Ryan slowly rose, stretched his long form to its uttermost d

AN IRISH CRAZY-QUILT.

SMILES AND TEARS, WOVEN INTO

SONG AND STORY.

BY

ARTHUR M. FORRESTER.

BOSTON:

ALFRED MUDGE & SON PRINTERS, 24 FRANKLIN STREET.

1891.

COPYRIGHT,

1890,

BY ARTHUR M. FORRESTER.

TO THE

“FELONS” OF IRELAND,

THE BRAVE AND FAITHFUL FEW,

WHO HAVE BEEN EXILED OR IMPRISONED OR EXECUTED

BECAUSE THEY LOVED THEIR NATIVE LAND MORE THAN

HOME OR LIBERTY OR LIFE,

This Volume

IS DEDICATED BY THE AUTHOR.

CONTENTS.

SONGS AND BALLADS.

PAGE.

The Church of Ballymore 7

The Old Boreen 9

The Irish Schoolhouse 11

Pat Murphy’s Cows 13

Father Tom Malone 16

You Can Guess 18

Only! 19

Songs of Innisfail 20

The Lord of Kenmare 32

An Old Irish Tune 39

Harvey Duff 45

Ivan Petrokoffsky 52

The Emperor’s Ring 54

Black Loris 56

The Red Heart Daisy 67

The Tide is Turning 68

Our Own Again 70

The Tale of a Tail 71

The Seasick Sub-Commissioners 75

Clare Constabulary Caione 77

Clause Twenty-six 78

Jenkins, M. P. 80

Thady Malone 81

Rory’s Reverie 83

Our Land Shall be Free 102

The Felons of Our Land 111

An Official Valuation 112

A Bewildered Boycotter 113

A Complaint of Coercion 115

O’Neil’s Address (Benburb) 118

The Fenian’s Dream 119

The Speaker’s Complaint 126

Erin Machree 128

Balfour’s Wish 135

Our Cause 136

Served Him Right 138

Rapparee Song 140

To the Landlords of Ireland 141

Balfour Rejoices 142

The Irish Brigade 149

Faithful to the Last 156

Fenian Battle Song 158

The Grave of the Martyrs 159

Death’s Victory 160

The Green Flag at Fredericksburg 161

The Flag of Our Land 162

Hurrah for Liberty 163

The Messenger 165

John Bull’s Appeal 175

The Story of a Bomb 177

Avenging, Though Dim 180

Christmas Dirge of London

Police 180

Ireland’s Prayer 182

John Bull’s New Year 183

Ready and Steady 185

The Charge of the Guards 193

An Address to Slaves 195

The Lion’s Lamentation 200

Memorial Ode to Irish Dead 202

Song of King Alcohol 209

Contrary Cognomens 210

An Æsthetic Wooing 211

The Drunkard’s Dream 212

Constable X 222

Lucifer’s Laboratory 223

The Monopolist’s Moan 224

With the Grand Army Veterans 225

The Irish Soldier at Grant’s

Grave 228

Maine and Mayo 229

The Priest with the Brogue 238

Arab War Song 240

The Linguist of the Liffey 247

Peggy O’Shea 250

The Boston Carrier’s Plaint 253

New England’s Marksmen 260

Calcraft and Price 270

Entitled to a Raise 272

The Postman’s Wooing 273

Sonnets to a Shoemaker 275

At the College Sports 278

Mulrooney: A Trooper’s Tale 286

STORIES AND SKETCHES.

Taming a Tiger 22

Ryan’s Revenge 34

Harvey Duff 40

A Seditious Slide 47

Who Shot Phlynn’s Hat? 58

A Double Surprise 86

Philipson’s Party 103

That Traitor Timmins 129

A Picturesque Penny-a-Liner 144

Snooks 151

Caledonian Candlesticks 152

A Typical Trial 168

Why Smithers Resigned 186

Exploits of an Irish Reporter 197

A Political Lesson Spoiled 199

An Orange Oration 205

Frederick’s Folly 215

A Sandy Row Skirmish 232

Hobbies in Our Block 241

Not a John L. Sullivan 244

A Windy Day at Cabra 248

Apropos of the Census 256

A Mixed Antiquarian 261

Jones’s Umbrella 263

Lessons in the French Drama 265

A Commercial Crisis 276

A Musical Revenge 280

A Liar Laid Out 282

AN IRISH CRAZY-QUILT.

THE CHURCH OF BALLYMORE.

I have knelt in great cathedrals with their wondrous naves and aisles,

Whose fairy arches blend and interlace,

Where the sunlight on the paintings like a ray of glory smiles,

And the shadows seem to sanctify the place;

Where the organ’s tones, like echoes of an angel’s trumpet roll,

Wafted down by seraph wings from heaven’s shore--

They are mighty and majestic, but they cannot touch my soul

Like the little whitewashed church of Ballymore.

Ah! modest little chapel, half-embowered in the trees,

Though the roof above its worshippers was low,

And the earth bore traces sometimes of the congregation’s knees,

While they themselves were bent with toil and woe!

Milan, Cologne, St. Peter’s--by the feet of monarchs trod--

With their monumental genius and their lore,

Never knew in their magnificence more trustful prayers to God

Than ascended to His throne from Ballymore!

Its priest was plain and simple, and he scorned to hide his brogue

In accents that we might not understand,

But there was not in the parish such a renegade or rogue

As to think his words not heaven’s own command!

He seemed our cares and troubles and our sorrows to divide,

And he never passed the poorest peasant’s door--

In sickness he was with us, and in death still by our side--

God be with you, Father Tom, of Ballymore.

There’s a green graveyard behind it, and in dreams at night I see

Each little modest slab and grassy mound;

For my gentle mother’s sleeping ’neath the withered rowan tree,

And a host of kindly neighbors lie around!

