in my new world. The circle is complete. There is nothing new

to come from without. I know all that exists about me, or that can

happen. I am at home in my new world.

*

Unto Jesus the scribes and pharisees brought a woman who was to be

stoned to death, and he said unto them: "Let him that is without sin

among you, cast the first stone."

Thus it is written.

But I ask: How did she continue to live? She who was saved from being

stoned to death; she who was pardoned, that is, condemned to live? How

did she live on? Did she return to her home? How did she stand with the

world? And how with her own heart?

No answer. None.

I must find the answer in my own experience.

*

"Let him that is without sin among you, cast the first stone." These

are the noblest, the greatest words ever uttered by human lips, or

heard by human ear. They divide the history of the human race into two

parts. They are the "let there be light" of the second creation. They

divide and heal my little life, too, and create me anew.

*

Has one who is not wholly without sin, a right to offer precepts and

reflections to others?

Look into your own heart. What are you?

Behold my hands. They are hardened by toil. I have done more than

merely lift them in prayer.

*

Since I am alone, I have not seen a letter of print. I have no book and

wish for none, and this is not in order to mortify myself, but because

I wish to be perfectly alone.

*

She who renounces the world, and, in her loneliness, still cherishes

the thought of eternity, has assumed a heavy burden.

Convent life is not without its advantages. The different voices that

join in a chorale sustain each other, and when the tone at last ceases,

it seems to float away on the air and vanish by degrees. But here I am

quite alone. I am priest and church, organ and congregation, confessor

and penitent, all in one, and my heart is often so heavy, as if I must

needs have, another to help me bear the load. "Take me up and carry me,

I cannot go further!" cries my soul. But then I rouse myself again,

seize my scrip and my pilgrim's staff and wander on, solitary and

alone; and while I wander, strength returns to me.

*

For the first time in a year, I saw a carriage driving up the white

road that leads through the valley. Those who were sitting in it, could

not know how my eyes followed them. Whither go ye? who are ye?

*

I must write again. I believe that I at last know the full meaning of

the word "gemüthlich." It includes careful thought for the comfort of

others even in the merest trifles, and requires one to put himself in

another's place. It is the heart, expressing itself in poetry; it is

feeling, clothing itself in the garb of fancy.

True culture includes this feeling; for what is culture but the power

to put one's self in another's place, and "to see ourselves as others

see us"?

My opinion is still unchanged. Hansei seems dull and awkward, and yet

he has far more of the best culture than many a one who is decorated

with orders and epaulettes and is regarded as one of the most charming

of cavaliers.

*

I constantly keep thinking that there is something in me which I have

not yet discovered. It gives me no rest. Is it an idea, a feeling, a

word, or a deed? I know not, but I feel that there is something within

me that seeks a vent. Perhaps death may come before I discover it.

*

Old Jochem still remembers a few verses from the hymnbook, and keeps

repeating them to himself, but in such perverted shape that they are

sheer nonsense. I offered to teach him the verses correctly, but this

made him very angry, and he told me that I was trying to teach him

something new, and that it would not answer. His nonsense seems dear to

him. He does not understand it, and the air of mystery thus imparted to

it renders it far more impressive.

*

One who has never experienced the feeling, cannot know what it is to

long for a few words of conversation with your equals. It is a

consuming thirst. Any one who can speak my language would serve my

purpose. I cannot endure this strain. I feel as if I were in a strange

land, and were vainly listening for the beloved accents of my native

tongue. It is well for me that I can work.

*

As long as I had Walpurga with me in the palace, I could speak to her

freely on various subjects. When I came to her, it was a change, a

stepping out of the sphere in which my thoughts were accustomed to

move. But here, where I have her and nothing else, it is different. It

is not pride--for what have I to do with pride? Is it alienation, or is

it sullen listlessness?

*

_Naïveté_ pleases us only for a short time. Wisdom always remains

attractive--such wisdom as mother Beate's or Gunther's. Yes, I long for

him most of all.

Wisdom is cultured _naïveté_ or, to speak more correctly, the _naïveté_

of genius. It is the rosy apple; _naïveté_ the blossom from which it

sprang, still dwells in the fruit, as its core.

Night and day, the various elemental influences, clear perception and

the mysterious forces of nature:--all these help to perfect the finest

fruit.

*

I cannot look upon work as the noblest thing in life. The perfect man

is he who does nothing, who cherishes himself--; such is the life of

the gods, and what is man but the god of creation?

My heresy thus expresses itself. I have confessed and repented of it.

But in the confessor's chair sits one who is in the right when he says:

"Very well, my child! And so the noblest and most exalted life is

simply existence, void of effort. But, since no one can live unless

some other being labors for him, it follows that all must do something.

Nothing can be had without pay. The one class has not been sent into

the world merely to exist, nor the other merely to labor."

*

How happy I might become if there were no past. A life hereafter,

filled with memories--how sad the thought! And yet without memories,

would it be a second life?

*

True joy at last dwells with us. Whenever we partake of anything,

Walpurga always says: "We planted this ourselves; on such a day, we set

our beans. I put them in Burgei's hand, and she dropped them on the

garden beds."

And thus it seems to be with all things. The past is being renewed to

us.

*

I have found it difficult to go over the same task, again and again.

But the constant repetition is what constitutes labor. Without that, it

is mere amusement.

Nature constantly repeats herself, and we must serve her by imitating

her. She repeats herself through her laws; man, through his duties.

I have, nevertheless, indulged in variations, and not without success.

While walking through the stable, I observed the cow lowing and turning

toward her sucking calf. I have carved the figures in wood.

I should like to imitate every object in nature--to create the world

anew, as it were, so that men might see all things as I see them.

I thank Thee, Eternal Spirit, for bestowing these gifts upon me.

*

The chief aim of life is not joy, nor is it repose. It must be labor.

Perhaps there is no chief aim, after all.

*

Love and labor are the body and soul of mankind. Happy is he in whom

they are united. I have forfeited love--nothing is left me but labor.

*

My white foal! It looks at me, and I look at it in return. Free and

uncontrolled, it scampers about the field, and yet I seize it and send

it out into the world, so that others, too, may delight in the pretty,

playful animal.

I have sketched it in various positions. Its every movement is replete

with strength and grace.

*

I have carved the figure of my white foal, and have completed it with

incredible rapidity. My friends are astonished, and so am I. I look

upon it as a success.

My little pitchman--why should I dislike to mention it?--carried the

figure down to the dealer. It grieved me to part with my work, but the

little magic horse must, and does, support me. It was sold at a good

price, and I received a large order, besides.

*

Sometimes, I find myself wondering what Countess Brinkenstein, pious

Constance, Schnabelsdorf, or Bronnen, would say if they were to see me

now; and at such moments, I am obliged to look around, in order to

satisfy myself that they are not present.

So long as I cannot govern my imagination, I am not free. Fancy is the

most powerful of despots.

*

Our fountain gushes and bubbles the whole night through, and when the

moonlight rests upon it, it is lovelier and more peaceful than ever.

The earth bounteously gives forth its healing waters. They flow

unceasingly. All that we need do is to go to the spring and drink. My

favorite seat is near there. Its waters sometimes suddenly increase in

volume and swiftness, as if they were bringing me a special message.

Perhaps it is all caused by the currents of air, and I may be mistaken

after all. One easily gives way to reverie when by the spring.

*

Gundel, the little pitchman's daughter, affords me much much pleasure.

The honest, kind-hearted, simpleminded creature is now full of joy; she

loves, and is loved in return.

One of the farm hands is a native of Hansei's birthplace. He was once

in the cuirassiers, and this faithful, but rough and ill-favored lad,

is Gundel's lover. A girl whom no one has noticed, whose life has been

constant drudgery, is invested with new importance, both in her own

eyes and in those of others, as soon as she becomes the object of a

man's love. All that she does is regarded as good and pretty, and she

is at once lifted up out of her lowly and forgotten state.

Love is the crown of every life, a diadem even on the lowliest head.

When Gundel goes about her rough work--to draw water, or to feed the

cattle--she seems radiant with newborn happiness.

Although I have said nothing, she notices that I am interested in her,

and she often ask whether there is anything she can do for me.

I wish that riches were again mine, so that I might make these lovers

happy.

*

How foolish is the desire to be ever original. Nature constantly

repeats herself. The rose of to-day is like that of yesterday.

Men determine for themselves--and in this lies their torment.

*

I have not yet put vanity away from me. I am still moved to delight

whenever a happy expression flows from my pen. But is this really

vanity? I think not. Although alone in my cell, I adorn myself for my

own sake. Beauty has become a necessity to me. I must be surrounded by

objects of beauty, and must also possess it in myself. Uncouthness does

not offend me, but ugliness, affects me just as discords do. In the

so-called cultivated world, a rude expression excites a deprecatory

"Ah!" while elegant vulgarity is smiled upon.

*

I am obliged to read old Jochem's bond to him, at least once a week.

Although he knows it by heart, he insists upon hearing it again and

satisfying himself that it is all right, and properly signed and

sealed. He does not suffer it to leave his hands. I am obliged to read

it while he holds it. He trusts no one.

The old man almost seems to regret that he has nothing to complain of,

and is constantly urging me to prepare a memorial to the king, so that

he may have it at hand when required. How strange that the king should

always seem to him the personification of right and justice.

He has much to tell me about the late king, under whom he served. He

describes him as a perfect gentleman, and says that he often hunted in

this region. He has been informed that the present king is not much of

a hunter, and that he sticks to the priests, who, in return, grant him

absolution. He always concludes by asking whether I have ever seen the

king, and, although I have answered "No" a hundred times, he keeps on

repeating the same question.

*

Hansei was right, after all! I feel as if I ought to crave his pardon.

It is a disgusting sight to behold the old pensioner at his meals; and

if one does not intend to have him at table for the remainder of his

life, one had better not begin with him. Hansei's objection was kind

and clever, not rude and ill-natured. Kind resolves that cannot be

fully carried out, had better not be attempted.

When I spoke of this to Walpurga to-day, she answered me, through her

tears, saying: "I'd a thousand times rather hear you praise him than

me."

*

It is not until humanity becomes a duty that we can truly know whether

its exercise is a pleasure or a sacrifice.

Naturally enough, I have treated Jochem kindly, have often had him

visit me, and have tried to entertain him. Now he will not leave me to

myself, and robs me of my only possession--solitude. Although it cost

me an effort, I was obliged to insist upon his only visiting me during

certain hours. But even that is irksome, for I am no longer perfect

mistress of my time. When the bell in the valley tolls the hour of

twelve, the old man comes and sits with me. Our conversations are not

very fruitful or suggestive. His stock of ideas is but a limited one,

and topics that are not related to them fail to excite his interest.

Besides that, he coughs a great deal, and is always asking me to tell

him about my father. He seems to forget that I have already told him

that I never knew my father. It was the saddest thing I ever said, but

I did not know my father while he lived. I understood him not, although

he attempted to reveal himself to me. From the depths of my soul, I cry

out to him: "My poor father! you tried to perfect yourself, but your

last action, although it was meant to arouse me, was the act of one who

was in fetters. I now accomplish what you falteringly began. While

laboring for you, my love for you has become full and complete. You are

now near to me, and have become what you longed to be--my preserver."

*

I have at last made it a rule that the old man shall only come when I

send for him. I could not do otherwise. And this I find almost worse

than to have fixed hours for his visits, for now I am often obliged to

stop and ask myself: "Isn't it time to call the old man? He won't

disturb me now." He thus engages my thoughts more than before.

I must learn to bear with him patiently, and Jochem will surely

improve. When I say to him: "I can't talk now," he is satisfied. All

that he asks is to be permitted to sit there in silence.

*

How well one sleeps when tired with work. How good it is to have hunger

and fatigue, when one is safely able to satisfy their demands.

In the great world, they eat and sleep, but are never tired or hungry.

I never knew how much I used to talk, and how necessary conversation

had become to me. But now that I have learned how to be silent, and

live alone with my own thoughts, I do know; I now see that the presence

of others exerted an electric influence upon me, overcharging my

nature. I was never unreal, but was more than I really am. I made

others cheerful, but how rarely was I so!

*

Labor is the consoling friend and companion of solitude.

He who has not lived alone, does not know what labor is.

*

I am often reminded of Dante's: "There can be no greater suffering

than, in one's misery, to remember happier days." But why does he not

tell us what kind of happiness he means? It must always be delightful

to remember innocent joys, though the unhappiness that follows be ever

so great.

But Francesca refers to happiness allied with guilt. And I know that

she is right.

I still remember my father's parting advice: "Indulge only in such

pleasures as it will afford you pleasure to look back upon."

*

What strange, hidden springs flow through one's soul. Ever since the

sad saying of Dante's occurred to me, all my thoughts have been

translating themselves into Italian.

*

It often seems to me as if it were sinful thus to bury myself alive. My

voice is no longer heard in song, and much more that dwells within me

has become mute.

Is this right?

If my only object in life were to be at peace with myself, it would be

well enough--but I long to labor and to do something for others. Yet

where and what shall it be?

*

When I first heard that the beautifully carved furniture of the great

and wealthy is the work of prisoners, it made me shudder. And now,

although I am not deprived of freedom, I am in much the same condition.

