CHAPTER XXXIX

“The best

Impart the gift of seeing to the rest.”

THE studio lamps made cheerful colors in the right places, and Cynthia

feeling the world as far as she was concerned in her lap, in the shape

of a baby boy, round and fair with undecided features, felt that life

had brought its own rewards, richly, wonderfully. She was almost afraid,

she was so happy, with the fear of those who have gone into the

darkness, and dreamt only of the light. Leslie Damores was painting her

again, but the face was different. It was called “Motherhood,” and it

told of the great need satisfied. Muriel was coming in to see the

picture. The studio door opened and a woman come into the room; she was

little, and French, and beautifully dressed. She advanced towards

Cynthia with a little cry; then she laughed.

“Why, Cynthia, you’ve got a baby! I told them to let me come right up. I

was an old friend, and I just had to come. Oh, there’s your husband!”

She turned with another rapid laugh towards Leslie. He was looking

bravely at his wife, whose face was strained and anxious; the woman

seemed evidently nervous too.

“Well, you’re very silent you two,” she cried defiantly.

“What do you want?” said Cynthia coldly. “I thought you had gone away.”

“And so I did, and I’ve come back. Clifton died, and I married again.

Did you know it?—an American too—and he didn’t give me any peace till

I promised to get Launcelot. We Americans seem to have such horrid

consciences.”

“You never had, had you?” said Cynthia quietly. The woman looked angry,

then she laughed.

“Well, I guess you’re about right—I never had much trouble that way;

but when Sam Hicks wanted Launcelot I felt it would be right sweet to

take him back with us to America, and I had the greatest time finding

your address. You’re fixed up real genteel, Mr. Damores; I should think

you must have made painting pay. And is that Cynthia’s picture? How

perfectly lovely!”

“Mrs. Hicks,” said Cynthia slowly—“I think I understood you to say that

was your husband’s name—when you let me take Launcelot three years ago

I had no idea you would ever claim him again. He has just gone to school

here in England. He is very happy——” Cynthia’s voice broke. “Oh, why

do you want him again?” she cried—“it’s cruel.”

“I am going to have my boy,” said Mrs. Hicks raising her voice. “I tell

you——”

“A moment,” Leslie Damores broke in. “You were last heard of running

away with a French Count. Do you think you are a fit person to take care

of a child?”

“Why, how dare you?” she cried, facing him with frightened rage; “I

declare I never heard the like! I’ll have you up for libel, Mr. Leslie

Damores; and, as for you, Mrs. Leslie Damores——”

“I am speaking for my wife, and you may speak to me,” said Leslie,

“otherwise you leave the room.” Mrs. Hicks began to cry.

“And to think that I am respectably married and everything. But that’s

what it is, a poor woman must always suffer for her mistakes, while as

for you—you can have as many of them as you like, and you’re none the

worse for them!” She stopped again; their silence checked her, she felt

hushed by their quiet contempt; and yet, angrier than ever, “I’m the

boy’s mother,” she said turning to Cynthia; “how would you like to have

your child taken from you?” Cynthia looked helplessly at her husband;

the woman had touched the right plea; she was the boy’s mother.

“You shall see Launcelot to-morrow, Mrs. Hicks,” said Leslie, “and by

that time I shall have inquired into your case, and if your assertions

are true as to your husband and his means of support we will consider

the matter. Meanwhile there is nothing more to be said, and if you will

allow me I will take you downstairs.”

Mrs. Hicks looked spitefully at Cynthia, but Leslie’s face checked

her—the baby had begun to cry. She flung up her head and left the room.

The baby had gone, and Cynthia was crying alone in the studio when he

came back. He took her in his arms.

“Oh, Leslie,” she moaned, “he meant everything to us, dear little

fellow. Do you remember he made me good again, and he found you for me?

Leslie, I can’t let him go back to her. She left him so cruelly. He is

mine, darling—tell me I needn’t let him go—he’s such a delicate little

fellow. Oh, I can’t! I can’t!” He stroked her hair; she had never cried

since her marriage.

“Dearest, we will leave it to him. She is his mother—we mustn’t forget

that. She has some claim on him, after all.”

“You could threaten to tell her husband about—about the Count,” she

whispered.

“Oh, no, no, no,” said Leslie gently.

“I didn’t mean it, dear—I didn’t mean it,” she sobbed afresh.

