_The fate of Selima_
Cambridge, 1 _March_, 1747.
As one ought to be particularly careful to avoid blunders in a
compliment of condolence, it would be a sensible satisfaction to
me (before I testify my sorrow, and the sincere part I take in your
misfortune) to know for certain, who it is that I lament. I knew Zara
and Selima (Selima, was it? or Fatima?) or rather I knew both of them
together; for I cannot justly say which was which. Then as to your
handsome Cat, the name you distinguished her by, I am no less at a
loss, as well knowing one's handsome cat is always the cat one likes
best; or if one be alive and the other dead, it is usually the latter
that is the handsomest. Besides, if the point were never so clear, I
hope you do not think me so ill-bred or so imprudent as to forfeit all
my interest in the survivor; Oh no! I would rather seem to mistake,
and to be sure it must be the tabby one that had met with this sad
accident. Till this affair is a little better determined, you will
excuse me if I do not begin to cry:
Tempus inane peto, requiem, spatiumque doloris.
Which interval is the more convenient, as it gives time to rejoice
with you on your new honours. This is only a beginning; I reckon next
week we shall hear you are a free-Mason, or a Gormorgon at least.
Heigh ho! I feel (as you to be sure have done long since) that I have
very little to say, at least in prose. Somebody will be the better for
it; I do not mean you, but your Cat, feuë Mademoiselle Selime, whom I
am about to immortalize for one week or fortnight, as follows.
... There's a poem for you, it is rather too long for an Epitaph.