Those who have disfigured life should, as an act of expiation, help to

make life more beautiful for others. The thought that I am doing this

comforts and sustains me.

*

My work prospers. But last winter's wood is not yet fit for use. My

little pitchman has brought me some that is old, excellent and well

seasoned, having been part of the rafters of an old house that has just

been torn down. We work together cheerfully, and our earnings are

considerable.

*

Vice is the same everywhere, except that here it is more open. Among

the masses, vice is characterized by coarseness; among the upper

classes, by meanness.

The latter shake off the consequences of their evil deeds, while the

former are obliged to bear them.

*

The rude manners of these people are necessary, and are far preferable

to polite deceit. They must needs be rough and rude. If it were not for

its coarse, thick bark, the oak could not withstand the storm.

I have found that this rough bark covers more tenderness and sincerity

than does the smoothest surface.

*

Jochem told me, to-day, that he is still quite a good walker, but that

a blind man finds it very troublesome to go anywhere; for, at every

step, he is obliged to grope about, so that he may feel sure of his

ground before he firmly plants his foot on the earth.

Is it not the same with me? Am I not obliged to be sure of the ground

before I take a step?

Such is the way of the fallen.

Ah! why does everything I see or hear become a symbol of my life?

*

Our life here is like that of plants. Our chief care is as to the

weather. Rain and sunshine affect us as they do the plants that require

their aid. Hansei often complains that he does not understand the

weather signs hereabouts. In his old home by the lake, he could always

tell how the weather would be. His want of knowledge on this subject

prevents him from feeling quite at home here. Our little pitchman,

however, is a most reliable weather-prophet, and has thus come to be

looked upon as quite an important personage. I am his docile scholar

and he is quite proud of me. Although he is quite intimate with me, and

often indulges in pleasantry, he never fails to treat me with great

respect.

Those who know nothing of etiquette, often make up for the want of it

by their tact. I congratulated the little pitchman last week. It was on

the occasion of his birthday, and when I shook hands with him, his face

grew scarlet. He thanked me heartily, and kept saying that when he got

to heaven, he would bespeak good quarters for me, and that his old

woman wouldn't get angry if he possessed both her and myself in the

next world. He is always happy when serving me. When he builds a fire

in my stove, he ogles every log, as if it ought to feel it an honor to

be permitted to help keep me warm.

*

The census troubled me greatly to-day. After dinner, Hansei produced

the blank which he was required to fill, and handed it to Walpurga,

with the words: "Do you write, or let her"--meaning me--"write her

name, her age, and where she comes from?"

We were in great tribulation, until Walpurga, at last, solved the

difficulty by saying that there was no need of telling everything.

The remark was quite opportune and afforded a convenient excuse to

Hansei, who was greatly annoyed by another schedule, in which he was

expected to state the annual yield of milk and of butter, the number of

chickens on the farm, etc., etc. Hansei was angry at the officials, and

felt quite sure that they meant to impose another tax. His wrath saved

me, but defrauded the state out of one soul.

The people hereabouts look upon the state and its functionaries as

their natural enemies, and have no scruples as to deceiving them.

*

For the first time in my life, I have seen a tree felled.

I was filled with awe when I saw it topple for a moment, before the

final crash. It reminded me of the fate of a man who is, at one blow,

hurled from sunny heights into the depths of misery.

Hansei is having a path cut through the forest. It passes by my window,

and the clearing will afford me a fine view. He was quite happy when I

told him of this.

*

Hansei was at the capital. On his return, he unwrapped a large parcel

and, with conscious pride, showed us what sensible presents he had

bought. They were the pictures of the king and queen.

In his kindness of heart, he offered to let me hang up the pictures in

my room, and was quite provoked to find that his wife wanted to keep

them for herself. I satisfied him at last by saying: "The sitting-room

belongs to us all."

But the pictures seemed to be looking at me constantly, and made it

unpleasant for me to remain in the room. Walpurga noticed this and, to

my great relief, removed them to her bedroom. Hansei does not take

notice of such matters.

The king's portrait represents him in the dress of a citizen. Is it a

sign that--?

*

Hansei at last reveals his plan. It is quite a clever stroke of his to

begin by cutting roads through the forest, so that the beams can be

brought down from far up the mountain, and thus fetch him thrice as

much money as if they were cut into smaller logs.

*

(April 3d.)--At first, there is so much to observe. The whole world

seems like a young child, or like the first verdure of spring. Later,

one grows accustomed to it all, and it seems as if things were always

and everywhere alike. It seems to me that life would be insupportable,

if the world were ever new and left us no repose.

Habit, our second mother, is a good mother, too.

*

They have fastened a rope to the feet of my white foal, so that it

cannot run away. It can now only move about slowly. The freedom and

grace of its movements are gone, even before it is put in harness.

Oh, how many human beings have a like fate!

*

I love to watch the rain calmly descending upon the earth. If I were

not obliged to work, I could remain by my window for hours, lost in

reverie and looking out and listening, for it seems to me as if I were

endowed with a million eyes and could see every drop as it falls on the

half-open buds. But here, we are all constantly at work. I am ashamed

to sit here with my hands in my lap. The rain in springtime is soft and

beautiful, lending voice, form and substance to the air, and to every

tiny rill.

*

Formerly, I always required a spyglass, where I no longer need it.

It is because we do not live in the open air, that we become

near-sighted.

*

The rose may be improved by cultivation, and the thorns growing on its

stalk may become different from what they were; but they are thorns,

nevertheless.

*

(April 15th.)--I have heard the yellow-hammer, for the first time this

year. In springtime its notes are far more rapid and short than in

summer.

*

(April 23d.)--The first swallow has come. Now may we softly lull

ourselves to rest in the consciousness that sweet spring is with us

once again. The uncertain and anxious fluttering from one fair day to

another, is at an end.

My little pitchman says: "Swallows and starlings come and go in the

night." The idea is quite suggestive.

*

(End of April.)--We have had a shower. Oh, what fragrant odors it

awakened in flowers, grass and trees! And this fragrance floats off

into infinite space, while we short-lived children of man imagine that

it all exists for us. Everything that exists, exists for itself alone.

The _immortelle_ is one of the earliest plants to shoot forth its

leaves. It grows by the edge of the forest, and will thrive even in

poor soil.

*

(May 1st.)--We have had a cold, rainy day, with hail. Toward evening,

when the rain had ceased and the drops on the trees and bushes sparkled

in the golden sunlight, I heard the cuckoo, for the first time this

year. He flew from forest to forest, from mountain to mountain, crying

everywhere.

I now know why they say: "Go to the cuckoo."[4] The cuckoo has no nest,

no home of its own and, according to popular tradition, is obliged to

sleep on a different tree every night. "Go to the cuckoo," therefore

means: "be restless and fugitive; be at home nowhere."

When I told the grandmother of my discovery, she said: "You've hit it

exactly. You manage to get some good out of everything. You've won it."

She meant that I had won the game of life.

*

My kind little pitchman has given me an unexpected treat. He has

arranged a seat for me, up by the maple tree on the projecting rock.

But he cut away the bushes, and thus destroyed the privacy of my

favorite haunt. Nevertheless, I find it pleasant to sit there. No human

being is perfectly satisfied with what another may do for him, but we

may be grateful, for all; and gratitude is the soil on which joy

thrives.

*

(First Sunday in May.)--On Sunday afternoons, when I may not work, I

long to drive through the park in a caleche which is easy on its

springs; not to be always walking or obliged to be doing something. To

move through the world in the springtime, seated on soft cushions and

drawn by fleet horses, or, what is still better, to ride along the

turfy forest paths, while guiding and controlling a strong power--I can

never forget that.

*

At night, when I look up into the vast, starry vault, with its myriad

glittering orbs, I find it difficult to sit or to walk. I think of the

nights when, lying back in my carriage, I drove out into the wide world

and looked up at the stars. How free everything was then! I am still

much affected by trifles.

*

There are days when I cannot endure the forest, when I do not wish for

shade. I must then have the sun--nothing but light and sunshine. At

such times, I walk along the hot and shadeless meadow paths.

*

I now have a window-shelf filled with flower-pots. How different when

one has to wait for the flowers to come up, instead of receiving them

in full bloom from the gardener.

*

The evenings are my enemy--always heavy and dull. Morn is my friend,

for then everything is bright. How different it once was!

*

The mental state of those who are out in the world may be likened to

the physical condition of Baroness Constance. There is a constant

ringing in her ears, and she knows nothing of holy repose or perfect

silence. It is not until one ceases to know anything of the world, or

to care for it, that this mental ringing in the ears ceases, and holy

repose and calm are vouchsafed us. Every sound which then enters is as

a marvel.

*

The grandmother is quiet and alert, just as occasion may require. She

is not one of the ever busy and excited ones, and yet she is never

idle. With her great knowledge of human nature, she yet retains her

kindly feelings toward all. She has thought much and yet is _naïve_.

She treats me with affectionate frankness, and says that she has, all

her life, wished to have a clever person about her--one who had learnt

something and with whom she could talk about everything. And she does

this to the letter. I am obliged to explain a thousand things to her,

and she is sincerely grateful for any information I can give her.

"I like to get my kindling-wood ready in time," said she to-day.

Translated into our language, this means that she likes to think over

things beforehand.

But there are so many dark doors which we pass with closed eyes.

*

While watching the foal to-day, I could not help thinking that the

first man who tamed a beast--that is, subdued it so that it would bear

him and support him--was the first to assert the power of humanity.

Other animals can kill each other, but not one of them can guide

another life to its own advantage. There are no new species of beasts

to be tamed now. Men are, in truth, becoming poets. They condense the

intangible forces and say to steam, to light, and to the electric

spark: "Come and do my bidding."

*

I have bought some sugar with which to feed my white foal. It is a

great pleasure, and to-day I could not help thinking that, if any one

saw us, it must have been a pretty picture.

Oh, how vain and trifling I still am!

*

Every large and extended estate, be it this very farm, or the court at

the capital, has its vassals, its servants, its parasites, its willing

subjects. The world is the same everywhere.

*

Peasant life is not the elegant world, but there must be plow horses as

well as carriage horses.

*

To live out of one's self, to give full sway to one's native

temperament, to remain unmoved by external influences:--thus may one

learn to know himself and that which is highest. It is in the desert

waste that God reveals himself to the individual heart. The bush burns

and yet is not consumed.

*

Whenever I look at the mountains, I am impressed anew with their

sublimity.

The world below me is covered by a sea of mist from which the mountain

peaks here and there protrude. With every day, as it were, I behold the

first day of creation.

I am beginning to understand the idea of the sublime. It is the awe of

greatness, not the awe of fear. I feel as if dwelling in a temple.

*

Solitude often makes one dull and torpid. I sometimes experience this

even in myself.

On a rainy Sunday, Hansei will often stand looking out of the window,

for hours at a time. I feel satisfied that his first thoughts are of a

horse, a cow, the sale of his wood, or of some acquaintance. At last,

he falls into a sort of waking dream, and thinks of nothing at all. One

awakes from this childlike lying down and gazing into the world, as

from strengthening and refreshing sleep. It is indeed only another form

of elementary existence.

*

Judging by my notes, I, at one time, thought this merely a station in

my journey, where one is detained by interests or adventure; but now I

see that I am at the goal.

I will lay down my load, as the grandmother advised me to do, and break

the chests to pieces. I shall remain here for the rest of my life. And

now that I have firmly resolved to remain--even if I were discovered

to-morrow, and the whole world heaped its scorn upon me--I have a happy

feeling of being at home. I am here, and here I shall remain.

I was not reminded of all this until to-day, when my little pitchman

said: "You look so pleased, so--I don't know how, but--you never looked

so before."

Yes, my dear little pitchman, you are right; it was not until to-day

that I felt myself truly at home. I have struck root, like the cherry

sapling before my window.

*

The old pensioner said to me to-day: "Behold, my child, age takes much

from us; but I can still dream as beautifully as I did in my youth."

*

Of all the flowers, I find the heaviest dew on the rose. Is that

because of the rich perfume? Does the perfume form dew? No green leaf

ever has so much dew upon it, as the leaf of a flower.

*

I often feel tempted to tell the story of Leah to the whole household,

Jochem included.

It often annoys me, when I think that I do not impart all I have to my

friends; but how much more it would annoy me, if I were misunderstood

by them.

Even in our day, art and religion are far asunder.

The latter can be imparted to all; the former cannot.

*

It is impossible to interest the masses in refined pleasures. During

the week, they have nothing but hard work; and on Sunday, they find

recreation at ninepins, or in dancing in heavy boots. They require rude

pleasures and a rude faith.

*

(On Sunday, while the bells are ringing.)--Art does not enter into the

life of the masses. For them, plastic or dramatic art, or the higher

order of music or literature, do not exist.

The only idea they have of another life, over and above the trivial

present, is embodied by the church, and yet that which is best in all

religions is the poetry they contain.

*

What must become of one who, for years, does not read a serious book,

or does not read at all, and thus takes in no great or well worked-out

ideas? If he be rich and noble, his life becomes vain play; if he be

poor and lowly, it becomes vain labor. And, for this reason, nature has

given us song and history, has established religion which offers its

jewels to all, so that every one may drink of the fermented wine of all

knowledge and all art. But new wine must always be added, or--

*

(July 30th.)--The whole world was veiled in mist, and the sun was

hidden from view. It seemed as if the artistic creative eye were

brooding over the form it was about to usher into life. And then the

cloud-flakes were rent asunder. For a moment, the mountain world was

free. The mists disappear; but new ones arise from the earth.

