"Well, no more am I, perhaps. I don't think any better of the stuff

that I scribble than you do. It's all an experiment with me. I'm

trying my brushes--trying my brushes. Perhaps I may be able to do

something stronger some day, and perhaps not. But at all events I

sha'n't force my mood. I shall wait for my inspiration. One thing I've

noticed, that as a man grows older he loses his spontaneity and gets

more critical with himself. I could do more, no doubt, if I would only

let myself go. But I'm like this meerschaum here,--a hard piece and

slow in coloring."

"Well, meanwhile you might do something in the line of scholarship, a

history or a volume of critical essays--'Hours with the Poets,' or

something of that kind, that would bring in the results of your

reading. Have you seen Brainard's book? It seemed to me work that was

worth doing. But you could do something of the same kind, only much

better, without taking your hands out of your pockets."

Brainard was a painstaking classmate of ours, who had been for some

years Professor of Mental and Moral Philosophy, English Literature,

and European History, in a Western university, and had recently

published a volume entitled "Theism and Pantheism in the Literature of

the English Renaissance," which was well spoken of, and was already in

its third edition.

"Yes, I've seen the stuff," said Clay. "My unhappy country swarms with

that sort of thing: books about books, and books about other books

about books--like the big fleas and little fleas. It's not literature;

it's a parasitic growth that infests literature. I always say to

myself, with the melancholy Jaques, whenever I have to look over a

book by Brainard or any such fellow, 'I think of as many matters as

he; but I give Heaven thanks and make no boast of them.' No, I don't

care to add anything to that particular rubbish heap. You know Emerson

said that the worst poem is better than the best criticism of it. The

trouble with me is that what I want to do I can't do--at present; what

I can do I don't think it worth while to do--worth my while, at

least. Some one else may do it and get the credit and welcome."

"But you do a good deal of work that you don't care about, as it is,"

I objected.

"Of course. A man must live, and so I do the nearest thing and the one

that pays quickest. I got eighty dollars, now, for that last screed in

'The Reservoir.'"

"But," I persisted, "I thought that money-making had no part in your

scheme. You could make more money in a dozen other businesses."

"So I could," he answered; "but they all involve some form of slavery.

Now, I am my own master. After all, every profession has its drudgery,

and literary drudgery is not the worst."

"Well," I conceded, "independent of what you accomplish, I suppose

your way of life furnishes as many daily satisfactions as any. I

sometimes envy you and Berkeley your freedom from business cares and

your opportunities for study. What becomes of most men's college

training, for example? By Jove! I picked up a Greek book the other

day, and I couldn't read three words running. Now, I take it, you

manage to keep up your classics, among other things."

"Oh, my way of life has its compensations," he answered. "But Sydney

Smith--wasn't it?--said that life was a middling affair, anyway. As

for the classics, etc., I find that reading and study lose much of

their stimulus unless they get an issue in action,--unless one can

apply them directly toward his own work. I often think that, if I

were fifteen or even ten years younger, I would go into some branch of

natural science. A scientific man always seems to me peculiarly happy

in the healthy character of his work. He can keep himself apart from

it. It is objective, impersonal, makes no demand on his emotions. Now

a writing man has to put himself into his work. He has to keep looking

out all the time for impressions, material; to keep trying to enlarge

and deepen his own experience, and he gets self-conscious and loses

his freshness in the process."

"I am surprised to find you in New York," said I, by way of changing

the subject. "I thought you had laid out to live in the country. Do

you remember that pretty little word-picture of a winter afternoon

that you drew us--something in the style of an _Il Penseroso_

landscape? I expected to find you domesticated in a Berkshire

farm-house."

"Yes, I remember. I tried it. But I find it necessary, for my work, to

be in New York. The newspapers--confound 'em!--won't move into the

woods. But, after all, place is indifferent. See here; this isn't

bad."

He drew aside the window curtain, and I looked out over a wilderness

of roofs to the North River and the Palisades tinged with a purple

light. The ferry boats and tugs plying over the water in every

direction, the noise of the steam whistles, and the clouds of white

vapor floating on the clear air, made an inspiriting scene.

"I'm up among the architects here," continued Clay; "nothing but the

janitor's family between me and the roof."

