EDITOR'S TABLE.

EARLY WRITINGS OF THE LATE R. C. SANDS: FOURTH NOTICE.--We resume a

consideration of the early writings of this true son of genius, in a

brief review of a characteristic production of his pen, which we are

sorry to say was never completed. It was the singular biography of

'_The Man who Never Laughed_.' It purported to be a 'German story;'

but the veil of pretended translation was quite too thin to deceive

the writer's friends, who perused the manuscript. It was entitled

'_Tristan, the Grave_.' The hero was the son of a German Baron in

the Duchy of Bremen, in Lower Saxony, 'who traced his ancestry up

to Bruno the First.' Tristan, when an infant, was a comely child,

'perfect in his parts and proportions, with a sober and serene

countenance, which seemed to indicate that he was born to be a great

dignitary in the church or in the state. His lady mother and her

attendants soon noticed, however, a strange idiosyncrasy in the

hopes of the family; which was, that he never laughed, nor indeed

did his features assume the faintest appearance of smiling! He could

cry, as other babes are wont to do, and shed as many tears as are

usual in the period of childhood; but after the squall was over,

and the cloud cleared away, no sunshine illuminated his face and

sparkled in his eyes. He looked as sedate as a little stone angel on

a monument; his lips were as rigidly fixed; and his gaze expressed

but little more intelligence. In vain they tickled and tousled him;

instead of chirruping and smiling, he showed his dissatisfaction

at this appeal to his cutaneous sensibilities, by sneezing and

snarling; and if it was prolonged, by obstreperous lamentation. In

vain did the maids snap their fingers, distort their countenances,

and make every variety of grimace and ridiculous posture before

him. He seemed to look upon their monkey tricks with an eye of

compassion, and relaxed not a whit the composed arrangement of his

muscles.'

Little Tristan's imperturbable gravity was a great 'thorn in the

flesh' of his mother, who attributed it to the _diablerie_ of a

suspicious-looking old beldame, who hung about the premises just

before he was born, and wrought the unhappy charm upon him. The old

baron, however, treated the subject of his wife's uneasiness with

levity, and swore that when his son was old enough to understand

Dutch, _he_ would make him laugh till his sides ached. The learned

Hieronymus Marascallerus, a great astrologer, who superintended at

present the baron's kennel, and was to take charge of his son's

education, when he should arrive at a suitable age, also stoutly

denied the agency of any _diablerie_ in the matter; but said that

Tristan's sober demeanor was purely the result of natural causes,

he having been born when Saturn and Jupiter were in conjunction in

Libra. His temperament was therefore that of a generous melancholy;

but whether he would make a great poet, or politician, or captain,

Marascallerus could not yet decide, as part of his ephemeris had

been eaten by the rats, and he could not adjust the horoscope to his

satisfaction! As Tristan grew up to be a tall boy, and verged to

man's estate, the same utter insensibility to ludicrous exhibitions

and associations displayed itself in his physiognomy and character.

He was not unsocial in his disposition, but very condescendingly

joined with the younger fry of the village; and in all sports and

games where violent exercise, or that dexterity which is called

manual wit was concerned, he was distinguished for length of wind

and ingenuity. When any one of his playmates tumbled head over

heels, broke the bridge of his nose, or put any of his articulations

out of joint, he saw nothing but the detriment done to the body of

the suffering individual, and was incensed by the boisterous and to

him inexplicable merriment of the others. He listened to a droll

story as he would to a tragical one; taking an apparent interest

in the incidents, but finding no farther relish in their strange

combination, than as they might have been mere matters of fact. In a

bull he saw nothing but the ignorance of the maker; and he did not

detest puns, (if he ever heard any,) because he never suspected the

jest. He heard his father's crack-joke without any other expression

than that of wonder, as if he half thought the old gentleman was

crazy.

