CHAPTER II.

THE BLUE CHAMBER.

In the morning he found the front yard had a wild and tangled, and

the garden a neglected look, and busied himself, with the boys, in

improving their appearance.

In the afternoon he overhauled a small desk, the contents of which

soon lay about on the floor. There were papers of all colors and

sizes--scraps, single sheets, and collections of several pages--all

covered with verses in many hands, from that of the young boy to

elegant clerkly manuscript. They seemed to represent every style of

poetic composition. It would have been amusing to watch the manner

and expression with which the youth dealt with these children of his

fancy, and to listen to his exclamations of condensed criticism. He

evidently found little to commend. As he opened or unrolled one after

another, and caught the heading, or a line of the text, he dashed it

to the floor, with a single word of contempt, disgust, or derision.

"Faugh!" "Oh!" "Pshaw!" "Blank verse? Blank enough!" Some he lingered

over for a moment, but his brow never cleared or relented, and each

and all were condemned with equal justice and impartiality. When the

last was thrown down, and he was certain that none remained, he rose

and contemplated their crumpled and creased forms with calm disdain.

"Oh, dear! you thought, some of you, that you might possibly be

poetry, you miserable weaklings and beguilers! You are not even

verses--are hardly rhymes. You are, one and all, without sense or

sound." His brow grew severe in its condemnation. "There! take

that! and that! and that!"--stamping them with his foot; "poor

broken-backed, halting, limping, club-footed, no-going, unbodied,

unsouled, nameless things. How do you like it? What business had you

to be? You had no right to be born--never were born; had no capacity

for birth; you don't even amount to failures! Words are wasted on you:

let me see if you'll burn." Lighting one, he threw it upon the hearth.

"It does! I am surprised at that. I rather like it. How blue and faint

the flame is--it hardly produces smoke, and"--watching until it was

consumed--"no ashes. Too ethereal for smoke and ashes. Let me try the

rest;" and he did.

He then opened a small drawer and took out a portfolio, in which were

various bits of bristol-board and paper, covered with crayon and pen

sketches, and some things in water-colors--all giving evidence of a

ready hand which showed some untaught practice. Whether his sense of

justice was somewhat appeased, or because he regarded them with more

favor, or reserved them for another occasion, was, perhaps, uncertain.

Singularly enough, on each of them, no matter what was the subject,

appeared one or more young girl's heads--some full-faced, some

three-fourths, and more in profile--all spirited, all looking alike,

and each having a strong resemblance to Julia Markham. Two or three

were studied and deliberate attempts. He contemplated these long and

earnestly, and laid them away with a sigh. They undoubtedly saved the

collection.

That night he wrote to Henry:

"DEAR BROTHER,--I am back, of course. It is an unpleasant way of

mine--this coming back. It was visionary for me to try a fall with the

sciences at Hudson. You would have been too many for them; I ran

away. I found Colton sick at Cincinnati. The Texan Rangers had left.

I looked into the waters of the Ohio, running and hurrying away

returnlessly to the south-west. Lord, how they called to me in their

liquid offers to carry me away! They seemed to draw me to linger, and

gurgle, and murmur in little staying, coaxing eddies at my feet, to

persuade me to go.

"How near one seems to that far-off region of fever and swamp, of sun

and sea, of adventure and blood, and old buccaneering, standing by

those swift waters, already on their way thither! Should I go? Was

I not too good to go, and be lost? Think of the high moral

considerations involved? No matter, I didn't go--I came! Well!

"On reflection--and I thus assume that I do reflect--I think men don't

find opportunities, or, if they do, they don't know them. One must

make an opportunity for himself, and then he will know what to do with

it. The other day I stood on the other side of the Chagrin waiting for

an opportunity, and it didn't come, and I made one. I waded through,

and liked it, and that was not the only lesson I learned at the same

time. But that other was for my personal improvement. A man can as

well find the material for his opportunity in one place as another.

See how I excuse myself!

"Just now, I am a reformed young Blue Beard. Fatima and her sister may

go--have gone. I have just overhauled my 'Blue Chamber,' taken down

all my suspended wives, and burned them. They ended in smoke. Lord!

there wasn't flesh and blood enough in them all to decompose, and they

gave out no odor even while burning. I burned them all, cleaned off

all the blood-spots, ventilated the room, opened the windows, and will

turn it to a workshop. No more sighing for the unattainable, no more

grasping at the intangible, no more clutching at the impalpable. I am

no poet, and we don't want poetry. Our civilization isn't old enough.