We talked awhile longer, and on taking leave, I said:

"I shall be on the lookout for something big from you one of these

days. You know what we always expected of you. So don't lose your

grip, old man."

"Who knows?" he replied. "It doesn't rest with me, but with the

_daimon_."

I was unable to visit Doddridge, the remaining member of our group. He

lived in the thriving town of Wahee, Minnesota, and I had heard of

him, in a general way, as highly prosperous. He was a prominent lawyer

and successful politician, and had lately been appointed United States

district judge, after representing his section in the State Senate for

a term or two. I wrote to him, congratulating him on his success and

asking for details. I mentioned also my visits to Berkeley, Armstrong,

and Clay. I got a prompt reply from Doddridge, from which I extract

such portions as are material to this narrative:

"The first few months after I left college I traveled pretty

extensively through the West, making contracts with the

farmers as agent for a nursery and seed-farm in my part of

the country, but really with the object of spying out the

land and choosing a place to settle in. Finally I lit on

Wahee, and made up my mind that it was a town with a future.

It was bound to be a railroad center. It had a first-rate

agricultural country around it, and a rich timber region a

little further back; and it already had an enterprising

little pop. growing rapidly. To-day Wahee is as smart a city

of its inches as there is in the Northwest. I squatted right

down here, got a little raise from the old man, and put it

all into building lots. I made a good thing of it, and paid

it all back in six years with eight per cent. interest.

Meanwhile, I went into Judge Pratt's law office and made my

salt by fitting his boy for college--till I learned enough

law to earn a salary. The judge was an old Waheer--belonged

to the time-honored aristocracy of the place, having been

here at least fifteen years before I came. He got into

railroads after awhile (is president now of the Wahee and

Heliopolis Bee-line), and left his law practice to me. I

married his daughter Alice in 1875. She is a Western girl,

but she was educated at Vassar. We have two boys. If you

ever come out our way, Polisson, you must put up with us for

as long as you can stay. I would like to show you the

country about here and have you ride after my team. I've got

a pair that can do it inside three minutes. Do you remember

Liddell of our class? He is an architect, you know. I got

him to come to Wahee, and he has all he can do putting up

business blocks. We have got some here equal to anything in

Chicago....

"Yes, I am United States judge for this district. There is

not much money in it, but it will help me professionally by

and by. I shall not keep it long. Do I go into politics

much, you ask. I used to, but I've got through for the

present. The folks about here wanted to run me for Congress

last term, but I hadn't any use for it. As to what you are

kind enough to say about my 'success,' etc., whatever

success I have had is owing to nothing but a capacity for

hard work, which is the only talent that I lay claim to.

They want a man out here who will do the work that comes to

hand, and keep on doing it till something better turns

up....

"So Berkeley has turned out a dilettante instead of an

African explorer. I heard he was a minister. He does not

seem to have much ambition even in that line of life. I

should think Armstrong had got the right kind of place for

him. He was a good fellow, but never had much practical

ability. You say very little about Clay. How is old

'Sweetness and Light,' any way? I saw some fluff of his in

one of the magazines,--a 'romance' I think he called it.

This is not an age for scribbling romances. The country

wants something solider. I never took much stock in

philosophers like Berkeley and Clay. There is the same thing

the trouble with them both: they don't want to do any hard

work, and they conceal their laziness under fine

names,--culture, transcendentalism, and what not? 'Feeble

and restless youths, born to inglorious days.'"

This letter may be supplemented by another,--say Exhibit B,--which I

received from Clay not long after:

"MY DEAR POLISSON: It occurs to me that your question the

other day, as to how I was 'getting on,' did not receive as

candid an answer as it deserved. I am afraid that you

carried away an impression of me as of a man who suspected

himself to be a failure, but had not the manliness to

acknowledge it. You will say, perhaps, that there are all

degrees of half success short of absolute failure. But I say

no. In the career which I have chosen, to miss of

success--pronounced, unquestionable success--is to fail; and

I am not weak enough to hide from myself on which side of

the line I fall. The line is a very distinct one, after all.