*

Out in the world the fear of being ridiculed prevents people from

expressing enthusiastic admiration of moonlight. When the whole world

is illumined its soft glow, and no sound is heard save the murmur of

the sparkling brook, I am filled with ecstatic delight.

*

Temptation returns, and says: "You offend against nature by wasting

your rich gifts on tasks that others could accomplish as well as you.

Go out into the worlds and consider your present life merely as a state

of transition."

No! I shall remain!

When I stand on the mountain and gaze out into the world, I often ask

myself: "Art thou still the same Irma? What vestige is left of thy past

glittering life?"

Nothing but the heavy burden that oppresses my soul.

*

Weather-talk is considered a bore, and yet there is no subject more

important. Plants and animals feel the changes, for they determine

their fate from day to day. And are there not men whose whole life is

bound up in the question: "Will the day be clear or cloudy?"

The cloud that, like a girdle, encircles yonder peak, has rested there,

motionless, the whole day; and thus, too, there are days when a mist

seems to be resting upon one's soul, enveloping our inner being in

darkness.

*

Play of the features is distinctively a human attribute. The human face

reveals changing emotions; that of the beast does not.

The beast, moreover, has always but one and the same tone. The bark of

a dog is ever the same, be it in joy or anger; the only change is in

the temper. Or is it only to our ears that these tones seem alike?

*

If a human being were to utter such inharmonious and disconnected tones

as those produced by the mavis overhead, it would drive me to

distraction. But why do these tones not affect me in the same way? Why

do they almost please me? Because they are natural to the bird. But

man, having the power to choose, must see to it that his tones are

melodious.

*

What is all our knowledge? We do not even know what to-morrow's weather

will be. There is no infallible indicator of the changes in this most

essential condition of life. Nor do the farmers, although they are so

fond of talking on the subject, know anything about it.

*

Harvest time is the dramatic turning-point of the year. At that time,

all is haste and suspense, and men and women are alike uncongenial.

*

One need but listen to the pensioner, to learn how thoroughly corrupt

the world is. His expletives have all the force of cudgels. He is

constantly trying to sound me in regard to Hansei and Walpurga, and

would like me to tell him of their faults. It worries him to hear them

well spoken of.

*

A remark of Gunther's occurred to me to-day.

"We are all passionate; the difference between individuals being only a

difference in rhythm. He who goes downstairs at one bound, may break

his neck; he whose descent is gradual and careful, will remain

uninjured."

*

I never look at the clock. With me, life is no longer divided into

hours. I hear the bell in the valley at morning, noon and evening, and

regulate my actions accordingly. The clock is in the church tower. The

church tells us the time of day.

*

Old Jochem is ill. The physician who attends him is quite a jovial

character, and maintains that Jochem would live many years longer if he

had only been able to feed his anger and keep his lawsuits, for these

furnished him with excitement and amusement, at the same time. As long

as he had these, there was still something left to fight for in the

world and some one to abuse, and it was this that had kept him up. Now

that his life was a peaceful one, he would, in all likelihood, die of

_ennui_.

"You smile," said the physician to me. "Believe me, I am quite serious.

An infant in the cradle that does not cry, and a chained dog that does

not bark, have neither life nor energy and will surely die."

He may be right, to a certain extent.

I feel under restraint when with the physician; for he regards me with

such a strange, scrutinizing air.

"Oh, Thou good God! The grass is coming up! But they'll bury me in the

earth and I'll never come up again!" was Jochem's lament.

*

The old man is dead. This very night he passed away in his sleep. No

one was with him at the time.

He died like a forest tree which has lost its power of absorbing

nourishment.

Little Burgei now sleeps with me. My friends will listen to nothing

else, and will not suffer me to be alone at night.

*

I am filled with dread. A corpse lies on the floor above. Beside it, is

a solitary lamp that is left to burn until the dead man is buried. And

yet I feel that I must conquer this feeling of dread! Yes, I shall.

It still moves me deeply to think of how the old man remembered me. He

sent for me yesterday; and, when I went up to his bedside, he said:

"Irmgard, you were a stranger and yet were kind to me--I'd like to

leave you something. I've been thinking the matter over and find that I

still have something to give you. It's the best of all that I own. It

would do me no good to have it buried with me, and it will be of great

benefit to you, for there's a charm in it. Here it is--take it--it's

the bullet that struck me on the third rib. Take good care of it. He

who bears with him a bullet that has once hit a man, is in no danger of

sudden, unexpected death. You can rely on that! And now I've something

to ask you: Tell me, what was your father's name? You've told me that

he's dead. When I get to heaven, I'll hunt him up and tell him that

you're quite a good girl; a little bit queer, perhaps, but right good

for all. I'll tell your father that, and it'll be good news for him."

I could not tell him the name--how could I? All I could do was to thank

him for giving me what had been so precious in his own eyes. And,

strange to say, when I take the bullet in my hand and look at it, it

agitates me greatly.

I will now prepare myself to follow the old man to his grave.

*

I was at the churchyard while the old man was buried. I shall lie

there, too, some day.

I feel as if death might be conquered by the will. I am determined to

live; I will not die. Is force of will the hidden thing within me, that

I am ever seeking? And yet, I have no will. No one has. All our life,

all our thoughts, are simply the necessary result of events and

experiences, of waking perception and nocturnal dreams. Like the

beasts, we may change the scene; but, the greater one, the prison that

confines us, we cannot change. We cannot quit the earth. The laws of

gravitation and attraction hold our souls fast as well as our bodies.

Far above me, move the stars, and I am nothing more than a flower or a

blade of grass clinging to the earth. The stars look down at me and I

look up to them, and yet we cannot join each other.

*

A reigning prince has visited our farm. His highness Grubersepp, of

whom Walpurga has often spoken to me, has arrived, bringing his little

son, or--to speak more correctly--his two black horses and his son with

him. The house is all bustle, and every one seems as proud and happy as

if a reigning prince had actually come.

Grubersepp looked at me with a curious air.

"Is that prim-looking girl," said he to Hansei, while pointing backward

with his thumb, "one of your wife's relations?"

"Yes; my wife--" Hansei muttered something--I saw that it went hard

with him to tell a lie, and, above all, to the great farmer to whom he

was showing his property.

Among the peasants, it is just the same as elsewhere. Only the great

ones know each other. But their intercourse is beautiful and

impressive, and, although they exchange no friendly words, they serve

each other by friendly actions.

The family have been made happy, for Grubersepp has said that the farm

was in good order; and when Grubersepp says that, it is as much as if

the intendant should say: "divine."

During the two days Grubersepp spent here, there was no rest in the

house; that is, every one was busy thinking of him. Now everything is

running in its accustomed groove, and every face is radiant with joy.

No matter how well satisfied one may be with himself, it is something

quite different to receive words of approval from the lips of another,

and especially so, when the words of commendation come from a man so

exalted as Grubersepp.

*

I am still trembling with fright. I was in the woods to-day. I was

sitting on my bench, and saw some one walking among the trees. Now and

then he would stop to gather a flower or pick up a stone. He came near

and--who was it?

It was Gunther, the friend for whose presence I had so often longed. He

asked me, in his deep, clear voice: "Child, does this road lead down to

the village?"

I felt as if choking, and could not utter a word. I pointed to the

footpath and, in fear and trembling, arose from my seat. He asked me:

"Are you dumb, poor child?"--This saved me. I am dumb; I cannot speak.

Without uttering a word, I fled from him and, when I found myself

alone, I wept longer than I have for many years. I wanted to hurry

after him, but he had gone. I could not support myself. My limbs gave

way under me. At last I was calm--all is over--all must be over.

*

I have had long and troubled days. My work did not go as smoothly as it

should have done, and much went amiss with me. The world without has

aroused me.

*

I thank fate that I have learned to use my eyes. Wherever I look, I see

something that delights me and gives me food for thought. The noblest

joys and the most widely diffused are those the eye affords us.

*

I am delighted to find that the little pitchman knows every bird by its

song. The proverb says: "A bird is known by its feathers." That is a

matter of course, for few know them by their song. Their plumage is

permanent; their song is fleeting and fitful. The former is fixed; the

latter is not.

*

I now listen, with perfect unconcern, to the groaning of the forest

trees, which so alarmed me during that night of terrors. And how

strange! as soon as a bird begins to sing, the groaning ceases. What

causes this?

*

I have received fresh orders, and am all right again. But my little

pitchman keeps ailing. At first, it almost vexed me, but I conquered

the selfish habits that tyrannized over me. I have served him

faithfully, in requital for the services he has done me. I nursed him

carefully, and now he is quite well again.

I am not so selfish, after all; for I have gained the friendship of

good human beings. But I cannot do good to those who do not concern me.

I belong to myself and to an infinitely small circle; beyond that I

cannot go.

*

When I sit here in silence and solitude, and look at the one room in

which I live and hope to die, I sometimes give way to horrible fits of

depression. Here is my chair, my table, my workbench, my bed. These are

mine until I am laid in the grave; but there is not one human soul that

belongs to me.

I feel so oppressed, at such moments, that I would like to cry out

aloud, and it is with difficulty that I regain my composure. Work,

however, aids me.

*

For one brief hour, I have imagined myself possessed of omniscience.

It was yesterday morning, during the hour from eleven until twelve. A

light sun-shower passed over us, and then all grew bright again, and,

in my mind's eye, I saw how thousands of beings were spending that

hour. I saw the laborer in the forest, the king in his cabinet, the

sewing-woman in her garret, the miner in the shaft, the bird on the

tree, the lizard on the rock. I saw the child sitting in school, and

the dying old man drawing his last breath. I saw the ship, the coquette

rouging herself, and the poor working-woman weeding in the fields. I

saw all--everything. I passed one hour of infinity.

And now I am fettered again--a small, isolated, miserable, stammering

child. The one great thought of eternity passes like a fugitive through

my mind, and finds no resting-place there. I must again hold fast to

trifles.

I shall return to my workbench.

I have read, somewhere, that the Arabians wash their hands before

prayer; when in the desert, where they can find no water, they wash

them in sand and dust. The dust of labor purifies us.

*

The masses should have no books, but should talk with, and listen to,

each other.

Books serve to isolate man; that which is told us by word of mouth is

far more potent.

*

The teachings--or, rather, the experiences--of a ruined worldling have

two things in their favor. She who has gone astray has become observant

of everything, and is, therefore, the best guide. And, besides that, it

seems to me that those who receive a precept from the lips of one who

is perfectly pure have no, choice left them; for purity is the highest

authority, and its teachings must be accepted. But when a ruined being

speaks to us, every word must be tested. It will not do to reject it at

once; and this is well, for it makes one free.

*

The swallows are departing. They gather in flocks which, like thick

clouds, darken the air and, with lightning speed, they move in their

zig-zag course. How they can keep together in such irregular movements

passes our comprehension. When, or by what means, do they signify to

each other when a sharp turn is to be taken?

The thought of flying suggests a sphere of life of which we can form no

conception. And yet we imagine that we understand the world. What is

fixed, we may comprehend; at least, the portion that is fixed.--Beyond

that, all is conjecture.

*

I overheard Franz, Gundel's lover, saying to her: "A woman who looked

just like Irmgard was once with the queen at the military maneuvers;

and she wore the uniform of our regiment, and rode up and down the

line."

If the soldier were to recognize and betray me?

How the confused feelings that fill the human heart seem to play at

hide and seek with each other. With all my misery, it is not without a

certain feeling of triumph that I learn that my image has impressed

itself on a thousand memories.

*

I have not yet accustomed myself to go out alone, and it often seems to

me as if a servant must be walking after me. Ah! what an artificial

life we all lead.

I have spent a whole day alone in the woods. Oh, how happy I was! I lay

on the ground listening to the rustling of the leaves overhead, and the

prattling of the brook below. If I could but end my days here like a

wounded doe--for I am one, and drops of blood mark my track.--No, I am

well again. I was once in the world; that is, in another world; and now

I lead a new life.

*

The little pitchman knew my father. During one summer, he worked in our

forest, gathering pitch, and my father, who understood everything, went

up to him and taught him how to boil the pitch in order to obtain a

better and purer article than he would otherwise have got.

"Oh, what a man he was! I only wish you'd known him," said the little

pitchman to me. "He was so good. Many a one has told me, since then,

how he used to help everybody. He knew all about everything. He taught

me that you can get the best turpentine from the larches. He never

liked to give anything to people, but he wasn't stingy. He helped all

who'd work, and showed them how things might be done with less trouble

and with greater profit, and that was better than giving them money.

Every year he would lend them some money, so that they could buy a pig,

and when they'd sold it, they had to pay him back. They often laughed

at him and gave him a nickname, too, but it was an honor to him.

Yes--and would you believe it?--he had a great misfortune. His children

deserted him."

How these words rent my heart!

During the whole evening, the terrible mark on my forehead burned like

fire.

*

This is the anniversary of my return to the summer palace.

