CELEBRATED PAINTERS BORN AT ANTWERP.

Alexander Adriansen, born 1625, excelled in Fruit, Flowers, Fish, and

Still Life; John Asselyn, 1610, Landscapes and Battles; Jacques Backer,

1530, History; Francis Badens, 1571, History and Portraits; Hendrick Van

Balen, 1560, History and Portraits; John Van Balen, 1611, History,

Landscapes, and Boys; Cornelius Biskop, 1630, Portraits and History;

John Francis Van Bloemen, called Orizzonte, 1656, Landscape; Peter Van

Bloemen, Battles, Encampments, and Italian Markets; Norbert Van Bloemen,

1672, Portraits and Conversations; Balthasar Vanden Bosch, 1675,

Conversations and Portraits; Peter Van Breda, 1630, Landscapes and

Cattle; John Van Breda, 1683, History, Landscapes, and Conversations;

Charles Breydel, called Cavalier, 1677, Landscapes; Francis Breydel,

1679, Portraits and Conversations; Paul Bril, 1554, Landscapes, large

and small; Elias Vanden Broek, 1657, Flowers, Fruit, and Serpents;

Abraham Brueghel, called the Neapolitan, 1692, Fruit and Flowers; Denis

Calvart, 1555, History and Landscapes; Joseph, or Joas Van Cleef,

History and Portraits; Henry and Martin Van Cleef, brothers, Henry

painted Landscapes, and Martin History; Giles Corgnet, called Giles of

Antwerp, 1530, History, grotesque; Egidius, or Gillies Coningsloo, or

Conixlo, 1544, Landscapes; Gonzalo Coques, 1618, Portraits and

Conversations; John Cosiers, 1603, History; Gasper de Crayer, 1585,

History and Portraits; Jacques Denys, 1645, History and Portraits;

William Derkye, History; John Baptist Van Deynum, 1620, Portraits in

Miniature, and History in Water Colours; Peter Eykens, 1599, History;

Francis Floris, called the Raphael of Flanders, 1520, History; James

Fouquieres, 1580, Landscapes; Sebastian Franks, or Vranx, 1571,

Conversations, History, Landscapes, and Battle Pieces; John Baptist

Franks, or Vranx, 1600, History and Conversations; John Fytt, 1625, Live

and Dead Animals, Birds, Fruit, Flowers, and Landscapes; William Gabron,

Still Life; Abraham Genoels, 1640, Landscapes and Portraits; Sir

Balthasar Gabier, 1592, Portrait in Miniature; Gillemans, 1672, Fruit

and Still Life; Jacob Grimmer, 1510, Landscapes; Peter Hardime, Fruit

and Flowers; Minderhout Hobbima, 1611, Landscapes; John Van Hoeck, 1600,

History and Portraits; Robert Van Hoeck, 1609, Battles; Dirk, or

Theodore Van Hoogeshaeten, 1596, Landscapes and Still Life; Cornelius

Huysman, 1648, Landscapes and Animals; Abraham Janssens, 1569, History;

John Van Kessel, 1626, Flowers, Portraits, Birds, Insects, and Reptiles;

David De Koning, Animals, Birds, and Flowers; Balthasar Van Lemens,

1637, History; N. Leyssens, 1661, History; Peter Van Lint, 1609, History

and Portraits; Godfrey Maes, 1660, History; Quintin Matsys, 1460,

History and Portraits; John Matsys, son of the above, Portrait and

History; Minderhout, 1637, Sea Ports and Landscapes; Peter Neefs, the

old, 1570, Churches, Perspective, and Architecture; William Van

Nieulant, 1584, Landscapes and Architecture; Adam Van Oort, 1557,

History, Portraits, and Landscapes; Bonarentine, Peters, 1614, Sea

Pieces, and particularly Storms; Erasmus Quellinus, 1607, History;

Jacques de Roore, 1686, History and Conversations; Martin Ryckaert,

1591, Landscapes, with Architecture and Ruins; David Ryckaert, the

younger, 1615, Conversations, and Apparitions to St. Anthony; Anthony

Schoonjans, 1655, History and Portraits; Cornelius Schut, 1600, History;

Peter Snayers, 1593, History, Battles, &c.; Francis Snyders, 1579,

Animals, Fruit, Still Life, and Landscapes; David Teniers, 1582,

Conversations; Sir Anthony Van Dyke, 1599, History and Portraits; Paul

Vansomer, 1576, Portraits; Lucas Vanuden, 1595, Landscapes; Adrian Van

Utrecht, 1599, Birds, Fruit, Flowers, and Dead Game; Gasper Peter

Verbruggen, 1668, Flowers; Simon Verelst, 1664, Fruit, Flowers, and

Portraits; Verendael, 1659, Fruit and Flowers; Tobias Verhaecht, 1566,

Landscapes and Architecture; Martin de Vos, 1520, History, Landscape,

and Portrait; Simon De Vos, 1603, History, Portraits, and Hunting; Lucas

De Waal, 1591, Battles and Landscapes; Adam Willaerts, 1577, Storms,

Calms, and Sea Ports; John Wildens, 1584, Landscapes and Figures.

Peter Paul Rubens was of a distinguished family at _Antwerp_; but

his father being (says Pilkington) under the necessity of quitting his

country, to avoid the calamities attendant on a civil war, retired for

security to Cologne; and during his residence in that city Rubens was

born, in 1577. The day of his nativity was the Feast of St. Peter and

St. Paul; and thence he received at the baptismal font the names of

these apostles.

Having been absent from his native country eight years, he was summoned

home by the repeated illness of his mother; but, though he hastened with

all speed, he did not reach Antwerp in time to afford his beloved parent

the consolations of his presence and affections. The loss of her

affected him deeply; and he intended, when he had arranged his private

affairs, to go and reside in Italy; but the Archduke Albert and the

Infanta Isabella exerted their interest to retain him in Flanders, and

in their service. He consequently established himself at Antwerp, where

he married his first wife, Elizabeth Brants, and built a magnificent

house, with a saloon in form of a rotunda, which he enriched with

antique statues, busts, vases, and pictures, by the most celebrated

masters; and here, surrounded by works of art, he carried, (says his

biographer,) into execution those numberless productions of his prolific

and rich invention, which once adorned his native country, but now are

become the spoil of war, and the tokens of conquest and ambition,

shining with equal lustre among super-eminent productions of painting in

the gallery of the Louvre.

The whole of the paintings, except two, which adorn the gallery of the

Luxembourg, were executed at Antwerp, by Rubens, for Mary de Medici.

He died in the year 1640, at the age of 63; and was buried, with

extraordinary pomp, in the church of St. James, at Antwerp, under the

altar of his private chapel, which he had previously decorated with a

very fine picture.

The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 579, December 8, 1832 · 第 14 / 19 题