The fact is, I took the wrong turning, and it is too late to

go back. I am a case of arrested development--a common

enough case. I might give plenty of excellent excuses to my

friends for not having accomplished what they expected me

to. But the world doesn't want apologies; it wants

performance.

"You will think this letter a most extraordinary outburst of

morbid vanity. But while I can afford to have you think me a

failure, I couldn't let you go on thinking me a fraud. That

must be my excuse for writing.

"Yours, as ever, E. CLAY."

This letter moved me deeply by its characteristic mingling of egotism

with elevation of feeling. As I held it open in my hand, and thought

over my classmates' fortunes, I was led to make a few reflections.

From the fact that Armstrong and Berkeley were leading lives that

squarely contradicted their announced ideas and intentions, it was an

obvious but not therefore a true inference that circumstance is

usually stronger than will. Say, rather, that the species of necessity

which consists in character and inborn tendency is stronger than any

resolution to run counter to it.

Both Armstrong and Berkeley, on our Commencement night, had spoken

from a sense of their own limitations, and in violent momentary

rebellion against them. But, in talking with them fifteen years later,

I could not discover that the lack of correspondence between their

ideal future and their actual present troubled them much. It is matter

of common note that it is impossible to make one man realize another's

experience; but it is often quite as hard to make him recover a past

stage of his own consciousness.

These, then, had bent to the force of chance or temperament. But

Clay had shaped his life according to his programme, and had the

result been happier? He who gets his wish often suffers a sharper

disappointment than he who loses it. "_So taeuscht uns also bald die

Hoffnung, bald das Gehoffte_," says the great pessimist, and Fate is

never more ironical than when she humors our whim. Doddridge alone,

who had thrown himself confidingly into the arms of the Destinies, had

obtained their capricious favors.

I cannot say that I drew any counsel, civil or moral, from these

comparisons. Life is deeper and wider than any particular lesson to be

learned from it; and just when we think that we have at last guessed

its best meanings, it laughs in our face with some paradox which turns

our solution into a new riddle.

ZERVIAH HOPE.

BY ELIZABETH STUART PHELPS.

_Scribner's Monthly, November, 1880._

PRELUDE.

In the month of August, in the year 1878, the steamer _Mercy_, of the

New York and Savannah line, cast anchor down the channel, off a little

town in South Carolina which bore the name of Calhoun. It was not a

regular part of her "run" for the _Mercy_ to make a landing at this

place. She had departed from her course by special permit to leave

three passengers, two men and one woman, who had business of a grave

nature in Calhoun.

A man, himself a passenger for Savannah, came upon deck as the

steamship hove to, to inquire the reason of the delay. He was a short

man, thin, with a nervous hand and neck. His eyes were black, his hair

was black, and closely cut. He had an inscrutable mouth, and a

forehead well-plowed rather by experience than years. He was not an

old man. He was cleanly dressed in new, cheap clothes. He had been

commented upon as a reticent passenger. He had no friends on board the

_Mercy_. This was the first time upon the voyage that he had been

observed to speak. He came forward and stood among the others, and

abruptly said:

"What's this for?"

He addressed the mate, who answered with a sidelong look, and none too

cordially:

"We land passengers by the Company's order."

"Those three?"

"Yes, the men and the lady."

"Who are they?"

"Physicians from New York."

"Ah-h!" said the man, slowly, making a sighing noise between his

teeth. "That means--that means--"

"Volunteers to the fever district," said the mate, shortly, "as you

might have known before now. You're not of a sociable cast, I see."

"I have made no acquaintances," said the short passenger. "I know

nothing of the news of the ship. Is the lady a nurse?"

"She's a she-doctor. Doctors, the whole of 'em. There ain't a nurse

aboard."

"Plenty to be found, I suppose, in this place you speak of?"

"How should I know?" replied the mate, with another sidelong look.

One of the physicians, it seemed, overheard this last question and

reply. It was the woman. She stepped forward without hesitation, and,

regarding the short passenger closely, said:

"There are not nurses. This place is perishing. Savannah and the

larger towns have been looked after first--as is natural and right,"

added the physician, in a business-like tone. She had a quick and

clear-cut, but not ungentle voice.