At that time, I dreamt that a star had fallen down on me, and that a

man, with averted gaze, was saying: "Thou too, art alone!"

There are depths of the soul, which no safety-lamp ever enters, and

where all light is extinguished. I turn away--for naught dwells there

but the angry storm-wind.

*

My thoughts go back to my childhood. I was three years old when my

mother died. I have nothing to remind me of it, except that the moving

about and pushing in the next room greatly frightened me. Oh mother!

why did you die so soon? How different I would have been--

I? Who is this I? If it could have been different, it were not I. It

was to be thus.

They put black clothes on me and my brother, and I only remember that

father went with us. He said that it would be better if we did not

remain with him, and that it was not well for us to grow up in

solitude. He kissed us at parting. He kissed me and my brother, then he

kissed me once more. It seemed as if he wished to retain my kiss for

the last.

What are the memories of my childhood? A silent convent, my aunt the

lady abbess, and my friend Emma. I remember this much, however: when

strangers came, they would turn to me and say: "Oh, what a pretty

child! what large brown eyes!" Emma told me that I was not pretty, and

that the visitors were only laughing at and mocking me; but my mirror

told me that I was pretty. I frankly said so to Emma and she confessed

that I was. My father came--he had been in America--and he looked at me

for a long while. "Father, I am pretty, am I not?" said I to him.

"Yes, my child, you are, and much is required of one who is beautiful.

Beauty is a heavy charge. Always bear yourself that others may justly

feel proud of you."

I did not know what he meant at the time, but now I understand it all.

I do not remember how the years passed by. I went back to father.

Bruno, who was intended for an agriculturist, entered the army against

father's wishes. Father, absorbed by his work and his studies, lived

entirely for himself, and left us to do as we pleased. He was proud of

this, and often said that he did not wish to exercise his authority

over us, and that he meant to allow us to develop our characters freely

and without restraint. I returned to the convent, and remained there

until my aunt died.

And there--forgive me, great and pure spirit!--there lay your great

error. You cast aside your paternal majesty and meant to live in love

alone. And we? Bruno would not, and I could not. And thus, while you

were lonely, we were miserable.

Bruno went to court. He was handsome, gay and full of life. He

presented me at court, also. Father had allowed me to follow my own

choice, and there my troubles began. I knew that I was beautiful, and I

had the courage to think differently from others. I had become the free

nature which my father had meant me to be; but to what purpose?

*

When I look over what I have written, I cannot help thinking of how

much one has lived and labored during a year, and how small the yield

is, after all. But then flowers, too, require a long time before they

blossom, and fruit ripens but slowly; many sunny days and dewy nights

have helped to perfect them.

*

A rainbow! Rest and peace are intangible. They exist nowhere except in

our own imagination and in the view we take of things around us. Now I

understand why the rainbow that followed the deluge was described as a

token of peace. The seven colors have no real existence. They only

appear to the eye that receives the broken rays at the proper angle of

refraction. Rest and peace cannot be conquered by force; they are free

gifts of the heaven within us--smiles and tears meeting like the rain

cloud and the sunshine.

*

I am often oppressed with a fear that I shall lose what culture I

possess, because of my having no one with whom I can speak in my own

language, and--I hardly know how to express myself--in whom I can find

my own nature reflected. And yet, that which makes man human is

possessed by those about me, as much as by the most cultured. This

being the case, whence this fear? and of what benefit is culture? Do I

still mean to use it in the world? I do not understand myself.

Our fashionable culture cannot supplant religion, because, while

religion makes all men equal, education produces inequality. But there

must be a system of culture that will equalize all men, and that is the

only right and true system. We are, as yet, at the threshold.

*

I have a great work before me, and am determined to succeed.

Hansei put little Peter on the white horse and let him ride a few

steps. How happy the little fellow was! and how Wodan looked around at

father and son! I retained the scene in my memory, and am now working

at the group--Hansei, Peter, and the white foal, all together. If I

only succeed! I can scarcely sleep for thinking of it.

*

The group has proved a success, although not so great a one as I had

wished for. The human figures are stiff and without expression; but the

horse is full of life, and every one in the house is delighted with my

achievement.

Hansei wishes me to accompany him when he goes out hunting, so that I

may copy stags, deer, and chamois. Those, he thinks, are the best

subjects, after all.

*

I have tried to copy the animals in the forest, but did not succeed as

I did with the horse. I can only hold fast to that which has no fear of

me and which I, therefore, love. I shall stick to my horses and cows.

*

All the mountain summits that I see, have such strange and yet

appropriate names. Who bestowed them upon them? And who accepted them?

What names could we invent nowadays? The earth and language have both

become rigid and unyielding. I think I once heard the same thought

expressed one evening, while we were at tea with the queen.

*

The carnival is a great festival--the very realization of jollity.

Peasants from the village come to visit us. They often come on Sundays,

but I never heard them speak of anything but cattle, the crops, or the

price of grain. I sometimes remain in the room to listen to them, for I

love to hear the sound of human voices.

The stories they tell each other seem simple, but, after all, none

better are told in the _salon_.

*

Why did I not live out my life in purity? I was intended for a noble

and beautiful existence.

*

My white foal is running about, while I sit here modeling it. The power

of giving permanent shape to impressions received by the eye is the

prerogative of man alone. We have words for everything about us and can

imitate all objects, and, over and above that, we have music and pure

thought. What rich stores of knowledge and delight are at man's

disposal.

*

We have passed three sad, sorrowful days. The grandmother was ill. The

whole household was in alarm. Hansei feared the worst and did not

venture to leave the farm. It was a comfort to me to find that my

nursing did the grandmother so much good.

*

Hansei, proud as he is of being a great farmer, was so anxious to do

something for the mother, that he chopped the wood with which to make a

fire in her room, and carried it in, himself.

*

He always told the doctor to spare no expense. Nothing was too dear, or

too good for the grandmother.

The doctor explained the grandmother's illness to me, just as if I were

a physician.

She often sent Uncle Peter out into the woods to me. It was still raw

out there, and we soon returned.

The grandmother is well again, and is sitting in the spring sunshine.

"Yes, one must have been out of the world, to be grateful for coming

back again," said she. "One who doesn't get away doesn't know what it

is to come back." She had much to tell me about the deaths of her five

children. "This one would have been so old, and this one so old," she

kept on saying. In imagination, they had grown up with her. Then she

told me of her husband's death: how he had been dragged into the lake

by the driftwood, and drowned; and how Hansei had remained with them

afterward. "He was a strange man," she always said of her husband, "but

good-hearted."

During his sister's illness, the little pitchman was in great despair.

"She was the pride of our family," he kept on saying, as if she were

already dead. But now he is the happiest of us all, and when the

grandmother sat on my bench under the maple tree, for the first time,

he said: "I'll get a golden seat in heaven for making that bench. The

king hasn't got a finer place than that, and he can't get any one to

paint bluer skies or greener woods for him than we can see from here."

*

I am quite distressed by what the little pitchman tells me. He brings

me word that the man who purchases my work intends to pay me a visit.

He has just received an order to furnish carved wainscotings for the

palace at the king's new hunting-seat, and wishes to see me about them.

How shall I avoid meeting him?

*

The good mother has helped me out of my trouble. She received him when

he came, and told him that I would see no one. She would not consent to

tell a falsehood, a point on which Walpurga would have had less

scruples.

I now have the working designs, and beautiful woods with which to carry

them out, for I have undertaken to execute a portion of the order.

*

It matters little what manner of life one leads, so long as there is

self-awakening and self-consciousness. All arts, all science, merely

exist in order that our own consciousness may be acted upon and aroused

by that of others. He who can do this unaided is fortunate. He who

awakes of himself when it is time to go to work in the morning, has no

need of a watchman to call him.

Hansei has become a juryman. Walpurga is quite proud of it, and when he

took leave of us, it was with a certain air of pride and importance.

The idea of appealing to the conscience of the people for the verdict

of justice, is a beautiful one.

*

Hansei has returned, and had many terrible stories to tell.

It seems to me as if our lives and destinies were nothing more than

shadows playing on the wall.

Hansei was deeply affected when he said to us:

"Yes, all my sins came back to me, and I felt as if I were doing

penance when I pronounced judgment on others. It's nothing but good

luck that prevents us from falling into sinful ways and keeps us off of

the anxious bench."

*

(Sunday, May 28th.)--The grandmother is dead.

I cannot write of it. My hand seems as if paralyzed.

She kissed my eyes and said: "I kiss your eyes, and hope they may never

weep again."

Two hours before her death, she said to Hansei:

"Make a sled for Burgei. She is so anxious to have one. It'll please me

if you do. You needn't fear, she won't harm herself. I beg of you, do

it."

"Yes, yes, grandmother!" replied Hansei, with thick voice, and deeply

affected by the thought that, even then, the grandmother's only care

was for Burgei's pleasure.

*

The fear of death lies heavily upon me, and yet I feel an inward sense

of freedom. I have beheld a beautiful end. My hand closed her eyes in

death. I had not believed that I could do it. There was a time when I

could not, when I lay on the floor feeling as if I were buried far

under the earth, and beside me lay my father, cold in death.

The grandmother's death has relieved me of all fear. I am able to

assist Walpurga. Her lamentations are excessive. "Now I'm an orphan

like you!" she cried, throwing herself on my bosom. Then she cried to

the dead one: "Oh mother! how can you be so cruel as to leave me? Oh

God! and there's the bird still hopping about its cage. Yes, you can

jump about! but mother never will again!"

She took a cloth and covered the crossbill's cage with it, saying: "I'd

like to let you fly, you dear little creature, but I can't. Mother

loved you so much that I can't let you go." And then, addressing the

corpse, she said: "Oh mother! can there ever be sunshine when you're

not here? Yes, the clock ticks and keeps on going, and can be wound up.

But, oh! the hours that will come and go without you! God forgive me

for the many hours I was away from you!"

The door of the clothes-press suddenly flew open and startled Walpurga.

Regaining her self-command, she said: "Yes, yes; I'll wear your clothes.

I'll wear them for the sake of good. No evil thought shall enter my

heart, no evil word pass my lips. Help me, so that I may always be

yours! Oh God! there's no one left to say 'child' to me! I remember how

you said: 'So long as you can say, father, and mother, there is yet a

love that bears you in its arms. It's only when the parents are gone,

that one is set down on the cold ground.' I'll hold fast to all you've

told me to do, and so shall my children. And, Irmgard, you remember

many other wise sayings, don't you?"

Such was the burden of Walpurga's lament, and I could only reply:

"Yes, and hold fast to one thing she said: 'One may sin even in

speech.' Don't give way to your grief."

*

Walpurga took down her mother's prayer-book and read the prayer for the

soul of the departed.

After that, she handed me the book, and what I read there filled me

with gratitude and devotion. When our feelings are most violently

agitated, we cannot give definite shape to our ideas. We, too, sing

melodies that have been arranged by others. Our lips repeat the words

of poets who have sung and suffered for us; for the poet's heart, in

truth, contains the New Jerusalem of civilization. The great gulf that

separates man from the beast, the plant, or the stone, is the

possession of sympathy, by means of which men are enabled to

anticipate, or to follow, each other's emotions. From the beginning

until now, humanity has been chanting an undying melody in which my

voice, too, forms a part. An everlasting sun, of whose rays I am one,

has been lighting the path from generation to generation. The silent

mountains outlast the races of men and no new one is added to their

number; but, from generation to generation, new watch-towers of thought

arise from the soul of humanity.

*

A happy death is the greatest good. Wondrous power of religion! Over

the couch of the sick, there are bell-pulls, reaching into heaven, by

which the patient is enabled to draw himself up and support himself. He

imagines them there, even in their absence, and, supported by faith,

thinks that he is holding fast to them.

*

After the grandmother's death, a strange feeling of quiet rested on the

house. It was a great comfort to Walpurga to know that there were so

many people at the funeral.

"Yes, they all honored her; but they really didn't know her. You and I

knew her. Do you remember, Hansei, when the potatoes were stolen from

the field, and she said; 'If one only knew who stole them,' and I said:

'Mother, would you inform against them?' 'You foolish thing,' she

answered, reproachfully, 'how could you think I'd mean that? What I

mean is: if we only knew who the people are that stole our potatoes

during the night. They must know that we have but little, ourselves;

and they must be very unfortunate people, whom we ought to help as much

as we can afford to.' Yes, she said that; was there ever another

creature who'd think of such a thing? That's the way the saints must

have been who thought so kindly of all. She had no fear of the sick,

nor hatred of the wicked. Her only thought was, how much they must have

suffered before they got so sick or so wicked. If I could only grow to

be like her. Remind me of it all, Irmgard, when I get cross and scold.

You'll help me, won't you? to become like my mother, so that, some day,

my children will think of me as I do of her. Ah! if one were only

always as good as one can be. Yes, she was right when she used to say:

'Wishing in the one hand and blowing into the other, amount to about

the same thing.'"

*

I shall now return to my work. At such times, there is hardship and yet

comfort in labor. Hansei and Walpurga are obliged to work. They cannot

afford to give themselves up to grief, for too much depends on them. Be

it with king or beggar, poet or peasant, the key-note of the highest

emotions is always the same.

