THE OLD MOUNTEBANK

Everywhere the holiday crowd was parading, spread out, merry making.

It was one of those festivals on which mountebanks, tricksters, animal

trainers and itinerant merchants had long been relying, to compensate

for the dull seasons of the year.

On such days it seems to me the people forget all, sadness and work;

they become children. For the little ones, it is a day of leave, the

horror of the school put off twenty-four hours. For the grown-ups,

it is an armistice, concluded with the malevolent forces of life, a

respite in the universal contention and struggle.

The man of the world himself, and even he who is occupied with

spiritual tasks, with difficulty escape the influence of this popular

jubilee. They absorb, without volition, their part of the atmosphere

of devil-may-care. As for me, I never fail, like a true Parisian, to

inspect all the booths that flaunt themselves in these solemn epochæ.

They made, in truth, a formidable gathering: they bawled, bellowed,

howled. It was a mingling of cries, of blaring of brass and bursting of

rockets. The clowns and the simpletons convulsed the features of their

swarthy faces, hardened by wind, rain, and sun; they hurled forth,

with the assurance of comedians certain of their wares, witticisms

and pleasantries of a humor solid and heavy as that of Molière.

The Hercules, proud of the enormousness of their limbs, without

forehead, without cranium, stalked majestically about under fleshings

fresh washed for the occasion. The dancers, pretty as fairies or as

princesses, leapt and cavorted under the flare of lanterns which filled

their skirts with sparkles.

All was light, dust, shouting, joy, tumult; some spent, others gained,

the one and the other equally joyful. Children clung to their mothers'

skirts to obtain a sugar-stick, or climbed upon their fathers'

shoulders the better to see a conjurer dazzling as a god. And spread

over all, dominating every odor, was a smell of frying, which was the

incense of the festival.

At the end, at the extreme end of the row of booths, as if, ashamed, he

had exiled himself from all these splendors, I saw an old mountebank,

stooped, decrepit, emaciated, a ruin of a man, leaning against one of

the pillars of his hut, more wretched than that of the most besotted

barbarian, the distress of which two candle ends, guttering and

smoking, lighted up only too well.

Everywhere was joy, gain, revelry; everywhere certainty of the morrow's

bread; everywhere the frenetic outbursts of vitality. Here, absolute

misery, misery bedecked, to crown the horror, in comic tatters, where

necessity, rather than art, produced the contrast. He was not laughing,

the wretched one! He was not weeping, he was not dancing, he was not

gesticulating, he was not crying. He was singing no song, gay or

grievous, he was imploring no one. He was mute and immobile. He had

renounced, he had withdrawn. His destiny was accomplished.

But what a deep, unforgettable look he cast over the crowd and the

lights, the moving stream of which was stemmed a few yards from his

repulsive wretchedness! I felt my throat clutched by the terrible hand

of hysteria, and it seemed as though glances were clouded by rebellious

tears that would not fall.

What was to be done? What good was there in asking the unfortunate

what curiosity, what marvel had he to show within those barefaced

shades, behind that threadbare curtain? In truth, I dared not; and,

although the reason for my timidity will make you laugh, I confess that

I was afraid of humiliating him. At length, I had resolved to drop a

coin while passing his boards, in the hope that he would divine my

purpose, when a great backwash of people, produced by I know not what

disturbance, carried me far away.

And leaving, obsessed by the sight, I sought to analyze my sudden

sadness, and I said: "I have just seen the image of the aged man of

letters, who has survived the generation of which he was the brilliant

entertainer; of the old poet, friendless, without family, without

child, degraded by his misery and by public ingratitude, into whose

booth a forgetful world no longer wants to go!"

Baudelaire: His Prose and Poetry · 第 72 / 288 题