As he grew in years, TRISTAN was greatly vexed to find that he

lacked one of the common properties of his species, and that

his company was by no means considered an acquisition in jovial

society. A face all rosy and radiant with unquenchable laughter,

though like that of one of HOMER'S divinities, was to him like the

countenance of a baboon. He once asked MARASCALLERUS whether he

supposed any of the heroes, knights, and kings, recorded in ancient

chronicles, ever wrinkled their faces and made hysterical noises,

in the manner of those who were said to be laughing? He had several

times practised before a mirror the detested corrugations which he

had noted on the countenances of others; but on such occasions he

succeeded in producing no other expression than that which a Dutch

toy for cracking nuts would wear, without any paint; while his eyes

seemed looking out above, in wonder and scorn at the performance of

his lower features; and he turned with disgust from the image of

himself. Time, who travels on at his jog-trot pace, whether men turn

the corners of their mouths upward or downward, had carried TRISTAN

along with him into the twenty-first year of his serious existence;

when his father the baron received a letter from one of his old

friends, a brother FREIHERR, as nobly descended as himself. The

writer stated that he was waxing old, and that the dearest object

of his heart was to establish his only child, the fair CUNEGUNDA,

comfortably and according to her rank in the world, before he went

out of it; and having heard much of the wisdom and good qualities

of his old friend's son, he was anxious to effect a union of

two illustrious houses. TRISTAN professed himself ready to set

forward on the mission forthwith. Provided with a suitable answer

to the epistle which had been received, and a slenderly-furnished

purse, and mounted on the least carrion-like looking steed the old

gentleman's stables could furnish, he set forth. MARASCALLERUS stood

by, wiping away his tears with the end of a dirty apron, which he

wore at his more servile occupations, and beseeching his pupil not

to go for three days longer, as the planetary influence was just

then most malign to all about commencing a journey. But TRISTAN put

spurs to his wind-galled charger, and in a short time reached the

boundary of his father's domains. Here the beast came to a sudden

stand, and exhibited violent symptoms of oppugnancy to the goadings

and buffets he received, by way of encouraging him to proceed.

Thrice did he wheel round, quivering in all his ill-assorted

members, as if under the influence of powerful terror; and thrice

did TRISTAN compel him to put his nose in the direction he wished

to take. Then uttering a shrill and melancholy neigh, he started

forward at his wonted miscellaneous gait. The natural curiosity

of so grave a lover, touching the appearance and character of a

mistress whom he had never seen, are forcibly depicted:

'ALL along the road the people at the inns treated him with

great respect, taking him for a messenger intrusted with

important secrets and despatches, from the sobriety of his looks

and seriousness of his demeanor. After three days' journey he

reached the town of Stade, and after making a disbursement to

the improvement of his outward man, repaired to the residence of

Baron Ehrenfriedersdorf, his father-in-law elect. The baron's

dwelling stood in an old part of the town, and looked a little

the worse for wear. Tristan felt a little queerish as he lifted

the knocker, at the antiquated and half-ruined gate-way.

What sort of a young lady was Cunegunda Ehrenfriedersdorf?

Did she squint? and if so, was the obliquity single, double,

or manifold? Had she a hump? and if so, where located? On

her shoulder, or her back; or how was its topography? Was

she subject to nervous spasms? If so, how did the twitchings

exhibit themselves? All down one side of her face, or all over?

Intermittently, or all the time? Had she had the smallpox? If

so, were the cicatrices deep or shallow? Was her countenance

rivelled by it, into longitudinal or latitudinal seams, or

promiscuously? Was she a natural, or a virago? All these

doubts passed over the mind of the suitor as the iron fell

from his fingers. A hollow sound reverberated from the ruinous

establishment, and the portal was opened by a decayed-looking

serving-man, faded alike in years and in his livery. At sight

of the grave-looking young man, he bowed respectfully, taking

him for a candidate for holy orders, if not a licentiate, and

marshalled him across the court.'

The first thing the grave TRISTAN heard, as he followed the

seneschal, was 'an uproarious peal of laughter from an upper

story and a female organ.' The Baron EHRENFRIEDERSDORF and his

family were at the dinner-table; and finishing his third bottle,

he was telling one of his favorite High Dutch stories; at which

his guests, as in duty bound, including his fair daughter, were

in a roar of laughter, of that sort which the little fat schepen

died of, as related by DIEDRICH KNICKERBOCKER. An antique figure

of a man, at the right of the baron, with lantern-jaws and a long

proboscis of a nose, tipped with a pair of green goggles, a dubious

figure of fun, had a peculiar asthmatic '_Hugh! hugh! hugh!_'--an

ancient maiden of sixty or thereabout, sat near him, whose stiff,

starched deportment belied the compulsory '_He! he! he!_' which

issued from her inward person--and by _her_ side sat a reverend,

round-faced, jolly-looking personage, from whose rosy gills and

oral cavity issued an obstreperous '_Ho! ho! ho!_' which seemed to

have been fabricated in the inmost recesses of his _præcordia_.

