Your very bad enunciation runs so much in my head, and gives me such
real concern, that it will be the object of this, and I believe of
many more letters. I congratulate both you and myself that I was
informed of it (as I hope) in time to prevent it; and shall ever think
myself, as hereafter you will, I am sure, think yourself, infinitely
obliged to Sir Charles Williams, for informing me of it. Good God!
if this ungraceful and disagreeable manner of speaking had, either
by your negligence or mine, become habitual to you, as in a couple of
years more it would have been, what a figure would you have made in
company, or in a public assembly! Who would have liked you in the one,
or have attended to you in the other? Read what Cicero and Quintilian
say of enunciation, and see what a stress they lay on the gracefulness
of it; nay, Cicero goes farther, and even maintains that a good figure
is necessary for an orator, and particularly that he must not be
_vastus_; that is, overgrown and clumsy. He shows by it that he
knew mankind well, and knew the powers of an agreeable figure and a
graceful manner. Men, as well as women, are much oftener led by their
hearts, than by their understandings. The way to the heart is through
the senses; please their eyes and their ears, and the work is half
done. I have frequently known a man's fortune decided for ever by his
first address. If it is pleasing, people are hurried involuntarily
into persuasion that he has a merit, which possibly he has not; as, on
the other hand, if it is ungraceful, they are immediately prejudiced
against him, and unwilling to allow him the merit which it may be
he has. Nor is this sentiment so unjust and unreasonable as at first
sight it may seem; for if a man has parts, he must know of what
infinite consequence it is to him to have a graceful manner of
speaking, and a genteel and pleasing address: he will cultivate and
improve them to the utmost. Your figure is a good one; you have no
natural defects in the organs of speech; your address may be engaging,
and your manner of speaking graceful, if you will; so that, if they
are not so, neither I nor the world can ascribe it to anything but
your want of parts. What is the constant and just observation as to
all the actors upon the stage? Is it not, that those who have the best
sense always speak the best, though they may not happen to have the
best voices? They will speak plainly, distinctly, and with the proper
emphasis, be their voices ever so bad. Had Roscius spoken quick,
thick, and ungracefully, I will answer for it, that Cicero would not
have thought him worth the oration which he made in his favour. Words
were given us to communicate our ideas by, and there must be something
inconceivably absurd in uttering them in such a manner, as that either
people cannot understand them, or will not desire to understand them.
I tell you truly and sincerely, that I shall judge of your parts by
your speaking gracefully or ungracefully. If you have parts, you will
never be at rest till you have brought yourself to a habit of speaking
most gracefully: for I aver, that it is in your power. You will desire
Mr. Harte, that you may read aloud to him every day, and that he will
interrupt and correct you every time that you read too fast, do not
observe the proper stops, or lay a wrong emphasis. You will take care
to open your teeth when you speak; to articulate very distinctly; and
to beg of Mr. Harte, Mr. Eliot, or whomever you speak to, to remind
and stop you, if ever you fall into the rapid and unintelligible
mutter. You will even read aloud to yourself, and tune your utterance
to your own ear, and read at first much slower than you need to do,
in order to correct yourself of that shameful trick of speaking faster
than you ought. In short, if you think right, you will make it your
business, your study, and your pleasure to speak well. Therefore, what
I have said in this and in my last, is more than sufficient, if you
have sense; and ten times more would not be sufficient if you have
not: so here I rest it.