DEAR BOY,

It is now above forty years since I have never spoken nor written

one single word, without giving myself at least one moment's time to

consider, whether it was a good one or a bad one, and whether I could

not find out a better in its place. An unharmonious and rugged period,

at this time, shocks my ears; and I, like all the rest of the world,

will willingly exchange and give up some degree of rough sense, for

a good degree of pleasing sound. I will freely and truly own to you,

without either vanity or false modesty, that whatever reputation I

have acquired as a speaker, is more owing to my constant attention to

my diction than to my matter, which was necessarily just the same as

other people's. When you come into parliament, your reputation as a

speaker will depend much more upon your words, and your periods than

upon the subject. The same matter occurs equally to everybody of

common sense, upon the same question: the dressing it well, is what

excites the attention and admiration of the audience.

It is in parliament that I have set my heart upon your making a

figure; it is there that I want to have you justly proud of yourself,

and to make me justly proud of you. This means that you must be a good

speaker there; I use the word _must_, because I know you may if you

will. The vulgar, who are always mistaken, look upon a speaker and a

comet with the same astonishment and admiration, taking them both for

preternatural phenomena. This error discourages many young men from

attempting that character; and good speakers are willing to have their

talent considered as something very extraordinary, if not a peculiar

gift of God to his elect. But, let you and I analyze and simplify this

good speaker; let us strip him of those adventitious plumes with which

his own pride and the ignorance of others have decked him; and we

shall find the true definition of him to be no more than this: a

man of good common sense, who reasons justly, and expresses himself

elegantly, on that subject upon which he speaks. There is, surely, no

witchcraft in this. A man of sense, without a superior and astonishing

degree of parts, will not talk nonsense upon any subject; nor will he,

if he has the least taste or application, talk inelegantly. What then

does all this mighty art and mystery of speaking in parliament amount

to? Why, no more than this, that the man who speaks in the House

of Commons, speaks in that house, and to four hundred people, that

opinion upon a given subject which he would make no difficulty of

speaking in any house in England, round the fire, or at table, to

any fourteen people whatsoever; better judges, perhaps, and severer

critics of what he says, than any fourteen gentlemen of the House of

Commons.

I have spoken frequently in parliament, and not always without some

applause; and therefore I can assure you, from my experience, that

there is very little in it. The elegancy of the style and the turn of

the periods make the chief impression upon the hearers. Give them but

one or two round and harmonious periods in a speech, which they will

retain and repeat, and they will go home as well satisfied as people

do from an opera, humming all the way one or two favourite tunes that

have struck their ears, and were easily caught. Most people have ears,

but few have judgement; tickle those ears, and, depend upon it, you

will catch their judgements, such as they are.

Cicero, conscious that he was at the top of his profession (for in

his time eloquence was a profession), in order to set himself off,

defines, in his treatise _de Oratore_, an orator to be such a man as

never was, or never will be; and, by this fallacious argument, says

that he must know every art and science whatsoever, or how shall he

speak upon them? But with submission to so great an authority, my

definition of an orator is extremely different from, and I believe

much truer than, his. I call that man an orator who reasons justly,

and expresses himself elegantly, upon whatever subjects he treats.

Problems in geometry, equations in algebra, processes in chemistry,

and experiments in anatomy, are never, that I have heard of, the

objects of eloquence; and therefore I humbly conceive that a man may

be a very fine speaker, and yet know nothing of geometry, algebra,

chemistry, or anatomy. The subjects of all parliamentary debates are

subjects of common sense singly.

Thus I write whatever occurs to me, that I think may contribute either

to form or inform you. May my labour not be in vain! and it will not,

if you will but have half the concern for yourself that I have for

you. Adieu.

Selected English Letters (XV-XIX Centuries) · 第 125 / 402 题