Other nameless, or from their German patronymics unnameable guests

there were, with kindred voices and physiognomies, who expressed

their delight in the same variety of intonation. The apparition of

TRISTAN'S wo-begone phiz in the midst of this assembly struck so

forcibly the fair CUNEGUNDA'S perceptions of the ludicrous, that she

burst into a peal of tremendous cachinnation; while the under-jaw of

the baron fell convulsively, as he gazed upon 'the man who couldn't

laugh,' and the merry notes of his guests died away into a quaver of

consternation. This was a 'pretty fix' for the melancholy TRISTAN!

He was taken all aback with the beauty of the lovely heiress of

EHRENFRIEDERSDORF. Fair, plump, and just turned of eighteen, she

might have served as a model for Hebe. A forehead smooth and white

as Parian marble; arching brows, from beneath which glanced the

fires of two of the brightest eyes that ever sparkled at a merry

tale; cheeks tinted with the rose's deepest dye, and graced by a

pair of dimples which seemed the impress of Love's own fingers;

and two ruby lips, whose innocent smile disclosed a row of ivory,

fairer and purer than the pearls which gemmed her bosom, formed a

combination of beauty and expression that would well have become the

laughter-loving goddess Euphrosyne in her happiest moments. TRISTAN

made a profound obeisance to the lady, and endeavored to put a smirk

upon his face, which the sage MARASCALLERUS had tried to teach him,

and which he had been practising upon the road; but it was such

an utter distortion, that the young lady burst forth into another

exorbitant peal of laughter. Being a comely-looking youth, however,

and possessed of a sufficiency of the _savor faire_, he soon removed

the unpleasant feelings which his ill-timed entrance had produced.

He listened to, although he could not laugh at, the baron's stories;

and that was such a novelty to the old gentleman, that it 'tickled

the very cockles of his heart.' The fair CUNEGUNDA began to feel a

rising partiality for him: 'If he would only laugh a little, what a

charming youth he would be!' He, on the other hand, could not help

exclaiming mentally: 'What a happy mortal I should be, if she didn't

laugh so much!' TRISTAN retires to rest at length, and dreams all

night of his beautiful inamorata. In the morning he is awakened

by the beams of the rising sun streaming gloriously through the

casement:

'HE leaned out of the window which looked down upon the baron's

garden. It was a lovely morning in the month of June. The

twittering of the swallows on the eaves of the roof, the hum

of thousands of busy insects, the gentle murmur of the morning

breeze, as it played among the leaves of the old elms, and

the confused sounds, which, softened by distance, came upon

his ear from the awakening city, produced a soothing effect

upon Tristan. Two rosy-cheeked, rugged urchins were sporting

up and down one of the gravel walks, in all the buoyancy and

exuberant spirits of childhood. Every now and then, as some

little incident occurred, they gave vent to their feelings in

loud bursts of laughter. The sound grated upon Tristan's ear as

he turned from the window in disgust. 'Why am I thus continually

mocked?' exclaimed he, in the bitterness of his spirit; 'why

am I for ever tormented by this strange noise, which I can

neither imitate nor comprehend? Why am I alone of all mankind

denied the privilege of throwing the muscles of my face into

that congregation of wrinkles which men call smiling; or of

making that incomprehensible sound to which they give the name

of laughter? I can elevate and depress my eyebrows; I can wink,

stare, or squint, with my eyes; I can puff out, and suck in my

cheeks; I can open or pucker up my mouth. Why can't I smile? I

can make all manner of noises too. I can cough. I can whistle, I

can sneeze, I can sigh, I can groan; and I can blow the German

flute. Why can't I laugh?' Here the unfortunate young man, in

a paroxysm of impatience, gave himself several severe thumps

on his head, as if to inquire why the organ of risibility had

been jostled out of his cranium; and also several plunges in the

side with his elbow, as if to know why his diaphragm would not

vibrate spasmodically, like those of other people.'

The next evening he accompanies the baron and his daughter to the

theatre, to see 'Punch and the Devil.' The audience are ready to

die with laughter; but he preserves the most serene and staid

deportment amidst the broad grins, suppressed titters, sudden

guffaws, and obstreperous explosions, by which he is surrounded.

