We cannot pass by, in this enumeration of the different classes of Roman

society, the number and condition of slaves. A large part of the

population belonged to this servile class. Originally brought in by

foreign conquest, it was increased by those who could not pay their

debts. The single campaign of Regulus introduced as many captives as

made up a fifth part of the whole population. Four hundred were

maintained in a single palace, at a comparatively early period; a

freedman in the time of Augustus left behind him forty-one hundred and

sixteen; Horace regarded two hundred as the suitable establishment for a

gentleman; some senators owned twenty thousand. Gibbon estimates the

number of slaves at about sixty millions,--one-half of the whole

population. One hundred thousand captives were taken in the Jewish war,

who were sold as slaves, and sold as cheap as horses. William Blair

supposes that there were three slaves to one freeman, from the conquest

of Greece to the reign of Alexander Severus. Slaves often cost two

hundred thousand sesterces, yet everybody was eager to possess a slave.

At one time the slave's life was at the absolute control of his master;

he could be treated at all times with brutal severity. Fettered and

branded, he toiled to cultivate the lands of an imperious master, and at

night was shut up in a subterranean cell. The laws hardly recognized his

claim to be considered a moral agent,--he was _secundum hominum genus_;

he could acquire no rights, social or political,--he was incapable of

inheriting property, or making a will, or contracting a legal marriage;

his value was estimated like that of a brute; he was a thing and not a

person, "a piece of furniture possessed of life;" he was his master's

property, to be scourged, or tortured, or crucified. If a wealthy

proprietor died under circumstances which excited suspicion of foul

play, his whole household was put to torture. It is recorded that on the

murder of a man of consular dignity by a slave, every slave in his

possession was condemned to death. Slaves swelled the useless rabbles of

the cities, and devoured the revenues of the State. All manual labor

was done by slaves, in towns as well as the country; they were used in

the navy to propel the galleys. Even the mechanical arts were cultivated

by the slaves. Nay more, slaves were schoolmasters, secretaries, actors,

musicians, and physicians, for in intelligence they were often on an

equality with their masters. Slaves were procured from Greece and Asia

Minor and Syria, as well as from Gaul and the African deserts; they were

white as well as black. All captives in war were made slaves, also

unfortunate debtors; sometimes they could regain their freedom, but

generally their condition became more and more deplorable. What a state

of society when a refined and cultivated Greek could be made to obey the

most offensive orders of a capricious and sensual Roman, without

remuneration, without thanks, without favor, without redress! What was

to be expected of a class who had no object to live for? They became the

most degraded of mortals, ready for pillage, and justly to be feared in

the hour of danger.

Slavery undoubtedly proved the most destructive canker of the Roman

State. It was this social evil, more than political misrule, which

undermined the empire. Slavery proved at Rome a monstrous curse,

destroying all manliness of character, creating contempt of honest

labor, making men timorous yet cruel, idle, frivolous, weak, dependent,

powerless. The empire might have lasted centuries longer but for this

incubus, the standing disgrace of the Pagan world. Paganism never

recognized what is most noble and glorious in man; never recognized his

equality, his common brotherhood, his natural rights. It had no

compunction, no remorse in depriving human beings of their highest

privileges; its whole tendency was to degrade the soul, and to cause

forgetfulness of immortality. Slavery thrives best when the generous

instincts are suppressed, when egotism, sensuality, and pride are the

dominant springs of human action.

The same influences which tended to rob man of the rights which God has

given him, and produce cruelty and heartlessness in the general

intercourse of life, also tended to degrade the female sex. In the

earlier age of the republic, when the people were poor, and life was

simple and primitive, and heroism and patriotism were characteristic,

woman was comparatively virtuous and respected; she asserted her natural

equality, and led a life of domestic tranquillity, employed upon the

training of her children, and inspiring her husband to noble deeds. But

under the Emperors these virtues had fled. Woman was miserably educated,

being taught by a slave, or some Greek chambermaid, accustomed to ribald

conversation, and fed with idle tales and silly superstitions; she was

regarded as more vicious in natural inclination than man, and was

chiefly valued for household labors; she was reduced to dependence; she

saw but little of her brothers or relatives; she was confined to her

home as if it were a prison; she was guarded by eunuchs and female

slaves; she was given in marriage without her consent; she could be

easily divorced; she was valued only as a domestic servant, or as an

animal to prevent the extinction of families; she was regarded as the

inferior of her husband, to whom she was a victim, a toy, or a slave.

