WINTER'S TALE.

Three Female and Eleven Male Figures.

This tableau is taken from Shakspeare's drama, "The Winter's Tale."

The scene is that wherein Paulina draws away the curtain and discloses

the marble statue. She is addressing Leontes, who is seen in the

foreground. At the left of the stage, a group of five gentlemen and

one lady is seen; on the opposite side of the stage is another group

of five gentlemen; all of which are in position, so that a profile

view is exhibited.

The scenery of this piece consists of a curtain passing across the

stage, three feet from the back end. The curtain described in the

tableau of the "Dancing Girl in Repose" will answer for this scene,

but should be allowed to hang straight from the top, in place of

being looped up at the sides. Arranged in this way, it will leave an

open space of five or six feet in the centre. The background is seen

through this opening, and is to be festooned with wreaths of

evergreens and flowers. Close up to the back wall is placed a

platform, made in two pieces, the first being four feet square and one

foot high. On this rests a second platform, three feet square and one

foot high. At the right side of the upper platform is placed a round

pedestal, three feet high and one foot in diameter; this has a cap and

base, and can be made of card-board, and covered with white marble

paper. The platform is to be covered with black marble paper.

By the side of the pedestal stands the statue. The lady who personates

this figure should be rather slim, of medium height, good features,

and dark hair. Costume consists of a loose, white robe, worn with but

few skirts, the sleeves very short, the waist cut low at the neck, the

skirt long enough to trail on the platform; the whole covered with

white tarleton muslin. Across the shoulders, and tied at the right

side, is worn a heavy muslin mantle, trimmed on each edge with white

satin ribbon. The hair is arranged in a neat coil, and a small wreath

of white leaves encircles the head. These are made of white paper, and

fastened to a wire frame. The statue stands perfectly straight at the

side of the pedestal, one arm resting on the top, the hand hanging

down over the front, while the left arm hangs gracefully at the side.

The eyes are directed to the figure of Leontes in the foreground.

Pauline, who draws the curtain aside, is costumed in a black silk

dress, with a velvet waist, trimmed with bugles, and interspersed with

silver spangles. The hair, arranged in a single coil, is decorated

with a velvet band, with white paste pin in the centre, from the back

of which is fastened a long black lace veil, falling gracefully over

the shoulders, and reaching nearly to the floor. She is standing at

the right of the curtain, one hand grasping its folds, while the other

is extended, and points to the statue. A profile view is had of the

figure: the head is slightly turned, the eyes directed to Leontes in

the foreground. Leontes' costume consists of a black coat, belted

around the waist, black knee breeches and hose, confined with a gold

band and showy paste pin. The collar and cuffs of the coat are

decorated with deep white lace. A short sword is suspended from the

belt; the feet are covered with low shoes, with showy buckles; the

head is encircled with a silver band, one inch wide, with a brilliant

pin in the centre. Fastened around the neck, and hanging over the

shoulders, is a black velvet cape--a small, lady's cape will answer.

Position is standing on the extreme front of the stage, with both

hands extended above the head, the body thrown back, the feet extended

from each other, the back turned to the audience, the head inclined to

one side, so that a side view is had of the face, while the eyes are

directed to the statue. Behind Leontes stands a tall figure, costumed

in a black coat and knee breeches, white hose, knee and shoe buckles,

low shoes, waist encircled with a belt, a short cloak thrown over the

right shoulder. The other figures are costumed in a similar manner,

and stand between Leontes and the side of the stage, and are looking

intently at the statue.

Three more gentlemen, costumed in a similar style, occupy positions on

the opposite side of the stage, close to the wings. A profile view is

had of their figures, while their faces are turned towards the statue.

In front of this group stands a young man, with his arm placed around

the waist of a young lady who stands at his side, and in such a

position that we have almost a back view of them. The lady is costumed

in a white dress, cut low at the top, sleeves very short, skirt long,

so as to trail ten inches, ornamented with buff ribbon, which should

be placed on the bottom of the skirt, around the waist, on the top of

the waist, and on the sleeves. Her hair should hang loosely over the

shoulders, the head encircled with a string of feldspar or pearl

beads. The hands are clasped in front of her bosom, the body inclined

forward slightly, the eyes directed towards the statue. The gentleman

at her side stands erect. His costume consists of a dark coat,

ornamented around the bottom with silver paper, covered with black

lace, the sleeves and collar trimmed in the same mode, with an

addition of wide white lace cuffs and collar; the breeches are of

black cloth, with a band of silver, and buckle at the knee; white

hose, low shoes, with buckles, a wide belt around the waist, from

which is suspended a long, slim sword. The lights on each side of the

background, where the statue is placed, should be quite brilliant.

The foreground should receive the rays of light, which should be of

medium quantity, from the side of the stage where Leontes stands.

Music soft and plaintive.

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