He said, it is true, that it was all very fine, because he heard

the others say so; and he joined in encoring the bravura of '_Ich

bin der Herr Ponsch!_' because CUNEGUNDA said she 'would give the

world to hear it again;' but that was the amount of his capability.

His unaltered mien and composed, imperturbable expression, however,

were attributed to his good breeding and polished manners, which

prevented him from descending so far from his dignity. He was

accordingly looked up to with increased reverence and admiration

by the more risible plebeians. But alas for TRISTAN! the stream

of love does not run more smoothly in Germany than any where

else. A storm was brewing for him. Frau EICKENSCHNAUCKER and the

venerable GRUBENHAUSEN propagated a report that he was under the

influence of the EVIL ONE! GRUBENHAUSEN whispered his insinuations,

in confidence, to SCHWILLENAEHLEN, the red-nosed butler, who

hiccupped the story over his cups, to OHTZENSTIELER, the ostler,

who told it to SCHNIPPENBRITSCHEN, the tailor, with the addition,

that TRISTAN was followed by a spirit in the shape of a black

dog; SCHNIPPENBRITSCHEN told the tale to KETTELPANSCHEN, the fat

landlord opposite the baron's, where TRISTAN used to take his

bitters every morning, and he retailed it, with various additions,

to his customers. Soon nothing was talked of in the town but 'the

grave stranger, who was possessed by the OLD NICK, and couldn't

laugh.' As soon as the baron heard the report of witchcraft, he

summoned TRISTAN before him, bluntly told him his own suspicions,

and read him a long lecture on the danger of evil communications,

and concluded by telling him that he 'must learn to laugh like

other folks, or he could be no son-in-law of his.' Poor TRISTAN

was astounded. In vain he expostulated with the baron on the

unreasonableness of his demand; and tried to prove to him that it

was undignified to express his satisfaction by twisting up the

corners of his mouth, showing his teeth, and making a strange noise

in his throat. In vain the fair CUNEGUNDA, with an imploring look,

deprecated her father's anger, and begged him to let her have a

husband, even if he should not be able to speak. Her entreaties

were in vain; and the baron swore with a High Dutch oath, that if

he couldn't laugh, he shouldn't have his daughter. She then turned

to TRISTAN, and with a look of love and a rosy smile, that would

have extorted one in return from Heraclitus himself, besought him

to gratify her father by one small snigger. It was all in vain.

Threats and entreaties were equally useless, and TRISTAN, instead

of growing pleasanter, became graver and graver every instant. In

order, however, that the unfortunate youth might not complain of the

want of a subject, or an opportunity to display his risible powers,

the baron told him he would give him a fair trial the next day, when

he meant to show him such droll sights, and tell such funny stories,

that if he did not split his sides with laughter, the Devil must

have got in him indeed. What the expedients of the baron were, and

their effects upon TRISTAN, SANDS'S patient readers waited long to

learn; but their curiosity was never gratified. Probably the very

profusion of ludicrous incidents and situations which suggested

themselves to the fertile imagination of the writer, prevented the

fulfillment of his promise and design. But 'we trifle time' and

space. Here endeth the fourth chapter.

* * * * *

THE WASHINGTON MONUMENT.--We never write the name of WASHINGTON,

without a thrill of pride that his country is _our_ country, and

that, as an American, we hold a property in his undying fame. And

we are rejoiced to perceive that a National Monument to this great

and good man, a monument worthy his towering name, is at length

to be erected in the great metropolis of America. An act was

passed last winter by the Legislature of New-York, to incorporate

the 'WASHINGTON Monument Association;' and we have been favored

with an examination of the design for the magnificent structure,

at the rooms of the architect, Mr. POLLARD. It is in the form of

a pentagon, and is to be erected of granite, in or fronting on

Union-Square; to be finished in the Gothic style of architecture,

richly and elaborately ornamented; with spacious rooms below for a

Historical Library, Gallery for Paintings, etc., approached from

the main rotundas. Its rich Gothic windows, columns, friezes,

cornices, and balustrades; its buttresses, turrets, tower, and

pinnacle; partake, in the _ensemble_, of the sublime in art; and

when the structure shall have towered to its utmost height, the

crochet of the pinnacle four hundred and twenty feet in the air,

it will be pronounced the noblest _monument_ in the known world.