Love after marriage was not frequent, since woman did not shine in the

virtues by which love is kept alive. She became timorous or frivolous,

without dignity or public esteem; her happiness was in extravagant

attire, in elaborate hair-dressings, in rings and bracelets, in a

retinue of servants, in gilded apartments, in luxurious couches, in

voluptuous dances, in exciting banquets, in demoralizing spectacles, in

frivolous gossip, in inglorious idleness. If virtuous, it was not so

much from principle as from fear. Hence she resorted to all sorts of

arts to deceive her husband; her genius was sharpened by perpetual

devices, and cunning was her great resource. She cultivated no lofty

friendships; she engaged in no philanthropic mission; she cherished no

ennobling sentiments; she kindled no chivalrous admiration. Her

amusements were frivolous, her taste vitiated, her education neglected,

her rights violated, her sympathy despised, her aspirations scorned.

And here I do not allude to great and infamous examples that history has

handed down in the sober pages of Suetonius and Tacitus, or that

unblushing depravity which stands out in the bitter satires of those

times; I speak not of the adultery, the poisoning, the infanticide, the

debauchery, the cruelty of which history accuses the Messalinas and

Agrippinas of imperial Rome; I allude not to the orgies of the Palatine

Hill, or the abominations which are inferred from the paintings of

Pompeii,--I mean the general frivolity and extravagance and

demoralization of the women of the Roman empire. Marriage was considered

inexpedient unless large dowries were brought to the husband. Numerous

were the efforts of Emperors to promote honorable marriages, but the

relation was shunned. Courtesans usurped the privileges of wives, and

with unblushing effrontery. A man was derided who contemplated

matrimony, for there was but little confidence in female virtue or

capacity, and woman lost all her fascination when age had destroyed her

beauty; even her very virtues were distasteful to her self-indulgent

husband. When, as sometimes happened, the wife gained the ascendency by

her charms, she was tyrannical; her relatives incited her to despoil her

husband; she lived amid incessant broils; she had no care for the

future, and exceeded man in prodigality. "The government of her house is

no more merciful," says Juvenal, "than the court of a Sicilian tyrant."

In order to render herself attractive, she exhausted all the arts of

cosmetics and elaborate hair-dressing; she delighted in magical

incantations and love-potions. In the bitter satire of Juvenal we get an

impression most melancholy and loathsome:--

"'T were long to tell what philters they provide,

What drugs to set a son-in-law aside,--

Women, in judgment weak, in feeling strong,

By every gust of passion borne along.

To a fond spouse a wife no mercy shows;

Though warmed with equal fires, she mocks his woes,

And triumphs in his spoils; her wayward will

Defeats his bliss and turns his good to ill.

Women support the bar; they love the law,

And raise litigious questions for a straw.

Nay, more, they fence! who has not marked their oil,

Their purple rigs, for this preposterous toil!

A woman stops at nothing; when she wears

Rich emeralds round her neck, and in her ears

Pearls of enormous size,--these justify

Her faults, and make all lawful in her eye.

More shame to Rome! in every street are found

The essenced Lypanti, with roses crowned;

The gay Miletan and the Tarentine,

Lewd, petulant, and reeling ripe with wine!"

In the sixth satire of Juvenal is found the most severe delineation of

woman that ever mortal penned. Doubtless he is libellous and

extravagant, for only infamous women can stoop to such arts and

degradations as would seem to have been common in his time. But with all

his probable exaggeration, we are forced to feel that but few women,

even in the highest class, except those converted to Christianity,

showed the virtues of a Lucretia, a Volumnia, a Cornelia, or an Octavia.

