CHAPTER VIII

SOME “COLD-BLOODED” LOVERS

The Courtship of the Crocodile—Amorous Lizards—Horned Chamæleons—A

flagellating Terrapin—The Frog that would a-wooing go—Semo musical

Frogs—Some marvellous instincts in Newts.

The measure of the vitality of animals may be estimated by their

response to stimuli; and their behaviour increases in variety and

complexity as the nervous system develops. Our interpretation of

that behaviour commonly leaves out of account the character of this

responsiveness: we are apt to see proof of intelligence in acts which

should be read as instinctive. And instinct is to be regarded as a

co-ordinated response to stimulus, independent of prior experience.

The complexity of this response stands in very close relation to the

structural complexity of the organism in which it occurs, and this

because an ever-increasing number of mechanisms and actions must be

set in motion to carry out the fulfilment of any given stimulus, as

this is traced from the lower to the higher groups of animals: till at

last we have to distinguish between movements that are merely reflexes,

and those which are “instinctive.” The latter must be fulfilled by

the former—the reflex actions are the agents of the instinctive.

Indifferent performance in either, endangers the existence of the

individual, and in some directions of the race itself.

The sexual instincts, with which alone these pages are concerned, are

primarily stimulated and sustained by internal forces, generated, as we

have already seen, by the juices of certain glands whose relation to

the reproductive system has only recently been discovered. Though not

commonly realized, and though denied by some, the sexual instincts are

the dominant factors in the animal world. Even Man himself, the lord

of Creation, knowing good and evil, cannot escape their overmastering

rule. Commonly he is by no means inclined to rebel against this control

But there be some who, in their arrogance, imagine that its overthrow

is an end to be desired. Having scaled some slight intellectual

eminence they fondly imagine this feat was accomplished by virtue

of some spiritual grace of their own cultivation, and call to their

fellow-men to emulate their example. But such preceptors are labouring

under a strange delusion: they are suffering from a disease they wot

not of, a “Disharmony,” as Metschnikoff calls it, a disease which

blinds their perception of the motive power which has given them all

that they believe themselves to have created. For these same despised

instincts are the sacred fires of our being, and when they are quenched

all that makes us human, love, ambition, and life itself will be

extinguished. If the continuance of the race be a thing to be desired

it is well that the choice should not be left to us.

Truisms are sometimes trite, and while it is a truism to say that

no race can continue which does not reproduce its kind, it is more

exact to say that, other things being equal, the race depends for

its existence, primarily, on the efficient working of the sexual

instincts. In the higher animals, the phenomena which these present are

so complex that they often assume something more than a semblance of

intelligent, purposeful behaviour. It is therefore necessary, for their

right understanding, that they should be analysed in animals lower and

lower in the scale of life till at last we come to the very simplest

types of organisms wherein instinct can be said to play a part.

The lower we descend in the scale of animal life in our survey of

behaviour during the reproductive period, the more the evidence seems

to grow in favour of the interpretation of the Sexual selection theory

adopted in these pages—the view that neither the formal displays nor

the exaggerations of colour and ornament which so commonly accompany

them, are due to female choice; a choice not necessarily conscious,

but rather to be interpreted as the final abandonment to the finest

performer of a number of suitors. On the contrary, this ornamentation,

of whatever kind, is the expression of an intensification of the gland

secretions which is manifested by the process of pigment concentration

and a consequent intensification of coloration. Hand in hand with

these developments it would appear goes an exaggeration of the normal

movements which characterize the species when under the influence

of great excitement, whether of fear or pleasure. At any rate, the

displays of gaudily coloured and highly ornamental species are commonly

more striking than those of sober hue.

On this rendering, the behaviour of Reptiles, Amphibia and Fishes, is

much more readily interpreted, and this is even truer of the more lowly

groups of animals such as Spiders, Butterflies and Beetles.