Walpurga's lament was pitched in the same key as that of Lear for

Cordelia, and yet how different. To a father who loses his child, the

future is dead. To a child losing a parent, the past is dead. Ah! how

weak is language.

*

I was quite alarmed by something that Hansei said to-day. Has doubt

entered even these simple hearts? And they do their duty in this world

without a firm belief in a future state.

In his funeral sermon, the preacher had said: "Behold the trees! A few

weeks ago, they were dead. But with the spring, they return to life."

"The pastor oughtn't to have said that," remarked Hansei; "not that

way, at any rate. He might convert children by that, but not us. What

does he mean by talking about trees in that fashion? The trees that

still have life in them will get new leaves in the spring, but the dead

ones won't; they'll be cut down and others will be planted in their

place."

*

We all of us have a strange feeling of loneliness--a feeling that

something is missing. Uncle Peter is the most inconsolable of all.

"Now I must wander about the world alone; I haven't brother or sister

left. She was the pride of our family," he repeats again and again.

Heretofore, he always slept in the garret, with the servants; but now

Hansei has placed the old pensioner's room at his disposal. He is quite

proud of it, but often complains, saying: "Why did I have to wait so

long for all this? How stupid it was of my sister and me. We might have

moved in there. Could we have found a prettier place? Oh, how nicely we

would have lived there, and you could have gone along with us. Oh, how

stupid old age is. We don't see the good nests till the trees are bare

and there's nothing more left in them. 'One gets nothing to eat, till

there are no teeth to bite it with,' as my sister used to say."

He always uses the words: "As my sister used to say," when he is on

the point of making a statement which he does not wish contradicted,

and I imagine he really thinks his sister did say it. He inherited her

closet and, before opening it, he always knocks at the door.

*

My little pitchman is a good bee-master. He knows how to take care of

bees and he calls them the poor man's pasture cattle.

"Since my sister's death," said he to me to-day, "I've had nothing but

bad luck with my bees. They won't have anything more to do with me."

*

I have written nothing for months. For whom are these pages? Why do I

torment my mind by recording every trifling incident or passing

emotion? These questions unsettled and perplexed me, but now I am calm

again. For months I have done nothing but work.

It seems to me that I must soon die, and yet I feel that I am in the

fulness of my strength. I am often rendered uneasy by the thought that

people trifle with my supposed madness.

*

At last I feel that my rest here was never complete, and that it might

have been disturbed at any moment. But now, let what will come, I shall

remain.

*

A storm! To us who note the sun, the moon, and every change of weather,

a storm is quite a different affair from what it is to those who only

look to see what weather it is when they are idle, or have a pleasure

party in prospect.

One feels as if transported back to the time of creation, as if all

were chaos once more; for the voice of the Infinite is heard in the

thunder, and His glory blazes forth in the lightning.

At a public gaming-table, while the thunder was pealing and the

lightning flashing, and the frivolous throng had withdrawn from the

game, I once saw a lady of noble birth who insisted upon going on with

the game after all the others had been frightened away. The croupiers

were obliged to keep at their work. This lady gives elegant

entertainments, and a servant who stole a silver spoon from her, was

sent to gaol. How low, to steal a spoon--! But what of her mistress?

There is, of course, one circumstance that I must not omit to mention.

Every morning, before repairing to the gaming-table, she attends mass.

*

To be killed by lightning, must surely be the most beautiful death of

all. On a lovely summer's day, to be suddenly struck down by the great

marksman!

*

I have seen a man who moves in the polite world. He is a musician;

young, good-looking, lively, and with delicate, well-cared-for hands.

The storm had overtaken him, and he passed the night in our farmhouse.

While here, he told us:

"I am already blind in this eye, and my physician tells me that I shall

lose the other in less than a year, and so I have determined to see the

great, vast, beautiful world. He who has not seen the Alps, does not

know how beautiful our earth is. And so I take it up within me once

more. I fix the sun, the mountains, the forests, the meads, the

streams, the lakes and, above all, the human face, in my memory. Yes,

child," said he to me, "I shall preserve my memory of your face, for

you are the loveliest peasant girl I have ever seen. I shall learn your

face by heart, just as I have learnt poems, so that I may repeat them

to myself and call them back to me when darkness and solitude close in

around me."

I felt quite constrained, but he was exceedingly cheerful. Now and

then, he cast a curious glance at the bandage over my brow. What may he

have thought of it?

I should like to have told him that I had once, at Gunther's house,

sung a song of his, but he did not mention Gunther's name.

I cannot find words to describe the impression that this handsome young

man made upon me. He seemed so full of power, and without the least

trace of weakly sensibility. He comes from the north, and possesses

somewhat of the austere beauty of the northern races. He has breathed

the salt sea air, and that is what makes him so sturdy, as they call it

there. Such natures impress and arouse me; one cannot remain languid,

brooding or self-complacent, while in his society.

Oh, what cannot a strong will do! How the human mind wrestles with the

powers of nature and conquers them!

*

To-day, I have wept for the first time since the grandmother's death. I

now feel light and free again.

The young musician has left, and I could hear him sing while on his way

down the valley.

If I could still be aught to another human being--I could feel doubly

as kind toward one who could neither see my brow, nor praise my beauty.

It is over--

What strange shadows does the game of life project, even unto us up

here!

*

This visit has satisfied me that there is a large share of vanity still

remaining in Walpurga. She could not help gradually directing the

conversation to the subject, and, at last, told the stranger that she

had been the crown prince's nurse, and had lived at the palace nearly a

year. There is something in her that reminds me of the man who has many

orders of merit, and who, like a general in citizen's dress, goes about

without his medals and decorations. He modestly deprecates being

addressed as "your excellency," but nevertheless enjoys it. The one

year spent in the atmosphere of the court, has not been without its

effect upon Walpurga.

Hansei, who felt kindly toward the stranger, and evinced great pity for

him, was evidently annoyed by his wife's ostentation; but, with his

usual great self-command, refrained from expressing his annoyance. But

to-day, when they were going to church, Hansei asked:

"Wouldn't you like to have a ribbon around your neck and wear a picture

of yourself and the crown prince, so that no one may ever forget what

you once were?"

I do not think that Walpurga will ever again allude to her brilliant

past.

*

The grandmother's death and funeral afforded me an opportunity to

become better acquainted with the village schoolmaster. He has a

tolerably fair education, but delights in making a display of it, and

is fond of using big words, in order to impress the listener and to

imply: "You don't quite understand me, after all." But the hearty

feeling with which he entered into our grief, has raised him in my

esteem, and I have frankly let him know as much. And so one day he said

to me: "Your skill in wood carving is as good as a marriage portion.

You can earn much money by it." I had no idea what he meant by the

remark.

Last Sunday, however, I was enlightened.

He came here, dressed in a black coat and white cotton gloves, and made

me a formal offer of marriage.

He could not be induced to believe that I would never marry, and he

urgently repeated his offer, saying that he would only desist if I

really loved another.

Walpurga fortunately came to the rescue. The good man seemed as if

utterly crushed by his rejection, and went away. Why must I fill yet

another heart with pain? Of my own, I do not care to speak.

*

I have not yet done with the schoolmaster's suit.

Walpurga asked me why I wished to remain so lonely. As long as I did

not care to return to the great world, I might as well make this good

man happy, and would be able to do much good to the children and the

poor of the village. I have thus come to know myself anew. I am not

made for beneficence. I am not a sister of mercy. I cannot visit the

sick, unless I know and love them. I could nurse the grandmother, but

no one else. I dislike peasant rooms, and the dull, heavy atmosphere of

these abodes of simplicity. I am not a beneficent fairy. My senses are

too easily offended. I do not care to make myself better than I am;

that is, I should like to make myself better, but all one can do is to

improve the good traits that already exist, and that one good trait I

do not possess. I must be honest about the matter. I could find it

easier to live in a convent. This confession does not make me unhappy,

but melancholy. The desire to enjoy life, and to commune with myself is

so strong.

*

Franz, Gundel's betrothed, had been summoned to join his regiment.

My little pitchman has just returned from the town, and brings me news

that "there'll be war with the French." He tells me, too, that our

business will become poor, that the people do not care to buy, and that

our employer offers only half the usual price; and so I will be working

for stock.--I, too, must help to bear the world's burden.

How strange it seems that I no longer know anything about my country

and the age in which we live. One consolation is left me. In such

warlike times, they will not seek the lost one.

*

We are all, unconsciously, on heights from which the graves of our

beloved dead are invisible. Were they ever present, there would be

neither work nor song in this world.

Self-oblivion or self-knowledge--about this, everything revolves.

*

Even in hottest summer, I can always see the snowcapped mountains

before me. I do not know how to express it, but they always inspire me

with strange and confused emotions. I pay no regard to the date or the

seasons, for I have them all at once.

In my heart there is also a spot on which rest eternal snows.

*

I have now been here between two and three years. I have formed a

resolve which it will be difficult to carry out. I shall go out into

the world once more. I must again behold the scenes of my past life. I

have tested myself severely.

May it not be a love of adventure, that genteel yet vulgar desire to

undertake what is unusual or fraught with peril. Or is it a morbid

desire to wander through the world after having died, as it were?

No; far from it. What can it be? An intense longing to roam again, if

it be only for a few days. I must kill the desire, lest it kill me.

Whence arises this sudden longing?

Every tool that I use while at work, burns my hand.

I must go.

I shall obey the impulse, without worrying myself with speculations as

to its cause. I am subject to the rules of no order. My will is my only

law. I harm no one by obeying it. I feel myself free; the world has no

power over me.

I dreaded informing Walpurga of my intention. When I did so, her tone,

her words, her whole manner, and the fact that she, for the first time,

called me "child," made it seem as if her mother were still speaking to

me.

"Child," said she, "you're right! Go! It'll do you good. I believe that

you'll come back and will stay with us, but if you don't, and another

life opens up to you--your expiation has been a bitter one, far heavier

than your sin."

Uncle Peter was quite happy when he learned that we were to be gone

from one Sunday to the Sunday following. When I asked him whether he

was curious as to where we were going, he replied:

"It's all one to me. I'd travel over the whole world with you, wherever

you'd care to go; and if you were to drive me away, I'd follow you like

a dog and find you again."

I shall take my journal with me, and will note down every day.

*

(By the lake.)--I find it difficult to write a word. The threshold I am

obliged to cross, in order to go out into the world, is my own

gravestone.

I am equal to it.

How pleasant it was to descend toward the valley. Uncle Peter sang, and

melodies suggested themselves to me, but I did not sing. Suddenly he

interrupted himself and said:

"In the inns, you'll be my niece, won't you?"

"Yes."

"But you must call me 'uncle' when we're there?"

"Of course, dear uncle."

He kept nodding to himself, for the rest of the way, and was quite

happy.

We reached the inn at the landing. He drank, and I drank, too, from the

same glass.

"Where are you going?" asked the hostess.

"To the capital," said he, although I had not said a word to him about

it. Then, in a whisper, he said to me:

"If you intend to go elsewhere, the people needn't know everything."

I let him have his own way.

I looked for the place where I had wandered at that time. There--there

was the rock--and on it a cross, bearing, in golden characters, the

inscription:

Here perished

IRMA, COUNTESS VON WILDENORT,

In the twenty-first year

of her life.

_Traveler, pray for her and honor her memory._

* * *

I know not how long I lay there. When I revived there were several

people busying themselves about me, and, among them, my little

pitchman, who was quite violent in expressing his grief.

I was able to walk to the inn. My little pitchman said to the people:

"My niece isn't used to walking so far. She sits in her room all the

year round. She's a wood-carver, and a mighty clever one, too."

The people were all kind to me. Guests were constantly coming and

going. Some of them told the little pitchman that the beautiful

monument out yonder was a great advantage to the inn; that, during the

summer, it was visited by hundreds of persons; and that, every year, a

nun from the convent came there, attended by another nun, and prayed at

the cross.

"And who put up the monument?" asked the little pitchman.

"The brother of the unfortunate one."

"No, it was the king," said others.

The conversation often dropped off, but always began again anew.

Some said that the place must be haunted, for a beautiful creature

known as Black Esther had drowned herself at the same time. She was a

daughter of Zenza, who was now crazed and lived on the other side of

the lake; and who could tell whether the beautiful lady--for she was

very beautiful--hadn't drowned herself, too. To this the hostess

angrily answered that the countess had had many gold chains and

diamonds about her, and a diamond star on her forehead; that the horse

which had thrown her had been seen; that her brother had wanted to

shoot the horse, but it had been bewitched and, from that day, would

eat nothing and at last dropped down dead. Others said that the

Countess's father had commanded her to drown herself, and that she had

been an obedient child and had done so.

Thus I had a glimpse of a legend in process of formation.

"And why was the father supposed to have commanded that?" inquired the

little pitchman.

"Because she loved a married man. It won't do to talk of that."

"Why won't it?" whispered a sailor. "She and the king were fond of each

other, and, to save herself from doing wrong, she took her life."

How can I describe my emotions, while listening to their conversation?

Years hence, perhaps, some solitary child of man may cross the lake and

sing the song of the beautiful countess with the diamond star on her

brow.

I do not remember how night came on, and how I at last fell asleep. I

awoke and still heard the song of the drowned countess. Its sad, deep

strain had filled my dream. All that I had experienced seemed but as a

vision. I looked out of my window--I looked across the lake and beheld

the golden characters in the rosy dawn.

