CHAPTER XVI

EUSTOCHIA

A Child of Sin—Born 1444—Her Early Peculiarities—Physical

Possession by Evil Spirits—Sent to a Convent—A Life

of Devotion—Eustochia a Novitiate—A Supernatural

Accident—Belief that She Was a Hypocrite—Resignation—The

Evil Spirit in Possession-Frightful Torments—Evil Portents—A

Sorceress?—Imprisonment—Persecutions by Invisible Powers—Regaining

Good Esteem—A Nun—Her Sanctity and Constancy—Her Death and Burial.

The story of her, who was baptised by the name of Lucrezia Bellini and

is now revered by the Church under that of Eustochia, which she assumed

on becoming a Benedictine nun, in the year 1461, is one of the very

strangest that even the Italian Quattrocento has to show. For it is the

story of a child of sin who was tormented all her days by the Adversary

of mankind, and who was yet a saint.

In these, our own latter days, when the world at large is recovering

somewhat from the prolonged epidemic of materialism from which it had

been suffering during the greater part of the Nineteenth Century, the

fact of supernatural “possession” is coming to be recognised by many of

the strongest scientific intellects as the only possible and rational

explanation of certain among the numerous cases of mental perversity

that fill our modern prisons and asylums. Even—so I have been given

to understand—the “Salpêtrière” itself has been known to express

opinions favourable to the theory of possession in some instances.

So that the story of Eustochia may not be deemed to be unworthy of

attention—even by those persons who ordinarily find it difficult to

believe anything unless it has already received the endorsement of

their fellow-creatures’ belief.

The natural daughter of a dissolute citizen of Terra di Gemola in

the Veneto, Lucrezia was born in shame and secrecy in the year 1444,

at Padua, and was sent at once to her father, Bartolomeo Bellini, at

Gemola. Bartolomeo Bellini was, alas! a married man with a lawful wife

and family of his own; none the less, he received the child with some

show of gladness and immediately saw to her being properly baptised,

giving her the name of Lucrezia; after which he handed her over to a

nurse under whose care the little Lucrezia remained until she was four

years old, when Bellini sent for her to come and live with him and his

family in his own house. By this time she had become very pretty, as

well as being already endowed with considerable charm and brightness of

spirit.

On seeing her again, her father came to love Lucrezia with an especial

tenderness; but, to his wife, not unnaturally, the sight of the

little girl was gall and bitterness, in its reminder of her husband’s

infidelity to her; and the Signora Bellini soon grew to hate the

presence of Lucrezia.

Nor were Bellini’s own good sentiments towards his daughter suffered to

endure for long.

It seemed to those with whom she was in daily and hourly contact that

there was something odd about Lucrezia; for all her charm and goodness,

the child, in some indefinable way, was not as other children, but

rather as one mysteriously marked down by Providence for some especial

purpose of Its own.

And then, suddenly, Lucrezia’s peculiarities began to take definite

shape, and to manifest themselves in the most disconcerting manner by

a nervous inability to control the movements of her own limbs—as it

were a kind of Saint Vitus’ dance. Even against her express wish, she

would constantly find herself compelled to do this or that; she was

even, occasionally, raised bodily by some invisible force above the

ground. Her confessor declared himself of the opinion that she was

under some strong preternatural influence, but of what kind, precisely,

he was unable at once to determine. For, although she was frequently

moved to certain movements by some will other than her own, yet her

mind was entirely subject to her own control; consequently, one cannot

quite think her to have yet been actually in a state of possession, her

condition appearing to approximate rather to one of slight epilepsy.

But this was only the beginning of Lucrezia’s long trial. In spite of

her very real sufferings, her spirit maintained the calm of a constant

recollection in God, together with the unceasing interior practice

of the most meritorious acts of resignation and faith. As time went

on, however, the fact of her physical possession by evil spirits

became self-evident, and Lucrezia herself an object of the utmost

aversion—nay, of fury—to her father, who refused to recognise in his

child’s condition the anger of Heaven upon himself for the sin of her

birth.

So matters came to the point of Lucrezia’s being brought to the

Bishop—Monsignor Pietro Donato, I fancy—that he might exorcise

the spirit that tormented her; which, as it seemed at first, he

successfully did, for during some weeks after the exorcism Lucrezia was

able to pursue the practice of her religion without let or hindrance;

so that she was considered permanently healed.