The famine and the fever through our stricken country spread,

Desolation was about me, sad and sore,

So I had to cross the waters, in strange lands to seek my bread,

But I left my heart behind in Ballymore!

I am proud of our cathedrals--they are emblems of our love

To an ever-mighty Benefactor shown;

And when wealth and art and beauty have been given from above,

The devil should not have them as his own!

Their splendor has inspired me--but amidst it all I prayed

God to grant me, when life’s weary work is o’er,

Sweet rest beside my mother in the dear embracing shade

Of the little whitewashed church of Ballymore!

THE OLD BOREEN.

Embroidered with shamrocks and spangled with daisies,

Tall foxgloves like sentinels guarding the way,

The squirrel and hare played bo-peep in its mazes,

The green hedgerows wooed it with odorous spray;

The thrush and the linnet piped overtures in it,

The sun’s golden rays bathed its bosom of green.

Bright scenes, fairest skies, pall to-day on my eyes,

For I opened them first on an Irish boreen!

It flung o’er my boyhood its beauty and gladness,

Rich homage of perfume and color it paid;

It laughed with my joy--in my moments of sadness

What solace I found in its pitying shade.

When Love, to my rapture, rejoiced in my capture,

My fetters the curls of a brown-haired colleen,

What draught from his chalice, in mansion or palace,

So sweet as I quaffed in the dear old boreen?

But green fields were blighted and fair skies beclouded,

Stern frost and harsh rain mocked the poor peasant’s toil,

Ere they burst into blossom the buds were enshrouded,

The seed ere its birth crushed in merciless soil;

Wild tempests struck blindly, the landlord, less kindly,

Aimed straight at our hearts with a “death sentence” keen;

The blast spared our sheeling, which he, more unfeeling,

Left roofless and bare to affright the boreen.

A dirge of farewell through the hawthorn was pealing,

The wind seemed to stir branch and leaf with a sigh,

As, down on a tear-bedewed shamrock sod kneeling,

I kissed the old boreen a weeping good-by;

And vowed that should ever my patient endeavor

The grains of success from life’s harvest-field glean,

Where’er fortune found me, whatever ties bound me,

My eyes should be closed in the dear old boreen.

Ah! Fate has been cruel, in toil’s endless duel

With sickness and want I have earned only scars;

Life’s twilight is nearing--its day disappearing--

My weary soul sighs to escape through its bars;

But ere fields elysian shall dazzle its vision,

Grant, Heaven, that its flight may be winged through the scene

Of streamlet and wild-wood, the home of my childhood,

The grave of my kin, and the dear old boreen!

AN IRISH SCHOOLHOUSE.

Upon the rugged ladder rungs--whose pinnacle is Fame--

How often have ambitious pens deep graven Harvard’s name;

The gates of glory Cambridge men o’er all the world assail,

And rulers in the realm of thought look back with pride to Yale.

To no such Alma Mater can my Muse in triumph raise

Its Irish voice in canticles of gratitude and praise;

Yet still I hold in shrine of gold, and until death I will,

The little schoolhouse, thatched with straw, that lay behind the hill.

When in the balmy morning, racing down the green boreen

Toward its portal, ivy-framed, our curly heads were seen,

We felt no shame for ragged coats, nor blushed for shoeless feet,

But bubbled o’er with laughter dear old master’s smile to meet;

Yet saw beneath his homespun garb an awe-inspiring store

Of learning’s fearful mysteries and academic lore.

No monarch wielded sceptre half so potent as his quill

In that old schoolhouse, thatched with straw, that lay behind the hill.

Perhaps--and yet ’tis hard to think--our boastful modern school

Might feel contempt for master, for his methods and his rule;

Would scorn his simple ways--and in the rapid march of mind

His patient face and thin gray locks would lag far, far behind.

No matter; he was all to us, our guide and mentor then;

He taught us how to face life’s fight with all the grit of men;

To honor truth, and love the right, and in the future fill

Our places in the world as he had done behind the hill.

He taught us, too, of Ireland’s past; her glories and her wrongs--

Our lessons being varied with the most seditious songs:

We were quite a nest of rebels, and with boyish fervor flung

Our hearts into the chorus of rebellion when we sung.

In truth, this was the lesson, above all, we conned so well

That some pursued the study in the English prison cell,

And others had to cross the seas in curious haste, but still

All living love to-day, as then, the school behind the hill.

The wind blows through the thatchless roof in stormy gusts to-day;

Around its walls young foxes now, in place of children, play;

The hush of desolation broods o’er all the country-side;

The pupils and their kith and kin are scattered far and wide.

But wheresoe’er one scholar on the face of earth may roam,

When in a gush of tears comes back the memory of home,

He finds the brightest picture limned by Fancy’s magic skill,

The little schoolhouse, thatched with straw, that lay behind the hill.

PAT MURPHY’S COWS.

[In one of the debates on the Irish land question, Chief Secretary

Forster endeavored to attribute much of the poverty in Ireland to

the early and imprudent marriages of the peasantry, and elicited

roars of laughter by a comic but cruel description of one Pat

Murphy, who had only two cows, but was the happy father of no less

than eleven children.]

In a vale in Tipperary, where the silvery Anner flows,

There’s a farm of but two acres where Pat Murphy ploughs and sows;

From rosy morn till ruddy eve he toils with sinews strong,

With hope alone for dinner, and for lunch an Irish song.

He’s a rood laid out for cabbage, and another rood for corn,

And another sweet half-acre pratie blossoms will adorn;

While down there in the meadow, fat and sleek and healthy, browse

Pat’s mine of wealth, his fortune sole--a pair of Kerry cows.

Ah, black were the disaster if poor Pat should ever lose

The cows whose milk and butter buy eleven young Murphys shoes,

Which keep their shirts upon their backs, the quilt upon the bed,

And help to thatch the dear old roof that shelters overhead.