Among the Reptiles, as among the birds and beasts, the desire to

obtain territory seems to be strong. But the information to be

gathered as to their behaviour in the search for mates, and after, is

exceedingly small.

Sluggish by nature, all become animated under the stimulus of

mate-hunger, and this is especially true of the males. As one

would have expected, from what has just been said, desire is most

demonstrative in brightly coloured and highly ornamented species. But

even the dullest hued and most phlegmatic display quite surprising

agility and animation under the fever of Love. Thus among the

Crocodiles fierce battles are fought by rival males for the possession

of some coveted female: and later the victor strives to dispel the

apathy of his mate by caperings most undignified in a Crocodile. He

will twist and turn, or rather twirl, round on the surface of his

chosen pool, with head and tail raised high in air, and his capacious

barrel of a body swollen out to bursting point. These antics are

performed to the accompaniment of loud bellowings and roars heard at no

other season of the year. But more than this, an appeal is made to the

nose as well as to the eyes of his apathetic mate, for during all this

parade of love he exudes from glands in the lower jaw, and tail, an

almost overpowering smell of musk. At last, however, these antics have

their reward, for sooner or later apathy awakens into interest, and

interest ends in desire.

The Crocodile is colourless, or at least is monochromatic; not so many

of the Lizards, which rival the birds in the vividness of their hues.

With the birds the colours undergo no changes save such as are due

to the incidence of light; with the Lizards, however, the bare skin

is exposed and this can, as it were, be made to blush with all the

colours of the rainbow. Having regard to what has been said already

as to the sources of this coloration it is not surprising to note

that here also the males are the more vividly coloured whenever the

sexes differ in this particular. And further, it is among the most

vividly coloured males that most animated displays take place when the

endeavour is being made to excite the amorous instincts of the females.

The males of the genus Sitana are very brightly garnished. They possess

a large throat pouch, coloured blue, black, and red when expanded, and

this occurs only during moments of excitement, whether this is due to

fear or pleasure. And at the same time the vividness of the coloration

is greatly increased. No such secondary sexual characters are present

in the female.

A variant on the throat pouch, of a much more striking character, is

displayed by the Frilled Lizard (_Chlamydosaurus kingi_), wherein

the tongue bones have become enormously elongated so as to project

backwards on each side of the body almost as far as the base of the

tail. With them they have carried a thin fold of skin, so that whenever

the mouth is opened these bones stand out at right angles to the head

and display a circular fold of skin stretched as it were on rods; or

they may be compared to the ribs of an umbrella. The great Elizabethan

frill thus formed, is displayed only during moments of great

excitement, and the open mouth, at such times, is flushed with a vivid

red, which, contrasting with the teeth, gives a very terrifying aspect

to prospective enemies, and doubtless also proves a valuable asset as a

“secondary sexual character.”

The display of a vividly coloured mouth during moments of sexual

excitement, it may be remembered, occurs in some birds. Among reptiles

it is a common feature. A good illustration of this is furnished

by the Moustached Lizard (_Phrynocephalus mystaceus_), a native of

Southern Russia. When violently excited it raises itself on its hind

legs, curls and uncurls its tail, and opens its mouth to its widest

extent, presenting, to our eyes, a quite fearsome aspect. This effect

is immensely increased by the fact that the corners of the mouth

are provided with flanges of skin, which at this time swell up into

crescentic plates, the inner borders of which pass gradually into the

rosy lining of the mouth, thereby causing it to appear much wider

than it really is. So far this display has been witnessed only when

the animal is under the influence of fear. But since we find that

birds will make similar displays, both when under the stimulus of fear

and that of sex, we may assume, with no little degree of certitude,

that the same applies in the case of the reptiles, for the origin of

the ornaments is almost certainly to be attributed to the same gland

secretions which produce the secondary sexual characters of birds and

beasts.

