THE CANOE OF THE DRAGON

Koa-trees, out of which the finest and most enduring calabashes of the

old Hawaiians were made, grew near the ocean’s sandy shore, but the

koa-trees from which canoes were carved and burned were, according to

some wise plan of Providence, placed on rough precipitous

mountain-sides or on the ridges above.

The fierce winds of the mountains and the habit of bracing themselves

against difficulties made the koa-trees cross-grained and slow in

growth. The koa was the best tree of the Hawaiian Islands for the

curled, twisted, and hard-grained wood needed in canoes which were

beaten by overwhelming surf waves, rolled over sandy beaches, or

smashed against coral or lava reefs.

From the time the canoe was cut in the mountains and was dragged and

rolled over lava beds or sent crashing down steep mountain-sides to the

time it lay worn out and conquered by the decay of old age it was

always ready to meet the roughest kind of life into which its maker and

owner could force it to go.

The calabash used in the plains and in the mountains came from a tree

grown in beautiful lines by the sea. The canoe came from the hard

mountain-koa far from its final workshop. There were gods, sacrifices,

ceremonies, priests and even birds in the rites and superstitions of

the canoe-makers. Kupulupulu was the god of the koa forest. Any

wanderer in the woods was in the domain of that god. It was supposed

that every rustling footstep was heard by most acute ears, and every

motion of the hand was watched by the sharpest eyes. Dread of the

unseen and unheard made every forest rover tremble until he had made

some proper offering and uttered some effective incantation.

The ceremony and the wages of the priest who went up the mountain to

select a koa-tree for canoe-cutting were like this: First he found a

fine-appearing tree which he thought would make the kind of canoe

desired. Then he took out his fire-sticks and rubbed rapidly until he

had sparks of fire in the wood-dust of his lower stick. He caught the

fire and made a burning oven (imu), heated some stones, cooked a black

pig and a chicken, and prepared food for a feast, and then prayed:

“O Kupulupulu—the god!

Here is the pig,

Here is the chicken,

Here is food.

O Kupulupulu!

O Kulana wao!

O Ku-ohia laka!

O Ku waha ilo!

Here is food for the gods.”

The aumakuas, or spirits of ancestors, were supposed to join with the

gods of the prayer in partaking of the shadow of the feast, leaving the

substance for the canoe-makers.

After the offering and prayer the priests ate and then lay down to

sleep until the next day. In the morning after another feast they began

to cut the tree.

David Malo, in his “Hawaiian Antiquities,” said that the priest took

his stone axe and called upon the female deities of the canoe-cutters

thus:

“O Lea and Ka-pua-o-alakai!

Listen now to the axe.

This is the axe which is to cut the tree for the canoe.”

Another account says that when the canoe priest began to cut the tree

and also as long as they were chopping it down they were talking to the

gods thus:

“O Ku Akua! O Paapaaina!

Take care while the tree is falling,

Do not break our boat,

Do not let the tree smash and crack.”

When the tree began to tremble and its leaves and branches rustle, a

tabu of silence was enjoined upon the workmen, that the tree itself

might be the only one heard by the watching gods.

When the tree had fallen a careful watch was made for Lea, the wife of

Moku-halii, the chief god of the canoe-carvers—those who hollowed out

the canoe.

It was supposed that Lea had a double body—sometimes she was a human

being and sometimes she appeared as a bird.

Her bird body was that of the Elepaio, a little bird covered with

speckled feathers, red and black on the wings, the woodpecker of the

Hawaiians.

“When she calls she gives her name ‘E-le-pai-o, E-le-pai-o,

E-le-pai-o!’ very sweetly.”

If she calls while the tree is being cut down and then flies gently

down to the fallen tree and runs up and down from end to end, and does

not touch the tree, nor bend the head over, striking the wood, then

that tree is sound and good for a canoe.

But if the goddess strikes the tree here and there it is rotten and of

no use, and is left lying on the ground.

David Malo, as translated by Dr. Emerson, says:

“When the tree had fallen the head priest mounted the trunk, axe in

hand, and called out in a loud voice, ‘Smite with the axe, and hollow

the canoe! Give me my malo!’