The man nodded at her curtly, as he would to another man; he made no

answer; then with a slight flush his eye returned to her dress and

figure; he lifted his hat and stood uncovered till she had passed and

turned from him. His face, under the influence of this fluctuation of

color, changed exceedingly, and improved in proportion as it changed.

"Who is that glum fellow, Doctor?"

One of the men physicians followed and asked the lady; he spoke to her

with an air of _camaraderie_, at once frank and deferential; they had

been classmates at college for a course of lectures; he had theories

averse to the medical education of women in general, but this woman in

particular, having outranked him at graduation, he had made up his

mind to her as a marked exception to a wise rule, entitled to a candid

fellow's respect. Besides, despite her diploma, Marian Dare was a

lady--he knew the family.

"_Is_ he glum, Dr. Frank?" replied Dr. Dare.

But the other young man stood silent. He never consulted with

doctresses.

Dr. Dare went below for her luggage. A lonely dory, black of

complexion and skittish of gait, had wandered out and hung in the

shadow of the steamer, awaiting the passengers. The dory was manned by

one negro, who sat with his oars crossed, perfectly silent.

There is a kind of terror for which we find that animals, as well as

men, instinctively refrain from seeking expression. The face and

figure of the negro boatman presented a dull form of this species of

fear. Dr. Dare wondered if all the people in Calhoun would have that

look. The negro regarded the _Mercy_ and her passengers apathetically.

It was a hot day, and the water seemed to be blistering about the

dory. So, too, the stretching sand of the shore, as one raised the

eyes painfully against the direct noon-light, was as if it smoked. The

low, gray palmetto leaves were curled and faint. Scanty spots of shade

beneath sickly trees seemed to gasp upon the hot ground, like

creatures that had thrown themselves down to get cool. The outlines of

the town beyond had a certain horrible distinctness, as if of a sight

that should but could not be veiled. Overhead, and clean to the flat

horizon, flashed a sky of blue and blazing fire.

"Passengers for Calhoun!"

The three physicians descended into the dory. The other

passengers--what there were of them--gathered to see the little group

depart. Dr. Frank offered Dr. Dare a hand, which she accepted, like a

lady, not needing it in the least. She was a climber, with firm, lithe

ankles. No one spoke, as these people got in with the negro, and

prepared to drift down with the scorching tide. The woman looked from

the steamer to the shore, once, and back again, northwards. The men

did not look at all. There was an oppression in the scene which no one

was ready to run the risk of increasing by the wrong word.

"Land me here, too," said a low voice, suddenly appearing. It was the

glum passenger. No one noticed him, except, perhaps, the mate (looking

on with the air of a man who would feel an individual grievance in

anything this person would be likely to do) and the lady.

"There is room for you," said Dr. Dare. The man let himself into the

boat at a light bound, and the negro rowed them away. The _Mercy_,

heading outwards, seemed to shrug her shoulders, as if she had thrown

them off. The strip of burning water between them and the town

narrowed rapidly, and the group set their faces firmly landwards.

Once, upon the little voyage, Dr. Frank took up an idle pair of oars,

with some vaguely humane intent of helping the negro--he looked so.

"I wouldn't, Frank," said the other gentleman.

"Now, Remane--why, for instance?"

"I wouldn't begin by getting overheated."

No other word was spoken. They landed in silence. In silence, and

somewhat weakly, the negro pulled the dory high upon the beach. The

four passengers stood for a moment upon the hot, white sands, moved

toward one another, before they separated, by a blind sense of human

fellowship. Even Remane found himself touching his hat. Dr. Frank

asked Dr. Dare if he could serve her in any way; but she thanked him,

and, holding out her firm, white hand, said, "Good-bye."

This was, perhaps, the first moment when the consciousness of her sex

had made itself oppressive to her since she ventured upon this

undertaking. She would have minded presenting herself to the Relief

Committee of Calhoun, accompanied by gentlemen upon whom she had no

claim. She walked on alone, in her gray dress and white straw hat,

with her luggage in her own sufficient hand.

The reticent passenger had fallen behind with the negro boatman, with

whom he walked slowly, closing the line.

After a few moments, he advanced and hesitatingly joined the lady,

beginning to say:

"May I ask you--"

"Ah," interrupted Dr. Dare, cordially, "it is you."