The lofty virtues of a Perpetua, a Felicitas, an Agnes, a Paula, a

Blessilla, a Fabiola, would have adorned any civilization; but the great

mass were, what they were in Greece even in the days of Pericles, what

they have ever been under the influence of Paganism, what they ever will

be without Christianity to guide them,--victims or slaves of man,

revenging themselves by squandering his wealth, stealing his secrets,

betraying his interests, and deserting his home.

Another essential but demoralizing feature of Roman society was to be

found in the games and festivals and gladiatorial shows, which

accustomed the people to unnatural excitement and familiarity with

cruelty and suffering. They made all ordinary pleasures insipid; they

ended in making homicide an institution. The butcheries of the

amphitheatre exerted a fascination which diverted the mind from

literature, art, and the enjoyments of domestic life. Very early they

were the favorite sport of the Romans. Marcus and Decimus Brutus

employed gladiators in celebrating the obsequies of their fathers,

nearly three centuries before Christ. "The wealth and ingenuity of the

aristocracy were taxed to the utmost to content the populace and provide

food for the indiscriminate slaughter of the circus, where brute fought

with brute, and man again with man, or where the skill and weapons of

the latter were matched against the strength and ferocity of the first."

Pompey let loose six hundred lions in the arena in one day; Augustus

delighted the people with four hundred and twenty panthers. The games of

Trajan lasted one hundred and twenty days, when ten thousand gladiators

fought, and ten thousand beasts were slain. Titus slaughtered five

thousand animals at a time; twenty elephants contended, according to

Pliny, against a band of six hundred captives. Probus reserved six

hundred gladiators for one of his festivals, and slaughtered on another

two hundred lions, twenty leopards, and three hundred bears; Gordian let

loose three hundred African hyenas and ten Indian tigers in the arena.

Every corner of the earth was ransacked for these wild animals, which

were so highly valued that in the time of Theodosius it was forbidden by

law to destroy a Getulian lion. No one can contemplate the statue of the

Dying Gladiator which now ornaments the capitol at Rome, without

emotions of pity and admiration. If a marble statue can thus move us,

what was it to see the Christian gladiators contending with the fierce

lions of Africa! "The Christians to the lions!" was the cry of the

brutal populace. What a sight was the old amphitheatre of Titus, five

hundred and sixty feet long and four hundred and seventy feet wide,

built on eighty arches and rising one hundred and forty feet into the

air, with its four successive orders of architecture, and enclosing its

eighty thousand seated spectators, arranged according to rank, from the

Emperor to the lowest of the populace, all seated on marble benches

covered with cushions, and protected from the sun and rain by ample

canopies! What an excitement, when men strove not with wild beasts

alone, but with one another; and when all that human skill and strength,

increased by elaborate treatment, and taxed to the uttermost, were put

forth in needless slaughter, until the thirsty soil was wet and

saturated with human gore! Familiarity with such sights must have

hardened the heart and rendered the mind insensible to refined

pleasures. What theatres are to the French, what bull-fights are to the

Spaniards, what horse-races are to the English, these gladiatorial shows

were to the ancient Romans. The ruins of hundreds of amphitheatres

attest the universality of the custom, not in Rome alone, but in the

provinces.

Probably no people abandoned themselves to pleasures more universally

than the Romans, after war had ceased to be their master passion. All

classes alike pursued them with restless eagerness. Amusements were the

fashion and the business of life. At the theatre, at the great

gladiatorial shows, at the chariot races, emperors and senators and

generals were always present in conspicuous and reserved seats of honor;

behind them were the patricians, and then the ordinary citizens, and in

the rear of these the people fed at the public expense. The Circus

Maximus, the Theatre of Pompey, the Amphitheatre of Titus, would

collectively accommodate over four hundred thousand spectators. We may

presume that over five hundred thousand persons were in the habit of

constant attendance on these demoralizing sports; and the fashion spread

throughout all the great cities of the empire, so that there was

scarcely a city of twenty thousand inhabitants which had not its

theatres, amphitheatres, or circus. And when we remember the heavy bets

on favorite horses, and the universal passion for gambling in every

shape, we can form some idea of the effect of these amusements on the

common mind,--destroying the taste for home pleasures, and for all that

was intellectual and simple.

