THE CONFITEOR OF THE ARTIST

How penetrating is the end of an autumn day! Ah, yes, penetrating

enough to be painful even; for there are certain delicious sensations

whose vagueness does not prevent them from being intense; and none more

keen than the perception of the Infinite. He has a great delight who

drowns his gaze in the immensity of sky and sea. Solitude, silence, the

incomparable chastity of the azure--a little sail trembling upon the

horizon, by its very littleness and isolation imitating my irremediable

existence--the melodious monotone of the surge--all these things

thinking through me and I through them (for in the grandeur of the

reverie the Ego is swiftly lost); they think, I say, but musically and

picturesquely, without quibbles, without syllogisms, without deductions.

These thoughts, as they arise in me or spring forth from external

objects, soon become always too intense. The energy working within

pleasure creates an uneasiness, a positive suffering: My nerves are too

tense to give other than clamouring and dolorous vibrations.

And now the profundity of the sky dismays me; its limpidity exasperates

me. The insensibility of the sea, the immutability of the spectacle,

revolt me. Ah, must one eternally suffer, for ever be a fugitive from

Beauty?

Nature, pitiless enchantress, ever-victorious rival, leave me! Tempt

my desires and my pride no more. The contemplation of Beauty is a duel

where the artist screams with terror before being vanquished.

Baudelaire: His Prose and Poetry · 第 102 / 288 题