And even then the blessings that they bring are scarcely spent,

For they help brave Murphy often in his troubles with the rent;

In bitterest hours their friendly low his spirits can arouse;

He don’t mind eleven young Murphys while he’s got that pair of cows.

And when the day is over, and the cows are in the byre,

Pat Murphy sits contented with his dhudeen by the fire;

His children swarm around him, and they hang about his chair--

The twins perched on his shoulders with their fingers in his hair,

Till Bridget, cosey woman, takes the youngest one to rest,

Lays four to sleep beneath the stairs, a couple in the chest;

And happy Phaudrig Murphy in his big heart utters vows

Ere that eleven should be ten he’d sell the pair of cows.

Then in the morning early, ere Pat, whistling, ventures out,

How they cluster all around him there with joyous laugh and shout!

A kiss for one, a kiss for all, ’tis quite a morning’s task,

And the twins demand an extra share, and must have what they ask.

What if a gloomy thought his spirit’s brightness should obscure,

As he feels age creeping on him with soft footsteps, slow but sure,

He’s hardly o’er the threshold when the shadow leaves his brow,

For his eldest girl and Bridget each is milking a fine cow.

Let us greet the name of cruel Buckshot Forster with a groan--

He hadn’t got the decency to leave those cows alone;

He thought maternal virtue only fitting for a sneer,

And made Pat Murphy’s little ones the subject of a jeer.

Well, the people have more feeling than the knaves who make their laws,

And when the people laugh ’tis for a somewhat better cause:

They hate the whining coward who beneath life’s burden bows,

But they honor men like Murphy, with his pair of Kerry cows.

FATHER TOM MALONE.

A LAND LEAGUE REMINISCENCE.

Hair white as innocence, that crowned

A gentle face which never frowned;

Brow smooth, spite years of care and stress;

Lips framed to counsel and to bless;

Deep, thoughtful, tender, pitying eyes,

A reflex of our native skies,

Through which now tears, now sunshine shone--

There you have Father Tom Malone.

He bade the infant at its birth

_Cead mille failthe_ to the earth;

With friendly hand he guided youth

Along the thorny track of truth;

The dying felt, yet knew not why,

Nearer to Heaven when he was by--

For, sure, the angels at God’s throne

Were friends of Father Tom Malone.

For us, poor simple sons of toil

Who wrestled with a stubborn soil,

Our one ambition, sole content,

Not to be backward with the rent;

Our one absorbing, constant fear,

The agent’s visits twice a year;

We had, our hardships to atone,

The love of Father Tom Malone.

One season failed. The dull earth slept.

Despite of ceaseless vigil kept

For sign of crop, day after day,

To coax it from the sullen clay,

Nor oats, nor rye, nor barley came;

The tubers rotted--then, oh, shame!

We--’twas the last time ever known--

Lost faith in Father Tom Malone.

We had, from fruitful years before,

Garnered with care a frugal store;

’Twould pay one gale, but when ’twas gone

What were our babes to live upon?

We had no seed for coming spring,

Nor faintest hope to which to cling;

We would have starved without a moan,

When out spoke Father Tom Malone.

His voice, so flute-like in the past,

Now thrilled us like a bugle blast,

His eyes, so dove-like in their gaze,

Took a new hue, and seemed to blaze!

“God’s wondrous love doth not intend

Hundreds to starve that one may spend;

Pay ye no rent, but hold your own.”

_That_ from mild Father Tom Malone.

And when the landlord with a force

Of English soldiers, foot and horse,

Came down and direst vengeance swore,

Who met him at the cabin door?

Who reasoned first and then defied

The thief in all his power and pride?

Who won the poor man’s fight alone?

Why, fearless Father Tom Malone.

So, when you point to heroes’ scars,

And boast their prowess in the wars,

Give one small meed of praise, at least,

To this poor modest Irish priest.

No laurel wreath was twined for him,

But pulses throb and eyelids dim

When toil-worn peasants pray, “Mavrone,

God bless you, Father Tom Malone!”

YOU CAN GUESS.

There are grottos in Wicklow, and groves in Kildare,

And the loveliest glens robed with shamrock in Clare,

And in fairy Killarney ’tis easy to find

Sweet retreats where a swain can unburden his mind;

But of all the dear spots in our emerald isle,

Where verdure and sunshine crown life with a smile,

There’s one boreen I love, for ’twas there I confess

I first met my fate,--what it was you can guess.

It was under the shade of its bordering trees,

One day I grew suddenly weak at the knees

At the thought of what seemed quite a terrible task,

And yet it was but a short question to ask.

’Twas over, and since, night and morning, I bless

The boreen that heard the soft whisper of “yes.”

And the breezes that toyed with each clustering tress;

And the question was this--but I’m sure you can guess.

ONLY!

Only a cabin, thatched and gray,

Only a rose-twined door,

Only a barefooted child at play

On only an earthern floor.

Only a little brain--not wise

For even a head so small,

And that is the reason he bitterly cries

For leaving his home--that’s all.

Only the thought of her girlhood there,

And her happier days as wife,

In the shelter poor of its walls so bare,

Have endeared them to her for life;

What is the weeping woman’s cause?

Why are her accents gall?

What does she know of our intricate laws?

It was only a hut--that’s all.

He’s only a peasant in blood and birth,

That man with the eyelids dim,

And there’s room enough on the wide, wide earth

For sinewy serfs like him.

Why had this pitiful, narrow farm,

For his heart such a wondrous thrall?

Why each tree and flower such a mystic charm?

He was born in the place--that’s all.

* * * * *

The years have gone, and the worn-out pair

Sleep under the stranger’s clay,

And the weeping child with the curly hair

Is a brave, strong man to-day;

Yet still he thinks of the olden land,

And prays for her tyrant’s fall,

And longs to be one of some chosen band,

With only a chance--that’s all.

SONGS OF INNISFAIL.