Poets, like other maggots, will be produced when fermentation comes.

I am going about the humdrum and the useful. I am about as low in

the public estimation as I can well go; at any rate I am down on hard

land, which will be a good starting-point. Now don't go off and become

sanguine over me, nor trouble yourself much about me.

"'The world will find me after many a day,' as Southey says of one of

his books. I doubt if it ever did. The Doctor contends that Southey

was a poet; but then he thinks I am, also!

"What a deuce of a clamor is made about this new comet or planet! What

a useful thing to us poor, mud-stranded mortals to find out that there

is another little fragment of a world, away some hundreds of

millions of miles, outside of no particular where--for I believe

this astronomical detective is only on its track! The Doctor is in

ecstacies over it, takes it as a special personal favor, and declaims

luminously and constellationally about writing one's name among the

stars, like that frisky cow who, in jumping over the moon, upon a

time, made the milky way. I've always had some doubts about that

exploit; but then there is the mark she left. Your friend Roberts

is uneasy about this new star business; he is afraid that it will

unsettle the cheese market, and he don't know about it, nor do I.

"There! I got home only last night, and haven't heard any news to

write you. Some time I will tell of two or three things I saw and

heard, and about some of our cousins, who regard us as belonging to

the outer and lower skirts of the race. If I am to be one end of a

family, let it be the beginning.

"Mother sends love. Edward and George speak of you constantly. I've

not seen our Major since my return.

"Write me a good, sharp, cutting, criticising, deuced brotherly letter

soon. As ever,

"BART.

"P.S. Have you read Pickwick?

"B."

It was full of badinage, with only a dip or two into an absorbing

purpose that he had fully formed, and which he evidenced to himself by

the summary expulsion of the muses.

In the world of nature and humanity, is there such an embodiment of

contradictions and absurdities as a youth in his transit from the

dreamland of boyhood to the battle-field of manhood, through a region

partaking of both, and abounding with strange products of its own? I

am not speaking of the average boy, such boys as make up the male mass

of the world--the undreaming, unthinking, plodding, drudging, sweating

herd, whose few old commonplace, well-worn ideas don't possess the

power of reproduction, and whose thoughts are thirteenth or thirteen

hundredth-handed, and transmitted unimpregnated to other dullards, and

whose life and spirit is that of the young animal merely--but a real

young man, one of possibilities, intended for a man, and not merely

for a male, one in whom the primitive forces of nature are planted,

and who may develop into a new driving or forming power. What a mad,

impulsive, freaky thing it is! You may see him bruising his still

soft head a score of times against the impossible, and he will still

contend that he can do it. He will spring frantically up the face of

an unclimbable precipice, as the young salmon leaps up a cataract, and

die in the faith that he can go up it.

Oh, sublime faith! Oh, sublime folly! What strides he is constantly

taking to the ridiculous, and not always from the sublime! How strong!

how weak! How wise! how foolish! Consistent only in folly, and steady

in the purpose of being foolish. How beautiful, and how ugly! What a

lovable, detestable, desirable, proud, wilful, arrogant, supercilious,

laughing, passionate, tender, cruel, loving, hating, good sort of a

good-for-nothing he is! He believes everything--he believes nothing;

and, like Mary's Son, questions and mocks the doctors to their beards

in the very temple. Patience! he must have his time, and room to grow

in, develop, and shape out. Let him have coral for his teeth, and

climbing, and running, and jumping for his muscle. No man may love

him, and no woman but his mother, and she is to be tried to the extent

of endurance. Wait for him; he will, with or without your help, turn

out good or bad, and in either event people will say: "I always told

you so," "I always knew it was in him"; and cite a score of unhappened

things in proof of their sagacity.

Barton was one of these; neither better nor worse, full of

possibilities and capabilities, impulsive, rash, and unreasoning. He

has just made a resolve, and will act upon it; proud and sensitive

to a degree, he had heard a word of fault once at the store, which

another word would have explained. He would not say it, and went. It

was discovered that the fault was not his, in time for him to remain;

but he left without that word. He is willing to take his chances, and

must speak and act for himself.

He sealed and directed his letter, walked about with the plaintive

airs of old melodies running and running through his head, and sang

snatches and verses of sad old ballads, going over and over with some

touching line, or complaining strain, till he was saturated with its

tender melancholy, and so he came back to ordinary life.

Bart Ridgeley: A Story of Northern Ohio · 第 2 / 52 章