It is to be built by the voluntary contributions of the people of

the United States, of _one dollar_ and upward. Some of our wealthy

citizens have already headed subscription-lists with five and ten

thousand dollars; and arrangements for the immediate commencement

of the enterprise are now fast maturing. 'May Heaven speed the

good work!' for that monument will rise in honor of one who has

'stamped his impress on the centuries;' whose virtuous deeds and

pure example will only lose their influence on the country which

he loved and whose freedom he won, 'when rolling years shall cease

to move.' If we turn over the pages of history, (says our renowned

progenitor, the immortal KNICKERBOCKER) that Man has written of

himself, what are the characters dignified by the appellation of

great, and held up to the admiration of posterity? Tyrants, robbers,

conquerors, renowned only for the magnitude of their misdeeds, and

the stupendous wrongs and miseries they have inflicted on mankind;

warriors, who have hired themselves to the trade of blood, not from

motives of virtuous patriotism, nor to protect the injured and

defenceless, but merely to gain the vaunted glory of being adroit

and successful in massacreing their fellow beings! What are the

great events that constitute a glorious era? The fall of empires;

the desolation of happy countries; splendid cities smoking in their

ruins; the proudest works of art tumbled in the dust; the shrieks

and groans of whole nations ascending unto heaven! How different

the means, how different the results, in the case of WASHINGTON!

Let a recent orator, an orator worthy his great theme, set forth in

appropriate and adequate words what we would but could not hope to

express:

'AMERICA has furnished Europe and the world with the character

of WASHINGTON. And if our institutions had done nothing

else, they would have deserved the respect of mankind.

WASHINGTON--first in war, first in peace, and first in the

hearts of his countrymen--WASHINGTON is all our own. And the

veneration and love entertained for him by the people of

the United States are proof that they are worthy of such a

countryman. I would cheerfully put the question to-day to the

intelligent men of all Europe--I will say to the intelligent

of the whole world--what character of the century stands out

in the relief of history, must pure, most respectable, most

sublime; and I doubt not that, by a suffrage approaching to

unanimity, the answer would be WASHINGTON. That monument itself

is not an unfit emblem of his character, by its uprightness,

its solidity, its durability. His public virtues and public

principles were as firm and fixed as the earth on which that

structure rests; his personal motives as pure as the serene

heavens in which its summit is lost. But, indeed, it is not an

adequate emblem. Towering far above this column that our hands

have built; beheld, not by the citizens of a single city or

a single State, but by all the families of man; ascends the

colossal grandeur of the character and life of WASHINGTON. In

all its constituent parts; in all its acts; in all its toils: in

its universal love and admiration, it is an American production.

Born upon our soil; of parents born upon our soil; never having

for a single day had a sight of the old world; reared amidst

our gigantic scenery; instructed, according to the modes of the

time, in the spare but wholesome elementary knowledge which

the institutions of the country furnish for all the children

of the people; brought up beneath and penetrated by the genial

influence of American society; partaking our great destiny of

labor; partaking and leading in that acmé of our glory, the War

of Independence; partaking and leading in that great victory of

peace, the establishment of the present Constitution; behold

him, ALTOGETHER AN AMERICAN! That glorious life,

'Where multitudes of virtues passed along,

Each pressing foremost in the mighty throng;

Contending to be seen, then making room

For other multitudes which were to come;'

that life in all its purity, in all its elevation, in all its

grandeur, was the life of an American citizen. I claim him--I

claim WASHINGTON--wholly for America.'

No wonder that 'great cheering'--that 'enthusiastic,' 'prolonged,'

'deafening,' 'long-continued,' 'renewed' applause--followed the

utterance of these sentences, from the united voices of a great

multitude which no man could number! There swelled the National

Heart; there went up to Heaven the voice of a great People, speaking

to Posterity.

* * * * *

'THE POETRY OF LIFE.'--This volume by Mrs. ELLIS, author of the

'Women' and 'Wives' of England, savors of professional book-making.