What was I to do? Should I turn back?

My little pitchman was quite happy when he saw me so fresh again. The

hostess offered me a picture of the monument, saying that every visitor

bought one. My uncle bargained with her, got it for half the price she

had asked, and then presented it to me. I carry the picture of my

gravestone with me.

I felt irresistibly drawn toward another grave--my father's. While my

hand rested on the mound, an inner voice said to me: "You will be

reconciled."--I expiate and atone for my sin.

How the memories awakened by these different spots agitated me. I

cannot write about it--my heart is breaking! Besides this, it is filled

with fear. I shall be brief. I am unable to continue my recital. I

shall never again look at these pages.

We went to the Frauensee and crossed over to the convent. Among the

nuns, I saw my beloved Emma, who makes a yearly pilgrimage to my

gravestone. For the first time in many years, I prayed with her. What

difference does it make whether one still lives or is dead, as long as

the thought--

My hand trembles while I write, but I will....

I had left the convent and was returning across the lake, when the

thought flashed upon me: "I expiate in freedom! That is my only pride.

My will holds me as fast as the bolts of the convent gate would do, and

I--I--work--"

Everything was carried out just as I had determined. I saw the whole

world once more and bade it adieu.

We journeyed to the capital. The city noises and the rapid driving

alarmed me.

When I again heard the rustling of a silk gown, for the first time, the

sound quite affected me. I felt as if impelled to accost the first lady

I met in a fashionable bonnet and veil. These people seemed to belong

to me. I felt as if returning from the lower regions into sunlight.

I stopped to read the placards that were posted up at the corners of

the streets. Am I still living in the same world?

There is music, singing, etc. One amuses the other. No one finds life's

joys within himself.

All things in this world are related to each other. Thou hast lost the

connecting link.

I was sitting in a small inn, while I looked on at the bustling life of

the city.

I saw the houses here and there--and it seemed as if I beheld the ghost

of a part of my life. If the people knew-- There are streets here with

which I am not acquainted. Men pass without a thought for each other.

City folk all look ill-humored; I have not met one sunny, happy face.

*

I went to the picture-gallery. What delights the eye there feeds upon!

And besides these, there is the intoxicating wealth of color and the

solemn stillness of the place itself. I saw my old teacher and heard

him saying to a stranger: "A work of art does not derive its great

historical character from the importance of the subject, or the size of

the picture. What is required of the artist is that he should be filled

with, and, at the same time, transport the beholder to, the scene that

he attempts to depict. The same subject can be conceived in various

ways, and may be executed either as a light, _genre_ piece, or in the

grand and more enduring historical style."

While I passed through the rooms, I felt like one intoxicated. All my

old friends greeted me. They are clothed in undying colors, and have

remained faithful and unchanged. The power of nature and of art

lie in their truthfulness. But they do not speak; they merely exist.

No--nature alone is mute; art lends its voice. It is not by the lips

alone that the human mind expresses itself. I felt as if the Maria

Ægyptica must suddenly turn toward me and ask: "Do you know me now?"

I grew dizzy and fearful.

While in the Raphael gallery, environed by the highest beauty earth has

ever known, conceived as only the clearest eye could conceive it, I

felt as if in another world.

A happy thought occurred to me: Art is the first liberator of humanity,

evoking a second, joy-creating life, and--what is even a greater

boon--revealing the highest realm, where every one who is called may

enter. The poor son of the people says: "I and my spirit shall dwell in

this lofty, this blessed abode." He reigns there eternally, surrounded

by his ancestors in art. There dwells immortality; or, better still,

death never enters there. The paternal mansion of free, creative art

contains infinite space, and is an eternal home. Let him who has lived

happily, enter there.

*

I stood before the palace. The windows of the room that I once occupied

were open. My parrot was still there in its golden cage, and called

out: "God keep you! God keep you!" But it does not add my name, for it

has forgotten it.

*

On the table before me there lay a newspaper, the first that I had seen

for years. It was long before I could summon resolution to read it, but

I did so at last and read as follows:

"His majesty the king has departed for the sea baths, where he will

remain for six weeks. Prime minister Von Bronnen," (Von Bronnen

minister!) "Count Wildenort, master of the horse," (my brother!) "and

privy councilor Sixtus, the king's physician, are of his suite."

How much these few lines conveyed to me! There was no need of my

reading any further. Yet there was another paragraph, saying:

"Her majesty the queen, accompanied by his royal highness the crown

prince, has removed to the summer palace."

*

I walked about the city and looked into the shop windows and at the

many objects which I no longer require. In one of the windows, I found

some of my carvings on exhibition. "That's our work!" exclaimed the

little pitchman, who boldly went into the shop and inquired as to the

price, and also asked by whom they had been done. The price named was a

high one, and the merchant added: "These works of art"--yes, he spoke

of them as works of art--"are made by a half-crazy peasant girl, who

lives in the Highlands."

I looked at my little pitchman. He was terribly afraid. His glance

seemed to implore me not to lose my senses while away from home. His

fear was not without good grounds, for, in spite of my self-control, my

faithful guide must have found much that was strange in my behavior.

I bought several small plaster casts of gems of Greek art; and now I

have types of undying beauty ever with me. It required clever

management to effect such unusual purchases, and I only ventured to

attempt it during the twilight hour.

I saw many familiar faces, but always quickly averted mine. I would so

gladly have spoken to Mademoiselle Kramer. She has become quite aged.

She was carrying a book with the yellow label of the circulating

library. How many thousands of books the dear old woman must have read!

She reads book after book, just as men smoke cigars.

I went to Gunther's house. The courtyard gate was open. There is now a

factory there, and the lovely trees have all been felled.

On the head of the figure of Victory at the arsenal, there sat a pigeon

with glossy plumage--Although without eye-glasses, I could see the

figure quite distinctly.

*

The evening afforded me pure delight--the purest I ever knew, or, as I

firmly believe, ever will know.

Mozart's "Magic Flute" was performed at the theater.

I went there with my little pitchman. We sat in the uppermost tier. I

saw no one, although the crowded house must have contained many whom I

knew. All my senses were held captive by music's magic spell.

It is past midnight. My little pitchman and I are stopping at a

teamster's inn. I cannot rest until I put my feelings into words.

Mozart's "Magic Flute" is one of those immortal creations that dwell in

purest ether, in a region beyond the passions and struggles of mankind.

I have often heard the text objected to as puerile, but, at that

height, all action, all understanding, all personages, all

surroundings, must needs be allegorical. All that is hard and narrow is

cast aside, and man becomes a bird, his life pure and natural, full of

love and wisdom. The childlike or childish character of the text is

singularly true to nature. It is only the _blasé_ who can find it dull

and insipid.

It is Mozart's last dramatic work, and in it he appears at his best, in

all the fullness of his genius, as if already transfigured. His various

figures pass before him in review, created anew, as it were; less fixed

and individualized, but all the more pure and ethereal. Using the word

in its best sense, there is something supernatural in the way in which

he has here gathered and combined the chords that else were scattered,

into one harmonious whole.

The opening chorus of priests is the march of humanity, and the "O

Isis!" is full of the sunshine of blissful peace. This is the fabled

paradise--a life above this, in the free ether, beyond the reach of

storm or tempest; a region to which music alone can transport us.

For hours, I felt as if thus transported, and know not how I descended

again. Thoughts without number hover about me. This music breathes a

spirit of noble, self-conscious repose, and is free from all oppressed

humility. It is a life that can never fade; nay, it is the odor of

ripened fruit.

This last work of Mozart's has a companion piece in Lessing's last

work: "Nathan the Wise." In both of them the soul wings its flight far

beyond the disjointed, struggling world and dwells in the pure region

beyond, where peace and piety have become actual existences, and where

the vexations of narrow, circumscribed, finite humanity provoke but a

smile. The great treasure of humanity is not buried in the past; it

must be dug out, fashioned and created from the future.

"Nathan" and the "Magic Flute" abound with precious gems. They prove

that happiness is not an illusion, but they speak in a language

unintelligible to him who does not bear within himself a sense of

things above this life.

To have lived such hours is life eternal.

The song of the three boys is full of divine bliss. If the angels in

Raphael's Sistine Madonna were to sing, such would be their melodies,

and in this register would their voices move.

I would like to hear such sounds at my dying hour, for that would be an

ecstatic death.

If such ecstasy could only continue without interruption.

After the opera was over, I sat in the park for a long time. All was

dark and silent.

Filled with this music, I would gladly fly back to my forest solitude,

have nothing more to do with the world, and silently pass away. After

these, no other tones should fall upon my ear and disturb me.

But I was obliged to return to the world.

And here I sit, late at night, the whole world resting in sleep and

self-oblivion, while I am awake in self-oblivion.

O ye eternal spirits! Could one but be with you and utter a word, a

sound, that should pass into infinity! In yonder gallery, eyes that

never close, look down upon the coming and departing generations. And

here there are undying harmonies and imperishable words.

Oh ye blessed spirits, ye who through art create a second world! The

world confuses and perplexes us, but ye make everything clear as the

light of day. Ye are the blessed genii who ever offer mankind the wine

of life in the golden chalice which, though millions drink from it, is

never emptied.

It is with deep pain that I depart from the realm of color and that of

sound. This, and this only, is indeed a deprivation.

*

And now for the last halting-place.

We wandered on in the direction of the summer palace. We walked up and

down before the park railing. Up by the chapel, and under the weeping

ash, I could see the court ladies sitting on the ornamented chairs and

busy with their embroidery. Ah, there is many a one there, no better

than I am, and yet she jests and laughs, is happy and respected. Aye,

there lies the misery. We are constantly blunting our moral sense and

saying to ourselves: "Look about you; others are no better than you

are."

Presently they all arose and bowed profoundly. The gates were opened

and the queen drove out, the prince sitting beside her. She looked at

me and the little pitchman, and greeted us. My eyes failed me.

I know not. Did I see aright? The queen looked cheerful.

The prince has become a fine boy. He has kept the promise of his

infancy.

My little pitchman conversed with a stone-breaker, who was working on

the road. He was loud in his praises of the queen and her only child,

the crown prince. So she has only one child--

I was so weary that I was obliged to rest by the wayside. In former

days, I had so often proudly passed by the spot where I was now

sitting. No matter! It is well that it is so. The little pitchman was

delighted when I told him that our path now lay homeward. He must have

felt quite alarmed about me, and must have thought to himself: "The

folks who say that you're not quite right, were not so far out after

all."

*

Those who see me not, think me dead; those who do see me, think me

crazed.

I had determined that, in case of discovery, I would tell all to the

king and queen, and, after that, quietly return to my retreat.

It is better thus.

*

We returned home. When I reached the foot of the mountain on which we

live, and had begun to ascend it, I asked myself: "Is this your home?"

And yet, absence makes it seem like a new home. The life I lead here is

a real life.

Since I have noted down this thought, I feel as if a weight were lifted

from my heart. While writing, I often feel as giddy as if standing on

the edge of a precipice; but I shall remain firm. I will not look at

these pages again. But now work begins once more, and my head will

cease to be filled with thoughts of repentance. The next minute is

ours; the passing moment is scarcely so; and the past one not at all.

There is much work awaiting me. I am glad that it is so. Walpurga and

the children are quite happy to have me with them again.

During my absence, Walpurga had my room painted a pale red. It is in

wretched taste, and yet I must needs show myself grateful. She thought

that I would not return.

These people constitute my whole world, and yet I could leave them any

minute. Will it be thus when I, too, leave the world?

*

Courageously to forego the world--I think I have read the expression

somewhere; but now I understand it. I feel it within myself and am

carrying it out; not timidly, not sadly,--but courageously.

*

I am no longer sad. The calm satisfaction with which I resign the world

emancipates me.

When I look at life, I ask myself: "Why all these struggles and all

these barriers, until we come to the last barrier of all, unto death

itself?" The great heroes of history and my little pitchman--not one of

them had the odds of fortune in his favor. No destiny is completely and

purely fulfilled.

Old Jochem said his prayers every day, and would often pass whole hours

thus employed; yet he would curse mankind and his own fate. And I have

known ladies of quality, who, after listening in rapt ecstasy to the

music of Beethoven, would dispute and wrangle after the most vulgar

fashion.

"Courageously to forego." The words are ever haunting me. Thanks for

this precept, kind spirit, whoever thou mayst be! To live out the day

and not allow it to be darkened by the knowledge that night must come,

to forego with courage--that is the sum of all.

I never would have believed that I could live without joy, without

pleasures; but now I see that I can. Joy and pleasure are not the

conditions upon which my life is based.

We have it in our power to attune the mind to cheerfulness; that is, to

calmness and clearness.

*

How many years was it that Hermione, of the "Winter's Tale," remained

hidden? I have quite forgotten.

*

I am constantly reminded, while at work, of various passages, of the

solos, the great choruses, and even the instrumental accompaniments, in

Mozart's "Magic Flute." They fill the silent air with their sounds, and

bear me aloft.

Above all, the appeal, "Be steadfast!" with the three short notes, d,

e, d, and the trumpet-blast that follows, is ever sounding in my ears

like some spiritual watchword. The highest truths should be conveyed by

music alone, and would thus become more forcible and enduring. Be

steadfast--

I am again trying to solve the enigma of life.

