AT THE MANOR

Pavel Ilitch Rashevitch marched up and down the room, stepping softly

on the Little Russian parquet, and casting a long shadow on the walls

and ceiling; and his visitor, Monsieur Meyer, Examining Magistrate, sat

on a Turkish divan, with one leg bent under him, smoked, and listened.

It was eleven o'clock, and from the next room came the sound of

preparations for supper.

"I don't dispute it for a moment!" said Rashevitch. "From the point of

view of fraternity, equality, and all that sort of thing the swineherd

Mitka is as good a man as Goethe or Frederick the Great. But look

at it from the point of view of science; have the courage to look

actuality straight in the face, and you cannot possibly deny that the

white bone[1] is not a prejudice, not a silly woman's invention. The

white bone, my friend, has a natural-historical justification, and to

deny it, in my mind, is as absurd as to deny the antlers of a stag.

Look at it as a question of fact! You are a jurist, and never studied

anything except the humanities, so you may well deceive yourself with

illusions as to equality, fraternity, and that sort of thing. But, on

my side, I am an incorrigible Darwinian, and for me such words as race,

aristocracy, noble blood are no empty sounds."

Rashevitch was aroused, and spoke with feeling. His eyes glittered, his

pince-nez jumped off his nose, he twitched his shoulders nervously,

and at the word "Darwinian" glanced defiantly at the mirror, and with

his two hands divided his grey beard. He wore a short, well-worn

jacket, and narrow trousers; but the rapidity of his movements and

the smartness of the short jacket did not suit him at all, and his

big, longhaired, handsome head, which reminded one of a bishop or a

venerable poet, seemed to be set on the body of a tall, thin, and

affected youth. When he opened his legs widely, his long shadow

resembled a pair of scissors.

As a rule he loved the sound of his own voice; and it always seemed

to him that he was saying something new and original. In the presence

of Meyer he felt an unusual elevation of spirits and flow of thought.

He liked the magistrate, who enlivened him by his youthful ways, his

health, his fine manners, his solidity, and, even more, by the kindly

relations which he had established with the family. Speaking generally,

Rashevitch was not a favourite with his acquaintances. They avoided

him, and he knew it. They declared that he had driven his wife into

the grave with his perpetual talk, and called him, almost to his face,

a beast and a toad. Meyer alone, being an unprejudiced new-corner,

visited him often and willingly, and had even been heard to say that

Rashevitch and his daughters were the only persons in the district

with whom he felt at home. And Rashevitch reciprocated his esteem--all

the more sincerely because Meyer was a young man, and an excellent

match for his elder daughter, Zhenya. And now, enjoying his thoughts

and the sound of his own voice, and looking with satisfaction at the

stout, well-groomed, respectable figure of his visitor, Rashevitch

reflected how he would settle Zhenya for life as the wife of a good

man, and, in addition, transfer all the work of managing the estate to

his son-in-law's shoulders. It was not particularly agreeable work.

The interest had not been paid into the bank for more than two terms,

and the various arrears and penalties amounted to over twenty thousand

roubles.

"There can hardly be a shadow of doubt," continued Rashevitch, becoming

more and more possessed by his subject, "that if some Richard the

Lion-hearted or Frederick Barbarossa, for instance, a man courageous

and magnanimous, has a son, his good qualities will be inherited by

the son, together with his bumps; and if this courage and magnanimity

are fostered in the son by education and exercise, and he marries a

princess also courageous and magnanimous, then these qualities will be

transmitted to the grandson, and so on, until they become peculiarities

of the species, and descend organically, so to speak, in flesh and

blood. Thanks to severe sexual selection, thanks to the fact that noble

families instinctively preserve themselves from base alliances, and

that young people of position do not marry the devil knows whom, their

high spiritual qualities have reproduced themselves from generation

to generation, they have been perpetuated, and in the course of ages

have become even more perfect and loftier. For all that is good in

humanity we are indebted to Nature, to the regular, natural-historical,

expedient course of things, strenuously in the course of centuries

separating the white bone from the black. Yes, my friend! It is not

the potboy's child, the cookmaid's brat who has given us literature,

science, art, justice, the ideas of honour and of duty.... For all

these, humanity is indebted exclusively to the white bone; and in

this sense, from the point of view of natural history, worthless

Sobakevitch,[2] merely because he is a white bone, is a million times

higher and more useful than the best tradesman, let him endow fifty

museums! You may say what you like, but if I refuse to give my hand to

the potboy's or the cookmaid's son, by that refusal I preserve from

stain the best that is on the earth, and subserve one of the highest

destinies of mother Nature, leading us to perfection...."