But it was not fated to be so; her foe had only changed his tactics,

and now, although still capable of constant interior acts of devotion,

the hitherto gentle girl began, to the amazement of all who knew her,

to show herself undocile, rough of speech, and extremely resentful of

the Signora Bellini’s unkindness to her. This new development, which

was altogether contrary to her own inclinations, only brought upon

her the increased anger and dislike of her father, who, together with

his wife, proceeded to treat her so harshly as to bring her more than

once to the verge of the grave. Beaten, starved, and neglected, the

friendless child knew not where to find refuge from her misery save

only in God, to whom she had completely given herself.

She was now seven years old, timid and crushed by suffering, but with

her heart full of charity and faith; nevertheless, her father, being

tempted by the father of lies, fell into the belief that Lucrezia, in

revenge for his cruelty to her, was minded to poison him—and so he

resolved to murder her. From this intention, however, the tempter,

having no mind presumably that Lucrezia should be killed and pass

in all her innocence to a better world—dissuaded Bellini, so that he

changed his mind and sent her instead to the Convent of San Prosdocimo,

in the city of Padua, there to finish her education.

Now, during the latter half of the Fifteenth Century, in Italy it was

not unusual to find convents of religious orders in which the strict

practice of the rules laid down centuries earlier for their guidance

by the holy founders of those same orders had become in the course of

time somewhat relaxed. The Rule—the very backbone, so to speak, of

a religious community—had grown, through long, indulgent gentleness

on the part of Superiors, so mild as to be no longer suitable to

the special necessities of the enclosed life; there was too much

intercourse allowed with the outer world, the affairs and interests

of which had come in consequence to occupy too large a part in the

thoughts and natural sympathies of those called by their vocation

to lead the higher spiritual existence of the cloister. And so we

find that many bishops and abbots and abbesses devoted themselves

particularly to the task of bringing back their “houses” to the close

observance of their various original “Rules”—Franciscan, Dominican,

Benedictine, and others.

The convent of San Prosdocimo belonged to the Benedictines, but,

unhappily, it was one of those houses that had fallen into slackness,

and into which had crept the habit of worldly conversation and of

carelessness in regard to the strict observance of the regulations,

imposed by their most illustrious father and founder, for the guidance

of his spiritual children.

It was, then, to the care of the somewhat relaxed sisterhood of San

Prosdocimo that Lucrezia was committed by her father; and, within

a short time of her entry as a pupil into the convent, although the

youngest of its occupants in years, she showed herself far the ripest

in all goodness, the best balanced, and the most intelligent.

Of a cheerful temperament, a lively and captivating personality,

Lucrezia was never frivolous or superficial; but, preserving her

habitual state of recollection in calm and solitude, her life was one

continual prayer. For her patrons she chose three—the Mother of God,

Saint Jerome, and Saint Luke the evangelist.

Nine years the girl lived thus without being more than very slightly

troubled by the evil spirit who sought her destruction; until the

year 1460, when the death of the Abbess brought about great changes

in the convent. Upon that event Monsignor Zenoni, who had succeeded

Monsignor Donato as Bishop of Padua, considered that the time was come

to introduce a more strict administration in the convent and to revive

among its inmates the spirit of Saint Benedict. With this object he

forbade the nuns to elect their next Superior from among their number

until the reformations that he considered necessary should have been

brought about in their community. The nuns, though, dismayed by the

uncompromising words “reform” and “strict observance,” took fright at

Monsignor Zenoni’s salutary projects and transferred themselves in a

body with their pupils to another house of the order.

The only one of all the convent’s inmates to accept the Bishop’s

ordinance and to remain faithful to her post was the sixteen-year-old

Lucrezia; abandoned by her superiors and companions, Lucrezia kept

watch and ward alone in the deserted building until the Bishop sent

over to join her a body of sisters from the convent of Santa Maria

della Misericordia, appointing Donna Giustina Lazzara, a noble lady

of Padua, to be their Abbess. With the coming of Donna Giustina and

her companions, the primitive practice and regular observance of Saint

Benedict’s Rule became again the life of the house of San Prosdocimo.