This, however, is no mere assumption, for we have some positive

evidence as to the association of bright coloration with “courtship,”

which has been furnished by Mr. Annandale, a naturalist of long

experience and having a first-hand acquaintance with tropical life.

He has given us a lively description of the courtship of the Malayan

Lizard (_Calotes emma_). “The males,” he says, “are very pugnacious,

and change colour as they fight. At the time of courtship a curious

performance is gone through by the male, the female remaining concealed

in the foliage hard by. He chooses some convenient station, such as a

banana-leaf, or the top of a fence, and advances slowly towards the

female. His colour is then pale yellowish flesh colour, with a

conspicuous dark spot on each of the gular pouches, which are extended

to their utmost. He stands upright, raising the fore-part of the body

as high as possible, and nodding his head up and down. As he does so

the mouth is rapidly opened and shut, but no sound is emitted. When he

is driven away, caught, or killed, the dark spot disappears entirely

from the neck.”

[Illustration: Plate 30.

Photo by W. Saville-Kent.

THE BEARDED LIZARD.

Paring moments of excitement the Bearded Lizard opens the mouth widely

displaying a vividly coloured interior.

Face page 166]

Normally sluggish, the Lizards display, it will have been remarked, a

quite surprising degree of animation when maddened by mate-hunger. Some

exhibit a considerable degree of pugnacity. In _Anolis carolinensis_,

for example, when two males meet they face one another, bob the head up

and down two or three times, expand the throat pouch, lash their tails

from side to side, and then, worked up to the requisite degree of fury,

rush at one another, rolling over and over and holding firmly with the

teeth. The conflict generally ends in one of the combatants losing his

tail, which is eaten by the victor.

The Chamæleons include among their number species which have developed

quite formidable horns, recalling those of the Rhinoceros or, better,

of the extinct Arsinoetherium, since they are placed side by side

instead of one behind the other. In Owen’s Chamæleon there are three

such horns, two on the forehead and a median horn on the snout, and

these are borne only by the males.

The marvellous play of colour which many Lizards display is commonly

attributed indifferently to “protective coloration” and to “sexual

selection.” It is unlikely that both have played equally important

parts in their development. If the case of certain of the Geckoes alone

is taken, then there would seem to be no doubt but that “Natural

Selection” was the agent which had determined their elaborations

for protective purposes, and in such and similar cases this may be

largely true. But the material which “Natural Selection” has worked

upon has been furnished by the secretions of the sexual glands to

which reference has so frequently been made already. These seem to

possess a very marked tendency to contain an excitant which promotes

the formation of intense pigmentation, or an excess of tissue which

may assume the form of weapons of offence, or of excrescences in the

form of spines, or other ornamental features. Animals in whom this

tendency to pigmentation and ornament has developed must, so to speak,

obtain a licence from “Natural Selection” if they are to retain it.

That is to say, if such ornament whenever it appears makes the wearer

conspicuous to its enemies, or hampers it in escaping therefrom, or in

fulfilling the ordinary avocations of life, then its further progress

will be inhibited, or the wearer will be exterminated. But the tendency

to produce colour, a by-product of the sexual gland secretions, may

incidentally serve to afford it a protective garb, and in this event

its further elaboration in the required direction is assured.

In certain abnormal, sexually poisoned individuals among the human race

it is well known pleasure is derived from flagellation. There is but

one instance known to me where this obtains as a normal accompaniment

of desire among the lower animals, and this occurs in one of the

Painted Terrapins (_Chrysemys picta_), whose finger-nails are produced

into long, whip-like ends. I had the good fortune to witness their use

one day when in the Reptile House at the Zoological Gardens in London.

The unusual activity of a male of this species was the first thing to

attract attention to his movements. Watched more closely, he was found

to be dodging a female and making frantic efforts to swim round so as

to oppose her path. This done, he closed up and immediately commenced

to apply the bastinado to her head. The movements were so rapid that

nothing more than a blurred image of these strange whips was visible.