Rashevitch stood still, and smoothed down his beard with both hands.

His scissors-like shadow stood still also.

"Take our dear Mother Russia!" he continued, thrusting his hands into

his pockets, and balancing himself alternately on toes and heels.

"Who are our best people? Take our first-class artists, authors,

composers.... Who are they? All these, my dear sir, are representatives

of the white bone. Pushkin, Gogol, Lermontoff, Turgenieff, Tolstoy....

Were these cook-maids' children?"

"Gontcharoff was a tradesman," said Meyer.

"What does that prove? The exception, my friend, proves the rule. And

as to the genius of Gontcharoff there can be two opinions. But let us

leave names and return to facts. Tell me how you can reply, sir, to

the eloquent fact that when the potboy climbs to a higher place than

he was born in--when he reaches eminence in literature, in science,

in local government, in law--what have you to say to the fact that

Nature herself intervenes on behalf of the most sacred human rights,

and declares war against him? As a matter of fact, hardly has the

potboy succeeded in stepping into other people's shoes when he begins

to languish, wither, go out of his mind, and degenerate; and nowhere

will you meet so many dwarfs, psychical cripples, consumptives, and

starvelings as among these gentry. They die away like flies in autumn.

And it is a good thing. If it were not for this salutary degeneration,

not one stone of our civilisation would remain upon another--the potboy

would destroy it all.... Be so good as to tell me, please, what this

invasion has given us up to the present time? What has the potboy

brought with him?"

Rashevitch made a mysterious, frightened face, and continued:

"Never before did our science and literature find themselves at such

a low ebb as now. The present generation, sir, has neither ideas nor

ideals, and all its activity is restricted to an attempt to tear the

last shirt off someone else's back. All your present-day men who give

themselves out as progressive and incorruptible may be bought for a

silver rouble; and modern intelligent society is distinguished by only

one thing, that is, that if you mix in it you must keep your hand on

your pocket, else it will steal your purse." Rashevitch blinked and

smiled. "Steal your purse!" he repeated, with a happy laugh. "And

morals? What morals have we?" Rashevitch glanced at the door. "You can

no longer be surprised if your wife robs you and abandons you--that is

a mere trifle. At the present day, my friend, every twelve-year-old

girl looks out for a lover; and all these amateur theatricals and

literary evenings are invented only for the purpose of catching rich

parvenus as sweethearts. Mothers sell their daughters, husbands are

asked openly at what price they will sell their wives, and you may even

trade, my friend,..."

Up to this Meyer had said nothing, and sat motionless. Now he rose from

the sofa, and looked at the clock.

"Excuse me, Pavel Ilitch," he said, "but it's time for me to go."

But Rashevitch, who had not finished, took him by the arm, set him down

forcibly upon the sofa, and swore he should not leave the house without

supper. Meyer again sat motionless and listened; but soon began to look

at Rashevitch with an expression of doubt and alarm, as if he were

only just beginning to understand his character. When at last the maid

entered, saying that the young ladies had sent her to say that supper

was ready, he sighed faintly, and went out of the study first.

In the dining-room, already at table, sat Rashevitch's daughters,

Zhenya and Iraida, respectively aged twenty-four and twenty-two. They

were of equal stature, and both black-eyed and very pale. Zhenya had

her hair down, but Iraida's was twisted into a high top-knot. Before

eating anything each drank a glass of spirits, with an expression meant

to imply that they were drinking accidentally, and for the first time

in their lives. After this they looked confused, and tittered.