Man may not do all that he can, or to which he feels impelled. Since he

is human, he must recognize the limit of his rights before he reaches

the limit of his powers.

At court they often discussed the saying: "Right before might." I have

melted down the phrase in the alembic of thought. I have coined it

anew.

How beautiful is the legend of paradise! The first human pair were

placed there; as far as their powers went, everything, with a single

exception, was permitted to them--and the fruit tempted them. But there

is no paradise. The beast alone possesses what may be termed paradise.

It is free to do whatever it can. As long, however, as there is a

prohibition which man, as a moral being, must know, there can be no

paradise, for perfect freedom is at an end.

What I mean is this: self-consciousness is gained by overstepping the

barrier. It is eating of the fruit of the tree of knowledge. From that

moment, man's joys are no longer provided for him. He must create them,

either from within himself or from his surroundings. Now he begins to

wrestle with nature, and his life becomes one of deeds. Work, whether

directed to self-perfection or intended to benefit the world, is a

second creation.

My every thought seems as if it were an inarticulate, stammering

attempt to express the words of knowledge.

The little world around me and the so-called great world that still

lives in my memory, now seem to me as if illumined and rendered

transparent by the golden sunlight.

To perceive the barriers, and thus recognize the necessity of law, is

liberty. I am free at last.

*

I did well in going out into the world again. Or do I merely think so

because I feel that I have done right? I am a freer being now. I have

ceased to be the poor soul that longed to return to the world. My life

is no longer a hell. I could now return to the world without fear. Now

that I can courageously forego it, I do not feel the privation. Oh, how

presumptuous we are to imagine that others need us! I, too, no longer

need any one.

*

The telegraph wires are being put up between here and my forest view.

The busy doings of the great world are now to pass by me. I can see men

on the ladders, fastening the wires to the high poles.

*

Walpurga tells me that my voice is quite hoarse, but I feel quite well.

Perhaps it is because I speak so little, sometimes passing whole days

without uttering a word.

The cool, pure breezes that I inhale every morning are like a

refreshing draught, and the blue of the sky is far deeper up here.

*

Gunther once told me that I am of an unrhythmic temperament. He was in

the right. If I were not, I would now express my deepest thoughts in

melodious words. I feel so happy, so free, that my thoughts could find

proper expression in poetry alone.

*

Although Hansei has now been in possession for a long while, he seems

grateful for everything. It makes him happy to know that he is able to

buy fine cows and pretty bells for them, and this gratitude for his

good fortune lends an inner tenderness to his rough exterior.

*

(August 28th.)--After long, sunless days of deathlike torpor, the sky

is bright and clear again. The snowy peaks, the green hills and the

valleys are bathed in sunshine. I feel as if I must fly away and soar

through space; but I remain here and work; for, as my work was faithful

to me in dark days, so shall I remain faithful to it in bright ones. I

shall only wander forth when evening comes and work is at an end. This

is Goethe's birthday. I think Goethe would have been friendly toward

me, if I had lived in his time and near him.

It is pleasant, after all, that we know the hour of his birth. It was

at noon. I write these lines during the very hour, and my thoughts are

of him.

What would he have counseled me to do with my lost life?

Is it a lost life?--It is not.

*

Franz has returned from the target-shooting and was the hero of the

occasion. What shouts of joy and triumph! He gained the first prize, a

fine rifle. The target, riddled with bullets, is displayed before our

house.

*

A falling leaf in autumn--how many bright summer days and mild nights

were required to perfect it? What was it while it hung on the tree?

What is it now, when it falls to the ground?

And what is the result of a whole human life, when summed up in a few

sentences?

*

How many feet is our farm above the level of the sea? I do not know,

and Hansei would smile to think of one's asking such a question. We

perform our duty on the little spot of earth on which we dwell. Its

effect flows out into the great sea of humanity and of history, without

any interference of ours. The brook goes on in its course, driving the

mill-wheels, irrigating the meadows, and is at last swallowed up in the

ocean, whence come the clouds and storms that again feed the brook.

*

In spite of all that I grew up to, all that, in a course of years, I

have practiced, acted, or thought, I cannot help regarding myself as a

block of wood--even now, I know not what will become of me, or who will

hew me into shape.

I have a beautiful task on hand--a piece of work that will remain and

be a constant pleasure to me--work for our own house.

When the additions were made to the dwelling, I succeeded, with the

assistance of the carpenter, in giving greater symmetry to the dwelling

itself. The piazza running round the house received a more open roof,

and the balustrade a more pleasing form.

Hansei has often said that the forest clearing would make a beautiful

meadow. Yesterday he came home and said:

"I have it! I'm having the trees on the hillside felled, and have left

four fine trunks standing. They form a square and I'll have a hut built

there, and then we'll have a mountain meadow of our own. The farm can't

thrive without one. It's far up, to be sure--about two hours' walk; but

we can see the clearing from here."

"And just think of it," said Hansei, who was delighted with his plan,

"where the trees have been cut down in front, you can see ever so far,

way off to the lake where we used to live. To be sure, it's nothing

more than a little sparkling spot of blue, but it looks at one so

kindly, just like a faithful eye from home, or like one who has known

you from childhood. It was beautiful at our home, but it's more

beautiful here; so don't let us sin by being ungrateful."

I have made the drawing for the shepherd's hut. My little pitchman is

quite clever in cutting everything. We are working at our Noah's ark,

and are as merry as apprentices.

I am also carving a horse's head in life size, for the gable of the

roof.

*

Hansei and I have just returned from where the new shepherd's hut is

being built.

After the invigorating mountain ascent of to-day, I feel as if I had

been present at the dawning of creation; a new road, a new dwelling,

and a spot where human being had never been before. I feel as if

experience had nothing more in store for me; as if all earthly burdens

had fallen from me.

*

When, after a day of great exertion and mountain climbing, one awakes

on the following morning, the fatigue has passed away. One feels

refreshed and invigorated, and satisfied with the test to which he has

subjected himself; for it has proved his power of endurance and his

ability to impose tasks upon himself. For a while, I had left my past

and possessed nothing but myself. Now that I have returned to familiar

scenes, they welcome me again. I can easily realize the calm

peacefulness of those who thus picture to themselves the awakening to

the eternal life.

*

The shepherd's hut is empty. The walls are bare, except where the

picture of our Saviour hangs in the corner, waiting for the beings who

are to come there. It is, and ever will remain, a blessing that men can

thus bear with them, to desert wastes and lonely heights, the image of

pure and perfect man. It is this which enables a more perfect

civilization and a great history to take possession of the modern

world.

If only the pure knowledge of the pure spirit always went with it.

*

(October.)--Now that winter approaches, my thoughts are always of the

lonely shepherd's hut upon the mountain. I am always there in my

dreams, alone and undergoing strange experiences. I think I must move

up there next spring. I feel that life will be incomplete until I have

spent a whole summer with plants and beasts, with mountain and brook,

with the sun, the moon and the stars.

Art thou still dissatisfied, insatiate heart, always longing for

something else? What can it be? I must and will have rest!

*

He who needs nothing but himself to be happy, is happy indeed.

*

Here, once again, I am like the first human being that walked the

earth.

Man, of himself, is pure and unsullied, and out of him flows the world.

There lies the secret which I shall not name.

*

It makes me happy to think that I am to go still higher; further up the

mountain, where it is even quieter and more lonely than here. I feel as

if something were calling me there. It is neither a voice nor a sound.

I know not what it is, and yet it calls me, draws me, allures me, with

its: "Come! come!"--Yes, I am coming!

*

I know that I am not dying. I would sooner doubt that I am living. The

world is no longer an enigma to me.

*

From my mountain height I look down on those I have wronged. They are

my father, my queen, and, worst of all, myself!

*

Of all things in this world, untruth is the surest to avenge itself.

When I wrote to the king, from the convent, I vaunted my truthfulness

and yet, at the same time, I was thoroughly untruthful. I aimed at

bringing about an act of freedom and yet, at heart, my only desire was

to write to him and impress him by my love of liberty. I felt proud of

my opposition to popular opinion, and hoped thus to show him that I was

his strong friend. He declined my proffered advice, and yet it was I

who again opened the convents.

Falsehood avenges itself.

Purity and freedom can only exist where there is perfect truthfulness.

*

If I could only find words to express the delight with which to-day's

sunset filled me. It is night, and as surely as the sun shone on my

face, so surely does a ray of sunlight shine within me. I am a ray of

eternity. Compared with it, what are days or years? What is a whole

human life?

*

I never rightly knew why I was always dissatisfied, and yearning for

the next hour, the next day, the next year, hoping that it would bring

me that which I could not find in the present. It was not love, for

love does not satisfy. I desired to live in the passing moment, but

could not. It always seemed as if something were waiting for me without

the door, and calling me. What could it have been?

I know now; it was a desire to be at one with myself, to understand

myself. Myself in the world, and the world in me.

*

The vain man is the loneliest of human beings. He is constantly longing

to be seen, understood, acknowledged, admired and loved.

I could say much on the subject, for I, too, was once vain. It was

only in actual solitude that I conquered the loneliness of vanity. It

is enough for me that I exist.

How far removed this is from all that is mere show.

*

Now I understand my father's last act. He did not mean to punish me.

His only desire was to arouse me, to lead me to self-consciousness, to

the knowledge that, teaching us to become different from what we are,

saves us.

*

I understand the inscription in my father's library: "When I am alone,

then am I least alone."

Yes; when alone, one can more perfectly lose himself in the life

universal. I have lived and have come to know the truth. I can now die.

*

He who is at one with himself, possesses all.

*

What will people say?--These few words represent the world's tyranny,

the power that perverts our nature and temperaments, and account for

our mental obliquity of vision. These four words rule everywhere.

Walpurga is swayed by them, while Hansei has quite a different

standard, the only true one. Without knowing it, he acts just as

Gunther would have done.

Man's first and only duty is to preserve his peace of mind. He should

be utterly indifferent as to "what the people will say." That question

makes the mind homeless. Do right and fear naught! Rest assured that

with all your consideration for the world, you can never satisfy it.

But if you will go on in your own way, indifferent to the praise or

blame of others, you have conquered the world, and it cheerfully

subjects itself to you. As long as you care for "what the people will

say," so long are you the slave of others.

*

I believe that I know what I have done. I have no compassion for

myself. This is my full confession.

I have sinned--not against nature, but against the world's rules. Is

that sin? Look at the tall pines in yonder forest. The higher the tree

grows, the more do the lower branches die away, and thus the tree in

the thick forest is protected and sheltered by its fellows, but can,

nevertheless, not perfect itself in all directions.

I desired to lead a full and complete life and yet to be in the forest,

to be in the world and yet in society. But he who means to live thus,

must remain in solitude. As soon as we become members of society, we

cease to be mere creatures, of nature. Nature and morality have equal

rights and must form a compact with each other, and where there are two

powers with equal rights, there must be mutual concessions.

Herein lies my sin.

_He who desires to live a life of nature alone, must withdraw himself

from the protection of morality, I did not fully desire either the one

or the other; hence I was crushed and shattered._

My father's last action was right. He avenged the moral law, which is

just as human as the law of nature. The animal world knows neither

father nor mother, so soon as the young is able to take care of itself.

The human world does know them and must hold them sacred.

I see it all quite clearly. My sufferings and my expiation are

deserved. I was a thief! I stole the highest treasures of all:

confidence, love, honor, respect, splendor.

How noble and exalted the tender souls appear to themselves when a poor

rogue is sent to jail for having committed a theft! But what are all

possessions which can be carried away, when compared with those that

are intangible!

Those who are summoned to the bar of justice are not always the basest

of mankind.

I acknowledge my sin, and my repentance is sincere.

My fatal sin, the sin for which I now atone, was that I dissembled,

that I denied and extenuated that which I represented to myself as a

natural right. Against the queen, I have sinned worst of all. To me,

she represents that moral order which I violated and yet wished to

enjoy.

To you, O queen, to you--lovely, good, and deeply injured one--do I

confess all this!

If I die before you--and I hope that I may--these pages are to be given

to you.

*

We cannot take nature for our only guide. He who follows its law has no

share, no inheritance in the world of history. He knows nothing of the

beings who lived before him, and who helped to make the world what it

is. With him, the world is barren; with him, it dies. He who follows

naught but nature's law and persuades himself that he is thus doing

right, denies humanity and, at the same time, denies that the human

race has a history which is not represented by himself alone, but has

existed before him and now exists without him. In spite of gloss and

varnish, he who denies humanity is but a savage. He stands without the

pale of civilization. All that he does, or wears, or enjoys, of the

fruits of culture, is but a theft. He should sing no song but that

which is natural to him, like the bird which brings its plumage and its

song into the world with it, and has no special garb or tones; for

there all is species, all is the law of nature.

In this alone lies the truth.

*

Above all right and all duty, is love, leading lover and beloved to the

pure unfolding of their natures.

Woe to those who desecrate its divine mission!

*

My father's fate is also clear to me, now. He wished to live for and

perfect himself; and yet he had children whose love and affection he

claimed. His death was one of the terrible consequences of the life he

had led. That, however, does not make me innocent, and he dealt justly

toward me.