Lucrezia’s whole being rejoiced exceedingly in the new order of things

in the convent and she determined to become, if possible, a nun and

a sister in religion of those about her. When she confided her desire

to them, however, she met with no encouragement; the truth was that,

although they had no fault to find with her personally, yet knowing her

history and that of her parents and seeing that she had been brought up

hitherto under the influence of more or less careless elders, the nuns

could not help feeling rather doubtful of Lucrezia’s fitness for the

religious life. Her very piety they were inclined to consider merely

superficial, and possibly a trifle simulated in one as yet untried by

discipline. At first even Donna Giustina was drawn to this opinion;

but, on reflection, she came to the conclusion that, after all, such

prejudices might well constitute a grave injustice, and, remembering

how Lucrezia had remained in the convent when the others had fled, she

at length consented to accept her as a postulant for the stupendous

honour of a bride of Christ. And so, to the dissatisfaction of her

companions, Lucrezia was invested with the habit of their order,

January 15, 1461; in honour of her patron, Saint Jerome, she took the

name of Eustochia, the daughter of Saint Paula and the pupil of Saint

Jerome. The ceremony, however, was marked for Lucrezia by an untoward

incident which served to create a further unfavourable impression

towards her on the part of the other nuns; for, as the priest was

giving her the Communion, the Sacred Host slipped from his fingers and

fell to the ground, an accident which they chose to regard as a mark of

the Divine displeasure towards her.

From the day of her thus taking the veil, the real martyrdom of

Eustochia began. Until then, since her entry into the convent, her

sufferings at the hands of the Adversary had been comparatively light

and she had been able to conceal his attacks upon her. But now his

possession of her became more malignantly active, manifesting itself

by controlling her movements so as to make her commit some slight

exterior fault of deportment against the Rule, so that her companions,

witnesses of Eustochia’s small breach of discipline, were more than

ever confirmed in the opinion that she was a hypocrite. By degrees this

feeling increased among them until it arrived at the point of her being

shunned by them as a moral leper.

And all the while Eustochia, in exquisite, faithful humbleness, gave

thanks to Heaven for Its just judgment upon her, as she deemed it,

accusing herself before God and the Abbess of having brought these

punishments upon herself by her sins—so that, while she lost the good

opinion of those about her, she gained incessant merit in the eyes of

her Creator. And now the hour of Eustochia’s long darkness sounded,

during which she was destined to drink to the dregs the cup of trial.

A month before the feast of Saint Jerome—that is, towards the end of

August—that same year of 1461, Eustochia felt herself much perturbed

and ill at ease in her heart; and her countenance, to the disquiet

of the whole house, took on an expression at once sombre and menacing

and quite unaccountable to the beholders, with the exception of Father

Peter Salicario, the chaplain of the convent, who alone grasped the

terrible meaning of it.

Father Salicario at once proceeded to prepare Eustochia for the coming

assault of her foe by counselling and exhorting her; moreover, the

good man straightway warned the Abbess and her nuns of the approaching

storm. What effect this had upon Donna Giustina’s relations with

Eustochia, I do not know precisely, but the nuns themselves were, as

may easily be imagined, greatly agitated by it; also, they were only

the more inclined to resent the presence in their midst of one in

whom the evil spirit had apparently taken up his abode. The horror

of Eustochia’s proximity seemed to them unbearable, and they joined

in protesting to Donna Giustina against any further continuance of

it. She, however, was of a more courageous nature than they, and had

perfect faith in the protection of the convent by Heaven.

The feast of Saint Jerome passed uneventfully enough (as though in

unwilling tribute to his splendour and the power of his patronage), but

on the next day the tempest broke loose.

We are told that it was as if a subterranean mine had been exploded

in the quiet convent; and as if the Devil had entered there as an

executioner with every circumstance of fear and horror. The agonised

contortions of Eustochia were frightful to see as she twisted herself

like a serpent in the extremity of her torments, the while her cries

filled all the place with their lamentation.