"Don't be silly, girls!" said Rashevitch.

Zhenya and Iraida spoke French to one another and Russian to their

father and the visitor.... Interrupting one another, and mixing French

and Russian, they began to remark that just at this time of the year,

that is in August, they used to leave home for the Institute. How jolly

that was! But now there was no place to go to for a change, and they

lived at the manor-house winter and summer. How tiresome!

"Don't be silly, girls!" repeated Rashevitch.

"In short, that is exactly how things stand," he said, looking

affectionately at the magistrate. "We, in the goodness and simplicity

of our hearts, and from fear of being suspected of retrograde

tendencies, fraternise--excuse the expression--with all kinds of human

trash, and preach equality and fraternity with upstarts and _nouveaux

riches_! Yet if we paused to reflect for a single minute we should see

how criminal is our kindness. For all that our ancestors attained to in

the course of centuries will be derided and destroyed in a single day

by these modern Huns."

After supper all went into the drawing-room. Zhenya and Iraida lighted

the piano candles and got ready their music.... But their parent

continued to hold forth, and there was no knowing when he would end.

Bored and irritated, they looked at their egoist father, for whom, they

concluded, the satisfaction of chattering and showing off his brains,

was dearer than the future happiness of his daughters. Here was Meyer,

the only young man who frequented the house--for the sake, they knew,

of tender feminine society--yet the unwearying old man kept possession

of him, and never let him escape for a moment.

"Just as western chivalry repelled the onslaught of the Mongols, so

must we, before it is too late, combine and strike together at the

enemy." Rashevitch spoke apostolically, and lifted his right hand

on high. "Let me appear before the potboy no longer as plain Pavel

Ilitch, but as a strong and menacing Richard the Lion-Heart! Fling your

scruples behind you--enough! Let us swear a sacred compact that when

the potboy approaches we will fling him words of contempt straight

in the face! Hands off! Back to your pots! Straight in the face!"

In ecstacy, Rashevitch thrust out a bent forefinger, and repeated:

"Straight in the face! In the face! In the face!"

Meyer averted his eyes. "I cannot tolerate this any longer!" he said.

"And may I ask why?" asked Rashevitch, scenting the beginnings of a

prolonged and interesting argument.

"Because I myself am the son of an artisan." And having so spoken,

Meyer reddened, his neck seemed to swell, and tears sparkled in his

eyes..

"My father was a plain working man," he said in an abrupt, broken

voice. "But I can see nothing bad in that."

Rashevitch was thunderstruck. In his confusion he looked as if he had

been detected in a serious crime; he looked at Meyer with a dumfounded

face, and said not a word. Zhenya and Iraida blushed, and bent over

their music. They were thoroughly ashamed of their tactless father. A

minute passed in silence, and the situation was becoming unbearable

when suddenly a sickly, strained voice--it seemed utterly mal à

propos--stammered forth the words:

"Yes, I am a tradesman's son, and I am proud of it." And Meyer,

awkwardly stumbling over the furniture, said good-bye, and walked

quickly into the hall, although the trap had not been ordered.

"You will have a dark drive," stammered Rashevitch, going after him.

"The moon rises late to-night." They stood on the steps in the darkness

and waited for the horses. It was cold.

"Did you see the falling star?" asked Meyer, buttoning his overcoat.

"In August falling stars are very plentiful."

When at last the trap drove round to the door, Rashevitch looked

attentively at the heavens, and said, with a sigh:

"A phenomenon worthy of the pen of Flammarion...."

Having parted from his guest, he walked up and down the garden, and

tried to persuade himself that such a stupid misunderstanding had not

really taken place. He was angry, and ashamed of himself. In the

first place, he knew that it was extremely tactless and incautious to

raise this accursed conversation about the white bone without knowing

anything of the origin of his guest. He told himself, with perfect

justice, that for him there was no excuse, for he had had a lesson

before, having once in a railway carriage set about abusing Germans to

fellow-passengers who, it turned out, were themselves Germans.... And

in the second place he was convinced that Meyer would come no more.