Sitting deliberately down to tell her readers how much poetry

may be extracted from the moon, trees, animals, evening, sound,

language, grief, flowers, woman, rural life, and the like, strikes

us as a 'dead set' at the sentimental; and however well the task

may be accomplished, it is but bringing together a confused mass of

pleasurable or other emotions, which may not be altogether common

to all the world and Mrs. ELLIS. In her description of the poetry

of the Bible, she has omitted by far the most prominent exhibitions

of that prevalent feature in the Sacred Word. The sublimity and

exquisite beauty which characterize the book of Job; the unequalled

story of Joseph and his Brethren; the touching pathos of PAUL; it

would not have been amiss, one would think, to have included in a

notice of the poetry of the Bible. In her essay upon the 'Poetry of

Language,' Mrs. ELLIS presents the annexed interesting exhibition of

verdancy:

'THE introduction of unpoetical images may be pardoned on the

score of inadvertency, but it is possible for such images to be

introduced in a manner which almost insults the feelings of the

reader, by the doggerel or burlesque style which obtains favor

with a certain class of readers, chiefly such as are incapable

of appreciating what is beautiful or sublime. One specimen of

this kind will be sufficient. It occurs in a volume of American

poetry:

'THERE'S music in the dash of waves

When the swift bark cleaves the foam;

There's music heard upon her deck,

The mariner's song of home.

When moon and star-beams smiling meet

At midnight on the sea--

_And there is music once a week

In Scudder's balcony._

'The moonlight music of the waves

In storms is heard no more,

When the living lightning mocks the wreck

At midnight on the shore:

And the mariner's song of home has ceased;

His course is on the sea--

_And there is music when it rains

In Scudder's balcony._'

'What could induce the poet to spoil his otherwise pretty verses

in this manner, it is difficult to imagine; but as this is by

no means a solitary instance of the kind, we are led to suppose

that the minds, in which such incongruities originate must be

influenced by the popular notion of imitating Lord BYRON, in

the wild vagaries which even his genius could scarcely render

endurable.'

Isn't this rather rich, friend HALLECK? We doubt whether Mrs. ELLIS

could take a joke, though it were shot at her from a cannon. Indeed,

she would doubtless reply to this remark: 'But how can you shoot a

joke out of a cannon? Surely, that can hardly be feasible!'

* * * * *

GOSSIP WITH READERS AND CORRESPONDENTS.--A Friend, writing to us

from the City of Brotherly Love, under date of 'Sixth-month 15th,'

respectfully inquires: 'Will the Editor accept a few remarks

on the communication of 'N. S. D.', from a plain Quaker; one,

whose ancestors were Quakers, and who, after a close historical

scrutiny, is not ashamed to claim _kith_, if he cannot _kin_, with

those of that profession who were hung on Boston Common, or were

beaten at cart-tails from village to village throughout puritanic

New-England?' To which we cheerfully answer: 'Yea, certainly, Friend

'N.' Lift up thy voice against the accuser of the brethren, and

welcome:'

'FROM the days of COTTON MATHER down to the present time, it

has been the constant aim of the defenders of the reputation

of the founders of New England, to cast upon the early Quakers

all manner of aspersions. A few years since, a writer in the

'North-American Review,' having occasion to allude to the

banishment of MARY FISHER and ANNE AUSTIN, the first Quakers

who ever visited the western world, declared that it was for

molesting and interrupting ministers in their places of worship.

This assertion is also made by a clergyman of Philadelphia, in

a discourse delivered on the anniversary of the landing of the

'Pilgrim Fathers;' with this addition, that one of these women

went naked into a place of worship. THESE CHARGES ARE NOT TRUE.

I do not believe the reviewer, nor the Doctor of Divinity (so

called) wilfully misrepresented the truth; but I believe them

culpable in taking for granted assertions of writers living long

posterior to the events they describe, without examining for

themselves the original documents remaining on the subject. The

records of the Massachusetts Colony, as collected by HAZARD,

as well as the narratives published at the time by the friends

of the sufferers, conclusively show that neither MARY FISHER

nor ANNE AUSTIN had ever set foot on the shores of New England

until they were taken as prisoners from the vessel in which

they came passengers, and carried to the jail of the colony.

Deputy governor BELLINGHAM having received intelligence that

two female Quakers were in the ship Swallow, then at anchor

in the Bay, commanded that they should be closely confined

therein, and that all their books should be taken from them,

and burned by the hangman. A writer of that day, in reference

to the person employed to effect this conflagration, quaintly

remarks: 'O, learned and malicious cruelty!--as if another man

had not been sufficient to have burnt a few harmless books, who,

like their masters, can neither fight, strike, nor quarrel.'