The greater number of the sisters fled from the vicinity of the poor

possessed, although a few attempted to watch over her at a little

distance lest she should harm herself; but suddenly Eustochia, whom

they had always known as the gentlest of beings, seized a knife and ran

upon them, so that they also ran from her. She even pursued them until

she fell over a bench, down on to which she sank, deprived for a time

of all further power of movement. Father Salicario, on being sent for,

summoned the evil spirit to speak; which it did as usual by the mouth

of its victim, saying that it had been checked in the midst of its fury

by the power of Saint Jerome and confined to the bench. Upon an attempt

to exorcise it, however, it became again so violent that Eustochia had

to be secured for some days lest she should do a hurt to herself or

to others. During that time her torments were indescribable, her enemy

doing all that he could to make an end of her, now by strangling, now

with heavy blows from an unseen hand that beat her to the ground in a

half-dying condition. Not a word of impatience escaped, however, from

the afflicted girl, and in the intervals of her sufferings she never

failed to give thanks for them to God. Eventually, her patience and

fortitude discouraged the demon, and for a space again he left her in

peace. But now the bad opinion already entertained of Eustochia by the

community seemed to receive the strongest confirmation from a series of

unfortunate occurrences. Be it said, frankly, that the rest of the nuns

were firmly convinced that Eustochia was a sorceress and that she was

feigning piety as a cloak to conceal her commerce with the Prince of

this world.

For all at once the Abbess fell ill of a strange malady, the nature of

which it was beyond all the science of the doctors to determine. It was

a kind of slow, wasting sickness without any definite features beyond

the ever increasing debility of the patient; so that, as rumour soon

had it in the convent, Donna Giustina was the victim of some malignant,

supernatural process emanating from Eustochia, upon whom the hostile

scrutiny of all about her was now directed. To make matters worse,

there were found in a corner of the convent some objects—but of what

nature I do not know—which in the common opinion seemed to set the seal

upon this supposition. For her adversary was now compelled to resort to

a new stratagem by which to encompass Eustochia’s destruction.

Without listening to her protestations of her innocence, the

community decided that Eustochia was guilty of the crimes that their

imaginations, stimulated by the tempter, imputed to her; she was

imprisoned in a dark cell far from those of her sisters, and there

began to be talk of her being hanged for sacrilege and magic and—should

the Abbess die—for murder as well! Soon the town of Padua was all agog

with the news that the seemingly pious Eustochia was imprisoned on

these charges and the people flocked about the gates of the convent

clamouring for her to be delivered to them that they might burn her at

the stake and purify their city of her being.

And, all the while, Eustochia sat alone in the dark and narrow cell

with only her enemy, as it seemed to her, for company, despised and

hated and abandoned of all living things; tortured in body and mind,

her days and nights were spent in unutterable desolation, while, as

she afterwards related, her soul was unceasingly attacked by the evil

spirit with every imaginable temptation to impurity and despair. And

yet, in spite of all, she could say with Abraham that she had hoped

against hope. The very solitude and silence of her prison provided her

with the opportunity she so needed of satisfying her supreme desire

for prayer. No books were allowed her, but she found consolation in

reciting over and over again such psalms as she knew by heart. She

had taught herself the five canticles of which the first letters form

the name of Mary—_Magnificat_, _Ad Dominum_, _Retribue servo tuo_,

_Judica me, Deus_, _Ad te levavi_—to each of which she added an anthem

formed from the same letters—_Missus est_, _Assumpta est_, _Rubum_, _In

odorem_, _Ave Maria_, ending with the _Interveniat_. Thus Eustochia

in her gloomy prison was as a lonely dove in its nest, weeping and

sighing, not with impatience, but with Divine love, unceasingly tempted

by the Devil and as unceasingly defeating him by her sweetness.

At long length her confessor obtained access to Eustochia; whereupon

the demon to whom power was permitted over her body spoke by her lips

and lyingly confessed that she had been guilty of the crimes attributed

to her. This took place in the presence of several of the nuns who

were present at Father Salicario’s interview with her; the priest was

thunderstruck and embarrassed by this admission on Eustochia’s part,

but, being persuaded of the diabolical influence at work in the matter,

he obtained leave to speak with her again on the next day. This time he

began the interview with an exorcism, as the result of which Eustochia

was enabled to speak of her own accord and to tell him what was truly

in her heart that was so filled with humility and charity as to flow

over with them.