These intellectuels who have sprung from the people are sensitive,

vain, obstinate, and revengeful.

"It is a bad business ... bad ... bad!" he muttered, spitting; he felt

awkward and disgusted, as if he had just eaten soap. "It is a bad

business!"

Through the open window he could see into the drawing-room where

Zhenya with her hair down, pale and frightened, spoke excitedly to her

sister.... Iraida walked from corner to corner, apparently lost in

thought; and then began to speak, also excitedly and with an indignant

face. Then both spoke together. Rashevitch could not distinguish a

word, but he knew too well the subject of their conversation. Zhenya

was grumbling that her father with his eternal chattering drove every

decent man from the house, and had to-day robbed them of their last

acquaintance, it might have been husband; and now the poor young man

could not find a place in the whole district wherein to rest his soul.

And Iraida, if judged correctly from the despairing way in which she

raised her arms, lamented bitterly their wearisome life at home and

their ruined youth.

Going up to his bedroom, Rashevitch sat on the bed and undressed

himself slowly. He felt that he was a persecuted man, and was tormented

by the same feeling as though he had eaten soap. He was thoroughly

ashamed of himself. When he had undressed he gazed sadly at his long,

veined, old-man's legs, and remembered that in the country round he

was nicknamed "the toad," and that never a conversation passed without

making him ashamed of himself. By some extraordinary fatality every

discussion ended badly. He began softly, kindly, with good intentions,

and called himself genially an "old student," an "idealist," a "Don

Quixote." But gradually, and unnoticed by himself, he passed on to

abuse and calumny, and, what is more surprising, delivered himself

of sincere criticisms of science, art, and morals, although it was

twenty years since he had read a book, been farther than the government

town, or had any channel for learning what was going on in the world

around him. Even when he sat down to write a congratulatory letter he

invariably ended by abusing something or somebody. And as he reflected

upon this, it seemed all the more strange, since he knew himself in

reality to be a sensitive, lachrymose old man. It seemed almost as if

he were possessed by an unclean spirit which filled him against his

will with hatred and grumbling.

"A bad business!" he sighed, getting into bed. "A bad business!"

His daughters also could not sleep. Laughter and lamentation resounded

through the house. Zhenya was in hysterics. Shortly afterwards Iraida

also began to cry. More than once the barefooted housemaid ran up and

down the corridor.

"What a scandal!" muttered Rashevitch, sighing, and turning uneasily

from side to side. "A bad business!"

He slept, but nightmare gave him no peace. He thought that he was

standing in the middle of the room, naked, and tall as a giraffe,

thrusting out his forefinger, and saying:

"In the face! In the face! In the face!"

He awoke in terror, and the first thing he remembered was, that last

evening a serious misunderstanding had occurred, and that Meyer would

never visit him again. He remembered then that the interest had to

be lodged in the bonk, that he must find husbands for his daughters,

and that he must eat and drink. He remembered sickness, old age, and

unpleasantness; that winter would soon be upon him, and that there was

no wood....

At nine o'clock he dressed slowly, then drank some tea and ate two

large slices of bread and butter.... His daughters did not come down

to breakfast, they did not wish to see his face; and this offended

him. For a time he lay upon the study sofa, and then sat at his

writing-table and began to write a letter to his daughters. His hand

trembled and his eyes itched. He wrote that he was now old, that nobody

wanted him, and that nobody loved him; so he begged his children to

forget him, and when he died, to bury him in a plain, deal coffin,

without ceremony, or to send his body to Kharkoff for dissection in

the Anatomical Theatre. He felt that every line breathed malice and

affectation ... but he could not stop himself, and wrote on and on and

on....

"The toad!" rang a voice from the next room; it was the voice of his

elder daughter, an indignant, hissing voice. "The toad!"

"The toad!" repeated the younger in echo. "The toad!"

[Footnote 1: Blue blood.]

[Footnote 2: Sobakevitch, a stupid, coarse country gentleman, is one of

the heroes of Gogol's celebrated novel _Dead Souls_.]

The Black Monk, and Other Stories · 第 30 / 48 题