The priest’s wife would hand him a white ceremonial malo with which he

girded himself—then walked along the tree a few steps and called out in

a loud voice, ‘Strike with the axe, and hollow it! Grant us a canoe!’

Then he struck a blow on the tree with the axe. This was repeated until

he reached the point where the head of the tree was to be cut off. Here

he wreathed the tree with the ieie vine, repeated a prayer, commanded

silence, and cut off the top of the tree.

This done, the priest declared the ceremony performed and the tabu

lifted.

Then the priests took their stone adzes, hollowed out the canoe on the

inside, and shaped it on the outside until in its rough shape it was

ready to be dragged by the people down to the beach and finished and

polished for its work in the sea.”

Ka-hanai-a-ke-Akua was a chief residing near Kou. He lived in the time

when gods and men mingled freely with each other and every tabu chief

was more or less of a god because of his high birth.

His priests went up Nuuanu Valley to a place on the side where forests

covered a small valley running into the side hills of the larger and

more open valley. Great koa-trees fit for canoe-making were found in

this forest. However, this part of the valley belonged to the eepa

people—the deformed or ill-shaped gnomes of woodland or plain.

Sometimes they seemed to be crippled and warped in mind as well as in

body. They could be kind and helpful, but they were often vindictive

and quarrelsome. There were also ferocious mo-o, or dragon-gods,

watching for prey. Travellers were destroyed by them. They sometimes

appeared as human beings, but were always ready to become mo-os.

One of these gods came down to the place where the priests were cutting

the koa canoe for the high chief. He watched the ceremonies and

listened to the incantations while the tree was being cut down. He

tried to throw obstacles in the way of the men who were steadily

breaking chips from the tree-trunk. He directed the force of the wind

sweeping down the valley against them. He sent black clouds burdened

with heavy driving rain. He made discouraging omens and sent signs of

failure, but the priests persevered.

At last the tree fell and was accepted. It was speedily trimmed of its

branches, cut roughly to the required shape and partly hollowed out.

Then coconut ropes and vines were fastened around it, and the people

began to pull it down the valley to the harbor of Kou.

As they started to drag the log over rough lava ridges outcropping

along the valley-side they found their first effort checked. The log

did not move down into the valley. Rather, it seemed to go up the

hillside. The god caught one end and pulled back. Another mighty effort

was put forth and the canoe and the god slipped over the stones and

partly down the hillside. But the dragon-god braced himself again and

made the canoe very heavy. He could not hold it fast and it came down

to the men. It was very difficult to drag it through the forest of the

valley-side or the thickets of the valley, so the men pulled it down

into the rough, rocky bed of the little stream known as Nuuanu. It was

thought that the flowing water would help the men and the slippery

stones would hinder the god.

Down they went pulling against each other. The god seemed to feel that

the struggle under such conditions was hopeless, so he let go of the

canoe and turned to the flowing water.

Beautiful waterfalls and cascades abound all along the course of this

mountain stream. It is fed by springs and feathery waterfalls which

throw the rainfall from the tops of the mountains far down into the

valley.

The god hastened along this water course, stopped up the springs, and

turned aside the tributary streams, leaving the bed of the river dry.

Then he went down once more, caught the canoe, and pulled back. It was

weary, discouraging work, and the chief’s people became very tired of

their struggle. The night fell when they were still some distance from

the sea.

They had come to a place known as Ka-ho-o-kane. [26] In this place

there were sharp turns, steep banks and great stones. Here the

dragon-god fought most earnestly and wedged the log fast in the rocks.

The task had become so difficult and it was so dark that the high chief

allowed his priests to call the people away, leaving the log in the

place where the last struggle was made. It was a gift to the mo-o, the

dragon, and was known as “The canoe of the dragon-god.” It is said that

it lies there still, changed into a stone, stuck fast among the other

huge stones among which the water from the mountains finds its way

laughing at the defeat of the canoe-makers.

Legends of Old Honolulu (Mythology) Collected and Translated from the Hawaiian · 第 36 / 72 题