What are we to think of a state of society where all classes had

continual leisure for these sports! Habits of industry were destroyed,

and all respect for employments that required labor. The rich were

supported by contributions from the provinces, since they were the

great proprietors of conquered lands; the poor had no solicitude for a

living, since they were supported at the public expense. All therefore

gave themselves up to pleasure. Even the baths, designed for sanatory

purposes, became places of resort and idleness, and ultimately of

intrigue and vice. In the time of Julius Caesar we find no less a

personage than the mother of Augustus making use of the public

establishments; and in process of time the Emperors themselves bathed in

public with the meanest of their subjects. The baths in the time of

Alexander Severus were not only kept open from sunrise to sunset, but

even during the whole night. The luxurious classes almost lived in the

baths. Commodus took his meals in the bath. Gordian bathed seven times

in the day, and Gallienus as often. They bathed before they took their

meals, and after meals to provoke a new appetite; they did not content

themselves with a single bath, but went through a course of baths in

succession, in which the agency of air as well as of water was applied;

and the bathers were attended by an army of slaves given over to every

sort of roguery and theft. Nor were water and air baths alone used; the

people made use of scented oils to anoint their persons, and perfumed

the water itself with the most precious essences. Bodily health and

cleanliness were only secondary considerations; voluptuous pleasure was

the main object. The ruins of the baths of Titus, Caracalla, and

Diocletian in Rome show that they were decorated with prodigal

magnificence, and with everything that could excite the

passions,--pictures, statues, ornaments, and mirrors. The baths were

scenes of orgies consecrated to Bacchus, and the frescos on the

excavated baths of Pompeii still raise a blush on the face of every

spectator who visits them. I speak not of the elaborate ornaments, the

Numidian marbles, the precious stones, the exquisite sculptures that

formed part of the decorations of the Roman baths, but of the

demoralizing pleasures with which they were connected, and which they

tended to promote. The baths ultimately became, according to the ancient

writers, places of excessive and degrading debauchery.

"Balnea, vina, Venus corrumpunt corpora nostra."

If it were possible to allude to an evil more revolting than the sports

of the amphitheatre and circus, or the extravagant luxuries of the

table, I would say that the universal abandonment to money-making, for

the enjoyment of the factitious pleasures it purchased, was even still

more melancholy, since it struck deeper into the foundations which

supported society. The leading spring of life was money. Boys were bred

from early youth to all the mysteries of unscrupulous gains. Usury was

practised to such an incredible extent that the interest on loans in

some instances equalled, in a few months, the whole capital; this was

the more aristocratic mode of making money, which not even senators

disdained. The pages of the poets show how profoundly money was prized,

and how miserable were people without it. Rich old bachelors, without

heirs, were held in the supremest honor. Money was the first object in

all matrimonial alliances; and provided that women were only wealthy,

neither bridegroom nor parent was fastidious as to age, or deformity, or

meanness of family, or vulgarity of person. The needy descendants of the

old patricians yoked themselves with fortunate plebeians, and the

blooming maidens of a comfortable obscurity sold themselves, without

shame or reluctance, to the bloated sensualists who could give them what

they supremely valued,--chariots and diamonds. The giddy women in love

with ornaments and dress, and the godless men seeking what they should

eat, could only be satisfied with what purchased their pleasures. The

haughtiest aristocracy ever known on earth, tracing their lineage to the

times of Cato and boasting of their descent from the Scipios and the

Pompeys, accustomed themselves at last to regard money as the only test

of their own social position. The great Augustine found himself utterly

neglected at Rome because of his poverty,--being dependent on his

pupils, and they being mean enough to run away without paying him.

Literature languished and died, since it brought neither honor nor

emolument. No dignitary was respected for his office, only for his

gains; nor was any office prized which did not bring rich emoluments.