As soon as she escaped his attentions, he set about circumventing her

again, and again succeeded: and this most extraordinary performance was

repeated many times during my watch.

Turning to the Amphibia, the descendants of that stock which must be

regarded as the ancestors of the Reptiles, the version of the sexual

rôle which is adopted in these pages, that “Sexual Selection” in the

older, Darwinian sense, does not exist, finds further support.

Among the tailless Batrachians—the Frogs and their kind—there is no

“display” immediately preceding the act of pairing. The males seize

upon the females and hold them in a close embrace which lasts for a

very prolonged period, covering many days or even weeks, until the

extrusion of the eggs, which he impregnates by successive emissions

of the fertilizing element. What controls the orgasm no one has yet

succeeded in discovering, but this is an important point, for it is

essential that the seminal fluid should not be emitted until the moment

the eggs are set free. The pairing act is here purely instinctive, as

is shown by the fact that if a Frog in embrace be removed and replaced

on some inanimate body, this will be treated as though it were a female.

With the tailed Batrachians—the Newts and Salamanders—the male

commonly executes a very animated display which is followed by

behaviour of a quite remarkable character. The display, which is always

associated with vivid coloration, or the development of fin-like

frills along the back, takes the form of amorous writhings and other

gesticulations. At times he will hit his mate with his snout, and

at others he will simply rub sides with her, as if to entice her

to respond to his advances. These evolutions may be followed by an

amplexus, an embrace. In some species, however, these performances are

followed by behaviour which leaves one gasping with astonishment.

To begin with, there is no act of pairing, no coitus, but the male

discharges a number of conical or bell-shaped “spermatophores,” each of

which is crowned by a bunch of spermatozoa, the male germs necessary

to ensure fertilization of the ova. These spermatophores adhere to

the bottom of the stream, and are gathered up by the female, either

directly, by placing herself in such a position that they can be seized

by the lips of the genital opening, or by seizing the spermatophore,

with its fertilizing germs, between her hind legs and pressing it

home! The more one contemplates this extraordinary proceeding the more

one marvels at the evolution of a departure from the normal sexual

relations so inconceivably strange. Here one sees the purpose of the

aphrodisiac in its true light. But for these facts it would have seemed

certain that its primary object was to enable the male to relieve

desire and at the same time to accomplish its end—the fertilization of

ova—without undue waste. And this, in all the cases so far discussed,

is possible only when the female has become inflamed with a like

desire for coitus. But here the male finds relief, without more ado,

by depositing the precious germs upon the ground. The display then is

indeed to serve as an aphrodisiac. For the continuation of the race now

rests entirely on the female. Any defect in the orderly working of her

sexual appetite means the waste of the spermatozoa and the failure to

effect fertilization. We cannot suppose that there is any realization

of these facts, or any deliberate action on her part, but rather that

she derives pleasurable feelings from the necessary passage of the

spermatophore, which, probably, she recognizes by its smell.

The statement that the Frogs and their kind dispense with a display

requires some qualification. For in the first place they, like their

tailed relatives the Newts, develop secondary sexual characters, but

these are of a quite peculiar kind. Among the Newt tribe, as has been

mentioned, these characters take the form of frills and crests and

vivid colours. They are intended to stimulate through the sense of

sight, and arouse emotion, as a city is beflagged to welcome those it

may delight to honour. The Frog tribe appeal to the musical sense, even

though that music be of a barbaric kind. But, it would seem, when once

the errant females have been drawn to the spot chosen by the males, no

further aphrodisiac is used, the male simply seizing upon the female

nearest at hand and, having once embraced her, she is not released

again until the eggs have been extruded and fertilized. To maintain

his hold, the forearm is often excessively muscular, while one or more

of the fingers may be armed with pads. In some cases, as with the

Himalayan _Rana liebigi_, the inner side of the arm and each side of

the breast are studded with small conical spines. But the absence of

ornament in these cases, as with such of the Newts where there is no

amorous display before embrace, is significant.