I have no desire to offer excuses for anything I have done. I mean to

be perfectly truthful. That is my only happiness, my only pride.

*

Your worth depends upon what you are; not upon what you have.

*

I have found the center about which my mind revolves.

*

During the last few days, it has seemed to me as if my father's

terrible punishment had never been executed, as if it were only the

guilty presentiment of my own imagination.

What has induced this sudden thought that will not leave me?

I know! I know! Whatever may have happened is now atoned for! There can

be a renewed life, a deliverance achieved by ourselves, and I feel that

this has been vouchsafed me. I am once more free! I can return to the

world and remove the bandage from my brow!

To the world! What is the world? I have it within me. I am in the

world, and the world is in me. I am!

*

I have sung again for the first time. Oh, how much good it did me! No

one heard me but myself.

No bird sings for itself; it sings for its mate. Man alone can sing and

think for himself. He alone possesses self-consciousness.

*

The calm of morn, which is always so dear to me, now seems to last

during the whole day.

*

Yonder brook often seems to roar much more loudly than at other times.

It is because a sudden wind catches it and bears the sound-waves toward

me.

*

(At work.)--When the material on which we work is hard and unyielding,

we learn to make a virtue of necessity. I often chance upon changes in

the fiber or grain which necessitate new beauties or deformities. I

often bring out touches which I did not intend, and those that I did

intend become quite different from what I had expected, just because

the wood is master, as well as my hand. Varnish, blessed friend in

need, covers both beauties and defects.

*

We create nothing. We merely shape and discover that which already

exists and which, without our assistance, cannot release itself from

chaos.

Oh, I feel as if I at last understand the whole world and all of art

and work. I feel that my longings for the infinite are satisfied.

I now know the cause of the clashing between our lofty thoughts and our

lives of petty detail.

Hansei, Walpurga, the king, the queen, Gunther, Emma--what are they

all? Mere drops in the ocean of humanity. When I think of myself as a

part of the whole, I forget them all. That destroys love for

individuals; desire and enjoyment cease, and, with them, passion and

heartache.

And what am I? What still remains to me? We can conceive the great and

complete whole, while our love can only be for the individual, for that

which is nearest to us. And the nearest of all is God, the great idea

of universal law.

*

Walpurga is quite anxious about me. She often comes to me, and it seems

as if she wished to say something. She looks at me so strangely, and

yet says nothing. She tells me, again and again, how lovely it will be

at the shepherd's hut, and how quiet and happy I will be up there. She

wishes the mountains were already cleared of snow. She would like me to

be away from here, and says that I would soon become strong. And yet I

do not feel ill, but she always says: "You shine so!"

I feel as if I had settled my accounts with the world. I am perfectly

calm, and it may be that this feeling casts its radiance about me. I

could no longer fear the world. I could again live among human beings,

for I feel myself free. Nothing more can wound me.

*

I feel a desire for more perfect solitude. Shall I find greater

seclusion, profounder silence, up there? It seems as if I were ever

hearing the words, "lonely as death." (mutterseelenallein.) Oh, thou

blessed, German tongue! What a blessing it is that, without effort, I

bear the rich stores of my mother-tongue within me, and that, when

thoughts gush forth from every nook and cranny of the brain, I have

some word-vessel at command with which to receive the idea. It seems to

me as if I must be always speaking and writing and rejoicing because of

this possession.

I must break off. Our most mysterious, our deepest thoughts, are like

the bird on the bough. He sings, but as soon as he sees an eye watching

him, he flies away.

*

I can now accurately tell the season of the year and, often, the hour

of the day by the way in which the first sunbeams fall into my room and

on my workbench in the morning. My chisel hangs before me on the wall,

and is my index.

*

The drizzling, spring showers now fall on the trees--and thus it is

with me. It seems as if there were a new delight in store for me. What

can it be? I shall patiently wait!

*

A strange feeling comes over me, as if I were lifted up from the chair

on which I am sitting, and were flying, I know not whither!

What is it? I feel as if dwelling in eternity.

Everything seems flying toward me; the sunlight and the sunshine, the

rustling of the forests and the forest breezes, beings of all ages and

of all kinds--all seem beautiful and rendered transparent by the sun's

glow.

I am!

I am in God!

If I could only die now and be wafted through this joy to dissolution

and redemption!

But I will live on until my hour comes.

Come, thou dark hour, whenever thou wilt! To me, thou art light!

I feel that there is light within me. O Eternal Spirit of the universe,

I am one with thee!

I was dead, and I live--I shall die and yet live.

Everything has been forgiven and blotted out.--There was dust on my

wings.--I soar aloft into the sun and into infinite space. I shall die

singing from the fullness of my soul. Shall I sing!

Enough.

*

I know that I shall again be gloomy and depressed and drag along a

weary existence, but I have once soared into infinity and have felt a

ray of eternity within me. That I shall never lose again. I should like

to go to a convent, to some quiet, cloistered cell, where I might know

nothing of the world, and could live on within myself until death shall

call me. But it is not to be. I am destined to live on in freedom and

to labor; to live with my fellow-beings and to work for them.

The results of my handiwork and of my powers of imagination, belong to

you; but what I am within myself, is mine alone.

*

I have taken leave of everything here; of my quiet room, of my summer

bench; for I know not whether I shall ever return. And if I do, who

knows but what everything may have become strange to me?

*

(Last page written in pencil.)--It is my wish that when I am dead, I

may be wrapped in a simple, linen cloth, placed in a rough, unplaned

coffin, and buried under the apple-tree, on the road that leads to my

paternal mansion. I desire that my brother and other relatives may be

apprised of my death at once, and that they shall not disturb my grave

by the wayside.

No stone, no name, is to mark my grave.

BOOK VIII.

CHAPTER I.

Gunther received his dismissal. Sated with his experience of the world,

he withdrew from its distracting and bustling turmoil. Old and

endearing associations made it no easy matter for his family to

transfer their affections to a new home--and yet the change was brought

about without impairing their unity of feeling and affection. Those two

pure gods, love and science, followed Gunther beyond the mountains, and

his heart was free from rancor.

Their home circle now was once more perfect. As if returning from

a journey around the world, Gunther again found himself at the

starting-point--for he knew that he and his would find a free and

self-dependent life the source of the most ennobling and beautiful

influences.

Naturally enough, they missed the presence of a cultured circle, its

refining influences and the opportunity it affords for an interchange

of ideas. But he felt that they would stand the test, and would prove

that they could give up all this without greatly missing it.

Immediately after his dismissal, he received a most flattering offer of

a professorship at one of the great universities. He declined the

proffered position. It had been a long cherished idea of his, to

improve his knowledge of certain branches of science and to complete

certain scientific labors, of which he had thus far merely sketched the

outlines. It often grieved him to think that he might quit the world,

incomplete in himself and leaving much unfinished work behind him. Life

at court, with its constant changes and interruptions, renders

connected thought impossible. To mount guard every morning, in full

armor; to be ready, at a moment's call, to discuss even the most

important subject, in a light conversational manner:--such a life, if

persisted in for a number of years, will, in spite of every effort to

the contrary, tend to injure one's inner nature.

Fortunately for Gunther, scientific studies and home influences always

lent him new vigor. But he was often alarmed lest he should fritter

away his life and gradually lose his individuality. To a certain

extent, he was perfectly willing to be uniformed; he even admitted that

it was both necessary and pleasing, since it represented a remnant of

that mental and political discipline which combines and utilizes

individuals who were otherwise incongruous and scattered. But, at the

same time, Gunther endeavored to prevent any change in himself. He

would often, and with special stress, remark that he who suffers any of

his essential traits to be thus changed has been subdued and killed by

the world, and has ceased to exist as himself.

When, with each succeeding day, he presented himself at court, he came,

as it were, from a strange and distant sphere. And it was this which

accounted for the severe and almost unbending manner, so often observed

in him. He was, nevertheless, forbearing toward the superficiality and

the mere desire to please, which he encountered at court, for he well

knew that where strength of character or depth of culture do not feed

the spring of life, there must needs be some provision for every

passing hour, and also an inevitable tendency to make all life center

about the daily affairs of a small and exclusive circle.

Gunther's so-called inflexibility also lay in the fact that he never

misplaced the center of gravity, and thus, when the prop seemed

withdrawn, he could yet stand his ground firmly and had no need to seek

for strength from without. And now, when the sudden, but by no means

unexpected, rupture took place, it was easy enough to lay aside the

privy councilor and remain the doctor. He had soon mastered every trace

of ill-feeling produced by his great and sudden fall. He regretted to

leave his many friends at the capital and the queen especially. He knew

that he could still have been of great benefit to her; "but then," said

he to himself, "it will be far better for her to seek and gain strength

from herself, and without the aid of others."

Thus Gunther left the capital, and, in doing so, realized a life-long

wish to return to his native town.

He had almost attained his seventieth year, and looked upon the remnant

of life yet accorded him as a peaceful evening of rest--the reward of a

well-spent manhood. He desired, as far as possible, to close his

accounts with knowledge, in order that night should not overtake him,

while so much was as yet incomplete.

Some years ago, Gunther had built a modest house in his native town,

and had intended it as a summer retreat for his family, while his

children were still young. And now this house was to serve as a

resting-place for the remainder of his life. Madame Gunther and the

children had cheerfully taken leave of their old associations. They

bade farewell to friends who were near and dear to them. But their life

lay in their home, and this home, with all its visible and invisible

treasures, accompanied them to their new abode.

Gunther's sister was the only relative he possessed in the little

Highland town. She was an active, bustling hostess. The father, who had

been a country physician, died while Gunther was studying at the

university. Wilhelm had ever been the idol of the family, and the

sister--as well as the mother, up to the time of her death--had always

regarded him as a sort of daring and successful navigator. With the

assistance of her grown-up sons and daughters, the sister had put their

new dwelling to rights. Gunther's charming home soon became the center

of attraction in the little town, and was, in its way, almost as

important as the royal palace at the capital.

Esteem and gratitude were the invisible sentries who guarded the house.

The respectful manner in which visitors entered it proved that naught

but good-breeding dare cross that threshold.

Gunther's sister, the hostess of the Rose, reaped new honors, and when,

within a short time of each other, her two sons and one daughter became

betrothed, it was deemed an inestimable piece of good fortune to become

connected with the family of the privy councilor. Every stranger who

visited the town was speedily informed of this eminent citizen and of

his charming household.

A peaceful atmosphere reigned in Gunther's house. It seemed a very

temple of science and beauty. It was difficult to decide whether it was

more delightful in summer or in winter. In summer there was, of course,

less chance to know how familiar its inmates were with all that tends

to adorn home life. If the gardens in the neighborhood were less neatly

arranged, their seats less comfortable and cozy, the points from which

views could be obtained less artistically chosen--their hedges and

trees were of just as bright a green and the prospect just as fine. But

in winter, when man adorns his home, and when he has naught about him

but the little world which he has himself shaped and arranged, then and

then only, can we see what a lovely home may be created by those whose

light and warmth are derived from themselves.

If a half-frozen traveler, descending from the snowy mountains, had

been at once conducted to Gunther's home, he would have imagined that

he had landed upon an oasis of civilization.

_Salve_! was the inscription over the doorway. Architecturally, the

building was an improvement on the usual country-house. The roof

projected considerably, for it was necessary to prevent the snow from

piling itself before the windows; but this projecting roof was

decorated with tasteful carvings. The steps were covered with winter

plants, the walls were decorated with plaster copies from the

Parthenon, the rooms were neatly arranged, and every piece of furniture

properly placed. There were also finely engraved copies of the choicest

paintings, and, alternating with them, statuettes of the great men of

all ages. On every hand, there were marble, plaster, or bronze works of

art which had been sent to the celebrated physician by his admirers,

and principally by those of the fair sex. Two stuffed bears, which had

been sent to him by a Russian princess and served as foot-stools, had

been quite the talk of the town.

The rooms were never excessively warm. The temperature was a

comfortable one, in which men and plants could thrive. Large

leaf-plants were placed at the windows and in the corners of the room.

There was also a marble bust of Gunther, made by Irma's teacher, years

ago. It was standing on a console and was surrounded by flowers.

Gunther was famous as a ladies' doctor, and was thus in correspondence

with many ladies of the higher classes. During the summer, some of

these would occasionally visit the little town, for the sake of

consulting him, and would sometimes prolong their stay beyond the time

intended. The hostess of the Rose had fitted up two houses adjoining

her own, and had put them in charge of two of her children, subject, of

course, to her own careful supervision. And here the invalid visitors

dwelt, while under treatment. Gunther gave a large share of his

practice to a young physician who had married the second daughter of

his sister, but retained the general superintendence in his own hands.

The little town blessed its distinguished and beneficent citizen. The

best of everything always found its way to Gunther's house. Choice

fish, the best game, early vegetables, and the finest fruit were

brought there, and Madame Gunther was at some trouble to prevent people

from overstocking the house. Even their servants were held in honor.

Since they moved into the town, they had not once changed their

domestics, who were constantly endeavoring to make themselves more

useful and obliging. Even the dog and the mule which Gunther had

procured for his mountain trips, were regarded with pleasure by the

citizens.

On the Heights: A Novel · 第 1 / 20 章