ROMA REDIVIVA.

(_A Classical Revel, after the Press accounts of last week's Italian

ball_).

Ancient history became luminous at Covent Garden last week, when the great

ghosts of the past, from ROMULUS to NERO and from EGERIA to AGRIPPINA, were

seen one-stepping gaily in _toga_ and _stola_ at the great Roman ball. It

was the night, not of the Futurists, but the Praeteritists, and right

royally did they avail themselves of their chance.

Perhaps the most arresting of all the costumes were those worn by Lord

CURZON as TARQUINIUS SUPERBUS and Mr. LANSBURY as SPARTACUS. The former was

garbed in a magnificent _toga purpurea_, elaborately adjusted so as to show

the laticlave on his _tunica_. Over this was a sumptuous _lacerna_ of

silver tissue fastened over the right shoulder with a diamond _fibula_. On

his head he wore a _petasus_ of hyacinthine hue, out of which sprang three

peacock's feathers. He was shod with curule shoes, or _mullei_, fastened

with four crimson thongs. Mr. LANSBURY'S costume was simpler but not less

striking, consisting of scarlet _braccae_ or barbarian pantaloons, a

jade-green _synthesis_, buckskin _soleae_ and an accordion-pleated _pileus_.

Lord HOWARD DE WALDEN as MAECENAS attracted general attention by the lustre

of his amethystine _tunica_ and the crimson heels of his _crepidae_, which

may not have been archaeologically correct, but were certainly a happy

thought. Mr. BERNARD SHAW, who personated CATO of Utica, wore hygienic

sandals, a white _toga_ and a brown felt Jaeger _pileus_. Mr. HAROLD BEGBIE

as MARCELLUS, the best boy of ancient Rome, formed an agreeable contrast to

the numerous Messalinas, Poppaeas and Cleopatras who lent a regrettably

Pagan element to the assembly. But Lady ASTOR as CORNELIA, mother of the

GRACCHI, was an austere and dignified figure in her panniered Botticelli

_stola_, with pearl-embroidered red wings, and a _flabellum_ (or fan) of

albatross feathers with gold bells attached. The grandeur that was Rome,

again, was revived in Mr. JOHN, who assumed the _role_ of his namesake,

AUGUSTUS, and in Mr. BOTTOMLEY, who as HORATIUS FLACCUS imparted a Sabine

simplicity to the scene.

It is a pity that a good many of the guests had indolently taken advantage

of the fact that ancient Roman dress was not obligatory, and yet it must be

admitted that some of them looked the Roman part to perfection. The

unadorned rigours of evening dress only threw into greater relief the truly

Caesarian lineaments of Lord RIDDELL, the stoical independence of Mr.

CHARLES TREVELYAN and the aquiline dignity of Mr. TICH (Parvus).

It may be added that the use of Latin was not compulsory, but that one of

the guests, who appeared as Phuphluns, the Etrurian Bacchus, and partook

freely of the excellent neo-Falernian supplied by the firm of LEONES,

expressed the pious hope that he would not suffer too much from _calida

aera_ on the morrow.

* * * * *

"Mr. Pim Passes By."

Our Mr. A. A. M.'s play is now comfortably settled in its new home (No. 3)

at The Playhouse. A correspondent informs Mr. Punch that since the opening

night Mr. DION BOUCICAULT'S popular part has been developed to the slight

disturbance of the balance of things; not so much by new dialogue as by

deliberate iteration and portentous pauses. That on his first entrance he

now studies a photograph with his nose close up to the glass, forgetting

that, if he is as short-sighted as all that, the protracted gaze which he

had previously directed upon the ceiling must have been fruitless. That

Miss IRENE VANBRUGH has dispensed with whatever serious element there was

in her part and relies for her brilliant effects almost completely on its

irresponsible frivolity. That Mr. BEN WEBSTER has come on remarkably; and

that the part of the flapper is now played according to nature by the right

person.

Mr. Punch's advice to any who have hitherto passed by is to go in and see

_Mr. Pim_ doing it.

* * * * *

"Now one just hates to drag in personal experiences, because it looks

as if one were trying to pose as a nero, which thing I hate."

_Illustrated Paper._

We heartily share the writer's dislike of the character.

* * * * *

[Illustration: _Works Manager_ (_to applicant for post as night-watchman_).

"HAVE YOU ANY PARTICULAR QUALIFICATION FOR THIS JOB?"

_Applicant._ "ONLY THAT I'M A VERY LIGHT SLEEPER, SIR. I WAKES AT THE LEAST

NOISE."]

* * * * *

Punch, or the London Charivari, Vol. 158, 1920-05-05 · 第 34 / 35 题