So strengthened was Salicario in his championship of the girl that he

bent all his efforts to proving her innocence; moreover, the Abbess,

who was now recovering from her indisposition, was equally inclined to

a generous view of the case. Her desire was to get rid of Eustochia

from the convent, in the kindest manner possible, in order to spare

it all further disorder and scandalous notoriety by reason of having

the afflicted novice any longer beneath its roof. With this object,

Donna Giustina persuaded her brother, Don Francesco Lazzara, to see

Eustochia and to try to induce her to withdraw from the convent of San

Prosdocimo; with which request Don Francesco, a man of rare integrity

and uprightness, complied and sought out the possessed in her narrow

cell.

Here, alone with Eustochia, he put the case ably and kindly to her,

urging her to leave the convent—in which, as it appeared to him, it

was not the will of Heaven that she should remain—and to return to the

world outside it, where he promised he would undertake to provide for

her and even to find her a good husband. Since she was not yet tied

to the life of a religious by any vows, he concluded, she need have

no hesitation in adopting a course which was not only permitted by the

Church, but also, indeed, absolutely necessary.

Eustochia heard him out in silence. Then, having thanked him for his

kindness to her, she replied:

“Do not believe that I am as unhappy as the world seems to think”—for

in his argument Don Francesco had spoken of what must be her utter

misery, both from the demon that had her frame in thrall and from the

hostility towards her of the nuns themselves, for whom her presence

was an affliction. “My sufferings are for me only the caresses of my

Celestial Spouse, who permits the wicked spirit to chastise me, and

I am so happy in them that I would not exchange them against all the

delights of the world. Let them continue, or even increase, they do

not disturb me. In calling me to the life of the cloister, God did not

call me to an existence of tranquillity and ease. If I find my path

strewn with thorns, it is a sign that that is the path by which He

wishes to lead me to Him—for it is the same path that was trodden by

Jesus Christ. My sisters here in the convent look upon me, I know, as

an outcast; it hurts me, and I have no one but myself to blame for it,

for I am full of faults. Still, I hope to correct myself in time of

my faults, and so to merit a better opinion from my sisters. I know,

too, that I am a burden on the convent, and that the demon who has

possession of me is an object of horror to the whole community; but

as I am becoming accustomed to his persecution of me, so will they get

over their terror of him. For the rest, as my deliverance from him is

not in my own hands, I can only entreat them to have compassion upon

me.”

On hearing these words, Don Francesco was amazed by the courage and

patience of Eustochia; completely won over by them to the side of

the gentle speaker, he could find no words sufficient to praise her

constancy or to express his enthusiastic approval of her resolution to

cleave to her vocation. All he suggested was that she should change her

convent for another; but this she declined to do.

This interview with Don Francesco resulted, ultimately, in some little

amelioration of Eustochia’s existence; the Abbess now taking her part

against the rest of the community, she was permitted to leave the

cell (in which she had been confined some three months by order of the

higher authorities) for the infirmary, where she was to help in tending

the sick. She was forbidden, however, to appear either in choir or in

church during the hours of service, or to show herself in the parlour,

or to have any relations of any kind with the outside world—and,

most especially, she was not to speak to any one, whosoever, of her

sufferings from the demon. And when she met any of the sisters, they

showed their detestation of Eustochia by lowering their eyes or turning

their backs on her; nobody who could help it came near her, nobody

spoke to her; for to one and all—the chaplain and the Abbess only

excepted—she was an object of horror and of aversion.

Through all these trials nothing had been more painful to Eustochia

than the knowledge that the sisters sometimes believed her to be

only feigning possession in order to obtain their sympathy and

commiseration. But, at this point, it seemed as though the evil spirit

himself was determined to change their mind in respect to the reality

of his presence among them by redoubling the fury of his onslaught

upon Eustochia; thenceforth invisible hands daily inflicted upon her

the most barbarous violence, maltreating her in a thousand ways, so as

often to bring her within a short distance of expiring from the effects

of it. At times it was as if he had scourged her with whips of metal;

while, at others, it seemed as though her body had been slashed with

knives. At times, again, Eustochia was dragged along the ground to

the door of the convent as if her foe were bent upon casting her out

from it into the street; and then she would be lifted up by an unseen

power into the air, and let to fall, senseless and head downward, upon

the stone floor with a crash—so that all wondered how it was that she

escaped without a fractured skull. Again and again a deep puncture

was made by the same unseen agency in the side of her neck, causing an

extensive flow of blood; and once she was carried up on to the tiles of

the convent roof by the invisible power and held suspended in the abyss

over the street below, in the sight of the whole community, that cried

aloud upon Heaven to protect her. And not until the chaplain came, to

command the evil spirit that it should bring Eustochia down immediately

without hurting her, was she restored in safety to her sisters, who by

this time were completely cured of their former disbelief.