And now, as touching the musical performances of these troubadours.

These commence in the early spring. With many species, as with our

Common Frog (_Rana temporaria_) nothing more than loud croakings are

attained. But with others this “music” is enormously increased in

volume by resonators in the form of air-sacs or wind-bags. We may

surely, with some show of certainty, liken this “music” to the song

of birds, and assign its primary purpose to the same cause—a device

to advertise their presence to wandering females seeking mates. That

birds sing after mates have been found, and later, is no doubt due

to a general feeling of “fitness,” which finds expression in what

has become the usual mode for such emotional states. Most people

must have heard the spring concerts of our Common Frog; but these

are incomparably surpassed in volume by the Edible Frog and the Bull

Frog, which are provided with large, globular, inflatable, air-sacs in

the throat, serving as voice-resonators. Such performances, however,

are mere bawlings compared with some other species, which mew like

cats, or bark like dogs. The most famous of all is the Brazilian

“Ferreiro” or “Smith” (_Hylodes faber_), whose voice is one of the

most characteristic sounds to be heard in Tropical South America.

“Fancy,” says Dr. Gadow, “the noise of a mallet, slowly and regularly

beaten upon a copper plate, and you will have a pretty good idea of

the concert given generally by several individuals at the same time

and with slight variations of tone and intensity.” When seized, the

performer utters a “loud and shrill, most startling cry, somewhat

similar to that of a wounded cat.” Another, a Paraguayan species,

_Phryniaxus nigricans_, at the breeding season, utters a call note

which consists of two clear, musical “rings,” followed by a long

descending “trill” like that of our British Greenfinch. But, it is to

be noted, both sexes in this case perform.

The period of sexual activity with perhaps the majority of animals

is intermittent and extends over but a short period annually; with

others potency is continuous, at least with the males, though desire

becomes clamant only when aroused by external stimuli. But whenever

this condition be aroused it invariably finds expression in exaggerated

movements or vocal demonstrativeness. It uses the normal channels of

expression, in short, but intensifies them. Now this period of sexual

activity represents the maximum of “fitness” in animals, and it is not

surprising, therefore, to find that when the barometer of vitality

stands high some approach to the maximum of activity is indicated. In

many birds this is revealed in song, though the earlier stimulating

cause is absent. Among the cold-blooded frogs the same obtains. In the

Edible Frog (_Rana esculenta_), for example, the males, which “are

great musicians,” remarks Dr. Gadow, “go on singing for sheer enjoyment

not only during the pairing time, but throughout the months of June and

July. Warm, moonlight nights are the favourite times for the concert,

which takes place in the water, beginning at sunset and continuing till

early dawn. A few individuals utter a single note, ‘gwarr-oo-arr’ or

‘coarx’ but these are only preliminaries. The precentor ... begins with

a sharp-sounding ‘brekeke’ and this is the signal for all the others

to chime in with the same note, varied with all sorts of other sounds,

bass, tenor and alto, each performer filling its resounding vocal sacs

to bursting size, and these bags then look as if they acted as floats.

When there are several hundred of these sociable creatures the din is

continuous, and may be heard more than a mile off.”

From what has been said of the Amphibia, and especially of the

Newts, it would seem that, among the land vertebrates at any rate,

the sexual instincts in this lowest or simplest form are satisfied

with the discharge of the germinal products. Many, however, have

advanced a stage further and reveal the rudiments of that instinctive

care for offspring which develops to higher and higher grades as we

ascend in the animal kingdom, till at last, in the human race, where

the offspring is desired for its own sake, we ascend to the highest

plane of all. The varied means of expression which these rudimentary

instincts take in the Amphibia have already been discussed in “The

Infancy of Animals,” which preceded this present volume, and hence no

more need be said on this head in these pages.

The Courtship of Animals · 第 8 / 14 章