Where the Austral river rushes

Through feathery heath and bushes,

Through its gurgles and its gushes

You may hear,

To your wonder and surprise,

Sweet melodies arise

You have heard ’neath other skies

Low and clear.

Yes! within the gold land,

Strange to you and cold land,

Voices from the old land

Swell upon the gale--

Lyrics of the story,

Lit with flames of glory,

Dimmed with pages gory,

Songs of Innisfail!

Where Mississippi leaping

O’er cliffs and crags, or creeping

Through valleys fair, is sweeping

To the sea,

From the fields of nodding grain

On some mountain path or plain

Rings a stirring old refrain

Fresh and free.

Yes! where’er we wander

Irish hearts will ponder

O’er our land, and fonder

Throb with ev’ry tale

Of the home that bore us,

Till the new skies o’er us

Echo with our chorus

Songs of Innisfail.

Exiles o’er the spray-foam,

Whereso’er we may roam,

Thoughts of far-away home

Linger still,

And in dreams we see again

Babbling stream and silent glen,

Forest green and lonely fen,

Vale and hill.

Yes! our hearts’ devotion

Flies across the ocean,

While with deep emotion

Sternest features pale,

As around us stealing,

Softened by sad feeling,

Through the air are pealing

Songs of Innisfail!

TAMING A TIGER.

We were standing together on the platform of the King’s Bridge terminus,

Dublin,--five of us--a gallant quintette in the noble army of drummers.

There was Austin Burke, slim, prim, and demure, as befitted the

representative of a vast dry-goods establishment whose business lay

amongst modistes and milliners; Paul Ryan, tall, dark, and dignified,

who travelled for the great ironmongery firm of Locke & Brassey; Tim

Malone, smart, chatty, and well-informed, the agent of a flourishing

stationery house; dashing Jack Hickey, who was solicitor for a

distillery, and rattling, rakish, as packed with funny ideas and comical

jokes as a Western newspaper, and as full of mischief as a frolicsome

kitten; and lastly, myself. We were waiting for the 11.30 A.M. train

south, and indulging in somewhat personal witticisms upon the appearance

of various personages in the surrounding crowd, when our attention was

attracted by the bustling advent upon the platform of a fussy, florid

individual, with a face like an inflamed tomato, and the generally

irascible and angry air of an infuriated rooster.

“Know that fellow?” queried Burke. “That’s Major Boomerang, the

newly-appointed Resident Magistrate for some part of Cork; all the way

from Bengal, to teach the wild Irish Hindoo civilization. He thinks

we’re all Thugs and Dacoits, and by the ‘jumping Harry,’ as he would

ejaculate, he’s going to sit on us. What do you say, boys, if we have a

little lark with him? Let us all get into the same carriage and draw him

out. I’ll introduce you, F. (to me), as my friend Captain Neville, of

the Galway militia. I won’t know you other fellows, but you can take

whatever characters you like, just as the conversation turns. Let me

see. You, Ryan, get out at Portarlington, and you, Malone, at Limerick

Junction. Jack Hickey goes on with us to Mallow. Now, I know this

Boomerang will be launching out into fiery denunciation of Parnell and

Biggar and all the rest before we’re aboard ten minutes, and I want each

of you fellows to take the role of whoever he pitches into the worst,

and challenge him in that character. D’ye see? F., as Capt. Neville,

will offer to do the amiable for the major, and persuade him that he

must fight. He’s an awful fire-eater in conversation, but I’ll stake my

sample case we’ll put him into the bluest of funks before we part. What

do you say, boys?”

Of course, we agreed. Whoever heard of a drummer refusing to take a hand

in any deviltry afoot that promised a laugh at the end? We watched the

major into a first-class carriage, and quietly followed him. He seemed

rather inclined to resent our intrusion, for we just crowded the

compartment, but he graciously recognized Burke, who had stayed in

Dublin at the same hotel, and he was “delighted, sir, by the jumping

Harry,--delighted to meet a brother officer” (that was your humble

servant).

At first he was somewhat reticent about Irish matters. He told us all

manner of thrilling stories of his Indian adventures. He had polished

off a few hundred tigers with all sorts of weapons, transfixed them to

the trunks of trees with the native spear, riddled them with buckshot,

swan-shot and bullets, and on one occasion, when his stock of lead had

pegged out, and a Royal Bengal tiger, twelve feet, sir, from his snout

to the tip of his tail, was crouched ready to spring on poor Joe

Boomerang, why, Joe whipped out a loose double tooth, rammed it home,

and sent it crashing through the brute’s frontal ossicles.

He wanted to keep that tooth as a memento, but, by the jumping Harry!

the Maharajah of Jubbulpore would take no denial, and that tooth is now

the brightest jewel in the dusky prince’s coronet.

He had killed a panther with his naked hands--with one naked hand, in

fact. It had leaped upon him with its mouth wide open, and in

desperation he had thrust his arm down its throat, intending to tear its

tongue out by the roots. But such was the momentum of the panther’s

spring and his own thrust, that his arm went in up to the shoulder, and

he found his strong right hand groping around the beast’s interior

recesses. He tore its heart out, sir,--its heart,--and an assortment of

lungs and ribs and other things.

He used to think no more of waking up with a deadly cobra-di-capello

crawling up his leg, or a boa constrictor playfully entwining around his

waist, than he did of taking his rice pillau or his customary curry. He

never lost his presence of mind, by the jumping Harry, not he.

At last, as we were passing through the pleasant pasturage of Kildare,

and rapidly nearing Portarlington, where we should part with Ryan, we

managed to turn the conversation upon the unsettled state of affairs in

Ireland.

“Ah!” said the blusterous Boomerang, “I’m going to change all that--down

in Cork, anyhow. I’ll have the murderous scoundrels like mice in a

fortnight. By the jumping Harry, I’ll settle ’em! I’ve quelled

twenty-seven mutinies and blown four hundred tawny rascals to pulverized

atoms in Bengal, and if I don’t make these marauding peasants here sing

dumb, my name’s not Boomerang--Joe Boomerang, the terror of Janpore.”