“I will go and bring Launcelot,” he said.

“Isn’t that baby crying?” It was not baby crying, but she turned and

fled upstairs.

“After all,” said Leslie thoughtfully, “she’s not Launcelot’s mother.”

Then he went out.

Muriel came in to find the studio empty of everything but the great

picture of “Motherhood.” The woman holding Paradise in her arms stung

her to the quick with her expression of ineffable content. She was not

looking at the child in her arms. She was holding it too close to need

the reassurance of a glance; she was looking across the child with all

the loves in her eyes, steady and beautiful and bright, eyes too happy

to smile. Muriel knew suddenly that it was the way Cynthia looked at her

husband. She did not wish to see them then, so slowly she let the

curtain down before the picture and crept softly out of the room. But

the woman’s eyes followed her home, and when she was in the club and

back in her room she saw them still. They seemed to have a quiet wonder

in them that any woman could ever dream that there was any other

happiness than that.

“Something is surely wrong when one begins to count up one’s blessings,”

said Muriel. “My life is full—full of everything I want!” But as she

looked defiantly in the glass she saw she had not got the woman’s look

in her eyes.

Launcelot and Leslie walked hand in hand very solemnly home through the

streets of London. Leslie had been trying to explain. Launcelot’s little

face was very white, but he would not cry.

“Do you think—do you think I ought to leave you and Lady Beautiful

and—and baby?” he asked wistfully.

“She is your mother, dear boy, and she wants you very much,” said Leslie

reproaching himself for the coldness in his voice.

“And are mothers everything?”

“Mothers are a very great deal, old fellow. You see you belong to

them—you’re their very own.”

“Yes, I suppose so,” said the little fellow wearily. “Baby is Lady

Beautiful’s very own, and so are you, but I’m not to be any more.” There

was a quiver in his voice. Leslie pressed his little hand, he felt too

much to speak. “My mother didn’t want me very much for her very own

before, did she? You see she gave me to Lady Beautiful.”

“She wants you now,” said Damores hoarsely. They were very near home.

“I—I don’t think I want her very much, you know,” said Launcelot

wistfully. “But they didn’t give me any choice, did they, when they made

me belong to her?”

“I think they thought she needed you; you see she has no one else but a

new husband,” Leslie explained.

“Then I must go,” said Launcelot as Leslie opened the door, “because you

see a new husband can’t be much, and a boy who belongs to you must mean

more, I should think.”

“I am quite sure that a boy who belongs to you means much more,” said

Leslie kissing him.

So it was all settled before Launcelot ever saw Lady Beautiful. They

looked a little nervously at each other as the door opened and they saw

her sitting by the fire. She sprang up with a little sudden cry and her

arms held out to him. He had been to school and knew that fellows never

cry, but he had only just learnt it—and he forgot. Leslie watched them

for a moment sobbing in each other’s arms. The tenderness and pity from

her new rich store made her seem more wonderful than ever to him. His

heart ached at their grief, but the woman’s assertions were true—the

child must go. The inevitable had to him a consolation. He went and

smoked hard in the studio. To Cynthia it was a cage, and she struggled

in vain against the bars, crying over Launcelot as he slept at last,

with troubled breathing from his late sobs. But when the baby cried she

went to it again. The next morning Mrs. Hicks appeared. She was

nervously anxious to please. She called Launcelot by all the

affectionate names she could think of, but he only looked at her with

half-frightened, wondering eyes.

“And now Launcelot will come with mother?” she asked at last. He looked

wistfully back at Cynthia and her husband, his heart breaking. Parting

with the baby had been gone through upstairs. He had cried till he could

cry no more, so he only looked at them.

“I would rather belong to you, Lady Beautiful,” he whispered, as she put

her arms about him, “much, much rather belong to you.”

She watched him walk with his mother down the street, her face pressed

to the panes. When he reached the corner he turned and waved back to

her. His mother gave his arm a little pull, and he did not turn again.

It was the last time Cynthia ever saw him. He went out of her life as

suddenly and strangely as he had entered it; but in the meantime the

broken thread had been joined together again, the dreams she had

resolutely crushed had blossomed in a garden of reality, and the great

power of love had filled up what had been the emptiness and desolation

of her soul.

Life, the Interpreter · 第 39 / 40 章