THE BANDITTI.

But wilder sounds were there; th' imploring cry

That woke the forest's echo in reply,

But not the heart's! Unmoved, the wizard train

Stood round their human victim, and in vain

His prayer for mercy rose; in vain his glance

Look'd up, appealing to the blue expanse,

Where, in their calm, immortal beauty, shone

Heaven's cloudless orbs. With faint and fainter moan,

Bound on the shrine of sacrifice he lay,

Till, drop by drop, life's current ebb'd away;

Till rock and turf grew deeply, darkly red,

And the pale moon gleam'd paler on the dead.

Two Female and Eight Male Figures.

This tableau represents a travelling party attacked on the mountains

of Italy by a company of outlaws. It is one which can be easily

formed, and contains ten figures, five of which are men dressed to

represent banditti; the other personations are an old gentleman, his

daughter, a young officer and wife, and coachman. The floor of the

stage should rise gradually from the fore to the background. This can

be accomplished with boxes and boards covered with green bocking. The

bandit's costume consists of a dark coat, open in front, showing a

colored shirt, breeches of bright-colored cloth, white hose, knee and

shoe buckles, low shoes, red scarf about the waist, in which are

pistols and short sword, black felt hat, slouched, with a red band and

colored plume; heavy beard, face and neck slightly stained

light-brown; the coats can be trimmed with gaudy binding, if

desirable. The old gentleman's costume consists of black coat, light

pants and vest, light cravat, white wig, light hat, face painted to

imitate age. The officer's dress can be quite showy or very plain. If

a full military costume cannot be procured, the following will answer:

Dark frock coat, buttoned to the neck, and ornamented with large gilt

buttons and shoulder straps, black pants with buff stripe, flat cap

with gilt band, side arms and sash. The officer's wife is dressed in a

showy silk robe; hair arranged to suit the performer's taste. The old

man's daughter is costumed in a white dress, pink silk apron, small

straw hat trimmed with green ribbon. Coachman's costume is, a long,

dark coat, buttoned to the chin, light pants, long boots, black silk

hat, with a leather strap and a number in gold in front, black belt

around the waist, the right hand grasping a long whip. A

representation of the side of a coach, covered with cloth painted in

proper style, and placed in the background, will add much to the

effect. In the centre of the stage place a large trunk filled with

clothing, the cover thrown back so as to display the contents.

Watches, jewelry, and other articles of value should be strown

promiscuously about, while one of the bandits is seen kneeling over it

with a heavy watch and chain in his hand. Back of the trunk stand the

officer and a brigand. The officer has a large wound across the

temple, and attempts to rescue his wife, who is being dragged away by

one of the brigands in the background; he stretches out his arms

towards, and looks upon her, but is kept from her by the strong arm

of the ruffian at his side, who grasps him by the collar, and holds a

bloody sword above his head; the brigand partially faces the audience;

the officer stands in a side position; the wife is seen kneeling in

the background, with hands clasped and eyes raised to a brigand, who

grasps her by the hair of the head with the left hand, and presents a

pistol at her with the right. At the left of the trunk is seen the old

gentleman. One of the ruffians grasps him by the throat, as if in the

act of strangling him. The old man holds a watch in the left hand; the

right is thrown upward. His position is, facing the audience;

countenance expressing terror and excitement. At the right of the

trunk kneels the coachman, with hands tied behind his back, which is

turned to the audience, head thrown backward so that a partial side

view is had of the features. A few paces in front of him, and facing

the audience, is seated a brigand, on the top of a portmanteau; he is

smoking a short pipe, and with the right hand points a pistol to the

face of the figure kneeling in front of him. Between him and the wife

lies the young girl, who has fainted from affright. She lies with her

head to the back of the stage, arms stretched out on the grass, and

eyes closed. The stage should be illuminated by brilliant lights

placed at the left side of the stage. The sound of rain and thunder

may be produced in the ante-rooms with good effect.

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