"Will you tell me, madam, the best way of going to work to offer

myself as a fever nurse in this place? I want the _best_ way. I want

real work."

"Yes, yes," she said, nodding; "I knew you would do it."

"I came from the North for this purpose, but I meant to go on to

Savannah."

"Yes, I know. This is better; they need _everything_ in this place."

She looked toward the gasping little town through the relentless noon.

Her merciful blue eyes filled, but the man's look followed with a dry,

exultant light.

"There is no porter," he said, abruptly, glancing at her heavy bag and

shawl-strap. "Would you permit me to help you?"

"Oh, thank you!" replied Dr. Dare, heartily, relinquishing her burden.

Plainly, this poor fellow was not a gentleman. The lady could afford

to be kind to him.

"I know nothing how we shall find it," she chatted, affably, "but I go

to work to-night. I presume I shall need nurses before morning. I'll

have your address."

She took from her gray sacque pocket a physician's note-book, and

stood, pencil in hand.

"My name," he said, "is Hope--Zerviah Hope."

She wrote without comment, walking as she wrote; he made no other

attempt to converse with her. The two physicians followed, exchanging

now and then a subdued word. The negro dragged himself wearily over

the scorching sand, and thus the little procession of pity entered the

town of Calhoun.

My story does not deal with love or ladies. I have to relate no tender

passages between the fever-physicians, volunteers from New York, for

the afflicted region of Calhoun. Dr. Marian Dare came South to do a

brave work, and I have no doubt she did it bravely, as a woman should.

She came in pursuit of science, and I have no doubt she found it, as a

woman will. Our chief interest in her at this time lies in the fact

that certain missing fragments in the history of the person known as

Zerviah Hope we owe to her. She hovers over the tale with a distant

and beautiful influence, pervading as womanly compassion and alert as

a woman's eye.

I have nothing further to say about the story before I tell it, except

that it is true.

* * * * *

That night, after the physicians had gone about their business,

Zerviah Hope wandered, a little forlornly, through the wretched town.

Scip, the negro boatman, found him a corner to spend the night. It was

a passable place, but Hope could not sleep; he had already seen too

much. His soul was parched with the thirst of sympathy. He walked his

hot attic till the dawn came. As it grew brighter he grew calmer; and,

when the unkindly sun burst burning upon the land, he knelt by his

window and looked over the doomed town, and watched the dead-carts

slinking away toward the everglades in the splendid color of the sky

and air, and thought his own thoughts in his own way about this which

he had come to do. We should not suppose that they were remarkable

thoughts; he had not the look of a remarkable man. Yet, as he knelt

there,--a sleepless, haggard figure blotted against the sunrise,

with folded hands and moving lips,--an artist, with a high type of

imagination and capable of spiritual discernment, would have found in

him a design for a lofty subject, to which perhaps he would have given

the name of "Consecration" rather than of "Renunciation," or of

"Exultance" rather than of "Dread."

A common observer would have simply said: "I should not have taken him

for a praying man."

He was still upon his knees when Dr. Dare's order came, "Nurse wanted

for a bad case!" and he went from his prayer to his first patient. The

day was already deep, and a reflection, not of the sunrise, moved with

him as light moves.

Doctor Dare, in her gray dress, herself a little pale, met him with

keen eyes. She said:

"It is a _very_ bad case. An old man--much neglected. No one will go.

Are you willing?"

The nurse answered:

"I am glad."

She watched him as he walked away--a plain, clean, common man, with

unheroic carriage. The physician's fine eyes fired.

To Doctor Frank, who had happened in, she said:

"He will do the work of ten."

"His strength was as the strength of ten,

Because his heart was pure,"

quoted the young man, laughing lightly. "I don't know that I should

have thought it, in this case. You've taken a fancy to the fellow."

"I always respect an unmixed motive when I see it," she replied,

shortly. "But I've been in practice too long to take sudden fancies.

There is no profession like ours, Doctor, for putting the sympathies

under double picket guard."

She stiffened a little in her manner. She did not like to be thought

an over-enthusiastic woman--womanish, unused to the world.

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