“I don’t,” observed Burke, with a wink at Ryan, “I don’t blame the

peasantry so much as those who are leading them astray. There’s Davitt,

for instance.”

“I wish,” growled the major, “that I had that rapscallion within reach

of my horsewhip, sir, for five minutes. I’d flay him,--flay him alive,

sir. If he ever is fool enough to come in my direction, he’ll remember

Joe Boomerang--fighting Joe--as long as he lives. Green snakes and wild

elephants! I would annihilate the released convict, the pardoned thief,

the--the--by the jumping Harry, sir, I would exterminate the wretch!”

Ryan slowly rose, stretched his long form to its uttermost dimensions,

and leaning over to the astounded major, in a deep base thundered, “I am

the man, Major Boomerang, at your service. I have listened to your

abominable bombast in silent contempt as long as I was not personally

concerned. Now that you have attacked me, I demand satisfaction. I

suppose your friend, Capt. Neville, will act for you. Captain, you will

oblige me with your card. My second shall wait upon you to-morrow. As an

officer, even though no gentleman, you cannot disgrace the uniform you

have worn, Major Boomerang, by refusing to meet me. Good day.”

We had reached Portarlington, and Ryan leaped lightly on to the platform

and disappeared, leaving the major puffing and blowing and gasping like

an exhausted porpoise. “By the jumping Harry!” he at last exclaimed, but

his voice had changed from its bouncing barytone to a timorous tenor, “I

cannot fight a convicted thief. I won’t! D---- me, if I will!”

“I beg your pardon, major,” I observed. “You are mistaken; Davitt is not

a thief. He was merely a political prisoner. You can meet him with

perfect propriety. I shall be happy to arrange the preliminaries for

you. I expect he’ll choose pistols. Let me see, Burke, wasn’t it with

pistols he met poor Col. Smith? Ah, yes, to be sure it was. He shot him

in the left groin. Don’t you remember what a job they had extracting the

bullet? People said, you know, that it was the doctors and not Davitt

that killed him.” Burke assented with a nod.

The major gazed at us with a sort of dazed, bewildered look, like a man

in a dream. “Good God!” he murmured at last; “has he killed a man

already? Why didn’t they arrest him? Why didn’t they hang him? I’m not

going to be killed--I mean to kill a man that should be hanged. I’m not

going to be popped at by a fellow that goes about shooting colonels as

if they were snipe.”

“But, my dear major,” I remonstrated, “you must uphold the traditions of

the cloth. In fact, the government will expect you to act just as Smith

did.” (The major groaned.) “Smith didn’t like the idea of meeting

Davitt, he’s such a dead shot.” (The major’s visage became positively

blue.) “But the Duke of Cambridge wrote to him that he must go out for

the honor of the service.”

“The service be d----d!” exploded the major, over whose countenance a

kaleidoscope of colors--red, purple, blue, yellow, and white--were

flashing and fluctuating; “I shall not fight a common low fellow like

this. Now, if I had been challenged by a gentleman, it would be a

different matter. By the jumping Harry, sir!” he cried, as he felt his

courage returning at the prospect of evading the encounter, “if, instead

of that low-bred cur, one of those Irish popinjays in Parliament had

ventured to beard the lion heart of Boomerang, I should have sprung,

sir, sprung hilariously at the chance. But there isn’t a man among them

that wouldn’t quail at a glance from me, sir; yes, a lightning glance

from fighting Joe, who has looked the Bengal tiger in the eyes and

winked at the treacherous crocodile. Parnell is a coward, sir! Biggar

and O’Donnell would hide if they heard that blazing Boomerang was round;

and as for that whipper-snapper Healy, why, sir, I could tear him limb

from limb, without exerting my mighty muscles.”

Little Tim Malone sprang to his feet like an electrified bantam-cock,

and shaking his fist right under the major’s nose, he hissed: “You are a

cur; an unmitigated, red-eyed, yellow-skinned, mongrel cur. I am Healy.

I’ll have your life’s gore for this, if you escape my friend Davitt. I

shall request him as a favor only to chip off one of your ears, so that

I may have the pleasure of scarifying your hide. Captain Neville, as you

must act for your brother officer, I shall send a friend to you

to-morrow.” He sat down, and a solemn silence fell upon the company. The

prismatic changes of hue which had illuminated the major’s features had

disappeared altogether, and his face was now a sickening whitey-yellow.

Not a word was spoken until we reached Limerick Junction, where Malone

got off. The gallant Boomerang recovered a little at this, and managed

to whisper to me, “Can Healy fight?”

“He is a master of fence,” I replied. “I suppose, as the insulted party,

he will demand choice of weapons. His weapon is the sword; at least, he

has always chosen that so far.”

“Has he been out before?” asked the terrible tiger-slayer, in such

horror-stricken accents that I could barely refrain from laughing

outright.

“Oh, yes,” I replied carelessly, “five or six times.”

“Has he--has he--I’m not afraid, you know--ha! ha! Joe Boomerang

afraid--capital joke--but--but--has he killed anybody?”

“Only poor Lieutenant Jones,” I answered. “You see Jones insulted him

personally; his other duels originated in political, not personal,

matters. I think,” I added maliciously, “he’ll try to kill you.” The

major gurgled as if he had a spasm of some sort in his windpipe. I

continued: “I would advise you to furbish up your knowledge of both

pistol and sword practice. You’ll have to fight both Davitt and Healy.

You’ll be dismissed and disgraced if you decline either challenge. It

will be somewhat inconvenient for me to see you through both affairs,

but, my dear fellow, I never allow personal inconvenience to interfere

with my duty.”