But of all these manifestations of unearthly violence towards

Eustochia, perhaps the most remarkable was one that occurred in the

presence of her confessor, that same Father Salicario, who afterwards

bore testimony of it. One day, as he was conversing with her, a large

kitchen knife, lying on a table nearby, rose up suddenly of itself and

struck Eustochia upon her breast, transfixing her habit over which the

blood ran out in streams, the while a voice cried:

“If you do not give yourself to me, I will enlarge the wound until your

heart is visible!”

“So much the better,” gasped Eustochia, as she staggered to the table

and leaned upon it for support. “For, if you do, you will first have to

write the holy name of Jesus upon my breast....”

Which thing Father Salicario laid it upon the evil spirit that it

should do according as Eustochia had said; and a few years later, when

they were preparing her dead body for its resting-place, the nuns, to

their delight and great wonder, found the Holy Name cut deep into the

flesh over the region of Eustochia’s loving heart.

After four years of her terrible novitiate, during which she had never

ceased, in spite of all their unconcealed antipathy with its constant

slights and affronts, to love her sister nuns and to venerate them as

her betters, Eustochia was now, at length, conquering their dislike

of her and acquiring even something of their esteem by the sublime

perfection of her bearing. Of this improvement in their feelings

towards her they gave proof in admitting Eustochia to the number of

professed nuns on March 25, 1465, for which favour she was more than

grateful. On that day, therefore, she made her first vows, kneeling

before Donna Giustina in the chapel and having in her hands the written

formula which, signed by Eustochia herself, is sacredly preserved among

the treasures of her order.

From that day forth Eustochia gave herself up entirely to prayer and

meditation, neither appearing in the parlour nor even speaking to any

of the sisters, except only when absolutely necessary. And the demon

never ceased from tormenting her daily and in many ways; but without

being able to disturb the heavenly serenity of her.

Thus Eustochia entered upon her twenty-third year, and the time was

come (in accordance with the custom in convents of those days) for her

to make her final vows and to take the veil. This she did at the hands

of the chaplain—being confined by her extreme, increasing weakness

to her bed—on September 14, 1467, the feast of the Exaltation of the

Cross. At this time the community, now so altered in its sentiments

towards Eustochia, was in fear of soon losing her from its midst, so

exhausted and emaciated was she in consequence of her persecution by

the spirit that possessed her; but, to the general astonishment, she

proceeded to recover rapidly and, a week after her reception of the

veil almost “in articulo mortis,” Eustochia was once more well enough

to go to church and there to repeat her vows in public.

From being despised and shunned by all as a sorceress and supposed

murderess, an object of horror and suspicion not only to the inmates of

the convent but to the townspeople of Padua as well, Eustochia was now

the glory of her convent and the model of her sisters in it; the whole

town joined them in extolling her constancy in affliction and in doing

honour to her sanctity.

So much for the judgments of this world!

As for Eustochia herself, she remained the same through good and evil

report. From her cell where she passed her time there floated out now

and again a burst of golden song in praise of God, so tender and sweet

as to ravish the hearts of those that heard her; on these occasions the

other nuns thought of her rather as an angel than a human being. It was

during this last phase of her life that there was celebrated at Venice

the marriage of Caterina Cornaro with James, the King of Cyprus. The

report of the splendours in connection with this wedding was brought

to Padua, where for many days there was talk of little else. But “I

would not exchange my pains and dolours against all the pomp of them,”

remarked Eustochia quietly. To such a point of virtue had she attained

that she was only afraid lest Heaven should order the Devil to leave

her in peace—and so she might be in danger of losing her humility.