At that time there was no law against Quakers; but the council

deemed that they were liable to the penalties of a law passed

in 1646, against heresy and error, which decreed to banishment

the opposers of the baptism of infants, and all such as denied

the lawfulness of war. The order of council in this case is now

before me, bearing date 'the 11th of July, 1656.' It commences

with enumerating the former laws against heretics, and goes on

to say, that, notwithstanding these, SIMON KEMPTHORN had brought

in two Quakers, who, on examination, are found to hold very

dangerous and heretical opinions, which they acknowledge they

came purposely to propagate. It directs that the books of the

prisoners shall be burned; that the prisoners themselves shall

be kept close, and none admitted to see them without leave from

the governor, deputy-governor, or two magistrates; and that the

said SIMON KEMPTHORN is hereby enjoined, speedily and directly

to transport, or cause to be transported, the said persons from

hence to Barbadoes, from whence they came, he defraying all the

charges of their imprisonment; and for the effectual performance

hereof, he is to give security in a bond of one hundred pounds

sterling, and on his refusal to give such security, he is to be

committed to prison till he do it.'

'Of the four individuals put to death at Boston, after examining

all the records extant in the respective cases, the apologies

issued by JOHN NORTON and the 'General Court' of Massachusetts,

I am prepared to say, that there is not the slightest evidence

that they were disturbers of the public peace, or violators of

public decorum. The charges brought against them prove indeed

that they came to Massachusetts, alleging it was from a sense of

religious duty, and that while there, as free-born citizens of

England, they refused a voluntary submission to laws violating

the rights guarantied them by Magna Charta, and the Common

Law of England. I wish not to consume space, but would make

a few remarks on the 'frequent occasions' in which the early

Quakers, according to 'N. S. D.', went 'stark naked into the

public assemblies.' Women of respectable connections, easy

fortunes, liberal education, and modest demeanor and carriage,

for preaching the gospel, and for merely coming to New-England

to look after their rightful possessions, were from time to

time stripped naked to the waist, and whipped from township to

township; and yet the nice sense of modesty of the New-England

folk of that day was not shocked. In 1664, when these scenes

had been enacted for seven years, LYDIA WARDELL, who had been

summoned repeatedly to appear before the congregation at

Newbury, and whose mind was no doubt under much excitement in

sympathy with her fellow-believers in their sufferings, went

into the place of worship in that village, stripped in the

manner the magistrates were continually stripping her friends.

The modesty of the people was sorely offended; and seizing her

and her female companion, they stripped the latter, and tying

their naked bodies to the whipping-posts, with many lashes

earnestly laid on, endeavored to heal the wounds inflicted on

the sense of decorum of the gaping crowd.

'I have not taken up my pen to defend the conduct of LYDIA, but

merely to state the facts of the case. Beside this instance,

one other individual, a few months afterward, under similar

excitement, performed a similar action. Now to our conclusion.

These cases, which are the only ones a close examination of

the charges of contemporaneous enemies of the Society, and the

defense of its friends exhibit any trace of, are brought forward

at this day in justification of acts of oppression committed

long before these occurred; Turn to the statements forwarded to

England to excuse the murder of STEVENSON, ROBINSON, DYER, and

LEDDRA; examine the reasons assigned by NORTON and the 'General

Court' for their proceedings. Their enmity to the Quakers

is strong, but not the slightest hint is given that these

suffered because of any indecent exposure, or that the general

persecution the Society at that time endured was occasioned by

acts of this or a kindred nature. And why? Because the first

instance of the kind occurred more than three years after the

death of LEDDRA, the last Quaker martyr in New-England. It is a

remarkable fact, that soon after these two cases of voluntary

exposure, the public stripping of Quaker women ceased. What

effect these had in changing the feelings of the community, I

cannot tell; but it is certainly a curious coincidence, that

after this period the records of courts, and the copious annals

of our Society, scarcely exhibit an instance of these cart-tail

indecencies. The rest of the charges of 'N. S. D.' are equally

unfounded; and, with sufficient space for quotations, might be

satisfactorily confuted.

The Knickerbocker, Vol. 22, No. 2, August 1843 · 第 56 / 60 题