“You’re very good,” he murmured; “but don’t you think that--that--”

“That I may only be wanted for one. Very likely, but let us hope for the

best. I know an undertaker in Cork--a decent sort of a chap. We can

arrange for the funeral with him, so that, if it don’t come off the

first time, he won’t charge anything extra for waiting till Healy kills

you.”

“Stop, stop,” screamed the agonized panther pulverizer. “You make me

sick.” By this time he had become green, and, as I did not know what

alarming combination of colors he might next assume if I continued, I

remained silent for some time. As we were nearing Mallow the major

managed to get hold of enough of his voice to inquire how it came to

pass that the government permitted such a barbarous practice as

duelling.

“Well,” I responded, “it’s a re-importation from America. Western

institutions are getting quite a hold here. Duelling is winked at in

deference to Yankee ideas.”

“Curse America and the Yankees too,” roared Boomerang. “Only for them we

would have peace and quiet. They are a pestiferous, rowdy, hellish gang

of--”

“Yahoop!” There was a yell from Jack Hickey that shook the roof of the

car, as that individual bounded to his feet with a large clasp-knife

clutched in his sinewy hand, and a desperate look of fiendish

determination on his features that made the mighty Indian hunter

collapse and curl up in his corner like a lame hen in a heavy shower.

“Where’s the double-distilled essence of the son of a cross-eyed galoot

that opens his measly mouth to drop filth and slime about our great and

glorious take-it-all-round scrumptious and everlasting republic of

America? I’m Yankee, clean grit, from the toe-nails and finger-tips to

the backbone, and he’s riz my dander. And when my dander’s riz, I’m

bound to have scalps. I’m a roaring, ring-tailed roysterer from the

Rocky Mountains, I am; half earthquake and half wildcat, and when I

squeal, somebody’s got to creep into a hole! Yahoop! Let me at the

blue-moulded skunk till I rip him open. I don’t wait for any ceremonies,

sending seconds and all that bosh. I go red-hot, boiling over, like a

Kansas cyclone or a Texas steer, straight for the snub-nosed,

curly-toothed, red-headed, all-fired Britisher that wakes my lurid fury.

Look out, Boomerang. Draw yer knife, for here’s a double-clawed hyena

from Colorado going to skiver you.” And Jack made a terrific plunge

forward, while he flashed his knife in a hundred wild gyrations that

seemed to light up the compartment with gleaming steel. Burke and I made

a pretence of throwing ourselves between the mad Yankee and his victim,

but it was unnecessary. The hero of Bengal had fainted.

When we got out at Mallow I tipped one of the porters a shilling, told

him that a passenger was ill in a compartment which I pointed out, and,

having given him the name of the hotel at which the major purposed

staying, I requested the porter to inform Boomerang when he recovered

that Captain Neville would wait upon him in the morning to arrange for

his interview with three, not two, gentlemen. Later on, when I called at

the depot to see after my luggage, I questioned the porter as to

Boomerang, and asked had he gone on to his hotel.

“Lor bless you, no, sir,” said the railway official. “As soon as that

gintleman kem to, he jist axed what time the first thrain wint on to

Cork in the mornin’, an’ thin, whin I towld about you wantin’ to see him

this evenin’, he wuddent wait, sorra a bit, for the mornin’, but he

booked straight back to Dublin on the thrain that was goin’ there an’

thin. I will say I niver saw such a frightened lookin’ gintleman since

the day Squire Mulroony saw Biddy Mullen’s ghost, that hanged herself at

the ould cross roads.” A few days after I read this announcement in the

Dublin _Gazette_: “In consequence of ill-health, super-induced by the

humid atmosphere of Ireland, Major Boomerang has resigned the resident

magistracy in Cork to which he was recently appointed, and will shortly

return to Bengal.”

THE LORD OF KENMARE.

There are skeleton homes like gaunt ghosts in the valley;

The hillside swarms thick with anonymous graves,

When the Last Trumpet sounds spectral legions ’twill rally,

Whose corpses are shrouded in ocean’s sad waves.

What hosts of accusers will cluster around him,

What cohorts of famine, of wrong, and despair,

On the white Day of Judgment to blanch and confound him,

That stone-hearted, merciless Lord of Kenmare!

Fond, simple, and trusting, we toiled night and morning

The bountiful prizes of Nature to win,

While he, wild and lustful, God’s providence scorning,

Used virtue’s reward as the guerdon of sin,

Till Heaven, in just anger, rained down on the meadow

Distemper and rot; plagued the soil and the air;

Filled the earth with distress, dimmed the sunlight in shadow,

But touched not that cancerous heart in Kenmare!

When God had been good he reaped all of his bounty;

When Heaven was wrathful the burden was ours,

For the terms of this Lord of Kenmare with the county

Were--the thorns for his serfs, for his harlots the flowers.

And when the poor toiler, beneath his load reeling,

Sank, breathless and faint, on his cabin floor bare,

The noose for his cattle, the torch for his sheeling,

Were the pity he found from the Lord of Kenmare.

Our fortune enriched him: he coined our disaster--

This lord of our sinews, our houses, our grounds,

Who felt himself monarch, and knew himself master--

A monarch of slaves, and a master of hounds!

He held not his hand, and he spared not his scourges;

He laughed at the shriek, and he scoffed at the prayer

That Kerry’s green swards and Atlantic’s white surges

Sobbed and wailed, sighed and moaned, ’gainst the Lord of Kenmare!

He has gone from the orgies where once he held revel,

Age and youth hunts no more as legitimate game,

But Ireland to-day finds the work of the devil

Still essayed by an imp of his lineage and name.

Tried only, thank God, for the serf has gained reason,

The fool learned to think, and the coward to dare,

And no longer the wolf-cry of “danger” and “treason”

Wraps in mist the misdeeds of the lords of Kenmare.

Hope’s phosphorent rays light that desolate valley;

Truth’s sunbeams illumine those derelict graves;

The stern blast of Justice’s bugle will rally

Avengers for every corpse ’neath the waves.