At this time she ate only once a day, and on two days of each week

abstained altogether from food of any kind.

Towards the end the Demon, despairing almost of her, turned his

activities to Father Salicario, whom he contrived to inspire with the

strongest personal dislike for Eustochia. This design, however, of

separating her from the kind friend of whose services she felt herself

to be hourly more in need, Eustochia defeated by means of commending

her need to the Mother of God and of reciting a hundred times the

“Ave Maria,” the result of which was always to bring the chaplain to

her. As Father Salicario afterward testified to many, he felt himself

compelled by an irresistible force to go to her at such times, his own

disinclination notwithstanding.

It was not until eleven days before Eustochia’s death, at the feast of

the Purification, that the evil spirit seemed to have been commanded

to desist from doing bodily violence upon her; and now he redoubled

his efforts to gain possession of her soul. A week before she died

she received the last Sacraments, which were administered to her in

church—to the general astonishment—in view of her feeble condition.

Having returned to her bed of pain, Eustochia became absorbed in

heavenly contemplation; when, all at once, she was attacked by a legion

of hateful fancies, and there passed before her dying eyes a train

of spectral revellings—from dances, feastings, and wedding banquets

to other and darker things such as she had never given a thought to

in the days of her youth and health. All she told to her friend, a

certain Sister Euphrasia, remarking how the human soul is liable to

such sensual temptations even on the brink of the grave, adding her

conviction that God does not abandon His creatures in their supreme

struggle.

And so the hour of her death—which she had foretold—drew nigh for

Eustochia. On the day—a Sunday—before that appointed from the beginning

of all time for her departure out of this life, Eustochia made her

confession and received absolution for the last time; then, begging

Euphrasia to keep watch with her in the Valley of the Shadow, the

little servant of God waited patiently for the end.

The last night of Eustochia’s life, that of Sunday, February 12-13,

1469, drew on during some hours in utter stillness for Euphrasia,

as she sat beside the bed in the dimly lit cell. Suddenly, towards

morning, she became conscious of a disquieting, stealthy sound, as of

a man climbing up the outer wall of the convent towards the roof—an

altogether unbelievable sound to Euphrasia’s ears, considering the

physical impossibility of such a thing. Nevertheless, as she listened,

incredulous yet affrighted, the slow dragging of hands and feet over

the smooth surface of the wall was distinctly audible to her; until,

at last, the noises passed away into the silence overhead, and all was

quiet once more, save for the laboured breathing of the form on the

bed.

And then Euphrasia’s eyes fell to the face of Eustochia, who was

sleeping, and she saw that it was smiling, and all luminous with a kind

of unearthly brightness; so she understood that what she had heard was

the departure of the evil spirit from the body of her whom he had been

permitted for so long to torment. These sounds were audible to all in

the convent, by whom, and by Father Salicario, they were held to be

those of the demon’s reluctant flight.

In the morning, the Abbess with her nuns came, at her request, to

say farewell to Eustochia, kneeling about the bed in prayer for

her, the while she thanked them, as she expressed it, “for all your

long-suffering and patience with me.” After which she still found

strength to ask their “pardon for all the bad examples I have given you

and all the inconvenience and embarrassment of having me among you.”

Then, having bidden them “_Arrivederci in Cielo_,” so affectionately as

to wring the hearts of all who heard her, Eustochia, folding her hands

upon her breast, fell asleep with a smile. Nor was it until some time

had elapsed that they could bring themselves to believe that she was

really dead.

When Eustochia was laid out in the chapel, all the town flocked to

do honour to the body, which, as we are told, exhaled a very sweet

and noticeable fragrance. She was first buried in the cloister of the

convent, where her remains were disinterred on November 16, 1472, in

the presence of many witnesses, who testified to it that the body was

still precisely as it had been in the moment of her death, perfectly

incorrupt and supple and deliciously fragrant. In 1475, however, the

coffin was transferred to the church and a marble monument raised above

her resting-place; meanwhile, as though to mark the spot formerly

hallowed by being the depository of Eustochia’s body, a spring of

purest water burst up out of her first grave in the cloister; which

spring became a famous resort for the sick, of whom multitudes

recovered their health by drinking of it.

Italian Yesterdays, vol. 1 · 第 16 / 22 章