Corruption was so universal that an official in an important post was

sure of making a fortune in a short time. With such an idolatry of

money, all trades and professions which were not favorable to its

accumulation fell into disrepute, while those who administered to the

pleasures of a rich man were held in honor. Cooks, buffoons, and dancers

received the consideration which artists and philosophers enjoyed at

Athens in the days of Pericles. But artists and scholars were very few

indeed in the more degenerate days of the empire; nor would they have

had influence. The wit of a Petronius, the ridicule of a Martial, the

bitter sarcasm of a Juvenal were lost on a people abandoned to frivolous

gossip and demoralizing excesses. The haughty scorn with which a sensual

beauty, living on the smiles and purse of a fortunate glutton, would

pass in her gilded chariot some of the impoverished descendants of the

great Camillus might have provoked a smile, had any one been found, even

a neglected poet, to give them countenance and sympathy. But, alas!

everybody worshipped at the shrine of Mammon; everybody was valued for

what he _had_, rather than for what he _was_; and life was prized, not

for those pleasures which are cheap and free as heaven, not for quiet

tastes and rich affections and generous sympathies,--the glorious

certitudes of love, esteem, and friendship, which, "be they what they

may, are yet the fountain-life of all our day,"--but for the

gratification of depraved and expensive tastes, of those short-lived

enjoyments which ended with the decay of appetite and the _ennui_ of

realized expectation,--all of the earth, earthy; making a wreck of the

divine image which was made for God and heaven, preparing the way for a

most fearful retribution, and producing on contemplative minds a sadness

allied with despair, driving them to caves and solitudes, and making

death the relief from sorrow.

The fourteenth satire of Juvenal is directed mainly to the universal

passion for gain and the demoralizing vices it brings in its train,

which made Rome a Vanity Fair and even a Pandemonium.

The old Greek philosophers gloried in their poverty; but poverty was the

greatest reproach to a Roman. "In exact proportion to the sum of money a

man keeps in his chest," says Juvenal, "is the credit given to his oath.

And the first question ever asked of a man is in reference to his

income, rather than his character. How many slaves does he keep; how

many acres does he own; what dishes are his table spread with?--these

are the universal inquiries. Poverty, bitter though it be, has no

sharper sting than this,--that it makes men ridiculous. Who was ever

allowed at Borne to become a son-in-law, if his estate was inferior?

What poor man's name appears in any will?"

And with this reproach of poverty there were no means to escape from it.

Nor was there alleviation. A man was regarded as a fool who gave

anything except to the rich. Charity and benevolence were unknown

virtues. The sick and the miserable were left to die unlamented and

unknown. Prosperity and success, no matter by what means they were

purchased, secured reverence and influence.

Such was imperial Rome, in all the internal relations of life, and amid

all the trophies and praises which resulted from universal conquest,--a

sad, gloomy, dismal picture, which fills us with disgust as well as

melancholy. If any one deems it an exaggeration, he has only to read

Saint Paul's first chapter in his epistle to the Romans. I cannot

understand the enthusiasm of Gibbon for such a people, or for such an

empire,--a grinding and resistless imperial despotism, a sensual and

proud aristocracy, a debased and ignorant populace, enormously

disproportionate conditions of fortune, slavery flourishing to a state

unprecedented in the world's history, women the victims and the toys of

men, lax sentiments of public and private morality, a whole people given

over to demoralizing sports and spectacles, pleasure the master passion

of the people, money the mainspring of society, a universal indulgence

in all the vices which lead to violence and prepare the way for the

total eclipse of the glory of man. Of what value was the cultivation of

Nature, or a splendid material civilization, or great armies, or an

unrivalled jurisprudence, or the triumph of energy and skill, when the

moral health was completely undermined? A world therefore as fair and

glorious as our own must needs crumble away. There were no powerful

conservative forces; the poison had descended to the extremities of the

social system. A corrupt body must die when vitality has fled. The soul

was gone; principle, patriotism, virtue, had all passed away. The

barbarians were advancing to conquer and desolate; there was no power to

resist them but enervated and timid legions, with the accumulated vices

of all the nations of the earth, which they had been learning for four

hundred years. Society must needs resolve itself into its original

elements when men would not make sacrifices, and so few belonged to

their country. The machine was sure to break up at the first great

shock. No State could stand with such an accumulation of wrongs, with

such complicated and fatal diseases eating out the vitals of the

empire. No form of civilization, however brilliant and lauded, could

arrest decay and ruin when public and private virtue had fled. The house

was built upon the sand.

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