Two hemispheres judge as a pitiless jury,

Nor culprit nor crime will their firm verdict spare,

Oh, vain your derision and wasted your fury,

The world writes your sentence, false Lord of Kenmare!

RYAN’S REVENGE.

During the height of the land agitation in Ireland, some of the most

exciting debates in the House of Commons, and some of the most vehement

articles in the National press, had reference to the action of the

post-office authorities in opening letters addressed to gentlemen (and,

for that matter, to ladies, too) whom the sagacious police intellect

“reasonably suspected” of connection with the obnoxious league. This

peculiarly English method of circumventing the plans of a constitutional

association by a resort to an unconstitutional and illegal act was

popularly known as “Grahamizing,” from the fact that it had first been

introduced by Postmaster-General Graham to discover what designs certain

refugees in London entertained against the Emperor of the French,

Napoleon III. Inquisitive Graham had to resign his office, and the

government which sanctioned his conduct was also kicked out by the

indignant English electors, who are the soul of honor in all questions

that do not relate to Ireland. But, despite the fate of Graham,

subsequent cabinets did not hesitate to adopt his invention when they

had reason to believe that anything calculated to interfere with the

_status quo_ was afoot amongst the terrible Irish. Sir William Harcourt,

English Home Secretary in 1882, especially distinguished himself by his

reckless indulgence in this espionage of the letter-box. His post-office

pilferings at last involved him in an avalanche of correspondence that

nearly swamped the staff employed in letter steaming.

The sapient Home Secretary had taken it into his bucolic brain that

Ireland and Great Britain were undergoing one of those periodical

visitations of secret conspiracy which enliven the monotony of existence

in those superlatively happy and contented realms. From the amount of

his postal communications, and from the brilliant reports of a gifted

county inspector, Sir William strongly suspected that one Ryan, a

Tipperary farmer, was engaged in less commendable pursuits than

turnip-sowing or cabbage-planting. Still, there was no positive proof

that Ryan’s whole soul was not centred in his Early Yorks and Mangolds.

So resort was had to the Grahamizing process.

For some time Ryan suspected nothing, until his correspondence began to

get muddled,--his tailor’s bill coming in an envelope addressed in the

spidery calligraphy of his beloved Mary, a scented _billet-doux_ from

that devoted one arriving in a formidable-looking official revenue

envelope which should have contained an income-tax schedule, a subpœna

to appear as a witness in a law-suit at Clonmel reaching him in an

envelope with the New York post-mark, and a half a dozen other envelopes

being found to contain nothing at all.

Then Ryan smelt a multitude of rats, and he determined to cry quits with

the disturbers of his gum and sealing-wax. He adopted the name of Murphy

for the purposes of correspondence, and he arranged that the intelligent

sub-inspector should know that he was going to receive letters in that

euphonious cognomen.

Now, Murphys were as plentiful round there as counts in a state

indictment or nominations at a Democratic convention. You couldn’t throw

a stone in the location without knocking the eye out of a Murphy. You

couldn’t flourish a kippeen there without peeling the skin off a Murphy.

If you heard any one appealing to the masses, collectively or

individually, to tread on the tail of his coat, you might depend it was

a champion Murphy. The tallest man in the parish was a Murphy, the

shortest was a Murphy; the stout man who took a square rood of corduroy

for a waistcoat was a Murphy, and the mite who could have built a dress

suit for himself out of a gooseberry skin was a Murphy. When a good

harvest smiled on that part of the country people said the Murphys were

thriving, and when small-pox decimated the population it was spoken of

as a blight among the Murphys.

So, when the order came down from the Castle that all letters directed

to Murphy should be stopped and forwarded to headquarters for perusal,

it might naturally be expected that, even under ordinary circumstances,

the local postmasters would have decent packages to return to Dublin.

But Ryan didn’t mean to be niggardly in his donations to the central

bureau of the postal pimpdom. He took the clan Murphy into his

confidence, and every Murphy in that parish wrote to every other Murphy

in every other parish, and those Murphys wrote to other Murphys, and the

fiery cross went round among the Murphys generally, and the fiat went

forth that every Murphy worthy the name of Murphy should write as many

letters to the particular Murphy the postmen were after as they could

put pen to. It didn’t matter what they were about,--the crops, the

weather, the price of provisions,--anything, in fact, or nothing at all.

The language was of minor importance,--Irish, however, preferred,--and

the Murphy who paid his postage would be considered a traitor to the

cause.

Nobly did the Murphys sustain their reputation.

The first day of the interception of _the_ Murphy’s letters, three bags

full were deposited in the Under Secretary’s office for perusal.

The morning after sixteen sacks were piled in the room.

The third morning that room was filled up, and they stuffed Mr. Burke’s

private sanctum with spare bags.

The fourth morning they occupied a couple of bedrooms.

The fifth morning half a dozen flunkeys were arranging bales of Murphy

letters on the stairs.

Then there was a lull in the Castle, for that day was Sunday.

But it was a deceptive lull, because it enabled every right-thinking

Murphy to let himself loose, and on Monday three van loads of letters

for Mr. Murphy were sent out to the viceregal lodge.

Day after day the stream flowed regularly for about a week, when the

grand climax came. It was St. Valentine’s morning, and, in addition to

the orthodox correspondence, every man, woman, and child who loved or

hated, adored or despised a Murphy, contributed his or her quota to the

general chaos.

The post-office authorities had to invoke the aid of the Army Service

Corps, and from 8 A.M. till midnight the quays and Phœnix Park were

blocked with a caravan of conveyances bearing boxes and chests and tubs

and barrels and sacks and hampers of notes and letters and illustrated

protestations of affection or highly-colored expressions of contempt for

Murphy from every quarter of the inhabitable globe.

Then the bewildered denizens of the Castle had to telegraph to the War

Office for permission to take the magazine and the Ordnance Survey

quarters, and the Pigeonhouse Fort and a barracks or two, to store the

intercepted epistles in.

Forster wouldn’t undertake to go through the work,--the order to

overhaul Murphy’s letters had come from Harcourt, and Harcourt would

have to do it himself. Well, Harcourt went across, but when he saw the

task that had accumulated for him, he threatened to resign unless he was

relieved.

Finally, the admiralty ordered the channel fleet to convey the Murphy

correspondence out to the middle of the Atlantic, where it was committed

to the treacherous waves.

To this day, letters addressed to Mr. Murphy are occasionally picked up

a thousand leagues from land, on the stormy ocean, and whenever Sir

William Vernon Harcourt reads of such a discovery he disappears for a

week, and paragraphs appear in the papers that he is laid up with the

gout.

AN OLD IRISH TUNE.

We had fought, we had marched, we had thirsted all day,

And, footsore and heartsore, at nightfall we lay

By the banks of a streamlet whose thin little flood

A thousand of hoof-beats had churned into mud.

Our tongues were as parched as our spirits were damp,

And misery reigned all supreme in the camp,

When, sweet as the sigh of a zephyr in June,

There stole on our senses an old Irish tune.

It crept low and clear through the whispering pines,

It crossed the dull stream from the enemy’s lines,

And over the dreams of the slumberers cast

The magical spell of a voice from the past;

It lulled and caressed till the accents of pain

Sank to murmurs that seemed to entwine with its strain;

And soothed, as of old by a mother’s soft croon,

Was our worn-out brigade by that old Irish tune.

Now pensive, now lilting, half sob and half smile,

Like the life of our race or the skies of our isle,

Our eyelids it dimmed while it tempted our feet,

For our hearts seemed to chorus its cadences sweet.

Once again in old homes we were children at play,

Or we knelt in the little white chapel to pray.

Or burned with the passion of manhood’s hot noon,

And loved o’er again in that old Irish tune.

A Johnny who crouched by the river’s dark marge,

To pick off our stragglers, neglected his charge,

And out in the moonlight stood, tearful and still,

Most tempting of marks for a rifleman’s skill;

A dozen bright barrels could cover his head,

But never a ball on its death-mission sped;

Our fingers were nerveless to harm the gossoon

Who wept like ourselves at an old Irish tune!

It linked with its strains ere they melted away

True hearts severed only by blue coats and gray,

But faithful on both sides, in triumph and woe,

To the home and the hopes of the long, long ago.

The air seemed to throb with invisible tears

Ere burst from both camps a tornado of cheers,

And a treaty of peace, to be broken too soon,

Was wrought for one night by that old Irish tune.

“HARVEY DUFF.”

There is no country in Christendom whose inhabitants are so susceptible

to music as the Irish. An itinerant musician, wandering round the

different fairs in Ireland, can exercise an influence with his bagpipes

or fiddle almost as superhuman as that of the Pied Piper of Hamelin.

“God Save Ireland” will hush the listeners into reverential silence;

“Savourneen Deelish” will cause tears to glisten on cheeks that a moment

before were flushed with merriment; “The Wind that Shakes the Barley”

will agitate the toes and rustle the petticoats of two thirds of the

living humanity in earshot, and if that instrumentalist fancies himself

a John L. Sullivan, and wishes for an opportunity of testing the muscles

of the manhood about him, let him try the “Boyne Water” for five

minutes. If he don’t get pretty well scattered about, it will be because

he has been killed in the lump.

But of all the effects of all the tunes to which all the composers

existing for all the centuries have devoted all their genius, there is

none so startling, so instantaneous, so blood-curdling as that produced

upon a constable by the strains of “Harvey Duff.” A red rag flourished

in the eyes of a mad bull, a free-trade pamphlet in a Republican

convention, a Chinese policeman ordering Denis Kearney to move on, or a

trapped mouse wagging its tail defiantly at a cat helplessly growling

outside the wirework, may provoke diabolical ebullitions of wrath; but

if you want to see a forty-horse power, Kansas cyclone, Rocky Mountain

tornado, Java earthquake, Vesuvius volcano, blue-fire and brimstone,

dynamite and gun-cotton, and all the elements combined, crash of rage,

hate, venom, spleen, disgust, and agony, just learn “Harvey Duff,” take

a trip across to Ireland, insure your life, encase yourself in a suit of

mail, and whistle it for the first policeman you meet. The result will

amply repay the journey. You needn’t take a return ticket. If he be

anything like an average peeler, you won’t want it. It might be as well

to ascertain beforehand the number of ribs you possess. It will interest

you in hospital to know how many are missing; that is, if you are lucky

enough to go to hospital.

Somebody wrote, “The path of glory leads but to the grave.” The

performance of “Harvey Duff” leads generally to the nearest cemetery.

How, when, where, and why “Harvey Duff” was composed, or who was its

composer, or in what manner the air has become indissolubly associated

with the Irish police, is one of those mysteries which, like the

authorship of the Letters of Junius, may lead to interminable theories

and speculations, but will never be definitely settled.

I suspect that “Harvey Duff,” like Topsy, “growed.”

There is a character of the name, a miserable wretch of a process-server

and informer, in Boucicault’s drama, “The Shaughraun,” but the popular

“Harvey Duff” is of country origin, and his requiem was first whistled

in Connemara, where a theatrical company would be as much out of place

as a bottle of rum in a convention of prohibitionists. It is equally

difficult to ascertain the cause of the aversion entertained to the

melody by the constabulary, but that they hate it with Niagara force has

been established a thousand times. Bodies of police have been known to

submit to volleys of stones on rare occasions, but, in a long and varied

experience, I never met a constable yet who could stand “Harvey Duff”

for thirty seconds.

An Irish Crazy-Quilt: Smiles and tears, woven into song and story · 第 1 / 14 段